Podcasts about Zora Neale Hurston

I början av 1920-talet blev stadsdelen Harlem i New York epicentrum för en kulturell guldålder. Med nyskapande jazz, konst och litteratur erövrade svarta amerikaner en egen identitet, självständig från slaveriets långa skuggor och det vita Amerikas rasistiska stereotyper. Rösterna av musiker som Louis Armstrong och Billie Holiday, intellektuella som William Du Bois och författare som Langston Hughes och Zora Neale Hurston skulle höras långt utanför USA:s gränser. Vad tände gnistan till denna intellektuella och konstnärliga blomstring? Vilka är rörelsens viktigaste förgrundsfigurer och vad gick deras idéer ut på? Vilken betydelse fick konstnärerna och författarna i den pågående medborgarrättskampen? Och vad kan Harlemrenässansen lära oss idag? Litteraturvetarna Lena Ahlin och Judith Kiros gästar Bildningspodden. Samtalsledare: Ruhi Tyson Ljudteknik och klippning: Lars in de Betou Producent och redaktör: Magnus Bremmer Bildningspodden är en del av Anekdot – det digitala bildningsmagasinet, producerat på Humanistiska fakulteten vid Stockholms universitet, finansierat av Kungl. Vitterhetsakademien och Riksbankens Jubileumsfond.

History tells us the Harlem Renaissance was just a magical explosion of art. That is a lie.It was actually a highly calculated, heavily funded cultural heist.In the 1920s, Black Harlem didn't just entertain the world, they outsmarted the world. From building an independent real estate mecca and finessing white patrons out of thousands in cash, to ambushing elite white publishers and hijacking national radio wires.They took the raw reality of Black life, turned it into high art.Sources:Harlem: The Making of a Ghetto by Gilbert OsofskyRed Summer: The Summer of 1919 by Cameron McWhirterThe New Negro: The Life of Alain Locke by Jeffrey C. StewartDuke Ellington's America by Harvey G. CohenWrapped in Rainbows: The Life of Zora Neale Hurston by Valerie BoydThe Harlem Renaissance: A Historical Dictionary for the Era by Bruce KellnerAudio Onemichistory.comFollow me on Instagram: @onemic_historyFollow me on Substack: https://onemicblackhistorypodcast.substack.com/Follow me on Threads: https://www.threads.net/@onemic_historyPlease support our Patreon: https://www.patreon.com/user?u=25697914Buy me a Coffee https://www.buymeacoffee.com/Countryboi2m

Welcome back FAB friends, this week the ladies reviewed one of the most important and enduring books of the 20th century. "Their Eyes Were Watching God" brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years, due largely to initial audiences' rejection of its strong black female protagonist, Hurston's classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature. The story follows Janie's journey from a voiceless teenage girl to a self-actualized woman through three marriages in the American South. Tune in to hear why this book is so beloved by the hosts. Cheers!*Please be advised this episode is intended for adult audiences and contains adult language and content. We are expressing opinions on the show for entertainment purposes only. Dedication: To our patrons as always!! We love you!Moni:To all of those in the commentt section after Steven Miller's wife said Liberal men were unattractive. No notes...well done!

From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only authors, but also with readers and thinkers who, like me, are committed to the preservation and expansion of our collective archive. Raymond Williams is one such person. Raymond has a PhD in Government and Politics from the University of Maryland, College Park. He was an executive board member of Black Readers Con, and is currently an administrator of the Black Men Read Book Club sponsored by Resist Booksellers. I was thrilled to have Raymond on the podcast to talk about the creation of literary community around reading challenges, including those centering Zora Neale Hurston, James Baldwin, and, for 2026, what Raymond calls, “The 12 Lives Challenge.” Listen in as we discuss the work he is doing to cultivate an intellectually curious community of real-life readers in the virtual world. You can find Raymond on Instagram, and the 12 Lives Challenge on StoryGraph. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only authors, but also with readers and thinkers who, like me, are committed to the preservation and expansion of our collective archive. Raymond Williams is one such person. Raymond has a PhD in Government and Politics from the University of Maryland, College Park. He was an executive board member of Black Readers Con, and is currently an administrator of the Black Men Read Book Club sponsored by Resist Booksellers. I was thrilled to have Raymond on the podcast to talk about the creation of literary community around reading challenges, including those centering Zora Neale Hurston, James Baldwin, and, for 2026, what Raymond calls, “The 12 Lives Challenge.” Listen in as we discuss the work he is doing to cultivate an intellectually curious community of real-life readers in the virtual world. You can find Raymond on Instagram, and the 12 Lives Challenge on StoryGraph. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only authors, but also with readers and thinkers who, like me, are committed to the preservation and expansion of our collective archive. Raymond Williams is one such person. Raymond has a PhD in Government and Politics from the University of Maryland, College Park. He was an executive board member of Black Readers Con, and is currently an administrator of the Black Men Read Book Club sponsored by Resist Booksellers. I was thrilled to have Raymond on the podcast to talk about the creation of literary community around reading challenges, including those centering Zora Neale Hurston, James Baldwin, and, for 2026, what Raymond calls, “The 12 Lives Challenge.” Listen in as we discuss the work he is doing to cultivate an intellectually curious community of real-life readers in the virtual world. You can find Raymond on Instagram, and the 12 Lives Challenge on StoryGraph. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Cuz,Competition and Vengeance could lead you to hurting a Heffa. Stories from Mules and Men and Hoodoo In America by Zora Neale Hurston

Hosts: Jill Winkowski and Prue SalaskyDate: April 10, 2026Length: 37 minutesPublication Frequency: Fourth Friday (approx) of each monthIn this episode we explore African American English, its history, features, and variations, including in Hampton Roads, aka the 757. We interview three black academics in the region to learn about AAE and what defines it. We talk to Dr. Iyabo Osiapem, teaching professor of Africana Studies and Linguistics at the College of William and Mary in Williamsburg. Founded in 1693, It's the only university in the state to offer an undergraduate major in linguistics. At Hampton University in Hampton, the city where the first African indentured servants and slaves arrived in North America in 1619, we speak to Dr. Darylyn Dance, a specialist in rhetoric and composition. We also talk to Dr. Travis Harris, a hip hop scholar who teaches at Norfolk State University in Norfolk. From them we learned about the distinctive syntactical and pronunciation features of the AAE dialect; various theories of its development, including from West African languages; some distinctive local vocabulary; the influence of hip hop in its evolution; and its controversial history related to education, including the 1979 Ann Arbor case and the 1997 Oakland decision.We learn about its labels over the years, including “non-standard Negro English” used by white linguist William Labov, “the father of sociolinguistics,” who pioneered research into AAE in the 1960s, We learn about the work of African American linguist John Baugh in exposing linguistic profiling and the development of the ebonics label by educational psychologist Robert Williams,     inventor of the BITCH test which highlighted cultural bias in standardized testing. Finally, we discuss attitudes to language variation. Here are some of the books and authors the three professors recommended for AAE: Olaudah Equiano (18th century)(enslaved, freed, went to UK) slave narratives, letters, poems;essayist and journalist Charles Chesnutt (turn of the 20th century) The Goophered Grapevine;Poetry by Frances Ellen Watkins (19th century); by Paul Laurence Dunbar (19th century); by Countee Cullen (early 20th century); by Langston Hughes (20th century); George Schuyler journalist, columnist, critic (20th century); Phyllis Wheatley, born in Africa, writing in second language; Imami All Mine by Connie Porter (This American Girl series); Zora Neale Hurston,  Their Eyes are Watching God; Alice Childress, Rainbow Jordan;  The Color Purple by Alice Walker;  Dutchman (1964 play) by Amiri Baraka; Sonia Sanchez (20th century) poet, playwright, professor; Maya Angelou; Toni Morrison;Gil Scott-Heron, “The Revolution will not be Televised” (“godfather of rap”); academic articles by Vershawn Ashanti Young (contemporary); Bernice McFadden, “Sugar” (2000)For those interested in hip-hop, the W&M Hip Hop Collection, started in the 1980s,  is part of Swem Library's Special Collections and includes recordings, publications, and ephemera from Virginia based hip hop artists. Local stars include Pharell and Clipse (the brothers Pusha T and No Malice).Send your questions and feedback to languagingHR@gmail.com; and for more information and to listen to previous episodes, check out our website, www.languaginghr.wordpress.com.

Zora Neale Hurston was a brazen, boundary-breaking literary genius who was almost lost to history. You might be familiar with her contributions during the Harlem Renaissance, but that is merely the beginning of her indispensable relevance. This "deep dive and backstory" episode unpacks why.Be sure to check the transcript for links to audio primary sources from the Library of Congress to hear Zora's narration - and singing - of ethnographic songs recorded at the Federal Music Project Office in Jacksonville, Florida, in 1939. We would love to hear from you! Email hello@unerased.org and let us know where in the world you are listening, or what history we can highlight in a future episode from your corner of the world. Thank you for listening, and please subscribe, rate, and share this podcast! History UnErased is putting LGBTQ history in its rightful place — the classroom. UnErased.org

What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Make a daily decision to commit to your dream.Make a daily decision to commit to your truth.Make a daily decision to commit to your power.We can decide we already belong at any time.That daily decision is the practice of aligning your desire with your capacity.This practice is what I like to call, Erotic Engineering.ResourcesApply To The Powerhouse Portal for 1:1 Erotic Engineering Support: https://inhodj7ezvc.typeform.com/to/s0Si8w6E Subscribe to the Seeda School Substack: ⁠⁠⁠https://seedaschool.substack.com/⁠⁠⁠Cover Art: Kodachrome image of Zora Neale Hurston taken 1946 July 18 by Carl Van Vechten (Source: Yale Collections)

This episode celebrates the conviction of Zora Neale Hurston in holding to her principles in spite of pressure from both the literary world and leaders within the Harlem Renaissance to write in a fashion that was both palatable and expressive of the black grief and pain of American racism.Though Zora acknowledged that Black Americans experienced hardships associated with prejudice, she did not believe it was the predominant experience that should be expressed in literature.  For Zora, Black people were joy and beauty, intelligence and love and in no great measure were we robbed of presence and prestige because of the divisions of segregation.  Therefore, her writings in the 1920's and 30's were a deviation from the harsher realities portrayed by other authors such as Richard Wright.  Additionally, as an anthropologist, Zora held to the dialect and vernacular of the subjects she interviewed despite urgings to make the text ‘tidier' for the reader.  Rather, Zora chronicled the accounts of her subjects unchanged from how they were delivered to her.These choices unfortunately had a deleterious impact on her work and though she saw great success with ‘Their Eyes Were Watching God', she subsequently found it impossible to get published and ultimately had to return to menial labor and living in housing for the poor.Fortunately many years after her death, some of her work was resurrected and published, like Barracoon completed in 1931, published 87 years later in 2018.If you would like to engage with the podcast, submit your listener questions to info@NurahSpeaks.com.  Listeners can also learn more by visiting NurahSpeaks.com.You can follow Nurah Speaks on X, Instagram and Facebook @NurahSpeaks and subscribe to the channel on YouTube.

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this special Power of Reading Week episode, host Nichel Anderson begins a powerful literary journey through Zora Neale Hurston's timeless masterpiece, “Their Eyes Were Watching God.” As part of the Harlem Renaissance series, Nichel starts from the very beginning — reading the foreword of the book edition and sharing key historical insights that shaped Hurston's life and legacy. Listeners will gain a deeper understanding of the pioneering women who paved the way for Hurston's voice to rise and endure through generations. Nichel highlights the cultural and social context of the early 20th century, when Hurston's bold storytelling redefined how Black women's experiences were portrayed in literature. This episode blends reading, reflection, and analysis as Nichel explores the themes of love, independence, and self‑discovery that make Hurston's work a cornerstone of American literature. Part 1 sets the stage for a continuing exploration in the next Power of Reading Week event, where Nichel will return to read and analyze more chapters from this extraordinary novel that continues to inspire readers and scholars around the world.   Timestamps: 0:00 - 0:40 Intro 0:20 Prayer 0:43 Show Starts, Their Eyes Were Watching GOD, by Zora Neale Hurston 2:20  Reading Foreword 5:43 My Analysis of the critics 6:00 DTC Movement and Harlem Renaissance 7:30 Assessment of the critics from then to now movement 8:00 Supporters Pioneers Bringing Back Into Print and Rival of Ms. Hurston's book 25:10 Starting the Reading of book “Their Eyes Were Watching God” 35:02 Analysis of Part 1 Reflection  --   Follow MOLIAE:   MOLIAE.com/podcast    

Host Nichel Anderson celebrates Power of Reading Week of Season 9 2025-2026 with a tribute to one of the most influential voices of the Harlem Renaissance — Zora Neale Hurston. In this first installment of a multi‑part reading, Nichel opens “Their Eyes Were Watching God” from the very beginning, reading the foreword and offering historical commentary that brings Hurston's world to life. Through thoughtful narration and analysis, Nichel discusses the groundbreaking role Hurston played as a pioneering Black woman writer whose work continues to be studied in universities and cherished by readers across the globe. She also honors the women and literary figures who championed Hurston's legacy, ensuring her place among the greatest writers of the last century and beyond. This episode invites listeners to rediscover the beauty and depth of Hurston's prose while reflecting on the cultural movement that made her voice possible. Part 1 of this reading and discussion lays the foundation for future episodes, where Nichel will continue exploring the novel's themes, characters, and enduring message of empowerment and self‑realization.   Timestamps: 0:00 - 0:40 Intro 0:20 Prayer 0:43 Show Starts, Their Eyes Were Watching GOD, by Zora Neale Hurston 2:20  Reading Foreword 5:43 My Analysis of the critics 6:00 DTC Movement and Harlem Renaissance 7:30 Assessment of the critics from then to now movement 8:00 Supporters Pioneers Bringing Back Into Print and Rival of Ms. Hurston's book 25:10 Starting the Reading of book “Their Eyes Were Watching God” 35:02 Analysis of Part 1 Reflection  --   Follow:   NichelAnderson.com/podcast  

Send a textIn the 20th century, segregation in Colorado prevented many Black artists and families from staying at hotels, eating in restaurants and finding respite. A little known plot of land in Gilpin County called Lincoln Hills was the only place many African Americans could go for this.At the time, Lincoln Hills was the only leisure destination west of the Mississippi owned by and made for Black Americans. Artists like Duke Ellington, Langston Hughes and Zora Neale Hurston spent time communing and creating here to get away from segregation and find peace in the Colorado Mountains.For Black History month, Mountain-Ear reporter Mindy Leary is writing a series of profiles covering the time these artists spent at the Gilpin County refuge. Today, she joins us on the podcast to tell us about Gilpin's forgotten Black History.AlsoAsbestos testing to finally begin at the Caribou Village Shopping Center fire wreckageNed BOT pursues $1 million in funding for local improvementsVery Nice Brewing Gilpin hosts annual crawfish boilRead the first story in Mindy's Lincoln Hills series about Langston Hughes here.Her Feb. 19 piece will feature jazz artist Duke Ellington, followed by a feature on actress and activist Lena Horne on Feb. 26. Support the showThank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.If you want to be involved in the podcast or paper, contact: Barbara Hardt, our editor-in-chef, at info@themountainear.com Tyler Hickman, podcast host, at tyler@themountainear.com Jamie Lammers, podcast host, at media@themountainear.com General inquiries: frontdesk@themountainear.com Head to our website for all of the latest news. Subscribe online and use the coupon code PODCAST for a 10% discount for all new subscribers. Submit local events to promote them in the paper and on our website. Find us on Facebook @mtnear and Instagram @mtn.ear Listen and watch on YouTube today. Share this podcast by scrolling to the bottom of our website home page or by heading to our main hub on Buzzsprout.Thank you for listening!

The Harlem Renaissance was a vibrant 1920s-1930s Black cultural movement centered in Harlem, a hub for African American creativity, literature (Langston Hughes, Zora Neale Hurston), music (jazz, blues), and art (Aaron Douglas), fueled by the Great Migration and a desire to redefine Black identity that forged a new sense of Black Pride. In this program, we hear less well known artists such as James (“Big Jim”) Reese Europe who led an orchestra of 120 musicians. We also hear iconic songs of the era including Fats Waller's “Ain't Misbehavin'”, Mamie Smith's massive 1920 hit “Crazy Blues,” Cab Colloway's “St. James Infirmary” and more. Along the way, we'll enjoy the Fletcher Henderson Orchestra featuring Louis Armstrong on trumpet and vocals and Coleman Hawkins on sax, Ethel Waters, James P. Johnson, and Willie the Lion Smith. Harlem also drew the top Cuban orchestras who came to New York by steamship to record, calyso singers, and Haitian vodou music and theater. Harlem was famous for its rent parties and a wide open attitude to defying Prohibition where revelers danced to the shimmy, the black bottom, and the Charleston from down south. Relive the glory! APWW #226 Produced by Ned Sublette

Zora Neale Hurston died Jan. 28, 1960, but her voice continues to resonate through American literature and Black cultural history. A pioneering writer and anthropologist, Hurston captured Black life, language and traditions with brilliance at a time when such stories were often dismissed or erased. Best known for “Their Eyes Were Watching God,” her work now stands as a cornerstone of Black literary legacy and truth. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Zora Neale Hurston died Jan. 28, 1960, but her voice continues to resonate through American literature and Black cultural history. A pioneering writer and anthropologist, Hurston captured Black life, language and traditions with brilliance at a time when such stories were often dismissed or erased. Best known for “Their Eyes Were Watching God,” her work now stands as a cornerstone of Black literary legacy and truth. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

"Florida Matters Live & Local" spends the hour looking at the lives and legacies of lawmakers John Lewis and Arthenia Joyner, author Zora Neale Hurston, and the enduring words of the Rev. Martin Luther King Jr.Call: 813-755-6562Message: FloridaMatters@wusf.orgWebsite: https://www.wusf.orgSign up for our daily newsletter: https://www.wusf.org/wakeupcall-newsletterFollow us on social media:Facebook: https://www.facebook.com/WUSFInstagram: https://www.instagram.com/wusfpublicmedia/YouTube: https://www.youtube.com/channel/UCsN1ZItTKcJ4AGsBIni35gg

Happy New Year, Beauties! I wanted to start 2026 by shifting focus from productivity to seeking inspiration from creative figures. Instead of advocating for work ethic and goals, I introduce you all to my 'creative board of directors' to offer perspective. Diana Vreeland, Andre Leon Talley, Zora Neale Hurston, Walt Whitemand, and Thich Nhat Hanh are the 'creative ancestors' who help guide the way I live and work. In this episode, we explore the wisdom I've gleaned from these people, from keeping one's imagination fresh like Diana Vreeland wrote about, to the importance of not shrinking oneself, as taught by Andre Leon Talley. I reflect on Andy Warhol's views on combining commerce with creativity, and highlight the spiritual resilience of writers Zora Neale Hurston and transcendentalist Walt Whitman. To conclude, I drew on the wisdom from the mindfulness teachings of Vietnamese Zen Buddhist monk Thich Nhat Hanh regarding the importance of being present. Tune in for a reminder to embrace the present moment, stay curious, and relish the current season of their lives.Rate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Thanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :) Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevard Hosted on Acast. See acast.com/privacy for more information.

Did you know writer and anthropologist Zora Neale Hurston wrote a musical? Now you do! Multidisciplinary Black feminist scholar-artist Jordan Ealey discusses Hurston's 1944 musical Polk County and what this anthropological musical was like, as well as its past and future in the musical theater canon. We also discuss “Sweet Chitty Chatty” from Kirsten Childs's 2000 musical The Bubbly Black Girl Sheds Her Chameleon Skin. Join us for the annual Scene to Song Live Show on December 22nd at 8PM EST- streaming on Scene to Song's YouTube page: https://www.youtube.com/@SceneToSong  Music played in this episode: "Halihmuhfack" “Wake Up, Jacob” “Sweet Chitty Chatty” from The Bubbly Black Girl Sheds Her Chameleon Skin

Janie Crawford – back in her hometown of Eatonville, Florida – recounts a journey of self-discovery, structured around three marriages. Their Eyes Were Watching God is Zora Neale Hurston's most celebrated work and a classic text of the Harlem Renaissance. In today's Books We've Loved, Andrew Limbong and B.A. Parker, joined by R. Eric Thomas, discuss what makes this novel a coming-of-age story, despite its focus on a woman in her late 30s. And special guest Tayari Jones shares her take on Hurston's relationship to folklore.Eric's Recommendation: ‘Getting Mother's Body' by Suzan-Lori ParksParker's Recommendation: ‘Like Water for Chocolate' by Laura EsquivelAndrew's Recommendation: ‘Tom Lake' by Ann PatchettTo listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Nichole Hill is the award-winning showrunner and creator of Our Ancestors Were Messy, a 2024 Official Tribeca Audio Selection. Through her show, Nichole is pulling the rug out from under the pedestal we tend to put figures in Black history on. To her, people like Langston Hughes and Zora Neale Hurston were huge contributors to Black culture. But...they were also just people. Sometimes messy people. In this episode we chat with Nichole about the great responsibility that comes with telling our ancestors' stories truthfully — flaws and all.Homegoings is a production of Vermont Public. Follow the show here.This episode was hosted and reported by executive producer, Myra Flynn and mixed by Burgess Brown. Our video director is Mike Dunn and Aaron Edwards is our story editor. Myra composed the theme music with other music by Blue Dot Sessions. Kyle Ambusk is the graphic artist behind this episode's Homegoings portrait.Thank you for listening. You can see this episode on our YouTube channel.To continue to be part of the Homegoings family: Subscribe to our YouTube channel Sign up for the Homegoings newsletter Write to us at: hey@homegoings.co Follow us on Instagram @wearehomegoings Make a gift to continue elevating BIPOC storytelling Tell your friends, your family or a stranger about the show! And of course, subscribe!

Languages of Home by John Edgar Wideman is a collection of the acclaimed author and cultural critic's most influential works — five decades in the making. John joins us to talk about the creative process, improvisation, basketball, storytelling, the evolution of voice, translation and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025 by John Edgar Wideman Slaveroad by John Edgar Wideman Heart of Darkness by Joseph Conrad Joseph Conrad and the Fiction of Autobiography by Edward Said The Homewood Trilogy by John Edgar Wideman The Autobiography of Malcolm X by Malcolm X Corregidora by Gayl Jones Ulysses by James Joyce Mrs. Dalloway by Virginia Woolf Philadelphia Fire by John Edgar Wideman Invisible Man by Ralph Ellison Every Tongue Got to Confess: Negro Folk-tales from the Gulf States by Zora Neale Hurston  

Are you in midlife, staring at a packed closet, wondering why letting go is so tough? In this episode of The Grit Show, host Shawna Rodrigues invites the inspiring writer and creative Vickey Brown to unpack the real reasons behind our attachment to “stuff”—from childhood scarcity mindsets to inherited family blueprints. Discover how downsizing, intentional living, and even being a little “delusional” can open the door to new possibilities. Curious about how meal planning, clutter, and shifting perspectives can truly transform your life? Tune in to hear practical stories and insightful reflections, all designed to help you make room for what's next. This episode is perfect for anyone seeking personal growth, emotional healing, and a fresh take on midlife transitions.Vickey Brown (writing as Ella Shawn)Vickey Brown is a Southern speculative fiction author, hybrid publisher, and founder of SOMO Publishing House, LLC. Writing under the pen name Ella Shawn, she brings raw, unfiltered conversations on creativity, resilience, and the audacity to take up space in the literary world. Her work centers the complexities of Black womanhood through a sacred, spiritual, and erotic lens.As a Southern Gothic erotic romance writer, Vickey is determined to "speak, so she can speak again." Heavily influenced by Zora Neale Hurston and William Faulkner, she endeavors to give voice to all the nameless people who were told to be quiet and "keep family secrets in the family." Through her Broken Souls series and as host of the Black Writer Therapy podcast, she champions the stories and lived experiences of unapologetic writers.She weaves tales of marginalized Southern women through a lens of liberation, creating a sanctuary for discerning readers wise enough to see beyond the ordinary and bold enough to embrace the extraordinary.Find her work:Substack: @vickeyellashawnbrown - My Chaotic Erotic Writer's LifeHost of Black Writer Therapy podcastAuthor of the Broken Souls seriesShawna Rodrigues has been hosting the The Grit Show, since 2022 and has loved every minute of it. She has an award winning career in the government and non-profit industry, an LCSW, and a passion for making a impact. She is currently facing her biggest plot twist yet—a breast cancer diagnosis in early 2025—this year is about her fight, victory, and healing. Join her warrior community Being Honest and check out the podcast episode where she shares more.Connect with her journey: Instagram @Shawna.Rodrigues | Everything else: https://linktr.ee/37by27Stay Connected to The Grit ShowFollow us on Instagram: @The.Grit.Show or Shawna @ShawnaPodcastsGrab your copy of our Self-Care Coloring Pages & as a bonus, you'll get weekly email reminders when episodes come out!

For the James Beard Award–winning writer and culinary historian Michael W. Twitty, kitchens provide a multitude of significant purposes that stretch far into the past and carry through to the present. Beyond being places where people cook, share, and eat food, they also serve as vital spaces in which to gather in community, to grieve and process trauma, to teach and learn, to dance, to heal, and to experience Black love and joy. Twitty's multilayered cooking draws on his family roots, his personal history, and his deep culinary knowledge of the American South. His latest title, the cookbook Recipes From the American South (Phaidon), brings his skill as a home cook and historically informed recipe-maker to the fore, allowing ingredients and dishes to transform into cultural and temporal touchpoints. On this episode of Time Sensitive, Twitty reflects on what researching and uncovering his ancestry has taught him about Southern cooking and himself, and shares why, for him, food functions as a tangible form of cultural reclamation and emotional healing.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Michael W. Twitty[7:43] Saidiya Hartman[8:43] Their Eyes Were Watching God (1937) and Mules and Men (1935) by Zora Neale Hurston[9:42] Gonze Lee Twitty[16:50] Brer Rabbit [14:33] National Museum of African American History and Culture[19:42] “Amazing Grace”[29:22] Gullah Geechee[54:04] Recipes From the American South (2025)[54:56] Southern Discomfort Tour[1:03:44] Koshersoul: The Faith and Food Journey of an African American Jew (2023)[1:03:44] Rice: A Savor the South Cookbook (2021)[1:03:44] The Cooking Gene: A Journey Through African-American Culinary History in the Old South (2018)[1:07:52] Ryan Coogler[1:19:17] James Hemings[1:19:17] Edith Fossett and Fanny Hern[1:19:17] Ursula Granger[1:19:31] Gage & Tollner[1:19:31] John Birdsall[1:19:31] Tennessee Williams[1:19:31] Truman Capote

Cette semaine, Au Coeur de l'Histoire se met à l'heure d'Halloween ! Pour cette semaine spéciale frissons, préparez-vous à avoir la chair de poule...Virginie Girod vous raconte les origines d'un monstre incontournable de la pop culture dans un récit inédit d'Au cœur de l'Histoire !Loin de l'image du revenant assoiffé de sang forgée et véhiculée par le cinéma hollywoodien, la figure du zombi puise ses origines dans la culture vaudou haïtienne. A partir du XVe siècle, alors que le commerce triangulaire se met en place, des millions d'Africains sont capturés et réduits en esclavage sur les territoires nouvellement conquis en Amérique et dans les Caraïbes. Le mélange des cultures locales et importées aboutit, sur l'île qui deviendra Haïti, à la construction d'un syncrétisme religieux : le vaudou, comprenant ses propres rites, croyances et divinités, à l'image d'Erzuli ou du Baron Samedi. Parmi les pratiquants, il existe des sorciers, les bokors, capables de ramener des êtres d'entre les morts en effectuant des rites de zombification... Mais qui sont ces zombis ? Ont-ils jamais perdu la vie ? (rediffusion)Au Cœur de l'Histoire est un podcast Europe 1.- Présentation et écriture : Virginie Girod- Production : Armelle Thiberge et Morgane Vianey- Réalisation : Nicolas Gaspard- Composition du générique : Julien Tharaud- Visuel : Sidonie Mangin Bibliographie :- Philippe Charlier, Zombis, enquête sur les morts-vivants, Tallandier, coll. "Texto", 2023- Philippe Charlier (dir.), Zombis. La mort n'est pas une fin ?, Gallimard/musée du Quai Branly-Jacques Chirac, 2024- Zora Neale Hurston, Tell My Horse: Voodoo and Life in Haiti and Jamaica, Amistad, 2008Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to Episode 245! A highlight of this episode, if you want to call it that, is our discussion of Henry James's ghost story, “The Jolly Corner,” from THE PENGUIN BOOK OF GHOST STORIES. Chris also read his novella, “The Turn of the Screw,” so we actually talk about two Henry James stories. We're sorry. Haha. We jest, but in all honesty, we struggled with James's writing style, even if we thought the plots were engaging. If you're a Henry James fan, what are we missing? We'd love to hear from you! The image for this episode is a selfie we took in front of Henry James's portrait at the Isabella Stewart Gardner Museum in Boston earlier this year. It was painted in 1911 by his nephew, William “Billy” James. We had much more fun reading and discussing “The Birds” by Daphne Du Maurier. There's a new collection of Du Maurier's short stories out, AFTER MIDNIGHT: THIRTEEN TALES FOR THE DARK HOURS, which prompted our buddy read of this suspenseful tale of increasing dread. We plan on watching Alfred Hitchcock's adaptation of the same name before the next episode. In our “Just Read” segment, we also talk about: THE LAST RESORT by Erin Entrada Kelly THE DOGS OF VENICE by Steven Rowley AFTERTASTE by Daria LaVelle AGNES GREY by Anne Brontë In Biblio Adventures, we were thrilled to make it to the Yale Repertory Theatre in New Haven, CT, to see SPUNK. Zora Neale Hurston dreamed of seeing her short story, published in 1925, adapted for the stage. It took one hundred years to happen, but her wish has come true. As always, there's more “inside.” Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode245

Guest: Deborah G. Plant is an African American and Africana Studies Independent Scholar, Writer, and Literary Critic specializing in the life and works of Zora Neale Hurston.  She is editor of Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston and the author of Alice Walker: A Woman for Our Times, a philosophical biography. The post Barracoon: The Story of the Last “Black Cargo” appeared first on KPFA.

Critic and opinion writer Christopher Scalia, son of the late Justice Antonin Scalia, recommends 13 novels with conservative themes that, he says, aren't widely known by conservatives. In his book "13 Novels Conservatives Will Love (but Probably Haven't Read," the former English professor discusses books by Walter Scott, George Eliot, P.D. James, Zora Neale Hurston, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

Critic and opinion writer Christopher Scalia, son of the late Justice Antonin Scalia, recommends 13 novels with conservative themes that, he says, aren't widely known by conservatives. In his book "13 Novels Conservatives Will Love (but Probably Haven't Read," the former English professor discusses books by Walter Scott, George Eliot, P.D. James, Zora Neale Hurston, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

My intention inside this episode is to invite us to re-calibrate inside our desire. As we search for safety, predictability and control, we can find ourselves impulsively grabbing for the tools of white supremacy culture in an attempt to catch our breath and find our footing once more. We extend deep compassion to ourselves for this reflex, with fascism, state sanctioned violence and the question of survival riding the air, it is no surprise that we may breathe in fear with our latest inhale. Inside this episode we exhale, remembering the tools of white supremacy culture are incompatible with the worlds we are building. The classrooms we're spinning up in mid air, the apothecaries getting their start in our gardens growing into neighborhood pharmacies, the basements we're turning into movie theaters streaming love, love, love. And before we know it, we're impulsively picking up tools of a different kind. Tools for tending to a culture of care, where black life is sacred and shared vulnerability is more appealing than isolating in fear.ResourcesRegister for free to the brand new workshop, “Erotically Engineer Your Paid Creative Offering”: https://www.seedaschool.com/offerSubscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠Citations“White Supremacy Culture” by Tema OkunThe Nap Ministry Post on Threads“The dream is the truth. Then they act and do things accordingly.” — Zora Neale Hurston, Their Eyes Were Watching GodCover Art: Love Jones Film Still (1997)

This week, we're bringing you a special episode from our play cousins over at the podcast "Our Ancestors Were Messy." We hear about how Zora Neale Hurston and Langston Hughes went from being best friends to not friends.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Description: Today, Jen has a discussion with her longtime friend, brilliant thought-leader and activist, Austin Channing Brown. You probably know Austin from her viral first book, I'm Still Here: Black Dignity in a World Made for Whiteness, which flew off shelves in 2020 following the murder of George Floyd, as we were witnessing worldwide protests, calls for police reform, and a radical change to our racial justice systems. Countless people trusted Austin to help them unpack and understand the racial reckoning going on in our country at that time. Now, Austin is releasing a new project that shares some of her hard-fought learnings gained since that tumultuous time. Full of Myself: Black Womanhood and the Journey to Self-Possession is a love letter to the black women, like Austin herself, who are exhausted from being everything to everyone but themselves. Across essays titled “I Love Myself When I Am Laughing,” “When I Am Awkward,” “When I Am Failing,” and more, Austin celebrates the fullness of her humanity. Each chapter becomes a mirror, asking women—especially Black women—to consider where they've given themselves away and what it would mean to live with self-possession instead. Highlights from this conversation include: What it means to Austin to be “full of herself”—a phrase she reclaimed as an act of resistance, dignity, and spiritual integrity What happens in our bodies when we operate out of alignment with ourselves What it means to be a Black woman striving to live fully in a world that often demands her silence, her labor, and her conformity And the inspirational, life-saving advice that Austin received from activist, Tarana Burke This is such a good conversation starter and one to be shared, for sure. Thought-provoking Quotes: “I'm sick of white people telling me I have to remain in unhealthy workplaces, unhealthy worship spaces, unhealthy towns in order to save them. Everywhere I go, I'm told I should sacrifice myself for the possibility of whiteness getting its shit together.” – Austin Channing Brown “I grew up in an era that we called racial reconciliation. ‘Racial justice' was too hard. It implied that there were two people who had both done wrong and needed to come together. And the way that was often phrased for people of color was that we needed to teach, we needed to offer grace, we needed to bend over backwards, we needed to touch hearts and minds, endless patience, we needed to watch our tone, we needed to be open and inviting. It was all about what we needed to do.” – Austin Channing Brown “There is an integrity, accountability, and power that comes with being full of myself. And there is a lack of needing to please anybody else. Because I'm full of me.” – Austin Channing Brown Resources Mentioned in This Episode: Full of Myself: Black Womanhood and the Journey to Self-Possession by Austin Channing Brown - https://amzn.to/4k0SQI1 I'm Still Here: Reese's Book Club: Black Dignity in a World Made for Whiteness by Austin Channing Brown - https://amzn.to/4jElqyn Nikki Giovanni, poet - https://www.poetryfoundation.org/poets/nikki-giovanni  Zora Neale Hurston - https://www.zoranealehurston.com/ I Love Myself When I Am Laughing And Then Again When I Am Looking Mean & Impressive by Zora Neale Hurston - https://amzn.to/3FVpGvA Tarana Burke - https://www.taranaburke.com/ Guest's Links: Website - https://austinchanning.com/ Instagram - https://www.instagram.com/austinchanning/ Twitter - https://x.com/austinchanning Facebook - https://www.facebook.com/austinchanningbrown Substack - https://substack.com/@austinchanning Connect with Jen!Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmakerJen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmakerJen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For the Talk of Iowa Book Club, a conversation about Zora Neale Hurston's Their Eyes Were Watching God.

Beto O'Rourke urges Democrats to fight “fire with fire”, Trump releases frozen school grants with strings attached, and Zora Neale Hurston's final home is rescued from disrepair. O'Rourke urges Democrats to fight ‘fire with fire' in redistricting battleTrump releases frozen school grants with conditions; most funds for California still in limboZora Neale Hurston's Last Home Saved From Disrepair, To Be Preserved By Florida Foundation Follow @PodSaveThePeople on Instagram.

Fish Fries, political BBQs, family reunions — during the 1930s writers were paid by the government to chronicle local food, eating customs and recipes across the United States. America Eats, a WPA project, sent writers like Nelson Algren, Zora Neale Hurston, Eudora Welty, and Stetson Kennedy out to document America's relationship with food during the Great Depression.When we were searching for Hidden Kitchens and stories about how people come together through food we opened up a phone line on NPR and asked the nation for their ideas. Mark Kurlansky, author of Choice Cuts: Food Writing from Around the World and Throughout History told us about America Eats, a federal Works Progress Administration (WPA) program in the 1930s that sent writers throughout the country to document foodways.Each region had its own America Eats team. Their writings, photographs and even some scripts for a proposed weekly radio program are tucked away in collections around the country — at the New York Municipal Archive, the Mississippi Department of Archives and History, the University of Iowa Library, and the State Library and Archives of Florida, as well as at the Library of Congress.Producer Jamie York and The Kitchen Sisters follow the story to the Library of Congress and beyond.Produced by Jamie York and The Kitchen Sisters. Mixed by Jeremiah Moore. In collaboration with Tim Folger, Jay Allison, Laura Folger, Kate Volkman, Melissa Robbins, Viki Merrick, Sydney Lewis, Chelsea Merz and Susan Leem.The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We're part of Radiotopia from PRX, a curated network of  podcasts created by independent producers — some of the best stories out there. Find out more at Radiotopia.fm and kitchensisters.org.

In this powerful closing to Safety Week, Morgan guides listeners through a meditation inspired by the fearless journalist and activist Ida B. Wells, offering reflection and resilience in the face of injustice. Vanessa then leads with a heartfelt prayer led by Pastor Sarah Jakes Roberts before diving into an essential lesson on supporting individuals returning home from incarceration and the process of expunging a criminal record. Finally, Trelani returns with ancestral wisdom, channeling the profound insights of literary legend Zora Neale Hurston. Join us for an episode steeped in history, healing, and heart. Important Disclaimers: Morgan and Vanessa are not legal experts or government workers. Consult your legal counsel, and/or government worker for guidance tailored to your needs.