Podcasts about Mandalorian

It's time for ForceCenter LIVE! Why will The Mandalorian and Grogu succeed? The ForceCenter audience is here to call in with their reasons for being excited for the movie and more! Go live with Ken Napzok and Joseph Scrimshaw on the 794th episode of ForceCenter.From the minds of Ken Napzok (comedian, host of The Blathering), Joseph Scrimshaw (comedian, writer, director of Dead Media), and Jennifer Landa (actress, YouTuber, crafter, contributor on StarWars.com) comes the ForceCenter Podcast Feed. Here you will find a series of shows exploring, discussing, and celebrating everything about Star Wars. Subscribe on Apple Podcasts and Google Podcasts. Listen on TuneIn, Amazon Music, Spotify, and more!Follow ForceCenter!Watch on YouTube!Support us on PatreonForceCenter merch!All from ForceCenter: https://linktr.ee/ForceCenter Hosted on Acast. See acast.com/privacy for more information.

https://lnk.bio/Jeditalk Episode 409! The full council has returned, and today we each discuss three things we would change about the Star Wars sequel trilogy (Episodes 7 thru 9). There were some things that seemed super obvious that did not happen involving characters from the original trilogy, while some of the risks Disney took paid off.  Tune into episode 409 of Jedi Talk to hear some of the things we would change - and let us know what you would change on our YouTube or Instagram (see link above and below).  If you would like to see The Mandalorian and Grogu in a private theater with us and fellow listeners on opening night, please let us know ASAP! This will cost you nothing and is a thanks for being a listener! https://lnk.bio/Jeditalk

EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value.   Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.

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The first trailer for The Mandalorian and Grogu has dropped, and Erin and Alex dive deep into every frame while Matthew sits this one out (spoiler-free as always). From Zeb's live-action bow staff combat to Rotta the Hutt's surprising return, the hosts unpack what this May 2026 release might mean for the Star Wars galaxy post-Empire.In this episode we discuss:What does Grogu's increased independence and combat capability signal for his character development?Will Zeb's fighting style from Rebels translate effectively to live action?How does Rotta the Hutt's transformation from Clone Wars connect to this film's story?What role will the Anzellans (Babu Frik's species) play in the movie?Is this film setting up a larger confrontation with Thrawn and the Imperial Shadow Council?Where does this story fit in the timeline relative to Ahsoka and other Disney+ shows?What can we expect from Sigourney Weaver's New Republic officer character?Why is the return of Star Wars to theaters after six years so significant?Hosts: Erin & Alex (Matthew abstaining to avoid spoilers)Note: Contains spoilers for The Mandolorian and Grogu trailer and discussion of footage shown at Star Wars Celebration. **************************************************************************This episode is a production of Star Wars Generations, a The Ethical Panda Podcast and part of the TruStory FM Entertainment Podcast Network. Check our our website to find out more about this and our sister podcast Superhero Ethics.We want to hear from you! You can keep up with our latest news, and send us feedback, questions, or comments via social media or email.Email: Matthew@TheEthicalPanda.comFacebook: TheEthicalPandaInstagram: TheEthicalPandaPodcastsTwitter: EthicalPanda77Or you can join jump into the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.To learn more about co-host Erin and her incredible cosplay check out her Instagram, LadyTanoCreates.Want to get access to even more content while supporting the podcast? Become a member! For $5 a month, or $55 a year you get access to bonus episodes and bonus content at the end of most episodes. Sign up on the podcast's main page you can even give membership as a gift!You can also support our podcasts through our sponsors:Purchase a lightsaber from Level Up Sabers run by friend of the podcast Neighborhood Master AlanUse Audible for audiobooks. Sign up for a one year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

Another fantastic arc in Season 4, this time starting with Deception. Obi-Wan goes deep undercover as the Mandalorian bounty hunter Rako Hardeen, and the Jedi keep too many secrets from Anakin, with an introductory set of episodes that is surprisingly strong even when taken as standalones. Let's jump in!BECOME A PATRON: https://www.patreon.com/massivebreakdownpodcastsCHAT SERVER: https://discord.gg/C44PeM5RSf

It's the Writers of Star Wars panel from FanX Salt Lake! Bryan Young was joined by Zoraida Cordova, Michael A. Stackpole, and many others to talk about writing in the world of Star Wars! Listen in to this incredibly fun panel!

He's back! Brendan Wayne joins the Sessions for the third time to discuss the upcoming The Mandalorian & Grogu and his experiences on set, what fans can expect and the differences between shooting for streaming and cinema. Brendan also chats the reception to Mando season three, his favourite episodes, and pays tribute to the late Carl Weathers. We also answer some great Patreon questions at the end.Support the show via Patreon at patreon.com/starwarssessions from as little as £2/$2/€2 a month and get loads of BONUS EPISODES! Find Star Wars Sessions on Instagram, X, Threads, Bluesky, Facebook, TikTok, and YouTube. Contact us at hellothere@starwarssessions.co.ukIntro background music by Kfir Ochaion - remixed by Star Wars Sessions.For everything Sessions, head to starwarssessions.co.uk Hosted on Acast. See acast.com/privacy for more information.

Frank and Jonathan catch up after a busy con season and dig into the biggest geek stories they've missed. We react to the Mandalorian & Grogu trailer and its old-school adventure vibe, talk through why a Game of Thrones one-two punch in 2026 could work (and where House of the Dragon still needs to land), and break down the first real look at the Wolverine game from Insomniac. We also map out what the Peaky Blinders movie and sequel series might cover, debate the point of The Simpsons Movie 2, and line up a sharp October watchlist. Plus: Jordan Peele's Him hits digital with bonus content, and we're giving away copies today. Timestamps & Topics 00:00–02:24 • Catch-up and con season recap (Crocker Con, LA Comic Con, highlight video) 02:24–11:08 • Mandalorian & Grogu poster + trailer reactions, practical effects, scale, IMAX plans 11:08–19:12 • Game of Thrones 2026: House of the Dragon S3 expectations, big battles, “movie-episode” idea; A Knight of the Seven Kingdoms tone and Dorne 19:12–23:21 • The Simpsons Movie 2: why now, scope, and what would make it worth theaters 23:21–29:19 • Wolverine (Insomniac) gameplay: combat feel, Omega Red stakes, Mystique story tricks, scent-tracking 29:19–39:51 • Peaky Blinders: WWII film setup, Tommy vs. fascism, the 1953 sequel series and what shifts after the war 39:51–40:23 • What we're rewatching: Invincible 40:23–40:51 • Ad: Jordan Peele's Him now on digital + bonus content 40:49–40:51 • Giveaway: Free copies of Him dropping on our socials today 40:51–48:14 • October Watchlist: Solar Opposites, Hazbin Hotel, Star Wars: Visions, It: Welcome to Derry, The Witcher's final season 48:14–52:18 • Horror picks, Tron rewatch plans, final recs (Reading Rainbow with Mychol the Librarian) Key Takeaways Mandalorian & Grogu looks like classic adventure cinema with modern polish, and the scale finally feels “Star Wars movie” again. House of the Dragon S3 needs payoff right away; A Knight of the Seven Kingdoms works best if it stays grounded and character-driven. Wolverine aims for weighty, tactile combat; villains like Omega Red can raise stakes by limiting healing. Peaky Blinders is set up for a strong WWII film handoff to a 1953 sequel series that explores post-war power shifts. The Simpsons Movie 2 needs a big, timely hook to justify the leap back to theaters. October TV is stacked, and It: Welcome to Derry has room to dig into the town-wide effects of Pennywise. Memorable Quotes “There's something about a Star Wars movie where the budget is just whatever they wanted to do.” “Make the season climb, then drop a theater-only battle movie the very next weekend.” “Star Wars tech feels bolted together in the best way. You can almost hear the click of every panel.” “He operates perfectly in the gray area where politics can't see.” “The best horror makes you think about it long after the scare.” Call to Action If you enjoyed this episode, follow and subscribe, rate us 5 stars, and share the show with a friend. Drop a review and tag your post with #GeekFreaks so we can shout you out next week. Links & Resources GeekFreaksPodcast.com — the source of all news discussed on our podcast Follow Us Facebook: https://www.facebook.com/thegeekfreakspodcast Threads: https://www.threads.net/@geekfreakspodcast Twitter: https://twitter.com/geekfreakspod Instagram: https://www.instagram.com/geekfreakspodcast/ Patreon: https://www.patreon.com/GeekFreakspodcast Listener Questions What did you think of the Mandalorian & Grogu trailer? Which October show are you most excited for? Send questions and topic requests for future episodes, and we'll feature them on the show. Apple Podcast tags: Geek Freaks, Geek Freaks Podcast, Mandalorian and Grogu, Star Wars, Game of Thrones, House of the Dragon, A Knight of the Seven Kingdoms, The Simpsons Movie 2, Wolverine game, Insomniac Games, Peaky Blinders, Tommy Shelby, Invincible, It Welcome to Derry, Solar Opposites, Hazbin Hotel, Star Wars Visions, The Witcher, Tron Legacy, Reading Rainbow, Jordan Peele Him, October watchlist

The Season 2 finale of The Mandalorian (Chapter 16, “The Rescue”) sweeps to a stunning conclusion. Prepare to weep.This week, we celebrate THAT cameo—and the way this episode works for both new and veteran fans. We sing praises to the all-gal attack squadron that takes Moff Gideon's light cruiser, discuss Imperial calcification in the wake of the Death Star(s) being destroyed, and look forward to continuing the Mandalorian's tale.Next week, we'll do just that, in The Book of Boba Fett, Chapter 1: “Stranger in a Strange Land.”New to Growing Up Skywalker? Come join us for non-toxic Star Wars recaps from a veteran and a new fan. New episodes every Tuesday.Want more Growing Up Skywalker? This is a great time to sign up for our Patreon for bonus audio content! Timestamps:00:00:00 Who Are We?00:02:47 Plot Summary00:13:26 LUKE SKYWALKER EVERYBODY00:34:10 Everybody Else00:44:28 Imperial Calcification00:49:16 Bae Watch00:56:29 Closing Thoughts

Join the Marks on episode 236 of Making Tracks as they snap on the Marigolds and dip their hands into the soapy sink of Star Wars news. This week Mark M celebrates his part in a Guinness World Record breaking costuming event, Mark N celebrates 20 years of podcasting, they dig into the trailer for The Mandalorian & Grogu and look at recent comments from John Boyega and his thoughts on the sequel trilogy. All this and more Anzellans than you could shake a stick at on the 236th episode of Making Tracks. Remember to tune in to Good Morning Tatooine, LIVE Sunday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook, YouTube, X, Instagram and Twitch and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. Thanks to James Semple for the Fantha Tracks intro, Blues Harvest for our Making Tracks opening music and Mark Daniel and Vanessa Marshall for our voiceovers. Subscribe and tune in to all of our shows at https://radio.fanthatracks.com And of course for all your Lucasfilm and Star Wars news 24/7, 365 days a year head on over to https://www.fanthatracks.com You can contact our shows and send in your listeners questions by emailing radio@fanthatracks.com or by leaving a comment on our social media feeds: https://www.instagram.com/fanthatracks https://www.facebook.com/FanthaTracks https://www.x.com/FanthaTracks https://www.threads.net/@FanthaTracks https://www.reddit.com/r/fanthatracks/ https://mastodon.social/@fanthatracks https://bsky.app/profile/fanthatracks.com https://www.pinterest.co.uk/fanthatracks/ https://fanthatracks.tumblr.com/

This week on the Toy Power Podcast; we are all SUPER HYPED! We are recording on the Night prior to the Adelaide Comic & Toy Fair! Because of this Event; we have not one, but TWO Special Guests join us for this very loose ep! Welcoming everyone's favourite jokester: Mr DaveyDamaged!! Plus all the way from Melbourne; we have Master Criss Fresh in studio as well! With a very unscripted Runsheet - we cycle through a few Latest News Topics. A chat about the New Star Wars Trailer; as well as the fact it's been 7 years between films now! A rundown of the latest Radical Rewind Cinema Club; plus the hype & excitement of the upcoming Film! Rounding out the ep, we have a round table chat around latest scores. With a surprise gift; that could be conceived as unwanted?!?! This ep is full of tangents & side discussions! A less structed ep than normal; but trust us; it was such a blast to record!! To hear more from DaveyDamaged; be sure to follow: Daves Video Graveyard or check out Radcial Rewind Cinema Club for a monthly dose of awesome Films! Want more from Master Fresh? - be sure to follow: ReFreshing Thoughts (YouTube & Podcast) or The Geek Dudes Podcast or even Hey Hey Its The Podcast - all available though any good Podcast Streaming Network! Support the show: http://patreon.com/toypowerpodcastSee omnystudio.com/listener for privacy information.

Greetings Bucketheads!Today we go inside the Imperial facility on Lothal to meet Fulcrum. The new Fulcrum ,not that Fulcrum!Strap on your buckets, let's go!Please follow the show at:Mando_Vision on Twitter and Instagram. Email: MandoVisionTom@gmail.comPlease, like, subscribe and share the show with your friends on all of your favorite podcast platforms and if you can take the time to write a 5-Star review, it will be read on the show! Thank for all the support, please stay safe and take care of each other. Music by Dirty Sweet and used with permission.All audio clips from any “Star Wars” material is copyright of Disney Enterprises Inc. and is only used for the sole purpose of promotion of Disney property and to provide context for talking points. Mando Vision is copyright Thomas Pritchard 2025. ★ Support this podcast on Patreon ★

It's time for some Star Wars news LIVE! Timothy Olyphant wants to play Cobb Vanth again... and we agree. And that also has us wondering who WILL be in The Mandalorian and Grogu. Plus, This Week in Star Wars History and your live questions. Go beyond the headlines with Joseph Scrimshaw, Jennifer Landa and Ken Napzok on the 793rd episode of ForceCenter.From the minds of Ken Napzok (comedian, host of The Blathering), Joseph Scrimshaw (comedian, writer, director of Dead Media), and Jennifer Landa (actress, YouTuber, crafter, contributor on StarWars.com) comes the ForceCenter Podcast Feed. Here you will find a series of shows exploring, discussing, and celebrating everything about Star Wars. Subscribe on Apple Podcasts and Google Podcasts. Listen on TuneIn, Amazon Music, Spotify, and more!Follow ForceCenter!Watch on YouTube!Support us on PatreonForceCenter merch!All from ForceCenter: https://linktr.ee/ForceCenter Hosted on Acast. See acast.com/privacy for more information.

The DCU is off and running with Creature Commandos, Superman, and Peacemaker season 2, but what's on the horizon?  James Gunn spoke about it and the guys give their take.  Plus, casting news for the Batman II, trailers for The Bride, The Mandalorian and Grogu, and the Halloween video game.  

Tarkin's Top Shelf covers the latest Star Wars announcements and releases. Becca and Mark first discuss the news before diving into the Mandalorian and Grogu Teaser, "Rebuild the Galaxy: Pieces of the Past," and the Starfighter image and rumors.   Help us spread the word about the show Click here to subscribe via iTunes Click here to subscribe via RSS Click here to subscribe via Stitcher Click here to subscribe via Google Play Music Feedback and Promotion Follow us on Twitter @TarkinsTopShelf Like us on Facebook: Tarkin's Top Shelf Follow us on Instagram @TarkinsTopShelf Follow us on Threads  Follow us on Bluesky

Sometimes the answers are right in front of your face... though PhantasticGeek.com's Pete and Matt not only look into Peacemaker 207... they wonder how things will end up in the finale.Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3

In this episode, the boys return to discuss the latest horror hit: Weapons. Written and directed by Zach Cregger, whose last film, Barbarian, was a smash hit. We also get into a good amount of news, from trailers, DC drama, and an AI Stan Lee?Timestamps0:00:00 Intro0:02:00 Bane Creator Trashing DC's Superman0:05:56 The Mandalorian & Grogu Trailer0:13:15 Stallone's Rambo Prequel is RidiculousFollow Us On Social Media https://www.instagram.com/cosmickickback/ https://twitter.com/cosmickickback https://www.tiktok.com/@cosmickickbackpodhttps://discord.gg/m6p6z3B8Follow us on Twitch! https://www.twitch.tv/phantomhushhttps://www.twitch.tv/apolloxnickThe Boy's Channels! https://www.youtube.com/channel/UCOVCy8sQkO8cafKxYpO-VVA https://www.youtube.com/c/NickBarreraFollow us on Letterboxd!https://letterboxd.com/JoshuaFowlerhttps://letterboxd.com/nickbarrera

Mike and Kelsey talked about Movies that can only be watched on a 2004 Chevrolet Tahoe's built-in DVD player’ . A very specific topic that sparked discussion online because of it being the rush of nostalgia we need right now. In the Movie Review, Mike talks about One Battle After Another starring Leonardo DiCaprio, Sean Penn and Benicio del Toro. When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunite to rescue one of their own daughters. Mike talks about director Paul Thomas Anderson and his long run times, how Leonardo DiCaprio shined with his comedic timing, why the movie needed more of and what Oscar it is likely to win. In the Trailer Park, Mike talks about “The Mandalorian and Grogu” which will be the first “Star Wars” movie in theaters in over 7 years. Mike talks about why he thinks the Star Wars fanbase is split and whether or not it feels epic enough for the big screen or should have just been Season 4 of the show. New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.com See omnystudio.com/listener for privacy information.

This week's So Many Sequels is stacked with news, reviews, and hot takes:Sterling Harjo's new FX/Hulu series The Lowdown puts Tulsa in the spotlight with Ethan Hawke leading the charge.Josh gives a glowing review of PTA's One Battle After Another starring Leonardo DiCaprio and Sean Penn.Garrett dives back into the Taken franchise (yes, Liam Neeson still has a particular set of skills).David gets schlocky with Tales from the Crypt: Demon Knight and Bordello of Blood.We react to Aaron Sorkin's follow-up to The Social Network, plus the new Mandalorian & Grogu trailer.And of course, we wrap up with box office breakdowns and a tease of American Psycho and “So Many Scares vs. Jason” for October.

Lone Wolf and Cub: Sword of Vengeance (1972) might be the most outrageous and hardcore samurai film we've covered yet. Former shogunate executioner Ogami Ittō becomes a disgraced wanderer, pushing his infant son through Edo-period Japan in a baby cart full of hidden weapons. Along the way, he faces betrayal, conspiracies, and blood-soaked battles that helped inspire everything from The Mandalorian to Ghost of Yōtei. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's time for ForceCenter LIVE! What are you looking forward to in The Mandalorian and Grogu movie? What Star Wars Halloween costume would you like to dress up in? We tackle all this and more! Go live with Ken Napzok on the 792nd episode of ForceCenter.From the minds of Ken Napzok (comedian, host of The Blathering), Joseph Scrimshaw (comedian, writer, director of Dead Media), and Jennifer Landa (actress, YouTuber, crafter, contributor on StarWars.com) comes the ForceCenter Podcast Feed. Here you will find a series of shows exploring, discussing, and celebrating everything about Star Wars. Subscribe on Apple Podcasts and Google Podcasts. Listen on TuneIn, Amazon Music, Spotify, and more!Follow ForceCenter!Watch on YouTube!Support us on PatreonForceCenter merch!All from ForceCenter: https://linktr.ee/ForceCenter Hosted on Acast. See acast.com/privacy for more information.

We learn how rediscovering a passion for Star Wars can change your path in life. The first in our series featuring members of Thank The Maker's vibrant and supportive Patreon community. Subscribe to Thank the Maker on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Thank the Maker on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Thank the Maker merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ thankthemakermerch.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the finest garments and accessories in the galaxy at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RSVLTS⁠⁠⁠⁠⁠⁠⁠Follow and message us on Instagram to get 20% off your first purchase at rsvlts.com!Follow TTM on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thankthemakerpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate to "WHAT CHOICE? - Star Wars Fans For Abortion Access" at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gofundme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow the hosts on social media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam Russell⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nick Ghanbarian⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠William Ryan Key⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mike Forester⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jason Chiodo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ahsoka, Anakin Skywalker, Ahsoka Tano, Rosario Dawson, Hayden Christensen, Obi-Wan Kenobi, Andor, The Book of Boba Fett, The Bad Batch, The High Republic, #makesolo2happen, The Mandalorian, Star Wars Visions, Anime, Star Wars Anime, Disney Gallery, Galactic Starcruiser, Halcyon, Chandrila Star Line, Galaxy's Edge, Rogue Squadron, Disney+ Day, Hondo Supply, Armor Party, Kathleen Kennedy, Star Wars Celebration, Star Wars Black Series, Temuera Morrison, Black Krrsantan, Tosche Station, Danny Trejo, Fennec Shand, Ming-Na Wen, Mark Hamill, Luke Skywalker, Cad Bane, Princess Leia, Vivien Lyra Blair, Carrie Fisher, Tales of the Jedi, Cassian Andor, Bix Caleen, Brasso, Luthen Rael, Mon Mothma, Vel Sartha, Cinta Kaz, Dedra Meero, Syril Karn, Orson Krennic

https://lnk.bio/Jeditalk The full council is out this week due to a friends wedding - so please enjoy this repost of the time our friend Ben Crane (actor, musician, creator...all around great guy) joined the show!  We will be back next week.  https://lnk.bio/Jeditalk Do you want to see The Mandalorian and Grogu in a private theater with us? DM us on Instagram: @jeditalkpodcast 

What a Piece of Junk Episode 170 Star Wars The Mandalorian and Grogu trailer reaction! Watch the video version on Fandom Podcast Network YouTube Channel: https://www.youtube.com/@FandomPodcastNetwork Listen to the audio podcast version here: https://fpnet.podbean.com/category/what-a-piece-of-junk-a-star-wars-podcast Star Wars finally returns to the movie theaters with Star Wars The Mandalorian and Grogu! And we've got the trailer for the upcoming film and are ready to give you our reactions. Are there going to be cameos and Easter Eggs galore? Will we see continuations of existing Mandalorian storylines? And who is that "buff" Hutt? While we don't know the answers to all these questions just yet, we sure are filled with opinions and reactions to one of the most fun Star Wars trailers we've seen in many years. Join us as we also welcome back Babu Frik! What A Piece Of Junk / Fandom Podcast Network Contact Information:   -What A Piece Of Junk a Star Wars Podcast audio podcast master feed: https://fpnet.podbean.com/category/what-a-piece-of-junk-a-star-wars-podcast… - What A Piece Of Junk a Star Wars Podcast Facebook Group: https://www.facebook.com/groups/WhatAPieceOfJunk/ - Email: whatapieceofjunkpod@gmail.com - Twitter: @WhatWars   Fandom Podcast Network Social Media links.   - Fandom Podcast Network Audio Master Feed: https://fpnet.podbean.com/ (The FPNet is on Podbean app) - Instagram: @FandomPodcastNetwork  - Twitter: @FanPodNetwork - Fandom Podcast Network is on all major podcast platforms. - Facebook: Fandom Podcast Network: https://www.facebook.com/Fandompodcastnetwork/   Fandom Podcast Network Tee Public Store: Please support  the What A Piece Of Junk podcast and the Fandom Podcast Network by visiting our TeePublic store, while wearing your favorite show logos with pride! Tee Public Store: https://www.teepublic.com/user/fandompodcastnetwork   #StarWars #Mandalorian #Grogu #MandalorianandGrogu #MovieTrailer

Welcome to Star Wars Reactions!Just off the heels of the incredible Ocala Comic Con, hosts Aaron Harris and David Modders sit down to discuss their reactions to the recently released trailer to the upcoming The Mandalorian and Grogu movie! Join them as they breakdown some of the details from the trailer, discuss some of their favorite moments, and even share some of their wishlist for the movie. And you don't want to miss this week's all new Star Wars Dad Joke of the Week!Show Outline:Episode 224 IntroInitial ReactionsTrailer ReactionsFinal ReactionsClosingStar Wars Dad Joke of the WeekStar Wars Reactions: Elegant discussions for a more civilized age!Click here to leave us a voicemail via SpeakPipe!Email us here!Follow us on X!Follow us on Facebook!Follow us on Instagram!Follow us on  TikTok!Follow us on Threads!Follow us on Bluesky!Follow us on Pinterest!Subscribe on YouTube!Follow Aaron and David on X!Follow Aaron and David on Instagram!

In this episode, we dive into the latest buzz in the world of film and TV! The next Star Wars movie starring the characters of The Mandalorian and Grogu looks like a movie starring the characters of The Mandalorian and Grogu, suddenly the new Anaconda movie's existence kind of makes sense, Rick Moranis has official returned, and it only took twenty years but The Simpsons are returning to the big screen. Tune in for all the hot takes and updates!

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Ignite your inner bounty hunter as Analytic Dreamz unleashes a gripping reaction to the official trailer for Star Wars: The Mandalorian and Grogu, unveiled September 22, 2025, and blasting into IMAX theaters May 22, 2026. Directed by Jon Favreau and co-written with Dave Filoni, this high-stakes sequel to the Disney+ saga thrusts Din Djarin (Pedro Pascal) and Grogu into the fray of a fractured galaxy: the Empire's remnants clash with the fragile New Republic, enlisting the armored warrior and his pint-sized Force-sensitive apprentice for a pulse-racing mission that promises epic dogfights, lightsaber skirmishes, and clan-of-two loyalty tested to the brink.Analytic Dreamz breaks down the trailer's visual feast—the resurrected Razor Crest slicing through hyperspace, Grogu's adorable yet potent Force feats like levitating foes and zapping monsters with green sludge, and heartwarming glimpses of Baby Yoda swimming or tinkering with Anzellan allies under Din's watchful beskar gaze. He spotlights triumphant returns: Garazeb "Zeb" Orrelios (voiced by Steven Blum) in full live-action glory, the irrepressible Babu Frik delivering "Good shot, baby!" quips, and a shadowy tease of Sigourney Weaver as enigmatic Colonel Ward, alongside Hutt cartel intrigue and rancor-like beast brawls that evoke classic practical-effects menace. Ludwig Göransson's score pulses with thematic thunder, bridging TV intimacy to cinematic spectacle.Does this trailer signal Star Wars' theatrical renaissance, weaving Rebels lore into a multiverse-ready epic, or does the post-Rise of Skywalker shadow demand bolder risks? Analytic Dreamz debates box-office potential, Grogu's evolving Jedi path, and how Favreau's vision elevates Mando's lone-wolf arc amid Imperial warlords' chaos—questioning if it outshines Ahsoka crossovers or sets up Rey's trilogy. For Mandalorian and Grogu trailer breakdowns, Star Wars movie reactions, Pedro Pascal updates, and Disney+ spinoff analyses, this segment is your beskar-clad essential. Subscribe to Notorious Mass Effect for more Analytic Dreamz deep dives into galactic adventures that redefine heroism and heart. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

With twists, with turns, the Peacemaker series has kept us delighted... but what's happening after episode 206? PhantasticGeek.com's Pete and Matt open the door....Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3

In this episode, Joe had to miss again. Where is that guy? Alfie, Brent, and DDoc discuss Mandalorian and Grogu Trailer and much more Star Wars! #StarWars #Mandalorian #Grogu #Trailer #Reaction

This week, we review the trailer for The Mandalorian and Grogu and hold The Candy Draft. House KeepingBe sure to follow us on social media:FacebookTwitterInstagramBuy swag atTeePublicSubscribe to our exclusive contentMcSoss Private Reserve

Send us a textIt's time for something just a little bit different! This week we kick off Sci-Fi Spooktober! Or is it Operation Starcrawler? Or maybe the Sci-Fi Horror-shlock-a-thon! Whatever we decide to call it, we will be discussing a Sci-Fi Horror film every week in October and we start by discussing the cult classic Hong Kong film The Cat from director Ngai Choi Lam. Did this film almost cause a divorce? You'll have to tune in and find out! Turn up your headphones, dial back your sensibilities, and join the wretched hive of scum and villainy as we take the low road to resistance on Season Six, Episode Twenty Two of Force Insensitive!Send Email/Voicemail: mailto:forceinsensitive@gmail.comDirect Voice Message: https://www.speakpipe.com/ForceInsensitiveStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: https://www.facebook.com/groups/ForceInsensitive/Twitter: http://twitter.com/ForceNSensitiveFacebook: http://facebook.com/ForceInsensitiveInstagram: http://instagram.com/ForceInsensitive

Imperial Broadcast - Mandalorian and Grogu Trailer! by Nu Generation Podcast Network

Steve, Dave, and Greg get caught up on The Mandalorian and Grogu trailer and a bunch of other stuff. Recorded September 26, 2025. Follow us at PodcastCreative.net Steve's blog: stevebaldwin.blog

Lots of rambly topics as the boys gear up for One Battle After Another. They check in on the Jimmy Kimmel drama before Eitan gives tepid reviews of the things he is watching.

SPONSORS: NUTRAFOL: See thicker, stronger, faster-growing hair with less shedding in just 3-6 months with Nutrafol. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to https://www.Nutrafol.com and enter the promo code KRISTIAN. TRUE CLASSIC:  Upgrade your wardrobe and save on @trueclassic at https://www.trueclassic.com/KRISTIAN ! #trueclassicpod Link To Wish List: https://www.amazon.com/hz/wishlist/ls... It's a birthday special on The Kristian Harloff Show!

Lux Bonteri and Pre Vizsla return, and we get our first introduction to Bo-Katan as well! Big things happening for just a single stand alone episode, plus we talk a little bit about the trailer for The Mandalorian and Grogu. Let's jump in!BECOME A PATRON: https://www.patreon.com/massivebreakdownpodcastsCHAT SERVER: https://discord.gg/C44PeM5RSf

As Palpatine somehow returns, so too do the Marvel Star Wars Explorers, to cover the 2025 comic adaptation of the 2019 film, The Rise of Skywalker! And they've reunited the gang from the Last Jedi comic adaptation episode to weigh in! But before they get into the First Order Captain's Medallions, Sith daggers, and Han Solo ghosts of it all, they're catching up on some hot new Star News, including the latest LEGO Star Wars adventure, some other recent Star Wars comic reads, and the hot new trailer for The Mandalorian and Grogu. Will Marvel find ways to improve upon this famously maligned film, or will it leave as cold as the waters of Kef Bir? Tune in!

It's time for the 242nd episode of the WhoDatJedi podcast! This week, your hosts -- Aaron Svoboda (@aaronsvoboda.bsky.social), Alfredo Narvaez (@nolafredo.bsky.social) and Dave Gladow (@davegladow.bsky.social) -- in the wake of the new "The Mandalorian and Grogu" trailer do a rewatch of "The Mandalorian" Chapter 9: "The Marshall."  Perhaps no episode better paints a picture of how a Mandalorian movie might work well, as this chapter tells a compelling, contained story with good character moments and boasts a big cinematic viewpoint. But don't just take our word for it. Pop up some popcorn and watch Mando Chapter 9 with us! Listen on Podbean, Spotify, Apple Podcasts, YouTube, Pandora, Tune In + Alexa, Amazon Music/Audible, iHeartRadio, and follow us on Bluesky, Twitter & Facebook!  If you like what you hear, be sure to click that follow button and leave us a positive review!  Read more of Fredo's musings here. Read more of Dave's musings here. Song credit: Far, Far Away (Star Wars Jazz), by the Swamp Donkeys Check them out on Apple Music!

It's time for some Star Wars news LIVE! Jenn is back, and that gives us a chance to catch up with the Star Wars news we've missed. How did we like The Mandalorian and Grogu trailer? The Star Wars Starfighter photo shows Ryan Gosling's space pants, but what else is there for us to take from it? And we discuss the Star Wars Visions Volume 3 trailer. Go beyond the headlines with Jennifer Landa and Ken Napzok on the 791st episode of ForceCenter.From the minds of Ken Napzok (comedian, host of The Blathering), Joseph Scrimshaw (comedian, writer, director of Dead Media), and Jennifer Landa (actress, YouTuber, crafter, contributor on StarWars.com) comes the ForceCenter Podcast Feed. Here you will find a series of shows exploring, discussing, and celebrating everything about Star Wars. Subscribe on Apple Podcasts and Google Podcasts. Listen on TuneIn, Amazon Music, Spotify, and more!Follow ForceCenter!Watch on YouTube!Support us on PatreonForceCenter merch!All from ForceCenter: https://linktr.ee/ForceCenter Hosted on Acast. See acast.com/privacy for more information.

Live from FanX, Bryan Young and Holly Frey bring you a treat and a half. There is an abridged discussion on the influence of Star Wars Roleplaying Games on the galaxy far, far away, and then the return of the "That's not a Star Wars plot hole" panel, where fans come up, air their grievances about perceived Star Wars plot holes, and the assembled panel helps sort those out for them. On this episode you'll hear from guests Michael A. Stackpole, Pablo Hidalgo, and Clayton Sandell.

Sloppy Hammer joins the gang as Engineer Bob educates everyone on are of Italian Brain Rot, the Mandalorian trailer looks like heat, Bob and Pete start watching Tulsa King and share their thoughts, and a subtle intro from Strip Chat puts everyone at ease.Support the showCatch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

Fantastic news! There's a new movie and it's good. We review One Battle After Another, the latest from director Paul Thomas Anderson. Plus we discuss the Superman sequel man of steel (lowercase) and its connection to Peacemaker Season 2 and the wider DCU, Stan Lee's return in AI form, trailers for Avatar: Fire & Ash, Wolverine PS5 and The Mandalorian VS Groglet, a Bard Wire reboot and Mad Max might return but on television. Thanks for listeningNew episode of We Got 'We Got This Covered' Covered the clickbait bonus podcast out now!! Plus entire back-catalogue of let's play videos, bonus podcasts, movie commentaries, early access and ad-free episodes all available on https://bigsandwich.coEditor Laurence's New Dunkirk Video: https://www.youtube.com/watch?v=TZtCohwqkY4James on Not Another Crime Podcast: https://www.youtube.com/watch?v=HIlwfqZ7clE&tPLEASE be aware timecodes may shift up to a few minutes due to inserted ads.00:00 The Start06:13 Man of Tomorrow Draft Reveal14:58 AI Stan Lee at Comic Con22:48 Avatar: Fire and Ash Trailer25:57 Wolverine PS5 Game Trailer28:14 The Mandalorian & Grogu Trailer37:44 Barb Wire Reboot Series Announced39:15 Mad Max Series Rumour43:03 One Battle After Another Movie Review57:43 One Battle After Another Spoiler Segment01:04:51 What We Reading, What We Gonna Read01:12:10 Letters, It's Time For LettersSUBSCRIBE HERE ►► http://goo.gl/pQ39jNJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Is Peacemaker's ideal Earth actually Earth X? What does Nicholas Hoult's return as Lex Luthor mean for the future of the DCU and how does it lay the groundwork for MAN OF TOMORROW? DJ and Roxy discuss PEACEMAKER season 2 episode 6, plus THE MANDALORIAN & GROGU trailer, and more! Support the International Rescue Committee! https://www.rescue.org/crisis-in-gazaMore DJ!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/djtalkstrash⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠More Roxy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/roxystriar⁠Theme Music by: Steven James SchmidtFor exclusive bonus podcasts like What We're Into, Mutant Academy, and more, check out our Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers

The ForceCast is BACK!This week, Ryan and Brad break down the new trailer for Mando and Grogu. Are they hyped? Where does this leave us? We discuss that and more!

This week on Thumb War: Paul Thomas Anderson's One Battle After Another opens to $22.4M and 96% on Rotten Tomatoes — we debate if it's “vintage PTA” or just overhyped. Injury report: Tom Holland suffers a concussion on Spider-Man: Brand New Day, Henry Cavill breaks his ankle training for the Highlander reboot. First trailer for The Mandalorian & Grogu: Favreau directs, Göransson scores, and yes, that AT-AT cliff shot. Zach Cregger says the Weapons prequel is “real and not bullsh**. Disney+ hikes subscription prices again. House of Guinness: slick docudrama vibes or a two-hour ad? Plus: Maggie Gyllenhaal's The Bride, Ethan Hawke's Black Phone 2, and more movie news. Support us on Patreon for bonus content: http://bit.ly/44Mo8xU Email us: thumbwarpod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On today's show, Mason Zehr and I discuss the teaser trailer for The Mandalorian and Grogu. We invite you to watch the teaser with us as we break down each sequence. Pull up a chair, grab your favorite mug, and have some Coffee With Kenobi.Coffee With Kenobi's Travel Partner – MEI/Mouse Fan Travel:Book your next adventure to Galaxy's Edge, Walt Disney World, Disneyland, Disney Cruise Line, and more with Coffee With Kenobi's trusted travel partner, MEI Travel & Mouse Fan Travel. For expert assistance with planning your next trip, visit: CoffeeWithKenobi.com/MouseFanTravelSupport Coffee With Kenobi with the CWK Alliance:Become a member of the CWK Alliance and gain exclusive access to our weekly podcast, CWK Pour-Over, including both audio and video versions! Support the show and enjoy bonus content by signing up here:CoffeeWithKenobi.com/CWKAllianceListen to CWK Pour-Over on Spotify:Keep up with CWK Pour-Over, our weekly show that dives deeper into Star Wars and popular culture! Listen on Spotify and never miss an episode:CoffeeWithKenobi.com/SpotifyWatch CWK on YouTube:Subscribe to our YouTube channel for video content, behind-the-scenes footage, and more Star Wars discussion. Visit:CoffeeWithKenobi.com/YouTubeJoin the CWK Community:Be part of the conversation! Join the CWK Cafe, a place for Star Wars fans to connect, share ideas, and discuss all things Star Wars. Join here: CoffeeWithKenobi.com/CommunityShop CWK Merchandise:Looking for Coffee With Kenobi gear? Check out our shop for shirts, hoodies, stickers, phone cases, and more: CoffeeWithKenobi.com/ShopBook Dan Zehr for Your Event:Do you need an experienced speaker for your event? Book Dan Zehr for conferences, schools, or business events at: DanZMedia.comContact Info for Dan Zehr:Email: danz@coffeewithkenobi.comX (Twitter): @MrZehrInstagram: @danzehrcwkThreads: @danzehrcwkPurchase Dan Zehr's Star Wars Books: Get your hands on the latest Star Wars books by Dan Zehr! Available now.Music Credit:"Eye to Eye" by Steve TorokThanks for listening, and have a great week. This is the podcast you're looking for!Become a supporter of this podcast: https://www.spreaker.com/podcast/coffee-with-kenobi-star-wars-community-conversation--3271982/support.Follow Coffee With Kenobi:X (Twitter): @CoffeeWithKenobiInstagram: @CoffeeWithKenobiThreads: @CoffeeWithKenobiFacebook: Coffee With KenobiYouTube: Coffee With Kenobi YouTube Channel

The ForceCast is BACK!This week, Ryan and Brad break down the new trailer for Mando and Grogu. Are they hyped? Where does this leave us? We discuss that and more!

Today on PREVIOUSLY ON, Jason and Rosie are rounding up the HOT new trailers of the week, including: Mandalorian & Grogu, Avatar: Fire & Ash, Wicked: For Good, OD Knock, and Wolverine. PLUS, we have an interview with guest Dave Schilling about his new Blumhouse book “Horror’s New Wave: 15 Years of Blumhouse” Follow Dave: IG & Book Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.