Podcasts about disquietude

We have a very interesting Words of Brandon episode for you today. Last month, Brandon did an interview with Winter is Coming, and in the Reddit thread, Brandon elaborated about some of his intentions with Wind and Truth, and addressed some critiques of the book. He talks about the choice of champion, humor and modern language, and the Jasnah debate. We just had to responds to a lot of these thoughts! This episode we have Eric (Chaos), Joshua (jofwu), Verónica (Cheyenne Sedai), Adim (AAKS), and Bonnie (Cosmeregirl)! Winter is Coming Interview: https://winteriscoming.net/brandon-sanderson-on-wind-and-truth-feedback-and-making-bold-choices-for-the-stormlight-archive-exclusive Reddit thread with Brandon's comments: https://www.reddit.com/r/brandonsanderson/comments/1kkye57/week_of_sanderson_day_2_brandon_sanderson_meant/ Jofwu's Wind and Truth survey: https://docs.google.com/forms/d/1sGug7LFsC8BjUK9Bo2axrOFCzNdqEdGrTo6tBo6rS6E/edit#responses Survey results: https://docs.google.com/spreadsheets/d/1gEK4rQTNI_j_gw_Mv1xxBj9gUdtZvH4PG_VtXBtA3PE/edit?resourcekey=&gid=1525717251#gid=1525717251 Our Brandon interview (which we will definitely do a WoB episode on pretty soon): https://youtu.be/rdpzciIt29k Chapters: 0:00:00 Introductions 0:01:50 Brandon Responding, Reddit Survey 0:04:34 Disquietude, Structure 0:27:19 Choice of Champion 1:00:33 Show vs. Tell 1:10:57 Humor 1:26:40 Jasnah Debate 2:13:44 Meta Commentary If you like our content, support us on Patreon: https://www.patreon.com/17thshard Purchase merch here! https://store.17thshard.com/ For discussion, theories, games, and news, come to https://www.17thshard.com Come talk with us and the community on the 17th Shard Discord: https://discord.gg/17thshard Want to learn more about the cosmere and more? The Coppermind Wiki is where it's at: https://coppermind.net Read all Words of Brandon on Arcanum: https://wob.coppermind.net Subscribe to Shardcast: http://feeds.soundcloud.com/users/soundcloud:users:102123174/sounds.rss Send your Who's That Cosmere Characters to wtcc@17thshard.com

I read from disquietude to disseat.     The word of the episode is "disquisition". The Spanish Inquisition clip by Monty Python is from here: https://youtu.be/Cj8n4MfhjUc     Theme music from Tom Maslowski https://zestysol.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

