Podcasts about production design

Kim Wannop goes LIVE on the red carpet at the 30th Annual Art Directors Guild (ADG) Awards in Los Angeles, grabbing quick interviews with production designers, art directors, set decorators, and animation artists about world-building, schedules, and craft.This episode includes red carpet moments with Pixar's Elio team, Mid-Century Modern, Sponge Bob the movie, Hacks, Monster, The Pitt, Palm Royale, The Studio, Black Rabbit, Wizards Beyond Waverly Place, Dancing with the Stars, Taylor Swift "The Fate Of Ophelia", Lifetime Achievement honoree Jan Engel, and more — plus a full rundown of the ADG Awards 2026 winners and special honors, including Jon M. Chu, Bo Welch, Jann Engel, Tom Southwell, Stephen McNally, and Thomas E. Sanders.ADG Awards, Art Directors Guild, Production Design, Set Decoration, Art Department, Film Production Design, Television Production Design, world-building, behind the scenes.

Award season is here, and the 2026 Oscar nominees for Production Design are stacked. In this episode of Decorating Pages Podcast, host Kim Wannop breaks down the five nominated films through a design lens — palettes, lighting choices, texture, aging, scale, and the tiny set dressing details that make a world feel real.Nominees covered: Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners — plus what the Academy tends to reward, why period films often dominate, and which designs feel like the biggest swings of the year.If you love production design, set decoration, and behind-the-scenes craft, this one's for the people who pause the movie just to stare at the corners of the frame. 

How do you allocate a new church build budget between Audio, Video, and Lighting? And at what church size does production start to get exponentially more expensive?In this episode, we sit down with Aaron Ruse (former Technical Director at Saddleback Church and FOH engineer for Matt Redman) to break down the reality of modern church production. Before diving into the interview, the guys react to the massive production behind the Super Bowl Halftime Show.In this episode you'll hear: 0:00 Production Breakdown: Super Bowl Halftime Show4:25 Aaron Ruse (Saddleback Church / Sweetwater) Joins8:30 Aaron's Start in Church Production13:00 What It Takes to Mix FOH for Matt Redman14:30 Church Tech: What Has Changed in 20 Years (And What Hasn't)18:00 Essential Skills for Managing an LED Wall19:40 Production Trends to Embrace (and Which to Avoid)26:00 Acoustic Treatment Strategies for Worship Spaces34:00 The "Breaking Point" Where Production Costs Skyrocket38:45 Allocating Your AVL Budget: Audio vs. Video vs. Lighting43:00 Church Tech Disaster Story46:00 Tech Takeaway: Fostering Authentic WorshipGet chapter one of Toby's new book "Sacred Spaces, Modern Production" here. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Guillermo del Toro had been waiting almost all his life to make Frankenstein. “He's wanted to make this movie since he was a little boy,” production designer Tamara Deverell tells Ankler Media deputy editor Christopher Rosen on the latest episode of Art & Crafts. For del Toro, the story of Frankenstein is foundational. “It's in all my movies,” the Oscar-winning director behind The Shape of Water and Guillermo del Toro's Pinocchio said in an interview last year. He's talked openly about how the film's de facto father-son relationship between Dr. Victor Frankenstein (Oscar Isaac) and the creature he creates (Oscar nominee Jacob Elordi) was influenced by the relationship del Toro had with his father. “I'm finding out things about his process that I didn't know, that I maybe I didn't need to know,” Deverell says about her journey with the project, which first debuted at the Venice Film Festival in August and is now an Oscar nominee for best picture, as well as production design for Deverell and set decorator Shane Vieau, among nine overall nominations. “This movie is such a personal thing for him, and I'm interested to see what he's going to do next. Because Frankenstein is a tough act to follow.”

In this episode of LIGHT TALK, The Lumen Brothers and Sister welcome Award Winning Director and Production Designer Eric Siegel to the show! Join Eric, Ellen, Dennis, Steve, and David, as they discuss: Nautical navigation; Getting started in TV Direction and Production Design; Studying at NYU; Focusing on story and concept; Professional Internships; Discovering directing; Working at "Good Morning America"; Working with Lighting Designers on Film, Theatre, and TV; Creating with Cinema 4D; The Future of Drone cameras in television and film; The Evolution of the TV Director's Role working with New Technology; The Most Challenging Projects; A Papal Mass vs. Diana Rigg; Dealing with security requirements; and Great advice for young designers and directors.  Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense.

I've got a real one for ya. On this episode of Decorating Pages, I'm talking Death by Lightning (Netflix) with Production Designer Gemma Jackson (Emmy winner, Oscar nominee) and Set Decorator Hannah Gawthorpe — and this is a masterclass in period production design and set decoration. They built 1880s America — New York, Chicago, Washington, Ohio, and the White House — entirely in Budapest, and we get into how they differentiated every world through layout, wallpaper, practical lighting, and dressing choices. Plus: chandeliers, flags, graphics research, and the kind of logistics that only the art department could love. (assets.adg.org)If you love behind-the-scenes craft, historical details, and design choices that actually tell story, this one's for you.

When hiring a new church tech director, should you look for the person with the most technical knowledge or the best leadership potential? And if you are currently in the role, which skill set should you be developing first?In this episode, we are joined by Max Brown (formerly of Willow Creek Church) to tackle the age-old debate of Competence vs. Character. Max shares his experience running production at one of the most influential churches in the country, revealing the reality of their team size and workflows.In this episode you'll hear: 0:00 Blake's Beach Blunder4:45 Max Brown (Former Willow Creek) Joins9:00 Principles of Leading Church Production13:00 Debate: Developing Leadership vs. Technical Skills22:00 Hiring Strategy: Character vs. Competence?28:30 Inside Production at Willow Creek Church32:20 Can You Run a Sunday Service with Just Tracks?34:45 Willow Creek's Production Team Size46:20 Is Church Production an Art or a Science?51:30 Tech TakeawayGet Toby's new book "Sacred Spaces, Modern Production" here. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Judging production design means considering not just what we see, but how an entire world was constructed to function on screen. This week on Below the Line, Skid is joined by Bob Shaw (Production Designer), Regina Graves (Set Decorator), and Kerry Weeks (Leadman) to examine the nominees for Achievement in Production Design at the 98th Academy Awards. Representing three distinct roles within the art department, they offer a grounded, practical look at how these films constructed their environments — from large-scale builds to the smallest graphic detail. As with the rest of this year's Oscar series, the conversation is available both as an audio podcast and as a full video episode on YouTube. Our discussion ranges across: The operatic scale and extensive builds of Frankenstein, from castle interiors to laboratory design — and whether grandeur ultimately serves or overwhelms the story The period authenticity of Hamnet, including the recreation of Shakespeare's Globe and the delicate balance between research and creative interpretation The layered Lower East Side streets of Marty Supreme, where signage, storefront graphics, and textural detail quietly anchor a frenetic narrative The cohesive, character-driven environments of One Battle After Another, where homes, dojos, and lived-in interiors feel organic rather than theatrical The tonal shift in Sinners, and the ongoing challenge of aging sets just enough — especially when audience expectations of “period” don't always align with historical reality How decisions about wear, grit, and cleanliness can subtly shape credibility without drawing attention to themselves Why contemporary or less “showy” films like Black Bag are often overlooked despite meticulous design work Additional standouts from the year, including Train Dreams and Song Sung Blue, which demonstrate how tonal precision and environmental detail can carry as much weight as larger-scale builds Across the conversation, the three perspectives reveal how production design succeeds not only through bold visual statements, but through coordination — between design, dressing, graphics, lighting, and performance — so that nothing feels isolated from the world of the film.

If you had a limited budget, would you spend it on a better PA system or a better mixing console? And with all the hype around spatial audio, should your church actually be looking at Immersive Audio installs?In this episode, we are joined by Johnny Ragin, the face behind Worship Sound Guy, and we dive deep into the gear debates every church tech has.In this episode you'll hear: 0:00 Handling Unsolicited Feedback5:00 Johnny Ragin (Worship Sound Guy) Joins7:00 Segment: Five Truths & A Lie16:45 Johnny's Start in Church Production21:15 Overcoming the Tech "Knowledge Gap"25:15 Training New Audio Volunteers27:45 Debate: Better PA vs. Better Console?28:45 Overused Production Effects & Tools33:00 Real Talk: Church Drum Budgets34:45 Is Immersive Audio Worth It for Churches?37:45 The Pros & Cons of Remote Mixing47:45 Rapid Fire: Favorite Audio Consoles49:00 Favorite PA System of All Time49:25 Favorite Audio Plugin51:00 Tech Takeaway: Keep It SimpleGet Toby's new book "Sacred Spaces, Modern Production" here. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Some of her early roles include: Production Designer for Stephen Cone's film The Wise Kids and Art Director for Greg Araki's White Bird In A Blizzard. Caity's Production Design work for television includes: Comedy Bang Bang, Documentary Now, Joe Pera Talks With You, and Caleb Hearon: Model Comedian. Her feature film work includes: Becoming Bond, Stay Awake, The Adults, and Omni Loop. More recently, Caity designed the feature film Sorry, Baby, written and directed by and starring Eva Victor. Some of Caity's upcoming projects include: The Dink, Via Negativa, and Never Change.

Taking risks in church production is terrifying. If you try something new and it fails, everyone notices. But if you never take risks, your production gets stale. So, how do you find the balance?In this episode, we sit down with John Williams, Production Director at Church of the King, to discuss how to push your church forward with strategic risks. We cover how to approach the first few months of a new church tech role, the safest ways to test new gear or workflows on a Sunday, and how to have difficult conversations with your pastor when a volunteer makes a mistake.In this episode you'll hear: 0:00 Intro: The Biggest Risks We've Ever Taken5:00 John Williams (Church of the King) Joins6:15 John's Origin Story in Production15:00 Starting a New Role: The First 90 Days Strategy18:30 Taking Strategic Risks on Sunday Mornings22:00 Safe Ways to Test New Gear & Workflows35:30 Handling Volunteer Mistakes with Your Pastor38:45 Disaster Story: A Squirrel Destroyed Our Service43:45 Tech Takeaway: Keep the Main Thing the Main ThingGet Toby's new book "Sacred Spaces, Modern Production" here. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Now that this year's crop of Oscar nominees has been announced, follow along as Nick and Sophia embark on their extensive Contenders series leading up to the 98th Academy Awards in March. They discuss every person nominated for every film in all 24 categories and showcase their talents by sharing astounding facts and details that help create the collaborative artwork onscreen. In this first episode, they look at Makeup and Hairstyling, Costume Design (33:29), and Production Design (56:19). Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimjBecome a patron and listen to more content at patreon.com/OscarWild Find updated predictions and merch @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

Another Youtuber is taking their talents to the silver screen! Markiplier's directorial debut Iron Lung is here, and we have a ton to discuss about this movie.   Adapted from the 2022 indie game of the same name created by David Szymanski, Iron Lung sends Markiplier's convict character to the bottom of a blood ocean on Moon AT-5 welded into an iron submarine of sketchy quality.   In our spoiler-free Iron Lung review, we are going a little more unstructured to make sure we get a chance to talk about this unique endeavor (as details of this movie make it something rarely, if ever, seen in the industry) while still breaking down all the cinematic elements of the film.   It's a review of a one-of-a-kind film. So join us for our discussion about Markiplier's Iron Lung movie and be sure to drop your thoughts in the comments below!   Show Open [00:00] Acting [06:26] Production Design [09:05] Adaptation & Pacing [11:38] Tone [16:12] YouTubers as Filmmakers [18:05] Final Thoughts & Score [19:45] Show Close [22:45]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Check out our website: https://www.popcorn4breakfast.com Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? Email us: contact@popcorn4breakfast.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

Ian's earlier Art Director work includes the films: Rest Stop, Twilight, and A Single Man. Ian's Production Design work in film includes: Celeste and Jesse Forever, 13 Minutes, and A Very Jonas Christmas Movie. His television Production Design work includes: Parks and Recreation, Love, The Good Place, and A Man on the Inside. 

In this episode, we explore the rare but inspiring career path from Production Director to Executive Pastor.We are joined by Dave Clark of Fellowship Church (Grapevine) to discuss how he transitioned from technical leadership to executive leadership. We break down the difference between treating ministry as a "job" versus a "calling," and Dave shares practical advice on how tech directors can build trust with senior pastors and get "unstuck" when they feel stagnant.In this episode you'll hear:0:00 Toby's Church Planting Story6:30 Dave Clark (Fellowship Church Grapevine) Joins14:30 Defining Ministry: A Job vs. A Calling17:00 Career Path: From Tech Director to Executive Pastor21:45 How to Minister to Production Volunteers27:00 Getting "Unstuck" in Your Ministry Career29:00 Building Trust with Senior Leadership38:00 Pastor Ed Young's Wildest Production Requests48:00 Staying Calm During a Tech Disaster53:00 Avoiding "Imaginary Arguments"54:15 Tech Takeaway: Ask Questions to Understand55:45 C3 Conference PreviewYou can sign up for the C3 Conference with this link to get a special rate discount from $229 to $99. https://brushfire.com/fellowship/c3conference2026/598770/register?typeCode=C3COMEBACKGet Toby's new book "Sacred Spaces, Modern Production" here. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Slow Horses Season 5 is packed with gritty London texture, smart MI5 world-building, and production design choices that carry character and story — and the series is Art Directors Guild (ADG) nominated.On this episode of Decorating Pages, Emmy-winning set decorator and host Kim Wannop interviews Production Designer Choi Ho Man about designing Slow Horses across multiple seasons: evolving the MI5 Hub and First Desk offices, keeping continuity seamless, dressing Slough House with lived-in chaos, building “real” locations on stage (including the standout restaurant sequence), and solving the constant reality of location logistics and clearance issues.Slow Horses, Apple TV, production design, Art Directors Guild, ADG Awards, MI5 set, Slough House, London locations, set design, art department, set decoration, behind the scenes.

How do you lead when you don't make the final calls?Matt shares his personal story of reaching his breaking point and how to know when God is releasing you from your current church tech job.In this episode you'll hear:0:00 The Cost of Bad Acoustics in Big Halls6:15 Matt Kotthoff (Wooddale Church) Joins8:30 Debate: Is an AVL College Degree Worth It?10:45 Inside Production at Wooddale Church15:30 Essential Tech for Traditional Services17:25 Upgrading Gear for Choir & Orchestra20:45 Can One Room Do Both Traditional & Modern?24:25 Using "Choir Flex" for Better Audio27:30 Prioritizing Spoken Word Intelligibility36:30 Navigating Leadership When You Aren't in Charge43:00 The Breaking Point: When to Leave Your Church Job50:30 Discernment: Has God Released You?57:15 Matt's Moment of Clarity (Why He Left)Come Hangout With Your Tech Community at The Mix! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

In this episode, we sit down with Matt Potesta, System Engineer for artists like Lauren Daigle and Tate McRae. We dive deep into the high-stakes world of touring production, covering everything from how to land your first big road gig to the critical lessons every local church can learn about PA system tuning and system design.Whether you're looking to upgrade your sanctuary's sound or considering a jump into the professional touring industry, Matt shares the "real-world" costs of professional audio services and how to protect your health while working in a high-demand industry.In this episode you'll hear: 01:00 Banter: Surprise Parties and Tech Interventions05:50 Guest Interview: Matt Potesta (Lauren Daigle & Tate McRae Tour)08:00 Career Roadmap: Landing a World-Class Touring Production Job13:00 Church Production vs. Touring: Pros, Cons, and Key Differences19:00 How to "Pay Your Dues" and Break into the Pro Audio Industry23:30 Touring System Design: Applying Road Lessons to Local Venues26:50 Budgeting for Sound: How Much Does Professional PA Tuning Cost?30:50 Should Churches Hire Independent Vetting for System Integrators?38:30 Career Advice: When to Transition from Church Tech to the Road43:20 Mental Health in Production: Prioritizing Health and Avoiding Burnout45:30 Pro Touring Disaster Story: Lessons from the Road48:00 Tech Takeaway: How to "Condition" Your Audience for Better ServicesCome Hangout With Your Tech Community at The Mix! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

In this deeply personal and wide-ranging episode of the AART Podcast, host Chris Stafford sits down with acclaimed South African production designer Sabrina Linder for an intimate biographical conversation about life, creativity, and the winding path that leads to a career in film. Rather than focusing on technical process, this episode explores the human story behind the work. Sabrina Linder reflects on growing up in South Africa, the formative experiences that shaped her artistic sensibility, and how curiosity, resilience, and observation guided her toward a life in visual storytelling. From early influences and cultural identity to the emotional intelligence required to collaborate at the highest levels of film and television, Sabrina shares the moments that quietly — and sometimes unexpectedly — defined her career. Throughout the conversation, Sabrina opens up about navigating creative industries, finding confidence as an artist, and learning how to trust instinct over expectation. She discusses what it means to build worlds for the screen while simultaneously building a life, and how storytelling — whether through design or lived experience — remains at the center of her work. Chris guides the discussion with warmth and curiosity, allowing space for reflection on ambition, self-doubt, mentorship, and the invisible labor behind creative success. The result is a thoughtful portrait of an artist whose career is rooted not only in visual craft, but in empathy, memory, and lived experience. This episode will resonate with artists, filmmakers, designers, and anyone interested in the personal journeys behind creative careers, offering insight, honesty, and inspiration well beyond the screen. Sabrina's links:https://www.sabrinalindercreative.com/ https://www.imdb.com/name/nm9513117/ https://www.instagram.com/sabrina_linder_creative/ Fertile by Design on Substack - https://substack.com/@fertilebydesign Keywords / SEO Tags Sabrina Linder, South African production designer, AART podcast, Chris Stafford podcast, production designer interview, film industry careers, women in film, creative biography, artist life story, behind the scenes film, visual storytelling, art and cinema, creative journeys, film design careers, African artists in film, personal stories in art, creative identity, storytelling podcast, film and art podcast BIO South African born Production Designer Sabrina Linder is well known for her trademark work in I Swear 2025, Salvable 2025, The Last Victims (2019).  Her portfolio includes commercials, films, TV and music videos. Sabrina was born in Pretoria, South Africa in 1992. to parents Helene Linder, an Artist and interior design enthusiast and father Desmond Lawrence Linder, a quantity surveyor and business owner.  She has one brother Brendan. Sabrina grew up in post Apartheid South Africa where artistic expression among women was not encouraged but subtle influences from her artistic mother subconsciously steered Sabrina towards fashion design. She attended Cornwall Hill College for Grades 0-12 after which she moved to Cape Town to study for her BA Degree in Fashion Design at FEDISA Cape Town. Upon graduating she deferred a BA Honours at the London College of Fashion instead breaking into her first job in film which opened the door to opportunities she had not imagined. Her path was now set in production design and she worked in Props, Costume and Design before focusing in the Production Design where she has found her creative home. She is a multi award winning designer with BFDG Design Award Nominations, the Berlin Music Video Award both in 2023 as well as Lourie Awards and Ciclope Awards in 2022. Sabrina moved to London in 2021 and is currently working on commercials before preparing for her next film production this spring. Sabrina lives in Beaconsfield, England with her partner, and the couple are expecting their first child in March. Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.

In this deeply personal and wide-ranging episode of the AART Podcast, host Chris Stafford sits down with acclaimed South African production designer Sabrina Linder for an intimate biographical conversation about life, creativity, and the winding path that leads to a career in film. Rather than focusing on technical process, this episode explores the human story behind the work. Sabrina Linder reflects on growing up in South Africa, the formative experiences that shaped her artistic sensibility, and how curiosity, resilience, and observation guided her toward a life in visual storytelling. From early influences and cultural identity to the emotional intelligence required to collaborate at the highest levels of film and television, Sabrina shares the moments that quietly — and sometimes unexpectedly — defined her career. Throughout the conversation, Sabrina opens up about navigating creative industries, finding confidence as an artist, and learning how to trust instinct over expectation. She discusses what it means to build worlds for the screen while simultaneously building a life, and how storytelling — whether through design or lived experience — remains at the center of her work. Chris guides the discussion with warmth and curiosity, allowing space for reflection on ambition, self-doubt, mentorship, and the invisible labor behind creative success. The result is a thoughtful portrait of an artist whose career is rooted not only in visual craft, but in empathy, memory, and lived experience. This episode will resonate with artists, filmmakers, designers, and anyone interested in the personal journeys behind creative careers, offering insight, honesty, and inspiration well beyond the screen.Sabrina's links:https://www.sabrinalindercreative.com/ https://www.imdb.com/name/nm9513117/ https://www.instagram.com/sabrina_linder_creative/ Fertile by Design on Substack - https://substack.com/@fertilebydesign Keywords / SEO Tags Sabrina Linder, South African production designer, AART podcast, Chris Stafford podcast, production designer interview, film industry careers, women in film, creative biography, artist life story, behind the scenes film, visual storytelling, art and cinema, creative journeys, film design careers, African artists in film, personal stories in art, creative identity, storytelling podcast, film and art podcast BIO South African born Production Designer Sabrina Linder is well known for her trademark work in I Swear 2025, Salvable 2025, The Last Victims (2019).  Her portfolio includes commercials, films, TV and music videos. Sabrina was born in Pretoria, South Africa in 1992. to parents Helene Linder, an Artist and interior design enthusiast and father Desmond Lawrence Linder, a quantity surveyor and business owner.  She has one brother Brendan. Sabrina grew up in post Apartheid South Africa where artistic expression among women was not encouraged but subtle influences from her artistic mother subconsciously steered Sabrina towards fashion design. She attended Cornwall Hill College for Grades 0-12 after which she moved to Cape Town to study for her BA Degree in Fashion Design at FEDISA Cape Town. Upon graduating she deferred a BA Honours at the London College of Fashion instead breaking into her first job in film which opened the door to opportunities she had not imagined. Her path was now set in production design and she worked in Props, Costume and Design before focusing in the Production Design where she has found her creative home. She is a multi award winning designer with BFDG Design Award Nominations, the Berlin Music Video Award both in 2023 as well as Lourie Awards and Ciclope Awards in 2022. Sabrina moved to London in 2021 and is currently working on commercials before preparing for her next film production this spring. Sabrina lives in Beaconsfield, England with her partner, and the couple are expecting their first child in March.Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: hollowellstudios@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

Dillan Howell has run many large scale events. From corporate ballroom events to managing the artists for the Charlie Kirk Memorial, Dillan's see it all. What lessons has he learned from his time in large scale events that he would bring back to church production if he returned to a church tech role? In this episode you'll hear: 01:00 Field Trip: Behind the Scenes of a Weird Open House05:30 Guest Interview: Dillan Howell (Evnt Ready)11:30 Realities of Church Live Event Budgets14:30 Can You Run a Major Church Event on $50,000?17:00 How to Pitch Live Event Tech Budgets to Leadership22:30 Production Disaster Story: The Music Festival Fail25:30 Event Industry Lessons for Church Production Teams29:30 Common Mistakes Churches Make with Live Production33:45 Where Churches Waste Money on Production Gear42:45 Artist Management & Logistics for Large-Scale Events: Charlie Kirk Memorial50:45 Church Tech Takeaway54:35 Church Tech Confessional: Bad Live StreamsCome Hangout With Your Tech Community at The Mix! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Church techs confessed some absolutely wild things to us in 2025. -Volunteering so you can marry the tech director-The worst TV stage rollout possible -Deciding to "kill" the file for the spicy "Marriage Conference Talks" In this episodes you'll hear: 1:00 Toby's little story: Nate Bargatze stand up 5:15 Why you should have a billionaires kid on your volunteer team9:15 “Lemons into Lemonade” Award 14:50 “Funniest Moment of the Year” Award 20:15 “Awkward Moment of the Year” award24:30 “Hero of the Year” award30:00 “Worst Sin of the Year” award 33:20 “The Toby Award” award 36:45 Church Tech Takeaway: Guard your audio console from water38:45 2025's Church Tech Confessionals! Check out their projects and job opportunities here!  Come Hangout With Your Tech Community at The Mix! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

David Long returns for Part 2 of Holiday Bets, our annual special on the Golden Globes and Oscars betting lines. In this episode, we discuss Lead Actor & Actress, Best Director, Casting, Cinematography, Film Editing, Production Design, Makeup and Hairstyling, Costumes, Sound and Documentary Feature. . Betting Tutorial - 1:42 . David's Annual Martingale Strategy - 4:25 . Lead Actor: featuring a big Timothee Chalamet discussion, 2 Globe categories, plus Oscar Nominations and Winner predictions - 8:11 . Lead Actress - 35:16 . Best Director - 48:09 . Other Categories: Casting, Cinematography, Film Editing, Production Design, Makeup and Hairstyling, Costumes, Sound and Doc Feature - 1:04:05 . OUTRO: Make sure to follow David's betting tips on X: https://x.com/1DavidLong Otherwise, you can follow our work https://linktr.ee/mikemikeandoscar and we thank you for supporting the show. Please stay tuned to our feed for several year end specials next week including our Top 10 Films of the Year and Top 10 Predictions for the next film year.

Revenge Of became the go-to nerd bodega by hosting free events and waiving pinball fees. Learn the strategy that drives organic sales without discounts. Subscribe and watch Shopify Masters on YouTube!Sign up for your FREE Shopify Trial here.

David Long returns for Holiday Bets part 1 of 2 as we discuss betting lines at the Oscars AND Golden Globes for the categories of Best Picture, Supportings, Screenplay, Score, Song, Animated, Cinematic or Box Office Achievement and International Feature. Mike 1's Annual Gambling Tutorial - 2:19 . Picture: Musical or Comedy at the Golden Globes - 6:41 Globe Picture: Drama - 13:57 Oscars Best Picture Winner - 18:21 Nominations for Oscars Best Picture - 25:49 . Supporting Actress at the Golden Globe & Oscars - 37:52 Supporting Actor - 52:14 . Other Categories at the Globes and Oscars including Best Screenplay, Animated Feature, Cinematic or Box Office Achievement, Original Song, Score, and Non-English Language Film at the Globes - 57:42 . OUTRO: Make sure to follow David Long on X/Twitter as he'll be posting about gambling this winter. https://x.com/1DavidLong Please stay tuned for Part 2 of this Holiday Bets special where we will discuss the rest of the available betting lines for the Golden Globes and Oscars Including for Lead Actor and Actress, Best Director, Casting, Cinematography, Film Editing, Production Design, Makeup and Hair, Costumes and Sound Design. Otherwise, please follow us on social media and support our show by liking, subscribing, rating and reviewing us. As always, thank you for doing so. https://linktr.ee/mikemikeandoscar

Today's episode is a double-feature for design nerds. First, I'm sharing Production Designer Loo Sung He on Park Chan-wook's No Other Choice—in a first-ever translator format where I'm reading her responses. Then we switch to TV with my full audio interview on Overcompensating with Production Designer Shayne Fox and Set Decorator Erika Lobko. Film first, TV second—two deep dives, one episode.First, Production Designer Ryu Seong-hie (Park Chan-wook's No Other Choice) answers Kim Wannop's questions in a unique format: the interview was conducted through a translator, and Kim reads Ryu's translated responses on the show. Ryu breaks down how the film's spaces carry character and pressure—especially Man-su's home, built around a 1970s Korean “French House” ideal (mid-century suburban planning with French Provincial influence), plus the way greenery and color shift as the story darkens.Then the episode switches to TV with the full audio interview on Overcompensating featuring Production Designer Shayne Fox and Set Decorator Erika Lobko. They dive into building the show's visual language—tone, texture, location choices, and the practical realities of designing and decorating a world that feels specific, modern, and lived-in.If you love production design, set design, set decoration, art department craft, and behind-the-scenes filmmaking, follow Decorating Pages Podcast for more conversations with the creatives shaping what you see on screen.

Stop us if you've heard this one: Leadership has a massive vision, but the tech budget doesn't match the dream. This week, we sit down with Justin Hume from Cross Church to discuss how to bridge that gap without losing your mind. From planning your next console upgrade to the 'mission-critical' gear you should never buy cheap, we're covering the practical side of church production—plus a spicy hot take on why Ableton-run lyrics might be a mistake."In this episode you'll hear: 01:00 Church Tech Community Trends05:00 Guest Interview: Justin Hume (Cross Church)07:00 How to Start a Career in Church Production12:15 Aligning Church Leadership Vision with Tech Budgets18:45 Church Broadcast Workflow: How Cross Church Does It24:45 Audio Console Upgrade: How to Plan for New Gear26:20 Essential Church Tech vs. Budget Production Gear28:30 Are Gear Warranties Worth It for Churches?30:26 Hot Take: Why You Shouldn't Use Ableton for Lyrics36:00 Live Production Disaster Stories & Lessons Learned40:15 Networking: Finding Your Church Production Community43:50 Church Tech Confessional: Behind-the-Scenes StoriesCheck out their projects and job opportunities here!  Come Hangout With Your Tech Community at The Mix! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Designing for television isn't just about building sets — it's about knowing when to preserve them, when to break them, and how to let them evolve over time. On Slow Horses, that long view shapes every creative decision. This week on Below the Line, Skid is joined by Production Designer Choi Ho Man, with Gianni Damaia returning as co-host, to talk about the fifth season of Slow Horses, the Apple TV+ espionage series starring Gary Oldman. Choi traces her journey on the show from supervising art director to production designer, and how designing across multiple seasons requires long-term thinking, flexibility, and restraint. We take a deep dive into: How Slow Horses was designed as a rolling, multi-season project, shooting in pairs of seasons with overlapping crews and compressed turnaround times The evolution of Slough House itself, including how destruction at the end of Season Four informed the repaired, modernized, and slightly haunted version seen in Season Five Designing spaces that reflect character psychology, from Lamb's office to Ho's flat Building and rebuilding modular sets — lifts, car parks, corridors, offices — to stretch resources while preserving visual continuity Developing MI5 Headquarters (“The Park”) as a recurring environment, mapping unseen spaces to make the building feel architecturally complete Stitching together complex action sequences from multiple locations and stage builds, including chase scenes, stairwells, and exterior-to-interior transitions How practical construction, visual effects, and stunt coordination intersect on large-scale action sequences involving paint, height, and confined spaces Why face-to-face collaboration still matters, including sketches, models, and conversations that can't be replaced by emails or message threads Across five seasons, Slow Horses proves that production design isn't just about creating spaces — it's about letting those spaces absorb history, pressure, and consequence, until the environment itself becomes part of the story.

In this episode, Janet speaks with a member of the Friends in Film program who is navigating the film industry as an assistant props manager and how that can lead towards bigger opportunities.

The Flop House's Elliot Kalan joins us to put his “Mad about Mads”-ness where his mouth is as we discuss a stylized new horror-ish thriller from director Bryan Fuller. Then we'll talk about movies that would make good genre entry points for kids who are ready.What's GoodDrea - Heated RivalryElliott - Latke Night, his new book Joke Farming, & Werner Herzog's A Guide for the PerplexedKevin - Yuletide Unc gets his decorations upITIDICa.) Zootopia 2 Becomes the Year's Highest Grossing Filmb). Famed Variety Oscars Party Moves to LACMAChristmas Movie MinuteSingle on the 25thOy to the WorldA Sweet Holiday RomanceThe Christmas Writer(and a shout out to yet-unseen The Christmas Baby)Staff PicksDrea - The Princess BrideElliott - This Is Spinal Tap (see also, A Fine Line Between Stupid and Clever: The Story of Spinal Tap) Kevin - Misery Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

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What happens when you bring 9 Emmys and a background with the Dallas Mavericks into the church control room? You get a masterclass in production excellence.On today's show, we're joined by Dave Evans of Cottonwood Creek Church. We're diving into the Broadcast vs. Cinema style debate, how AI tools are changing ministry, and practical ways to make your church production budget go further. Plus, stay tuned for a QR code disaster story that every tech director needs to hear."In this episode you'll hear: 1:00 Painful Story: Integrator Woes 4:30 Dave Evans (Cottonwood Creek Church) Joins 10:20 The Evolution: Analog to Digital 20:30 AI Impact on Church Tech 24:30 Tips for Stretching Your Budget 29:45 Engaging Gen Z Through Production 34:15 Broadcast vs. Cinema Style Production 37:50 Disaster Story: The Wrong QR Code 45:15 Dave's Emmy Awards 50:00 Church Tech ConfessionalCheck out their projects and job opportunities here!  Come Hangout With Your Tech Community at The Mix! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

In this episode, we sit down with Production Designer Brittany Hites, the creative force behind REGRETTING YOU — the emotional new film starring Allison Williams and Mckenna Grace, based on the bestselling novel by Colleen Hoover.Brittany takes us behind the scenes to explore how production design shapes storytelling — from visualizing grief and betrayal to creating spaces that reflect healing and rediscovery. Discover how color, texture, and set choices deepen emotional connection and elevate cinematic storytelling.

Step behind the camera with Mia Cioffi Henry, a visionary cinematographer and filmmaker whose work explores the art of visual storytelling with depth, emotion, and purpose. In this episode, Mia shares her journey through the world of independent cinema, her creative process on set, and how she uses light, movement, and perspective to bring powerful stories to life. Discover insights on cinematography, directing, collaboration, visual language, and the future of filmmaking — straight from one of today's most thoughtful visual artists. Whether you're a filmmaker, creative professional, film student, or movie lover, this conversation will inspire you to see storytelling in a new light.

Step behind the camera with Mia Cioffi Henry, a visionary cinematographer and filmmaker whose work explores the art of visual storytelling with depth, emotion, and purpose. In this episode, Mia shares her journey through the world of independent cinema, her creative process on set, and how she uses light, movement, and perspective to bring powerful stories to life. Discover insights on cinematography, directing, collaboration, visual language, and the future of filmmaking — straight from one of today's most thoughtful visual artists. Whether you're a filmmaker, creative professional, film student, or movie lover, this conversation will inspire you to see storytelling in a new light.

In this episode, Will Compton from Cottonwood Creek Church joins us to explore the changing world of church production. We cover Crossroads Church's LED wall vision, Gen Z's worship preferences, and how AI, AR, and VR are shaping the future of Sunday services. A must-listen for church techs, worship leaders, and production volunteers looking ahead.In this episode you'll hear: 1:00 Crossroads Church's LED wall vision + the future of church production6:50 Guest intro: Will Chapman from Cottonwood Creek Church9:45 Breaking into church production: first steps and career tips13:30 Are megachurches losing momentum? Trends in church growth14:45 Does Gen Z want less production in worship?23:00 How AI is entering church production workflows28:30 Can AI live-translate sermons in real time?42:00 AR + VR in future church production and worship environments49:30 Tech Takeaway: key lessons for church techs53:30 Church Tech Confessional: stories from the boothCheck out their projects and job opportunities here! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

We've seen the disastrous effects of picking the wrong integrator for your church: over budget projects, late projects and even firings. How do you pick the right integrator for your church so your church body is served well? Luke Hesher joins us with 7 Tips to pick the right integrator for your church. Follow this playbook and you'll be setup for success when you start interviewing integrators. In this episode you'll hear: 1:00 Inside Toby's Life.Church Production Tour5:45 Luke Hesher Joins the Conversation8:30 Luke's Path Into Church AVL Integration13:45 Tip #1 How to Choose the Right Church AVL Integrator19:40 Tip #2 How to Build a Strong Relationship With Your Integrator21:30 Tip #3 Church AVL Integrator Red Flags to Watch For33:45 Tip #4 What to Expect From Your Integrator After the Project Ends38:45 Tip #5 Who to Call When Gear Fails: Questions Every Church Should Ask44:25 Tip #6 How Ignoring Your Integrator Could Cost You Your Job46:15 Tip #7 HouseRight's Growth Through Quality Feedback55:00 Tech Takeaway: How to Develop Your Team58:00 Church Tech Confessional: This Week's StoryCheck out their projects and job opportunities here! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

If you increase your skills, can you get by with lower quality gear?Jesse O'Brien joins us this week to reveal the Red Rocks playbook for stretching a gear budget and still delivering excellent production quality.In this episode you'll hear: 1:00 – Toby crawls under the stage to fix church AVL integration issues7:30 – Jesse O'Brien from Red Rocks Church joins the podcast9:00 – How Jesse got into church production at Red Rocks Church12:15 – The production gear Red Rocks Worship brings on tour17:25 – Inside Red Rocks' broadcast campus gear + setup21:15 – How Red Rocks Church maximizes their production budget23:20 – The best way to save big on your church tech budget30:00 – Do speaker brands actually matter for church sound?36:45 – Doing church production when expectations exceed budget40:00 – Using event budgets to get new gear approved44:00 – Disaster story: When the broadcast feed goes down49:45 – Church Tech Takeaway53:30 – Church Tech ConfessionalCheck out their projects and job opportunities here! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

How important is it to have fellow church tech friends? Justin Firesheets joins us to discuss how production friends can help improve your church's production, your morale and keep you sane! In this episode you'll hear: 0:00 – Intro: Why church techs need church production friends and community1:00 – How many friends do you actually need in church production?5:36 – How Toby's church tech connections saved the day7:00 – Justin Firesheets on building relationships in the church tech world22:00 – Why connecting with other church production leaders is up to you27:00 – Practical ways to reach out and network with other church techs42:25 – Church tech disaster story: awkward guest speaker walk-out music47:20 – Tech Takeaway: Why everything in church production is harder when you're alone50:30 – Church Tech Confessional: Real talk from the production boothCheckout HouseRight's solutions for your church and open jobs here. Preorder Toby's new book, "Sacred Spaces. Modern Production." here! Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

How do you produce the largest Gospel presentation in history with less than 10 days?Brad McCraw joins us to discuss how his team produced the Charlie Kirk Memorial Service with no time and the highest of stakes. In this episode:1:00 — Moments When Time Stood Still in American History5:45 — How Brad McCraw Became the Production Lead for Charlie Kirk's Memorial Service11:00 — How Secret Service Affected the Production and AVL Setup12:00 — How Mosaic  Pulled Off the Charlie Kirk Memorial Service in Record Time23:00 — Balancing Production Excellence While Grieving a Loss26:00 — The Technical Workload Behind Producing the Charlie Kirk Memorial on Short Notice27:30 — Behind the Scenes: Production Days Leading Up to the Memorial Service34:45 — What Gear, Lighting, and Audio Equipment Were Used for the Memorial Service38:45 — How Secret Service Protocols effect on the AVL and Broadcast Production46:25 — When the Emotional Weight of the Event Finally Hit1:05:00 — Finding Purpose: How Every Church Tech Role Can Serve the GospelCheckout HouseRight's solutions for your church and open jobs here. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Are churches allocating their church production budget in the right places?Church Tech Consultant, Jerod Togger, joins the ChurchGear podcast this week to discuss In this episode you'll hear: 1:00 Toby's thrifty upbringing shaped his gear buying habits 6:00 Jerrod Togger joins us!10:10 What's the first place to start in church production in AVL20:00 Where should you spend and save money on church production lighting? 32:30 Does anyone watch the church broadcast? 33:30 Should churches only broadcast the message? 36:00 Do you know your church's broadcast purpose? 44:00 Church production disaster story 45: Tech Takeaway: Think about your stage first47:15 Church Tech ConfessionalCheckout HouseRight's solutions for your church and open jobs here. You could win an X32! Enter to win here! We will announce the winner the first week of November. Preorder Toby's book here!Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

How can churches retain church tech talent when the secular world can offer them so much more financial compensation? Todd Elliott joins us to discuss the importance of valuing your church tech, finding your calling as a church tech and the theology of church production. In this episode you'll hear:1:00 — Are church tech directors still treated poorly? 4:45 — Todd Elliott on leadership and church production11:00 — Finding your calling as a church tech18:00 — The theology behind church production24:30 — When church techs feel valued by their pastors36:50 — How churches can retain church tech talent48:40 — Church production disaster story: Portable church gone wrong51:00 — Why every church tech should attend the FILO ConferenceCheckout HouseRight's solutions for your church and open jobs here. You could win an X32! Enter to win here! We will announce the winner the first week of November. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

How can we recruit church tech volunteers beyond a preservice slide?Alexa has recruited a full army of volunteers and joins us this week to discuss how your team can finally recruit the church tech volunteers you need. (And even more importantly, how to train them up!)In this episode you'll hear:1:00 – Challenges of Recruiting Church Tech Volunteers6:30 – Guest Interview: Alexa Paige on Church Volunteer Culture12:00 – How to Recruit and Keep Church Tech Volunteers19:25 – The First Role to Place a New Church Tech Volunteer In25:25 – How to Show Church Volunteers They Matter37:30 – Developing the Skills of Your Church Tech Volunteers49:10 – Church Production Disaster Story1:00:30 – Church Tech ConfessionalCheckout HouseRight's solutions for your church and open jobs here. You could win an X32! Enter to win here! We will announce the winner the first week of November. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

What does it take to build a world that feels as authentic as the people it represents? On The Lowdown, that meant storytelling rooted in place — and departments working in harmony. This week on Below the Line, Skid welcomes Makeup Department Head Sharon Tabb and Production Designer Brandon Tonner-Connolly, who reunite after three seasons of Reservation Dogs to discuss their latest collaboration with creator Sterlin Harjo on the FX series The Lowdown, starring Ethan Hawke. The discussion covers: Continuing the collaborative spirit from Reservation Dogs — and how Sterlin Harjo's leadership fosters creativity and respect across the crew Finding shared visual language between makeup and production design — creating a lived-in aesthetic that balances grit, texture, and humanity Designing the show's Tulsa block from the ground up, building interconnected sets like Hoot Owl Books, Sweet Emily's Diner, and nearby stores into one functioning neighborhood Layering authenticity through local artists and real community involvement, from murals and set dressing to tattoo design Bringing lived experience into the work — honoring real figures like journalist Lee Roy Chapman while telling a fictionalized story of truth-seekers and corruption Sharon's approach to Ethan Hawke's tattoos and makeup continuity, balancing realism with subtle symbolism — and a few Easter eggs for sharp-eyed viewers Brandon's creation of Sweet Emily's Diner, complete with custom wallpaper that pays tribute to Reservation Dogs in the most unexpected way Coordinating large-scale sequences like the cop party “oner” that concludes Episode Five — blending chaos, choreography, and cinematic precision Together, Sharon and Brandon reveal how every bruise, tattoo, and weathered wall becomes part of a larger visual story — one built from collaboration, trust, and craft in sync.

"It was a headless horseman!" For Episode 379, Brandon and David continue CineNation's series on Folk Horror with a mainstream version of the genre, SLEEPY HOLLOW. Listen as they discuss the history of Washington Irving's original story, how the film was originally going to be a low-budget slasher film, why Tim Burton became involved in the project, why the movie ended up filming in England over the US, how they broke new ground with their creation of the Headless Horseman, how Paramount used an early version of online marketing for the film, and more!  Also, don't forget to join our Patreon for more exclusive movie content:  Opening - One Battle After Another -  (00:00:10) Early Thoughts on Sleepy Hollow (00:08:02) Recap of Folk Horror Movies (00:10:14) Intro to Sleepy Hollow (00:13:52) How Sleepy Hollow Got to Production (00:23:32) Favorite Scenes (00:44:55) On Set Life - (01:09:42) Aftermath: Release and Legacy (01:23:18) What Worked and What Didn't (01:30:40) Film Facts (01:35:15) Awards (01:35:54) Final Questions on the Movie (01:41:50) Wrapping Up the Episode (01:46:45) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

How does production bring souls to Christ?Bryan Bailey joins us from Prestonwood Baptist Church to tell us how excellence in production brings people closer to the Kingdom. In this episode you'll hear: 1:00 Did ChatGPT Write Toby's Church Production Book?4:00 The Most Overlooked Element of a Successful Church Production7:25 Creative Church Outreach Idea: Build a Fence for Your Community15:45 How to Cast Vision That Inspires Your Church Production Team24:00 Maintaining Excellence with a Large Volunteer Production Team52:00 Counting the Cost: Balancing Budget and the Gospel in Production56:00 Tech Takeaway: Learn from Other Churches, Don't Copy Them1:01:40 Church Tech Confessional Checkout HouseRight's solutions for your church and open jobs here. You could win an X32! Enter to win here! We will announce the winner the first week of November. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Did church production only start in the past few decades during the worship wars?  Or did church production start centuries ago instead of decades? Kent Morris of Sweetwater joins us this week to school us in the history of church production. In this episode you'll hear: 1:00 – Toby's new church production book release6:20 – History of church production and how it evolved26:00 – Theology behind church production and worship tech29:20 – Why church production is essential ministry35:00 – Future trends in church production and AVL ministry44:00 – Church tech takeaways for production teams48:25 – Church Tech Confessional: real stories from the boothPreorder the book "Sacred Spaces. Modern Production" here! Checkout HouseRight's solutions for your church and open jobs here. Resources for your Church Tech Ministry Sell Us Gear: Does your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Buy Our Gear: Do you need some production gear but lack the budget to buy new gear? You can shop our gear store here. Connect with us: Sales Bulletin: Get better deals than the public and get them earlier too here! Early Service: Get our best gear before it goes live on our site here. Instagram: Hangout with us on the gram here! Reviews: Leaving us a review on the podcast player you're listening to us on really helps the show. If you enjoyed this episode, you can say thank you with a review!

Madison Braun joins me to share some insight and cool stories from behind the scenes as a Production Designer for music videos and movies. From horror movies to award winning music videos, she has carved out an incredible career and it sounds like she is just getting started. So hang out with us and have some fun and maybe learn some stuff courtesy of the super talented Madison Braun. Madison Braun www.MadisonBraun.comHer Leather Jacket - Madness In My Mind (Official Video) https://youtu.be/sy4D6VFj9fg?si=xhXvsvvFYkurG124The Midweek Howl Disclaimer: We break up the week on Wednesdays with an episode we call “The Midweek Howl" that brings a little midweek humor or guests from different walks of life to discuss various topics. Just a little midweek episode brighten your day. Enjoy!From The Shadows Podcast is a program where we seriously discuss the supernatural, the paranormal, cryptozoology as well as ufology. Anything that cannot be rationally explained has a platform for discussion here on the From The Shadows Podcast.https://www.fromtheshadowspodcast.comhttps://www.facebook.com/fromtheshadowspodcasthttps://www.instagram.com/shanegroveauthorhttps://www.instagram.com/fromtheshadowspodcast #Bigfoot #music #movies #Nashville #musicvideos #productiondesign #filmproduction

SEASON 2 - EPISODE 160 - Mark Friedberg - Production Designer In this extended (and funny) episode of the Team Deakins Podcast, we speak with production designer Mark Friedberg (CAUGHT STEALING, JOKER, THE UNDERGROUND RAILROAD). A native New Yorker, it wasn't until returning to the city after Jack Kerouac-ing around the country that Mark (and his dog) first found work in the film industry as a driver for the Woody Allen production team. Mark was eventually let out of the van, and, throughout our conversation, he reveals how he thought through many of the challenges in his long and impressive career as a designer. Mark is also a staple in Barry Jenkins' (Season 2, Episode 156) stable of collaborators, and we learn how Mark's daughter convinced her father to break his own rules to initially meet with the director. We also discuss technology's place in Mark's design process, and he shares why he rehired the millennial gamers who built MUFASA's Africa to digitally visualize the sets of JOKER: FOLIE À DEUX before physically constructing them.  - Recommended Viewing: THE ICE STORM - This episode is sponsored by Sandstorm & Aputure

Part 2 The diminished but defiant group arrives at the Barrow of Blind Repose, seeking the last hope for the people of Desperloch... DAGGERHEARTDaggerheart is OUT NOW! Visit https://daggerheart.com to learn more. Purchase your copy at friendly local game stores, Amazon, Barnes & Noble, and other bookstores, or Critical Role shops:US: https://shop.critrole.comUK: https://shop.critrole.co.ukEU: https://shop.critrole.euAU: https://shop.critrole.com.auCA: https://canada.critrole.com AGE OF UMBRASmall communities hold fast against the darkness of a dying world in Age of Umbra, a dark, survival fantasy 8-part Daggerheart mini-series with Game Master Matthew Mercer and players Ashley Johnson, Laura Bailey, Liam O'Brien, Marisha Ray, Sam Riegel, Taliesin Jaffe, and Travis Willingham. Death lurks around every corner, but five characters of the small community of Desperloch must band together to fight for hope for their community, risking it all for those they love. BEACONCurious what happens when the camera turns off after an Age of Umbra episode? Watch the Cooldown episodes with the cast discussion after each episode, exclusively on Beacon! Start your 7-day free trial today at https://beacon.tv/join and get unparalleled access to the shows you love completely ad-free! You'll receive NEW Beacon exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. CREDITSKey Art & Character Art by Anthony Chong Jones | @robotpencilPlayer Miniatures by Hero ForgeSpecial thanks to Solar Simon DMMain Theme Song by Omar FadelSet Design by Shaun EllisSet Fabrication and Production Design by Noxweiler Berf Due to the improv nature of RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If hearing discussions of certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources