Podcast appearances and mentions of Dana E Glauberman

Just a few months after Cobra Kai ended, the Karate Kid “universe” is back with a new movie. Karate Kid: Legends hit theaters today and I had a chance to see the film! While I love the original Karate Kid, I don't think there has been a single good Karate Kid sequel and I have the unpopular opinion that The Next Karate Kid is probably the most enjoyable movie in this franchise outside of that original, but maybe on a ‘so bad it's good' level than being legitimately great. But of course, I love Cobra Kai. My reviews of some of the season of Cobra Kai are some of my most popular episodes I've ever published, but I did get quite a lot of flack for my disappointments with the final season. I always found it so odd how quickly after Cobra Kai we were already seeing Ralph Macchio as Daniel LaRusso again, epically because of how perfect that final scene between him and Johnny was. Also, this franchise has just beaten the Karate Kid formula to death by this point. Does Karate Kid: Legends stand as the best film in the franchise since the original, and is it a worthy follow up to Cobra Kai? Find out in this review!Karate Kid: Legends:Directed by: Jonathan EntwistleWritten by: Rob LieberBased on characters created by: Robert Mark KamenProduced by: Karen RosenfeltExecutive Producers: Jenny Hinkey, Ralph MacchioMusic by: Dominic LewisEdited by: Dana E. Glauberman, Colby Parker Jr.Production Design by: Jon Billington, Maya SigelCostume Design by: Mirren Gordon-CrozierCast: Ben Wang, Jackie Chan, Ralph Macchio, Joshua Jackson, Sadie Stanley, Ming-Na WenSynopsis: After a family tragedy, kung fu prodigy Li Fong is uprooted from his home in Beijing and forced to move to New York City with his mother. When a new friend needs his help, Li enters a karate competition – but his skills alone aren't enough. Li's kung fu teacher Mr. Han enlists original Karate Kid Daniel LaRusso for help, and Li learns a new way to fight, merging their two styles into one for the ultimate martial arts showdown.

Today on Art of the Cut we speak with the editing team of the Star Wars TV series, Ahsoka: (alphabetically, they are) Dana E. Glauberman, ACE, Rosanne Tan, ACE, and James D. Wilcox, ACE.  Dana was nominated for an ACE Eddie Award for her work on Ahsoka, Part Four: Fallen Jedi. She also has received Eddie nominations for multiple feature films, as well as for The Mandalorian, for which she was also nominated for a Primetime Emmy Award. Dana's been on Art of the Cut for Ghostbuster's Afterlife, Creed 2,  and The Mandalorian.  Rosanne's credits include Homecoming - for which she was nominated for an ACE Eddie, Mr. Robot, for which she was nominated for two ACE Eddies, Seven Seconds, Hawkeye, and The Falcon and the Winter Soldier. Rosie was on Art of the Cut for her work on The Falcon and the Winter Soldier. James is an ACE Eddie winning editor for his work on Einstein: Chapter One, of the Genius TV series. He's been on Art of the Cut for two of Ron Howard's feature films, Thirteen Lives and Hillbilly Elegy. He's also cut TV series including CSI: Miami, Hawaii Five-0, and Roots. You can follow along with the transcript and great visual support on BorisFX's blog of this podcast. borisfx.com/blog/aotc.

On this episode of Editors on Editing, Glenn interviews Dana E. Glauberman, Roseanne Tan and James D. Wilcox who are part of the editorial team for the show "Ahsoka." Dana, was nominated for an Eddie for Ahsoka. She also received Eddie nominations for Thank You For Smoking & Juno and. And for her work on Mandalorian, she was also nominated for a primetime Emmy award. Roseanne's credits include Homecoming for which she was nominated for an Eddie, Mr. Robot, for which she was nominated for two Eddies, The Falcon and The Winter Soldier and Hawkeye. James has edited Genius, Einstein Chapter One for which he won the Eddie, CSI Miami, Everyone Hates Chris, Hillbilly Elegy and 13 Lives. Thanks again to ACE for partnering with us on this podcast, check out their website for more. Want to see more interviews from Glenn? Check out "Editors on Editing" here. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show! --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthecut/support

Ghostbusters: Afterlife - Dana E. Glauberman ACE, Nathan Orloff, Will Files, Perry Robertson Although editor Dana E. Glauberman ACE and sound editor / re-recording mixer Perry Robertson already had plenty of experience working with director Jason Reitman, editor Nathan Orloff and veteran sound editor / re-recording mixer Will Files were not quite as familiar with the "Reitman-verse".  But together these four very talented people helped create a new film that not only honored the beloved comedy classic, but also paved the way so that a whole new generation could fall in love with symmetrical book stacking. DANA E. GLAUBERMAN ACE Dana E. Glauberman ACE is known for her work on THE MANDALORIAN (2019), CREED II (2018),  UP IN THE AIR (2009) and JUNO (2007). NATHAN ORLOFF Nathan Orloff is known for his work on JOHN WICK 4 (2022), PLAN B (2021) and TULLY (2018). WILL FILES Will Files is known for his work on THE INVISIBLE MAN (2020), VENOM (2018), WAR FOR THE PLANET OF THE APES (2017), STAR WARS:  EPISODE VII - THE FORCE AWAKENS (2017) and CLOVERFIELD (2008). PERRY ROBERTSON Perry Robertson is known for his work on THE FRONT RUNNER (2018), WONDER (2017) and TRUMBO (2015). Editing Ghostbusters: Afterlife In our discussion with the GHOSTBUSTERS: AFTERLIFE post production team of Dana E. Glauberman ACE, Nathan Orloff, Will Files and Perry Robertson we talk about: Using legacy sounds from the original film Bringing back a lost scene from Ghostbusters (1984) How to create voices for ghosts and marshmallow men Dividing up the workload in picture and sounds Advice for up-and-comers looking for a career in editing and mixing The Credits Get your free 100GB of media transfer at MASV Visit ExtremeMusic for all your production audio needs Save big on Avid Media Composer and Pro Tools before 2021 is over Listen to parts one and two from the Season One interview with The Mandalorian editors Hear Will Files and his esteemed colleagues discuss The Psychology of Sound Design Subscribe to The Rough Cut for more great interviews with the heroes of the editing room Visit The Rough Cut on YouTube  

Today we're speaking with Dana E. Glauberman, ACE, and Nathan Orloff about their work on Ghostbusters: Afterlife. I last spoke to Dana along with the rest of the editing team for The Mandalorian, and before that for Creed II. Dana was nominated for ACE Eddies for Thank you for Not Smoking, Juno, Up in the Air, Young Adult, and The Mandalorian. Other titles in her filmography include Draft Day, Labor Day, and No Strings Attached. Nathan Orloff's filmography includes Plan B, and work as an additional or associate editor on The Front Runner, Tully, and 10 Cloverfield Lane. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

Today's episode is the masterclass that took place at the Calgary International Film Festival on September 26th, 2021 with the editors from Ghostbusters: Afterlife - Dana Glauberman, ACE and Nathan Orloff. Dana E. Glauberman, ACE is an award-winning Film Editor known for her work on critically-acclaimed projects including JUNO, UP IN THE AIR, and THE MANDALORIAN. She has garnered recognition for her craft, receiving five ACE Eddie Award nominations, a BAFTA Award nomination, a Primetime Emmy Award nomination, and three “Editor of the Year'' accolades. GHOSTBUSTERS: AFTERLIFE will be Glauberman's seventh feature film partnership with director Jason Reitman. She is currently working on Disney+'s THE BOOK OF BOBA FETT.  Nathan Orloff is an editor who has worked in various positions in post production before cutting for Jason Reitman on TULLY. He's been to a galaxy far, far away… and where no one has gone before. With his latest feature, he's busted ghosts one frame at a time with GHOSTBUSTERS: AFTERLIFE. Nathan recently finished PLAN B, a critically-acclaimed comedy for Hulu that championed diverse stories and voices, both on and off the screen.

  Today we are talking about the 2012 film, The Guilt Trip staring Seth Rogan and Barbara Streisand about a mother and son road trip while they learn a little more about one another. This Dan Fogelman (This Is Us) film was produced by Lorne Michaels and Seth’s production partner Evan Goldberg. The tagline of this film is “Get ready for one Mother of a road trip”. The editors of the film are Dana E. Glauberman and Pricilla Nedd-Friendly. My apologies for assuming that you were male. The future is female.   “I am responsible for one of the pauses - they were fighting in the hotel and I could see both character’s points of view.” - Christi Dodge       Some of our favorite parts of this movie are:   -How it is difficult for parent to see their adult children as adults   -Examples of Show, Don’t Tell   -“It was a trampy year for mommy” - Joyce   -How Dan Folgelman is knowledgable of the parent/child dynamic   -The one F Bomb is delivered by Barbara Streisand in the hotel in Vegas   -And our regular features of the Pick up line, By the Numbers and of course Mike’s Driving Review       Subscribe, Rate & Share Your Favorite Episodes!   Thanks for tuning into today’s episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review.   Don’t forget to visit our website https://dodgemediaproductions.com, connect with us on Instagram https://www.instagram.com/dodgemediaproductions/, Facebook https://www.facebook.com/DodgeMediaProductions, and LinkedIn https://www.linkedin.com/company/42370161/admin/, and share your favorite episodes across social media.

On todays episode of the Art of the Cut Podcast Steve talks with Dana E. Glauberman, ACE, Andrew Eisen, ACE, Dylan Firshein, and Jeff Seibenick about editing the multi-Emmy nominated Disney+ series "The Mandalorian." You likely know Dana E. Glauberman, ACE from her work on films like “Thank you for Smoking”, “Juno” and “Up in the Air.” She is also the editor of the upcoming film “Ghostbusters: Afterlife.” Andrew Risen, ACE edited “The House with a Clock in its Walls” and “The Imitation Game.” Jeff Seibenick edited shows like “Eastbound and Down” and “Vice Principals.” Dylan Firshein was the first assistant editor on “Solo: A Star Wars Story” and “The Big Short." Enjoy the episode! Todays episode of the Art of the Cut Podcast is brought to you by Filmtools.com, Hollywoods trusted one-stop shop for all things production and post. Today, Filmtools is offering Art of the Cut listeners 10% off thousands of products when shopping on Filmtools.com with code AOTC10 at checkout. The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend!