Podcasts about AFI

In this episode of Stay By Plan, Afi and Eleanor sit down with Kodzo Nyanyuie, founder of the Good News brand.What started as a conversation about building a clothing business quickly turns into something deeper.Kodzo shares his journey of creating a brand rooted in purpose, from running a streetwear line to helping others print and build their own merchandise. But beyond the business, he opens up about the role faith has played in guiding his decisions, shaping his mindset, and keeping him grounded through the process.They get into the realities of starting and running a merch business, finding direction when things don't go as planned, balancing ambition with personal values, and what it really means to trust the process.This is an honest, thoughtful, and down-to-earth conversation about purpose, business, and belief. ❤️Sending money from abroad? Use Tap Tap Send — it's fast, simple, and you don't pay extra charges. — https://www.taptapsend.com/ Use our discount code: STAYBYPLAN for the best rates! 

Filipe Aires, analista de AFI, destaca las claves macro y divisas de la jornada.

This interview discusses Katherine Connor Duff's short film "This Little Picky Goes to Market," which is the final installment in her "Voyeur" trilogy exploring modern performance and social media culture. Katherine explained how the film follows Penelope, an OnlyFans foot model who loses subscribers and faces online harassment, examining themes of social media's impact on creators and the treatment of individuals online. The discussion covered the film's 70s cinematic influences, including directors like Mike Nichols and Roman Polanski, as well as the challenges of modern content creation and the "witch burning" phenomenon where online creators are quickly torn down after being built up. Katherine discussed her careful approach to filmmaking with WILDsound's Matthew Toffolo, having written 30 drafts over six months for this project, and her plans to screen all three films in her trilogy at AFI in December. The conversation concluded with discussion of potential distribution strategies and Katherine's future projects, including a possible feature film or new series about American industry. This Little Piggy Goes to Market, 14min., USA Directed by Katherine Connor Duff A livestream turns into a trap when an OnlyFans foot model is pushed past her limits by her demanding subscribers. https://instagram.com/thislittlepiggyfilm https://www.wildsound.ca/videos/audience-feedback-this-little-piggy —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod —— Love for you to try the Indy Film Festival AP. • Daily new film festival of the best new films from around the world. New archived festival to watch anytime. • Library of over 500+ award-winning films to watch anytime. Go to https://www.wildsound.ca and sign up for the free 3-day trial. Check out the daily film festival (and previous ones from last month) at https://www.wildsound.ca/browse Always an amazing lineup of films. Inspiring for storytellers.

Tres alumnas de la Región de Murcia, junto a su profesor Adrián García, se han alzado con el premio nacional del concurso "Finanzas responsables" organizado por la Fundación AFI. Su propuesta se basa en un vídeo creativo que introduce el concepto del "auto-IVA del 20%", una técnica diseñada para distinguir entre una necesidad y un capricho. La estrategia consiste en aplicarse a uno mismo un impuesto ficticio del 20% sobre cualquier compra impulsiva; si al ver el precio final con ese recargo el gasto "duele" o parece excesivo, se demuestra que el producto no es realmente necesario y se evita el desembolso.Gracias a este proyecto, las estudiantes disfrutaron de un viaje de tres días a Madrid con visitas formativas a instituciones clave como la Comisión Nacional del Mercado de Valores (CNMV), donde aprendieron sobre la prevención de fraudes financieros, y la Fundación Mapfre. Esta iniciativa, destacada por el Instituto de Crédito y Finanzas (ICREF), busca demostrar que la educación financiera puede ser "fresca, creativa y cercana", ayudando a los jóvenes a tomar decisiones económicas conscientes desde el sentido común.

Javier Aledo, analista de AFI, comenta las cuentas de PepsiCo, Levi,s y da su visión sobre Meta, que comenzará la producción de un chip de IA en septiembre con el objetivo de duplicar su capacidad de procesamiento.

Miramos a la macro del día, y echamos un vistazo también a las divisas. Con Javier Pino, analista de AFI

Söyleşi: Faruk EkiciSertaç Sayın'ın kaleme alıp yönettiği, Payidar Muhtar karakterine Doğukan Polat'ın hayat verdiği, Orta Anadolu'nun bozkırından Ankara pavyonlarına uzanan bu tek kişilik bağımsız yapım Bozkır; iktidar hırsını, aidiyet arayışını ve bir muhtar adayının absürt çöküşünü kara mizahın diliyle sahneye taşıyor.Sertaç Sayın ve Doğukan Polat; politik tarih ile yerel hikâyelerin sahnede buluştuğu bu süreci, mülteci meselesinin insanı nasıl dönüştürdüğünü, bağımsız tiyatronun günümüzdeki "özgürlük alanı" olma vasfını ve "görkemli bir kaybeden" üzerinden kutuplaşmaya dair söylediklerini T24'e anlattı.Künye:Yazan ve Yöneten: Sertaç Sayın Oynayan: Doğukan Polat Yapımcı: Mehmet Küçükgünaydın Afiş ve Dekor Tasarım: Rabia Kip Telek Kostüm Tasarım: R. Dilara Akalın Işık Tasarım: Eren Uğurhan Hareket Tasarım: Seda Özgiş Repetitör: Ozan Demir Müzik Danışmanı: Cem Erdost Yönetmen Yardımcıları: Fatih Sevdi ve Tanıl Yöntem Dekor Uygulama: Serkan Kavurt Afiş Fotoğrafı: Mürsel Çoban Video Çekim & Kurgu: Berkan Karadede ve Renas Gültekin Reji Asistanı: Seçil Aras ve Özlem Göksu Dura Yapım Ekibi: Salih Ronayi Gültekin Yapım Koordinatörleri: Ece Şahin ve R.Dilara Akalın

In this highly anticipated next chapter with one of our favorite bands, HardLore is finally joined by Jade Puget: the man who was instrumental in defining the iconic AFI sound. Featuring special guest co-host Alec Faber of God's Hate, Twitching Tongues and Holy Blade.Following our legendary two part special with Davey Havok, we're honored to share Jade's side of the greater AFI story… Starting from the beginning with Jade discovering punk & hardcore in Ukiah, CA alongside his brother Smith, his days in Redemption 87, joining AFI and creating their definitive sound with his work on Black Sails in the Sunset, the surprising legacy of the All Hallows EP, his (and the band's) frustrations with Nitro Records, the opportune timing of Art of Drowning, the cultural phenomenon of Sing the Sorrow and continuing success of Decemberunderground, the agony of Crash Love, the triumph of Burials, all the way to re-defining the AFI sound with Silver Bleeds the Black Sun.It was an honor and a joy to finally chat about all things AFI and hardcore with Jade, and we can only hope you enjoy this 3 hour chat as much as we did.______________HardLore: A Knotfest Series, fueled by Monster Energy.Shot, edited and mixed by Steven Grise Title sequence by Nicholas Marzluf • Join the HARDLORE PATREON to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes• Join the HARDLORE DISCORD • Get 15% off DUNABLE GUITARS with code HARDLORE. Seriously. A guitar. What are you waiting for??? • Get 15% off TIMELESS COFFEE site-wide and grab a bag of my favorite beans and the best vegan cookies I've ever had: ______________00:00:00 - Start00:01:38 - Jade Puget00:03:10 - Discovering Punk and Hardcore in Ukiah00:06:28 - Skateboarding & The Muhammad Ollie00:12:57 - Straight Edge & The Way It Is Compilation00:18:05 - Redemption 8700:24:21 - Becoming Aware of AFI00:28:04 - Joining AFI & Writing BLACK SAILS IN THE SUNSET00:34:30 - Jade's Favorite Fret & Restraint in Songwriting00:38:03 - The AFI Sound00:43:10 - All Hallows EP00:51:01 - AFI, Danzig, Samhain Tour00:57:38 - Art Of Drowning01:06:36 - Commercial Success And Overall Shock01:09:20 - SING THE SORROW & Slowing Down the AFISound01:13:20 - Jerry Finn & Butch Vig01:21:21 - Sing The Sorrow's Electronics (Fruity Loops)01:26:48 - Leaving Song 2 & Initially Hearing Sing the Sorrow Finished01:31:34 - MTV New Years Eve With Three Six Mafia01:32:59 - Leaving Song 2 Video01:37:46 - Sing The Sorrow's Release Into DECEMBERUNDERGROUND01:44:17 - Picking the Singles for DECEMBERUNDERGROUND 01:47:59 - Butch Vig Declining to Work on the Album01:50:54 - Writing 120 Songs & The “Hardcore Club”01:57:00 - The Whirlwind of Decemberunderground into the Agony of CRASH LOVE02:01:15 - Blaqk Audio/Crash Love Coinciding and “Stripping Down” AFI02:11:51 - Sing The Sorrow At The Forum02:17:25 - The Triumph of BURIALS02:24:13 - The Blood Album & Producing AFI02:28:18 - Silver Bleeds the Black Sun & Evolving the AFI Sound02:39:22 - BODIES & AFI in 202002:43:05 - Birdlegs & Getting His Revelation Star02:46:23 - Jade's Insane Chipotle Order lololololol02:51:51 - Top 4 Hardcore Records02:54:22 - A Les Paul Epilogue For Bo

En Capital Intereconomía, la Entrevista Capital pone el foco en el Foro de Sintra con David Cano, director general de AFI, para analizar las últimas señales enviadas por los principales bancos centrales sobre el futuro de la política monetaria. Durante la entrevista analizamos el mensaje lanzado por la presidenta del Banco Central Europeo, Christine Lagarde, quien defiende la reciente subida de los tipos de interés y asegura que la decisión sigue plenamente justificada a la vista de la evolución de la economía. También abordamos las conclusiones que deja el encuentro de Sintra, las perspectivas para la inflación y los próximos movimientos que podrían adoptar los bancos centrales. En la Tertulia Capital participan Fernando Gómez-Calcerrada, abogado del despacho RLD; Gonzalo Garnica, consultor empresarial; y Javier Sastre, profesor de ESIC Business & Marketing School, para analizar la actualidad política y económica. La mesa debate sobre la imputación de la presidenta de la SEPI en el denominado caso de Leire Díez y sus posibles consecuencias políticas. También analiza las nuevas declaraciones de Christine Lagarde sobre la estrategia del BCE, la desaceleración que el propio Gobierno reconoce para los próximos años y la actualización de las previsiones macroeconómicas, que elevan el crecimiento esperado para 2026 pese al contexto internacional. Además, repasamos la evolución prevista del deflactor del PIB, el calendario para la retirada progresiva de la rebaja fiscal sobre los carburantes y las principales medidas que incluirá el nuevo decreto de vivienda que el Ejecutivo prevé aprobar durante el mes de julio. Por último, analizamos la preapertura de las bolsas europeas junto a Pablo García, director de DIVACONS-Alphavalue, que repasa las principales referencias económicas y empresariales que marcarán el inicio de la sesión.

Miramos a la macro del día y echamos también un vistazo al mercado de divisas. Con Luciana Taft, analista de Afi

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DJ Jesse Luscious digs into the new "Armagideon Time - When Punk Met Dub 1978-1984" box set, his fave NYHC straight edge, and new tunes from Taxi Girls, The Rumours, John Coffey, Cor de Lux, Green Lung, The Meffs, No Peeling, Public Opinion, & Drakulas. He spins classics from Dillinger, The Briefs, AFI, Alkaline Trio, The Damned, Shandy, Ministry, Runaways, Rob Zombie, Crippled Youth, Flores Y Fuego, Gorilla Biscuits, Danzig, Fashiøn, The Jam, Pinch Points, Sham 69, Youth Of Today, and 7 Seconds, and reveals this week's Luscious Listener's Choice! Taxi Girls- Midnight Mixtape Briefs- Tear It In Two Drakulas- Going Going Gone Gone AFI- Miss Murder Alkaline Trio- Wait For The Blackout Damned- Smash It Up Pts 1 + 2 Shandy- Beards And Banjos Sham 69- It's Never Too Late Public Opinion- When Kevin Gets Free Flores Y Fuego- Guadaña Cor De Lux- The Cringe Pinch Points- Jellybrain No Peeling- HGV Ted No Peeling- Night Idea Fashion- A Deeper Cut Dillinger- Funky Punk Jam- Pop Art Poem Meffs- Where Did It All Go Wrong? Manic Hispanic- Teardrop On My Eye 7 Seconds- We're Gonna Fight Crippled Youth- Not Just Talk Crippled Youth- Stand Together Youth Of Today- Stabbed In The Back (edit) Youth Of Today- Youth Crew (edit) Gorilla Biscuits- Better Than You Green Lung- Necropolitan Line Danzig- Am I Demon Rob Zombie- Tarantula Ministry- Sabotage Is Sex (feat. Jello Biafra) John Coffey- Hang The Choir Rumours- Gimme Runaways- Dead End Justice

Send us Fan MailStarting January 1, 2027 every antepartum visit becomes its own billable E/M charge. The global OB code goes away. The seventeen deleted codes include 59400, 59510, 59425, and 59426. And the way most prenatal notes are written today supports a 99212 at best, even when the visit was genuinely a 99214. Dr. Heather Signorelli and Maria Reynoso, Director of RCM at NatRevMD, walk through what changes, what the notes have to say, and the three actions every OB practice should take this week. What changes January 1, 2027: Antepartum-only codes (59425, 59426) and global OB codes (59400, 59510) are deleted. Every prenatal visit is now a standard E/M visit with modifier TH. New patient 99202–99205. Established patient 99211–99215. What the notes actually look like today: Notes have been written for speed because the global model did not reward note detail. A typical 16-week prenatal note (BP, fundal height, FHTs, “patient doing well, return in 4 weeks”) supports a 99212. The provider did much more during that visit. None of it is in the note. Under 2027, that gap is real revenue. What a 99214 note has to say: ACOG's position: pregnancy is a chronic illness with exacerbation and progression for E/M purposes. The complexity is built in. The note has to reflect it. For a 99214, document the ongoing management of the pregnancy as a condition, the data reviewed with your interpretation, and moderate risk decisions like prescription management or monitoring a condition that could escalate. “Anatomy scan reviewed, normal” is a 99212. “Anatomy scan reviewed, normal four-chamber heart, no CNS abnormality, EFW consistent with dates, AFI normal, counseled patient” is a 99214. High-risk patients finally pay for the complexity of their care: Under the global model the complex patient and the low-risk patient paid the same. The new model fixes that two ways. Complex visits code at a higher level (99214 / 99215). And more frequent visits equal more claims. For 99215 the note needs the specific complicating diagnosis named, data reviewed with interpretation, the management decision and the reason behind it, and specialist coordination if applicable. Same-day procedures and modifier 25: Antepartum procedures (NSTs, ultrasounds, amniocentesis, CVS) still bill separately. The E/M visit on the same day is now also billable with modifier 25. The note must independently support the E/M, not just the procedure. Three actions this week: Audit twenty random prenatal notes against the 2021 E/M guidelines to set your baseline Rebuild EHR templates to prompt for MDM elements, not for speed Start documentation training in Q3, using providers' own notes side by side with the corrected version and the dollar difference Quick Reference Table:       Topic                                                                                    What to knowDeleted codes count                     -      17 codes deleted total Antepartum-only codes                  -       59425, 59426 — deleted Jan 1, 2027Global OB codes                                  -       59400, 59510 — deleted Jan 1, 2027 New patient E/M range                    -       99202–99205 + modifier TH Established patient E/M range    -       99211–99215 + modifier TH 99214 vs 99213                              -       ~$46 per visit at Medicare ratesModifier 25               -       On the E/M when a procedure is also billed same dayACOG test date         -September 1, 2026 — recommended start for test claimsRVU finalization       - CMS proposes July 2026, finalizes November 2026 RESOURCES BLOCK Save your seat: Live OB/GYN Global Codes Update Webinar (July 7, 2026, 4:00 PM ET) · eligibility.natrevmd.com/obgyn-global-updates-webinar Book a 1:1 with Dr. Signorelli · calendly.com/heather-natrevmd/ Practice Revenue Leak Scorecard · eligibility.natrevmd.com/nrm-revenue-scorecard-v3 Payment Posting Audit Checklist · eligibility.natrevmd.com/payment-posting-checklist RECOVER Diagnostic Quiz · natrevmd.com/quiz Series Part 1 (EP188): https://podcasts.apple.com/us/podcast/188-17-ob-codes-just-got-deleted-your-real-deadline/id1624182351?i=1000773393336Coming next: EP191 · Phase 2 labor management codes (the codes that have never existed in CPT before) 

The Horror Short Film Director Roundtable is one of the most important things that we did at the Portland Horror Film Festival. It provided an elevated platform for horror short filmmakers. Oftentimes, this is ground zero for original horror ideas. Unless you are a Hollywood nepo-director, short film creation is where you learn your chops. I wanted to give these creatives an opportunity to share their experiences in making movies, both good and bad, so that we can all learn a little more about the craft. Life as a short filmmaker can be an experience in the shadows. Your films are rarely seen outside of film festivals, but that’s not necessarily a bad thing. This is where most creative minds hone their crafts. Take a simple concept and do it well. Do you have something scary or funny to tell? Is there an idea that has been lurking in the back of your brain that you have to give life to? A short film will give you the opportunity to learn production, editing, budgeting, and team management. It also places you in a community of people who are open to sharing their work with one another. That’s where the round table fits in. After our discussion, I told the group that, even though I wanted this discussion to be a forum for them to share their wins and losses with each other, I selfishly set up this talk so I could learn more about horror moviemaking. Nine years in on being a small horror press journalist, and I still feel like I am only scratching the surface about what a director has to do. Just how do you do it? These discussions give me more talking points and access to better questions to ask. The Portland Horror Film Festival is one of the best curated horror film festivals in the country. Not only do Gwen and Brian Callahan select some of the best horror short films for their festivals, but they also provide opportunities for short film alumni to showcase their feature films. One of the questions I asked in our roundtable discussion was, “How many of you are looking to be feature film directors?” All of them raised their hands (with the exception of Patrick Hogan, who has already directed a feature film). For these directors, here is some encouraging data. This year alone had FIVE directors who previously presented short films at either PHFF or the H.P. Lovecraft Film Festival and later had their feature films shown at these festivals. Here are the PHFF Alumni filmmakers who presented a short film and then a feature: Anthony Cousins: Short Films – “The Bloody Ballad of Squirt Reynolds” and “Every Time We Meet for Ice Cream Your Whole Fucking Face Explodes” to Feature Films – Frogman (2023) and Frogman Returns (2026) Jeff Ferrell: Short Film – “Morella” to Feature Film – The Demonatrix (2026) Levi Buchannan: Short Film – “We Said Forever” to Feature Film Sitra Achra (2026) Krsy Fox: Short Film – “What the Spell” to Feature Film – Big Baby (2026) Masaki Nishiyama: Short Film “Smahorror” to Feature Film “The Invisible Half” (2026) Zack Ogle: Short Film “We Got a Monkey’s Paw” to Feature Film – It Needs Eyes (2025) Craig Ouellette: “Str$p” to Feature Film – Straight on Til Morning (2025) Andrew Bowser: Short Film – “Little Willy” to Feature Film – Onyx the Fortuitous and the Talisman of Evil (2022) Izzy Lee: “My Monster”, “Dark Signals”, “Rehomed” to Feature Film – House of Ashes (2024) Kenichi Ugana: Short Film – “Visitors” to Feature Film – Love Will Tear Us Apart (2023) Alice Maio Mackay: Short Film – “The Serpent’s Skin” to Feature Film T-Blockers (2023) Matthew John Lawrence: Short Film “Larry Gone Demon” to Feature Film – Uncle Peckerhead (2020) Justin Harding: Short Film “Kookie” to Feature Film – Making Monsters (2019) The PHFF Horror Short Film Director Roundtable Recording: Here is the roundtable discussion. It’s all about the lessons learned. The good, the bad, and the ridiculous. My past experience doing these round tables sometimes put the filmmakers on the spot, and I didn’t want this to be a “stump the directors” exercise. I prepared them with the following questions: Apart from financing, what was the biggest challenge in making your movie? What was the most interesting thing you learned while making this film? How many of you are filmmakers as a second career? What remains a mystery to you as a filmmaker that you think might be answered by one of your peers in this discussion? What piece of advice do you have for your fellow directors? This group really got into the discussion, and had the festival not started up, we could have gone on for quite a while longer. I had a great time, and I believe they did as well. The Horror Short Film Director Roundtable Films: Blindsided Directed by P. Patrick HoganStarring Crystal LoverroPortland Horror Film Festival: Winner of the Devil’s Discord (Best Sound Design) A blind schoolteacher struggles to survive through a nightmarish night when an alien spaceship crashes and unleashes a monstrous predator. This unique horror short film features an all-low-vision cast and places the audience in the POV of a blind protagonist who is only able to hear what happens around her. Director Statements: “Blindsided is a riveting short horror film that takes a unique narrative approach, providing audiences with an immersive glimpse into the harrowing experience of Maria, a blind woman confronting the most terrifying ordeal of her life. The horror remains unseen, both to her and the audience, heightening the suspense and reminding us that sometimes, the most terrifying things are the ones we don’t see coming… This is an innovative short film that ventures into uncharted territory within the horror genre. The narrative unfolds in a tranquil neighborhood, abruptly disrupted by a crashing alien spacecraft and the horrifying monster it unleashes into the night. However, what sets this film apart is the unique perspective from which the story is told – the POV of Maria, a blind schoolteacher living alone. Maria’s desperate struggle to evade the otherworldly predator, guided solely by what she hears, will provide an experience unlike any other horror short. Additionally, to promote diversity and inclusivity, in conjunction with our Disability Authenticity Consultant Vanni Le and Casting Director Danielle Pretsfelder Demchick, all the characters in the film are played by low-vision actors, placing the spotlight on the often-overlooked talent within the low-vision community. We are very proud of Blindsided and look forward to enjoying it in theaters with an audience who doesn’t know what they are about to experience.” Scullion Written and Directed by Trevor GracianoStarring: Whitney Garner as “Samantha”, Cody Parr as “Greg”, and Jim Close as “The Maid” A playful couple test their household chore habits and unknowingly summon a vengeful presence. Director Statements: “We all carry habits inherited from our parents into adulthood. I grew up in a religious household where some of those habits were helpful, but many were not—and they've lingered in ways I don't welcome. Some habits fade with time, while others remain, quietly shaping us in the background. This film explores the struggle to break free from those ingrained patterns, and the imaginative consequences of what happens when they refuse to let go. *It's really just about how to load the communal dishwasher correctly.” Worst Thing You’ve Ever Done Directed by PJ GermainWritten by Autumn Palen and PJ GermainStarring: Brady Gentry, Benjamin Nowak, Bix Krieger, Charlie N. Townsend, Cailyn Rice, Ethan Ahn, Emma Smith Watts, and Erin Rae Kykendall HIGH SCHOOL REALLY SUCKS… and no one knows that better than best friends Aaron and Keith. So when they set out to crash the last graduation party of the summer, emotions fly high, and the culture clash of teenagers finds them playing a simple game that has dire consequences. Director’s Statement: “Before he passed, screenwriter Gil Dennis told me during my time at AFI, “Write what hurts.” That idea has stayed with me; it's the compass I use when choosing the stories I want to tell. When I first read Autumn Palen's original draft of Worst Thing You've Ever Done, it hurt. It transported me back to moments in my own adolescence; memories filled with shame, ridicule, and isolation. But what floored me was its third-act twist. It was something I'd never felt so viscerally in a short script. I knew I had to direct it. What began as a contained character piece evolved into something more personal. I rewrote the script to reflect my own lived experiences, with every character, every event drawn from real moments that left a mark. I wanted to take a character that I felt so intertwined with, and make him someone that the audience would really relate to before reaching the moment where everything changes; the blood-drenched punchline to the twisted joke these high school kids played on each other. I set it during the 90’s, as it was a period of transition for me as an 80’s kid, being on the cusp of the old and new world. I needed the film to be an exploration of adolescent loneliness which dealt with the complexity of the friendships and social hierarchies that often defined who we were at that fragile age. We weren’t quite kids anymore, but we weren’t adults yet either, so how did we approach the consequences of reckless behavior? My team and I knew that casting would make or break the film. To capture that truth, casting was everything. I reviewed over 6,000 submissions, narrowing it down to a callback of who I thought could embody the characters. I needed authenticity, so at that callback, I ditched the script and asked actors, in character, to describe moments like first dates or getting asked to prom. It revealed who leaped from the page and became real. A week before we were to start shooting, my original cinematographer had to back out due to a conflict with the TV series he was currently shooting, and months of planning began to crumble. In the days leading up to whether or not we were going to cancel the project entirely, my long-time collaborator and cinematographer Jeff Billings took on the task. We shot the film over 3 tireless days, and as any director knows, you plan as much as you can; however, the plan eventually goes out the window. So I played a game of pivoting and being malleable myself in order to get what we needed to tell the story. The film is a testament to all the parts working together for a singular goal, and my hope is that when that first music cue drops, the audience is strapped in and ready to ride the roller coaster to that final frame.” https://vimeo.com/1071562836/377ba7d361?fl=pl&fe=cm Cat and Mouse Written and Directed by Brady CatesStarring: Halima Kamara as “Michelle”, Collan Simmons as “Felix, and Ron LaprechtEdited by Luke Oleen Junk, and Hayley Frederick Michelle is caught in a killer’s sadistic and carefully orchestrated game. With danger closing in at every turn, Michelle must outwit and outlast her relentless pursuer. But as the night goes on, unsettling clues reveal that all may not be what it seems. This time, it's the mouse's turn to catch the cat. My Severed Arm Written and Directed by Casey de FremeryStarring: Olivia Rose Prince as “Sidney”, Ryan Romine as “Mason”, and Julia Linger as “Commercial Model”Portland Horror Film Festival: Funny Bone Award for Exceptional Horror Comedy A woman tries to escape a serial killer using DIY videos, but the internet won't stop trying to sell her things first. Director’s Statement: “My Severed Arm is a horror-comedy about a “final girl” who, after fleeing into a cabin in the woods, discovers that her greatest threat isn't the machete-wielding slasher outside—it's the barrage of unskippable ads and paywalls blocking her access to life-saving information. Trapped, bleeding, and desperate to repair the tools around her, she turns to YouTube—but instead of help, she's ambushed by holographic tutorials and polished commercial spokespeople invading the cabin like digital ghosts. The film began with a thought I couldn't shake: what if you had to listen to ads when calling 911? It was a joke at first, but one that felt eerily plausible five minutes into the future. I've learned so many practical things through platforms like YouTube, but over time, that access has been buried beneath monetization schemes, misinformation, and endless self-promotional detours. This story is my response to that frustration—exaggerated into a literal life-or-death scenario. Stylistically, I wanted to evoke the stark, grim energy of Evil Dead or Cabin in the Woods, but undercut it with the absurdity of consumer culture leaking into every moment. That blend of horror and comedy, physical space and digital intrusion, is what drives the tone. At its core, My Severed Arm is about survival—both in the horror-movie and digital sense. It's about what happens when urgency meets algorithm, when access to knowledge is shaped by incentive structures that don't care if you bleed out. The film asks: what good is information if it's hidden behind paywalls, pop-ups, and promo codes? But more than anything, I want the audience to laugh, cringe, and feel that creeping recognition that this isn't the future – it's the now.” Into The Stand Directed by Mackenzie Hamilton and Taylor FuchsWritten by Mackenzie HamiltonStarring: Sarah Rich as “Quinn”, Ariana Raygoza as “Rosa”, and Nick Dietrich Tree planters Quinn and Rosa return to camp for another summer in the wilderness. Rosa is newly sober, and Quinn is quietly anxious about how she'll handle the camp's hard-partying culture. At the welcome-back party, Rosa is tempted to drink, prompting Quinn to intervene. Shaken, Rosa heads into the forest to clear her head, but doesn't come back. When Quinn goes after her, she's met with eerie signs: strange noises, a mangled deer, and an odd light deep in the woods. As the forest closes in, Quinn questions if there is something else out there. Director’s Statement: The woods have always haunted me. Growing up in rural Vancouver Island, I would often cut through forest trails to reach friends’ houses. When it was night, we would meet in the middle of the trail to keep each other safe. Thankfully, we always found each other, but I frequently wondered what if we didn't? What if something else was out there, waiting in the darkness of the woods? Into the Stand is inspired by the many times I scared myself on those trails, letting my imagination run wild. Now that I'm older, my fears are centered around more tangible things, like navigating how to let go of people you love when you can't control what they're going through. This story is deeply informed by themes of sobriety, codependency, and how the urge to help someone can sometimes lead you somewhere dark. Ultimately, Into the Stand is a fun horror made in the community I grew up in with friends who helped bring it to life. My husband and I co-directed this short film, transforming the woods on my parents' farm into a tree-planting camp, and had a blast turning a familiar place into something eerie and cinematic. It's a scary film that is personal and full of heart, and I'm overjoyed to be telling stories in the places that shaped me. –Mackenzie Hamilton and Taylor Fuchs Nurture Written and Directed by Nick SnyderProduced by Sam SnyderStarring: Travis Bilenski as “Ren, and Kailey Rhodes as “Rose”Portland Horror Film Festival: Winner – Goule D’or Best Short On a remote Oregon farm, a couple grieving from a miscarriage finds hope in a mysterious flower. But as it heals her, the flower takes root in him. Nurture is a dialogue-free folk-horror fable about love, grief, and the consequences of taking too much from nature. Director’s Statement: NURTURE marks my return to narrative filmmaking after years of honing my craft in visual effects, motion design, and commercial work. Inspired by the Pacific Northwest and the quiet mythology of its forests, this dialogue-free folk horror short explores grief through the lens of a nature curse. Where grief deepens love and a curse demands sacrifice, NURTURE examines the dangerous hope that something broken can be restored without cost. Other Notable Horror Shorts from the Festival: There were 48 short films shown at the Festival, selected from over 500 submissions. Here are a few notable and favorite films that were also showing at the festival. Famous Directed by Rosita Lama MuvdiWritten by Jordan MonaghanStarring Jordan Monaghan “A young woman desperate for social media fame exploits her father's death to go viral. But the volatile world of internet stardom pushes her to the edge.” Punchy and poignant. Famous taps into the darkest desires of influencers desperate to get likes. Just how far will you go for a few more “likes and subscribes”? Jordan Monaghan chases likes the wrong way in “Famous” (2026) Favela Amarela (Brazil) Written and Directed by Nicolas Lobato and Tiago TuchuStarring Richard Abelha, Giselle Batista, and Sai “A student from the favelas of Rio de Janeiro joins the local drug militia to pay for college and uncovers an NGO linked to powerful politicians that hides dark rituals devoted to the King in Yellow.” I won’t be surprised if this stunning short film also plays at the H.P. Lovecraft Film Festival. It is saturated in Brazilian culture, mixed with a heavy application of Cosmic Horror. Favela Amarela (2026) Wall Udder Written and Directed by Alexandra HaydenStarring Kevin Grady, Sawyer Fuller, and Bries Vannon “A dissatisfied woman confronts repressed feelings of malaise after her partner comes home smelling like milk.” Hysterically gag-inducingly funny! There is a double-punchline gag that brought the house down. Part of the Shorts Gone Wild block at PHFF, where the festival screens the zaniest submitted shorts. This did not disappoint. Ewwww! Who wants some milk? “Wall Udder” (2026) Tooth-Hurty! Directed by Jude MadonnaWritten by Katie SmallStarring Katie Small, Jude Madonna, Brook Hogan, and Tommy HardenPortland Horror Film Festival Winner: Abby Normal Award: For the exceptionally weird and disturbing “Lucy is a people-pleasing writer-photographer whose dream of being an artist remains just out of reach. A comment from her boyfriend about her teeth triggers Lucy to make an appointment for a dental checkup for the first time in years with the mysterious yet heavily advertised Big Smiles Dentistry.” Super clever! There should be more horror movies about trips to the dentist. This made my toes curl and had me in stitches, as well. Say Ahhh! Katie Small in “Tooth-Hurty!” (2026) CHÄIR Directed by Chris McInroyWritten by Chris McInroy and Carlos La RottaStarring Carlos LaRotta, Kim Lowery, and Chloe McInroy “Carl just wanted to sit down. The chair had other plans.” I am always a fan of Chris McInroy. He and Carlos do a crazy short film every year. I am in awe of how these guys make deadpan, silly, and super-gory original content. It won’t be long before they release a greatest-hits compilation, and I will be in line to buy it. This spoof on Ikea furniture assembly is a tribute to all of us who have struggled to assemble the Scandinavian furniture at home. Carlos LaRotta contemplates his struggles putting a chair together in “CHÄIR” (2026) The Bones Exist Directed by Kelsey Bollig and Matthew DuVallWritten by Matthew DuVallStarring: Alex Pena as “Manny”, Siya Maleki as “Diego”, Jack Campbell as “Don Rob”, Michael Manzako as “The Boy”, and Alex Bankler as the Utah Raptor.Portland Horror Film Festival Winner: Tompe L’oiel Award for Best Special Effects In the unforgiving wilderness of 1850s Alta California, a dwindling group of gold prospectors encounters a feral boy who forces the men to confront the horrors lurking in the woods and the sins of their past. This combines two of my favorite genres: Dinosaurs and Westerns. Perhaps not done since The Valley of Gwanji, The Bones Exists shows plenty of raptors hunting cowboys and does so convincingly. Bonus points for showing the most current understanding of raptors as feathered dinos. Munch Munch! “The Bones Exist” (2026) Flush (France) Written and Directed by Raphaël TreinerStarring Eléonore Gurrey as “Marianne” and Christophe Ntakabenura as “Ben” Abominable plumbing and violent deaths. MARIANNE, extremely pregnant, and BEN, a plumber and one-night stand, team up to survive an epic night and face the monsters of a building beset by an unknown evil. I am a sucker for the Trapped in a Bathroom trope, even going so far as to host a Crypticon horror panel on the topic. This film goes to the top (plumbing) shelf. This is Cosmic horror that brings all the icky, goopy, nasty elements you might expect from this theme is on full display. To think that an effective little romance element managed to sneak into the plot, and you have something unusually effective. I love it when the French go weird. Eléonore Gurrey and Christophe Ntakabenura are unlikely allies in “Flush” (2026)

Toda la atención en los resultados de Micron esta noche, con vistazo a las cuentas de ayer de FedEx. Con Javier Aledo, analista de AFI.

The team reviews a week that closes the book on the majority of the regular season ✅ The guys address the swelling support for a 2027 league restructure, and cover some Buy & Sell topics sent in by you guys!

Miramos a la macro del día y echamos también un vistazo al mercado de divisas. Con Luciana Taft, analista de Afi

Pete and Hannah continue their search for the ultimate AFI top 100 list. This week it's the 2007 classic No Country For Old MenTime Stamps00:00 intro00:11 welcome00:30 No Country for Old Men27:35 Pete and Hannah's Hot Take35:40 Hannah's Scene Breakdown49:51 Hannah's reasons to see51:18 Rating for No Country For Old Men53:00 Pete asks for viewers feedback and Hannah Selects next weeks movie54:30 End Credits

In this episode Toby sits down with AFI bassist Hunter Burgan! He chats about going from Long Beach to Grass Valley, his dad introducing him to different music, school band, breakdancing and rapping, basketball, skateboarding, video games, first bands, working on a record with his dad, The Force, AFI, Hunter Revenge, The Sekrets, vintage gear collection, AFI trajectory, Lektron, his lifestyle and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Flatspot Records- https://flatspotrecords.com/ The Field Dream- https://thefielddream.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby

DJ Jesse Luscious tells stories of his time in the East Bay Punk Scene with Neurosis, AFI, Filth, Monsula, Jack Acid, Black Fork, Pinhead Gunpowder, Blatz, Fuel, Grimple, Downfall, Rancid, Dead And Gone, Special Forces, and Operation Ivy. He digs into 2 new reissues from Damaged Goods Records- Thee Headcoatees & King Salami and the Cumberland 3- and new releases from Seven Crowns, Damage Control, & Taxi Girls. He spins classics from Dillinger Four, Warlock Pinchers, Amyl & The Sniffers, Verbal Assault, & The Clash, and reveals the Luscious Listener's Choice!  Seven Crowns- Haunted Head Verbal Assault- Trial Damage Control- Obstacles (w/ Leaether Strap) Warlock Pinchers- We Got The Beast (edit) Thee Headcoatees- Dirty Old Man King Salami And The Cumberland Three- The Pulpo Dance Cryptkeeper Five- Just Junk Dillinger Four- Maximum Piss & Vinegar Taxi Girls- Say It!  Amyl And The Sniffers- Maggot Filth- Scarred For Life (edit) Blatz- Berkeley Is My Baby (And I Want To Kill It) (edit) Monsula- Razors Fuel- The Name Is… (edit) Pinhead Gunpowder- Freedom Is Pinhead Gunpowder- Losers Of The Year Downfall- North Berkeley Operation Ivy- Sound System (edit) Special Forces- Make The Leaders Fight Jack Acid- GBH Black Fork- Who Put The Narc In Anarchy Black Fork- Let's Shoot Maria (Deadbeats Cover) AFI- High School Football Hero Rancid- Union Blood Grimple- Vivisick (edit) Dead And Gone- Wires Neurosis- The Choice Clash- Revolution Rock

In this special Father's Day episode, Afi and Zuu take a moment to reflect on the impact their fathers have had on their lives.Fathers can be responsible for shaping who we are today, and so we unpack the role fathers play and why they often don't get the same appreciation as mothers. We also get into the tricky question of gifting dads… because let's be honest, it's never easy.It's a thoughtful, honest, and slightly funny conversation about fatherhood, appreciation, and the things we don't always say out loud.Sending money from abroad? Use Tap Tap Send — it's fast, simple, and you don't pay extra charges. — https://www.taptapsend.com/ Use our discount code: STAYBYPLAN for the best rates!

"En el discurso de Warsh no se ve ningún tipo de injerencia política si no una reivindicación de la independencia de la FED", explica David Cano de AFI.

The team reviews this round of fixtures as the pieces fall into place. Find out what they had to say about the game of the week, a pair of one sided contests, and a game in Wexford that did everything it could to upstage it all

Miramos a la macro del día y echamos también un vistazo al mercado de divisas. Con Luciana Taft, analista de Afi

In this episode Toby sits down with musician Jade Puget! He chats about his poor upbringing, being a gifted kid, parents being musicians, breakdancing and hip hop, skateboarding and punk, Influence 13, Redemption 87, graduating from Berkeley, AFI, his influences, Blaqk Audio, commercial jingles, meeting his wife, XTRMST, his lifestyle, Birdlegs, all of his different projects, the new AFI album, touring and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Flatspot Records- https://flatspotrecords.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby

Your Insert Credit panel covers the rest of the news from Summer Game Fest, where games come from, and Mortal Kombat fetishism. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: Watch episodes with full video on YouTube “My mayor Muslim, my bagel Jewish, my Christian Dior, Kingdom Hearts IV.” Kingdom Hearts IV Midtown Comics 007: First Light GoldenEye 007 Pokemon series Phantasy Star II Ys: Books I & II PC Engine GameFAQs 1: Anything interesting at the other summer game events we didn't cover last time? (05:36) Summer Game Fest PlayStation State of Play Xbox Showcase Nintendo Direct Gears Of War: E-Day Is An Xbox Console Exclusive, And Is Not Coming To PS5 Kingdom Hearts fans cry foul over AI-generated artwork claims God of War Laufey Ocarina of Time Remake Legend of Zelda: Majora's Mask Legend of Zelda movie Spyro: A Realm Beyond Toys For Bob Goes Indie Amiibo Mike Fahey Tupac Appears in New RGG Studios Game Snoop Dogg Yakuza series Movement To Remove Voice Actor Who Has Admitted To Sexual Assault Has Yakuza Fans At Breaking Point Shaq Kurt Cobain and Johnny Cash sing YMCA in “Band Hero” Marilyn Monroe Zombie gen Atlas Day of the Devs Tim Schafer 2: What are we going to do when every triple-A new game has AI? (19:37) Ys series 3: What other Final Fantasy characters should be distributed to fighting games? (21:14) Cloud Strife Sephiroth Super Smash Bros. series Clive Rosfield Tekken series Tifa Lockhart Street Fighter series Guilty Gear series Kimahri Ronso Noctis Lucis Caelum Sol Badguy Vaan Final Fantasy XII Vincent Valentine Jack Garland Stranger of Paradise: Final Fantasy Origin SoulCalibur series Mortal Kombat series Squall Leonhart Samurai Shodown series Auron Cyan Garamonde Final Fantasy VI Cait Sith Bloody Roar series Altered Beast 3-D WorldRunner Dark Presence Galloping Ghost Aerith Gainsborough Ehrgeiz: God Bless the Ring Rumble Roses series Dead or Alive series Final Fantasy X-2 Yuna Rikku Paine Spice Girls Sporty Spice Baby Spice Skullgirls series Yuffie Kisaragi Lulu ONLINE MULTIPLAYER: What do YOU think the John Waters' Pink Flamingos (1972) of video games is? (29:48) 4: Connrr asks, where do video games come from? (32:28) Shigeru Miyamoto Cronus Rhea Nintendogs Taekwondo Beijing Opera Jackie Chan Sammo Hung Yuen Biao Rampage 2: Universal Tour 5: If you were programming a video game orchestral concert, what obscure track would you drop in there? (38:45) Sunset Park (Act 3) - Sonic the Hedgehog Triple Trouble Sonic 2 Music: Chemical Plant Zone Knuckles Chaotix - Seascape The Terminator Tommy Tallarico Sylvan Tale - Intro Panzer Dragoon series Final Fantasy XIV Flow Answers Footfalls Intellivision Lives - My Intellivision Infogrames Rocks My World Sonic Spinball - Toxic Caves X-Men Taz-Mania That One Song From Resident Evil Directors Cut 6: What is the One Piece of video games? (45:15) One Piece Star Citizen “Clowns farting”: The wild story behind Resident Evil's worst soundtrack Luffy Pokemon series Metal Gear series Touhou series Halo series LIGHTNING ROUND: Name Design - AFI's Top 100 Film Quotes (50:47) AFI's 100 YEARS…100 MOVIE QUOTES Recommendations and Outro (01:07:12): Brandon: Hey, Sexuality by Lorelei and the Ghost, The Great Silence (1968), ****Shopping (1994), Game Industry Hardship Fund, ElFamosoDemon Frank: Sunset Boulevard (1950) Ash: Kotaku, Casiopea Jaffe: BIG BOOL This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

Miramos a la macro del día y echamos también un vistazo al mercado de divisas. Con Luciana Taft, analista de Afi

What a weekend of football. The HBC playoffs are locked up, seeding and all; 3 SBC teams know that they're locked in and the Cowboys' fate is sealed -- and we cover it all

Miramos a la macro del día y echamos también un vistazo al mercado de divisas. Con Luciana Taft, analista de Afi

The team is back with a bang this week as we discuss 3 games, 3 MVP candidates and a theoretical concept of 3 different conferences

Paranormal Activity, found footage horror, demonic hauntings, and the nightmare of being watched while you sleep take center stage in this episode of Cutting Deep into Horror, as Henrique Couto and Rachael Redolfi dig into the low-budget movie that turned a bedroom doorway, a static camera, and a few impossible noises into modern horror history.This week, Henrique and Rachael discuss Paranormal Activity, the 2007 found footage supernatural horror film written and directed by Oren Peli, starring Katie Featherston and Micah Sloat. The movie follows a couple who begin filming their home after a disturbing presence seems to become more active at night, and that simple setup helped turn the film into one of horror's biggest micro-budget success stories. AFI lists Oren Peli as director, writer, cinematographer, and editor, with Katie Featherston and Micah Sloat in the cast; Box Office Mojo lists the estimated budget at $15,000 and the worldwide gross at $193,355,933.Henrique and Rachael get into why Paranormal Activity still feels eerie, why its bedroom-camera setup works so well, and how the movie weaponizes waiting. This is not glossy haunted house horror. It is a movie about small sounds, weird behavior, relationship tension, and the terrifying idea that something may be standing in the room while you are asleep.Inside this episode:• Why Paranormal Activity became a found footage phenomenon — Henrique and Rachael talk about the film's perfect timing, its word-of-mouth power, and how its low-budget realism helped make it feel scarier than more polished studio horror.• Katie and Micah's relationship as horror fuel — The episode digs into the uneasy dynamic between Katie and Micah, including how Micah's ego, skepticism, and need to keep filming make the haunting feel more personal and more frustrating.• Less-is-more supernatural terror — From bedroom shadows to long silences, tiny movements, footsteps, doors, and nighttime dread, the conversation looks at how the film turns minimal effects into maximum tension.• The power of found footage believability — Henrique and Rachael compare Paranormal Activity to other found footage movies, including Cloverfield, while discussing why roughness, improvisation, and simplicity can make horror feel more immediate.• The ending and alternate endings — The episode covers the final escalation, Katie's possession, Micah's fate, the psychic's warning, and why the last image is so important to the film's impact.• Why the movie still matters — Whether you think it is terrifying, overhyped, or somewhere in between, Paranormal Activity helped reshape mainstream horror and proved that a scary idea, executed with discipline, could hit harder than a monster in full view.Where to watch Paranormal Activity in the U.S.:Currently, Paranormal Activity is listed as streaming on Paramount+, Paramount+ via Amazon Channel, and fuboTV. It is also listed for digital rental or purchase through Fandango at Home, Apple TV, and Amazon Video. Paramount+ also has an official movie page for the film. Availability changes often, so double-check your preferred app before recording or publishing.

On this week's episode, Afi joins Thato and Lebo from Seated with Thato & Lebo, for a Ghana

The Casuals mosey on down the AFI list with Shane (1953)

Miramos a la macro del día y echamos también un vistazo al mercado de divisas. Con Luciana Taft, analista de Afi

The casuals continue down the AFI list with It Happened One Night (1934)

Miramos a la macro del día y echamos también un vistazo al mercado de divisas. Con Luciana Taft, analista de Afi

This week the guys analyse the game dubbed "relegation bowl" and examine a trio of HBC games

On this episode of The Popko Project Podcast, we sit down with post-hardcore veterans A Static Lullaby for an in-depth conversation about their long-awaited return, revisiting their classic album …And Don't Forget to Breathe, and reconnecting with the music that helped define an era of emo and post-hardcore music. The band reflects on their rise […]

Miramos a la macro del día, y echamos un vistazo también a las divisas. Con Javier Pino, analista de AFI

On this week's episode the gang reviews a pair of SBC clashes which will go a long way to shaping the postseason positioning. Buy & Sell kicks it up a notch with several takes involving the SBC, HBC and AFI as a whole. After you give it a listen, have your say on socials and reach out if you have something for next week's Buy & Sell

May 8, 2026 Today we look at the top songs debuting on the Billboard chart this week back in 1986, 1996, 2006, & 2016. Dustin, Jason, & Tyler welcome a new Radio Rewind guest, it's central Illinois concertgoer extraordinaire, Jim Glass! We discuss 13 songs from this week in music history, with 5 Top 10s and 2 #1s. We have new songs from AFI, Beyonce, Peter Gabriel, The Cure, and more. Want to be cool like us and watch the music videos for all the songs? Then here's a convenient playlist that has them all in order of discussion.

The Casuals are back to the AFI 100 Movies 100 Years list with #49 Intolerance (1916)

This week the dudes chat about: Strixhaven, Japanese wrestlers, Wrestlemania, Severence, AFI, Brock Lesner, and comics!

In this week's episode, Afi and Zuu dive into three wild dilemmas sent in by you!First, we tackle a dad who doesn't want his child picking up his wife's Nigerian accent. Then, we weigh in on a commuter debating whether to lie about bus fares. And lastly, we discuss a cousin who's got wedding bells ringing, but is he wrong to ask for help?Grab your popcorn because this one is HILARIOUS, and full of twists!

First, we talk to The Indian Express' Vikas Pathak about the three bills that were circulated by the centre, which will pave the way for a fresh round of delimitation. The exercise could increase the strength of the Lok Sabha, while bringing into effect one third reservation for women. Vikas shares the concerns that have been raised against the exercise, especially by the Southern states.Next, we talk to The Indian Express' Amaal Sheikh about a circular that was released by the Athletics Federation of India, which said that athletes will have to inform the AFI about their sponsorships and the contracts that they sign with regards to the same. Amaal shares more about the circular and how it has been receiving backlash. (13:14)Lastly, we talk about Nitish Kumar resigning from the post of Bihar's CM and paving the way for BJP's Samrat Choudhary. (19:07)Hosted by Niharika NandaProduced by Shashank Bhargava, Ichha Sharma, and Niharika NandaEdited and mixed by Suresh Pawar

This week, we are welcoming home the astronauts by playing songs written by the star man himself: David Bowie! What better way to celebrate our mission to the moon than by hearing other bands cover his varied tunes. The Thin White Duke was a rock n' roll chameleon who influenced music, film, and fashion for over 50 years. Considered one of the most influential artists of all time, he was the most underground mainstream artist, creating the blueprint for many to follow. Hope we freak you out and that ya dig! What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect from his personal collection: an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. Robert is forced to test his endurance and provide feedback, as he has no idea what he will be subjected to every week. Our hope is that we turn you on to something that was lost on your ears, or something you've simply forgotten about, or that (in our opinion) should have been the next big thing. Songs this week include: The Get Up Kids – “Sufragette City (David Bowie)” from Eudora (2001) Infectious Grooves – “Fame (David Bowie)” from Sarsippius' Ark (1993)  Small Town Titans – “Heroes (David Bowie)” from Heroes - Single (2026) Bauhaus – “Ziggy Stardust (David Bowie)” from Ziggy Stardust - Single (1982) Contraband – “Hang On To Yourself (David Bowie)” from Contraband (1991) DREAMCAR – “Moonage Daydream (David Bowie)” from Dream - EP (2024) Enuff Z'Nuff – “The Jene Genie (David Bowie)” from 10 (2000) Classless Act – “Starman (David Bowie)” from Classless Act Does Bowie - Single (2023) Saigon Kick – “Space Oddity (David Bowie)” from Water (1993) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

In this episode of Stay By Plan, we sit down with Lisa Quama to talk about her journey through dance and music, her creative evolution, and what's next for her.But somewhere along the way… we started making prank calls.Things got very funny, very quickly, when she called her manager Quables and caught her friend Richael off guard.Afi and Zuu also joined in, and no one was safe.We also get into:Lisa's love for skatingBehind-the-scenes moments from her journeyAnd a few hints about what she's planning next.Enjoy this one!

This week, we discuss the atmospheric, dystopian sci-fi noir, Blade Runner, the film that ranks number 97 on the AFI list.SPOILER ALERT We will be talking about this movie in its entirety. If you haven't seen this classic, we strongly suggest you watch it before listening to our takes.A Warner Bros. and The Ladd Company production. Released on June 25, 1982. Directed by Ridley Scott. Screenplay by Hampton Fancher and David Peoples, based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos. Cinematography by Jordan Cronenweth. Edited by Terry Rawlings. Music by Vangelis.

Annemarie Jacir has an amazing career that span directing for Hulu's “Ramy” with comic Ramy Youssef, as well as jurying for Telluride, Cannes, and Sundance. And she chats with Oren and Matt about bringing her latest film “Palestine 36” to life.Jeremy Irons stars in this Oscar-submitted film, Annemarie's fourth, that played at TIFF and AFI. Set in Palestine in 1936, this historical fiction weaves between events in recent memory to tell a story about Palestinian villages' revolt against British colonial rule.And on the pod, Annemarie shares her love of filmmaking and the pursuit of their 8-year long project, the funding, the controversy, as well as the details and passion behind the production design and architectural accuracy. And she describes a level of commitment and passion far exceeding the Hollywood norm.Yet when asked if this is a political film, the discussion transcends the cultural flashpoints. You won't want to miss this episode if you want to understand “what is filmmaking”. Because on this episode Matt and Oren explore that question from perspectives film schools may not.Find Annemarie on IG @annamariajacir or @palestine36film and the website is Palestine36.com.---Help Matts' film: https://wefunder.com/badfeelingHelp our Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: 100 or 1000 Water balloon filler https://www.amazon.com/Water-Balloons-Swimming-Outdoor-Summer/dp/B0GWD8XGWK/Oren's Endorsement: How to Speak by Patirck Winston, on YouTube https://youtu.be/Unzc731iCUY?si=82KVMF9jIyfDH-n9Annemarie's Endorsement: A ceramic self-watering device for plants https://www.amazon.com/Reifier-10-Pack-Natural-Watering-Spikes/dp/B0BGQPKLCP Hosted on Acast. See acast.com/privacy for more information.

Writer-director Amy Wang joins the No Film School podcast to discuss her debut feature, Slanted, and the long road from film school to theatrical release. In conversation with GG Hawkins, Wang reflects on leaving Australia for AFI, building a creative community in Los Angeles, learning to write as a practical path to survival in the industry, and what happened after Slanted premiered at SXSW 2025, won the Grand Jury Prize, and eventually landed distribution ahead of its 2026 theatrical release. In this episode, No Film School's GG Hawkins and guest Amy Wang discuss... How Fight Club inspired Wang to pursue filmmaking as a teenager in Sydney Why she left Australia for AFI and what it was like arriving in Los Angeles as an international student The real value of film school, especially for community-building and dedicated creative time Why learning to write became the key to sustaining a filmmaking career after graduation How a Black List script helped open doors in Hollywood The emotional and personal origins of Slanted Why body horror and comedy became the right form for exploring race, identity, and belonging How Slanted went from a logline to a financed feature What production and post looked like on a tight timeline before SXSW What it felt like to premiere at SXSW, hear audience reactions, and unexpectedly win the Grand Jury Prize The reality of selling an indie film in today's market, even after major festival recognition What Wang learned from working with Bleecker Street on the theatrical release Details about her next feature, Crescendo, set in the world of competitive piano Memorable Quotes: “If you don't come from money, if you don't have a famous uncle and you don't want to work at Starbucks for the next three to four years after you graduate, you need to learn how to write.” (12:48) “You can't let the highs be too high and you can't let the lows be too low.” (16:31) “It doesn't matter what I do, it doesn't matter who I am, how I speak, my personality is like, what my thoughts or how intelligent I am, people will always see my face first.” (19:08) “As long as you keep going, as long as you keep learning and changing and growing, I think you don't need to be the best throughout your life to be able to have a career in this industry.” (40:56) Guests: Amy Wang Resources: Slanted official film page Applying for Your O-1 Visa to Work in Film and TV Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram