Podcasts about fateful vision

Regular hosts Haitch and Jason are joined by the ​​New York Times culture writer and author of Mad As Hell: The Making of Network and the Fateful Vision of the Angriest Man in Television, Dave Itzkoff. We cover one of the most powerful and prescient exposes of media and corporate control, Paddy Chayefsky's 1976's classic, Network. Chapters Introduction (00:00:00) Dune News (00:07:46) Dave Itzkoff Interview (00:12:36) NetworkRoundtable Discussion (00:28:08) Your Letters (01:38:00) Notes and Links Buy Dave's book!. Check out Dave's excellent behind the scenes making of story, Mad As Hell: The Making of Network and the Fateful Vision of the Angriest Man in Television. Available wherever you buy books. Check out the Dune Pod Merch Store! Great swag and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Read our episode transcripts! Check out our transcripts every week on the Dune Pod Medium page. Join the Dune Pod Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Dune Pod is a TAPEDECK Podcasts Jawn! Dune Pod is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers comics and more), Will Run For (obsessed with running), and Film Hags (a podcast about movies hosted by four hag friends). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Dune Pod's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@dunepod.com or leave us a voicemail at +1-415-534-5211. Dune Pod: your one stop shop to enjoy the new Dune movies by delving into the books, as well as the films directed by Denis Villeneuve and featuring the cast and crew of the new film, as well as just awesome movies that we think you'll enjoy. Follow @dunepod on Twitter and Instagram Music by Tobey Forsman of Whipsong Music Cover art by Haitch Transcripts by Sophie Shin The episode was edited by Megan Hayward of EditAudio and produced by Haitch Dune Pod is a TAPEDECK Podcasts Jawn Dune Pod is a production of Haitch Industries

We conclude Elizabeth Nebenfuhr's dramatic testimony out of New Age spirituality with her vision with Jesus as well as the dangers of the New Apostolic Reformation movement (or known as NAR) -- that and a lot more on this part 2 of 2 installment of Spirit Answers Podcast.Share YOUR story or recommend a testimony here: spiritanswerspodcast@gmail.com -- do you have a New Age to Christianity testimony, a supernatural encounter story, a divine intervention, a miracle, or an NDE that strengthened your relationship with God? Audio only version (no video will be recorded) also availableGet a sneak peek of next week's episode, interact with our guests, get prayer support, and share your story in our Facebook group: https://www.facebook.com/groups/spiritanswersIf you feel led, please donate to the podcast here: https://paypal.me/spiritanswerspodcast?locale.x=en_USElizabeth's email: anheir2histhrone@aol.comElizabeth's Facebook: https://www.facebook.com/elizabeth.nebenfuhrMusic by K-Murdock: https://www.instagram.com/kcreatesaudio/Art by Josh Sisco#newagetojesus, #nar, #christiantestimony

Mike and Dan talk with Dave Itzkoff, author of Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies.  What a movie! What a book!  Dave talks about his research, what he learned about Paddy Chayefsky, and how Network predicts our contemporary media landscape.  If you're a fan of Network, or of movies at all, this is a must-hear.  Many thanks to Dave Itzkoff for coming on the show. Get your copy of Mad as Hell here: https://www.amazon.com/Mad-Hell-Network-Fateful-Angriest/dp/1250062241/ref=sr_1_3?dchild=1&keywords=mad+as+hell&qid=1618792666&sr=8-3 Please subscribe to the show wherever you get your podcasts and follow us on Twitter @15MinFilm.   You can also contact us at FifteenMinuteFilm@gmail.com, and support the show with a buck or two at Venmo @FifteenMinuteFiIm.   Incredible bumper music by John Deley.    

This Week Josh ,Clay, Kyle, and Daniel discuss DCU and the CW's Stargirl (Spoilers)  We hope everyone stays Safe and Healthy. Please WEAR A MASK & WASH YOUR HANDS!    Previously on Next Issue [1:00 - 33:00] Comics Mentioned: Year of the Villain: Hell Arisen James Tynion IV, Steve Epting (Illustrator), Javier Fernández.  March: Book One by John Lewis, Andrew Aydin art by Nate Powell (Artist). Death Metal #2 Scott Snyder, Greg Capullo, Jonathan Glapion, Francisco Palencia. Strange Adventures #3 Tom King, Mitch Gerards, Doc Shaner  Titans Together DC comics Digital First Spider-Woman #2 by Karla Pacheco & Pere Perez  Avengers #33 by Jason Aaron & Javier Garron Giant Size X-Men: Magneto by Jonathan Hickman & Ramon Perez The Movie Palm Springs on HULU briefly discussed, Non Spoilers talk   Main Topic [33:00 - 01:14:00]   Stargirl Episode 1 through 9 Full Spoiler conversation  Stargirl Theories for the rest of the season Stargirl Wish list   News update [01:14:00 - 01:18:00] Possible Gotham Central TV Show Batwoman casting news   Recommendations [01:18:00 - End]  Josh: March Vol 1-3 by John Lewis, Andrew Aydin art by Nate Powell (Artist). Pathfinder 2E Humble Bundle!   Clay: Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies   Kyle: Crisis on Multiple Earths collections  Daniel: Cursed on Netflix based on the book by Tom Wheeler Illustrated by Frank Miller colored by Tula Lotay. The Old Guard Movie based on the comic by Greg Rucka & Leandro Fernandez  SUBSCRIBE, RATE and REVIEW!  Thank you!  Follow us on twitter @nextissuepod Twitch.TV/NextIssue and Facebook  Clay: @Clay_Harrison Kyle: @Kylepedia Adrian: @Adrian_Harry Daniel: @eckospider Josh: @cosmosis

Network is a 1976 American satirical drama film written by Paddy Chayefsky and directed by Sidney Lumet, about a fictional television network, UBS, and its struggle with poor ratings. The film stars Faye Dunaway, William Holden, Peter Finch and Robert Duvall and features Wesley Addy, Ned Beatty and Beatrice Straight. The film won four Academy Awards, in the categories of Best Actor (Finch), Best Actress (Dunaway), Best Supporting Actress (Straight) and Best Original Screenplay (Chayefsky). In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has "set an enduring standard for American entertainment".[3] In 2005, the two Writers Guilds of America voted Chayefsky's script one of the 10 greatest screenplays in the history of cinema.[4][a] In 2007, the film was 64th among the 100 greatest American films as chosen by the American Film Institute, a ranking slightly higher than the one AFI had given it ten years earlier. Faye Dunaway as Diana Christensen William Holden as Max Schumacher Peter Finch as Howard Beale Robert Duvall as Frank Hackett Wesley Addy as Nelson Chaney Ned Beatty as Arthur Jensen Beatrice Straight as Louise Schumacher Jordan Charney as Harry Hunter William Prince as Edward Ruddy Lane Smith as Robert McDonough Marlene Warfield as Laureen Hobbs Conchata Ferrell as Barbara Schlesinger Carolyn Krigbaum as Max's secretary Arthur Burghardt as the Great Ahmet Khan Cindy Grover as Caroline Schumacher Darryl Hickman as Bill Herron Lee Richardson as the Narrator (voice) Lance Henriksen as Network lawyer (uncredited) Network came only two years after the first on-screen suicide in television history, of television news reporter Christine Chubbuck in Sarasota, Florida.[6][dead link] The anchorwoman was suffering from depression and loneliness, was often emotionally distant from her co-workers, and shot herself on camera as stunned viewers watched on July 15, 1974. Chayefsky used the idea of a live death as his film's focal point, saying later in an interview, "Television will do anything for a rating ... anything!" However, Dave Itzkoff's book Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies disputes that Chayefsky was inspired by the Chubbock case, asserting that Chayefsky actually began writing Network months before Chubbuck's death and already planned for Howard Beale to vow to kill himself on air, and that Chubbuck's suicide was simply an eerie parallel.[7] Sidney Lumet also confirmed that the character of Howard Beale was never based on any real life person.[8] Still, the Chubbuck case is mentioned in Chayefsky's screenplay.[citation needed] Before beginning his screenplay, Chayefsky visited network TV offices. Sitting in on meetings at CBS and NBC, he noted "the politics, the power struggles, the obsession with ratings."[9] He was also surprised to learn that television executives did not watch much television. "The programs they put on 'had to' be bad," he said, "had to be something they wouldn't watch. Imagine having to work like that all your life."[10] According to Dave Itzkoff, what Cheyefsky saw while writing the screenplay during the midst of Watergate and the Vietnam war was all the anger of America being broadcast in everything from sitcoms to news reports. He concluded that Americans "don't want jolly, happy family type shows like Eye Witness News" ... "the American people are angry and want angry shows."[11] When he began writing his script he had intended on a comedy, but instead poured his frustration at the broadcasts being shown on television, which he described as "an indestructible and terrifying giant that is stronger than the government" — into the screenplay. It became a "dark satire about an unstable news anchor and a broadcasting company and a viewing public all too happy to follow him over the brink of sanity."[11] The character of network executive Diana Christiansen was based on NBC daytime television programming executive Lin Bolen,[12] which Bolen disputed.[13] Chayefsky and producer Howard Gottfried had just come off a lawsuit against United Artists, challenging the studio's right to lease their previous film, The Hospital, to ABC in a package with a less successful film. Despite this recent lawsuit, Chayefsky and Gottfried signed a deal with UA to finance Network, until UA found the subject matter too controversial and backed out. Undeterred, Chayefsky and Gottfried shopped the script around to other studios, and eventually found an interested party in Metro-Goldwyn-Mayer. Soon afterward, United Artists reversed itself and looked to co-finance the film with MGM, since the latter had an ongoing distribution arrangement with UA in North America. Since MGM agreed to let UA back on board, the former (through United Artists as per the arrangement) controlled North American/Caribbean rights, with UA opting for overseas distribution.

Dave Itzkoff, culture reporter for the New York Times and author of Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies, joins Nick and Lars for another trip across the pond for one of the finest treats the British Isles has to offer, '70s sci-fi series The Tomorrow People. The episode we watched, "The Blue and Green Part 1: An Apple for the Teacher" tells the story of Stephen and John, two hunky psychics who help an impressionable young art teacher get in touch with her magical side. Topics discussed within include jaunting, smashers, and sweater vests. Send your emails to letters@breakfastquest.net! Watch the show we watched on iTunes, ya cheapstake! ...and SUBSCRIBE TO BREAKFAST QUEST ON iTUNES!

From Citizen Kane, All The Presidents Men, Anchorman, and Newsroom to this years much buzzed about films Truth and Spotlight – Hollywood has had a long, adoring, but complicated relationship portraying journalism. The iconic 1976 film Network staring Faye Dunaway and Robert Duvall will soon celebrate its fortieth anniversary. In both television and film, journalism is still a hot topic today with crusading journalists, cutthroat executives and stressed newsrooms front and center. The film Network was groundbreaking when it premiered but it’s influence is still felt and has inspired filmmakers like Aaron Sorkin and TV personality Stephen Colbert. On the show, we speak to New York Times writer Dave Itzkoff and author of the hit book Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies about Network on the continuing allure of the journalism genre. Why are these depictions important in our greater culture? Why do newspaper journalists get so much more respect then their counterparts on TV? And is there any truth to the power-hungry female news producer?

Clearly prophetic, “Network” was a controversial film that was reviled by television studios and networks, yet became one of the best films of its time. Dave Itzkoff, culture reporter for The New York Times, has written a great overview of writer Paddy Chayefsky’s fight to hold on to his vision,... Learn more about your ad choices. Visit megaphone.fm/adchoices

Clearly prophetic, “Network” was a controversial film that was reviled by television studios and networks, yet became one of the best films of its time. Dave Itzkoff, culture reporter for The New York Times, has written a great overview of writer Paddy Chayefsky’s fight to hold on to his vision, particularly against major pushback from many groups.     Learn more about your ad choices. Visit megaphone.fm/adchoices

Clearly prophetic, “Network” was a controversial film that was reviled by television studios and networks, yet became one of the best films of its time. Dave Itzkoff, culture reporter for The New York Times, has written a great overview of writer Paddy Chayefsky’s fight to hold on to his vision, particularly against major pushback from many groups.     Learn more about your ad choices. Visit megaphone.fm/adchoices

In a further exploration of the 'working women' conversation started in Episode 20, Eleanor speaks with Dave Itzkoff, author of the revealing new book Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies. He shares some of on- and off-set anecdotes about screenwriter Paddy Chayefsky and star Faye Dunaway, and they ponder the lasting impact of Network, whose commentary on women in the workplace preceded concepts of "lean in" and "glass ceiling."

In this episode, Martin talks to New York Time culture reporter Dave Itzkoff about his new book Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies. "I'm mad as hell, and I'm not going to take it any more!" Those words, spoken by the unhinged television anchorman named Howared Beale, the 'mad prophet of the airwaves,' took America by storm in 1976, when Network because a sensation. With a superb cast (William Holden, Faye Dunaway, Peter Finch and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. Itzkoff's fascinating book recounts the incredible story of how Network made it to the screen, and gives us an in-depth view of the man responsible for the film, the uncompromising screenwriter Paddy Chayefsky.

Most of you know that the mad prophet the airwaves was Howard Beale. The very idea that we can listen to a clip from Network, made 38 years ago, and its sounds as relevant as if it were written yesterday, speaks to the genius of Paddy Chayefsky's script, and the serendipity of the movie and its production.The movie was at once spot on in its portrayal of its moment in time and prescient about something as big and hard to hold on to as the television and the media landscape.  It is truly a movie for the ages.Not to put down other efforts, but look at Network in the context of the simplicity and gloss of contemporary movies, and you begin to understand why we are still talking about Network today.We’re also talking about it because Dave Itzkoff, culture reporter at the New York Times, has written the definitive behind the scenes story of this iconic film, Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies.My conversation with Dave Itzkoff