Podcast appearances and mentions of William Morris

Send us Fan MailIf you think filmmaking is just about a good script and a camera, think again. Today, you literally cannot get a movie financed without mastering the tax credit game.On this episode, the Film Hustlers talk about state incentives.  We also tackle major shifts in the entertainment landscape: Why local stations axed Access Hollywood in favor of social media content, and how industry titan Barry Diller climbed out of the William Morris mailroom and invented the modern television movie.Subscribe now and never miss an episode of the ultimate indie filmmaking hustle!

Robert the Devil is a supernatural medieval legend that inspired a 19th-century French opera, which incorporates key elements from a seminal Gothic novel.  The opera and legend are substantially different but both interesting. We begin with Giacomo Meyerbeer’s 1831 opera, Robert le diable, which gained notoriety for a ballet sequence in Act III, which portrays an attempted seduction of the hero, Robert, Duke of Normandy, by the ghosts of corrupted nuns, freshly risen from their crypts. The scene is not found in the original legend, but as we learn, was borrowed from a particularly sensationalistic early Gothic novel,The Monk, written by Matthew Gregory Lewis in 1764.   We also learn that Meyerbeer's chief librettist, Eugène Scribe later went on to crib another storyline from Lewis’ The Monk for the 1854 opera by composer Charles Gounod, La nonne sanglante (“the bloody nun”). Rendering of cloister set for Paris Opera premiere. Along the way, we learn how Robert le diable helped save the financially imperiled Paris Opera after its royal subsidy had been withdrawn following the July Revolution of 1830.  Along with public curiosity about the scandalous ballet, ticket sales owed much to the 19th-century equivalent of special effects — flashy and innovative stagecraft (new gaslight design, trapdoors, floating will-o-the-wisps, etc.) and a spectacular set replicating a ruined gothic monastery. Hans Christian Andersen, George Sand and Frédéric Chopin lavishly praised the production. Honoré de Balzac and Alexander Dumas worked mentions of the opera into their novels. Edgar Degas painted not one but two renderings of the Ballet of the Nuns. Edgar Degas’ rendering of the “Ballet of the Nins” The opera also gave birth to a new style of ballet, one linked to Romanticism's interest in the supernatural: ballet blanc, “white ballet” named for the innovative long, flowing skirts that lent themselves to wafting movements suggestive of misty wisps moving in the darkness. The opera’s 1847  London premiere was attended by Queen Victoria and featured superstar soprano Jenny Lind as Robert’s sister.  Traffic came to a standstill as unruly spectators mobbed the streets hoping for  glimpse of either celebrity. The second half of our episode tells the original story of Robert the Devil.  It first appeared around 1250, sketched out in short form by the Dominican monk, Étienne de Bourbon, in a collection of exempla, or moral tales intended to be used by priests in their homilies.  A couple decades later, details were filled out in a longer, anonymous  poem, preserved in France's National Library. Then by the late 14th century, it was rendered as a miracle play in “Forty Miracles of Our Lady,” commissioned by a guild of Parisian goldsmiths. By 1500, the story had arrived in Britain. That year, Wynkyn de Worde, assistant to pioneering London printshop owner Thomas Caxton, issued a chapbook prose translation hewing close to the French 14th-century poem. I found the Wynkyn de Worde text reproduced in a handsome 1904 volume complete with line illustrations, decorative initials, and borders reminiscent of the Arts and Crafts books of William Morris.  As promised in the episode, here is the link to that book: Robert_the_Deuyll.pdf.  (Visit the show notes on the Bone and Sickle website if you can’t click link). As for the  story itself, it’s best you enjoy it without spoilers as told by Mrs. Karswell.  It’s full of demonic wrath, battles, court intrigue, miracles, pathos, and a very and prolonged peculiar penance.  All told in charming 16th-century language with all the little sound-design extras you’ve come to expect from Bone and Sickle.

This month on Laura Flanders and Friends, we're revisiting conversations around work, workers, and the Labor Movement on the Move.  This week we explore how the folks at The People's Network for Land & Liberation (PNLL) are building for the future in the midst of the crisis facing us now.  They say the forces that got us here are bigger than one bad leader; entire systems must be taken down. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: People across the country are resisting authoritarianism in creative and powerful ways, and this is just the start. The folks at The People's Network for Land & Liberation (PNLL) say the forces that got us here are bigger than one bad leader; entire systems must be taken down. Building a brighter future requires a vision of economic and social justice — and lots of practice. Today on Laura Flanders & Friends, we look at some of those practical experiments and paths for radical change, and discuss why they're just as important as resistance. The members of PNLL, a multiracial, multiethnic consortium of six community-based organizations, are doing politics and economics differently in real places across the U.S. right now. Joining us are Edget Betru, an attorney, activist and Coordinator of the People's Network for Land & Liberation; David Cobb, PNLL staff person and Co-coordinator of the U.S. Solidarity Economy Network; and Blair Evans, Founder and Executive Director of Incite Focus, a production and training lab based in Idlewild, Michigan. Find out how to build for the future — even in the toughest circumstances. All that, plus a commentary from Laura on William Morris's News From Nowhere. “We've been colonized in our minds . . . Involving people in day-to-day produce, meeting their needs through a different way, through thinking, Hey, who in my neighborhood knows how to fix this? . . . It's really that shift in consciousness that needs to happen that's going to allow for this new economy to emerge.” - Edget Betru “My mama and my mamaw and my papa who raised me taught me a lesson as a little boy, and that is, there's enough to go around as long as we share. That made sense to me when I was five years old. It makes sense to me now when I'm 63 years old. There's enough to go around as long as we share. It's just as simple as that.” - David Cobb “We can make things that make things, we can design and build our own equipment that can then use locally sourced materials, hyper localizing the supply chain . . . We can stop feeding the monster that's consuming us and actually disconnect from that process and use what we have.” - Blair Evans Guests: • Edget Betru: Coordinator, People's Network for Land & Liberation; Board Member, Community Movement Builders • David Cobb: Staff, People's Network for Land & Liberation; Manager, Butterfly Impact Fund; Co-Coordinator, U.S. Solidarity Economy Network • Blair Evans: Coalition Member, People's Network for Land & Liberation; Founder & Executive Director, Incite Focus; Designer & Trainer, Fab Lab   Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show). Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credit:  "Solace" by Antibalas from their album Hourglass released on Daptone Records, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES:   Full Episode Notes are located HERE. *Recommended book: “Beautiful Solutions: A Toolbox for Liberation”, Learn More Here* (*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)   Related Laura Flanders Show Episodes: •  Jackson Rising: Creating the Mondragon of the South: Watch •  Resisting Trump & Authoritarianism: The “Beautiful Solutions” Toolbox:  Watch / Listen •  Community Wealth Building: An Economic Reset: Watch / Listen:  Full Uncut Conversation and Episode Cut Related Articles and Resources: •  Community Movement Builders' Community Sea Moss Cooperative •  Tale of the Tape:  An Expert Weighs In on the ‘Cop City' Bodycam Footage, by Madeline Thigpen, February 15, 2023, Capital B • Cooperation Jackson, The Build and Fight Educational Series •  The Butterfly Effect Fund •  Cooperation Vermont, Seeding the Alternatives for the Future •  Cooperation Vermont Buys Former Rainbow Sweets Building, by Paul Fixx, February 4, 2025, The Hardwick Gazette • Incite Focus, where ideas and imagination meet inspiration and innovation •  Wellspring Cooperative, building a just and sustainable economy, one co-op at a time •  U.S. Solidarity Economy Network (US SEN) Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Brittiläisen taiteilijan ja kirjailijan William Morrisin tummat ja utuiset kukalliset kuosit syntyivät 1800-luvulla. Tänään näitä kuoseja löytyy tapeteissa, lautasliinoissa ja kännykän kuorissa. William Morris on taas muodissa, ja se näkyy varsinkin Tukholman katukuvassa ja kodeissa. Morrisin mielestä hyvä design kuuluu kaikille. Hän oli Arts & Crafts -liikkeen keulakuva ja korosti käsityön merkitystä. Didrichsenin taidemuseo, Helsingissä avaa 29. toukokuuta ensimmäisen William Morrisin (1834–1896) tuotantoa esittelevän näyttelyn Suo­messa. Näyttelyn esineet ja luonnokset tulevat William Morris Galleryn ja William Morris Societyn kokoelmista. Näyttely syventyy myös Morrisin ja suomalaistaiteilijoiden välisiin verkostoihin. Näyttelyssä liikutaan unen­omaisessa puutarhassa, historiassa ja legendojen maailmassa. Ohjelmassa avataan Arts & Crafts-liikkeen syntyä, sen ideologiaa ja tyylin erityispiirteitä. Mikä oli William Morrisin rooli tämän liikkeen synnyssä? Miten suomalaiset muotoilijat ottivat vastaan tämän uuden suuntauksen ja miten tämä näkyi porvoolaisen 1897 perustetun Iris-tehtaan tuotannossa? Ohjelman vieraina ovat antiikkiasiantuntija Maria Ekman ja Didrichsenin taidemuseon johtaja Anna-Maria Wiljanen. Ohjelman juontajana on Pia-Maria Lehtola. WILLIAM MORRIS 29.5.–30.8.2026 Didrichsenin taidemuseo

This month on Laura Flanders and Friends, we're revisiting conversations around work, workers, and the Labor Movement on the Move.  This week we explore how the folks at The People's Network for Land & Liberation (PNLL) are building for the future in the midst of the crisis facing us now.  They say the forces that got us here are bigger than one bad leader; entire systems must be taken down. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: People across the country are resisting authoritarianism in creative and powerful ways, and this is just the start. The folks at The People's Network for Land & Liberation (PNLL) say the forces that got us here are bigger than one bad leader; entire systems must be taken down. Building a brighter future requires a vision of economic and social justice — and lots of practice. Today on Laura Flanders & Friends, we look at some of those practical experiments and paths for radical change, and discuss why they're just as important as resistance. The members of PNLL, a multiracial, multiethnic consortium of six community-based organizations, are doing politics and economics differently in real places across the U.S. right now. Joining us are Edget Betru, an attorney, activist and Coordinator of the People's Network for Land & Liberation; David Cobb, PNLL staff person and Co-coordinator of the U.S. Solidarity Economy Network; and Blair Evans, Founder and Executive Director of Incite Focus, a production and training lab based in Idlewild, Michigan. Find out how to build for the future — even in the toughest circumstances. All that, plus a commentary from Laura on William Morris's News From Nowhere. “We've been colonized in our minds . . . Involving people in day-to-day produce, meeting their needs through a different way, through thinking, Hey, who in my neighborhood knows how to fix this? . . . It's really that shift in consciousness that needs to happen that's going to allow for this new economy to emerge.” - Edget Betru “My mama and my mamaw and my papa who raised me taught me a lesson as a little boy, and that is, there's enough to go around as long as we share. That made sense to me when I was five years old. It makes sense to me now when I'm 63 years old. There's enough to go around as long as we share. It's just as simple as that.” - David Cobb “We can make things that make things, we can design and build our own equipment that can then use locally sourced materials, hyper localizing the supply chain . . . We can stop feeding the monster that's consuming us and actually disconnect from that process and use what we have.” - Blair Evans Guests: • Edget Betru: Coordinator, People's Network for Land & Liberation; Board Member, Community Movement Builders • David Cobb: Staff, People's Network for Land & Liberation; Manager, Butterfly Impact Fund; Co-Coordinator, U.S. Solidarity Economy Network • Blair Evans: Coalition Member, People's Network for Land & Liberation; Founder & Executive Director, Incite Focus; Designer & Trainer, Fab Lab Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credit:  'Thrum of Soil' by Bluedot Sessions, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES:   Full Episode Notes are located HERE. *Recommended book: “Beautiful Solutions: A Toolbox for Liberation”, Learn More Here* (*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)   Related Laura Flanders Show Episodes: •  Jackson Rising: Creating the Mondragon of the South: Watch •  Resisting Trump & Authoritarianism: The “Beautiful Solutions” Toolbox:  Watch / Listen •  Community Wealth Building: An Economic Reset: Watch / Listen:  Full Uncut Conversation and Episode Cut Related Articles and Resources: •  Community Movement Builders' Community Sea Moss Cooperative •  Tale of the Tape:  An Expert Weighs In on the ‘Cop City' Bodycam Footage, by Madeline Thigpen, February 15, 2023, Capital B • Cooperation Jackson, The Build and Fight Educational Series •  The Butterfly Effect Fund •  Cooperation Vermont, Seeding the Alternatives for the Future •  Cooperation Vermont Buys Former Rainbow Sweets Building, by Paul Fixx, February 4, 2025, The Hardwick Gazette • Incite Focus, where ideas and imagination meet inspiration and innovation •  Wellspring Cooperative, building a just and sustainable economy, one co-op at a time •  U.S. Solidarity Economy Network (US SEN) Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Barry Diller started in the mailroom at the William Morris Agency, but he had no interest in becoming an agent. He didn't hustle the way others did. Instead, he spent his time in the file room, reading everything he could and learning how the business actually worked. By his own account, he likely would have been fired if not for one thing: his connection to Danny Thomas.In this episode of Big Shot, Barry sits down with Harley and David to reflect on the path that took him from that mailroom to running studios, building networks, and shaping modern media. He shares how his ambition came later, not as something he chased but something he discovered, and how his career was shaped as much by timing and luck as by intention.Along the way, Barry walks through the decisions that defined his career, from rising quickly through ABC and becoming chairman of Paramount at 32, to building the Fox network alongside Rupert Murdoch, and later taking control of IAC and acquiring companies like Expedia.This is a conversation about instinct, timing, and the willingness to walk through the door when it opens.—In This Episode We Cover:(00:00) Intro(03:32) Barry's early heroes and influences(05:16) Where his ambition came from(06:50) Getting his start in the mailroom at the William Morris Agency(08:53) What he learned from reading client files at William Morris(12:10) Working as an assistant at William Morris(14:00) How he got a job at ABC(16:32) Barry's thoughts on serendipity(19:20) Developing The Movie of the Week and miniseries at ABC(22:32) Becoming chairman of Paramount at 32(26:44) Working with Charles Bluhdorn(28:20) Why he still feels like he hasn't made it(30:00) Building the Fox network and bringing Rupert Murdoch on board(34:06) How he took control of IAC(38:07) The story behind buying Expedia(40:47) Barry's leadership philosophy(41:37) M&A strategy at IAC(44:43) How Eastern European Jews built Hollywood(47:36) Barry's relationship to Jewish culture —Where To Find Barry Diller:• Website: https://www.iac.com/leadership/barry-dillerWhere To Find Big Shot: • Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bigshot.show/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@bigshotpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  • TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@bigshotshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/bigshotshow/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  • Harley Finkelstein: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/harleyf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • David Segal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/tea_maverick⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Production and Marketing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://penname.co⁠

You will be in awe learning about the unconventional life of Hunter S. Thompson and the Helen Hayes Award nominated actor Eric William Morris' portrayal of the iconic misfit.

Who Should Have Been Poet Laureate? Collected and edited by Evan Blackmore Narrated by Evan Blackmore In 1892, Alfred Tennyson, the official Poet Laureate of Great Britain, died. According to custom, a new Laureate now had to be chosen by the Prime Minister. But on this occasion, uniquely, there was a problem. Many different candidates for the position were suggested, but for several years, none were chosen. In this recording, we listen to selected poems by Tennyson himself and by ten writers nominated to succeed him: A. C. Swinburne, William Morris, John Ruskin, Austin Dobson, Rudyard Kipling, Alice Meynell, Edwin Arnold, Lewis Morris, Alfred Austin, and Robert Bridges. If you had been Prime Minister, whom would you have chosen? The complete audiobook is available for purchase at Audible.com: https://www.audible.com/pd/Who-Should-Have-Been-Poet-Laureate-Audiobook/B0G5BCZ868

We are heading up to the beautiful coast of Maine for today's episode! Our guest is Laura Keeler Pierce, the founder and principal designer of the New England-based interior design firm Keeler & Co., and the co-founder of Rusticator, a curated home furnishings shop located in Seal Harbor, Maine. Laura sits down with Caroline, Taryn, and Liz to discuss her signature aesthetic, which masterfully blends historic New England charm with modern, updated livability. She shares how growing up moving from city to city shaped her design eye, the inspiration behind the "rusticator" lifestyle in Acadia National Park, and her approach to designing incredible commercial spaces like the reimagined Claremont Hotel. Quick Decorating Takeaways: Respect the Architecture: When working with older, historic homes, Laura believes in maintaining the architectural integrity while infusing it with modern character. Don't fight the bones of the house—embrace them, and let the history of the home inform your material and fabric choices. The "Rusticator" Lifestyle: Inspired by Mount Desert Island's iconic summer cottages, Laura recommends looking for "first-generation heirlooms." These are timeless, well-crafted, sturdy pieces that can handle everyday life (and sandy feet) but still bring a sense of tailored elegance and deep comfort to a space. Mix Classic with Contemporary: A room shouldn't feel like a museum. Laura creates warmth by layering classic, traditional patterns (like Sister Parish or William Morris & Co.) with fresh colors, vintage bamboo pieces, and contemporary art to keep the room feeling spirited, welcoming, and deeply personal. What You'll Hear on This Episode: 00:00 Welcome & Introduction to Laura Keeler Pierce 02:00 Growing up surrounded by "sawdust and custom draperies" 06:00 Balancing a heritage design sensibility with modern living 12:00 The foundation of Keeler & Co. in Boston and Maine 18:00 The story behind Rusticator in Seal Harbor and the island lifestyle 25:00 How to source timeless furnishings and everyday heirloom pieces 32:00 The design process for reimagining the historic Claremont Hotel property 38:00 How a sense of place and local nature influences interior color palettes 45:28 Closing thoughts and where to visit Rusticator in person Also Mentioned: Keeler & Co. | Website Rusticator (Seal Harbor, ME) | Website The Claremont Hotel Follow Keeler & Co. on Instagram: @keelerandco Follow Rusticator on Instagram: @rusticatorshop Shop Ballard Designs Please send in your questions so we can answer them on our next episode! And of course, subscribe to the podcast wherever you get your podcasts so you never miss an episode. You can always check back here to see new episodes, but if you subscribe, it'll automatically download to your phone. Happy Decorating! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinWhat's Your Story - Writer/Director Ben Wheatley?Our guest today is one of Britain's finest Writer/Directors, Breaking out with 'Kill List' he has ventured into almost all genres from 'Free Fire' to Netflix hit 'Rebecca'.We chat about the differences between his first movie to huge Jason Statham actioner 'The Meg 2', his love of film and why his latest Bob Odenkirk thriller 'Normal' was an immediate yes.(Apologies for the video connection between ben and I at the beginning, I have edited around it as best I can)Credits Include Kill List / Sightseers / Free Fire / Rebecca / A Field in England / High-Rise / The Meg 2 / Happy New Year, Colin Burstead / Down Terrance / In the Earth / Normal ...etc-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------Our SponsorsMoviePosters.com is the #1 place for movie posters old and new! use our affiliate link https://www.movieposters.com/?sca_ref=8773240.c977RvLKKpL& Get 10% off with code LIFEINFILM10⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ provides you with access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------'Normal' is in cinemas April 17th-----------------------------Thank you to our guest Ben, James & the team at William Morris as always thank you to our sponsors MoviePosters.com & BetterHelp-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join -----------------------------Please don't forget to⁠ LIKE & SUBSCRIBE⁠! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!0:00 - Get EARLY Access & EXCLUSIVE Episodes0:13 - Our Guest Ben Wheatley / How it all began?3:54 - The 20 Year Old me Wouldn't believe Where I am Today4:56 - 'Writing 'Down Terrance' & 'Kill List'9:42 - Advice to Writers 14:00 - What I'd Love to do Next15:51 - Collaborations / inspirations20:42 - Support The Podcast / Movieposters.com / Betterhelp22:23 - Bob Odenkirk Action Movie Normal25:55: - Shooting in the Canadian Winter27:14 - Why I Story Board29:11 - Like, Subscribe & Join our YouTube Channel!

What if the most powerful moves in business happen BEFORE you even walk into the room? Jeremy Zimmer built one of Hollywood's most dominant agencies from a boutique small business to a global empire by understanding one thing: deals are won or lost long before anyone sits down to negotiate. Jeremy Zimmer is the co-founder and former CEO of United Talent Agency (UTA), representing names like Christopher Nolan, M. Night Shyamalan, Charlize Theron, Harrison Ford, and Samuel L. Jackson. He started in the William Morris mailroom after flunking out of college and getting stabbed working a parking lot. He built UTA into a powerhouse through 19 acquisitions in 13 years, stood up to Harvey Weinstein before anyone else would, and spent decades competing ruthlessly with Ari Emanuel while staying profitable. In this conversation, he breaks down how to spot real talent, how to win deals before they start, and why taste will always matter more than execution. You'll learn: Why the best agents can spot creative genius in 10 pages and what separates taste from execution Why getting rid of toxic high performers makes companies stronger even when it feels terrifying How competing with Ari Emanuel for decades taught him to emulate the best and ignore the rest Why talent is becoming landlords and how 50 Cent and Tyler Perry are rewriting the Hollywood playbook The future of Hollywood: consolidation, AI, and why the platforms are the real competition now Start your newsletter today with beehiiv! Head to https://beehiiv.link/r6lczt and use CODIE30 to get 30% off your first 3 months. Better quality sleep = better focus. Head to https://eightsleep.com/bigdeal and use code ‘DEAL' to get $350 off the Pod 5 Ultra. ___________ (00:00:00) Introduction (00:01:29) From Rock Bottom to the Mailroom: Jeremy's Origin Story (00:05:35) The Chair Fix That Changed Everything (00:06:44) Spotting Talent: The Connectivity to the Product (00:09:44) Taste Over Execution: Finding Great Writers (00:14:59) The Pain Before the Win: Getting Lied To, Stolen From, and Cheated (00:19:46) Standing Up When No One Else Will: The Harvey Weinstein Memo (00:28:55) Learning From Your Competitors: Ari Emanuel and the Big Agencies (00:36:06) The 19 Acquisitions in 13 Years: Diversification Strategy (00:45:39) The Secret to Great Deals: Setup Before the Sit-Down (01:02:21) Toxic Talent and Culture: When to Cut the Cancer (01:05:58) What's Coming for Hollywood: AI, Platforms, and the Talent Landlord Model (01:14:39) Advice to the Next Generation: Develop Your Taste and Read Great Things ___________ MORE FROM BIGDEAL

In this episode of Content Amplified, host Ben Ard sits down with Frank Pasquine, Marketing Director at DoubleVerify and author of the newly released novel The Prince of New York. Frank has spent nearly 20 years in marketing across ad tech, entertainment, and agencies, but publishing his own book forced him to see content strategy from an entirely new angle.Frank shares the story of how he went from studying economics at Fordham to screenwriting at NYU, nearly beat Gossip Girl to the punch with a pilot at William Morris, and eventually built a full marketing career while holding onto that creative spark. Now he's applying everything he's learned in B2B to promote his debut novel as a one-person team with a personal savings budget.The conversation gets into the reality of marketing your own product versus marketing someone else's, the surprising fragmentation of platforms when you're the one spending every dollar, and why in-person activations combined with digital amplification have been his most effective strategy on both sides.What you'll learn in this episode:What changes when the product you're marketing is your ownHow a screenwriting background shapes a content marketing careerWhy in-person activation plus digital amplification is the highest-performing content playThe 100-day playbook Frank recommends before launching any side projectHow to approach TikTok, Instagram, and BookTok as a first-time authorWhy freedom to experiment is the biggest advantage solo creators have over corporate teamsFind The Prince of New York on Amazon or search for Frank Pasquine. Connect with Frank on LinkedIn.Text us what you think about this episode!

This man sent a Myspace message to N-Dubz after seeing them on Channel U. Within a month he was their agent. No business card. No corner office. Just conviction and speed. Billy Wood is one of those names in UK music that if you know, you know. 20 years. Three of the biggest talent agencies in the world — WME, UTA, CAA. Artists like Tinie Tempah, Tinchy Stryder, Wiley, Section Boyz, Run-DMC. Music Week 30 Under 30. Youngest agent in William Morris history at 24.But the story underneath those headlines is messier. More interesting. It's about losing the act that made you. About being a young man at the biggest talent agency in the world making decisions he wasn't always equipped to make. About managing Wiley for two years and what the unmanageable teaches you about people. About walking away from music entirely to go run a non-league football club in Hastings — and somehow that being the thing that brought him back.Now he's back with HAUS23, his own agency, five people deep, signing new acts and established names, and building something on his own terms.We talk about: — Growing up in New Addington and Hastings with no money and no blueprint — Finding N-Dubz on Channel U and signing them from his uni bedroom — Booking 280 shows for N-Dubz and then losing them — and what that did to him — Tinie Tempah, Pass Out, and the fear of losing another act — Getting flown to LA by WME to meet Ari Emanuel, Patrick Whitesell and Cara Lewis — What Wiley taught him about patience, chaos, and genius — The burnout that took him out of music — Running Hastings United FC, breaking attendance records, and losing money doing it — Why he came back with HAUS23 and what he's building nowBilly Wood. Let's go.Welcome to The Marvyn Harrison Podcast — a story-driven conversation exploring identity, fatherhood, masculinity, relationships, culture, politics, sport, and modern life.In each episode, Marvyn Harrison sits down with leading thinkers, creatives, athletes, policymakers, and cultural voices to unpack the defining moments that shaped them. Through image prompts, structured storytelling, and revealing game segments, guests explore pivotal memories, career turning points, personal struggles, and the beliefs that guide their decisions today.Expect honest discussions on mental health, family dynamics, leadership, equity, ambition, resilience, and the realities of navigating success in Britain and beyond.This is a podcast about clarity, where lived experience meets sharp cultural insight. Hosted on Acast. See acast.com/privacy for more information.

Saddle up and join the Round Table as Mythmakers embarks on a journey through some of the most famous retellings of King Arthur in celebration of Tolkien Reading Day. Which author started the ball rolling, and who poetically kicked it on into the 19th century? Where do the traces of these tales become most apparent in the works of Tolkien and C.S. Lewis? And who has continued the Arthurian tradition into modern times?Finally, we turn to the screen—what is the most successful adaptation of them all? Tune in to see if you agree with our pick!(00:00) Tolkien Reading Day and the Power of Arthur(03:09) Malory and the Rise of Arthur in Print(05:26) Arthur Pulls the Sword from the Stone(09:24) Keats and the Melancholy of Arthur(12:08) Tennyson, Avalon, and Echoes in Tolkien(15:15) William Morris and Arthur’s Expanding World(16:52) T.S. Eliot, Charles Williams, and the Modern Grail(22:22) Film, Comedy, and Reinventing Arthur(23:00) Tolkien and Lewis Through an Arthurian Lens(27:02) Modern Retellings and Julia Golding’s Own Arthur Stories(29:12) Why BBC’s Merlin Works So Well(30:43) Reading Arthur to Better Understand TolkienFor more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok  

Episode 290: What Was In The Woods Changed Their Lives with William Morris and Jimmy Barwick | Untold Radio AMWhat happens when you come face-to-face with something in the woods that defies everything you thought you knew? In this gripping episode of Untold Radio AM, hosts Doug Hajicek (MonsterQuest producer/creator) and Jeff Perrella sit down with special guests William Morris and Jimmy Barwick to share their life-altering encounters with the unknown.These aren't just stories—they're raw, personal accounts of terrifying moments deep in the forest that left an indelible mark. From eerie sightings and unexplained sounds to the profound ways these events reshaped their worldviews, William and Jimmy open up about the creature that lurks in the shadows... and how it forever changed them.Whether you're a longtime Bigfoot believer, a curious skeptic, or just love a good mystery, this episode dives deep into cryptid encounters, strange wildlife, and the chilling "what if" that keeps us looking over our shoulders in the wilderness.Highlights include:Firsthand eyewitness details of a life-changing Bigfoot/Sasquatch experienceThe emotional and psychological impact of coming too close to the unexplainedDiscussions on why these events haunt those who live through themTune in for unfiltered stories, expert insights from Doug and Jeff, and the kind of real-world mystery that makes you question what's really out there.Don't forget to like, comment your own woods stories below, and subscribe to Untold Radio AM for more episodes on cryptids, UFOs, strange disappearances, genomic oddities, and everything UNTOLD!Follow us:

William Morris of the Des Moines Register shares the legal risks of using artificial intelligence in court cases and why attorneys warn it could expose sensitive information. Also on this Newsbuzz edition: Marissa Payne of the Des Moines Register gives an update on activity at the Iowa Statehouse; Grace Nieland of The Gazette explains how data center construction is reshaping housing demand in Cedar Rapids; and Kevin Baskins of the Des Moines Register discusses Iowa's latest economic competitiveness report. Later, Kate Grumke of Harvest Public Media shares how scientists are studying engineered algae that could help remove microplastics from waterways. State Climatologist Justin Glisan joins the show to talk about Iowa's recent wind patterns, and Studio One host Tressa Glass wraps up the week with new music picks.

Susan Stinsmuehlen-Amend is an artist for whom ideas have always been more important than media, and possibly more integral to her work. It's interesting then that her art has been consistently viewed through the lens of glass. In the creation of her early X series to more recent Calendar Notations, she has pioneered techniques such as non-traditional, unfired painting on glass, mixing glass with other media, and presenting painted, decorated glass on the wall in reflected light. Throughout her career, the artist distilled her own life experiences in the creation of progressive and experimental work.  While studying Fine Arts at the University of Texas, Austin, in 1973, Stinsmuehlen-Amend was serendipitously introduced to glass and went on to become partner with Rodney Smith and designer of Renaissance Glass, an architectural glass studio. Beyond teaching and employing 14 artists, she built a creative hub that included studio space, glass supplies, a hot glass studio, education and exhibitions. Understanding the cutting edge in the field, Stinsmuehlen-Amend invited luminaries in the Studio Glass movement such as Dale Chihuly, Paul Marioni, William Morris, and Narcissus Quagliata, among others, to lecture and teach in the early 1980s. The studio became the center for contemporary glass in Texas from 1973 to 1987. While balancing single motherhood, donating time to the arts, and running her business, she became the Glass Art Society's first woman president (1984 – '86).  Concurrent with designing stained glass commissions, Stinsmuehlen-Amend was determined to make the craft form a means for personal expression. Through experimentation and rebellion and influenced by the local punk scene, her radical fashion designer best friend, Pattern & Decoration and Neo-Expressionism in art, as well as innovations in the world of craft, her work became unrestrained, kinetic, glittery, and jarring—defiantly not "tasteful" or functional. Combining mixed media with glass was a new idea at the time. For Stinsmuehlen-Amend, the shifting qualities of glass itself—its capacity to reveal, obscure, reflect, and distort—became integral to how meaning unfolds. Rooted in stained glass's narrative tradition, her story emerged through her everyday stream of consciousness rooted in the surreal logic of dreams.  In 1987, Stinsmuehlen-Amend relocated to Los Angeles, where she became a full-time artist; solo exhibitions and dynamic public art commissions followed. She was the lead artist on the Hollywood Demonstration Project in Hollywood, completing a precast concrete crosswalk with inlaid glass and bronze and an adjunct wrought iron public space. In 1994, she completed leaded glass for the AT&T corporate headquarters and The Jewish Museum, both in in New York City. Throughout these decades, she maintained her commitment to teaching, returning to Pilchuck Glass School repeatedly (1980 to 2019) and serving as a visiting artist at RISD, RIT, Tyler School of Art, California College of the Arts, and numerous other institutions. Stinsmuehlen-Amend's work is included in major collections including the Los Angeles County Museum of Art, Detroit Institute of the Arts, Oakland Museum of California, Corning Museum of Glass, Tacoma Museum of Glass, and Museum of Art and Design. She has received two National Endowment for the Arts Fellowships, two Pilchuck Hauberg Fellowships, and the 2007 Brychtová Libenský Award. The artist served 14 years on Pilchuck's Board of Directors and is a Trustee Emeritus of The American Craft Council and an Honorary Life Member of the Glass Art Society. She was recently awarded by the American Craft Council with the biennial College of Fellows honor for contributions to the craft ecosystem. Opening on May 16, 2026, at the Corning Museum of Glass, Tough Stuff: Women in the American Glass Studio will feature Stinsmuehlen-Amend's work. This new exhibition celebrates the female artists who revolutionized American Studio glass. The artist states: "Many artists found my loose and inclusive approach to working with glass inspirational because I was continually violating preconceived notions about craft and glass specifically."  

Synopsis:   From Resistance to Revolution How Communities Are Creating a New Economy This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: People across the country are resisting authoritarianism in creative and powerful ways, and this is just the start. The folks at The People's Network for Land & Liberation (PNLL) say the forces that got us here are bigger than one bad leader; entire systems must be taken down. Building a brighter future requires a vision of economic and social justice — and lots of practice. Today on Laura Flanders & Friends, we look at some of those practical experiments and paths for radical change, and discuss why they're just as important as resistance. The members of PNLL, a multiracial, multiethnic consortium of six community-based organizations, are doing politics and economics differently in real places across the U.S. right now. Joining us are Edget Betru, an attorney, activist and Coordinator of the People's Network for Land & Liberation; David Cobb, PNLL staff person and Co-coordinator of the U.S. Solidarity Economy Network; and Blair Evans, Founder and Executive Director of Incite Focus, a production and training lab based in Idlewild, Michigan. Find out how to build for the future — even in the toughest circumstances. All that, plus a commentary from Laura on William Morris's News From Nowhere. “We've been colonized in our minds . . . Involving people in day-to-day produce, meeting their needs through a different way, through thinking, Hey, who in my neighborhood knows how to fix this? . . . It's really that shift in consciousness that needs to happen that's going to allow for this new economy to emerge.” - Edget Betru “My mama and my mamaw and my papa who raised me taught me a lesson as a little boy, and that is, there's enough to go around as long as we share. That made sense to me when I was five years old. It makes sense to me now when I'm 63 years old. There's enough to go around as long as we share. It's just as simple as that.” - David Cobb “We can make things that make things, we can design and build our own equipment that can then use locally sourced materials, hyper localizing the supply chain . . . We can stop feeding the monster that's consuming us and actually disconnect from that process and use what we have.” - Blair Evans Guests: • Edget Betru: Coordinator, People's Network for Land & Liberation; Board Member, Community Movement Builders • David Cobb: Staff, People's Network for Land & Liberation; Manager, Butterfly Impact Fund; Co-Coordinator, U.S. Solidarity Economy Network • Blair Evans: Coalition Member, People's Network for Land & Liberation; Founder & Executive Director, Incite Focus; Designer & Trainer, Fab Lab   Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show). Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credit:  "Solace" by Antibalas from their album Hourglass released on Daptone Records, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES:   Full Episode Notes are located HERE. *Recommended book: “Beautiful Solutions: A Toolbox for Liberation”, Learn More Here* (*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)   Related Laura Flanders Show Episodes: •  Jackson Rising: Creating the Mondragon of the South: Watch •  Resisting Trump & Authoritarianism: The “Beautiful Solutions” Toolbox:  Watch / Listen •  Community Wealth Building: An Economic Reset: Watch / Listen:  Full Uncut Conversation and Episode Cut Related Articles and Resources: •  Community Movement Builders' Community Sea Moss Cooperative •  Tale of the Tape:  An Expert Weighs In on the ‘Cop City' Bodycam Footage, by Madeline Thigpen, February 15, 2023, Capital B • Cooperation Jackson, The Build and Fight Educational Series •  The Butterfly Effect Fund •  Cooperation Vermont, Seeding the Alternatives for the Future •  Cooperation Vermont Buys Former Rainbow Sweets Building, by Paul Fixx, February 4, 2025, The Hardwick Gazette • Incite Focus, where ideas and imagination meet inspiration and innovation •  Wellspring Cooperative, building a just and sustainable economy, one co-op at a time •  U.S. Solidarity Economy Network (US SEN) Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Synopsis:  Members of PNLL are experimenting with new ways of doing politics and economics in communities across the US, focusing on local solutions and shared resources. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: People across the country are resisting authoritarianism in creative and powerful ways, and this is just the start. The folks at The People's Network for Land & Liberation (PNLL) say the forces that got us here are bigger than one bad leader; entire systems must be taken down. Building a brighter future requires a vision of economic and social justice — and lots of practice. Today on Laura Flanders & Friends, we look at some of those practical experiments and paths for radical change, and discuss why they're just as important as resistance. The members of PNLL, a multiracial, multiethnic consortium of six community-based organizations, are doing politics and economics differently in real places across the U.S. right now. Joining us are Edget Betru, an attorney, activist and Coordinator of the People's Network for Land & Liberation; David Cobb, PNLL staff person and Co-coordinator of the U.S. Solidarity Economy Network; and Blair Evans, Founder and Executive Director of Incite Focus, a production and training lab based in Idlewild, Michigan. Find out how to build for the future — even in the toughest circumstances. All that, plus a commentary from Laura on William Morris's News From Nowhere. “We've been colonized in our minds . . . Involving people in day-to-day produce, meeting their needs through a different way, through thinking, Hey, who in my neighborhood knows how to fix this? . . . It's really that shift in consciousness that needs to happen that's going to allow for this new economy to emerge.” - Edget Betru “My mama and my mamaw and my papa who raised me taught me a lesson as a little boy, and that is, there's enough to go around as long as we share. That made sense to me when I was five years old. It makes sense to me now when I'm 63 years old. There's enough to go around as long as we share. It's just as simple as that.” - David Cobb “We can make things that make things, we can design and build our own equipment that can then use locally sourced materials, hyper localizing the supply chain . . . We can stop feeding the monster that's consuming us and actually disconnect from that process and use what we have.” - Blair Evans Guests: • Edget Betru: Coordinator, People's Network for Land & Liberation; Board Member, Community Movement Builders • David Cobb: Staff, People's Network for Land & Liberation; Manager, Butterfly Impact Fund; Co-Coordinator, U.S. Solidarity Economy Network • Blair Evans: Coalition Member, People's Network for Land & Liberation; Founder & Executive Director, Incite Focus; Designer & Trainer, Fab Lab Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast March 4, 2026. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credit:  'Thrum of Soil' by Bluedot Sessions, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES:   Full Episode Notes are located HERE. *Recommended book: “Beautiful Solutions: A Toolbox for Liberation”, Learn More Here* (*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)   Related Laura Flanders Show Episodes: •  Jackson Rising: Creating the Mondragon of the South: Watch •  Resisting Trump & Authoritarianism: The “Beautiful Solutions” Toolbox:  Watch / Listen •  Community Wealth Building: An Economic Reset: Watch / Listen:  Full Uncut Conversation and Episode Cut Related Articles and Resources: •  Community Movement Builders' Community Sea Moss Cooperative •  Tale of the Tape:  An Expert Weighs In on the ‘Cop City' Bodycam Footage, by Madeline Thigpen, February 15, 2023, Capital B • Cooperation Jackson, The Build and Fight Educational Series •  The Butterfly Effect Fund •  Cooperation Vermont, Seeding the Alternatives for the Future •  Cooperation Vermont Buys Former Rainbow Sweets Building, by Paul Fixx, February 4, 2025, The Hardwick Gazette • Incite Focus, where ideas and imagination meet inspiration and innovation •  Wellspring Cooperative, building a just and sustainable economy, one co-op at a time •  U.S. Solidarity Economy Network (US SEN) Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

The king of the pushback -- it's a great title to have.In today's podcast, I talk with filmmaker Adam Neuhaus, who helped put together possibly the best brand in documentary, 30 for 30, and then bet on himself, founding Neuhaus Ideas and then The Nonfiction Hotlist. The latter project has continued to grow. March 6th, 2026 is the deadline for the Yahoo x The Nonfiction Hotlist partnership, which helps give a home to short docs.He is also involved in numerous nonprofits that help people get started in filmmaking, a sorely-needed boost when people need it to the most. That's the through-line of his career -- helping others. And much to his credit, pushing back on podcast hosts. That's my favorite type of guest.In this episode, Adam and I discuss:why extending a ladder -- or an elevator -- to people starting their careers is important to him;how he practically makes it work running his own company as well as companies like Nonfiction Hotlist;his start in filmmaking and journey from William Morris to creating puzzles;30 for 30's brand and what makes a great sports documentary;the issue of access in documentaries, especially sports;founding an "ideas" company versus running a production company;the amazing story of founding The Nonfiction Hotlist from a post on LinkedIn;why people were more amenable to accepting feedback as part of the application process of The Nonfiction Hotlist;sports films as part of the Hotlist and the importance of expanding your aperture about what a sports doc is;how film festivals actually work; Adam pushes back on the notion that a lot of it is determined by friends and pitching the programmers;why the Yahoo x The Nonfiction Hotlist partnership is such an important platform for short docs;what's next for him and The Nonfiction Hotlist.Adam's Indie Film Highlight: The 2025 Nonfiction Hotlist Memorable Quotes:"If you're feeling bad for yourself, give to somebody else, be of service to somebody else.""I decided to leave a...corporate job that I worked at ESPN for many years to give this a shot.""You need to find something that works between projects.""How do we find more durable systems for ourselves so that we stay accountable to ourselves, to the work we're doing? The only thing that I've ever seen really work in that way is consistency.""We're building a puzzle community. We're trying to build a large community, and then we don't need corporate dollars. We then could be able to sustain ourselves as an independent company.""I'm certainly entrepreneurial-minded. But it's certainly not easy.""A great sports documentary goes beyond who won and lost the game.""The projects that I'm less interested in are just the pure follow docs.""I call it an ideas company because primarily I am not necessarily looking to run production services for my company.""The challenge of a development company versus a production company is that development only gets paid when the project really comes to fruition.""When did we all start believing that everything has to take forever in this business? It's actually not true.""Fish your barrel before you start looking for generalized storytelling fans."Links:Follow The Nonfiction Hotlist On InstagramNeuhaus Ideas Yahoo x The Nonfiction HotlistThe Nonfiction HotlistSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

...in which we head south over a snowy Dunmail Raise to immerse ourselves in the world of Arts and Crafts at Blackwell. In the company of Niall Hodson, Keeper of Collections at Lakeland Arts, we start our conversation taking a long view over wintry Windermere and the context in which the Arts & Crafts movement emerged – the rise of mass production in the Victorian age. Paying homage to John Ruskin – over the hill in Coniston – we consider the polymath visionary's founding contribution to a movement that encompassed social justice, art and architecture, and the impact of his iconic treatise The Stones of Venice that called for traditional craftsmanship, simplicity and the use of natural materials in everything from furniture to buildings. Entering Blackwell, we are immersed in the movement made real, with immaculately detailed stonework, wood carvings, floor tiles, stained glass and wallpaper showcasing the creative talents of dozens of local craftspeople, all designed into a coherent rural retreat for the wealthy Holt family of Manchester. Wandering through room after enchanting room, we meet two more key figures whose lives are intertwined with the house: William Morris – the revolutionary designer, craftsman, social activist, and founder of Morris & Co – and Blackwell architect Mackay Hugh Baillie Scott, whose extraordinary vision gave rise to one of Lakeland's finest, and most eccentric, houses. In divers quickfire ramblings that take in pubs, breweries and stag do's, we proceed into Blackwell's recent past, and its second life as an evacuees' boarding school, before closing by considering the legacy of one of the country's most important arts movements – as relevant as ever in the age of AI. Blackwell is open from now until 31 March: Monday – Saturday 10am – 4pm, then 1 April – 31 October: Monday to Saturday 10am – 5pm. The house is currently exhibiting 'Frances Priest Motif | Line | Colour' until 11 April, 2026. Explore the ceramic work of celebrated Edinburgh-based artist Frances Priest in an exhibition tracing 25 years of her artistic work. More about Blackwell can be found at: lakelandarts.org.uk/blackwell/

00:00 Introduction00:07 Merlin, from the Nuremberg Chronicle00:20 Merlin by Aubrey Beardsley00:24 Prince Arthur Educated by Thomas Pennant01:03 The Mad Prophet01:18 Fresco "Iwein" by Hartmann von Aue, photo Thomas Wozniak, Creative Commons01:37 Alauda arvensis Nest, photo Beentree, Creative Commons01:48 Battle of Crécy by Loyset Liédet01:59 Geoffrey of Monmouth, The Life of Merlin02:57 Zum Wilden Mann, Passau, photo Andreas Praefcke, Creative Commons03:05 The Wild Man by Conrad Meyer03:25 Carrion Crow, photo Marie-Lan Taÿ Pamart, Creative Commons03:28 Phoenix by Friedrich Justin Bertuch03:37 Virtuous Lady Tames Woodwose04:48 Page from the Black Book of Carmarthen05:21 Map of Roman Britain by William and Alexander Keith Johnston05:32 Stonehenge from the Roman De Brut05:43 Myrddin Being Converted to Christianity by Saint Kentigern05:50 Wild Man by Hans Holbein the Younger06:06 The Supernatural Sorcerer06:42 Christ in Limbo by Fra Angelico06:48 Story of Merlin by Jean Colombe07:23 Conception of Merlin by Antoine Vérard08:00 Merlin Reads His Prophesies to King Vortigern08:19 Vortigern and the Dragons by the Master of Edward IV08:57 Red Dragon Sculpture, photo Rickfive, Creative Commons09:22 Uther Pendragon, Aethelbert, Arthur, and Oswald by Matthew Paris09:34 The Holy Grail and the Round Table by Évrard d'Espinques09:52 Uther and Igraine by Wladislaw T Benda10:00 Pelleas and Igraine by Wladislaw T Benda10:06 Gorlois, Uther, and Igraine by Wladislaw T Benda10:30 Uther Pendragon by Howard Pyle10:39 Arthur's Conception10:55 So The Child Was Delivered Unto Merlin by Arthur Rackham11:21 Idylls of the King by Gustave Doré11:58 So The Child Was Delivered Unto Merlin by N C Wyeth12:05 Merlin Dictating Prophesies to His Scribe, Blaise12:18 Young Arthur Retrieving the Sword Excalibur12:36 Gargoyle12:55 Sack of Aquileia, from the Chronicon Pictum12:59 The Achievement of the Grail by Edward Burne-Jones, William Morris, and John Henry Durle13:04 Excalibur, from Ballads of Bravery by George Melville Baker13:39 The Fate of Merlin13:43 Vivian and Merlin by Julia Margaret Cameron14:08 Idylls of the King by Gustave Doré14:18 Diana of the Chase by Anna Hyatt Huntington14:37 Diana Hunting, Via Livenza, Rome, Italy14:45 Secondary Basins of Brittany by Marie-Nicolas Bouillet14:55 The Golden Bough by Joseph Mallord William Turner15:12 Myth of Actaeon, photo Carole Raddato, Creative Commons15:26 Idylls of the King by Gustave Doré15:44 Robert De Boron, Prose Merlin16:17 Idylls of the King by Gustave Doré16:32 Merlin and Vivienne by W Otway Cannell16:42 April by the Brothers of Limbourg16:48 Musician With Tambourine, Man and Maiden Playing Chess, Bodleian Library, Oxford, England16:52 Maidens Dance to the Music of a Citoler Playing, Bodleian Library, Oxford, England16:59 Walther von Klingen by the Master of the Codex Manesse17:04 Duke and Ladies in a Garden by Christine de Pisan17:18 Vivien Bewitches Merlin by Arthur Pyle17:33 Merlin and Nimue by Edward Burne-Jones18:06 Vivien and Merlin by Julia Margaret Cameron18:17 Idylls of the King by Eleanor Fortescue-Brickdale18:23 Merlin and Vivien by George Housman Thomas18:40 The Beguiling of Merlin by Edward Burne-Jones18:53 Witches' Tree by Edward Burne-Jones19:12 Merlin and Vivien, from Tales of the Round Table by Andrew Lang19:18 Idylls of the King by Eleanor Fortescue-Brickdale20:02 Bradamante at Merlin's Tomb by Alexandre-Evariste Fragonard20:30 Conclusion20:51 Awarding the Artists Coat of Arms to Albrecht Dürer by Eugene Napoleon Neureuther20:55 Idylls of the King by Gustave Doré21:13 The Story of Tom Thumb, from The Heart of Oak Books by Charles Eliot Norton21:43 Sleeping Merlin Sculpture at Merlin's Cave, Tintagel, England, photo by Nathan Russell-Raby, Creative CommonsAll works of art are in the public domain unless otherwise noted.Ambiment - The Ambient by Kevin MacLeod is licensed under a Creative Commons Attribution license.

Octavia Hill, Hardwicke Rawnsley, and Sir Robert Hunter founded The National Trust on January 12, 1895, with an intention to preserve Britain's natural beauty and historic treasures for the public and future generations. The founders' efforts reflected the late Victorian spirit of social and environmental reform, championed by figures like John Ruskin and William Morris. Rawnsley led early efforts by opposing a Lake District construction project, rallying support to protect its pristine landscapes. This campaign highlighted the growing realization that industrial progress could irreparably harm Britain's natural treasures. Over the decades, the National Trust evolved into the cultural powerhouse it is today, with over 5.5 million members and 65,000 volunteers. Arion, Rebecca and Olly sniff a whiff of benevolent paternalism; consider whether the Trust offered a form of socialism by the back-door; and discover how shockingly long it took before the Trust started shilling its own merch… Further Reading: • '100 years on, Octavia Hill's battles are not won' (The Times, 2012): https://www.thetimes.com/article/eb932ff9-3810-4598-9bdd-e9a17feefa5d • ‘Cream teas and home truths: the National Trust at 125' (Financial Times, 2020): https://www.ft.com/content/24fee86a-3818-4769-929a-41b604010917 • ‘National Trust in the Lake District' (National Trust NW, 2017): https://www.youtube.com/watch?v=G7588bsTQq8 Love the show? Support us!  Join 

In this episode of Comic Crusaders Podcast, I sit down with Arvid Nelson, acclaimed writer of Rex Mundi, Zero Killer, and original fantasy works, to talk all about his latest universe-building project: The Band of the Crow. We explore how the idea formed, the mythic inspirations (William Morris, Lord Dunsany, Tolkien), and how Nelson designs the magic, the giants, the world after catastrophe. We get into the emotional heart of the story: the characters who carry hope, struggle, and survival. Plus: the ups and downs of crowdfunding, lessons learned from past works, and what he hopes this series will become over time whether it spawns adaptations, further books, or even multimedia explorations. Whether you're a fantasy lover, comic creator, or just curious about how grand stories are born this episode is packed with insight, inspiration & wizardry. 🎨 Be sure to check out: https://thebandofthecrow.com https://www.youtube.com/@crowfire.studios https://www.facebook.com/crowfirestudios Thank You for Watching / Listening! We appreciate your support! Episode 615 in an unlimited series! Host: Al Mega Follow on Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet: / comiccrusadersworld Twitch: / comiccrusaders Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/

One winter morning, listener Jane opened her curtains to find her car roof covered in breathtaking, fern-like frost so intricate it looked like a William Morris print. But how does something as ordinary as ice create patterns so beautifully complex?Hannah and Dara explore this crunchy, slippery, delicately patterned branch of chemistry to uncover the rules and mysteries that govern the extra-ordinary world of ice. Why does ice come in so many shapes and sizes? And does all ice form at 0 degrees Celsius? Is every snowflake truly unique? We have questions a plenty for our eager chemists, who, as all good chemists do, have a few demonstrations up their sleeves to help explain. And we explore nature's hidden geometry to find why these frost ferns follow the same rules as lightning bolts, river deltas and even human lungs. You can send your everyday mysteries for the team to investigate to: curiouscases@bbc.co.ukContributors Sarah Hart – Professor Emerita of Mathematics, Birkbeck University of London Christoph Salzmann – Professor of Physical and Materials Chemistry, UCL Dr Thomas Whale – Lecturer, Institute for Climate and Atmospheric Science, University of LeedsProducer: Emily Bird Executive Producer: Sasha Feachem A BBC Studios Production

Robin Schuldenfrei rejoins me to talk more Bauhaus! In this episode, we discuss her book Luxury and Modernism, covering the complexities of the Bauhaus, which had a leftwing ethos but produced luxury objects, and made them by hand to appear machine made. Robin talks us through how the contradiction between luxury and egalitarianism ran from Morris's arts and crafts movement to the Bauhaus, and modernism only became a truly "everyday" part of life during the colossal expansion of middle-class wealth in the midcentury, as celebrated by Life magazine and recreated in the show Mad Men

Daniel speaks with Robert William Morris, founder of William Morris Eyewear and now the creative force behind Wright & Bailey London, his new eyewear venture.   https://wrightandbaileylondon.com/

Every dealmaker in Hollywood has a story. Michael Ovitz has all of them.From Ghostbusters to Goodfellas, he packaged the films, brokered the talent, and rewrote the rules of power. What started as a rebellion inside William Morris became a $2 billion empire called CAA, and a playbook Silicon Valley still follows.In this episode of Big Shot, Harley and David sit down with Michael Ovitz, the legendary founder of Creative Artists Agency and the man who redefined power in Hollywood.From a working-class childhood to representing the world's biggest stars, Michael's story is one of obsession, reinvention, and relentless ambition. He helped shape more than 300 films, including Jurassic Park, Ghostbusters, Tootsie, Stand by Me, and Goodfellas, while transforming how deals, talent, and ideas move through the entertainment industry.This episode is brought to you by Firebelly Tea. Use code bigshot15 for 15% off your order https://www.firebellytea.com/—In This Episode We Cover:(00:00) Intro(01:39) Michael's early years (02:53) How Jewish mothers blend boundless belief with practical ambition(06:15) Michael's advice to a failed businessman(15:44) How Marc Andreessen pulled Michael into Silicon Valley(21:00) How early anti-semitism made Eisner's betrayal cut deeper(25:37) The Yahoo deal Eisner blocked (30:25) The story behind the Jurassic Park pitch and Spielberg's involvement(34:11) The hit-to-miss ratio in Hollywood, and how Michael's movies were almost always hits(36:15) How stagnation at William Morris drove Michael to build something new(43:58) Lessons from William Morris's shortcomings that shaped CAA's DNA(48:25) How Michael signed every member of Saturday Night Live (50:45) The story of Michael's first client and first big stars(59:55) The story behind Janklow and Nesbit and what Michael likes about Silicon Valley(1:02:28) Michael's true talent (1:06:40) How Michael and Andy Grove envisioned streaming before Hollywood was ready(1:10:20) The ripple effects of streaming across entertainment(1:17:02) Michael's thesis about the success of Jews and Catholics—Where To Find Big Shot: • Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bigshot.show/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@bigshotpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  • TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@bigshotshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/bigshotshow/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  • Harley Finkelstein: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/harleyf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • David Segal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/tea_maverick⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Production and Marketing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://penname.co⁠

In this episode of Home in Progress, host Dan Hansen explores the rich and intricate world of Victorian architecture—a collection of styles that flourished during Queen Victoria's reign from 1837 to 1901.Hansen unpacks the key visual hallmarks of the period—turrets, spindles, gingerbread trim, bay windows, and ornate color schemes—and the social and technological forces that made them possible. He traces how the Industrial Revolution transformed craftsmanship, allowing mass production to bring beauty and ornamentation within reach of the middle class.Listeners will hear the dramatic story of the Great Fire of 1834 that destroyed the Palace of Westminster and sparked a design competition that launched one of the most influential collaborations in architectural history: Charles Barry and Augustus Pugin. Hansen explains how their Gothic Revival masterpiece reshaped British identity and inspired the exuberant architectural language that became synonymous with the Victorian era.The episode also highlights the philosophical contributions of thinkers like John Ruskin and Pugin, who saw beauty and ornament as moral imperatives—an idea that spread from cathedrals to cottages. Hansen then follows the movement's evolution into ever-richer styles like High Victorian Gothic and Queen Anne, before charting its decline under the influence of William Morris and the Arts and Crafts movement.Finally, the episode reflects on the lasting legacy of Victorian architecture—its optimism, craftsmanship, and celebration of individuality—and concludes with a look at Benjamin Moore's 2026 Color of the Year and a special listener contest.Episode Timeline00:00 — Introduction and Overview00:07 — Victorian Architecture: An Era of Styles01:52 — The Great Fire of 1834: A Turning Point02:54 — The Industrial Revolution and Its Impact04:57 — The Rise of the Middle Class and Architectural Changes07:36 — The Gothic Revival and Its Champions12:38 — John Ruskin: Beauty as a Moral Good17:14 — From Philosophy to Painted Ladies18:24 — Ruskin's Influence and High Victorian Gothic19:45 — Ornamentation and the Machine Age20:44 — Queen Anne: Victorian Eclecticism at Its Peak23:39 — Inside the Victorian Home: Layers of Luxury27:54 — The Decline of Victorian Design32:24 — The Lasting Legacy33:59 — Benjamin Moore's 2026 Color of the Year and Contest

The Arts and Crafts Movement had a lasting effect on many aspects of modern life. In this episode we focus on the home, and the garden, of the simple home and how the ideals of the Arts and Crafts Movement can provide us with inspiration. 

When I was an assistant at William Morris my boss would sometimes hire this masseuse - Steve - to come into the office and give everyone neck and shoulder massages. And he would laugh that my session was always a kind of wrestling match. “Nick, relax,” he'd say. “This is meant to be enjoyable!” This next interview feels a little bit like that. We wrestle for a rhythm that works, but somehow get there in the end. My next guest was a drug dealer for decades, ran a recovery film film festival, founded the experience strength and hope awards and has a new book out, now: High From Cannabis to Clarity. Won't you please welcome Leonard Lee Buschel.

In this episode of Home in Progress, sponsored by RepcoLite Paints and Benjamin Moore, host Dan Hansen tackles projects both practical and inspiring. First, he breaks down affordable and effective DIY methods for removing stubborn tree stumps and roots—covering hands-on techniques, chemical options, and safety tips. Then, he answers a listener's question about calculating paint for a metal building when there's no running water on site. Finally, the show shifts gears to explore the life and legacy of William Morris, the visionary behind the Arts and Crafts Movement, and how his ideas on beauty, honesty in materials, and dignity in craft continue to shape the way we design and decorate our homes today.Resources MentionedWilliam Morris Wallpaper ProductionEpisode Breakdown00:00 – Introduction and show overview00:28 – Why tree stumps are such a problem01:49 – Hands-on DIY methods for stump removal08:33 – Chemical and alternative removal options12:00 – Answering listener emails12:51 – How to prep and paint a metal building without water on site18:08 – Who was William Morris?18:36 – His early life and influences21:53 – Founding Morris & Co.23:33 – Five ways William Morris changed design23:41 – 1. Rebellion against fakery27:59 – 2. Design as morality30:39 – 3. Transforming wallpaper33:51 – 4. Making beauty accessible36:58 – 5. Sparking a movement38:53 – Morris's lasting legacy39:34 – Closing remarks

Bruce Hornsby's track "Absolute Zero" highlights this look into cold and the recesses of the waking mind. www.instagram.com/morris.film Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

For many artists, an art career takes many twists and turns—an adventure shaped by different mediums, jobs, and ways of sustaining creative work  while at the same time, educating oneself with the histories of your chosen path.  On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Charles Spitzack. We talk about his discovery of mokuhanga and how it connects to his broader printmaking practice. Charles shares his early experiences making mokuhanga, his teaching methods, and how his understanding of the medium developed through a Western American perspective. He also speaks about his time at the Mokuhanga Project Space, and his thoughts on the differences between oil-based and water-based mokuhanga. Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Charles Spitzack - website, Instagram Seattle Print Arts - is a printmaking association based in Seattle, Washington, United States. It maintains a membership and is dedicated to the exchange of knowledge related to various printmaking practices. More info can be found, here.  High Point Center for Printmaking -is located in Minneapolis, Minnesota, United States. It is dedicated to increasing the understanding of printmaking and operates a co-op, gallery, and educational programs. More info can be found, here.  Cornish College of the Arts - is an independent art college located in Seattle, Washington, United States. Its programs emphasize experimentation and critical thinking. More info can be found, here.  Mokuhanga (木版画) - is a Japanese word meaning "wood" and "print." Traditionally, it refers to a relief printing method using woodblocks, water, natural handmade papers, and water-based pigments. With the rise of the sōsaku hanga (creative print) movement in the early to mid 20th century, mokuhanga expanded to include works made with Western oil pigments as well. Today, mokuhanga can be difficult to define, as many artists experiment with new approaches while others remain dedicated to traditional water-based methods. This balance between innovation and tradition shows that mokuhanga is limitless, continually evolving while still grounded in its past. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Stephen Hazel (1934-20120 - was a painter and printmaker based in the Pacific Northwest. He created works on paper, and educated upon the subject. More info can be found, here.  Beautiful Display 10: Beauties of Chinatown (1977) 24" x 17 11/16" Katheleen Rabel - is an American printmaker, painter and sculptor. More info can be found, here.  Penedo Alto (sōsaku hanga) 50″ x 39″ Hideo Hagiwara (1913-2007) - was a mokuhanga printmaker who came of age during the sōsaku hanga period of the mid 20th Century in Japan. He studied printmaking with Un'ichi Hiratsuka (1896-1997). Hagiwara made prints that were expressive of the self and abstract. He taught at Oregon State University in 1967.   Lady No. 6 (1975) 24.75" x 18.25"  kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   floating kentō - is like the traditional kentō registration technique but is carved on an "L" shaped piece of wood, and not onto the wood block.  monotype print - is a unique print created from an image painted or drawn on a smooth surface, such as glass or metal, and then transferred to paper. Unlike most printmaking methods, where multiple copies of the same image can be produced, a monotype typically has a single, one-of-a-kind image. It's called a "mono" type because it is not part of an edition like traditional prints (e.g., lithographs, etchings), where you can make multiple copies.  Mike Lyon  -  is an American artist. His medium has varied throughout his career such as "square tiles," or "pixels," through to making mokuhanga, monoprinting, and machine-assisted etching, drawing and mezzotint. Mike Lyon also has a large woodblock print collection which he has curated for the public, here. More information about his work can be found, here. Mike's interview with The Unfinished Print can be found, here.  Grass 4 (2010) 77" x 22" Naoko Matsubara - is a Japanese/Canadian contemporary artist, and sculptor, who lives and works in Oakville, Ontario, Canada.  She has focused much of her artistic life on making mokuhanga and has gained critical acclaim for it.  Naoko Matsubara's interview with The Unfinished Print can be found, here.  Conducting (2004) 22.05" × 15.59" Katsutoshi Yuasa - is a Japanese contemporary artist, and sculptor, who works predominantly in mokuhanga. He has  produced an incredible mount of work. Katsu's interview with the Unfinished Print can be found, here.  On The Dawn of Night and Fog (2025) 39.37" in × 78.74" Antonio Frasconi (1919-2013) - was a Urugyuan printmaker who lived and worked in the United States. He cerated coloured woodcuts and was an educator and author. Frasconi's themes could be political in nature. More info can be found, here.  Cows (1955) 7 1/2" x 12 15/16" The Arts and Crafts Movement in America - flourished from the late 19th to early 20th century, emphasizing simplicity of design, and the use of natural materials as a response to industrial mass production. Inspired by the ideals of John Ruskin (1819-1900) and William Morris (1834-1896) in Britain, the movement in the United States was closely tied to architecture, furniture making, and decorative arts, promoting honesty and a functional beauty.  There was a link with social reform, criticizing modernity and industry and fostering communities of makers across the country. In Japan this folk movement was explored in the mingei movement of the early 20th Century.  William S. Rice (1873-1963) - was a painter, educator and woodblock artist from the United States. Having moved to California early in his life, Rice made landscape prints and paintings of California. At the 1915 Panama Pacific International Exhibition, Rice had a chance to see Japanese mokuhanga in person and was influence by those prints in his woodcuts.  The Windy Summit (1925) 9" x 12" Arthur Wesley Dow (1857-1922) - was an American printmaker who was greatly influenced by Japanese ukiyo-e. He wrote a book on the subject of printmaking called Composition which was published in 1905.    Lily (Ipswich Prints x 1901) 5½" x 4⅛"   Toledo Museum Shin Hanga Exhibitions (1930 & 1936) - were held at the Toledo Museum of Fine Arts in the United States. These two exhibitions played an important role in introducing Japanese woodblock prints to the American market. They were curated by J. Arthur MacLean and Dorothy L. Blair. Artist Hiroshi Yoshida (1876-1950) had traveled to the United States in the 1920s, helping to set the stage for these exhibitions. More info can be found, here.    Walter J. Phillips (1884–1963) - was a British-Canadian printmaker who began his career as a commercial artist. After moving to Canada, he produced etchings, watercolors, and color woodcuts. Influenced by Japanese ukiyo-e, Phillips's prints offer a distinctive view of Canada in the early to mid-20th century.My interview with Sophie Lavoie of The Muse/Lake Of The Woods/Douglas Family Arts Centre about the life and times of Walter J. Phillips can be found, here.      Warren's Landing, Lake Winnipeg (1931) 6.30" × 9.45"   Kathleen Hargrave - is a printmaker and kiln formed glass maker. Kathleen explored various printmaking methods but uses mokuhanga in her practice. Kathleen's mokuhanga is abstract and uses colour in a fantastic way. More info can be found, here.      Resilience 5   Pratt Fine Arts Center - is a nonprofit arts educator in Seattle, Washington. It offers classes and instruction on various artistic expressions such as blacksmithing, glass, jewelry, paintings and printmaking. More info can be found, here.     Mokuhanga Project Space - is a mokuhanga residency located in Walla Walla, Washington, USA. It was established in 2016 and is led by printmaker Keiko Hara. My interview with Keiko Hara and Benjamin Selby of MPS can be found, here. More info can be found, here.    Shoichi Kitamura - is a woodblock carver and printmaker based in Kyoto, Japan. Shoichi has been involved in MI Lab through his demonstrations on carving. More info can be found, here.    Utagawa Kuniyoshi - from The Series Bravery Matched With The Twelve Zodiac Signs. A Modern Reproduction 4.13" x 11.15" (2017) printed and carved by Shoichi Kitamura   April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. April's interview with The Unfinished Print can be found, here.     It Happened To Me  (1995) 11" x 14"   Andrew Stone - is an American mokuhanga printmaker based in Florence, Italy. He is also a baren maker. The baren is a mokuhanga specific tool. Andrew's interview with The Unfinished Print can be found, here.    Tutto Bene? (2024)   Davidson Galleries - is a gallery situated in Seattle, Washington. Opening in 1973 Davidson Galleries focus on works on paper. In their stable of artists is Charles Spitzack and Andy Farkas. More info can be found, here.    SGC International - the Southern Graphics Council is a member supported printmaking organization which supports printmakers throughout the world. It is located in Kennesaw, Georgia, United States. More info can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. My interview with Karen Kunc for The Unfinished Print can be found, here. More information can be found on her website, here.      Weight of Air (2018) 12" x 24" Woodcut, etching, pochoir, watercolor   Tollman Collection  - is a well known Japanese art gallery located in Daimon, Tokyo, Japan and New York City, NY. More information can be found, here.    Ballinglen - is an arts foundation based in Ballycastle, Co Mayo, Ireland. The groups aim is to "enhance cultural awareness," of North County Mayo. This is done via fellowships, education, exhibitions and workshops. More info can be found, here.    Pomegranate - is a company which sells items such as jigsaw puzzles, holiday cards, etc using different types of artists  and their work in these pieces. More info can be found, here.    Gustave Baumann (1881-1971) - was a colour woodcut printmaker, and painter of German descent who made his life in the United States. More info can be found, here.      Marigolds (1960) colour woodcut 12 7/8" x 12 7/8" © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Intro music by Oscar Peterson, I Got It Bad (And That Ain't Good)  from Night Train (1963) Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know.  ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                  

I haven't done a how much I love New York City episode in a couple weeks, so the indie smash, OR SOMETHING (2024), and the film's director, Jeffrey Scotti Schroeder, makes for the absolute perfect guest. Why is the film being extended at Quad Cinemas? What does it say for indie filmmakers that the Substack crowd got so behind this film? Is it repeatable? Let's hope so. And if you haven't seen it at the time this airs, go see it through September 4th. Or later, if we keep talking about it.In this episode, Jeffrey and I talk about:The word of mouth success of OR SOMETHING (2024), whose theatrical run was extended through September 4th;His origin story — a true OG throwback to William Morris mailrooms;What makes a great agent?What to expect when you watch OR SOMETHING;How he wound up attached to the film, written by comedy stars Kareem Rahma and Mary Neely;What the six day, ultra-low filmmaking process was like and how filmmakers get the knowledge of avoiding dudes in golf carts in New York City;How the film blew up on blogs + NYC social media and whether it's repeatable in cities with a clear sense of place (warning: some Los Angeles indie film bashing in this answer);Whether there's infrastructure to make more of these films in NYC; How much it matters making investors whole to make your next film;Whether local government could get behind a gritty NYC film like this;What's next for him — it involves surfing and Rio. Jeffrey's Indie Film Highlight: THE SWEET EAST (2023) dir. Sean Price Williams Memorable Quotes:“The good agents would have a really hard and fast rule that they'd return everybody's call at least the same day.”“If you like your classic New York City walk and talk film and if you don't mind two people talking the entire movie….then you'll like it. If you don't like that type of movie, you're not gonna like this film.”“Hey, do you wanna do this ultra low budget feature? They were, what's the rate? And I told them…like..nothing.”“Whereas New York people are just mind your fucking business on both ends, like we're filming. And then we're in their space, excuse me, can you, they're like, mind your business. It's New York City.”“If you're leading with the idea of profitability, it might not come to fruition.”“Word of mouth is definitely the only way because we have a $0 marketing budget.”Links:Follow Jeffrey On InstagramFollow OR SOMETHING On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

This week, the animist caucus of the Regrettable Century (Kevin) teamed up with Dr. Mathias Nordvig, professor of Nordic Studies at the University of Colorado Boulder and the Sacred Flame Podcast, as well as Arnold from the Fight Like an Animal Podcast to talk about the intersection of animist spirituality and radical politics. To that end, the crew read and discussed William Morris' short essay titled Under an Elm Tree. Click Here for More Mathias Nordvig Click Here for Fight Like an Animal PodcastSend us a message (sorry we can't respond on here). Support the show

Azim Ahmed and guests shine a light on a collection of ‘Lost Hymns'; long forgotten Welsh-language folk hymns recorded by oral historians at St. Fagan's National Museum of History in the 1960s. When musician and composer Lleuwen Steffan came across these recordings she immediately realised that they were no longer featured in contemporary hymn books. She embarked on a decade long project to track down the descendants of those recorded, and to compose music inspired by these songs. Today she brings these recordings to modern audiences, joining the recorded voices with her own compositions on piano, guitars and synthesizers.Many of the hymns were composed as a response to the Welsh Revival of 1904, a period of intense religious fervour that swept across Wales, filling chapels, and bringing life-changing religious experiences to those part of the revivals. The songs are frank, down to earth and sometimes dark. They reflect the fragility of human experience. Emeritus Professor Wyn James, a Welsh hymnology expert from the School of Welsh at Cardiff University sets out the historical context of these hymns. Catrin Roberts, the granddaughter of hymn collector William Morris (one of the voices in the collection) shares memories of her grandfather, and his passion for the heritage of Wales. Lleuwen's work is made in partnership with Eisteddfod Genedlaethol Cymru and supported by the British Council Wales.

The tribe has spoken and we listened. Everyone loves the crushes we share, so today we are sharing an episode chocked full of new crushes. Enjoy!We participate in the Amazon affiliate program, so if you make a purchase thru our links we may receive a small fee from Amazon. Our participation in no way effects the price you pay.Anita's Crushes are:Porcelain chinoiserie tissue holders HEREFaux bamboo console table HERECaspari Green rattan plate chargers HERECaspari Tulipeire HERERattan tray HERErattan bar cart HERE and HEREscalloped rattan side table HEREJuliska green glass candlestick holders HEREJuliska melamine salad plates in a bamboo pattern $24 HERESet of 3 16x24 William Morris prints for a little over $100 HEREKelly's Summer Crushes are:Home:Wicker scalloped valance - Etsy - HERESink skirts & more - Etsy - HERESet of 2 black with gold interior drum shades - HERE $25St Frank Black Daisy Suzani pillow - HEREGarden:Dandelion Solar Lights for garden pack of 2 warm white - HERE $17.99Book:New Romantic Garden book by Jo Thompson - HERESummer clothes:Jack Rodgers Crochet sandal - HEREMadewell V neck Northside tank - under $20.00 variety of colors - HERE100% cotton block print sarong black & white floral/stripe band - HERE - 19.99Sunhat wrap visor with wide brim - HERE DTT DEFINES THE MICROWAVE and it's historyNeed help with your home? We'd love to help! We do personalized consults, and we'll offer advice specific to your room that typically includes room layout ideas, suggestions for what the room needs, and how to pull the room together. We'll also help you to decide what isn't working for you. We work with any budget, large or small. Find out more ⁠⁠⁠HERE⁠⁠⁠Hang out with us between episodes at our blogs, IG and Kelly's YouTube channels. Links are below to all those places to catch up on the otehr 6 days of the week!Kelly's IG ⁠⁠⁠HERE⁠⁠⁠Kelly's YouTube ⁠⁠⁠HERE⁠⁠⁠Kelly's blog ⁠⁠⁠HERE⁠⁠⁠Anita's IG ⁠⁠⁠HERE⁠⁠⁠Anita's blog ⁠⁠⁠HERE⁠⁠⁠Are you subscribed to the podcast? Don't need to search for us each Wednesday let us come right to your door ...er...device. Subscribe wherever you listen to your podcasts. Just hit the SUBSCRIBE button & we'll show up!xx,Kelly & AnitaDI - 9:50 / 16:18See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Diana Taylor: A practice where research and materiality meet. Presented by What's My Thesis? in partnership with DON'T LOOK Projects In this illuminating live conversation recorded at DON'T LOOK Projects, UK-based artist Diana Taylor joins host Javier Proenza (What's My Thesis?) for a deeply textured discussion around her first solo show in the United States, Flotsam and Jetsam. Organized by DON'T LOOK Projects in association with SLQS Gallery in London, the exhibition draws on Taylor's research-intensive practice, exploring time through the fusion of research and materiality. Her work employs a remix logic, echoing Sigmar Polke's 1980s period. Currently in a short-term fellowship at The Huntington, Taylor speaks about her practice-based research. Her PhD was in collaboration with the William Morris Gallery, where she focused on how historical craft, screen-printing, and reproducibility inform her contemporary approach to painting. With roots in both rural Wiltshire and Cyprus, Taylor's early exposure to English landscape painting, tapestry, and devotional patternwork creates a foundation for her ongoing material inquiries into time, collapse, and visual culture. The conversation explores: Taylor's use of screenprinting on raw and repurposed canvas as a method of layering digital and analog imagery The influence of William Morris, The Divine Comedy by Gustav Doré, Sigmar Polke and 1970s suburban interiors on her visual lexicon A meditation on contemporaneity—the feeling of living amidst overlapping temporalities in the age of the internet The metaphor of Flotsam and Jetsam as a conceptual frame for image overload, cultural debris, and the residue of civilization Her experimental use of digital tools—zooming, pixelation, low-res 3D scanning—not to perfect, but to fail productively. Collapsing binaries: nature and culture, craft and tech, chaos and control, digital noise and sacred relic Also discussed is Taylor's current work at The Huntington, where she's engaging with historical plant taxonomies, rare botanical prints, and Morris's medieval utopian socialism to produce a new body of work and a forthcoming article in The Journal of William Morris Studies. Flotsam and Jetsam is on view at DON'T LOOK Projects through August 30, 2025. Please email gallery@dontlookprojects.com to schedule a private viewing. Listen to this episode to uncover: Why Taylor considers pixelation and printed crochet as relics of maternal labor and digital memory How screenprinting becomes a form of archaeological gesture The relationship between digital overstimulation and visual stillness Why artists might choose ruin, repetition, or failure as aesthetic strategies in a culture obsessed with optimization Featured Institutions & Collaborators: The Huntington Library, William Morris Gallery, DON'T LOOK Projects, SLQS Gallery, What's My Thesis? Episode Credits: Hosted by Javier Proenza Guest: Diana Taylor Presented by DON'T LOOK Projects Podcast: What's My Thesis? —

Samuel Haskell Jr., the 37-year-old son of Emmy-winning producer and former William Morris agent Sam Haskell, tragically took his own life in his jail cell on Saturday. This event occurred just days before he was scheduled to appear in court regarding the allegations surrounding the murder of his wife and in-laws.See omnystudio.com/listener for privacy information.

In today's episode, Embeth shares the extraordinary journey that shaped her voice as a storyteller—from her upbringing in apartheid-era South Africa to her unexpected entry into acting through a university drama program. She reflects on being discovered in a play by a William Morris agent, catching Spielberg's attention through a TV movie, and ultimately choosing to pause her career to raise a family. That pause led to a creative reawakening and a nine-year quest to adapt a memoir into her directorial debut, Don't Let's Go to the Dogs Tonight. Embeth offers heartfelt, hard-earned wisdom on the power of saying “yes,” surprising yourself in auditions, and writing what you know. These are the unforgettable stories that landed Embeth Davidtz right here. THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: 48% off ONEAUDITION20 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

The Wood beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. His use of archaic language has been seen by some modern readers as making his fiction difficult to read, but brings a wonderful atmosphere to the telling.  Morris considered his fantasies a revival of the medieval tradition of chivalrous romances. In consequence, they tend to have sprawling plots of strung-together adventures. In this story, Walter leaves his father and his own unfaithful wife and sets sail in search of adventure. This he finds aplenty, encountering love, treachery and magic in the Wood of the title and in travelling through the Mountains of the Folk of the Bears. But can he find happiness and peace by means of his Quest?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today on the Rarified Heir Podcast, we are talking to novelist  Matthew Specktor, whose new book, The Golden Hour: A Story of Family and Power in Hollywood, is out now and getting rave reviews. Matthew spoke to us about growing up behind the scenes in Hollywood as the son of an icon of the film industry, Fred Specktor, a super-agent of A-list Hollywood talent who is still going strong at 92 years old. With a roster of clients that included everyone from Robert DeNiro, Gene Hackman, Morgan Freeman, Helen Mirren, Danny Devito and many, many more, Matthew was brought up in and around the film business and had a firsthand look. Part memoir, part biography, part cultural history & part fiction, The Golden Hour has been priases in outlets such as NPR, the New York Times, the Kirkus Review, the LA Times and many more for it's unique look into Hollywood and the battle between art vs. commerce and much more. As this is his third book based on his take on Hollywood, Matthew is getting name-checked alongside iconic LA based, Hollywood centric authors such as Joan Didion and William Goldman and getting praise from authors like Jonathan Lethem and Griffin Dunne. High praise indeed. We get into that as well as how Matthew formed the book and the basis of his exploration into his family and the city formed him, shortly. Matthew's behind-the-scenes stories of how Hollywood was created in the second half of the twentieth century at Tinseltown institutions like MCA, William Morris and CAA beginning in the 1950s and where we are today, 70 years later a a large part of this episode. But we also hear personal stories about pranks the pre-rat pack played on him and his best friend Renee Estevez (daughter of Martin Sheen) in high school, what LA restaurants his family ate on special occasions, the cars and vanity plates of super agents in the City of Angelss and the movie theaters and books that shaped his youth on the Westside of Los Angeles. This is the Rarified Heir Podcast and if you've never had David Lynch tell you, you were more an artist than a deal maker at 13, take a listen because Matthew Specktor has. Everyone has a story.

