Podcast appearances and mentions of ella deloria

In this edition of History 605, Ben Jones discusses Ella Deloria's remarkable path from South Dakota to Columbia University, her training under the nation's first anthropologists, and her tireless work interviewing Lakota and Dakota people in the early 20th century with Thierry Veyrié.

From the outspoken Margaret Mead and Ruth Benedict to Ella Deloria, the Dakota Sioux activist who preserved the traditions of Native Americans on the Great Plains, their revolutionary findings gave birth to cultural anthropology. Join Charles King, author of Gods of the Upper Air, to learn more about the radical ideas and passionate lives of these adventurous pioneers.

"Tunnel vision is deadly. We need lateral vision. That is what anthropology can impart: anthro-vision." So says renowned economist GillianTett, who trained as an anthropologist. She joins Anne McElvoy along with Tulsi Menon, who trained in anthropology and now works in advertising, for a debate about what the discipline offers business. We look back at the history of anthropology with Frances Larson, author of a new book about forgotten women anthropologists, and a previous book which looked at the West's obsession with severed heads. And we explore the way the discipline of anthropology is changing, talking to Faye Harrison - Professor of Anthropology at Illinois and the editor of Decolonising Anthropology. Anthrovision: How Anthropology Can Explain Business and Life by Gillian Tett, Editor-at-Large at the Financial Times, is out now. Frances Larson's books are titled Undreamed Shores: The Hidden Heroines of British Anthropology and Severed: A History of Heads Lost and Heads Found. In the Free Thinking archives you can find a discussion about Family Ties and reshaping history - hearing about Joseph Henrich's work on WEIRD - Western, Educated, Industrialised, Rich, Democratic and ideas about kinship https://www.bbc.co.uk/programmes/m000mjt2 In the Nayef Al Rodhan 2020 discussion with shortlisted authors Rana Mitter talks to Charles King about his history The Reinvention of Humanity: A Story of Race, Sex, Gender and the Discovery of Culture which tracks the work of Margaret Mead, Ruth Benedict, Ella Deloria and Zora Neale Hurston https://www.bbc.co.uk/programmes/m000n0bv The Free Thinking Festival discussion 20 Words for Joy ... Feelings around the world brought together Veronica Strang, Aatish Taseer and Thomas Dixon https://www.bbc.co.uk/programmes/m0004ds4 Producer: Eliane Glaser.

"Tunnel vision is deadly. We need lateral vision. That is what anthropology can impart: anthro-vision." So says renowned economist GillianTett, who trained as an anthropologist. She joins Anne McElvoy along with Tulsi Menon, who trained in anthropology and now works in advertising, for a debate about what the discipline offers business. We look back at the history of anthropology with Frances Larson, author of a new book about forgotten women anthropologists, and a previous book which looked at the West's obsession with severed heads. And we explore the way the discipline of anthropology is changing, talking to Faye Harrison - Professor of Anthropology at Illinois and the editor of Decolonising Anthropology. Anthrovision: How Anthropology Can Explain Business and Life by Gillian Tett, Editor-at-Large at the Financial Times, is out now. Frances Larson's books are titled Undreamed Shores: The Hidden Heroines of British Anthropology and Severed: A History of Heads Lost and Heads Found. In the Free Thinking archives you can find a discussion about Family Ties and reshaping history - hearing about Joseph Henrich's work on WEIRD - Western, Educated, Industrialised, Rich, Democratic and ideas about kinship https://www.bbc.co.uk/programmes/m000mjt2 In the Nayef Al Rodhan 2020 discussion with shortlisted authors Rana Mitter talks to Charles King about his history The Reinvention of Humanity: A Story of Race, Sex, Gender and the Discovery of Culture which tracks the work of Margaret Mead, Ruth Benedict, Ella Deloria and Zora Neale Hurston https://www.bbc.co.uk/programmes/m000n0bv The Free Thinking Festival discussion 20 Words for Joy ... Feelings around the world brought together Veronica Strang, Aatish Taseer and Thomas Dixon https://www.bbc.co.uk/programmes/m0004ds4 Producer: Eliane Glaser.

Lanniko Lee interviews Faith Spotted Eagle about Dakota author Ella Deloria's classic novel Waterlily.  Music: Frank Waln - "My Stone (instrumentals)" More info: https://www.oaklakewriterssociety.com/nativereads-podcast-series #NativeReads: https://www.firstnations.org/nativereads/

26 Şubat 2020 tarihli sabah kaydında, Ella Deloria'nın, sessizliğin ve düşünmenin değeri üzerine satırları paylaşılmıştır.

American anthropologists consider Franz Boas, Ruth Benedict, and Margaret Mead to be foundational figures, but outside the academy few people know the details of their ideas. In this new volume, Charles King provides a carefully-researched and beautifully-written history of the Boas Circle that everyone will enjoy reading. King covers the period from Boas's birth to the publication of Ruth Benedict's The Chrysanthemum and the Sword, combining the personal and intellectual histories of authors such as Zora Neale Hurston, Ella Deloria, Edward Sapir, Margaret Mead, Ruth Benedict, and of course Boas himself. Above all, Gods of the Upper Air: How A Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century(Doubleday, 2019) is a reminder of the central ideas of Boasian anthropology: a recognition that gender roles and racial assumptions are cultural constructions and not biological facts, and that we must be willing to question our own comfortable assumptions while the same time recognising the validity of careful scientific work. In an America where racial intolerance is on the rise, it seems likely that the insights of the Boasians will be as relevant in 2020 as they were in 1920, which makes it all the more important to revisit these seminal figures. In this episode of the podcast Charles talk to host Alex Golub about the romantic and professional drama of the Boasians, the need for a science that can be self-critical without abandoning self-confidence, the continuing legacy of race in the United States, and how and why Charles wrote such a wide-ranging history of anthropology. Charles King is a professor of international affairs and government at Georgetown University. He is the author of six previous books, including Midnight at the Pera Palace, which received the French Prix du livre de voyage; and Odessa, winner of a National Jewish Book Award. Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices

American anthropologists consider Franz Boas, Ruth Benedict, and Margaret Mead to be foundational figures, but outside the academy few people know the details of their ideas. In this new volume, Charles King provides a carefully-researched and beautifully-written history of the Boas Circle that everyone will enjoy reading. King covers the period from Boas's birth to the publication of Ruth Benedict's The Chrysanthemum and the Sword, combining the personal and intellectual histories of authors such as Zora Neale Hurston, Ella Deloria, Edward Sapir, Margaret Mead, Ruth Benedict, and of course Boas himself. Above all, Gods of the Upper Air: How A Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century(Doubleday, 2019) is a reminder of the central ideas of Boasian anthropology: a recognition that gender roles and racial assumptions are cultural constructions and not biological facts, and that we must be willing to question our own comfortable assumptions while the same time recognising the validity of careful scientific work. In an America where racial intolerance is on the rise, it seems likely that the insights of the Boasians will be as relevant in 2020 as they were in 1920, which makes it all the more important to revisit these seminal figures. In this episode of the podcast Charles talk to host Alex Golub about the romantic and professional drama of the Boasians, the need for a science that can be self-critical without abandoning self-confidence, the continuing legacy of race in the United States, and how and why Charles wrote such a wide-ranging history of anthropology. Charles King is a professor of international affairs and government at Georgetown University. He is the author of six previous books, including Midnight at the Pera Palace, which received the French Prix du livre de voyage; and Odessa, winner of a National Jewish Book Award. Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices

American anthropologists consider Franz Boas, Ruth Benedict, and Margaret Mead to be foundational figures, but outside the academy few people know the details of their ideas. In this new volume, Charles King provides a carefully-researched and beautifully-written history of the Boas Circle that everyone will enjoy reading. King covers the period from Boas's birth to the publication of Ruth Benedict's The Chrysanthemum and the Sword, combining the personal and intellectual histories of authors such as Zora Neale Hurston, Ella Deloria, Edward Sapir, Margaret Mead, Ruth Benedict, and of course Boas himself. Above all, Gods of the Upper Air: How A Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century(Doubleday, 2019) is a reminder of the central ideas of Boasian anthropology: a recognition that gender roles and racial assumptions are cultural constructions and not biological facts, and that we must be willing to question our own comfortable assumptions while the same time recognising the validity of careful scientific work. In an America where racial intolerance is on the rise, it seems likely that the insights of the Boasians will be as relevant in 2020 as they were in 1920, which makes it all the more important to revisit these seminal figures. In this episode of the podcast Charles talk to host Alex Golub about the romantic and professional drama of the Boasians, the need for a science that can be self-critical without abandoning self-confidence, the continuing legacy of race in the United States, and how and why Charles wrote such a wide-ranging history of anthropology. Charles King is a professor of international affairs and government at Georgetown University. He is the author of six previous books, including Midnight at the Pera Palace, which received the French Prix du livre de voyage; and Odessa, winner of a National Jewish Book Award. Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices

American anthropologists consider Franz Boas, Ruth Benedict, and Margaret Mead to be foundational figures, but outside the academy few people know the details of their ideas. In this new volume, Charles King provides a carefully-researched and beautifully-written history of the Boas Circle that everyone will enjoy reading. King covers the period from Boas's birth to the publication of Ruth Benedict's The Chrysanthemum and the Sword, combining the personal and intellectual histories of authors such as Zora Neale Hurston, Ella Deloria, Edward Sapir, Margaret Mead, Ruth Benedict, and of course Boas himself. Above all, Gods of the Upper Air: How A Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century(Doubleday, 2019) is a reminder of the central ideas of Boasian anthropology: a recognition that gender roles and racial assumptions are cultural constructions and not biological facts, and that we must be willing to question our own comfortable assumptions while the same time recognising the validity of careful scientific work. In an America where racial intolerance is on the rise, it seems likely that the insights of the Boasians will be as relevant in 2020 as they were in 1920, which makes it all the more important to revisit these seminal figures. In this episode of the podcast Charles talk to host Alex Golub about the romantic and professional drama of the Boasians, the need for a science that can be self-critical without abandoning self-confidence, the continuing legacy of race in the United States, and how and why Charles wrote such a wide-ranging history of anthropology. Charles King is a professor of international affairs and government at Georgetown University. He is the author of six previous books, including Midnight at the Pera Palace, which received the French Prix du livre de voyage; and Odessa, winner of a National Jewish Book Award. Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices

American anthropologists consider Franz Boas, Ruth Benedict, and Margaret Mead to be foundational figures, but outside the academy few people know the details of their ideas. In this new volume, Charles King provides a carefully-researched and beautifully-written history of the Boas Circle that everyone will enjoy reading. King covers the period from Boas's birth to the publication of Ruth Benedict's The Chrysanthemum and the Sword, combining the personal and intellectual histories of authors such as Zora Neale Hurston, Ella Deloria, Edward Sapir, Margaret Mead, Ruth Benedict, and of course Boas himself. Above all, Gods of the Upper Air: How A Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century(Doubleday, 2019) is a reminder of the central ideas of Boasian anthropology: a recognition that gender roles and racial assumptions are cultural constructions and not biological facts, and that we must be willing to question our own comfortable assumptions while the same time recognising the validity of careful scientific work. In an America where racial intolerance is on the rise, it seems likely that the insights of the Boasians will be as relevant in 2020 as they were in 1920, which makes it all the more important to revisit these seminal figures. In this episode of the podcast Charles talk to host Alex Golub about the romantic and professional drama of the Boasians, the need for a science that can be self-critical without abandoning self-confidence, the continuing legacy of race in the United States, and how and why Charles wrote such a wide-ranging history of anthropology. Charles King is a professor of international affairs and government at Georgetown University. He is the author of six previous books, including Midnight at the Pera Palace, which received the French Prix du livre de voyage; and Odessa, winner of a National Jewish Book Award. Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices

American anthropologists consider Franz Boas, Ruth Benedict, and Margaret Mead to be foundational figures, but outside the academy few people know the details of their ideas. In this new volume, Charles King provides a carefully-researched and beautifully-written history of the Boas Circle that everyone will enjoy reading. King covers the period from Boas's birth to the publication of Ruth Benedict's The Chrysanthemum and the Sword, combining the personal and intellectual histories of authors such as Zora Neale Hurston, Ella Deloria, Edward Sapir, Margaret Mead, Ruth Benedict, and of course Boas himself. Above all, Gods of the Upper Air: How A Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century(Doubleday, 2019) is a reminder of the central ideas of Boasian anthropology: a recognition that gender roles and racial assumptions are cultural constructions and not biological facts, and that we must be willing to question our own comfortable assumptions while the same time recognising the validity of careful scientific work. In an America where racial intolerance is on the rise, it seems likely that the insights of the Boasians will be as relevant in 2020 as they were in 1920, which makes it all the more important to revisit these seminal figures. In this episode of the podcast Charles talk to host Alex Golub about the romantic and professional drama of the Boasians, the need for a science that can be self-critical without abandoning self-confidence, the continuing legacy of race in the United States, and how and why Charles wrote such a wide-ranging history of anthropology. Charles King is a professor of international affairs and government at Georgetown University. He is the author of six previous books, including Midnight at the Pera Palace, which received the French Prix du livre de voyage; and Odessa, winner of a National Jewish Book Award. Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices

American anthropologists consider Franz Boas, Ruth Benedict, and Margaret Mead to be foundational figures, but outside the academy few people know the details of their ideas. In this new volume, Charles King provides a carefully-researched and beautifully-written history of the Boas Circle that everyone will enjoy reading. King covers the period from Boas's birth to the publication of Ruth Benedict's The Chrysanthemum and the Sword, combining the personal and intellectual histories of authors such as Zora Neale Hurston, Ella Deloria, Edward Sapir, Margaret Mead, Ruth Benedict, and of course Boas himself. Above all, Gods of the Upper Air: How A Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century(Doubleday, 2019) is a reminder of the central ideas of Boasian anthropology: a recognition that gender roles and racial assumptions are cultural constructions and not biological facts, and that we must be willing to question our own comfortable assumptions while the same time recognising the validity of careful scientific work. In an America where racial intolerance is on the rise, it seems likely that the insights of the Boasians will be as relevant in 2020 as they were in 1920, which makes it all the more important to revisit these seminal figures. In this episode of the podcast Charles talk to host Alex Golub about the romantic and professional drama of the Boasians, the need for a science that can be self-critical without abandoning self-confidence, the continuing legacy of race in the United States, and how and why Charles wrote such a wide-ranging history of anthropology. Charles King is a professor of international affairs and government at Georgetown University. He is the author of six previous books, including Midnight at the Pera Palace, which received the French Prix du livre de voyage; and Odessa, winner of a National Jewish Book Award. Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Elegant and kaleidoscopic . . . This looks to be the perfect moment for King’s resolutely humane book.” —Jennifer Szalai, The New York Times “Captivating.” —NPR.org From an award-winning historian comes a dazzling history of the birth of cultural anthropology and the adventurous scientists who pioneered it—a sweeping chronicle of discovery and the fascinating origin story of our multicultural world. A century ago, everyone knew that people were fated by their race, sex, and nationality to be more or less intelligent, nurturing, or warlike. But Columbia University professor Franz Boas looked at the data and decided everyone was wrong. Racial categories, he insisted, were biological fictions. Cultures did not come in neat packages labeled "primitive" or "advanced." What counted as a family, a good meal, or even common sense was a product of history and circumstance, not of nature. In Gods of the Upper Air, a masterful narrative history of radical ideas and passionate lives, Charles King shows how these intuitions led to a fundamental reimagining of human diversity. Boas's students were some of the century's most colorful figures and unsung visionaries: Margaret Mead, the outspoken field researcher whose Coming of Age in Samoa is among the most widely read works of social science of all time; Ruth Benedict, the great love of Mead's life, whose research shaped post-Second World War Japan; Ella Deloria, the Dakota Sioux activist who preserved the traditions of Native Americans on the Great Plains; and Zora Neale Hurston, whose studies under Boas fed directly into her now classic novel, Their Eyes Were Watching God. Together, they mapped civilizations from the American South to the South Pacific and from Caribbean islands to Manhattan's city streets, and unearthed an essential fact buried by centuries of prejudice: that humanity is an undivided whole. Their revolutionary findings would go on to inspire the fluid conceptions of identity we know today. Rich in drama, conflict, friendship, and love, Gods of the Upper Air is a brilliant and groundbreaking history of American progress and the opening of the modern mind.

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices