1967 live album by Willis Jackson
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Song List:1- Sweet, Sweet Spirit2- Are You Washed in the Blood?3- I Believe in a Hill Called Mount Calvary4- Near the Cross5- Because He Lives6- Go, Tell It on the MontainMessage: Bro. Bobby GossScripture: 2 Timothy 1:1-18Invitation- Cleanse Me
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls and talks a little Polk County Sports on National Devil Food Cake Day.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff and Denise take your phone calls, as we celebrate Jeff's Birthday. Big Hugs and Thank You to our amazing Shopper family for all Jeff's birthday wishes.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls, highlights community events, checks the big calendar and talks a little sports on a busy Fry-Yay!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls on a busy and beautiful Saturday!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Tom and Denise take your phone calls and checks out the April Radio Store Certificates.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls, highlights community events and looks at the big calendar.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls, highlights community events and checks the big calendar!
Sintonía: "Blind Barnabas" - The Golden Gate Quartet"Everybody´s Gonna Have A Wonderful" - Sister Rosetta Tharpe with The Dependable Boys; "Dese Bones Gonna Rise Again" - The Golden Gate Quartet; "Jesus Hits Like The Atom Bomb" - The Pilgrim Travellers; "What Could I Do" - Mahalia Jackson; "Lead Me To That Rock" - Wandering Boys; "Forgive Me Lord And Try Me One More Time" - Sister Rosetta Tharpe; "Go Where I Send Thee" - Alphabetical Four; "What A Time Singing With Angels" - The Galilee Singers; "What Could I Do" - Sister Ernestine Washington; "Jesus Is Here Today" - Sister Rosetta Tharpe & The Sam Price Trio; "Shadrack" - The Golden Gate Quartet; "I´ll Tell It" - The Pilgrim Travellers; "The Sun Didn´t Shine" - Alphabetical Four; "This Train" - Sister Rosetta Tharpe & The Sam Price Trio; "Satisfied" - Wandering Boys; "Gospel Train" - The Wright Brothers Gospel Singers; "The Natural Facts (That´s All)" - Sister Rosetta Tharpe & the Sam Price TrioTodas las músicas extraídas de la recopilación (2xCD) "Black Gospel" (Disky Communications, 2000) La primera parte de esta recopilación (CD 1) se emitió el 04/02/2025Escuchar audio
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls and highlights community events on a beautiful Saturday morning.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls, highlights community events and a little sports talk!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff and Sean take your phone calls, spotlight community events, a talk sports and revisit the kazoo!
Song List:1- By His Grace2- What a Day That Will Be3- He Lives4- Go, Tell It on the MountainMessage: Bro. Steve LeCroyScripture: 1 Chronicles 4:1-10Invitation- I Need Thee Every Hour
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff and Denise take your phone calls, check the big calendar, we make our NFL picks, talk big gator and Denise's Word of the Day!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls on a sunny, chilly Saturday morning.
Christmas Eve Worship December 24, 2024, from Queen Anne Lutheran Church in Seattle, our 11 PM service—Pastor Dan Peterson; Cantor Kyle Haugen; Choir and String Quartet Pre-service Music: Organ—Lo, How a Rose, Johannes Brahms (1833-1897);Congregational Carol—The First Noel, ELW 300; Choir—Come, Thou Long-Expected Jesus, Kyle S. Haugen (b. 1973); String Quartet—Selections from Christmas Concerto, Arcangelo Corelli (1653–1713), arr. Lynn Latham; Congregational Carol—O Little Town of Bethlehem, ELW 279; Congregational Carol—What Child Is This, ELW 300; String Quartet—Sinfonia from Christmas Oratorio, Johann Sebastian Bach (1685–1750), arr. Dave Prudon • Processional Carol—O Come, All Ye Faithful, ELW 283 • Hymn of Praise—Angels We Have Heard on High , ELW 289 • First Reading—Isaiah 9:2-7 • Second Reading—Titus 2:11-14 • Gospel—Luke 2:1-20 • Sermon "The Gift of Grace"—Pastor Dan Peterson • Hymn—Love Is Come, ELW 292 • Carols at the Distribution—Go, Tell It on the Mountain , ELW 290; It Came Upon the Midnight Clear, ELW 282; Infant Holy, Infant Lowly, ELW 276 • Hymn (candlelight)—Silent Night, Holy Night, ELW 281 • Recessional Hymn—Hark! The Herald Angels Sing, ELW 270 • Postlude—Chorale prelude on IN DULCI JUBILO, BWV 729, J.S. Bach (1685–1750) Link here to view the bulletin. Enjoying our worship recordings? Consider giving a gift to our church; go to this link.
Prelude - "The Coventry Carol" Traditional English Carol, Arr. Brad Nix - Lyubov Solovyova, Cello; Jenny (Jee-El) Park, piano"Joy to the World!" (Medley) Arr. David T. Clydesdale - Jenny (Jee-El) Park, pianoWelcome & News of the ChurchEditor's note: I apologize, but the lighting of the Candle of Joy involved a microphone that did not send audio to the recording device. Devotional Reading"Come, Thou Long Expected Jesus" - words by Charles Wesley; Music by Stralsund Gesangbuch (1665); Arr. Keith & Kristyn Getty/Paul Campbell"O Come, O Come, Emmanuel" - from "Veni Emmanuel" (Latin hymn), Plainsong, 1850; Arr. Timothy Kile - Coastal California Chorale with Juwan Hong, Cello; Jenny Park, pianoProphecies Fulfilled"O Thou that Tellest Good tidings to Zion" (Chorus No. 9 from "Messiah") by George F. Handel"Behold" (with "O Come, Let Us Adore Him") - by Sophia Torjesen, Worship Leader; Arr. John BolinThe Savior from Heaven"Behold" (with "O Come, Let Us Adore Him") - by Sophia Torjesen, Worship Leader; Arr. John BolinScripture Reading - Luke 2:1–7"Almost There" (with "Mary, Did You Know?") Arr. Cliff DurenScripture Reading - Luke 2:8–14Medley of Carols (from "Let Heaven and Nature Sing!") with "Hark! The Herald Angels Sing", "Angels We Have Heard on High", "Joy to the World", "The First Noel"Scripture Reading - Luke 14–20"Welcome to Our World" (with "You Are Welcome Here") - Words & Music by Chris Rice; Arr. John BolinCall for the OfferingThe Greatest LightScripture Reading - Matthew 2:1–6, 9–11"Let Us Adore Him Medley" Arr. John Bolin & Cliff Duren - with "O Come, All Ye Faithful, "I Worship You, Almighty God", "There Is None Like You", and "The Love of God" (forever Mine) - Harry Bui, Worship LeaderThe Thread of Christmas"Silent Night" - "Stille Nacht" by Joseph Mohn and Franz Gruber, 1819 - Arr. Dan Forrest"Jesus is Born!""Born in Bethelehem" (A Medley of Christas Spirituals) Arr. Bruce Greer - with "Mary's Little Boy Child", "Amen", "The Virgin Mary Had a Baby Boy", "Go, Tell It on the Mountain", "Children, Go Where I Send Thee!"BenedictionPostlude - "Emmanuel" by Michael W. Smith
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls, highlights community parades, and has lots of laughs.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Tom takes your phone calls on Thanksgiving eve!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff and Denise take your phone calls on a very special Fry-Yay, plus Denise's word of the day.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff kicks off the week with your phone calls on National Chocolate Day!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Tom takes your phone calls on good looking Saturday morning!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff and Denise take your phone calls and talk with Polk County officials about the storm and recovery efforts. Plus Denise's word of the day.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls on Monday, World Barber Day!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls on terrific Saturday!
Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses...... Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Under the Bridge by Red Hot Chili Peppers (1991)Song 1: Sweet Home Chicago by Robert Johnson (1936)Song 2: Heaven by Calum Scott (2022)Song 3: Tell It to the Volcano by Miniature Tigers (2008)Song 4: Been It by The Cardigans (1996)Song 5: Walk the Dinosaur by Was (Not Was) (1987)Song 6: The Right Thing to Do by Carly Simon (1972)Song 7: Diggy Liggy Lo by Doug Kershaw & Rusty Kershaw (1961)Song 8: Lies by Peter, Bjorn and John (2011)Song 9: He's a Mighty Good Leader by Beck (1994)Song 10: (Your Love Keeps Lifting Me) Higher and Higher by Jackie Wilson (1967)
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls on this very muggy and steamy Tuesday. Plus we check the Olympic Medal count and enjoy a Root Beer Float.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls on his wife's Anniversary!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff and Sean take your phone calls, as we sweat through another hot Wednesday, celebrating National Kitten Day!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff and Sean take your phone calls, as we saunter through a Wednesday! Plus Sean's Sy-Fy quote of the day.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls, Lori joins us from the Thrift Store, and we remember and honor the brave men and women who fought on D-Day.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Tom takes your phone calls on a busy, beautiful Saturday!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Welcome back Sean! Jeff and Sean take your phone calls on a wild hump day!
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff and Sean take your phone calls, and we celebrate Butterscotch Browine Day.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phones, highlights upcoming community events and another special guest stops by our studios.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your calls and highlights upcoming events on National Eight Track Day, you remember, right?.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. Jeff takes your phone calls on the Good Friday Edition of the Shopper and we highlight Easter celebrations around the county.
Known by many names: Swap Shop, Tradio, Tell It and Sell it, our fun and free version is called The WBF Shopper. Thanks for listening. It's National Sloppy Joe Day and Jeff takes your phone calls on the final day of Winter!
Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S. Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors. In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S. Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors. In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S. Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors. In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S. Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors. In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S. Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors. In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Here is the second of a two part series in celebration of David Savran's new book, Tell It to the World: The Broadway Musical Abroad, a monumental study on transnationalism and the Broadway-style musical. In the first part, David and I spoke about (and played examples from) the rich culture surrounding musicals in South Korea. Today's episode focuses on Germany and the influx of Broadway musicals since World War II. Although the German-speaking world has a long tradition of popular music theatre, most notably operetta, the arrival of American musicals (beginning in 1955 with Kiss Me, Kate) made a very big splash. In 1961, My Fair Lady opened in West Berlin, became a sensational success, and permanently changed the shape of German musical theatre. Both Kiss Me, Kate and My Fair Lady are part of the first wave of Broadway musicals that have become part of the standard repertoire in state-subsidized theatre (the others include Cabaret, Anatevka (Fiddler on the Roof), West Side Story, La Cage aux Folles, and Hair). We also look at the development of home-grown Broadway-style musicals in both West and East Germany from the 1960s through the 1980s and their subsequent impact on the work of experimental theatre makers. The next to last chapter of the book studies the musical farces directed by the great theatrical innovator, Herbert Fritsch, since 2011. The last focuses on the work of Barrie Kosky at the Komische Oper Berlin and how he turned that house into the foremost theatre in Germany for innovative re-imaginings of Broadway musicals, with emphasis on iconoclastic stagings by Kosky (and other directors) of the work of Kurt Weill. We play examples from many of the thrilling productions about which David writes which deserve to be known by a much wider audience. Along the way we also listen to nearly a century's worth of performances by some legendary performers of German operetta and musicals, including Fritzi Massary, Olive Moorefield, Gisela May, Max Hansen, Dagmar Manzel, Horst Schulze, Ruth Rosenfeld, Julia Migenes, Julia Koci, and the late Rainer Luhn. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.
Last month Oxford University Press published my dear friend David Savran's Tell It to the World, a monumental study on transnationalism and the Broadway-style musical. The book focuses on two specific markets: South Korea and Germany. To help David get the word out about his book, over the next few weeks I am featuring two different episodes of Countermelody in which David and I discuss the themes and concerns of the book, as well as playing short musical examples to illustrate those points. Today's episode focuses on South Korea and the influx of US-influenced musical styles to the country from the 1920s through to KPOP. We hear examples of the American influence on Korean popular music, from the first Korean singer to record Western-style music in the 1920s, the tragic Yun Sim-deok, through to the breezier (and occasionally psychedelic) musical stylings of such 60s pop groups as The Kim Sisters and He5, through to the folk-pop of the intense Kim Kwang-Seok and the innovative yet tradition-infused music of fusion groups Ensemble Sinawi and Jambinai. David also explains how Seoul became a center for musicals in Asia, with American musicals like Dreamgirls adapted for a specifically Korean audience, while also discussing a number of popular Korean musicals, most of them with Korean themes: Hero, The Days, Frankenstein, and Seopyeonje. This last work is based on a popular 1993 film; and both works, film and musical, spearheaded the resurgence of interest in the tradition of pansori, a uniquely Korean brand of dramatic solo theatrical performance dating back to the 18th century. Finally, and inevitably, there is a discussion of how KPOP has “infiltrated” the Korean musical, particularly with the brief appearance on Broadway of the musical KPOP. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.
Harvey Brownstone conducts an in-depth Interview with Taylor Dayne, Music Superstar About Harvey's guests: Today's special guest, Taylor Dayne, is an iconic singer, songwriter and actress whose distinctive vocal style and powerful range catapulted her to global superstardom in 1987 with her #1 debut single "Tell It to My Heart". Since then, she's had 17 more top 20 hits including "Prove Your Love", "I'll Always Love You", “Don't Rush Me”, "Love Will Lead You Back", "With Every Beat of My Heart", “Naked Without You, and 3 of my all-time favourites, “Can't Get Enough Of Your Love", "Planet Love" and “Beautiful”. She's sold over 75 million records, earned 3 Grammy nominations, an American Music Award, multiple New York Music Awards, and she's been honoured by the New York Music Hall of Fame. And get this - both Rolling Stone AND Billboard Magazines have named her one of the greatest Female Dance artists of all time. She is one of the very few artists in contemporary music history to successfully crossover into almost every musical genre, with hit singles in Pop, Dance, R&B, Adult contemporary and Rock. In 2019, our guest released a highly compelling, insightful and inspirational memoir entitled, “Tell it to my Heart”, sharing her personal journey of turning obstacles and vulnerability into resilience, strength, success and personal fulfillment. But in my opinion, the best way to experience our guest is live on stage, and lucky for us, she's currently on tour, playing to sellout audiences and getting rave reviews across the country. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Taylor Dayne, go to:https://www.taylordayne.com/https://www.facebook.com/TheRealTaylorDayne/https://www.instagram.com/therealtaylordayne/https://twitter.com/taylordaynehttps://www.youtube.com/user/taylordayne #TaylorDayne #harveybrownstoneinterviews
This Listeners' Favorites episode serves a dual purpose: first it is a celebration the publication this week of my partner David Savran's new book, Tell It to the World: The Broadway Musical Abroad, by Oxford University Press. (I'll be doing two episodes with David on this book in March in conjunction with the book launch.) Second, David introduces us to one of his favorite Countermelody episodes, a 2021 Black History Month celebration of the life, voice, and career of the great African American contralto Carol Brice (1916-1985), whose career encompassed both Broadway and opera. It's that very versatility that most attracted David to Brice's work. He describes to us his first exposure to a variety of her recordings, from Falla to Finian's Rainbow. I myself first heard Carol Brice in her recording of “Sweet Little Jesus Boy,” which exemplifies all her musical virtues: simplicity and directness of utterance, lack of sentimentality, and deep identification with both text and music. Add to this a voice of such depth and refinement and a technique so secure that she is almost without equal. From her early career outings as the first African American to win the coveted Naumburg Award, through her appearances on the Broadway stage and in Porgy and Bess, Carol Brice brought an emotional honesty to her performances such as is rarely encountered in any field of genre. On this episode I feature her in a wide range of live and commercial recordings from Marc Blitzstein's Regina to concert pieces by Brahms and Mahler, focusing in particular on a matchless 1947 song recital with her brother Jonathan Brice as her collaborator. Brice's second husband, the baritone Thomas Carey is also featured in a pair of recordings. Thank you, David, for re-introducing my listeners to this great artist, and congratulations on your monumental new book! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.
Say it! Tell It! Live It! Bishop Sheard Joins Stephen Strang to discuss his new book and how the Holy Spirit is moving in the Church of God in Christ!
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