Podcasts about Horace

In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia's Humanities Course, covering Virgil's The Aeneid (Books 1–2), Ovid's Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.Key Discussion Points: Virgil's The Aeneid (Robert Fagles' Translation): Written between 29–19 BCE, The Aeneid serves as Rome's foundational epic, modeled on Homer's Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage's shore due to Juno's interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy's fall, including the Trojan Horse stratagem and Aeneas' escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas' pietas (duty to gods, family, state). Divine rivalries, notably Juno's grudge from the Judgment of Paris and Venus' protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility. Ovid's Metamorphoses (David Raeburn's Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid's era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity's decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity. The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome's Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport's notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study. Contextual Notes: The texts reflect Rome's engagement with Greek literary traditions, adapting gods' names (e.g., Hera to Juno) and themes. The course's schedule prioritizes rapid coverage to identify key works and connections.Takeaways:I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people. The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.This is a year-long challenge! Join me next week for WHATEVER IS NEXTLINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Spotify Play List of Puccini and Verdi without wordsCave...

The Honest Broker's Humanities Course shifts to the Middle East and Persia, exploring the Quran (circa 800 A.D.) and the 13th-century poet Rumi, before returning to Rome next week. The reading, kept under 250 pages, includes 14 of the Quran's 114 surahs (1-5, 12, 17, 18, 32, 36, 55, 67, 103, 112) and self-selected Rumi poems. New to both texts, I approached them with curiosity, trusting the curator's selection after prior Bible readings, but found the experience underwhelming.The Quran portrays Allah as focused on division between believers and unbelievers, with frequent mentions of hell for those lacking faith. Submission to Allah's will is paramount, and praying toward Mecca symbolizes spiritual alignment and community unity. The text excludes Jews from Abraham's promise if they do wrong, though some verses suggest salvation for believers, possibly including Jews and Christians. Jesus is depicted as a prophet, not divine, contrasting Christian beliefs. Allah seems to emphasize punishing unbelievers, with hell referenced often, and fasting is highlighted as a path to righteousness, noted during Ramadan.Familiar Biblical stories—Cain and Abel, Joseph, Moses—appear but differ from their older Genesis versions. Joseph, for example, is nearly perfect in the Quran, unlike the flawed figure in the Bible. The origins of these variations remain unclear after online research. Some Quranic verses, like “God does not burden any soul beyond its capacity” (Surah 2:286), contrast with Christian teachings, such as Galatians 6:2's call to “bear one another's burdens.”Rumi's poetry feels modern and dreamlike but elusive compared to upcoming Roman poets. Plans are in place to revisit Rumi when studying Dante, a contemporary. The Quran was read on a Kindle (Clear Quran translation), which hindered the experience due to reliance on spatial memory for physical books, making note-taking and recall difficult. Nusrat Fateh Ali Khan's music and Islamic architecture were briefly explored but felt overwhelming. Next week's reading covers Virgil's Aeneid (Books 1 and 2), Ovid's Metamorphoses (Book 1), and selections from Horace, Catullus, and Sulpicia in Davenport's Portable Roman Reader, with Verdi and Puccini arias and cave art.LINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Rumi's PoemsCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

With the summer season, trap shooting can be a great time to practice sharpening your shooting skills in a fun and competitive format. Matt Piehl, owner of The Shooting Park in Horace, ND shares what they are seeing in the sport. See omnystudio.com/listener for privacy information.

Can we find the poet in their poems? With HORACE: Poet on a Volcano (Yale University Press), Peter Stothard explores how the life of the great Roman poet unfolds though his art and the histories. We talk about why he wrote this biography through a critical study of Horace's poems (and why that's been a controversial approach), how Horace embodied the artist-as-madman long before the Romantic era, and why it was important to show the alienness of Horace's verse and how nervous Peter was about translating him into English to show how the Latin works. We get into Horace's place in Rome's history, how he bridged Greek poetic modes into Latin, the variety of genres Horace worked in (and invented), and why the poet was cancelled early and often over the centuries. We also discuss mortality and legacy, how Horace & I each reacted to not getting killed by falling trees, why a certain Great Books program is so Athens-centric, how Peter's secondary school introduced him to "INCIPE!," "Sapere Aude," and "Carpe Diem," among other Horace-isms, and more! Follow Peter on Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