“Your intention is your superpower. It's the energy that turns thought into performance, belief into action.” — Dr. Toper Taylor In this groundbreaking episode of the Turmeric & Tequila® podcast, host Kristen Olson sits down with Dr. Toper Taylor—Emmy-winning producer, entrepreneur, intention researcher, and former Hollywood executive—to explore the intersection of human performance, quantum physics, and personal transformation. Dr. Toper shares insights from his pioneering dissertation, “The Human Performance Intention Experiment,” which scientifically demonstrated how positive intention can enhance athletic performance. From producing over 15,000 TV episodes to exploring subtle energy sciences and now serving in politics, Toper's journey is a powerful reminder that authenticity, intention, and interconnectedness are key to both personal and collective success.  Tune in to hear: How thoughts can influence real-world outcomes (yes, even swim times!) The measurable power of intention and belief What Hollywood taught him about human connection and authenticity Why we need more empathy, energy awareness, and collaboration How to apply intention in your everyday life Whether you're an athlete, creative, leader, or lifelong learner, this episode will expand your mind and inspire your heart. Time Stamps: 00:00 – Intro + Sponsors 01:15 – Meet Dr. Toper Taylor: Media mogul turned intention scientist 06:35 – Manifestation as a child: “Come to the land of cartoons” 10:15 – Life in the William Morris mailroom and Hollywood grind 15:40 – Comedy's golden era: Early days of Roseanne, Tim Allen, Jim Carrey 20:10 – The X-Factor: Why authenticity and intention matter most 24:50 – Transition from Hollywood to human performance research 30:15 – The science of thought: Quantum field theory and interconnectedness 34:25 – The “Home Field Advantage” explained energetically 38:05 – Franklin the Turtle goes global: The media's role in shaping culture 42:20 – Decline of religion & rise of spiritual science 47:10 – Intention and business: Future applications in medicine and innovation 51:15 – How intention influenced a Division I swim team's record season 58:00 – From skeptic to believer: Dr. Toper's personal experience with intention 1:03:10 – Success redefined + Final thoughts Dr. Toper Taylor is a successful entrepreneur, strategist, curiositist, Emmy award winning producer, Doctor of Policy, Planning and Development, expert of intention and subtle energetic sciences, and a recently elected city councilman.  In his landmark dissertation, the Human Performance Intention Experiment, Dr. Taylor showed that sending positive intentions using a quantum field framework improved athletic performance for an NCAA Division I swim team.  There may be other exciting applications of intention, such as business innovation and health improvement. Dr. Taylor is an expert in media, entertainment, and consumer products. He is a pioneer of family and kids educational entertainment, having produced over 15,000 episodes of television and won awards for his work with authors Marc Brown, Maurice Sendak, Tim Burton, and William Joyce.  The three companies Taylor ran, Nelvana Ltd., Cookie Jar Entertainment, and Network of One (renamed Spotter), have all exceeded $1 billion in valuation at one point in their life cycle.  He is an expert in strategy, operational execution, innovation, scaling businesses, and raising capital. Dr. Taylor has three degrees from the University of Southern California: BA in Communications, Master of Healthcare Administration, and Doctor of Policy, Planning, and Development.  He serves on the board of councilors for the USC Roski School of Fine Arts & Design, the USC Cinematic Arts alumni association, and is the recipient of the USC President's Volunteer Award. This November 5, Taylor became an elected member of the city council of Indian Wells, California. https://www.topertaylor.com https://www.linkedin.com/in/topertaylor   Connect with T&T: IG: @TurmericTequila Facebook: @TurmericAndTequila Website: www.TurmericAndTequila.com Host: Kristen Olson IG: @Madonnashero Tik Tok: @Madonnashero Website: www.KOAlliance.com WATCH HERE   MORE LIKE THIS: https://youtu.be/ZCFQSpFoAgI?si=Erg8_2eH8uyEgYZF   https://youtu.be/piCU9JboWuY?si=qLdhFKCGdBzuAeuI https://youtu.be/9Vs2JDzJJXk?si=dpjV31GDqTroUKWH

Greg Jenner is joined in Victorian England by Dr Isabella Rosner and comedian Cariad Lloyd to learn all about the ethos, practitioners and creations of the Arts and Crafts movement.Most people have heard of William Morris, one of the leaders of the Arts and Crafts movement that came to prominence in England in the last decades of the 19th Century. His abstract, nature-inspired designs still adorn everything from wallpaper and curtains to notebooks and even dog beds. And the company he founded, Morris & Co., is still going strong. But the history of this artistic movement, and the other creatives who were involved, is less well known.Arts and Crafts, which advocated a return to traditional handicrafts like needlework, carpentry and ceramics, was a reaction to the Industrial Revolution and included a strong socialist vision: its practitioners wanted everyone to have access to art, and to be able to enjoy homes that were comfortable, functional and beautiful. This episode explores Morris and other creatives both in and outside his circle, including Edward Burne-Jones, May Morris, Gertrude Jekyll and Philip Webb. It looks at the ethos that inspired them, the homes and artworks they created, and asks how radical their political beliefs really were.This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Jon Norman-Mason Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

In his new book, “Who Knew,” former television, film and media executive Barry Diller writes of his remarkable business career, while also revealing the sexuality that he kept secret from an early age. Diller sits down with correspondent Tracy Smith to talk about why he thought revealing his sexuality would be “dangerous”; his early days at William Morris; his decades-long relationship with fashion designer Diane Von Furstenberg; and the process of writing a memoir, in which he would “pull the stitches” of memory. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We meet Gary Kemp, one of the UK's most successful songwriters of the past 40 years. As guitarist and founding member of the most influential and iconic band of the 80s, Spandau Ballet, he was responsible for writing the words and music for 23 hit singles and albums, including modern day standards like True and Gold. We discuss his passion for the Arts & Crafts movement, William Morris, collecting and living with Edward William Godwin furniture, the 70s and 80s creative scene, and why art and design is so important to his life.Gary's songs have had an extraordinary combined total of over 500 weeks in the charts and are hits all over the world. They've generated over 25 million recordsales and the songs were part of the soundtrack to the 80s. Last year, he received the BMIIcon Award at the 2023 BMI London Awards for his contributions to popular culture and music.He joined an elite group that includes The Bee Gees, Crosby, Stills & Nash, Ray Davies, PeterGabriel, Queen, Sting, and Van Morrison.Kemp's songs have proven truly timeless. The ubiquitous hit single True has logged over 5million air plays in North America alone, and his songs have featured in an incredible 100feature films over the years including Sixteen Candles, The Wedding Singer, Charlie's Angels,Pixels and Crazy Stupid Love as well as countless TV programs including The Simpsons, SpinCity, Gilmore Girls (all three times each) Euphoria, Modern Family and, Ugly Betty plus many,many more.In 2012, he was presented with the Ivor Novello's prestigious Outstanding Song Collectionaward. Gary has also won numerous awards and accolades for his work in Spandau Ballet,including an MTV award, a Brit and a Q award.In recent years, Gary has become synonymous with the Rockonteurs podcast which he hostswith fellow musician Guy Pratt, interviewing music legends and becoming the most listened tomusic podcast in the UK. Gary is a Trustee of the Theatres Trust with a passion for keeping theatres at the heart ofcommunities.Gary grew up in Islington (born October 16, 1959) and attended local grammar school DameAlice Owens and Anna Scher's Children's Theatre drama club, becoming a child actor in filmand TV before concentrating on playing guitar and songwriting and forming Spandau Ballet .In the 90s, Gary decided to return to acting, starring in numerous films including hugelysuccessful British crime thriller, The Krays and Hollywood blockbuster, The Bodyguard. He hascontinued to feature regularly on stage and in film and TV.Follow @GaryJKempVisit https://www.garykemp.com to learn more about his new album This Destination, out now. Hosted on Acast. See acast.com/privacy for more information.

Green is such a great color to work with in your home. It's elevates your mood and reminds us of nature. We're also sharing our favorite green décor items. There are three studies that show the benefits of adding green to your home. HERE HERE and HERE Green paint colors Behr In the Moment HERE BM Storm cloud gray HERE BM Sagebrush HERE BM Vintage Vogue HERE Farrow and Ball Green Smoke HERE BM Soft Fern HERE We participate in the affiliate program with Amazon and other retailers. We may receive a small fee for qualified purchases at no extra cost to you. Kelly's suggested green decor: Pouf/ottoman from The Inside - see it HERE. Malachite Hour Glass Table from Peter Brady aka Christopher Knight. See it HERE. Gorgeous green velvet sofa from Article. Have a look HERE. Kelly's crush is a book by Anna Quindlen "Still Life with Breadcrumbs". Get your copy HERE. Anita's green decor: Turkish towels HERE Turkish hand towels HERE Rattan chair HERE Faux alligator tray HERE Lattice patterned pillow cover HERE Kilim covered upholstered chair HERE Oriental rug HERE Green kantha Quilt Light Green Leaf Cotton https://www.etsy.com/listing/1165292336/green-kantha-quilt-light-green-leaf?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=kantha+quilt+green&ref=sr_gallery-4-18&frs=1&organic_search_click=1&variation0=2513391901 If you don't know what a kantha quilt is take a listen to the DTT defines at the end of episode 528 HERE Waste paper basket in a William Morris print HERE Hang out with us between episodes at our blogs, IG and Kelly's YouTube channels. Links are below to all those places to catch up on the other 6 days of the week! Kelly's IG HERE Kelly's Youtube HERE Kelly's blog HERE Anita's IG HERE Anita's blog HERE Are you subscribed to the podcast? Don't need to search for us each Wednesday let us come right to you! Subscribe wherever you listen to your podcasts. Just hit the SUBSCRIBE button & we'll show up! If you have a moment we would so appreciate it if you left a review for DTT on iTunes. Just go HERE and click listen in apple podcasts. XX, Anita & Kelly DI - 15:51/25:29 Learn more about your ad choices. Visit megaphone.fm/adchoices

Green is such a great color to work with in your home. It's elevates your mood and reminds us of nature. We're also sharing our favorite green décor items.There are three studies that show the benefits of adding green to your home.HEREHEREand HEREGreen paint colorsBehr In the Moment HEREBM Storm cloud gray HEREBM Sagebrush HEREBM Vintage Vogue HEREFarrow and Ball Green Smoke HEREBM Soft Fern HEREWe participate in the affiliate program with Amazon and other retailers. We may receive a small fee for qualified purchases at no extra cost to you.Kelly's suggested green decor:Pouf/ottoman from The Inside - see it HERE.Malachite Hour Glass Table from Peter Brady aka Christopher Knight. See it HERE.Gorgeous green velvet sofa from Article. Have a look HERE.Kelly's crush is a book by Anna Quindlen "Still Life with Breadcrumbs". Get your copy HERE.Anita's green decor:Turkish towels HERETurkish hand towels HERERattan chair HEREFaux alligator tray HERELattice patterned pillow cover HEREKilim covered upholstered chair HEREOriental rug HEREGreen kantha Quilt Light Green Leaf Cottonhttps://www.etsy.com/listing/1165292336/green-kantha-quilt-light-green-leaf?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=kantha+quilt+green&ref=sr_gallery-4-18&frs=1&organic_search_click=1&variation0=2513391901If you don't know what a kantha quilt is take a listen to the DTT defines at the end of episode 528 HEREWaste paper basket in a William Morris print HEREHang out with us between episodes at our blogs, IG and Kelly's YouTube channels. Links are below to all those places to catch up on the other 6 days of the week!Kelly's IG HEREKelly's Youtube HEREKelly's blog HEREAnita's IG HEREAnita's blog HEREAre you subscribed to the podcast? Don't need to search for us each Wednesday let us come right to you!Subscribe wherever you listen to your podcasts. Just hit the SUBSCRIBE button & we'll show up!If you have a moment we would so appreciate it if you left a review for DTT on iTunes. Just go HERE and click listen in apple podcasts.XX,Anita & KellyDI - 15:51/25:29 Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Greg Jenner is joined in Victorian England by Dr Isabella Rosner and comedian Cariad Lloyd to learn all about the ethos, practitioners and creations of the Arts and Crafts movement.Most people have heard of William Morris, one of the leaders of the Arts and Crafts movement that came to prominence in England in the last decades of the 19th Century. His abstract, nature-inspired designs still adorn everything from wallpaper and curtains to notebooks and even dog beds. And the company he founded, Morris & Co., is still going strong. But the history of this artistic movement, and the other creatives who were involved, is less well known.Arts and Crafts, which advocated a return to traditional handicrafts like needlework, carpentry and ceramics, was a reaction to the Industrial Revolution and included a strong socialist vision: its practitioners wanted everyone to have access to art, and to be able to enjoy homes that were comfortable, functional and beautiful. This episode explores Morris and other creatives both in and outside his circle, including Edward Burne-Jones, May Morris, Gertrude Jekyll and Philip Webb. It looks at the ethos that inspired them, the homes and artworks they created, and asks how radical their political beliefs really were.If you're a fan of groundbreaking artistic developments, gorgeous interior design, the intersection between art and politics, and Victorian interpersonal drama, you'll love our episode on the Arts and Crafts movement.If you want more from Cariad Lloyd, check out our episodes on Georgian Courtship and Mary Wollstonecraft. And for more British artistic movements, listen to our episode on the Bloomsbury Group.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past. Hosted by: Greg Jenner Research by: Jon Norman-Mason Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook