Podcasts about Yorkshire

Hello everyone and welcome to the shows Diamond Jubilee. Todays guest is Ken Hanning. Ken has a wonderful wargaming shed (its a lot better than a shed !) which is named The Perthshire War Room. It is a wonderful spot and the envy of many when he shows the room off on his Big Wargames Website and YouTube Chanel. Ken has many links with the Leeds Wargaming Scene and it was lovely to chat about old friends some of which are no longer with us, the joys of Yorkshire and the Pie based food of the area. At the end of the show we try and tackle a difficult subject in a positive manner. Ken was diagnosed with Cancer some time ago and has gone through numerous rounds of treatment and surgery some of which only ended last week. Ken was keen to talk about how the hobby and people in it have been amazingly supportive. Other communities like the We Have Ways Podcast have also been key to Kens wellbeing and it was a joy to hear the positivity in his story. Thanks to Ken for being so open and honest. Kens Big Wargames Website is here Big Wargames The YouTube Channel is here https://youtube.com/@kenhanning57?si=KhP5Bf1Rf0i1U_eZ   Next episode will be the Brews in the Binyard Questions we missed at the end of episode 74 Until Next Time, Sithee

Send us a textA teenager has the ability to enter other people's dreams. When he witnesses three middle aged men that know entirely too much about 80s sitcoms talking people's ears off in their dreams, he quickly realizes that it's related to the mysterious deaths happening in the real world. On Episode 674 of Trick or Treat Radio we discuss the Indonesian horror flick, Soul Reaper (aka Respati) from director Sidharta Tata! We also reminisce about video games and sitcoms, do a wellness check on Barry Sobel, and talk about dream logic. So grab your TV Guide, slip on your sleep mask, and strap on for the world's most dangerous podcast!Stuff we talk about: Lloyd Kaufman, The Toxic Avenger, Elijah Wood, red band trailers, June 26th, Virus, Hell of the Living Dead, Glen Ford, Olivia Hussey, George Kennedy, Edward James Olmos, Sonny Chiba, Kinji Fukasaku, Scream Queens, Robert Davi, Dick Smith, M, 20,000 Leagues Under the Sea, Peter Lorre, Aubrey Plaza, RIP Lalo Schifrin, Tales of Halloween, Mission Impossible, THX 1138, Life After Beth, Friday the 13th VII: The New Blood, Shadows of the Empire, Dash Rendar, Goldeneye, Prince Xizor, WWE No Mercy N64 theme song, Bob Kraft drunk, venemo, Bad Dreams, Evil Dead, Nightmare on Elm St., Soul Reaper, Indonesian Horror, Rap Snacks, Chumpies Chips, dream realm logic, Indonesian folklore, dreams where you fall, Down with OPP, business is booming, Yorkshire pudding, Pudding the Vampire, Punky's On the ‘cock, Punky Brewster, Soleil Moon Frye, Eddie Deezen, T.K. Carter, The Thing, The Transformers, The Bop Crew, George Gaynes, Police Academy, Bad News Bears TV Show, Meeno Peluce, Barry Sobel, wellness checks, Six Degrees of Sobel, Jakarta Witch Trials, Nocturnal Emissions, and Meenopalooza!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Author Joanne Harris speaks to Jonathan Agnew as she tells the story of her career at her first day at a Test match. She reveals some amazing details of the process of writing a novel and her life growing up in Yorkshire.

Emma is both my Leeds lass sister and my sister in wellbeing, as we go from Wellbeing with Manny to Wellbeing with Emma! Emma and I met in the crazy time that was summer 2020 when we were forced to complete our wellbeing training online! Despite that, it was a beautiful journey with an amazing and supportive group of women. Emma is a wellbeing coach, energy healer and yoga teacher who also runs retreats......dreamy!! She supports women who are feeling low in energy, uninspired and stuck, to find their reset and recharge, ready for more focus, more joy and more action. Emma generously shares her inspiring story which began 10 years ago when Emma had a high powered, stressful corporate job and found herself extremely unwell with stress and chronic pain. Emma was also suffering from recurring laryngitis, unable to speak for weeks on end. Having reached absolute breaking point Emma enrolled on a mindfulness course which was to result in life changing consequences. Her mindfulness teacher was also a yoga teacher so in a bid to slow down and listen to her body more, Emma enrolled on that too and within a matter of weeks, Emma realised ‘it wasn't her body that was broken, it was her brain'. More validation of this was to come when her speech therapist to whom she was referred regarding the laryngitis, further stated that this was a clear case of stress. During the course of this reflection during her mindfulness and yoga classes Emma found that she was being called more and more to this work and the passion to support other women in burn out felt like a whisper from the universe requesting her to follow this purpose led life of service. Emma now works as a full-time wellbeing coach, energy healer, reiki master and yoga teacher who has designed some the best packages for women who need support, including some fabulous reset retreats. Emma also shares with us the magic of crystals and how to begin to harness their power.....something I LOVE so much! Emma this conversation was like a huge hug from a best mate from high school. Full love, full inspiration and full-on Yorkshire! Thank you Queen! To find out more and to access some FREE support from Emma go to: Wellbeing With Emma Instagram - @wellbeing.with.emma Hosted on Acast. See acast.com/privacy for more information.

In this joyful, laugh-out-loud episode of The Spark, our founding editor Katy Cowan sits down (again!) with the brilliant Emily Jeffrey-Barrett, founder of creative agency Among Equals, to continue where they left off—with less business chat and more banter. Expect everything from shameful Brownie troop confessions and controversial creative opinions (spoiler: she doesn't think we're artists), to what it's like flying business class for the first time and being traumatised by cyclists in London. Along the way, Emily shares the two pieces of advice that have helped her survive as a creative leader, reveals the one word that gives her the heebie-jeebies, and admits her irrational comfort phrase, courtesy of her Yorkshire grandparents: "Hope it works out for you". There's even talk of Wyoming ranches, Branston Pickle nostalgia, and a shared hatred of faffing. Honestly, it's a miracle anything got done. This one's for the high-achievers, the people-pleasers, and anyone who's ever been told to "just relax". This season is proudly sponsored by the School of Communication Arts.

The Power of Personal Branding - "A personal brand opens the doors you didn't even knock on. It goes ahead of you, it generates referrals, opportunities, invitations. It's the currency for influence, isn't it? And that's what accelerates your program." - Rob BrownWe have a truly special guest. Rob Brown is a global authority in the accounting industry and someone whose journey is as inspiring as it is unconventional. Rob went from being a high school math teacher in Yorkshire, England, to becoming a bestselling author, TEDx speaker, and the host of the Accounting Influence podcast. He's made a name for himself by helping highly skilled professionals master the power of personal branding and visibility in their careers.We discuss the importance of building your reputation. Why being technically skilled isn't enough if you want to stand out, and how intentional networking and authenticity can transform your professional journey. Rob shares his own story, shaped by his working-class background, what drove him to strike out on his own, and how he discovered the knack for bringing out brilliance in others who may not see it in themselves.You'll hear us discuss the hesitations so many of us have around self-promotion, what holds back entrepreneurs and accountants alike, and why making yourself visible in a crowded marketplace doesn't have to mean being cringey or salesy. Rob offers practical insights you can act on. Whether you're starting out solo or looking to scale your business and make a bigger impact.So if you're ready for an honest, inspiring conversation full of British wit, actionable ideas, and a fresh look at what it takes to build your brand from the inside out, you won't want to miss this episode. Empowering Moments00:00 "Mastering Visibility and Branding"05:31 From Teaching to Business Success09:57 Embracing Entrepreneurial Uncertainty12:41 Choosing Teaching in Northern England16:13 Education System Fails Entrepreneurs17:11 Education Lacks Practical Life Skills21:27 "Teachers' Impact and Humility"25:44 People Over Companies: Trust Matters26:59 "Crafting Your Personal Brand"30:10 Now's the Best Time34:09 Accountants' Challenge: Balancing Promises39:09 Find Your Unique Strengths42:43 Network Building Through Online Outreach46:34 Define Your Desired Legacy47:56 Crafting Personal Brand Strategy52:18 Crafting Thought Leadership Content54:31 Legacy Focused on Family HappinessThis episode is brought to you by PureTax, LLC. Tax preparation services without the pressure. When all you need is to get your tax return done, take the stress out of tax season by working with a firm that has simplified the process and the pricing. Find out more about how we started.Top 3 Takeaways for Entrepreneurs & Professionals:Your Authentic Brand Starts With You: Before building a public persona, define what you truly want people to say about you. Your reputation is shaped by intentional branding, not by accident.Network Intentionally, Not Accidentally: Building relationships isn't just about showing up; it's about asking better questions, having meaningful conversations, and nurturing trust that leads to real opportunities.Showcase, Don't Shy Away: If you're great at what you do, it's not bragging—it's “ethical bragging.” Don't be afraid to shine a light on your strengths and success stories;...

In this episode we once again travel to the Somme battlefield and discover the story of the 8th Battalion of the King's Own Yorkshire Light Infantry on the first day of the battle. We discover their story in their own words, rather than the history books. We find out what it was like to be stranded in No Man's Land for several days, whilst being sniped at by German marksmen. And how a Mother, whose son had been killed, received his Military Medal from the King when he visited their home town of Hull in 1917.

Hey! Únete a este canal para acceder a sus beneficios:https://www.youtube.com/channel/UC6ovKbWpg3jEsvisKXPbEwQ/join00:00 Intro03:50 Peter Sutcliffe, El Destripador De YorkshireCanal de Berny:  @bhruy    Banda de Polo:  @losdiosesmusik   ¡Disfruten este episodio!Peter Sutcliffe, El Destripador De Yorkshire | Cuéntamelo De Nuevo EP 209_________________________________________________________________________ Recuerden seguirnos en las redes sociales como Geeks Supremos.  Twitter: https://twitter.com/GeeksSupremos   Instagram: https://www.instagram.com/geekssuprem... Spotify: https://open.spotify.com/show/7FkvYOW...  Anchor: https://anchor.fm/geekssupremosFacebook: https://https://www.facebook.com/GeeksSupremosGrupo de Face: https://www.facebook.com/groups/276372618378578Youtube: ⁠@GeeksSupremos Correo para mandar historias: historiasgeekssupremos@gmail.com___________________________________________________________________________Redes de Los Dioses MusikSpotify: https://open.spotify.com/track/3PvRzV...Instagram: https://www.instagram.com/losdiosesmu...TikTok: https://www.tiktok.com/@losdiosesmusik Youtube: ⁠@losdiosesmusik   Apple Music: https://music.apple.com/mx/artist/los...

What can three decades in one wild place teach us about conservation?In this episode, we sit down with Craig Ralston - Natural England Senior Reserve Manager at Yorkshire's Lower Derwent Valley National Nature Reserve - to explore his remarkable 30-year journey of restoring landscapes, inspiring communities, and navigating change.Craig shares his reflections on the importance of long-term thinking in conservation, and why reconnecting people with place is at the heart of his work. Whether you're just starting out or decades in, this episode offers powerful insights into what it means to hold the line for nature.It's a reflective, real-world, and deeply inspiring conversation.Enjoy.

The story today is from Yorkshire. Eighteen year old Rachel Barraclough lived in Bradford and had everything to live for, enjoying life with her family, friends and boyfriend. But then one normal Friday evening, Rachel went out for the night and didn't come home - it was the next day that her body was found after she had been brutally attacked on an isolated river towpath in Wakefield. Just who would have wanted to hurt Rachel? And why?Writing Credit: Chris WoodYou can buy Chris's second book, 'Death in the Theatre' here: https://www.amazon.com/Death-Theatre-Chris-Wood/dp/1399009117Find out more about me and the UK True Crime Podcasthttps://uktruecrime.com Hosted on Acast. See acast.com/privacy for more information.

From the shadowy fringes of civilization, hidden enclaves thrive beyond the reach of modern society, bound by their own cryptic codes and guarded against prying eyes. In this electrifying episode, we're joined by Chris, the visionary behind the Instagram phenomenon *Strange States*, a portal to the world's most perplexing mysteries. Chris has ventured deep into the heart of a clandestine off-grid community nestled in Yorkshire, England—a place where outsiders are met with chilling distrust, and the ancient woods pulse with otherworldly secrets. Haunting melodies, vanishings without trace, and blood-curdling cries weave a tapestry of enigma around this elusive settlement. To safeguard its reclusive inhabitants, Chris conceals its true name, calling it *Meltonstone*. Prepare to be captivated as we unravel the spine-tingling unknowns of this shadowy town. https://www.instagram.com/strange.states?igsh=bXFtbG9lNnUwbmE5https://youtube.com/@strangestateshour?si=WvwTaZUBZUR_KyuuWe are thrilled to announce the official launch of Let's Get Freaky merchandise! Our collection includes hoodies, t-shirts, mugs, stickers, and more. Explore the full range at http://tee.pub/lic/aQprv54kktw.Do you have a paranormal or extraordinary experience to share? We'd love to hear from you! Contact us to be a guest on the Let's Get Freaky podcast. Email us at letsgetfreakypodcast@mail.com or reach out via social media on Facebook, Instagram, X, TikTok, or YouTube at @tcletsgetfreakypodcast. Connect with us at https://linktr.ee/letsgetfreaky.

Date: 22 June 2025Series: The Letter to the Philippians - Rethinking LifeSpeaker: Ian Fenton

Hello you beautiful people!We start the show with Christmas All Over The World and we take a look at the Yorkshire tradition of The Old Hoss. A bunch of people go round the pubs and one of them is dressed as a horse and they sing a poem...  and I'm not making it up.Next up Bob Baker has a look at what us Brits call 'taps' and those Yanks call 'faucets' in Do You Hear What I Hear.After the joke it's this episodes version of A Christmas Carol.  It's called Ebbie and it's a modern day (90s) take with a female Scrooge. It's actually alright. You can watch it here:  https://www.youtube.com/watch?v=hTRm5gX6CXsThen Bob is back with Where Are You Christmas? and he looks at some places here in the UK that (to my shame) I wasn't aware of.Check out Bob's podcast here:  https://4fpodcast.buzzsprout.com/Then it's The Quiz. I scored 8, make sure to email me with your score.This episode's recommendation is It's A Fair Cop with Alfie Moore. It's my latest favourite thing.Here's a link: https://www.bbc.co.uk/sounds/brand/b060fj66Get in touch:Email: totalchristmas@gmail.comWeb: totalchristmaspodcast.comMerry Christmas!

Jonathan Agnew presents reaction from Headingley where India start well against England despite being put in to bat by Ben Stokes.Hear analysis from former England captain Michael Vaughan, Ashes winner Steven Finn, former India opener Cheteshwar Pujara, and commentator Prakash Wakankar. Plus, India's century-hitter Yashasvi Jaiswal & England bowling consultant Tim Southee give their thoughts on the first day's play.Also, former England captain and current Yorkshire President Dr Jane Powell talks about her time as President of Yorkshire and memories of her tour of India in 1981.

In this episode, we dive into the surreal and soulful world of Leeds, an emerging band from Haworth, England, whose debut album Golden Fields of Sheffield is set to redefine modern British rock. Blending the nostalgic influence of The Beatles and Ray Charles with a raw, DIY spirit, Leeds shares the intimate story behind their formation, the psychedelic dream that sparked their album, and how rainy Yorkshire afternoons shaped their sound. Honest, visionary, and rooted in friendship, this conversation reveals how Leeds is crafting a legacy.Discover more here : https://open.spotify.com/intl-es/artist/3qJ6e6x0umUACX8TtYL5d5?si=ILfixtfdRHWJlvPz4qDOwg&nd=1&dlsi=ae649840be054a71

Welcome to another episode about why it matters that we can make stuff locally.After last week's ep on Yorkshire's centuries-old wool recycling expertise, this time, as promised, Clare's taking you back to Australia, to see another inspiring mill in action.We're in Launceston, Tasmania to visit Australia's oldest continuously operating weaving mill.Waverley Mills has always worked with local wool, and over the years has woven all sorts of fabrics, from tweeds to flannels, but it's their blankets that made them famous. This is a story of tradition (during WW2 they produced blankets for the army), innovation (think, collaborating with Nudie Jeans to make the world's first recycled blanket out of old denim), and continuity. But above all, it's about community - who's worked here for decades and who is apprenticing to learn the trade today; who grows the wool, and who has seen the ups and downs of this place over the years, and has a long view on why it matters. It's a story about ethical manufacturing, the possibilities for re-shoring, fibre sovereignty and being able to manufacture textiles where we live - just, all the important sustainability stuff! Enjoy!Find all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

Comedians Amy Gledhill and Ian Smith report on the weirdest news from up t'North,Headlines this week include a poncy sconce discovered in Yorkshire, and Wigan names the first EVER flatpack furniture champion.Want Extra! Extra! content? Join our Patreon for weekly bonus episodes, videos, live show discount codes, BTS clips and more...Got a juicy story from t'North? Email it to northernnewspod@gmail.com.Follow Northern News on Instagram @NorthernNewsPodcastRecorded by Naomi Parnell and edited by Aniya Das for Plosive.Artwork by Welcome Studio.Photography by Jonathan Birch. Hosted on Acast. See acast.com/privacy for more information.

From jam-filled Yorkshire puddings to famous dogs and unexpected trouser mishaps, the Murder You Wrote Mailbag delivers again.Plus, Laura and Iain need your help cooking up the ultimate true crime-themed dinner party. Got a pun-filled course idea?If you want a chance to be featured in our next mailbag episode, email us at lauraandiain@bbc.co.uk.

Tim Harford investigates some of the numbers in the news, and in life. This week:We debunk a false claim that the hotel bill for immigrants is the size of the tax bill for Manchester.An article in the Spectator claimed that 4% of women aged between 18 and 34 in the UK are OnlyFans creators. We track down the source and discover that it is not very good.Do people in Scotland use much more water than people in Yorkshire? If so, why?And we examine a popular claim that today's working mothers spend more time with their children than your stereotypical 1950s housewife did.Make sure you get in touch if you've seen a number you think Tim and the team should take a look at. The email is moreorless@bbc.co.ukPresenter: Tim Harford Reporter: Josephine Casserly Producers: Nicholas Barrett, Lizzy McNeill and David Verry Series producer: Tom Colls Production co-ordinator: Brenda Brown Sound mix: James Beard Editor: Richard Vadon

Morse code transcription: vvv vvv Poundland Struggling bargain chain sold for 1 Legal win for son tricked into moving to Africa by parents Dua Lipa and Callum Turner confirm engagement Who are the victims of the Air India plane crash Newspaper headlines India Air crash sole survivor and miracle of seat 11A Families hid in attics during race motivated disorder, says chief constable Sen Alex Padilla dragged out of Noem immigration briefing in LA What could have caused Air India plane to crash in 30 seconds British passenger in seat 11A survives India plane crash, reports say UK weather Thunderstorm warnings in place as Yorkshire in drought

Morse code transcription: vvv vvv Families hid in attics during race motivated disorder, says chief constable Poundland Struggling bargain chain sold for 1 Who are the victims of the Air India plane crash Newspaper headlines India Air crash sole survivor and miracle of seat 11A Legal win for son tricked into moving to Africa by parents What could have caused Air India plane to crash in 30 seconds Dua Lipa and Callum Turner confirm engagement Sen Alex Padilla dragged out of Noem immigration briefing in LA British passenger in seat 11A survives India plane crash, reports say UK weather Thunderstorm warnings in place as Yorkshire in drought

Morse code transcription: vvv vvv British passenger in seat 11A survives India plane crash, reports say Legal win for son tricked into moving to Africa by parents Poundland Struggling bargain chain sold for 1 Families hid in attics during race motivated disorder, says chief constable Who are the victims of the Air India plane crash Sen Alex Padilla dragged out of Noem immigration briefing in LA Dua Lipa and Callum Turner confirm engagement What could have caused Air India plane to crash in 30 seconds UK weather Thunderstorm warnings in place as Yorkshire in drought Newspaper headlines India Air crash sole survivor and miracle of seat 11A

In the UK and elsewhere in Europe, there is no shortage of fantastic beer festivals and events to keep the industry busy. And last month one fantastic addition to the brewing calendar returned for its third successful year. At Kirkstall Brewery in Leeds, brewers from across the land descended upon Yorkshire for ‘The Great Exhibition of Prize Ales'. A unique celebration of the history of brewing, Kirkstall challenged breweries across the UK to dig deep into their local history, and exhibit beers with a link to the past.Under the stewardship of brand manager Chris Hall and the team at Kirkstall, breweries such as Amity Brew Co, Anspach & Hobday, Buxton, Colbier, Lost Cause, Northern Monk and Theakston joined in to showcase a raft of excellent beer.  As part of Kirkstall Brewery, Chris has not only worked on such fantastic initiatives, he's helped develop and convey the story behind the brewery and its beers on a broader basis, too. But before joining the revered Yorkshire brewery Chris was also part of other respected breweries. And in his career to-date, he's become a sought after and popular part of the UK's beer and brewing fabric.In this episode, we speak to Chris about his admiration and love of locally-made, sessionable beer and how the UK beer scene has changed and evolved during his time working in it. He outlines that when it comes to showcasing your brewery's brand, it should communicate your attributes and values and we also discuss why you should always consider the brand story that you want people to know.

TNM returns from a week off with a cross continent double fest report as we hit up Yorkshire's Fortress and Poland's Mystic Festival, seeing every band under the sun from Agalloch to Ulcerate, W.A.S.P. to King Diamond, Bullet to Beherit.Releases:Turnstile - Never EnoughVolbeat - God of Angels TrustKaonashi - I Want to Go HomeOrthodox - A Door Left OpenView From the Soyuz - UbiquitousKatatonia - Nightmares as Extensions of the Waking StateKing Parrot - A Young Persons Guide ToGruesome - Silent EchoesGaahl's Wyrd - Braiding the StoriesAutumn Nostalgie - MetanoiaAustere - The Stillness of DissolutionDimscûa - Dust EaterBuckcherry - Roar Like ThunderFallujah - XenotaphHexvessel - NocturneDolven - In My Grave…Silenceletlive. - The Blackest Beautiful RevisitedSigh - I Saw the World's End - Hangman's Hymn MMXXVThe Cure - Mixes of a Lost WorldQueens of the Stone Age - Alive in the CatacombsMetallica - Load (Remastered)

First of all, apologies for the background and wind noise on this one – as the title suggests, we're in Yorkshire on the side of a hill at the time of recording rather than on the salmon sofa.In this episode, Martin Domoney and Neil Watterson are teeing up for a day's greenlaning in North Yorkshire with Steve Miller, and who better to impart some valuable knowledge on the subject than Neil, a man who has driven more greenlanes than most people have had hot dinners.As well as the greenlaning chat, Feature of the Week and Product of the Week star, and of course we welcome your comments, questions and feedback – editorial@lrm.co.uk.Enjoy the episode.

As we hit Episode 350, who better to welcome back to the show than Paul Sinclair to update on us his continuing investigations into high strangeness along the East Coast of Yorkshire and beyond.  With some new cases and first hand encounters with unusual entities, vacuum's of fear and investigating locations of the back of them, we delve in to the strange events that seem to surprise even the most prepared person!. Paul's website is here: His YouTube channel is here: A big thank you to Paul as always! Our Patreon is now live, if you want to support the show and get Ad-Free episodes, bonus content, early release of the regular show and monthly prizes for everyone who signs up! Join here now for the flat fee of $4 a month which is a bargain! You can also support the show by leaving a review to help spread the word. Don't forget, you can now show your support with our brand new Merchandise shop on Tee-Public! Click here for all the show merch! You can join us on Facebook and Instagram as well. You can also subscribe to our YouTube channel! Email us at mysteriesandmonsters@gmail.com with any feedback, guest suggestions or if you'd like to appear.            All artwork by Dean Bestall and the show was produced by Brennan Storr of the Ghost Story Guys.  Our theme music is kindly provided by the amazing Weary Pines, you can find them here:    Intro - Zombies Ate My Shotgun       Outro - Into The Night  #PaulSinclair #WolfLands #Prime #HighStrangeness #Dogman #Werewolf #Creatures #Shuck #Barguest #Padfoot #BlackShuck #Monsters #Fear #UAP #UFO #UK #Paranormal #Supernatural #LesDrake #EastYorkshire #NorthYorkshire #WearyPines #TruthProof #Disappearances #Bempton 

It's fair to say I've developed something of an obsession with Theakston's Old Peculier. Ever since deputy ed. Katie Mather and I sat down and had a couple of pints in Manchester's The Salisbury a year or so ago, it's become a cornerstone of my drinking habits. Katie went on to write a very fine profile of this majestic beer, and following that the brewery reached out and invited me to the brewery for a tour. Politely, I asked if, while there, I'd be able to record an interview with its former managing director, now chair, Simon Theakston. His wing of the family acquired the brewery from previous owners Heineken in 2003, bringing it back under family control for the first time since 1987. Simon and his brothers share the same grandfather as would-be heir, Paul Theakston, who in 1993, seemingly in defiance at his family brewery's loss of independence, founded Black Sheep Brewery (which has now entered its own tumultuous phase.)To my delight, they agreed, but getting to the brewery itself was an issue. I don't drive, and the market town of Masham, North Yorkshire, where the brewery is located, is a fair way from the nearest train station. Thankfully the brewery found a solution. Current MD Richard Bradbury offered to pick me up from Sheffield station, as he commuted to work from his home in Derbyshire. This gave me a great opportunity to chat to Richard about his own background—how his career started at Bank's in his home of Wolverhampton, and how he worked on various Heineken brands before landing the role at Theakstons—during the drive over. Richard also kindly agreed to sit in on the podcast, and he shares some useful perspective within.What was most interesting about meeting and chatting to Simon himself, was explaining to him my aims and intent, and what Pellicle is all about. He seemed genuinely thrilled that our young magazine is so dedicated towards the coverage of cask beer, and afterwards kindly allowed me to ask questions at will—including, yes, about beer duty and the Small Brewers Duty Reform Coalition (SBDRC). Simon also gave me an in depth tour of the brewery, including a look at its vintage (and that's an understatement) grain mill, and the famous Steel's masher that helps contribute towards the unique character of Theakston's ales. My favourite part of the tour—other than when Simon poured me a pint of Old Peculier from the wood—was the fermentation room. Here in this corridor lined with open Yorkshire squares, the unmistakable aroma of Old Peculier was at its most potent. I also got to have a peek inside the cooperage, where in house journeyman cooper Euan Findlay builds the very casks that dispense this hallowed beer. During the interview we get into all the good stuff, including the history of the brewery, and its current objectives as an old brewery in a very different market. We also dig into a bit of beer politics. It's a very satisfying conversation, and one I hope you enjoy as much as I have done cutting it together. If you do enjoy this episode, do consider leaving the podcast a rating or review in the app you use to stream it, and sharing it with any friends who you think might find it interesting. We're able to produce The Pellicle Podcast directly thanks to our Patreon subscribers, and our sponsors Loughran Brewers Select. If you're enjoying this podcast, or the weekly articles we publish, please consider taking out a monthly subscription for less than the price of a pint a month.

In this episode of Meet the Farmers, we focus on the inspiring story of Damian Barson — a man who made the life-changing decision to enter the world of sheep farming in his fifties. Formerly a professional dog trainer, Damian took his first steps into agriculture in 2021. Today, he manages a flock of around 150 ewes, including Mules, Swaledales, and other breeds.Damian shares the highs and lows of his journey so far — from venturing into farming to facing the emotional toll of caring for a close friend and coping with the personal isolation that farm life can bring. This episode offers a raw and honest example of when farming life meets the challenges that life can bring in general. 

In this episode Gary Mansfield speaks to Jessica Gale (@Jess.Gale.Art) Jessica Gale is a British landscape artist born in 1967 in Catterick, Yorkshire. She began painting in 2010 during a period living in Amsterdam, inspired by the subdued beauty of a Dutch winter and influenced by Rembrandt's moody palette . Her work encompasses both representational and abstract landscapes. She investigates the interplay of shapes, light, and negative space, manipulating these elements through form and colour to convey the energy of her subjects. Gale trained at The Heatherley School of Fine Art in Chelsea, London, and currently resides and works in London and Dorset. Her diverse media include oil, acrylic, charcoal, pastels, and printmaking. She has exhibited widely, including at Harvey and Woodd in Edinburgh and the Otter Gallery in Dorset, and participated in the 2024 season of Sky's Landscape Artist of the Year. For more information on the work of Jessica Gale go tohttps://jessicagalefineart.com To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

Name Artist Album Year Comments Applause, Applause Nick Renkosik Concert: Auditorium Theatre, Rochester 2022-05-15 2022 4-23 Wurlitzer, Auditorium Theatre, Rochester, NY Dream A Little Dream Of Me Jonas Nordwall ATOS 1991 Regional Milwaukee 1991 3-19 Wurlitzer, Avalon Theatre, Milwaukee, WI; 1991-11-01; rec Bruce Grulke Muskrat Ramble Barry Baker ATOS 2000 Milwaukee 2000 3-14 Wurlitzer, Riverside Theatre, Milwaukee, WI Close To You: Sing Bill Thomson Concert: Dendy Theatre, Brighton, Melbourne 1974-08-25 1974 3-15 Wurlitzer, Dendy Theatre, Brighton, Melbourne, Australia Organ Grinder's Swing George Blackmore Concert: Dendy Theatre, Brighton, Melbourne 1977-04-03 1977 3-15 Wurlitzer, Dendy Theatre, Middle Brighton, Melbourne, Australia Don't Cry For Me, Argentina Ernest Broadbent Concert: Ossett Town Hall 1979 1979 3-13 Compton-Christie, Town Hall, Ossett, Yorkshire; 4 February, 1979 The Flat Foot Floogie Dave Wickerham Concert: Fentham Hall, Hampton-in-Arden 2025-03-02 2025 3-11 Compton plus Melotone, Fentham Hall, Hampton-in-Arden, Solihull; ex Tower Cinema, West Bromwich (1935) The Donkey Serenade (Chansonette) Bobby Pagan Concert: Music Museum 1976-04-23 1976 3-12 Wurlitzer, Musical Museum, Brentford, Middlesex The Best Is Yet To Come Ashley Miller Concert: South Hills Theatre 1972-09-24 1972 2-6 Wurliitzer, South Hills Theatre, Dormont, PA A Wink And A Smile Bill Vlasak ATOS 1996 Pasadena 1996 3-23 Wurlitzer, Sexson Auditorium, City College, Pasadena, CA; July 2, 1996 Far Away Places Jim Riggs Concert: Paramount Theatre, Oakland 1989-09-23 1989 4-27 Wurlitzer, Paramount Theatre, Oakland, CA; NORCAL concert recorded by Jack O'Neill, from BASF cassette Raiders' March - Indiana Jones Zach Frame Party On The Pipes, St. Louis 2025 - Lincoln Theatre 2025 3-15 Hybrid, Lincoln Theatre, Belleville, IL; 2025-05-03 Part of Your World Nathan Avakian Party On The Pipes, St. Louis 2025 - Fox Theatre 2025 4-36 Wurlitzer, Fox Theatre, St. Louis. MO; 2025-05-05; Open console session Tambourin Chinois John Seng Concert: Town Hall Ossett 1989-10-01 1989 3-13 Compton-Christie, Town Hall, Ossett, Yorkshire Finian's Rainbow: When I'm Not Near The Girl I Love; How Are Things In Glocca Morra?; Old Devil Moon; When I'm Not Near The Girl I Love reprise George Wright Concert: Avenue Theatre, San Francisco   3-15 Wurlitzer, Avenue Theatre, San Francisco, CA; ex-State-Lake Theatre, Chicago (3-13)

“He was interviewed nine times. Survivors named him. And still, he kept killing.”This week on The Guilty Files: ReVisited, Brian and Dani return to one of the most infamous failures in criminal investigation history—the Yorkshire Ripper case. But this isn't a retelling. It's a reckoning.From the fog-soaked streets of 1970s Yorkshire to the modern courtroom of public opinion, this co-hosted episode pulls no punches.Brian dissects the procedural breakdowns, institutional ego, and flawed profiling that allowed Peter Sutcliffe to evade capture—even after survivors identified him by name. Dani peels back the psychological and sociological layers, asking how cultural bias, gendered assumptions, and classism created the perfect storm for a serial predator to hide in plain sight.Along the way, the hosts share their own frontline story—recalling a moment from their careers in Atlanta when a citywide riot left them without leadership or support.The eerie parallels to the command breakdowns in the Ripper investigation? Unmistakable.Inside this episode:How missed leads and media distractions cost livesWhy survivors were ignored—and what that says about who we listen toWhat we still get wrong about “monsters”And how trauma doesn't end with an arrest—it evolves across generationsThis is more than a case file. It's a confrontation with complicity.And just when you think it's over—Brian and Dani ask the ultimate question: What systems are we still clinging to today that we'll one day look back on in shame?

Born the son of a humble blacksmith in Yorkshire, England, Samuel Marsden rose to become one of the most prominent, influential — and at times controversial — figures in early colonial Australia. But who was this remarkably versatile man? A chaplain, magistrate, farmer, and a pioneer of the Australian wool industry, Marsden's legacy stretches far beyond the pulpit.His influence wasn't limited to Australia. In the early 1800s, at the invitation of a prominent Māori chief, Marsden sailed to New Zealand's North Island, where he established the first mission station. There, he introduced both Christianity and agricultural practices to the Māori people, while also working to curb the sale of muskets and the trade in tattooed heads.Join us as we retrace the footsteps of Samuel Marsden and explore the legacy of a man whose vision and convictions shaped the course of history in both Australia and New Zealand.

Honed in the peat bogs of the dark peak and the lake district rain, suffering enthusiast and of the belief that not much in life can't be improved with a cup of Yorkshire tea or a dunk in a cold body of water.Not our words, but those of tea-slurping Cape Wrath Ultra champion and this week's guest, Sarah Ingram!Entries are open for the 2026 event - https://www.capewrathultra.com/Photo credit: No Limits PhotographyXMILES UK - 10% discount via the link below.https://xmiles.avln.me/c/RiwxnARvfHeRRunderwear - Use code TEATRAILS15 for 15% off your orderhttps://runderwear.avln.me/c/GPVNMgMfYfLPSHOKZ - Use code TEA102025 to receive £10 off.https://uk.shokz.com?sca_ref=7394994.MfsDQZBAeLQihiPrecision Fuel & Hydration https://visit.pfandh.com/3GKxHjUPrecision Fuel & Hydration Planner https://visit.pfandh.com/3RuP25zHarrier - Use code TEA10 for 10% off. https://harrierrunfree.co.uk/Fenixlight Limited - Use code T&T5 for 5% off your order.https://www.fenixlight.co.uk/Protein Rebel - Use code Tea15 for 15% off your first order. https://proteinrebel.com/Centurion Running - Use code TEAANDTRAILS10 to receive 10% off *Excluding Sale Items.https://centurionrunning.com/GOODR - Use code GOTEAANDTRAILS to reveive 10% off your order.https://goodr.avln.me/c/VLEmsAIZCDtmLIFE JACKET SKIN PROTECTION - Use code GOTYOURBACK for 10% off your first order.https://lifejacketskin.com/PRIMUS UK - Use code TT-PRIMUS-20 for 20& off.https://primusuk.avln.me/c/kBWmOJaEiByDContent may contain affiliate links which can help support and grow this channel at no extra cost to you. Thanks for your continued support!Brew with the Coaches - CLICK HEREKeeping Dry & Staying Warm - https://amzn.to/42JCexqFix Your Feet - https://amzn.to/3FE4nf0Running Challenges by Keri Wallace - https://amzn.to/3KGdU7eROAR - https://amzn.to/3WU7xB2NEXT LEVEL - https://amzn.to/3Hu15LrUltra Trails - https://www.ultratrails.co.uk/Greener Miles - https://greenermilesrunning.co.uk/Hannah Walsh - https://www.hannahwalsh.co.uk/Punk Panther - https://www.punkpanther.co.uk/Pen Llyn Ultra - https://penllyn.niftyentries.com

Ever wondered how mechanical textile recycling actually works? What shoddy and mungo is, and why we called it that? What the rag n' bone man collected back in the day and how the trade grew up, then scaled back? And what it will take to bring it back and keep what's already here, going?Wonder no more! John Parkinson has a masterclass for you, complete with magic and secrets. For 200 years, Yorkshire made recycled wool cloth for the world. But don't think its all disappeared. John's mill in Huddersfield is aptly called iinouiio - an acronym for It Is Never Over Until It Is Over. With centuries of accumulated of skill and knowledge, they're doing what they always did, only better.Find all the links & further reading at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU x Hosted on Acast. See acast.com/privacy for more information.

On Eavesdroppin' comedy podcast this week, Geordie and Michelle look at aliens, strange space debris and would-be martians… On the 1st of December, 1987, Philip Spencer (not his real name) went out into the fog on Ilkley Moor in Yorkshire, England, for an early-morning walk. Through the fog, he saw what he initially thought was a child with the long spindly limbs, oval eyes, a large head and strange proportions. On instinct, Philip snapped a picture of the strange child – and then things got weird. Listen now to discover why what happened next has made this story one of the UK's most baffling alien-abduction encounters (hint: contains missing time, hypnosis and a very reluctant witness). Geordie follows with a look at the dud that was the Mars One would-be space mission. Back in 2012, a Dutch space entrepreneur launched an exciting new proposal – he planned to send 100 people on a one-way trip to Mars to live out the rest of their days on the Red Planet. What's more, they'd all be on their very own reality TV show about the mission! Genius! Except that the whole idea turned out to be a turkey. Listen now to find out why! So pop on your headphones, grab a brown lemonade and join Geordie & Michelle for this week's episode, plus chit-chat about a weird space orb found in Buga, Matthew Brown the UFO whistleblower, banned baby names and more, plus a snippet from friend of the show, Serena Bobowski - only on Eavesdroppin' podcast. And remember, wherever you are, whatever you do, just keep Eavesdroppin'! *Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us! Please rate, review, tell your friends and subscribe in all the usual places – we love it when you do! Support us on Patreon: https://www.patreon.com/eavesdroppinDo write in with your stories at hello@eavesdroppinpodcast.com or send us a Voice Note!Listen: www.eavesdroppinpodcast.com or https://podfollow.com/eavesdroppinYouTube: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9PgfwFacebook: https://www.facebook.com/eavesdroppinpodcast#marsone #aliens #ilkleymoor #alienabduction #spacemission #supernatural #matthewbrownwhistleblower #ufos #spaceorb #buga #eavesdroppin #eavesdroppinpodcast #eavesdroppincomedypodcast #podcast #comedy Hosted on Acast. See acast.com/privacy for more information.

Happy Pride Month Libration Nation! This week's episode is so special and fun, with returning guest Rachel Yorkshire! Rachel is bringing us a wealth of books with LGBTQ stories by queer authors that she loves. We also enjoyed Iced Coffees, which as Rachel says, is the gayest of all drinks! Rachel lives in Richmond with her wife Marissa and their very spoiled dog. She and her wife both post their bookish endeavors and reviews over on their bookstagram lesbereaders, and they would love for you to give them a follow. If she's not reading, Rachel is probably daydreaming, laughing with friends, or bothering her dog. The first Pride March in New York City was held on June 28, 1970, on the one year anniversary of the Stonewall Uprising. This month, I encourage you to read stories that celebrate the LGBTQ community, and the contributions they have made toward our society. There is a lot of hate being directed towards this community right now, and I encourage all of us to stand with them, show support and solidarity. In This Episode Rachel's previous DITL Episode - Carry On by Rainbow Rowell LesBeReaders (Rachel and her Wife's Bookstagram) Quietly Hostile by Samantha Irby Vampires Never Get Old by Natalie C. Parker & Zoraida Córdova (for fans of Vampire Stories) Bad Gays: A Homosexual History by Ben Miller & Huw Lemmey (for History Nerds)  Fun Home by Alison Bechdel (for people who love Graphic Novels) The Bechdel Test Heartstopper by Alice Oseman (for people who love Graphic Novels)  The Priory of the Orange Tree by Samantha Shannon (for fans of High Fantasy) It Came from the Closet Edited by Joe Vallese (for fans of Horror Movies) Too Scary; Didn't Watch Podcast Cemetery Boys by Aiden Thomas (for when you want a Supernatural YA Novel) Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz (for people who love coming of age stories) Moby Dyke: An Obsessive Quest To Track Down The Last Remaining Lesbian Bars In America by Krista Burton (for Gays who love going to the bars!) Stonewall Sports League Richmond Babes of Carytown Gay Bar: Why We Went Out by Jeremy Atherton Lin (for Gays who love going to the bars!)  The Charm Offensive by Alison Cochrun (for fans of The Bachelor or The Bachelorette—but make it gay) Our Wives Under the Sea by Julia Armfield (for when you want a Spooky, Mysterious, SAD book) Movies That Made Me Gay by Larry Duplechan (for fans of Classic Cinema) Stars in Your Eyes by Kacen Callender (for fans of Fluffy Rom-Coms) A little Pride Month History Here For It by R. Eric Thomas (one of Gigi's favorite books and writer)

Steve welcomes Paul Sinclair, veteran pararnormal reseacher, author and documentary filmmaker, who discusses strange goings-on in the U.K. Find Paul on his YouTube channel Truth Proof https://www.youtube.com/@paulsinclairtruth-proof , and on the web at https://www.truthproof.uk/Become a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Mark Sutherland discusses the historical context and ongoing relevance of eugenics and population control, as explored in his book "Exterminating Poverty". Sutherland details his grandfather, Dr. Halliday Sutherland's, true motivations for opposing "Britain's Margaret Sanger" Marie Stopes, arguing that it was not due to his Catholicism but his stand against Stopes' eugenics and Neo-Malthusianism. The conversation also explores how eugenics has been rebranded and persists today. Watch on BitChute / Brighteon / Rumble / Substack / YouTube Geopolitics & Empire · Mark Sutherland: Eugenics & Population Control in 1920s Britain & Today #560 *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape Technocracy course (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics PassVult https://passvult.com Sociatates Civis (CitizenHR, CitizenIT, CitizenPL) https://societates-civis.com Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Exterminating Poverty https://exterminatingpovertybook.com Halliday Sutherland https://hallidaysutherland.com Substack https://markhallidaysutherland.substack.com About Mark Sutherland Mark Sutherland is a facilitator and executive coach who lives with his wife and son in Sydney. A graduate of the Australian Graduate School of Management, he has worked in banking, financial services and investment in Britain and Australia. Mark was born in Singapore and spent his childhood in Brunei, HongKong, Malaysia, the Philippine Islands and Yorkshire. He served in One Squadron Honourable Artillery Company in the 1980s. Mark's articles have been published in the Catholic World Report, One Peter Five, and Mercatornet websites. He curates and writes articles for hallidaysutherland.com a website celebrating the life and work of Dr Halliday Sutherland. Exterminating Poverty is his first book. *Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Jamie from Yorkshire dials in to express the collective joy that was Neil Finn at Bush Hall in London on 3 February 2010. This sold out fan-club only show was filled with requests, spontaneous deep cuts, collaborations with audiance members and gentle renditions of soon to be released Intriguer tunes.Performances include Try Whistling This, Anytime, Last To Know, Love You Til The Day I Die, Twice If You're Lucky, Elephants & I Feel Possessed.Listener cover : Anytime by Jonathan & Oli ScottYou can significantly support the continuation of the 240 podcast for a donation of just a couple dollars per month. This goes directly towards covering the monthly cost of buzzsprout hosting fees, riverside video chat platform, editing software & cloud space. Big thank yous if you are in a position to help. Head over here to: http://patreon.com/240neilfinn

Another great show fro DJD from Sydney. This time Dee's guest mix is from Yorkshire based UK spinner Phunky Flavas. 

Send us a textEpisode 201She was born in a cave during a thunderstorm. A child so strange in appearance and so wrapped in mystery that whispers of witchcraft followed her from the cradle to the grave. Her name was Ursula Southeil—though most remember her by another: Old Mother Shipton.In the 16th century, England was a place of upheaval. Kings and queens rose and fell. The world was expanding. Science and superstition danced an uneasy waltz. And in the midst of it all, this Yorkshire prophetess was said to foresee it all—fires, plagues, invasions, and even flying machines.But who was she, really? A cunning woman? A folk legend? Or something far stranger?This is the story of Old Mother Shipton—the woman who saw the future, and still haunts the past.Support the showInsta@justpassingthroughpodcastContact:justpassingthroughpodcast@gmail.com

Beneath the pretty market town of Royston in Hertfordshire, lies a cave that was carved out of the chalk by hand, in the distant past. After being dramatically rediscovered in the mid 18th century, Royston cave has spawned competing theories about its use and meaning and has been a tourist attraction ever since. Smothered in medieval carvings which in turn have been covered by more recent etched graffiti, this cave is unique in many ways. Linked to the Knights Templar by some, an important spiritual site to many, and an historical curiosity from the moment a small boy climbed down into the cave in 1742, to describe what he saw to the town's folk eager for treasure. Nat is joined by Emma the current custodian of the cave, and Matt Champion an archaeologist who specialises in medieval graffiti, who has studied the cave extensively. Together they try to unravel the mystery that swirls around the site. Nat also speaks with Emma Butler of the RUE Papers podcast, about why we're drawn to caves, and her experiences working at a very different cave in Yorkshire, that of Mother Shipton. Check out images and video of the cave at weirdinthewade.blog If you would like to get in touch with Nat, you can find her on social media @weirdinthewade or email at weirdinthewade@gmail.com Weird in the Wade is researched, written, presented and produced by Nat Doig Theme music is by Tess Savigear

In this monthly collaboration series, Adam from the UK True Crime podcast and I take a step back from individual cases to explore a curated selection of gripping crime stories that made headlines in May 2025. From chilling local, national, and international headlines to quirky and more lighthearted stories, this series offers a glimpse into the diverse and often shocking world of true crime.This month's stories include:Missing convicted murderer caught on Edinburgh busRomance fraudster posed as footballer to steal thousands from Yorkshire women and fund luxury lifestyleSwansea man jailed after sending sexual messages to decoyGreggs makes huge change to UK stores to tackle major problemMet Police foil drug gang who supplied half a ton of cocaine across LondonMexican navy ship crashes into Brooklyn Bridge, killing two sailors6 years after grisly slaying, Osuna case continues to drag on90-year-old is said to have beaten 77-year-old to death with a saucepanFlying duck caught on speed camera could be repeat offenderJoin us as we dive into these extraordinary stories in the May 2025 edition of The Crime Roundup.Join my Patreon community at patreon.com/britishmurders for exclusive perks, including early access to ad-free episodes, bonus episodes and content, exciting giveaways, and welcome goodies!Social Media:Facebook | British Murders with Stuart BluesInstagram | @britishmurdersTikTok | @britishmurdersPrivate Facebook Group:British Murders Podcast - Discussion GroupWebsite:britishmurders.comDisclaimer:The cases discussed in this episode are real and represent the worst day in many people's lives. We aim to cover such stories with a victim-focused approach, using information from publicly available sources. While we strive for accuracy, some details may vary depending on the sources used. Due to the nature of the content, viewer discretion is advised. Thank you for your understanding and support. Hosted on Acast. See acast.com/privacy for more information.

Between 1975 and 1980, at least 13 women were murdered in Yorkshire, England, spurring on one of the biggest manhunts the UK had ever seen. Eventually, Peter Sutcliffe was captured. Who was he? Who were his victims? And how did he remain on the loose for so long?

Yesterday, the self-styled San Francisco “progressive” Joan Williams was on the show arguing that Democrats need to relearn the language of the American working class. But, as some of you have noted, Williams seems oblivious to the fact that politics is about more than simply aping other people's language. What you say matters, and the language of American working class, like all industrial working classes, is rooted in a critique of capitalism. She should probably read the New Yorker staff writer John Cassidy's excellent new book, Capitalism and its Critics, which traces capitalism's evolution and criticism from the East India Company through modern times. He defines capitalism as production for profit by privately-owned companies in markets, encompassing various forms from Chinese state capitalism to hyper-globalization. The book examines capitalism's most articulate critics including the Luddites, Marx, Engels, Thomas Carlisle, Adam Smith, Rosa Luxemburg, Keynes & Hayek, and contemporary figures like Sylvia Federici and Thomas Piketty. Cassidy explores how major economists were often critics of their era's dominant capitalist model, and untangles capitalism's complicated relationship with colonialism, slavery and AI which he regards as a potentially unprecedented economic disruption. This should be essential listening for all Democrats seeking to reinvent a post Biden-Harris party and message. 5 key takeaways* Capitalism has many forms - From Chinese state capitalism to Keynesian managed capitalism to hyper-globalization, all fitting the basic definition of production for profit by privately-owned companies in markets.* Great economists are typically critics - Smith criticized mercantile capitalism, Keynes critiqued laissez-faire capitalism, and Hayek/Friedman opposed managed capitalism. Each generation's leading economists challenge their era's dominant model.* Modern corporate structure has deep roots - The East India Company was essentially a modern multinational corporation with headquarters, board of directors, stockholders, and even a private army - showing capitalism's organizational continuity across centuries.* Capitalism is intertwined with colonialism and slavery - Industrial capitalism was built on pre-existing colonial and slave systems, particularly through the cotton industry and plantation economies.* AI represents a potentially unprecedented disruption - Unlike previous technological waves, AI may substitute rather than complement human labor on a massive scale, potentially creating political backlash exceeding even the "China shock" that contributed to Trump's rise.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Full TranscriptAndrew Keen: Hello, everybody. A couple of days ago, we did a show with Joan Williams. She has a new book out, "Outclassed: How the Left Lost the Working Class and How to Win Them Back." A book about language, about how to talk to the American working class. She also had a piece in Jacobin Magazine, an anti-capitalist magazine, about how the left needs to speak to what she calls average American values. We talked, of course, about Bernie Sanders and AOC and their language of fighting oligarchy, and the New York Times followed that up with "The Enduring Power of Anti-Capitalism in American Politics."But of course, that brings the question: what exactly is capitalism? I did a little bit of research. We can find definitions of capitalism from AI, from Wikipedia, even from online dictionaries, but I thought we might do a little better than relying on Wikipedia and come to a man who's given capitalism and its critics a great deal of thought. John Cassidy is well known as a staff writer at The New Yorker. He's the author of a wonderful book, the best book, actually, on the dot-com insanity. And his new book, "Capitalism and its Critics," is out this week. John, congratulations on the book.So I've got to be a bit of a schoolmaster with you, John, and get some definitions first. What exactly is capitalism before we get to criticism of it?John Cassidy: Yeah, I mean, it's a very good question, Andrew. Obviously, through the decades, even the centuries, there have been many different definitions of the term capitalism and there are different types of capitalism. To not be sort of too ideological about it, the working definition I use is basically production for profit—that could be production of goods or mostly in the new and, you know, in today's economy, production of services—for profit by companies which are privately owned in markets. That's a very sort of all-encompassing definition.Within that, you can have all sorts of different types of capitalism. You can have Chinese state capitalism, you can have the old mercantilism, which industrial capitalism came after, which Trump seems to be trying to resurrect. You can have Keynesian managed capitalism that we had for 30 or 40 years after the Second World War, which I grew up in in the UK. Or you can have sort of hyper-globalization, hyper-capitalism that we've tried for the last 30 years. There are all those different varieties of capitalism consistent with a basic definition, I think.Andrew Keen: That keeps you busy, John. I know you started this project, which is a big book and it's a wonderful book. I read it. I don't always read all the books I have on the show, but I read from cover to cover full of remarkable stories of the critics of capitalism. You note in the beginning that you began this in 2016 with the beginnings of Trump. What was it about the 2016 election that triggered a book about capitalism and its critics?John Cassidy: Well, I was reporting on it at the time for The New Yorker and it struck me—I covered, I basically covered the economy in various forms for various publications since the late 80s, early 90s. In fact, one of my first big stories was the stock market crash of '87. So yes, I am that old. But it seemed to me in 2016 when you had Bernie Sanders running from the left and Trump running from the right, but both in some way offering very sort of similar critiques of capitalism. People forget that Trump in 2016 actually was running from the left of the Republican Party. He was attacking big business. He was attacking Wall Street. He doesn't do that these days very much, but at the time he was very much posing as the sort of outsider here to protect the interests of the average working man.And it seemed to me that when you had this sort of pincer movement against the then ruling model, this wasn't just a one-off. It seemed to me it was a sort of an emerging crisis of legitimacy for the system. And I thought there could be a good book written about how we got to here. And originally I thought it would be a relatively short book just based on the last sort of 20 or 30 years since the collapse of the Cold War and the sort of triumphalism of the early 90s.But as I got into it more and more, I realized that so many of the issues which had been raised, things like globalization, rising inequality, monopoly power, exploitation, even pollution and climate change, these issues go back to the very start of the capitalist system or the industrial capitalist system back in sort of late 18th century, early 19th century Britain. So I thought, in the end, I thought, you know what, let's just do the whole thing soup to nuts through the eyes of the critics.There have obviously been many, many histories of capitalism written. I thought that an original way to do it, or hopefully original, would be to do a sort of a narrative through the lives and the critiques of the critics of various stages. So that's, I hope, what sets it apart from other books on the subject, and also provides a sort of narrative frame because, you know, I am a New Yorker writer, I realize if you want people to read things, you've got to make it readable. Easiest way to make things readable is to center them around people. People love reading about other people. So that's sort of the narrative frame. I start off with a whistleblower from the East India Company back in the—Andrew Keen: Yeah, I want to come to that. But before, John, my sense is that to simplify what you're saying, this is a labor of love. You're originally from Leeds, the heart of Yorkshire, the center of the very industrial revolution, the first industrial revolution where, in your historical analysis, capitalism was born. Is it a labor of love? What's your family relationship with capitalism? How long was the family in Leeds?John Cassidy: Right, I mean that's a very good question. It is a labor of love in a way, but it's not—our family doesn't go—I'm from an Irish family, family of Irish immigrants who moved to England in the 1940s and 1950s. So my father actually did start working in a big mill, the Kirkstall Forge in Leeds, which is a big steel mill, and he left after seeing one of his co-workers have his arms chopped off in one of the machinery, so he decided it wasn't for him and he spent his life working in the construction industry, which was dominated by immigrants as it is here now.So I don't have a—it's not like I go back to sort of the start of the industrial revolution, but I did grow up in the middle of Leeds, very working class, very industrial neighborhood. And what a sort of irony is, I'll point out, I used to, when I was a kid, I used to play golf on a municipal golf course called Gotts Park in Leeds, which—you know, most golf courses in America are sort of in the affluent suburbs, country clubs. This was right in the middle of Armley in Leeds, which is where the Victorian jail is and a very rough neighborhood. There's a small bit of land which they built a golf course on. It turns out it was named after one of the very first industrialists, Benjamin Gott, who was a wool and textile industrialist, and who played a part in the Luddite movement, which I mention.So it turns out, I was there when I was 11 or 12, just learning how to play golf on this scrappy golf course. And here I am, 50 years later, writing about Benjamin Gott at the start of the Industrial Revolution. So yeah, no, sure. I think it speaks to me in a way that perhaps it wouldn't to somebody else from a different background.Andrew Keen: We did a show with William Dalrymple, actually, a couple of years ago. He's been on actually since, the Anglo or Scottish Indian historian. His book on the East India Company, "The Anarchy," is a classic. You begin in some ways your history of capitalism with the East India Company. What was it about the East India Company, John, that makes it different from other for-profit organizations in economic, Western economic history?John Cassidy: I mean, I read that. It's a great book, by the way. That was actually quoted in my chapter on these. Yeah, I remember. I mean, the reason I focused on it was for two reasons. Number one, I was looking for a start, a narrative start to the book. And it seemed to me, you know, the obvious place to start is with the start of the industrial revolution. If you look at economics history textbooks, that's where they always start with Arkwright and all the inventors, you know, who were the sort of techno-entrepreneurs of their time, the sort of British Silicon Valley, if you could think of it as, in Lancashire and Derbyshire in the late 18th century.So I knew I had to sort of start there in some way, but I thought that's a bit pat. Is there another way into it? And it turns out that in 1772 in England, there was a huge bailout of the East India Company, very much like the sort of 2008, 2009 bailout of Wall Street. The company got into trouble. So I thought, you know, maybe there's something there. And I eventually found this guy, William Bolts, who worked for the East India Company, turned into a whistleblower after he was fired for finagling in India like lots of the people who worked for the company did.So that gave me two things. Number one, it gave me—you know, I'm a writer, so it gave me something to focus on a narrative. His personal history is very interesting. But number two, it gave me a sort of foundation because industrial capitalism didn't come from nowhere. You know, it was built on top of a pre-existing form of capitalism, which we now call mercantile capitalism, which was very protectionist, which speaks to us now. But also it had these big monopolistic multinational companies.The East India Company, in some ways, was a very modern corporation. It had a headquarters in Leadenhall Street in the city of London. It had a board of directors, it had stockholders, the company sent out very detailed instructions to the people in the field in India and Indonesia and Malaysia who were traders who bought things from the locals there, brought them back to England on their company ships. They had a company army even to enforce—to protect their operations there. It was an incredible multinational corporation.So that was also, I think, fascinating because it showed that even in the pre-existing system, you know, big corporations existed, there were monopolies, they had royal monopolies given—first the East India Company got one from Queen Elizabeth. But in some ways, they were very similar to modern monopolistic corporations. And they had some of the problems we've seen with modern monopolistic corporations, the way they acted. And Bolts was the sort of first corporate whistleblower, I thought. Yeah, that was a way of sort of getting into the story, I think. Hopefully, you know, it's just a good read, I think.William Bolts's story because he was—he came from nowhere, he was Dutch, he wasn't even English and he joined the company as a sort of impoverished young man, went to India like a lot of English minor aristocrats did to sort of make your fortune. The way the company worked, you had to sort of work on company time and make as much money as you could for the company, but then in your spare time you're allowed to trade for yourself. So a lot of the—without getting into too much detail, but you know, English aristocracy was based on—you know, the eldest child inherits everything, so if you were the younger brother of the Duke of Norfolk, you actually didn't inherit anything. So all of these minor aristocrats, so major aristocrats, but who weren't first born, joined the East India Company, went out to India and made a fortune, and then came back and built huge houses. Lots of the great manor houses in southern England were built by people from the East India Company and they were known as Nabobs, which is an Indian term. So they were the sort of, you know, billionaires of their time, and it was based on—as I say, it wasn't based on industrial capitalism, it was based on mercantile capitalism.Andrew Keen: Yeah, the beginning of the book, which focuses on Bolts and the East India Company, brings to mind for me two things. Firstly, the intimacy of modern capitalism, modern industrial capitalism with colonialism and of course slavery—lots of books have been written on that. Touch on this and also the relationship between the birth of capitalism and the birth of liberalism or democracy. John Stuart Mill, of course, the father in many ways of Western democracy. His day job, ironically enough, or perhaps not ironically, was at the East India Company. So how do those two things connect, or is it just coincidental?John Cassidy: Well, I don't think it is entirely coincidental, I mean, J.S. Mill—his father, James Mill, was also a well-known philosopher in the sort of, obviously, in the earlier generation, earlier than him. And he actually wrote the official history of the East India Company. And I think they gave his son, the sort of brilliant protégé, J.S. Mill, a job as largely as a sort of sinecure, I think. But he did go in and work there in the offices three or four days a week.But I think it does show how sort of integral—the sort of—as you say, the inheritor and the servant in Britain, particularly, of colonial capitalism was. So the East India Company was, you know, it was in decline by that stage in the middle of the 19th century, but it didn't actually give up its monopoly. It wasn't forced to give up its monopoly on the Indian trade until 1857, after, you know, some notorious massacres and there was a sort of public outcry.So yeah, no, that's—it's very interesting that the British—it's sort of unique to Britain in a way, but it's interesting that industrial capitalism arose alongside this pre-existing capitalist structure and somebody like Mill is a sort of paradoxical figure because actually he was quite critical of aspects of industrial capitalism and supported sort of taxes on the rich, even though he's known as the great, you know, one of the great apostles of the free market and free market liberalism. And his day job, as you say, he was working for the East India Company.Andrew Keen: What about the relationship between the birth of industrial capitalism, colonialism and slavery? Those are big questions and I know you deal with them in some—John Cassidy: I think you can't just write an economic history of capitalism now just starting with the cotton industry and say, you know, it was all about—it was all about just technical progress and gadgets, etc. It was built on a sort of pre-existing system which was colonial and, you know, the slave trade was a central element of that. Now, as you say, there have been lots and lots of books written about it, the whole 1619 project got an incredible amount of attention a few years ago. So I didn't really want to rehash all that, but I did want to acknowledge the sort of role of slavery, especially in the rise of the cotton industry because of course, a lot of the raw cotton was grown in the plantations in the American South.So the way I actually ended up doing that was by writing a chapter about Eric Williams, a Trinidadian writer who ended up as the Prime Minister of Trinidad when it became independent in the 1960s. But when he was younger, he wrote a book which is now regarded as a classic. He went to Oxford to do a PhD, won a scholarship. He was very smart. I won a sort of Oxford scholarship myself but 50 years before that, he came across the Atlantic and did an undergraduate degree in history and then did a PhD there and his PhD thesis was on slavery and capitalism.And at the time, in the 1930s, the link really wasn't acknowledged. You could read any sort of standard economic history written by British historians, and they completely ignored that. He made the argument that, you know, slavery was integral to the rise of capitalism and he basically started an argument which has been raging ever since the 1930s and, you know, if you want to study economic history now you have to sort of—you know, have to have to address that. And the way I thought, even though the—it's called the Williams thesis is very famous. I don't think many people knew much about where it came from. So I thought I'd do a chapter on—Andrew Keen: Yeah, that chapter is excellent. You mentioned earlier the Luddites, you're from Yorkshire where Luddism in some ways was born. One of the early chapters is on the Luddites. We did a show with Brian Merchant, his book, "Blood in the Machine," has done very well, I'm sure you're familiar with it. I always understood the Luddites as being against industrialization, against the machine, as opposed to being against capitalism. But did those two things get muddled together in the history of the Luddites?John Cassidy: I think they did. I mean, you know, Luddites, when we grew up, I mean you're English too, you know to be called a Luddite was a term of abuse, right? You know, you were sort of antediluvian, anti-technology, you're stupid. It was only, I think, with the sort of computer revolution, the tech revolution of the last 30, 40 years and the sort of disruptions it's caused, that people have started to look back at the Luddites and say, perhaps they had a point.For them, they were basically pre-industrial capitalism artisans. They worked for profit-making concerns, small workshops. Some of them worked for themselves, so they were sort of sole proprietor capitalists. Or they worked in small venues, but the rise of industrial capitalism, factory capitalism or whatever, basically took away their livelihoods progressively. So they associated capitalism with new technology. In their minds it was the same. But their argument wasn't really a technological one or even an economic one, it was more a moral one. They basically made the moral argument that capitalists shouldn't have the right to just take away their livelihoods with no sort of recompense for them.At the time they didn't have any parliamentary representation. You know, they weren't revolutionaries. The first thing they did was create petitions to try and get parliament to step in, sort of introduce some regulation here. They got turned down repeatedly by the sort of—even though it was a very aristocratic parliament, places like Manchester and Leeds didn't have any representation at all. So it was only after that that they sort of turned violent and started, you know, smashing machines and machines, I think, were sort of symbols of the system, which they saw as morally unjust.And I think that's sort of what—obviously, there's, you know, a lot of technological disruption now, so we can, especially as it starts to come for the educated cognitive class, we can sort of sympathize with them more. But I think the sort of moral critique that there's this, you know, underneath the sort of great creativity and economic growth that capitalism produces, there is also a lot of destruction and a lot of victims. And I think that message, you know, is becoming a lot more—that's why I think why they've been rediscovered in the last five or ten years and I'm one of the people I guess contributing to that rediscovery.Andrew Keen: There's obviously many critiques of capitalism politically. I want to come to Marx in a second, but your chapter, I thought, on Thomas Carlyle and this nostalgic conservatism was very important and there are other conservatives as well. John, do you think that—and you mentioned Trump earlier, who is essentially a nostalgist for a—I don't know, some sort of bizarre pre-capitalist age in America. Is there something particularly powerful about the anti-capitalism of romantics like Carlyle, 19th century Englishman, there were many others of course.John Cassidy: Well, I think so. I mean, I think what is—conservatism, when we were young anyway, was associated with Thatcherism and Reaganism, which, you know, lionized the free market and free market capitalism and was a reaction against the pre-existing form of capitalism, Keynesian capitalism of the sort of 40s to the 80s. But I think what got lost in that era was the fact that there have always been—you've got Hayek up there, obviously—Andrew Keen: And then Keynes and Hayek, the two—John Cassidy: Right, it goes to the end of that. They had a great debate in the 1930s about these issues. But Hayek really wasn't a conservative person, and neither was Milton Friedman. They were sort of free market revolutionaries, really, that you'd let the market rip and it does good things. And I think that that sort of a view, you know, it just became very powerful. But we sort of lost sight of the fact that there was also a much older tradition of sort of suspicion of radical changes of any type. And that was what conservatism was about to some extent. If you think about Baldwin in Britain, for example.And there was a sort of—during the Industrial Revolution, some of the strongest supporters of factory acts to reduce hours and hourly wages for women and kids were actually conservatives, Tories, as they were called at the time, like Ashley. That tradition, Carlyle was a sort of extreme representative of that. I mean, Carlyle was a sort of proto-fascist, let's not romanticize him, he lionized strongmen, Frederick the Great, and he didn't really believe in democracy. But he also had—he was appalled by the sort of, you know, the—like, what's the phrase I'm looking for? The sort of destructive aspects of industrial capitalism, both on the workers, you know, he said it was a dehumanizing system, sounded like Marx in some ways. That it dehumanized the workers, but also it destroyed the environment.He was an early environmentalist. He venerated the environment, was actually very strongly linked to the transcendentalists in America, people like Thoreau, who went to visit him when he visited Britain and he saw the sort of destructive impact that capitalism was having locally in places like Manchester, which were filthy with filthy rivers, etc. So he just saw the whole system as sort of morally bankrupt and he was a great writer, Carlyle, whatever you think of him. Great user of language, so he has these great ringing phrases like, you know, the cash nexus or calling it the Gospel of Mammonism, the shabbiest gospel ever preached under the sun was industrial capitalism.So, again, you know, that's a sort of paradoxical thing, because I think for so long conservatism was associated with, you know, with support for the free market and still is in most of the Republican Party, but then along comes Trump and sort of conquers the party with a, you know, more skeptical, as you say, romantic, not really based on any reality, but a sort of romantic view that America can stand by itself in the world. I mean, I see Trump actually as a sort of an effort to sort of throw back to mercantile capitalism in a way. You know, which was not just pre-industrial, but was also pre-democracy, run by monarchs, which I'm sure appeals to him, and it was based on, you know, large—there were large tariffs. You couldn't import things in the UK. If you want to import anything to the UK, you have to send it on a British ship because of the navigation laws. It was a very protectionist system and it's actually, you know, as I said, had a lot of parallels with what Trump's trying to do or tries to do until he backs off.Andrew Keen: You cheat a little bit in the book in the sense that you—everyone has their own chapter. We'll talk a little bit about Hayek and Smith and Lenin and Friedman. You do have one chapter on Marx, but you also have a chapter on Engels. So you kind of cheat. You combine the two. Is it possible, though, to do—and you've just written this book, so you know this as well as anyone. How do you write a book about capitalism and its critics and only really give one chapter to Marx, who is so dominant? I mean, you've got lots of Marxists in the book, including Lenin and Luxemburg. How fundamental is Marx to a criticism of capitalism? Is most criticism, especially from the left, from progressives, is it really just all a footnote to Marx?John Cassidy: I wouldn't go that far, but I think obviously on the left he is the central figure. But there's an element of sort of trying to rebuild Engels a bit in this. I mean, I think of Engels and Marx—I mean obviously Marx wrote the great classic "Capital," etc. But in the 1840s, when they both started writing about capitalism, Engels was sort of ahead of Marx in some ways. I mean, the sort of materialist concept, the idea that economics rules everything, Engels actually was the first one to come up with that in an essay in the 1840s which Marx then published in one of his—in the German newspaper he worked for at the time, radical newspaper, and he acknowledged openly that that was really what got him thinking seriously about economics, and even in the late—in 20, 25 years later when he wrote "Capital," all three volumes of it and the Grundrisse, just these enormous outpourings of analysis on capitalism.He acknowledged Engels's role in that and obviously Engels wrote the first draft of the Communist Manifesto in 1848 too, which Marx then topped and tailed and—he was a better writer obviously, Marx, and he gave it the dramatic language that we all know it for. So I think Engels and Marx together obviously are the central sort of figures in the sort of left-wing critique. But they didn't start out like that. I mean, they were very obscure, you've got to remember.You know, they were—when they were writing, Marx was writing "Capital" in London, it never even got published in English for another 20 years. It was just published in German. He was basically an expat. He had been thrown out of Germany, he had been thrown out of France, so England was last resort and the British didn't consider him a threat so they were happy to let him and the rest of the German sort of left in there. I think it became—it became the sort of epochal figure after his death really, I think, when he was picked up by the left-wing parties, which are especially the SPD in Germany, which was the first sort of socialist mass party and was officially Marxist until the First World War and there were great internal debates.And then of course, because Lenin and the Russians came out of that tradition too, Marxism then became the official doctrine of the Soviet Union when they adopted a version of it. And again there were massive internal arguments about what Marx really meant, and in fact, you know, one interpretation of the last 150 years of left-wing sort of intellectual development is as a sort of argument about what did Marx really mean and what are the important bits of it, what are the less essential bits of it. It's a bit like the "what did Keynes really mean" that you get in liberal circles.So yeah, Marx, obviously, this is basically an intellectual history of critiques of capitalism. In that frame, he is absolutely a central figure. Why didn't I give him more space than a chapter and a chapter and a half with Engels? There have been a million books written about Marx. I mean, it's not that—it's not that he's an unknown figure. You know, there's a best-selling book written in Britain about 20 years ago about him and then I was quoting, in my biographical research, I relied on some more recent, more scholarly biographies. So he's an endlessly fascinating figure but I didn't want him to dominate the book so I gave him basically the same space as everybody else.Andrew Keen: You've got, as I said, you've got a chapter on Adam Smith who's often considered the father of economics. You've got a chapter on Keynes. You've got a chapter on Friedman. And you've got a chapter on Hayek, all the great modern economists. Is it possible, John, to be a distinguished economist one way or the other and not be a critic of capitalism?John Cassidy: Well, I don't—I mean, I think history would suggest that the greatest economists have been critics of capitalism in their own time. People would say to me, what the hell have you got Milton Friedman and Friedrich Hayek in a book about critics of capitalism? They were great exponents, defenders of capitalism. They loved the system. That is perfectly true. But in the 1930s, 40s, 50s, 60s, and 70s, middle of the 20th century, they were actually arch-critics of the ruling form of capitalism at the time, which was what I call managed capitalism. What some people call Keynesianism, what other people call European social democracy, whatever you call it, it was a model of a mixed economy in which the government played a large role both in propping up demand and in providing an extensive social safety net in the UK and providing public healthcare and public education. It was a sort of hybrid model.Most of the economy in terms of the businesses remained in private hands. So most production was capitalistic. It was a capitalist system. They didn't go to the Soviet model of nationalizing everything and Britain did nationalize some businesses, but most places didn't. The US of course didn't but it was a form of managed capitalism. And Hayek and Friedman were both great critics of that and wanted to sort of move back to 19th century laissez-faire model.Keynes was a—was actually a great, I view him anyway, as really a sort of late Victorian liberal and was trying to protect as much of the sort of J.S. Mill view of the world as he could, but he thought capitalism had one fatal flaw: that it tended to fall into recessions and then they can snowball and the whole system can collapse which is what had basically happened in the early 1930s until Keynesian policies were adopted. Keynes sort of differed from a lot of his followers—I have a chapter on Joan Robinson in there, who were pretty left-wing and wanted to sort of use Keynesianism as a way to shift the economy quite far to the left. Keynes didn't really believe in that. He has a famous quote that, you know, once you get to full employment, you can then rely on the free market to sort of take care of things. He was still a liberal at heart.Going back to Adam Smith, why is he in a book on criticism of capitalism? And again, it goes back to what I said at the beginning. He actually wrote "The Wealth of Nations"—he explains in the introduction—as a critique of mercantile capitalism. His argument was that he was a pro-free trader, pro-small business, free enterprise. His argument was if you get the government out of the way, we don't need these government-sponsored monopolies like the East India Company. If you just rely on the market, the sort of market forces and competition will produce a good outcome. So then he was seen as a great—you know, he is then seen as the apostle of free market capitalism. I mean when I started as a young reporter, when I used to report in Washington, all the conservatives used to wear Adam Smith badges. You don't see Donald Trump wearing an Adam Smith badge, but that was the case.He was also—the other aspect of Smith, which I highlight, which is not often remarked on—he's also a critic of big business. He has a famous section where he discusses the sort of tendency of any group of more than three businessmen when they get together to try and raise prices and conspire against consumers. And he was very suspicious of, as I say, large companies, monopolies. I think if Adam Smith existed today, I mean, I think he would be a big supporter of Lina Khan and the sort of antitrust movement, he would say capitalism is great as long as you have competition, but if you don't have competition it becomes, you know, exploitative.Andrew Keen: Yeah, if Smith came back to live today, you have a chapter on Thomas Piketty, maybe he may not be French, but he may be taking that position about how the rich benefit from the structure of investment. Piketty's core—I've never had Piketty on the show, but I've had some of his followers like Emmanuel Saez from Berkeley. Yeah. How powerful is Piketty's critique of capitalism within the context of the classical economic analysis from Hayek and Friedman? Yeah, it's a very good question.John Cassidy: It's a very good question. I mean, he's a very paradoxical figure, Piketty, in that he obviously shot to world fame and stardom with his book on capital in the 21st century, which in some ways he obviously used the capital as a way of linking himself to Marx, even though he said he never read Marx. But he was basically making the same argument that if you leave capitalism unrestrained and don't do anything about monopolies etc. or wealth, you're going to get massive inequality and he—I think his great contribution, Piketty and the school of people, one of them you mentioned, around him was we sort of had a vague idea that inequality was going up and that, you know, wages were stagnating, etc.What he and his colleagues did is they produced these sort of scientific empirical studies showing in very simple to understand terms how the sort of share of income and wealth of the top 10 percent, the top 5 percent, the top 1 percent and the top 0.1 percent basically skyrocketed from the 1970s to about 2010. And it was, you know, he was an MIT PhD. Saez, who you mentioned, is a Berkeley professor. They were schooled in neoclassical economics at Harvard and MIT and places like that. So the right couldn't dismiss them as sort of, you know, lefties or Trots or whatever who're just sort of making this stuff up. They had to acknowledge that this was actually an empirical reality.I think it did change the whole basis of the debate and it was sort of part of this reaction against capitalism in the 2010s. You know it was obviously linked to the sort of Sanders and the Occupy Wall Street movement at the time. It came out of the—you know, the financial crisis as well when Wall Street disgraced itself. I mean, I wrote a previous book on all that, but people have sort of, I think, forgotten the great reaction against that a decade ago, which I think even Trump sort of exploited, as I say, by using anti-banker rhetoric at the time.So, Piketty was a great figure, I think, from, you know, I was thinking, who are the most influential critics of capitalism in the 21st century? And I think you'd have to put him up there on the list. I'm not saying he's the only one or the most eminent one. But I think he is a central figure. Now, of course, you'd think, well, this is a really powerful critic of capitalism, and nobody's going to pick up, and Bernie's going to take off and everything. But here we are a decade later now. It seems to be what the backlash has produced is a swing to the right, not a swing to the left. So that's, again, a sort of paradox.Andrew Keen: One person I didn't expect to come up in the book, John, and I was fascinated with this chapter, is Silvia Federici. I've tried to get her on the show. We've had some books about her writing and her kind of—I don't know, you treat her critique as a feminist one. The role of women. Why did you choose to write a chapter about Federici and that feminist critique of capitalism?John Cassidy: Right, right. Well, I don't think it was just feminist. I'll explain what I think it was. Two reasons. Number one, I wanted to get more women into the book. I mean, it's in some sense, it is a history of economics and economic critiques. And they are overwhelmingly written by men and women were sort of written out of the narrative of capitalism for a very long time. So I tried to include as many sort of women as actual thinkers as I could and I have a couple of early socialist feminist thinkers, Anna Wheeler and Flora Tristan and then I cover some of the—I cover Rosa Luxemburg as the great sort of tribune of the left revolutionary socialist, communist whatever you want to call it. Anti-capitalist I think is probably also important to note about. Yeah, and then I also have Joan Robinson, but I wanted somebody to do something in the modern era, and I thought Federici, in the world of the Wages for Housework movement, is very interesting from two perspectives.Number one, Federici herself is a Marxist, and I think she probably would still consider herself a revolutionary. She's based in New York, as you know now. She lived in New York for 50 years, but she came from—she's originally Italian and came out of the Italian left in the 1960s, which was very radical. Do you know her? Did you talk to her? I didn't talk to her on this. No, she—I basically relied on, there has been a lot of, as you say, there's been a lot of stuff written about her over the years. She's written, you know, she's given various long interviews and she's written a book herself, a version, a history of housework, so I figured it was all there and it was just a matter of pulling it together.But I think the critique, why the critique is interesting, most of the book is a sort of critique of how capitalism works, you know, in the production or you know, in factories or in offices or you know, wherever capitalist operations are working, but her critique is sort of domestic reproduction, as she calls it, the role of unpaid labor in supporting capitalism. I mean it goes back a long way actually. There was this moment, I sort of trace it back to the 1940s and 1950s when there were feminists in America who were demonstrating outside factories and making the point that you know, the factory workers and the operations of the factory, it couldn't—there's one of the famous sort of tire factory in California demonstrations where the women made the argument, look this factory can't continue to operate unless we feed and clothe the workers and provide the next generation of workers. You know, that's domestic reproduction. So their argument was that housework should be paid and Federici took that idea and a couple of her colleagues, she founded the—it's a global movement, but she founded the most famous branch in New York City in the 1970s. In Park Slope near where I live actually.And they were—you call it feminists, they were feminists in a way, but they were rejected by the sort of mainstream feminist movement, the sort of Gloria Steinems of the world, who Federici was very critical of because she said they ignored, they really just wanted to get women ahead in the sort of capitalist economy and they ignored the sort of underlying from her perspective, the underlying sort of illegitimacy and exploitation of that system. So they were never accepted as part of the feminist movement. They're to the left of the Feminist Movement.Andrew Keen: You mentioned Keynes, of course, so central in all this, particularly his analysis of the role of automation in capitalism. We did a show recently with Robert Skidelsky and I'm sure you're familiar—John Cassidy: Yeah, yeah, great, great biography of Keynes.Andrew Keen: Yeah, the great biographer of Keynes, whose latest book is "Mindless: The Human Condition in the Age of AI." You yourself wrote a brilliant book on the last tech mania and dot-com capitalism. I used it in a lot of my writing and books. What's your analysis of AI in this latest mania and the role generally of manias in the history of capitalism and indeed in critiquing capitalism? Is AI just the next chapter of the dot-com boom?John Cassidy: I think it's a very deep question. I think I'd give two answers to it. In one sense it is just the latest mania the way—I mean, the way capitalism works is we have these, I go back to Kondratiev, one of my Russian economists who ended up being killed by Stalin. He was the sort of inventor of the long wave theory of capitalism. We have these short waves where you have sort of booms and busts driven by finance and debt etc. But we also have long waves driven by technology.And obviously, in the last 40, 50 years, the two big ones are the original deployment of the internet and microchip technology in the sort of 80s and 90s culminating in the dot-com boom of the late 90s, which as you say, I wrote about. Thanks very much for your kind comments on the book. If you just sort of compare it from a financial basis I think they are very similar just in terms of the sort of role of hype from Wall Street in hyping up these companies. The sort of FOMO aspect of it among investors that they you know, you can't miss out. So just buy the companies blindly. And the sort of lionization in the press and the media of, you know, of AI as the sort of great wave of the future.So if you take a sort of skeptical market based approach, I would say, yeah, this is just another sort of another mania which will eventually burst and it looked like it had burst for a few weeks when Trump put the tariffs up, now the market seemed to be recovering. But I think there is, there may be something new about it. I am not, I don't pretend to be a technical expert. I try to rely on the evidence of or the testimony of people who know the systems well and also economists who have studied it. It seems to me the closer you get to it the more alarming it is in terms of the potential shock value that there is there.I mean Trump and the sort of reaction to a larger extent can be traced back to the China shock where we had this global shock to American manufacturing and sort of hollowed out a lot of the industrial areas much of it, like industrial Britain was hollowed out in the 80s. If you, you know, even people like Altman and Elon Musk, they seem to think that this is going to be on a much larger scale than that and will basically, you know, get rid of the professions as they exist. Which would be a huge, huge shock. And I think a lot of the economists who studied this, who four or five years ago were relatively optimistic, people like Daron Acemoglu, David Autor—Andrew Keen: Simon Johnson, of course, who just won the Nobel Prize, and he's from England.John Cassidy: Simon, I did an event with Simon earlier this week. You know they've studied this a lot more closely than I have but I do interview them and I think five, six years ago they were sort of optimistic that you know this could just be a new steam engine or could be a microchip which would lead to sort of a lot more growth, rising productivity, rising productivity is usually associated with rising wages so sure there'd be short-term costs but ultimately it would be a good thing. Now, I think if you speak to them, they see since the, you know, obviously, the OpenAI—the original launch and now there's just this huge arms race with no government involvement at all I think they're coming to the conclusion that rather than being developed to sort of complement human labor, all these systems are just being rushed out to substitute for human labor. And it's just going, if current trends persist, it's going to be a China shock on an even bigger scale.You know what is going to, if that, if they're right, that is going to produce some huge political backlash at some point, that's inevitable. So I know—the thing when the dot-com bubble burst, it didn't really have that much long-term impact on the economy. People lost the sort of fake money they thought they'd made. And then the companies, obviously some of the companies like Amazon and you know Google were real genuine profit-making companies and if you bought them early you made a fortune. But AI does seem a sort of bigger, scarier phenomenon to me. I don't know. I mean, you're close to it. What do you think?Andrew Keen: Well, I'm waiting for a book, John, from you. I think you can combine dot-com and capitalism and its critics. We need you probably to cover it—you know more about it than me. Final question, I mean, it's a wonderful book and we haven't even scratched the surface everyone needs to get it. I enjoyed the chapter, for example, on Karl Polanyi and so much more. I mean, it's a big book. But my final question, John, is do you have any regrets about anyone you left out? The one person I would have liked to have been included was Rawls because of his sort of treatment of capitalism and luck as a kind of casino. I'm not sure whether you gave any thought to Rawls, but is there someone in retrospect you should have had a chapter on that you left out?John Cassidy: There are lots of people I left out. I mean, that's the problem. I mean there have been hundreds and hundreds of critics of capitalism. Rawls, of course, incredibly influential and his idea of the sort of, you know, the veil of ignorance that you should judge things not knowing where you are in the income distribution and then—Andrew Keen: And it's luck. I mean the idea of some people get lucky and some people don't.John Cassidy: It is the luck of the draw, obviously, what card you pull. I think that is a very powerful critique, but I just—because I am more of an expert on economics, I tended to leave out philosophers and sociologists. I mean, you know, you could say, where's Max Weber? Where are the anarchists? You know, where's Emma Goldman? Where's John Kenneth Galbraith, the sort of great mid-century critic of American industrial capitalism? There's so many people that you could include. I mean, I could have written 10 volumes. In fact, I refer in the book to, you know, there's always been a problem. G.D.H. Cole, a famous English historian, wrote a history of socialism back in the 1960s and 70s. You know, just getting to 1850 took him six volumes. So, you've got to pick and choose, and I don't claim this is the history of capitalism and its critics. That would be a ridiculous claim to make. I just claim it's a history written by me, and hopefully the people are interested in it, and they're sufficiently diverse that you can address all the big questions.Andrew Keen: Well it's certainly incredibly timely. Capitalism and its critics—more and more of them. Sometimes they don't even describe themselves as critics of capitalism when they're talking about oligarchs or billionaires, they're really criticizing capitalism. A must read from one of America's leading journalists. And would you call yourself a critic of capitalism, John?John Cassidy: Yeah, I guess I am, to some extent, sure. I mean, I'm not a—you know, I'm not on the far left, but I'd say I'm a center-left critic of capitalism. Yes, definitely, that would be fair.Andrew Keen: And does the left need to learn? Does everyone on the left need to read the book and learn the language of anti-capitalism in a more coherent and honest way?John Cassidy: I hope so. I mean, obviously, I'd be talking my own book there, as they say, but I hope that people on the left, but not just people on the left. I really did try to sort of be fair to the sort of right-wing critiques as well. I included the Carlyle chapter particularly, obviously, but in the later chapters, I also sort of refer to this emerging critique on the right, the sort of economic nationalist critique. So hopefully, I think people on the right could read it to understand the critiques from the left, and people on the left could read it to understand some of the critiques on the right as well.Andrew Keen: Well, it's a lovely book. It's enormously erudite and simultaneously readable. Anyone who likes John Cassidy's work from The New Yorker will love it. Congratulations, John, on the new book, and I'd love to get you back on the show as anti-capitalism in America picks up steam and perhaps manifests itself in the 2028 election. Thank you so much.John Cassidy: Thanks very much for inviting me on, it was fun.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this May Listener Special episode of Paranormal Activity with Yvette Fielding, Yvette delves into some of the most spine-chilling stories sent in by you, our loyal listeners.From shadowy figures by misty canals to ghostly children with a chilling past, these personal accounts will make you rethink everything you thought you knew about the afterlife.Yvette responds to tales from Kathryn, who shares her eerie experience growing up in a haunted Yorkshire home, and Sarah, whose ghost-hunting adventure at Dorchester Prison left her with more than just memories. Jamie recounts his terrifying night in a haunted Bruges inn, while Rob tells the tale of a shadowy figure by a canal in Birmingham. Get ready for a rollercoaster of chills, thrills, and ghostly encounters.Tune in to hear these bone-chilling tales and more—are you brave enough to listen?A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

  Podcast Episode Summary: “From Shaky Start to Safe Haven: Floppy's Journey”            In this heartwarming episode of The Pet Pig Podcast, host Autumn interviews Chelsey an animal lover who shares the remarkable story of her pet pig, Floppy. Born in January 2020 with a severe case of “shaking head syndrome,” Floppy was given only two weeks to live. When veterinarians recommended euthanasia, Chelsey and her husband stepped in to give the piglet a fighting chance.           Despite having no prior experience with pigs, Chelsey hand-raised Floppy—bottle-feeding him every three hours, maintaining a warm environment, and managing the anxiety of not knowing whether he'd survive. Miraculously, Floppy defied all odds, outgrew his symptoms, and is now a healthy, happy 850-pound pig living in their house at five years old.            Chelsey also shares about their second pig, Peanut, a two-year-old Yorkshire and a foster fail who's become part of the family. Together with three dogs and three cats, both pigs live indoors and have unique personalities—Floppy is calm and emotionally intuitive, while Peanut is goofy and energetic.            Challenges of raising full-sized farm pigs indoors include structural damage, frequent modifications (like replacing doors), and managing their high energy and strength. Despite HOA restrictions, Chelsey's supportive neighborhood rallied behind her, embracing Floppy as a beloved member of the community.            The episode highlights themes of dedication, adaptability, and unconditional love—showing that with commitment and compassion, even the most unlikely pig can find a forever home. Autumn's Links:  Website: https://www.autumnacresminipetpigs.com/ Email: https://stan.store/autumnacresminipetpigs Educational Membership Group: https://stan.store/autumnacresminipetpigs/p/autumn-acres-educational-membership-group Instagram: https://www.instagram.com/autumnacresminipetpigs/ Facebook:  HTTP://Facebook.com/autumnacresminipetpigs Free Community: https://stan.store/autumnacresminipetpigs/p/autumn-acres-free-community YouTube: https://youtube.com/channel/UCGue5Kp5AwOXkReCGPUyImA Stan Store: https://stan.store/autumnacresminipetpigs Newsletter: https://stan.store/autumnacresminipetpigs

In this "Scotland Then" episode we explore historical events from October 1985. We cover diverse stories, including a Yorkshire visitor's misadventures in Oban, a tragic fatal accident due to a misplaced breathing tube, a fatal wedding day altercation, two murders involving young perpetrators, and a museum T-shirt design competition.The episode highlights the challenges of finding complete information on historical events, and encourages listener engagement regarding the T-shirt competition outcome.SOURCES:Please see our website for all source material and photos at scottishmurders.com/episodes/philipwongBRITISH NEWSPAPER ARCHIVE AFFILIATE:British Newspaper ArchiveSHOW: Support Us: ko-fi.com/scottishmurdersPatreon - patreon.com/scottishmurdersMerch - teepublic.com/user/scottishmurdersWebsite - scottishmurders.comTwitter - @scottishmurdersInstagram - @scottishmurderspodcastFacebook - facebook.com/scottishmurdursYouTube - @ScottishMurdersLinktree - linktr.ee/scottishmurders CREDITS:Scottish Murders is a production of CluarantonnResearched, Written, Edited and Hosted by Dawn YoungProduction Company Name by Granny RobertsonMUSIC:ES_Tudor - Bonnie Grace - epidemicsound

When a man working security in a Yorkshire timber yard begins receiving nightly alarm calls from police, it seems like a simple case of faulty wiring—or maybe a draft blowing open the accountant's office door. But soon, even police dogs refuse to enter the room. Workers begin hearing phantom parties in empty buildings. And one night, three boys—including the storyteller—watch a bright, full-color man with ginger hair walk straight through a wall. That same apparition returns two months later… this time passing just inches from the boy's father inside the building, refusing to speak, refusing to stop. Only walking—and vanishing.  If you have a real ghost story or supernatural event to report, please write into our show at http://www.realghoststoriesonline.com/ or call 1-855-853-4802! Want AD-FREE & ADVANCE RELEASE EPISODES? Become a Premium Subscriber Through Apple Podcasts now!!! https://itunes.apple.com/us/podcast/real-ghost-stories-online/id880791662?mt=2&uo=4&ls=1 Or Patreon: http://www.patreon.com/realghoststories Or Our Website: http://www.ghostpodcast.com/?page_id=118 

Throwbacks are where I re-release old episodes from the archives. So don't worry if you have heard it already, as 'New episodes' will continue to come out on Sundays. To get some of the old episodes heard.~~~Our Special guest today is Alan Godfrey, a retired police constable of the West Yorkshire Metropolitan Police Force in the UK. While on duty on the morning of 28th November 1980 he had been investigating a case of a missing herd of cows, from his police car he saw a bright light in the road ahead that he describes as a hovering, rotating object. Missing time and an attempted cover-up by the MOD and his superiors impacted both Alan's personal and professional life.A few months before his UFO encounter, Alan was involved in a mysterious case. In the afternoon of the 11th of June 1980 a dead body was found that was later identified as Zigmund Adamski, he had been missing for 5 days and lived in a village at a distance of about 30 km from the site. Alan was called in to investigate the case. The body was lying on its back on the top of a high coal heap, dressed by someone else as the jacket had been fastened unevenly, the shirt was missing, and the shoes had not been tied properly. Also, there were no trails that could explain how the body got there. It was as if the body had been dropped from above.Alan Godfrey Website:https://www.alangodfreyufo.comMore information on this episode on the podcast website:https://ufochroniclespodcast.com/ep-26-alan-godfrey-who-or-what-were-they/Want to share your encounter on the show?Email: UFOChronicles@gmail.comOr Fill out Guest Form:https://forms.gle/uGQ8PTVRkcjy4nxS7Podcast Merchandise:https://www.teepublic.com/user/ufo-chronicles-podcastHelp Support UFO CHRONICLES by becoming a Patron:https://patreon.com/UFOChroniclespodcastX: https://twitter.com/UFOchronpodcastThank you for listening!Like share and subscribe it really helps me when people share the show on social media, it means we can reach more people and more witnesses and without your amazing support, it wouldn't be possible.Become a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.