On June 13, 1888, Fernando António Nogueira Pessôa was born in Lisbon, Portugal. When he was scarcely five years old, his father died. His mother remarried a year and a half later to the Portuguese consul in Durban, South Africa. Pessoa attended an English school in Durban, where he lived with his family until the age of seventeen. When he was thirteen he made a year-long visit to Portugal, returning there for good in 1905. He began studying at the University of Lisbon in 1906 but dropped out after only eight months. During the following years he stayed with relatives or in rented rooms, making his living by translating, writing in avant-garde reviews, and drafting business letters in English and French. He began publishing criticism in 1912, creative prose in 1913, and poetry in 1914. This was also the year when the alter egos he called heteronyms—Alberto Caeiro, Ricardo Reis, and Álvaro de Campos—came into existence. In 1915 he dropped the circumflex from his surname.The majority of Pessoa's poems, heteronymic or otherwise, appeared in literary journals and magazines. He published his first book of English poems, Antinous in 1918, followed by Sonnets(1918) and English Poems (1921), but released only a single book of Portuguese poems, Mensagem, in 1933. He died November 30, 1935, in Lisbon from cirrhosis of the liver. Pessoa avoided the literary world and most social contact; it wasn't until years after his death that his work garnered a wide readership.Literary alter egos were popular among early twentieth-century writers: Pound had Mauberley, Rilke had Malte Laurids Brigge, and Valéry had Monsieur Teste. But no one took their alter ego as far as Pessoa, who gave up his own life to confer quasi-real substance on the poets he designated at heteronyms, giving each a personal biography, psychology, politics, aesthetics, religion, and physique. Alberto Caeiro was an ingenuous, unlettered, unemployed man of the country. Ricardo Reis was a doctor and classicist who wrote Horace-like odes. Álvaro de Campos, a naval engineer, was a bisexual dandy who studied in Glasgow, traveled to the Orient, and lived outrageously in London. In an English text, Pessoa wrote, "Caeiro has one discipline: things must be felt as they are. Ricardo Reis has another kind of discipline: things must be felt, not only as they are, but also so as to fall in with a certain ideal of classic measure and rule. In Álvaro de Campos things must simply be felt." In later years, Pessoa also gave birth to Bernardo Soares, a "semiheteronym" who authored the sprawling fictional diary known as The Book of Disquietude; António Mora, a prolific philosopher and sociologist; the Baron of Teive, an essayist; Thomas Crosse, whose critical writings in English promoted Portuguese literature in general and Alberto Caeiro's work in particular; I. I. Crosse, Thomas's brother and collaborator; Coelho Pacheco, poet; Raphael Baldaya, astrologer; Maria José, a nineteen-year-old hunchback consumptive who wrote a desperate, unmailed love letter to a handsome metalworker who passed under her window on his way to work each day; and so on.At least seventy-two names besides Fernando Pessoa were "responsible" for the thousands of texts that were actually written and the many more that he only planned. Although Pessoa also published some works pseudonymically, he distinguished this from the "heteronymic" project: "A pseudonymic work is, except for the name with which it is signed, the work of an author writing as himself; a heteronymic work is by an author writing outside his own personality: it is the work of a complete individuality made up by him, just as the utterances of some character in a drama would be."From https://poets.org/poet/fernando-pessoa. For more information about Fernando Pessoa:Previously on The Quarantine Tapes:Rabih Alameddine about Pessoa, at 12:00: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-081-rabih-alameddine“Fernando Pessoa”: https://www.poetryfoundation.org/poets/fernando-pessoaThe Book of Disquiet: https://www.penguinrandomhouse.com/books/286380/the-book-of-disquiet-by-fernando-pessoa-edited-and-translated-by-richard-zenith/“Fernando Pessoa & His Heteronyms”: https://poetrysociety.org/features/tributes/fernando-pessoa-his-heteronyms

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!On June 13, 1888, Fernando António Nogueira Pessôa was born in Lisbon, Portugal. When he was scarcely five years old, his father died. His mother remarried a year and a half later to the Portuguese consul in Durban, South Africa. Pessoa attended an English school in Durban, where he lived with his family until the age of seventeen. When he was thirteen he made a year-long visit to Portugal, returning there for good in 1905. He began studying at the University of Lisbon in 1906 but dropped out after only eight months. During the following years he stayed with relatives or in rented rooms, making his living by translating, writing in avant-garde reviews, and drafting business letters in English and French. He began publishing criticism in 1912, creative prose in 1913, and poetry in 1914. This was also the year when the alter egos he called heteronyms—Alberto Caeiro, Ricardo Reis, and Álvaro de Campos—came into existence. In 1915 he dropped the circumflex from his surname.The majority of Pessoa's poems, heteronymic or otherwise, appeared in literary journals and magazines. He published his first book of English poems, Antinous in 1918, followed by Sonnets (1918) and English Poems (1921), but released only a single book of Portuguese poems, Mensagem, in 1933. He died November 30, 1935, in Lisbon from cirrhosis of the liver. Pessoa avoided the literary world and most social contact; it wasn't until years after his death that his work garnered a wide readership.Literary alter egos were popular among early twentieth-century writers: Pound had Mauberley, Rilke had Malte Laurids Brigge, and Valéry had Monsieur Teste. But no one took their alter ego as far as Pessoa, who gave up his own life to confer quasi-real substance on the poets he designated at heteronyms, giving each a personal biography, psychology, politics, aesthetics, religion, and physique. Alberto Caeiro was an ingenuous, unlettered, unemployed man of the country. Ricardo Reis was a doctor and classicist who wrote Horace-like odes. Álvaro de Campos, a naval engineer, was a bisexual dandy who studied in Glasgow, traveled to the Orient, and lived outrageously in London. In an English text, Pessoa wrote, "Caeiro has one discipline: things must be felt as they are. Ricardo Reis has another kind of discipline: things must be felt, not only as they are, but also so as to fall in with a certain ideal of classic measure and rule. In Álvaro de Campos things must simply be felt." In later years, Pessoa also gave birth to Bernardo Soares, a "semiheteronym" who authored the sprawling fictional diary known as The Book of Disquietude; António Mora, a prolific philosopher and sociologist; the Baron of Teive, an essayist; Thomas Crosse, whose critical writings in English promoted Portuguese literature in general and Alberto Caeiro's work in particular; I. I. Crosse, Thomas's brother and collaborator; Coelho Pacheco, poet; Raphael Baldaya, astrologer; Maria José, a nineteen-year-old hunchback consumptive who wrote a desperate, unmailed love letter to a handsome metalworker who passed under her window on his way to work each day; and so on.At least seventy-two names besides Fernando Pessoa were "responsible" for the thousands of texts that were actually written and the many more that he only planned. Although Pessoa also published some works pseudonymically, he distinguished this from the "heteronymic" project: "A pseudonymic work is, except for the name with which it is signed, the work of an author writing as himself; a heteronymic work is by an author writing outside his own personality: it is the work of a complete individuality made up by him, just as the utterances of some character in a drama would be."From https://poets.org/poet/fernando-pessoa. For more information about Fernando Pessoa:Previously on The Quarantine Tapes:Rabih Alameddine about Pessoa, at 12:00: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-081-rabih-alameddine“Fernando Pessoa”: https://www.poetryfoundation.org/poets/fernando-pessoa“Fernando Pessoa's Disappearing Act”: https://www.newyorker.com/magazine/2017/09/04/fernando-pessoas-disappearing-actThe Book of Disquiet: https://www.penguinrandomhouse.com/books/286380/the-book-of-disquiet-by-fernando-pessoa-edited-and-translated-by-richard-zenith/

Hannah and Morgan obviously aren't scientists, but even they know that more than 40 people had to die... Website https://www.nytimes.com/2021/08/06/movies/chernobyl-1986-netflix.html Website https://www.world-nuclear.org/information-library/safety-and-security/safety-of-plants/ chernobyl-accident.aspx Website https://www.businessinsider.com/chernobyl-disaster-sarcophagus-construction- dismantling-2019-9#the-new-structure-is-designed-to-last-for-100-years-10 Youtube video “10 Most Insane Places of Chernobyl” by MAD LAB Amazon 2016 documentary “Chernobyl: 30 Years On” Amazon 2021 movie “Chernobyl 1986” Amazon 2020 documentary “Chernobyl: Hour by Hour” Podcast “The Chernobyl Disaster” by Disquietude

Ambient music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper plus an interview with Flanigan, commentary, and a short essay about reading waveforms

Ambient music by Belly Full of Stars, Christian Carrière, Femi Shonug​a-Flem​ing, Jeff Rona, Jostijn Ligtvoet, and Patricia Wolf, plus interviews and commentary

Disquietude is a noun that refers to a state of anxiety. The root word of disquietude is ‘quiet,’ a word of Latin origin that means ‘silent’ or ‘calm.’ When we disquiet a person or place, we disturb the peace and create uneasiness or disquietude. I noticed a disquietude when I entered the office that morning. I didn’t know what had caused such anxiety, but I had a feeling the day wouldn’t be pleasant.

In 1966, in a house on 30 East Drive in Yorkshire, UK, one of the most bizarre and violent hauntings in modern history began... and never ended. Ghost hunters and paranormal investigators from around the world dare to spend nights there in order to experience the world's most dangerous poltergeist, and rarely do they leave disappointed. With a surprising amount of photographic evidence, this haunting is the one that has evolved into the internet age like no other. Disquietude discusses the history and origins of this haunting, as well as it's recent impact on paranormal culture. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In August 2017, writer and cartoonist Adam Ellis posted a series of tweets in which he detailed a possible haunting in his apartment, centered around vivid dreams in which a dead child named "Dear David" would torment him. He could ask David two questions, but was told to NEVER ask a third... the tweets became a viral sensation, with the creepy experiences snowballing into a series of bizarre events, backed up with photo, audio and video evidence. The Twitterverse exploded with theories and debate with eagle-eyed followers using technology to notice small hidden details and go even deeper into the rabbit hole. So, was this an authentic haunting, or just a really good ghost story told in a clever way? We deep-dive into one of the biggest pieces of internet horror lore like only Disquietude can. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tonight, Disquietude recounts the mass hysteria that swept the nation in the 80's with the belief that satanic cults were abusing our children in bizarre ceremonies that became known as "Satanic Ritual Abuse". Spurred on by the book "Michelle Remembers" along with sensationalist media, false accounts spread like wildfire. It eventually culminated in the most infamous and expensive child abuse trial in American history. We discuss how the fallout still affects media and culture to this very day. *WARNING*- this episode contains descriptions and victim accounts of sexual abuse and torture involving children. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Our library hosted a Tween Radio Play program in the summer of 2018 where our community's young people produced an original radio play. The School of Phobias tells the story of a group of friends living at Madame Maudsley's School of Disquietude, a boarding school that treats students with phobias. When a student goes missing, it is up to his friends to face their fears and save their friend. Sit back, relax, close your eyes, and be taken away by this epic production!

This is the second episode of the Disquietude podcast of ambient electronic music. All seven tracks of music are featured with the permission of the individual artists or, in one case, their record label: Naoyuki Sasanami, Geneva Skeen, Jeanann Dara and Jherek Bischoff, R. Beny, Bana Haffar, Scanner, and Yann Novak. The music is followed by commentary from the podcast’s San Francisco–based host, Marc Weidenbaum, and by a brief essay reflecting on the recording process. More information at disquiet.com/podcast0002.

This is the first episode of the Disquietude podcast of ambient electronic music. All six tracks of music are featured with the permission of the individual artists: a drone from Brian Hendricksen, music for piano and looping by Carl Mikael Björk, fractal sound processing by Erika Nesse, dual tape loops and piano from Marcus Fischer, ancient synthesizer explorations from Sarah Davachi, and a field recording by Mark Rushton. They are followed by commentary from the podcast’s San Francisco–based host, Marc Weidenbaum. More information at disquiet.com/podcast0001. 

John Ruskin’s account of the gothic spirit, from the central chapter of The Stones of Venice, ‘The Nature of Gothic’ (published in 1853), is highly influential and much fêted. Such influence has long been recognized over figures such as William Morris, over the architectural practices of Victorian Britain, and over political economic thought, especially after Ruskin’s 1862 publication of ‘Unto This Last’, which develops the earlier work’s critique of laissez-faire economics. But Ruskin’s innovative theorization of the concept of the gothic in ‘The Nature of Gothic’ has never been connected with gothic literature itself. This is a significant oversight, as this paper will demonstrate, one that has left a fundamental shift in Victorian gothic literature unrecognized, and that has allowed the eighteenth-century, consistently negative associations of the gothic to stand unchallenged in the very different world of post-Ruskinian gothic literature. Ruskin’s considerable influence over gothic fiction will be reconstructed, in this paper, by analysis of Charles Dickens’s Bleak House (1853), Sheridan Le Fanu’s In a Glass Darkly (1872) and Robert Louis Stevenson’s Dr Jekyll & Mr. Hyde (1886).