The lads regroup following the greatest live podcast show since records began. Spirits are high, but sadly it doesn't take long before it descends into finger pointing. James wants us to clarify that he doesn't write the introductions, Sunil unleashes the full force of his networking prowess and Chris is just relieved that it wasn't his fault. Also, if anyone wants to nab the best part of a 250ml bottle of Horace cleanser from Belfast International Airport then crack on. If you want to experience the full force of Rural Concerns Live, you can grab tickets to our Manchester show at Fairfield Social Club on 22nd November.  You can also see Chris perform his Edinburgh Comedy Award nominated show for the final time on 14th June in Newcastle at The Stand. Grab your tickets now! Do you have a Rural Concern? Drop us an email at christopher@alovelytime.co.uk. The best way to support this educational podcast is through Patreon. For less than a fiver you can get bonus episodes and access to our Discord community, The Creamery. Our artwork is by Poppy Hillstead, our music is by Sam O'Leary and our legal due diligence is by Cal Derrick, Entertainment Lawyer. Rural Concerns is edited by Joseph Burrows and produced by Egg Mountain for A Lovely Time Productions.

Aaron La Deaux is a Certified Athletic Administrator and he's the AD at Horace High School in West Fargo, ND. Aaron takes some time from another STATE CHAMPIONSHIP filled school year to share his journey plus some Best Practices on this episode of The Educational AD Podcast!

Playlist: Micky Wickey plays his fiddle for a breakdown, Tugboat. Pat puts in a word for the sponsor. Leon sings, Music maestro Please. Leon and Horace sing, I Love to…

Hillsborough Mayor Mark Bell spoke with 97.9 The Hill's Andrew Stuckey on Wednesday, May 28, discussing town news and events. After a rare Tuesday Commissioners' meeting due to the Monday Holiday, Mayor Bell discussed a proclamation honoring recently passed former mayor Horace Johnson ahead of his funeral Saturday. He also discussed the board's recent budget work session, including the timeline for the budget's likely passage. He discussed some opportunities to give feedback on the town's parking study, the upcoming Last Friday Art Walk, and more. The post Hillsborough: Honoring Horace Johnson, Budget Work Session, Last Friday Art Walk appeared first on Chapelboro.com.

Imaginez une silhouette massive, toute blanche, faite d'anneaux empilés comme des pneus. Deux yeux malicieux, un sourire jovial… et parfois, un verre à la main. Voici Bibendum, la célèbre mascotte du groupe Michelin. Un personnage devenu l'un des symboles publicitaires les plus reconnaissables au monde. Mais d'où vient cette étrange créature ? Et pourquoi est-elle devenue l'incarnation d'un fabricant de pneus ?Pour le comprendre, il faut remonter à la fin du XIXe siècle, à Clermont-Ferrand, berceau de l'entreprise Michelin. En 1894, lors de l'Exposition Universelle et Coloniale de Lyon, les frères Édouard et André Michelin repèrent un tas de pneus empilés sur leur stand. En les regardant, Édouard s'exclame : « Avec des bras, on dirait un bonhomme ! ». L'idée est lancée.Quelques années plus tard, en 1898, ils font appel à l'artiste O'Galop – de son vrai nom Marius Rossillon – pour créer une affiche publicitaire. Celui-ci s'inspire d'un croquis qu'il avait réalisé pour une brasserie, représentant un gros buveur tenant un verre rempli de clous et de verre pilé. La phrase « Nunc est Bibendum », tirée d'un poème d'Horace, y figure en latin : « Maintenant, il faut boire ! »Le lien avec les pneus ? Il est là : le bonhomme Michelin, levant son verre rempli d'obstacles, symbolise un pneu capable d'« avaler » les dangers de la route – clous, pierres, éclats – sans crever. Le slogan s'adapte : « Le pneu Michelin boit l'obstacle ». Le personnage est baptisé Bibendum, en clin d'œil à la citation latine. Et le succès est immédiat.Au fil des décennies, Bibendum change d'apparence. Au début, il fume des cigares, il a un corps potelé, un air aristocratique. Il est parfois présenté en costume, en cycliste, en sportif. Mais toujours, il incarne la robustesse, la fiabilité et la longévité des pneus Michelin. Il devient un ambassadeur souriant, rassurant, populaire. Et surtout : il reste unique dans le monde de la publicité, à une époque où les mascottes deviennent des armes redoutables pour attirer l'attention.Ce personnage aura une carrière extraordinaire : élu icône du siècle par le Financial Times en 2000, il traverse plus d'un siècle d'histoire industrielle sans jamais quitter le devant de la scène. Plus qu'une simple mascotte, Bibendum est devenu le visage de l'innovation à la française, un symbole d'endurance… et de génie marketing.Et penser qu'il est né, presque par hasard, d'une pile de pneus oubliée sur un stand d'exposition. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join me for a heartfelt and eclectic episode as we dive into a remixed cassette tape from June 16-17, 1976, capturing the vibrant voices of family and friends in Boothville, Louisiana. Kicks things off with a raw, reflective introduction, sharing a day filled with personal struggles and a new, original poem titled “Mint Place,” penned on this very date. The episode takes a nostalgic turn with the playback of a remixed tape, featuring lively stories of Texas relatives, CB radio antics, boat rides on the Mississippi, and the daily life of shrimpers and family members like MawMaw, PawPaw, and Uncles' Horace, Eddie, Larry and Bill. Highlights include a delicious soft shell crab feast from Rocky Chapman, Quentin's diving lessons, and a humorous tape mishap that adds charm to the recording.The episode also touches on poignant moments, including tributes to veterans ahead of Memorial Day weekend, a powerful quote from Englishman John Stuart Mill's 1862 essay, and a bold citizen spotlight on Anthony Fauci. With a mix of laughter, love, and a touch of controversy, this episode weaves together past and present, offering a unique blend of family history, poetry, and social commentary. Tune in for a rollercoaster of emotions and memories—enjoy your life!

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Hillsborough Mayor Mark Bell spoke with 97.9 The Hill's Andrew Stuckey on Tuesday, May 20, discussing town news and events. He discussed Town Manager Eric Peterson's budget proposal for the next fiscal year, which the board received in the middle of last week. He discussed the key takeaways, including a tax hike, and talked about the timeline for a vote.  He also remembered former Mayor Horace Johnson, who was the town's first Black mayor, and served for decades in local government, and more. The post Hillsborough: Budget Highlights and Timeline, Remembering Horace Johnson appeared first on Chapelboro.com.

So there it is, please join Leonardo, Liza, Horace and me in celebrating the eighteenth of September, America's fast emerging day off, “Do Nothing Day.” 

Horace Calls RAD & Angry Drinker EmailSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's go time and the city has go go gone to Hell in a hand basket. Not quite literally. With only a few items left on the to-do list, our time in heaven is coming to an end. But first, a trip to the rehabilitation center for a family reunion.

Well, we have a gem of an episode here, where we look into the life of James MacLaine and William Plunkett.  We follow what we can of their births and young lives as we discuss how the pair came to be the Gentleman Bandits that they were, what famous people they robbed, how they got caught and their final, if quite different, fates.  We also discuss what a blunderbuss is and why it would make a good brand name for underwear, whether James is related to John of the Die Hard Franchise, and so much more in this 1700's historical episode of the Family Plot Podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

The latest Jay Thomas Show delivers a high-energy, storm-chasing, black-licorice-eating, public policy rollercoaster with a North Dakota flair. From spontaneous weather updates to fiery city commission debates, Jay and crew keep it real, raw, and ridiculously entertaining. ⏱️ Top Moments (with timestamps) 0:00 – Hot Tub Vinny & the Opening RiffA classic Jay Thomas intro, complete with local sponsor shout-outs and the usual blend of humor, weather, and real talk. Bonus: the phrase “Vinny Hot Tubs” might live rent-free in your head. 7:45 – Mowing Mayhem & Neighborhood Lawn DramaJay and Dean Wysocki debate lawn mowing etiquette in heatwaves. Turns out, even the grass is political in North Dakota. 12:50 – Weather Watch: Tornado Tracker Edition

Trigger Warning: This episode contains content about suicide. "The black dog follows you...and hangs close on your flying skirts with hungry fangs". So said the ancient Roman poet Horace some 2000 years ago, as he struggled with his own 'inner demons'. Yet even today, despite our growing understanding around the science and prevalence of mental health issues, many rural and remote Australian's still wrestle with the social stigma and inter-generational pressures of THEIR black dogs. And for those country blokes who live and work in isolation and under pressure - including our farmers, miners and truckies - feelings of anxiety, stress, depression and despair can often feel overwhelming. Buckling under the inter-generational expectations of his family's farm, Wes Herring was one of those blokes - and he openly admits he HAS been to hell and back. But he's still here. He's still farming. And these days, Wes is soothing HIS savage beast with a feast of thoughtfully penned and inspiring bush poetry.***Thanks so much for listening to this episode of the Flying Doctor Podcast. It is lovely to have you along on the journey with us. In an emergency, always call 000. If you or anyone you know needs help, you can call Lifeline on 13 11 14 or Beyond Blue on 1300 224 636 or the Aboriginal & Torres Strait Islander crisis support line 13YARN. You can also reach out anytime to your local RFDS health clinic or connect with others via the RFDS mental health support program We've Got Your Back | Facebook To buy Wes's new book, you can text or call him on 0408 218 019. There has been some wonderful feedback from listeners about our podcast and the incredible people we have interviewed. Word of mouth is always the best promotion for a podcast – so if you enjoy this podcast, or a specific story, please share with family and friends. Reviews and ratings help our podcast to be found by others, so if you can take the time to do that it would be appreciated. You can also send feedback, questions or comments through to podcast@rfds.org.au. We'd also love you to become part of the Flying Doctor Podcast Facebook group, where passionate listeners and incredible outback communities come together. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:37 - Who is Who ? - par : Nathalie Piolé -

The Héroïne agency is young, created in the midst of the Covid pandemic, when everyone was predicting the death of physical stores in favor of digital. The founders of Héroïne are convinced that the opposite is true. However, brands must evolve and no longer focus solely on transactions, but on people and their emotions. They have therefore built their agency around a cornerstone: the R.O.X.TM method, which stands for “Return on eXperience.” They work with clients ranging from DNVBs (Digital Vertical Brands) such as Horace to luxury houses such as Cartier, CHANEL, Hermès, and Amouage, for whom they design stores around the world. Discover the Amouage collection, which combines architecture and storytelling, in this podcast.Image teaser © Amouage, Flagship Amouage Mascate Sound engineering : Bastien Michel___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Au moment où la société de consommation est fortement remise en cause par l'écologie, le produit et ses enveloppes architecturées comme le modèle du magasin, sont-ils encore légitimes aujourd'hui ? Rémi Le Druillenec, co-fondateur de l'agence spécialiste du retail de luxe, Héroïne, vient au micro de Com d'Archi pour répondre à cette question complexe et bien d'autres. L'agence Héroïne est jeune, créée en pleine pandémie de Covid, alors que tout le monde prédisait la mort des magasins physiques au profit du numérique. Les fondateurs de l'agence Héroïne sont convaincus que c'est tout le contraire. Cependant, les marques doivent évoluer et ne plus se concentrer uniquement sur les transactions, mais sur les personnes et leurs émotions. Ils ont donc construit leur agence autour d'une pierre angulaire : la méthode R.O.X.TM, qui signifie « Return on eXperience » (retour sur l'expérience). Ils travaillent avec des clients allant des DNVB (Digital Vertical Brands) telles que Horace aux maisons de luxe telles que Cartier, CHANEL et Hermès. Que deviendront les magasins dans ce nouveau paysage ? Découvrez-le dans ce podcast.Image teaser © Rémi Le Druillenec, HéroïneIngénierie son : Bastien Michel____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir votre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Honey, THIS one's for the girls (gays + they's) who've ever had a broken heart or whatever Martina McBride said. This week, we're joined by TikToker, Actor & Host of the Hardly Qualified podcast, Horace Gold to talk straight men (bc wtf) and answer the age old question: can platonic friendships with them truly exist? Plus, we'll talk about friendship breakups, Horace's personal journey with sobriety and setting boundaries. Plus, we're answering your questions on coming out to your family and what to do if the person you're dating isn't exactly your type on paper.  IG Handle : horacegold Pod Handle : hardlyqualifiedpod Follow Kamie @kamiecrawford on TikTok and Relationshit @relationshit on IG for more, besties. Watch on YouTube at youtube.com/@relationshitpod and of course, follow the show on Spotify, Apple, YouTube, or wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tune in every Monday for a new episode.-------------------------- WHERE TO WATCH:Spotify ⁠https://open.spotify.com/show/07rT0hFAsPAZYCUF4OMBB7⁠Apple ⁠https://podcasts.apple.com/us/podcast/the-line/id1722664848⁠Youtube: https://www.youtube.com/playlist?list=PLwthnUa9wfTYxj4PqPULqeeKibeaQIz3y-------------------------- FOLLOW JOSH:https://www.instagram.com/joshuadmellott?igsh=a3RxZmo3ZXJiMDV1 https://www.linkedin.com/in/joshua-d-mellott-0b0525118/ FOLLOW BLACKLINE: @blacklineltd https://www.instagram.com/blacklineltd?igsh=a2wwbzJ3Y3Jjd2o4 https://www.youtube.com/@blacklineLTD https://www.facebook.com/profile.php?id=100095504736514 https://www.linkedin.com/company/blackline-ltd/ https://www.blacklineltd.com/

Brandon Erickson, O’Keeffe O’Brien Lyson, is in studio on Afternoons Live with Tyler Axness to discuss this lawsuit and why his clients felt it necessary to take legal action.See omnystudio.com/listener for privacy information.

Ep. 680: Cranford | Chapter 2 Book talk begins at 6:13. This week's chapter is a sobering reminder that small towns sometimes carry the heaviest stories. Also, we get another battle over Dickens vs. Johnson (yep, that again). --------------------------------------------------------------- • 02:40 - : Listen to “The Blog” (4 min vs 19 min on “The Gist—yes, he titled them in reverse). This is one of the Long-Covid papers we've been waiting for. PEM—post-exertional malaise is “feeling tired/sore a day after a workout” on crack. • PEM pain and brain fog can last up to two weeks after exertion…The Rank Study he mentions is the group saying “duh m'dude. If you've been in bed for a year yer gonna be tired after a workouta. You gotta get back on your exercise routine and qitcherbellyaching” —a theory that's led to permanent patient paralysis. The other study is big because it indicates that the damage is mitochondrial, not systematic (i.e., we're getting plenty of blood to our muscles. The muscles just can't do anything WITH that oxygen) • —and from the People who created the Visible app that has saved my life (MakeVisible.com) • 03:20 Snake Oil!!! • 04:03 RAFFLE of "Knitting Companion," the amazing ergonomic book. Join the raffle here: • 06:13 BOOK TALK BEGINS • 06:40 - Re-hash Ch 1 • 09:35 - Humor and Gaskell • 10:40 - I'm drinking Plum Deluxe Bookshop Blend White. To pick your own from The CraftLit Collection of Plum Deluxe Teas, visit bit.ly/craftlit-pdtea to learn more. • 11:20 - Who's the narrator?! • 12:26 - Bakehouses • 14:20 - Flints haberdashery in London (UPDATE - apparently NOT a real place! But the meaning is the same.) • 15:15 - Biblical DebORah (the pronunciation that should be used ahem) read about her in Judges 4:4. • 15:36 - “Strong minded” women - yeah, that was an insult. Kinda like “She was warned. She was given an explanation. Nevertheless, she persisted…” when Elizabeth Warren tried to read a letter from Coretta Scott King into the Congressional Record in February 2017. See Mary Wollstonecraft on masculine women on • 17:50 - - this is not the one I remembered (they haven't digitised their entire collection) but it DOES have a shocking poem in it—by a 14 year old girl. • 18:50 - Just a heads up: Gaskell sort of doesn't really quote things accurately—at this time code she's sort of quoting Hamlet, she also makes up words like Brunonian • 20:02 - Sort of quoting Alexander Pope “Imitations of Horace” 1733 • 20:17 - Sort of quoting/sub-referencing Spenser's “The Faerie Queene” IV:3;32, 1596 • 20:55 - Nasty cruel Railroads. Yup. • 22:17 - The guy who got a railroad spike through his head - Phineas Gage () • 23:13 - Bonnet as helmet • In fashion in 1820. Not in fashion by the 1840s: • 24:50   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

Disco Fever all the rage and how music is measured.Jerolyn Sue Adolph Evans, the Primary First Counselor, is in a bit of a pickle. Quentin Scott got poison ivy from picking blackberries, and she's clueless about what to do. Linda Talbot, Second Counselor, is also on the case. Quentin thought his mom was literally lost, and no one wants to go with Jerolyn because they're all swamped with work. Wendy and Larry Fitzgerald have such a lovely place. Quentin ended up sleeping at MawMaw's house. She misses Deron P. Scarabin and only has Rachel Guidry to hang out with. They even sang Rhinestone Cowboy a bit. Bill Evans mentioned that MawMaw said everyone missed church earlier, but now Uncle Bill says MawMaw didn't go to church. MawMaw is Quentin's Primary teacher. Sports banquet and Bill got something special and "Jerolyn hasn't matured yet." They gave all the coaches "Coach of the Year" plaques. Mikelson decided to go to Nashville and make $21K. Bill's dad retired and sold everything but one tractor. All his parents' bills paid and no debt so they should be fine. Jerolyn said she might be "fat" by the time Scarabins return. Jerolyn has to have a CB. Quentin is Steve Austin but now Evil Knievel and Jerolyn is Disco Lady. Helen on Mother's Day. Clarence sprained his ankle helping Larry move. Handful of "tomaters." Uncle Nicky gave some cucumbers. Many beans and squash is great. Eggplant and bell peppers everywhere. Clarence will start working on sewer line. Helen feels like Quentin wanting us to talk back on the tape. Helen is out of "draws." Loves to hear from Scarabins. Wendy's backyard is so pretty. Only bad part is rain piles up in one spot. MawMaw called to be Primary Teacher and Secretary. Accepted Teacher position but refused the Secretary position because she can't write. Go up and down the steps forty times a day but rarely sees neighbors. Twice she talked without recording. Clarence "hollering." They pay the bills for the Scarabins as they come in. Gail had to work so Helen is watching Brent Edward Portie. Larry had fallen down with baby (John Dirk). Baby was fine but Larry was banged up and bruised. Emmett Adolph giving well wishes. Yvonne got a CB radio and real proud of it, carrying on with Helen Mae. Drinking a cold beer after coming from the pumping station. Yvonne Adolph sends well wishes. Everyone giggling "trying to talk to the stupid thing." Bad weather. Yvonne is the Lollipop, the name Marilyn gave Annie Adolph Chapman. Janelle Adolph gets on and gives an update on shrimping and how Mrs. Lizzy is enjoying her new job. Said her doctor going to get on her about weight gain. Sally's been sick. E.J. and Sue looked at Marilyn's trailer and tired waiting on it. Carolyn and Kyle Bergeron. Carolyn cracks up over Marilyn's grocery experience. Said Gail is still sitting and Craig made a home run in baseball. Horace said they just made errors. Kyle gets on and says Mrs. Hernandez will write to Jason. Kyle's keeping bikes clean and can't wait for us to come home. Craig updates on baseball and how much fun he's having. Horace has flu. Wendy has moved in her trailer. Don't let D.D. get beat up by the rocks. Edna Adolph updates. Fresh peaches and going to visit Pam and baby. Everyone has CBs down there. She's Hunny Bunny and Ernest is Gingerbread Man. Carolyn is Bewitched and Yvonne is Lollipop. She almost bowled 200. Gail Portie, May 11. Spending night at Helen's with Brent. Eddie's horse had baby. Brent wants to talk but didn't know what to say. Wendy has such a nice trailer. Made Gail "plum sick." Only complaint is ugly green carpet. Brent talks about his horses. Ernest Adolph and Edna brought some delicious peaches. PawPaw soaking his foot and "sure looks bad." Tomatoes coming in. Brent says a few words. Someone mistakenly thought D.D. gone overseas on mission instead of working at copper mine. JoAnne Ragas Scarabin. May 13. Helen and Clarence finish tape with more talk on the trailer park.

Mes chers camarades, bien le bonjour !Sans les smartphones, leurs mms, sms et autres gifs, comment faire pour insulter quelqu'un à distance dans l'Antiquité ? Comment être sûr que votre adversaire reçoive bien le message ? Les anciens prenaient la chose très au sérieux : par exemple, en gravant une injure sur un mur, comme pour les graffitis romains, ou directement sur une balle de fronde grecque, qu'on envoyait tout droit dans la tronche de son ennemi ! Ou, encore mieux, on utilisait l'ancêtre des réseaux sociaux : la place publique !Bonne écoute !

Here is a “Sunny Song”, wherein the fleeting sunlight is a dappled reminder of the evanescence of existence. They're all gone now: Bill Evans (piano), Tony Bennett (vocals), Henry Mancini (Composer), and Johnny Mercer (Lyricist), but their beautiful creation lives on to remind us to gather our rosebuds while we may.Sadness, and gratitude run in equal measure throughout all of the song's manifestations. The title itself derives from an 1896 poem by Ernest Dowson, taken from the Roman poet, Horace, whose latin translates as:“The brief sum of life forbids us the hope of enduring long;” The film for which Mancini and Mercer furnished this deathless song, was so tragic in its portrayal of addiction, that, even as a 10 year old, I mourned for the hopelessness of Jack Lemmon and Lee Remick's doomed romance that should have produced nothing but happiness, but brought only sorrow. In the magician's hands of Bill Evans, the chordal melody seems to waft in the breeze, and Tony Bennett's voice, never more supple, interprets the wistfulness of unfulfilled longing with a seasoned perfection. The results: a collaborative triumph. Tony was quoted as saying that their recordings were “the most prestigious thing I ever did”. Quite a statement from the acknowledged master. 

Playlist: Leon and Horace harmonize with, Little Box of Pine on the 729. Pat shares a fan letter to praise the sponsor product. Leon sings, Cry Baby Cry. Grandpappy plays…

Stéphane Bern nous entraîne au cœur de la Rome Antique pour découvrir le destin méconnu d'un personnage au nom pourtant entré dans l'Histoire – et dans le dictionnaire : Mécène, riche romain devenu protecteur des arts, qui a fait bâtir un palais à la gloire des artistes qu'il admirait, pour, grâce à son influence, les propulser au faîte de la gloire, faisant de lui le premier “mécène” de l'Histoire… Quelle était la personnalité de Mécène ? Comment a-t-il inventé ce statut ? Comment sa figure est-elle passée à la postérité ? Pour en parler, Stéphane Bern reçoit Pascale Roze, écrivaine, auteure de ""Le Roman de Mécène"" (Stock) Au Coeur de l'Histoire est réalisée par Guillaume Vasseau. Rédaction en chef : Benjamin Delsol. Auteur du récit : Eloi Audoin-Rouzeau. Journaliste : Clara Leger."Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Stéphane Bern nous entraîne au cœur de la Rome Antique pour découvrir le destin méconnu d'un personnage au nom pourtant entré dans l'Histoire – et dans le dictionnaire : Mécène, riche romain devenu protecteur des arts, qui a fait bâtir un palais à la gloire des artistes qu'il admirait, pour, grâce à son influence, les propulser au faîte de la gloire, faisant de lui le premier “mécène” de l'Histoire… Quelle était la personnalité de Mécène ? Comment a-t-il inventé ce statut ? Comment sa figure est-elle passée à la postérité ? Pour en parler, Stéphane Bern reçoit Pascale Roze, écrivaine, auteure de ""Le Roman de Mécène"" (Stock) Au Coeur de l'Histoire est réalisée par Guillaume Vasseau. Rédaction en chef : Benjamin Delsol. Auteur du récit : Eloi Audoin-Rouzeau. Journaliste : Clara Leger."Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

There has been recent debate over whether the name LaFleur means "Flower" or "Floor." We here at Lost on Lost are taking the stance that it just means a good episode of television. Brian Markovich joins us to talk about this Sawyer and Juliette episode (and to refill our Jim Beam and dynamite closet). If you cover your ears you might be safe from the sonic fence, but you'll miss this BANGER of an episode. 

Pascale Roze "Le roman de Mécène" (Stock)« L'assistance a applaudi à tout rompre. Mécène qui a lu avec Virgile se sent lui aussi applaudi. Certes, il partage le succès. Certes, il est lui aussi un peu l'auteur. Un peu responsable. Quand il s'est levé pour remplacer Virgile, c'était comme s'il lui donnait de sa personne et recevait la sienne en échange. »Mécène, ami des poètes et de l'empereur Auguste, donnera son nom au mécénat. Il est le personnage de ce roman dans lequel Pascale Roze, déjouant les codes du roman historique, mêle librement érudition et légèreté, sérieux et fantaisie, faisant de la tradition une source vive.Musique : Jean-Philippe Rameau. Le thème de la Gavotte et six double au clavecin par Scott RossHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:59:24 - " Doodlin' " (Horace Silver) (1954) - par : Laurent Valero - "Thème en forme de simple riff, très swinguant avec une très grande efficacité. Horace Silver pianiste d'origine cap-verdienne a débuté par le saxophone, pionnier du hard bop avec un jeu de piano très caractéristique et reconnaissable par son côté rythmique, spontané et même joyeux." Laurent Valero

Audio is a bit low and muffled. Playlist: Leon and Horace sing, Down the River of Golden Dreams. Pat plugs the sponsor product, and asks listeners to write in. The…

WDAY First News anchors Lisa Budeau, Scott Engen and Lydia Blume break down your regional news and weather for Monday, March 17, 2025. InForum Minute is produced by Forum Communications and brought to you by reporters from The Forum of Fargo-Moorhead and WDAY TV. Visit https://www.inforum.com/subscribe to subscribe.

03/17/25: While Joel Heitkamp enjoys his vacation, former State Representative Shannon Roers Jones fills in as the guest host. Shannon is joined in the KFGO studio by Brenna Lachowitzer for a conversation on special assessments. Brenna recently built a home in Horace, ND, and was blindsided by a sharp increase in her specials. (Joel Heitkamp is a talk show host on the Mighty 790 KFGO in Fargo-Moorhead. His award-winning program, “News & Views,” can be heard weekdays from 8 – 11 a.m. Follow Joel on X/Twitter @JoelKFGO.)See omnystudio.com/listener for privacy information.

SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, check out the SECRET SHOW and join the group chatLeave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!Some of the topics mentioned in this episode:– When I Mean I by Jonathan Farmer– Locating Voice by Christopher Childers– Too Horny for Hexameter: Ovid's Epic Fail by Christopher Childers– My essay on Joshua Beckman– The Polyvocal Poet by Ryan Wilson– What Voice Is, ft. Jonathan Farmer, Pt. 1 & Pt. 2– Horace i.25– Horace ii.20– The Whirligig of Time by Anthony Hecht– Heart of Autumn by Robert Penn Warren– Western Wind– Whoso List to Hunt by Thomas Wyatt– Ozymandias by Percy Byshe Shelley– Horace iii.2– The Declaration of Independence by Thomas Jefferson– The Gettysburg Address by Abraham LincolnFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Matt Wall– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: Poetry SaysBrian: @BPlatzerCameron: CameronWTC [at] hotmail [dot] comMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

Dr. Nii-Quartelai is joined by Tyler Perry's "Beauty in Black" co-star Ricco Ross to talk about the connection between his character Horace and his own father, advice for African-Americans interested in living abroad, and more. Download the KBLA app to listen live and subscribe to "A More Perfect Union" podcast powered by KBLA Talk 1580 to never miss an episode. Calling all leaders, learners, and listeners - We've got a lot to talk about!

Playlist: Horace sings, Get Out and Get Under the Moon. Pat reads a fan letter that plugs the sponsor. Leon and Horace sing, Happy Cowboy. Mickey leads off as the…

Carmen Giménez's poem “Ars Poetica” is a stunning waterfall of words, a torrent of dozens of short statements that begin with “I” or “I'm.” As you listen to them, let an answering cascade of questions fill up your mind. What does this series of confessions reveal to you about poetry? The poet? And yourself?Carmen Giménez is the author of numerous poetry collections, including Milk and Filth, a finalist for the NBCC Award in Poetry, and Be Recorder (Graywolf Press, 2019), a finalist for the 2019 National Book Award in Poetry, the PEN Open Book Award, the Audre Lorde Award for Lesbian Poetry, and the Los Angeles Times Book Prize. She was awarded the Academy of American Poets Fellowship Prize in 2020. A 2019 Guggenheim fellow, she served as the publisher of Noemi Press for 20 years. She is the Publisher and Executive Director of Graywolf Press.Find the transcript for this show at onbeing.org.We're pleased to offer Carmen Giménez's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

In this episode, Kim sits down with Horace Gold, a multi-hyphenate artist and actor, for a long-overdue reminder: you don't need therapy; you need to stop lying. As a social experiment, Horace would like everyone to take a deep breath, tone down the “main character” theatrics, and recognize that you're not a victim—it's not about you. Kim and Horace share a mutual disdain for moral superiority and performative activism. For the record, you're not “cool” because you learned about the latest tragedy before everyone else. Their advice? Organize a town hall or STFU. From conservative roots to liberal new beginnings, Horace reflects on the perfect storm that freed him from a dark future as a MAGA boy. Kim's biggest takeaway? Believe it or not, everyone thinks they're on the right side of history.Follow Horace - IG & TIKTOKListen to Hardly Qualified Podcast - APPLE & SPOTIFYWatch Hardly Qualified Podcast - HERERead The "Triple Package" by Amy Chua - HERESubmit Your Confessions - HERELET'S BE FRIENDS...STEP 1 : Give us a 5-STAR reviewSTEP 2: Follow RLBG on Instagram - HERESTEP 3: Join the RLBG Community for access to exclusive events & LIVE girl talks - HERESTEP 4: Follow the International Pop Star "SlimKim" on TIKTOK & INSTAGRAM

Maria Dizzia was last seen in the Broadway Revival of Macbeth and starred in the national tour of Heidi Schreck's acclaimed play What the Constitution Means to Me. Other Theatre: If I Forget, The Layover, Belleville (2013 Drama Desk Nomination), Uncle Vanya, In the Next Room (2010 Tony Award nomination); Eurydice and many more. She made her directorial debut with the Amios Theater Company production of The Loneliest Number (2018 NY Innovative Theater nomination) and most recently directed Marin Ireland's Pre-Existing Condition at the Connelly Theater. In 2019 she starred in the Academy Award winning short The Neighbors' Window directed by Marshall Curry for which she also earned the Best Actress Award at the Short Shorts Festival. Maria portrayed Polly on three seasons of Orange is the New Black and had recurring roles on The Staircase, The First Lady, The Undoing, 13 Reasons Why, Horace and Pete, Louie, Emergence, Red Oaks and Royal Pains. Other select television and film credits include: The Good Nurse, Christine, Life and Beth, The Outside Story, The Deuce, The Newsroom, Prodigal Son, While We're Young, Martha Marcy May Marlene, Margin Call, The Good Wife, Master of None, Elementary, Fringe, Law & Order and Law & Order Criminal Intent. She can currently be seen in Paramount+'s series School Spirits, the independent films My Old Ass & Christmas Eve in Miller's Point as well as recurring on Agatha: Coven of Chaos and Before with Billy Crystal and Judith Light. Learn more about your ad choices. Visit podcastchoices.com/adchoices