Podcasts about AFI

De ce îi este imposibil Curții Constituționale să accepte – decât cu riscul de a se umple de ridicol – cererea Liei Savonea de a sesiza Curtea de Justiție a UE (G4Media) - Noua ordine din AUR. Ce ascunde, de fapt, promovarea tandemului Dungaciu-Peiu: „Creează impresia de specializare” (Adevărul) - Cenaclul Flacăra: delir, dans, aplauze. Patrioți și suverani: „Ne vânează Liiceanu, Nicușor și Bolojan!” REPORTAJ (Libertatea) - Eutanasia ca afacere: zeci de mii de câini uciși pe milioane de euro, bani publici, sub ochii autorităților (Snoop) Ce speră președintele Nicușor Dan să obțină prin participarea la Consiliul Păcii condus de Donald Trump (PressOne) Președintele Nicușor Dan a anunțat participarea României în calitate de „observator” la prima reuniune a Consiliul Păcii organizată la Washington, pe 19 februarie, la care vor mai participa țări precum Ungaria, Kosovo și Belarus.  Există câteva probleme referitoare la decizia președintelui Dan, explică Marius Ghincea, specialist în relații internaționale și securitate.  Prima este că statutul de observator nu există. A doua problemă este legată de motivația oficială pentru care se duce: „pentru a reafirma sprijinul nostru ferm pentru eforturile internaționale de pace și deschiderea de a participa la procesul de reconstrucție din Fâșia Gaza” – asta în contextul în care, din carta care va sta la baza organizației conduse de Donald Trump, lipsește orice mențiune despre Fâșia Gaza.  Așadar, de ce merge Nicușor Dan la o întâlnire pe care unele dintre cele mai puternice state europene, precum Franța, au refuzat-o deja? Și ce înseamnă asta pentru România? Nicușor Dan vrea ca România să revină în grațiile Statelor Unite ale Americii, așa că îi onorează invitația lui Donald Trump într-o organizație internațională care „ridică semne de întrebare legate de viitorul ordinii internaționale”, spune Marius Ghincea pentru PressOne. Printre lucrurile pe care speră șeful statului să le obțină în urma întâlnirii din Washington se numără „o repornire a procesului Visa Waiver, promisiuni legate de menținerea forțelor americane din România și pentru ca administrația americană să uite sau să ignore toată povestea legată de anularea alegerilor din 2024”, adaugă expertul.  De ce se duce Nicușor Dan la Consiliul lui Trump? O decizie în interesul României, chiar dacă e percepută ca o eroare politică (SpotMedia) Din păcate, țara noastră e prea slabă și polarizată pentru ca liderii ei să poată refuza o invitație, de orice gen, venită din partea președintelui american.  SUA înseamnă mult mai mult decât mandatul controversat al lui Donald Trump, iar ușile diplomației nu trebuie închise niciodată. Puteți citi pe pagina SpotMedia articolul de opinie semnat de jurnalistul Emilian Isăilă. De ce îi este imposibil Curții Constituționale să accepte – decât cu riscul de a se umple de ridicol – cererea Liei Savonea de a sesiza Curtea de Justiție a UE (G4Media) Lia Savonea a depus cererea de sesizare a Curții de Justiție a Uniunii Europene cu o întrebare preliminară privind compatibilitatea cu dreptul UE a legii de ajustare a pensiilor magistraților. Documentul are 35 de pagini. G4Media a examinat cererea cu asistența unor experți în drept european. Legea pensiilor se află în control de constituționalitate înainte de promulgare, nu este în vigoare, nu produce efecte. Ea mai poate suferi modificări chiar dacă este aprobată de CCR, prin eventualele cereri de reexaminare formulate de președinte. A cere Curții de Justiție a UE să se pronunțe asupra ei ar echivala cu transformarea instanței de la Luxembourg în consultant juridic – ceea ce CJUE nu a acceptat niciodată. Toată jurisprudența pe care și-a construit cazul Lia Savonea – cu spețe din Spania, Portugația, Ungaria, Italia, Polonia și multe altele – se referă exclusiv la cazuri în care au fost reclamate la CJUE legi deja adoptate, nu legi viitoare. Experții în dreptul UE au fost clari: „Niciodată în istoria sa Curtea de Justiție a UE nu a acceptat întrebări preliminare privind legi care nu erau adoptate. Le-a respins pe toate ca fiind cazuri ipotetice”. Noua ordine din AUR. Ce ascunde, de fapt, promovarea tandemului Dungaciu-Peiu: „Creează impresia de specializare” (Adevărul) Dan Dungaciu și Petrișor Peiu au devenit principalii purtători de mesaj ai AUR după marginalizarea fondatorilor partidului, însă profilul lor conturează, în opinia politologului Cristian Pîrvulescu, o agendă revizionistă periculoasă. Într-o analiză pentru „Adevărul”, Pîrvulescu explică dedesubturile ascensiunii celor doi și mizele strategiei puse la cale de George Simion. Miza este aceea de a combate eticheta de partid lipsit de expertiză. Totuși, Pîrvulescu demontează mitul tehnocratului atașat noilor veniți. „Reproșul adus AUR este că nu are specialiști. Prin urmare, încearcă să creeze această impresie. Numai că, în realitate, cei doi nu sunt specialiști. Dungaciu este cunoscut de multă vreme ca militant de extremă dreaptă, provenit din zona universitară. Peiu a fost promovat ca specialist în economie, posibil prim-ministru, tehnocratul partidului. În realitate, nu are competențe speciale în acest domeniu, dar a fost recuperat și este util din acest punct de vedere”, punctează profesorul. Discursul lor, deși pare mai elitist, nu intră în conflict cu electoratul tradițional al AUR deoarece rolul lor nu este de a mobiliza masele, ci de a oferi o aparență de seriozitate. Analiza profesorului Pîrvulescu evidențiază traseul sinuos al construcției politice AUR. Partidul a pornit de la nucleul dur al galeriilor de fotbal, a absorbit rețelele religioase neoprotestante din Coaliția pentru Familie, pentru ca ulterior să capitalizeze frustrările pandemice. Cenaclul Flacăra: delir, dans, aplauze. Patrioți și suverani: „Ne vânează Liiceanu, Nicușor și Bolojan!” REPORTAJ (Libertatea) Cinci ore de Cenaclu Flacăra. Duminică seara, începând cu ora 6.00 până la 11 și ceva în noapte. Pe ecranul Sălii Palatului defilează imagini uriașe cu Adrian Păunescu. Sub acest uriaș, copleșit de umbra lui, pe scenă stă fiul lui, Andrei. Fără har, fără talent, fără spontaneitate. Are chitară. Și mai ales invocă nume și momente sacre ale Cenaclului Flacăra, din anii 1970 și 1980, apoi, din anii 2000. Andrei repetă „Tatăl nostru” când vorbește de Adrian. Și-și prezintă tatăl ca pe un disident.  Mircea Vintilă, Nicu Alifantis, Mircea Baniciu, Lipan Țăndărică, Gheorghe Gheorghiu au venit în trecere. Au zis o vorbă-două, au intonat imnuri și au plecat. Afișul Cenaclului avea înscrise numele lor mari și tari. Au cântat vreo jumătate de oră cu toții. Ore-n șir? Rudele lui Andrei. Aici e prezent. Nu e trecut. Sunt și spirite care vor să trăiască ce-au trăit odată. Nostalgie după „cultura națională” care se făcea odată. Nostalgie după „spectacolele de calitate, în care ne simțeam oameni în Dictatură, astăzi suntem câini”.  Reportajul integral în Libertatea. Eutanasia ca afacere: zeci de mii de câini uciși pe milioane de euro, bani publici, sub ochii autorităților (Snoop) Peste 64.000 de câini au fost eutanasiați în România în ultimii trei ani, iar jumătate dintre ei au ajuns în patru adăposturi ale unor veterinari care au transformat procedura într-o afacere. Cel puțin 9 milioane de euro din bani publici însumează contractele câștigate de firme și asociații implicate în prinderea și eutanasierea câinilor fără stăpân, inclusiv a celor sănătoși. Prin legea actuală se încurajează eutanasia câinilor la nivel național, susține societatea civilă. Snoop documentează de câteva luni eutanasia și maltratarea câinilor din adăposturile din țară.

Las bolsas mundiales cotizan en torno a máximos históricos el jueves. En verde un día después de que el dato de empleo en EE.UU. sorprendentemente sólido, erosionara las expectativas de recortes de tipos a corto plazo. Hoy hay más de mercado laboral. Las peticiones semanales de subsidios por desempleo aumentan más de lo previsto. Por otro lado, la cautela ante los datos de inflación de mañana hace mella en el dólar. En Europa gustan resultados del minorista de lujo Hermes y del grupo francés de infraestructuras digitales Legrand. Analizamos el mercado con Salvador Jiménez, de AFI. En Bolsa española, lideran las subidas en Ibex35 IAG, Sabadell y Santander. Solaria, Colonial y Endesa son los peores. Jaime Martínez Tascón, Profesor de OBS Business School y Director de InveretiK, nos habla de la competencia entre bancos tradicionales y fintech.

Las bolsas mundiales cotizan en torno a máximos históricos el jueves. En verde un día después de que el dato de empleo en EE.UU. sorprendentemente sólido, erosionara las expectativas de recortes de tipos a corto plazo. Hoy hay más de mercado laboral. Las peticiones semanales de subsidios por desempleo aumentan más de lo previsto. Por otro lado, la cautela ante los datos de inflación de mañana hace mella en el dólar. En Europa gustan resultados del minorista de lujo Hermes y del grupo francés de infraestructuras digitales Legrand. Analizamos el mercado con Salvador Jiménez, de AFI. En Bolsa española, lideran las subidas en Ibex35 IAG, Sabadell y Santander. Solaria, Colonial y Endesa son los peores. Jaime Martínez Tascón, Profesor de OBS Business School y Director de InveretiK, nos habla de la competencia entre bancos tradicionales y fintech.

Hablamos de oro y, sobre todo, de la macro estadounidense de la mano de Olivia Álvarez, analista de Afi.

We unpack polyhydramnios with clear guidance on measurement, risk, and choices, showing why most mild cases near term are benign while outlining when to call in fetal medicine. Practical steps help parents and midwives stay calm, plan safely, and avoid unnecessary interventions.• definitions of polyhydramnios by single deepest pool and AFI• pros and cons of SDP versus AFI measurement• thresholds for mild, moderate, severe excess fluid• idiopathic cases late in pregnancy and prevalence• screening for gestational diabetes and infection• key risks: unstable lie, cord prolapse, postpartum haemorrhage• induction debates, continuous monitoring, and individualised plans• when to refer to fetal medicine and what they assess• amnioreduction indications, risks, and diagnostic value• reassurance for parents and guidance for midwivesIf you have, it'd be fantastic if you could subscribe, rate and review on whatever platform you find your podcasts, as well as recommending The OBSPod to anyone you think might find it interestingWant to know more:https://obgyn.onlinelibrary.wiley.com/doi/10.1111/tog.70021Thank you all for listening, My name is Florence Wilcock I am an NHS doctor working as an obstetrician, specialising in the care of both mother and baby during pregnancy and birth. If you have enjoyed my podcast please do continue to subscribe, rate, review and recommend my podcast on your podcast provider.If you have found my ideas helpful whilst expecting your baby or working in maternity care please spread the word & help theobspod reach other parents or staff who may be interested in exploring all things pregnancy and birth. Keeping my podcast running without ads or sponsorship is important to me. I want to keep it free and accessible to all but it costs me a small amount each month to maintain and keep the episodes live, if you wish to contribute anything to support theobspod please head over to my buy me a coffee page https://bmc.link/theobspodV any donation very gratefully received however small. Its easy to explore my back catalogue of episodes here https://padlet.com/WhoseShoes/TheObsPod I have a wide range of topics that may help you make decisions for yourself and your baby during pregnancy as well as some more reflective episodes on life as a doctor. If you want to get in touch to suggest topics, I love to hear your thoughts and ideas. You can find out more about me on Twitter @FWmaternity & @TheObsPod as well as Instagram @TheObsPod and e...

After yesterday's episode about the unchosen 450 actors & actresses who were in fact nominated for the AFI's Top 100 Stars list, now it's time to begin a quest. I will review the films of MANY of the 180-ish folks who this podcast has never discussed. And since Eddie Cantor, Ann Sothern, George Murphy & the Nicholas Brothers are in Kid Millions and the Three Stooges are in Soup To Nuts, I'm knocking 5 names off the "must-cover" list in 1 double episode! This 715th show on Have You Ever Seen digs into the musical-comedy adventure about Cantor inheriting a lot of money (Kid), then it's time for a zany goof about romance & chowderhead firefighters (Nuts). So strap in to hear about these two B&W romps from the '30s as my quest to talk about the previously-unreviewed AFI acting nominees takes flight. Well, Actually: at around the 16-minute mark, the line should have been "these are white actors playing Muslim Africans", not "Muslim Americans". Subscribe! Then you can't miss out when I post shows like this on days other than Monday. Rate and review Have You Ever Seen as well. And I finally posted some new reviews on Letterboxd not long ago! Look for "RyanHYES". Contact me with your OWN thoughts about the films I discuss: "ryan-ellis" on Bluesky, "@moviefiend51" on Twi-x and you can email me at "haveyoueverseenpodcast@gmail.com".

Javier Aledo, analista de AFI, sigue de cerca los escenarios de Amazon, Intel, Molina Healthcare, Biogen y Carlyle.

Surprise! I didn't say during Monday's episode that I'd be posting 2 podcasts later in the same week, but here's the first one. Here I'm talking about the American Film Institute's Top 100 Stars list, which was really 50 stars (25 men, 25 women). Although their odd numbering method isn't really the point…and neither is their dumb criteria. No, this 714th Have You Ever Seen podcast is REALLY about the 450 people who were nominated, but didn't make the cut. My plan is to review as many of the 180-ish up-until-now-omitted actors & actresses as I possibly can in the months and years ahead. So if you ever wanted to hear a guy rattling off about 500 names, then this monologue about the AFI's Old-Timey Actors is your dream episode! Oh, and tune in again tomorrow when I begin this quest by talking about 2 B&W '30s comedies: Kid Millions and Soup To Nuts. Subscribe to Have You Ever Seen in your app, but also rate and review the show. To hear more of my rambunctiousness, you can search for me on Letterboxd as well: RyanHYES. Feedback: email (haveyoueverseenpodcast@gmail.com), Twi-X (@moviefiend51) and Bluesky (ryan-ellis).

Send us a textHow Do? Goo, West Yorkshire's finest indie-pop-punk rockers are in today. Well, one of them is as they've just got back from tour and they're all full of germs. Kurt, the drummer, has stepped up to the plate though and explains to us: the joy of 7"s, the motivational power of dividing your work day into quarters when hungover, a curry conundrum and delayed christmas clear-ups.Bazz has created a new segment which is about haircuts this time, Tom's been out and about in Peterborough and we reveal our list of weird names for the remote control as compiled by you, the listeners.Music is from: Sublime, Mutiny, Los Fatso Libres, AFI, The Clash and Joyce Manor

Con Olivia Álvarez, analista de AFI, miramos a la macro del día y echamos también un vistazo al mercado de divisas.

Pete and Hannah continue their quest for the ultimate AFI list as they dive into the 1956 epic Giant, unpacking its legacy, themes, and place in classic Hollywood history.

In dieser Folge sprechen wir über für uns einflussreiche Alben, die der andere evtl. nicht so feiert wie man selbst. Es geht dabei um “Nordland I” von Bathory, das unserer Meinung nach maßgeblich den Viking Metal der 2000er Jahre geprägt hat aber auch stark von Klassikern beeinflusst wurde und um AFI mit “Sing The Sorrow”, das Hardcore weiter gedacht und Eingängigkeit auf ein neues und vor allem komplexeres Level gehoben hat. Was sagt ihr zu den Alben und sind sie heute noch zeitgemäß?Außerdem war Gandi bei einem sehr intimen Showcase von Zakk Wylde und wir machen einen kleinen Pop-Exkurs, in dem Gandi Witchel erklärt, warum Harry Styles der Robbie Williams der aktuellen Zeit ist.ThemenIntro 00:00Lass mal wieder was mit Bier machen 04:00BRLO – Pale AleFrau Gruber - Japanese Yuzu LagerZakk Wylde in Berlin 06:30Einflussreiche Alben für uns, die der andere, evtl. nicht feiertBathory – Nordland I 13:57AFI – Sing The Sorrow 29:31Anspieltipps 43:09V.A.M.17 - Vincere Aut Mori Gorleben - MenetekelThe Fright - D.E.A.T.H. (EP mit 5 Songs, statt erwähnten 4)Serientipps 49:15I Am Not OK With ThisJujutsu KaisenHat dir die Folge gefallen? Dann freuen wir uns über deine Unterstützung via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PayPal.Me⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ oder indem du ein ⁠Shirt oder anderes Merch⁠ von uns bestellst.Mehr von uns gibt's hier: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homepage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify Playlists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube

Los futuros de los índices bursátiles estadounidenses suben el jueves. Los inversores sopesan los resultados de las megacaps tecnológicas, que incluyen aumentos del gasto relacionado con la inteligencia artificial, mientras que la Reserva Federal mantuvo los tipos de interés, tal y como se esperaba. Meta sube 9% en preapertura, Tesla un 2,4%. Microsoft cede más del 7. Fuera de tecnología, son protagonistas, entre otros, Honeywell, Caterpillar, Southwest Airlines y la química Dow. En datos económicos, atención a solicitudes semanales de subsidios por desempleo. El mercado lo analizamos con Salvador Jiménez, de AFI. En Bolsa española, y dentro del Ibex, lideran las subidas BBVA, ACS y Santander. Al frente de los recortes están Acerinox, Merlin Properties y Fluidra. Y desde Lasker nos cuentan los resultados del primer Índice de Credibilidad Sectorial.

Con Olivia Álvarez, analista de AFI, miramos a la macro del día y echamos también un vistazo al mercado de divisas.

Pete and Hannah continue their deep dive into the AFI movie canon this week with a closer look at the Coen Brothers' Fargo (1996). The duo unpack the film's darkly comic take on crime, its unforgettable characters, and the bleakly beautiful Midwest setting that helped cement Fargo as a modern classic. From botched kidnappings to biting humor, they explore why this black comedy remains so influential—and so rewatchable—nearly three decades later.

As OB healthcare providers, we have several pieces of guidance regarding determination of amniotic fluid volume antepartum. The SMFM has Consult Series #46 (2018), which describes the management of polyhydramnios. We'll touch on that in this episode. However, while we have clear understanding of the increased risks of oligohydramnios, where an MVP is preferred for diagnosis over AFI, we have less information about polyhydramnios. But a new study published in BJOG (January 2026) provides more insights on this. While MVP is preferred for oligo diagnosis, can the same be said for polyhydramnios? Is there an increased risk in perinatal morbidity with polyhydramnios, and is that better detected by MVP or AFI? This new study findings left the authors unsatisfied although it CONFIRMED what we have covered in past episodes. Listen in for details.1. Dashe, Jodi S. et al. SMFM Consult Series #46: Evaluation and management of polyhydramnios. American Journal of Obstetrics & Gynecology, Volume 219, Issue 4, B2 - B8 (2018)2. ACOG PB 229: Antepartum Fetal Surveillance (2021)3. Petrecca A, Chauhan SP, Tersigni C, Ghi T, Berghella V. Amniotic Fluid Index Versus Maximum Vertical Pocket Versus Both for Polyhydramnios. BJOG. 2026 Jan 7. doi: 10.1111/1471-0528.70139. Epub ahead of print. PMID: 41502220.

Javier Aledo, analista de Afi, analiza lo más destacado de la bolsa estadounidense: Netflix, Jhonson & Jhonson, Travelers, Halliburton, Kraft Heinz y GameStop.

Olivia Álvarez, analista de AFI, sigue de cerca lo más destacado en la macro de la jornada, con el foco en el dato de PIB de la Eurozona, el Índice ZEW y datos de empleo y de salarios en Reino Unido.

Echamos un vistazo al IPC de EE.UU., los movimientos de tipos de la FED y el yen. Con Olivia Álvarez, analista de AFI.

A woman who loves eggs but one day, she is haunted by an egg monster. What motivated you to make this film? My name is Bao and Eggsecution is a film born out of my love for eggs and eating eggs. My grandmother has always berated me for eating way too many eggs a human being could handle and often chided me for doing so, warning that one day i would gain an allergy from doing so. When i moved here to the states from Singapore, i was given free liberty to eat all the eggs i wanted since i was no longer living with my family. in that way, i was unleashed. But there was always a nagging feeling at the back of my head telling me that maybe theres some wrong in eating so many eggs a day. Hence, this film was born from that fear that was ingrained in me since young. And because  I love horror and genre so much, i decided to put a fun twist into both the visuals and story of this film.  From the idea to the finished product, how long did it take for you to make this film? The film roughly had a timeline of 6 to 8 months. Because of the support from American Film Institute., I was allowed access to shoot on 35mm film – the Panavision Millennium xl2, 3 perf and in addition, with the support and generous donation from Kodak, we shot on 50D celluloid film – which was an amazing opportunity. My facility head and mentors, Stephen Lighthill, Sandra Valde-Handsen and Sara Ross Samko were very supportive of the original pitch for my visual essay and we eventually had to tailor it down to smaller ideas and smaller spaces due to budgetary and location restraints. But i am still extremely proud of the team that managed to make this happen! Thank you for selecting Eggsecution as part of your line up in the Experimental Film Festival!  How would you describe your film in two words!? Disgusting and Delicious!  What was the biggest obstacle you faced in completing this film? One of the biggest obstacles i faced was budgetary restraints. Because this film was self funded and i knew i was not working at that time, i had to save and set aside a workable budget for my film. Though equipment was provided by AFI, it was still a big project considering that i wanted to use SFX and practical effects and costume changes, along with the build of the monster in the film. My costume designer – Kai Burns and my SFX artist – Daniel Sukara were the MVPs, coming down to AFI to do countless tests to make sure the colours of the wigs, gooey, eggs and monsters were of the right shades of colour and effects could work seamlessly.  ---- Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

This week Jeremy welcomes Davey Havok of the band AFI. On this episodes, Jeremy and Davey talk the American Idiot Musical, AC/DC, Tower Records, playing band at recess, opening for SNFU, recording demos in a yurt, recording AFI records now, Maximum Rock 'n Roll Magazine, their first tour with Swingin' Utters, Canada with Rancid, releasing music with Adeline Records, Ross Robinson, making Sing the Sorrow, the new AFI album "Silver Bleeds the Black Sun", and so much more!!! SUBSCRIBE TO THE PATREON for a bonus episode where Davey answered questions by subscribers! FOLLOW THE SHOW ON INSTAGRAM / X

Happy New Year! The perfect way to end the year is with director John-Michael, or JM, Powell, and his genre thriller, VIOLENT ENDS (2025). In this episode, JM and I discuss the astonishingly moody cinematography -- the deer scene and a shootout will stay with you way after the film; his journey through film school and a grant that made this film possible, and his steady and sure approach to indie filmmaking.And let me add: VIOLENT ENDS is a perfect New Year's Eve film. Let the shootouts remain on the screen, grab a bottle of champagne, and welcome in the New Year with filmmaker JM Powell.In this episode, JM and I talk about:the incredible moody setting of VIOLENT ENDS and how setting portends to great filmmaking;how he got his start in filmmaking;whether you should go to film school;the story behind his first feature, THE SEND-OFF (2022);why he loves the Calgary International Film Festival;how he managed fatherhood and his advice for people having kids in the indie film space;the grant that made VIOLENT ENDS possible and his views on using film to shoot it (which was made impossible by a very mundane reason!);what people should expect to watch with VIOLENT ENDS;the moody cinematography, including whether the deer was real and more about the insane shootout scene near the end;how to handle both fantastic and negative reviews as a filmmaker;the vote of great actors on a particular project;what's next for him.JM's Indie Film Highlights: THE LAST STOP IN YUMA COUNTY (2023) dir. by Francis Galluppi; TOUCH ME (2025) dir. by Addison HeimannMemorable Quotes:"There's so many movies that take place in New York, but the good movies feel specific to that writer and that filmmaker.""I went to school in Dallas Fort Worth, so I think a lot of the people aspire to do like commercial work in Dallas.""I'm very much that personality where I'm...give me a problem and I'll figure out how to solve it.""Anywhere you can find yourself where you are orbiting and brushing up against story because story is everything.""You can create your own AFI community on YouTube.""In some ways, I think, micro budget, independent distribution is obsolete.""What matters to me more than shooting on film is capturing a good story.""I don't think most people are consuming film criticism. I think most film criticism, especially for cinephiles now lives on like Letterboxd...Rotten Tomatoes obviously, too, is a valuable asset. But these platforms cater to clickbait headlines and taglines that for better or worse...that has influenced our cinema discourse and our film criticism."Links:Follow JM On InstagramWatch VIOLENT ENDSSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Filipe Aires, analista de AFI, sigue de cerca lo más destacado en la macro de la jornada, con el foco en el oro, la plata y el dólar.

The Best of HardLore 2025, featuring some hand picked moments from throughout this entire incredible, historic year for our little show. Thank you for joining us, and we can't wait to show you what we have in store for 2026. _______________________Edited by Steven Grise (@iamoneonenineseven) • Title sequence by Nicholas Marzluf (@marzluf) HardLore: A Knotfest Series Join the HARDLORE PATREON to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes: https://patreon.com/hardlorepod Join the HARDLORE DISCORD: https://discord.gg/jA9rppggef HardLore Official Website/HardLore Records store: https://hardlorepod.com FOLLOW HARDLORE: INSTAGRAM | https://www.instagram.com/hardlorepod/ TWITTER | https://twitter.com/hardlorepod SPOTIFY | https://spoti.fi/3J1GIrp APPLE | https://apple.co/3IKBss2 FOLLOW COLIN: INSTAGRAM | https://www.instagram.com/colinyovng/  FOLLOW BO: INSTAGRAM | https://www.instagram.com/bosxe/ TWITTER | https://www.twitter.com/bosxe ____________________00:00:00 - Start 00:01:41 - Davey Havok & Shrek 00:03:23 - Martin Is A Who! Not a What! He's a Person! 00:04:15 - I'll Mosh Call You Back 00:05:22 - Solo Splashing 00:07:58 - Claudio Sanchez/Suffocation 00:08:44 - What Is Going On With My Body? 00:10:15 - Todd Jones, Noted and Remembered. 00:12:27 - Couple Tracks... 00:13:54 - Sh*tting Crazy Style 00:14:32 - Speed Meeting Travis Barker and The Kardashians 00:16:44 - Best And Worst Band Names... 00:18:09 - dwid / pimp 00:19:57 - Earth Crisis Yogurt Incident 00:22:51 - Floorpunch On The Yogurt Incident 00:25:38 - Who Was Really Peaking In My Window00:28:50 - Combust And Shark 00:33:32 - Sing Along Etiquette 00:34:52 - Oonga Boonga for Peelingflesh 00:35:25 - Blooper 00:36:31 - The Last Code Orange Show 00:42:22 - Blooper 00:42:59 - The Birth of Gwenn Danzig 00:43:41 - Skinhead Appearing on Mayans MC 00:46:17 - Smoking Meth With Eyehategod 00:47:05 - No Truth, The Future of South Florida HC00:50:02 - Blooper 00:50:18 - Britty Gets Expelled From School 00:56:23 - Jamie Pushbutton Watching MTV2 In Prison00:57:14 - Blooper 00:57:23 - Sick of It All vs Warzone (Ft. Vitalo) 00:59:53 - Blooper 01:00:17 - Mac Miller and DeadGuyHub 01:00:55 - Circa Survive Breaks Up 01:05:13 - The Fireside Bowl 01:07:32 - Shapel Lacey Finding Heavy Music 01:09:53 - People Coming Multiple Times A Month01:10:35 - The Dap 01:11:12 - Blooper Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rob Spera is a film and television director, educator, and the author of Film/TV Director's Field Manual: 70 Maxims to Change Your Filmmaking. With decades of experience directing features, episodic television, and theatre, Rob brings a deeply practical, human-centred approach to directing and leadership. In this conversation, we discuss:Why Rob describes his book as an “anti-textbook”The idea that the camera's job is to photograph subtextBuilding non-redundant frames that invite the audience to participateWhy kindness and psychological safety are essential creative toolsLetting go of control and empowering collaboratorsWhat “write what you know” really meansHow directors can practise their craft between jobsFilm/TV Director's Field Manual – available via Amazon and Rob's websiteHAPPY HOLIDAYS!This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

In this special episode of the CineD FocusCheck Podcast, host Nino welcomes back filmmaker, educator, and author Tal Lazar for a wide-ranging conversation about what cinematography really is — and what it needs to become in an age of rapidly evolving technology. Tal's new book, Cinematography: Beyond Technique, challenges a long-standing assumption in filmmaking: that mastering cameras, lenses, and lighting is enough. Drawing on over 15 years of teaching at institutions such as AFI, Sundance, and FilmLab, Tal argues that cinematography lives in the space between intention and execution — not in technology itself. Together, Nino and Tal explore: Why great images don't automatically make great films How directors and cinematographers often talk past each other on set What blocking rehearsals reveal about hidden gaps in film education Why lenses, lighting, and framing are storytelling tools — not technical checklists And how AI forces filmmakers to re-examine creative intention, not just workflow The conversation also tackles one of today's most controversial topics: AI in filmmaking. Referencing recent statements by Roger Deakins and drawing parallels to the Canon 5D revolution, Tal explains why resisting new tools outright is rarely productive — but why giving up creative intention is far more dangerous. This episode is not about choosing sides between “traditional” and “modern” filmmaking. It's about understanding the language of images deeply enough to make deliberate, meaningful choices — regardless of the tools involved. Whether you're a director, cinematographer, producer, or educator, this episode offers a thoughtful, practical perspective on collaboration, visual storytelling, and the future of the craft. Chapters and Articles in This Episode (00:00:57) – Welcome & Introduction Nino welcomes viewers to the special episode and introduces Tal Lazar and the topic of his new book. (00:02:06) – Tal Lazar, Cinematography Beyond Technique & Teaching Background Tal's background as a filmmaker and educator and how the book grew out of 15 years of teaching. (00:05:35) – Visual Storytelling, “The Reading,” and Cinematic Intention Using painting and visual examples to explain how audiences identify story and main characters. (00:09:02) – What Makes a Great Cinematographer Technical skill, clarity of intention, communication, and common misunderstandings on set. (00:14:13) – Directors, DPs, and Collaboration on Set Blocking rehearsals, overlapping responsibilities, and why collaboration improves films. (00:20:45) – How Directors and Cinematographers Should Communicate What productive creative conversations sound like versus ineffective ones. (00:25:31) – Lighting and Lenses as Storytelling Tools Lighting as observation and language; lenses, perspective, intimacy, and emotional distance. (00:38:19) – AI, Roger Deakins, and Creative Intention AI as a tool versus a threat, and what reactions reveal about how cinematography is understood. (00:49:45) – Lessons from the Canon 5D Era & the Future of AI Parallels between past camera revolutions and today's AI-driven changes. (01:13:51) – Practical Advice & Key Takeaways How filmmakers should embrace technology without sacrificing intention; final thoughts and wrap-up. We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com 

Javier Pino, analista de AFI, sigue de cerca lo más destacado en la macro de la jornada, con el foco en la FED, El Banco de España y el yen.

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: What is the name of the 1941 film that topped the AFI's 1998 list of the 100 greatest American films? Question 2: Which of the following describes Guglielmo Marconi? Question 3: What is the name of the monetary unit that is equal to 100 kopecks? Question 4: Which of the following is believed to be a sin in Islam? Question 5: What religion was founded by Lao-tzu ? Question 6: What is the national bird of New Zealand? Question 7: Name the movie that matches the following plot summary: 'A maverick teacher emboldens his students to new heights of self-expression.' Question 8: What is the Russian currency? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode the random movie machine transports the misfits into the 1930's. The scene is complete with gun molls, Model A s and Tommy guns as they review the 1967 crime drama Bonnie and Clyde. This film was directed by Arthur Penn and stars Warren Beatty, Faye Dunaway and Michael J Pollard. Ranking: AFI's 100 Years…100 Movies: 27th AFI's 100 Years…100 Movies – 10th Anniversary List: 42nd All original content including sound effects, graphics, photos and music is © Classic Movie Misfits.  Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #BonnieAndClyde #ArthurPenn #WarrenBeatty #FayeDunaway #MichaelJPollard #GeneHackman #EstelleParsons #ClassicMovies #AFI100 #ClassicMovieMisfits

Charlotte Henry and Chuck Joiner wrap up 2025 with a look at Apple TV's momentum, awards recognition, and strategy. They preview upcoming releases like F1 and returning series Hijack and Tehran, debate sports rights and bundles, and share favorite picks including Slow Horses, Prime Target, The Morning Show season 4, the finale of Mythic Quest, and Foundation—arguing 2025 may be the service's strongest year yet.  Show Notes: Chapters: 00:00 Year-end wrap and what's ahead01:03 F1 release and Hijack season return01:53 AFI “best shows” list and Apple TV's strategy06:01 Rumors, marketing, and subscriber growth questions08:02 HBO comparisons and the evolving “premium” model09:27 Sports rights, costs, and bundling strategy12:53 Favorite picks: Mythic Quest, Slow Horses, Prime Target19:49 The Morning Show season 4 discussion26:16 Foundation and looking forward to F129:27 More to watch: Pluribus, Loop, Tehran (Jan 2026)30:44 Was 2025 Apple TV's best year?35:37 Wrap-up and where to find Charlotte and Chuck Links: Apple TV hit series named among 10 best shows of the year – 9to5Mac Guests: Charlotte Henry is a media junkie, covering how Apple is not just a revolutionary tech firm, but a revolutionary media firm. She is based in London, writes and broadcasts for various outlets, and is the author of Not Buying It, an examination of fake news. You can find her on her The Addition blog, her podcast, in her The Addition newsletter on substack, and on Twitter, Facebook, Instagram and TikTok. Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Charlotte Henry and Chuck Joiner wrap up 2025 with a look at Apple TV's momentum, awards recognition, and strategy. They preview upcoming releases like F1 and returning series Hijack and Tehran, debate sports rights and bundles, and share favorite picks including Slow Horses, Prime Target, The Morning Show season 4, the finale of Mythic Quest, and Foundation—arguing 2025 may be the service's strongest year yet.  Show Notes: Chapters: 00:00 Year-end wrap and what's ahead 01:03 F1 release and Hijack season return 01:53 AFI "best shows" list and Apple TV's strategy 06:01 Rumors, marketing, and subscriber growth questions 08:02 HBO comparisons and the evolving "premium" model 09:27 Sports rights, costs, and bundling strategy 12:53 Favorite picks: Mythic Quest, Slow Horses, Prime Target 19:49 The Morning Show season 4 discussion 26:16 Foundation and looking forward to F1 29:27 More to watch: Pluribus, Loop, Tehran (Jan 2026) 30:44 Was 2025 Apple TV's best year? 35:37 Wrap-up and where to find Charlotte and Chuck Links: Apple TV hit series named among 10 best shows of the year – 9to5Mac Guests: Charlotte Henry is a media junkie, covering how Apple is not just a revolutionary tech firm, but a revolutionary media firm. She is based in London, writes and broadcasts for various outlets, and is the author of Not Buying It, an examination of fake news. You can find her on her The Addition blog, her podcast, in her The Addition newsletter on substack, and on Twitter, Facebook, Instagram and TikTok. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Shane Black (Lethal Weapon, The Nice Guys)  Jim Herzfeld (Meet The Parents/Fockers), Fred Dekker (Preditor), & David Silverman (The Simpsons) reminisce about their college hangout that became the social group that supported their life and art for the rest of their lives.  They describe a house full of UCLA film nerds with a 24 hour open house policy.  It was young guys finding themselves and their drive and their fun by making a scene in the early 1980's. Movie watching, game playing, movie making, and joking around led to a group of people that has made some of the biggest films of the last 30 years.  Bio: JIM HERZFELD is an American film and television screenwriter who has also done work as a television producer. Herzfeld graduated from UCLA's School of Theater, Film and Television (TFT) and his earliest TV credit – on the ground breaking “It's Garry Shandling's Show” -- was followed by almost 10 years of writing and producing episodes on dozens of sitcom staffs, including the Fox TV classic "Married... With Children." Herzfeld's earliest feature film work was a writing credit on the cult comedy “Tapeheads“ in 1988. His most successful work was writing the screenplay for the 2000 film” Meet the Parents” as well as writing the story and screenplay for its 2004 sequel “Meet the Fockers.” To date, both those films remain on the list of the 20 Highest Grossest Comedies. More recently, in 2015 his screenplay for “Meet the Parents” was selected by the Writer's Guild of America's as one of the “101 Funniest Screenplays” of all time. Herzfeld was also the writer of the canceled Circle 7 Animation version of Toy Story 3 and has done countless punch-up and rewrites on dozens of big budget comedies and animated films for virtually every major studio.  Herzfeld has also guest lectured about screenwriting at several major universities, including NYU, UCLA and AFI along with appearing on writer panels at various film festivals, most notably the Austin Film Festival where Jim was a judge for their Comedy Screenplay Competition. Currently, Herzfeld continues to write and develop comedy screenplays and recently became an advisor for Scripthop, a software startup focused on revolutionizing how screenplays are both presented and circulated throughout the entertainment industry. FRED DEKKER - Pursuing a movie career, he moved to Los Angeles where his fledgling screenwriting efforts led to a Hollywood agent and a job writing Godzilla: King of the Monsters for director Steve Miner. Although the film went unproduced, Dekker provided the story for Miner's 1985 horror-comedy House, starring William Katt (screenplay by Ethan Wiley). The film was recognized by the Fantasporto and the Avoriaz Film Festivals, and spawned several sequels. Dekker made his directorial debut with Night of the Creeps, an homage to B-movies that eventually developed a devoted cult following. He went on to direct another cult favorite, The Monster Squad, co-written with his UCLA friend Shane Black. He subsequently wrote five episodes of Tales From The Crypt, including the first episode, directed by Robert Zemeckis. In 1991, Dekker conceived the Denzel Washington starrer Ricochet and the spy spoof If Looks Could Kill, both for Warner Bros. He then returned to the director's chair for the third RoboCop film, co-written with comic book legend Frank Miller. As a script doctor, Dekker made uncredited contributions to films including Titan A.E. and Lethal Weapon 4. He then served as Consulting Producer and wrote three episodes of Star Trek: Enterprise. In 2015, he reteamed with Shane Black on a western TV pilot for Amazon Studios, entitled Edge. The two went on to co-write the 2018 release The Predator, which Black also directed. Dekker's international awards include the Silver Raven from the Brussels International Festival of Fantasy Film; the Estrella de Fantastico Award from the 2019 Bilbao Fantasy Film Festival; and the 2024 Honorary Time Machine Award (Premi Màquina del Temps) at the Sitges Film Festival for his contributions to horror and fantasy cinema. He is currently developing a true crime limited series for Amazon based on a murder which occurred in his hometown.SHANE BLACK is a writer/director whose writing credits include such films as Lethal Weapon, The Last Boy Scout, The Long Kiss Goodnight and The Monster Squad.  He began as a director in 2005 with Kiss Kiss Bang Bang and receives increasingly strident sequel requests for 2016's The Nice Guys.  He is currently writing a spec original and trying to lose some weight by New Years'.  Not that he's fat -- he's just old, and being careful.DAVID SILVERMAN After graduating from UCLA in 1983, David Silverman worked as a freelance illustrator and animator until, in 1987, he landed a job animating on The Tracey Ullman Show — where The Simpsons began. Animating on all 48 shorts led to David directing the first shows of The Simpsons. Starting with the Christmas Special in December 1989, and then the premiere episode the following month, David soon became Supervising Animation Director and a producer on The Simpsons. All told, he has directed 24 episodes and has won 4 Emmys along the way.  When no one was looking, David snuck away from The Simpsons to work at DreamWorks (The Road to El Dorado – co-director), Pixar (Monsters, Inc. – co-director), and Blue Sky (Ice Age, Robots – writing and boarding). But, he came back to the show full-time at the end of 2003 and directed The Simpsons Movie. In 2012, David directed and co-wrote the short film The Longest Daycare about Maggie Simpson, which earned him an Academy Award nomination.And since the Disney acquisition of The Simpsons (via the purchase of Fox), David has directed 10 Simpsons shorts especially for Disney+, as well as several promotional pieces.Editing Notes: There are many verbal cuts on the show we directed to Dan. Also after the show, Shane Black emailed and ask we cut out this.  I say “It's nice your place was a rape free environment” and Shane says something like: “But not rape free for guys,”. He wants his comment cut.

Echamos un vistazo a los datos preliminares de PMI de EE.UU. y de la eurozona y la posible subida de tipos por parte del Banco de Japón. Con Olivia Álvarez, analista de AFI.

The first set of big critics prizes, including NYFCC, LAFCA, NBR, and AFI, have arrived along with the Gotham Awards winners and nominations at the Film Independent Spirit Awards and Golden Globes (a mouthful!), all showing a clear consensus and complete rallying behind One Battle After Another. To talk about all of these important awards season updates, Nick and Sophia are excited to welcome back returning guest Bennett Prosser. They discuss all the trends and possibilities with Best Picture contenders, who's on the bubble, and which films have lost the most steam. With Rose Byrne winning the trifecta and Supporting Actress a tossup, it's still anyone's ball game. Will Diane Warren receive another nomination for Original Song? Listen for plenty of hot goss and tune back in next week when they discuss the Oscar Shortlists!Follow Bennett on Letterboxd and Bluesky @bennettprosserFollow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimFind bonus content on our Patreon @ patreon.com/OscarWild More content including updated nomination predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

This week: Nathan Truitt, executive vice president of climate funding at the American Forest Foundation, talks with Ian Welsh about the evolving role of carbon finance in supporting US family forest owners, and the tension between credit quality and affordability. They discuss what it will take for carbon markets to earn broad credibility as the world moves toward net zero. Plus: Intel retreats from climate goals amid mounting financial strain; US Plastics Pact sets limits on advanced recycling; Lawsuit claims Apple still linked to conflict minerals; and, AFi guidance outlines measurable pathways beyond 2025 deadline, in the news digest by Ellen Atiyah. Host: Ian Welsh

We power rank the contenders, specifically the Best Picture Category and go film by film to discuss how all the contenders performed with this past wave of news including the Golden Globe, Critics Choice & Indie Spirit Nominations +++ wins at NBR, AFI and the LAFCA. One Battle After Another is definitely the frontrunner - 2:36 Sinners and how it stacks up w/ Hamnet - 7:50 Hamnet, Mescal's chances in Supporting Actor & NYFCC/LAFCA Stats - 11:09 Frankenstein + the Cinematic or Box Office Achievement Globe + YouTube plans - 19:30 Sentimental Value & the potential double nom in Supporting Actress - 25:23 Marty Supreme & Timothee's supreme confidence - 29:16 Wicked: For Good and the glut in the midfield for that Best Picture 10 - 33:57 Train Dreams & Bugonia + stumping for Film Independent membership - 40:08 It Was Just An Accident - 48:25 Jay Kelly & Discussing the Casting Category - 53:00 No Other Choice + AlsoMike's Review of the Film - 56:34 Avatar Fire & Ash & The Secret Agent - 58:48 Other International Contenders like Nouvelle Vague, Sirat, etc - 1:03:45 Other Domestic Players like F1, Weapons, Blue Moon, Die My Love, etc - 1:07:38 OUTRO: If you are able, please donate to the Chaz and AJ Toy Crabtree Chevrolet Toy Drive https://www.paypal.com/ncp/payment/L8CTKDGN4MZZ6 Thank you, and have yourself some happy holidays!

En Capital Intereconomía, la Tertulia Capital con José Ignacio Gutiérrez, Carlos Tobías y Fernando Gómez-Calcerrada ha analizado en profundidad la decisión de la Fed, que ha cumplido el guion y ha recortado los tipos de interés en un contexto marcado por la división interna del banco central. También se han comentado las declaraciones de Jerome Powell, quien ha advertido que la IA puede tener efectos en la productividad y provocar despidos, ha señalado a los aranceles como uno de los principales motores de la inflación, y ha negado que el proceso de selección del próximo presidente de la Fed influya en su trabajo. La mesa también ha abordado temas de actualidad nacional, como la detención del expresidente de la SEPI y de Leire Díez, la petición de los expertos de Trabajo de subir el SMI un 4,7%, y el dato preocupante sobre desigualdad: el 10% de la población concentra el 75% de la riqueza. En la Entrevista Capital, David Cano, director general de AFI, ha profundizado en las claves del recorte de tipos de la Fed, la división en el seno del Comité, el impacto de la IA en la economía y el papel de los aranceles en la inflación, además de insistir en la independencia del banco central. La jornada ha finalizado con el análisis de preapertura de las bolsas europeas con Francisco Simón, responsable europeo de Estrategia de Asset Allocation en Santander Asset Management.

Willis Towers Watson, Amazon, Intel, Eli Lilly, Oracle y Adobe son los protagonistas. Lo analizamos con Filipe Aires, analista de AFI.

Get a Vyky kit! https://stories.vyky.coTHIRTY EPISODES, WOW!This week, we finally sat down with Bijou Baidoe! She's an actress, creator, and an all-round star. We got into the age-old argument: does hard work really take you far, or do some people start life on easy mode? Bijou opened up about her journey, the role of connections, and what it really takes to break into entertainment.As always, Afi and Zuu came with the stories including the hilarious moment Bijou and Zuu almost met Shatta Wale. We also touched on the Ghana movie scene, building a career, and how privilege shows up in creative spaces.Another very honest, very funny, very Stay By Plan episode. Tune in and enjoy the chaos as always!

Parsing the Gotham Awards, National Board of Review winners and AFI lists for Oscar predictions, plus what to look for with Monday's Golden Globes nominations. Also, “Is This Thing On?” star Will Arnett on tackling a dramatic role, and “Wicked For Good” director Jon M. Chu on his long journey through the franchise.   Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been a big first week of December with no less than five sets of critics groups announcing winners and nominations as we kick off the next three months of nonstop awards season. On episode 318 I am joined by AwardsWatch Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to break down the awards landscape and more. Before we get into that we have to talk about the other huge piece of news this week and that was yesterday's announcement that Netflix had won the battle to buy Warner Bros and all of its properties, which includes the DC Universe films and HBO/HBO Max. Unsurprisingly, there is no one on the podcast thinks this move is a good idea and sees the Netflix model as intentionally destructive of the theatrical model. Next we move the Critics Choice Awards nominations, announced this morning, where Sinners and One Battle After Another lead the way, where Sentimental Value and Hamnet made comebacks and where Wicked: For Good faltered. Then it's onto the AFI and NBR lists, the New York Film Critics and the Gotham Awards, where Sophia gives her in the room insight of the event. This podcast runs 1h 18m You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome back to Stories from the River. Today we continue our journey behind the scenes of the Ashley's 'Right to Win' Product Knowledge Boot Camp that was held at the Pineville Flagship Store this October. This time, Heather Greenwood, Broad River's Director of People sits across from Kaylee Kirchner, Ashley's AFI trainer. To start, Kirchner's love and dedication to her craft shine through the episode as she enthusiastically describes what she most enjoys about these trainings (spoiler alert: it's everything!). In all seriousness, Kirchner reveals the origin of the boot camp program, how it came to be, and why it's called "boot camp", its evolution through the years, and her personal experience with it.  She also highlights the passion and drive she found inside Broad River Retail during both 2025 boot camp trainings. She celebrates the unique culture she notices every time she's here and reflects on how Memory Makers experience the training - with a desire to learn, improve, and elevate their product knowledge beyond expectations. Greenwood and Kirchner truly connect to one another this episode, exchanging success stories from the bootcamp, and light bulb moments of increased confidence amongst the Memory Makers, and the consistent emphasis on improving personal growth and knowledge about Ashley Furniture's competitive advantage. Enjoy this incredibly delightful episode, and if you're ever interested on becoming a Memory Maker, listen in to some behind the scenes advice from an absolute professional in the industry.   This episode on YouTube: https://youtu.be/qrxV5jsdv68    Visit https://www.storiesfromtheriver.com for more episodes.   Broad River Retail brought this show to you. Visit https://BroadRiverRetail.com        Follow us on LinkedIn: https://www.linkedin.com/company/broad-river-retail    

Is this a gym, or a dance studio? Thanksgiving and the whipped cream embargo. I'm not into this new AFI album, but everybody else apparently is. Landman Season 2 is upon us, and I finally caught that "American Primeval" series on Netflix. If you really want to get into the spirit of these new modern western series, you should flagellate yourself while you watch them. I went to see The Thing and pissed 115x. I shot a .357 Magnum and fell in love, and I went to see Roger Deakins speak at a screening of a gorgeous movie he shot, and then promptly made an ass of myself in front of one of my favorite directors. Quentin Tarantino shit talks Paul Dano, and Mel Gibson has an ugly black British wife for no conceivable reason in "Fat Man." (Yep, you guessed it – Netflix!)

Soirée chargée dans RTL2 Pop-Rock Station avec Ozzy Osbourne, Alice Cooper, The Cure, Eric Clapton, ainsi que des nouveautés signées Florence and the Machine, Melody's Echo Chamber et Dry Cleaning. L'émission s'ouvre avec "Black Betty", dont les origines remontent aux chants afro-américains du début du XXe siècle. Puis un hommage à Ozzy Osbourne, né ce jour et disparu cet été. L'occasion de revenir sur son parcours avant d'écouter "Crazy Train". Deux Door Cinema Club, Nancy Sinatra, Royal Blood et le titre "The Calling" de Midlake, l'album de la semaine, complètent ce premier temps fort. La suite de la soirée s'articule autour de Melody's Echo Chamber, Lou Reed, Santana, Limp Bizkit ou encore la reprise du soir : "Careless Whisper", revisitée par Eagles of Death Metal. On retrouve ensuite ZZ Top, Iggy Pop, The Cure, AFI, recommandés par Francis Zégut, ainsi que R.E.M. et Florence and the Machine avec "Sympathy Magic". La nouveauté "Fresh Fresh Fresh" met en avant Dry Cleaning et "Cruise Ship Designer", extrait d'un troisième album attendu le 9 janvier. Ram Jam - Black Betty Be Your Own Pet - What A Bitch Ozzy Osbourne - Crazy Train Alien Ant Farm - Smooth Criminal Two Door Cinema Club - What You Know Nancy Sinatra - These Boots Are Made For Walkin' Santana - Smooth Midlake - The Calling Alice Cooper - Poison Royal Blood - Out Of The Black Lou Reed - Perfect Day Melody's Echo Chamber - Eyes Closed Eagles Of Death Metal - Careless Whisper Limp Bizkit - Rollin' (Air Raid Vehicle) The Cure - Just Like Heaven AFI - Ash Speck In A Green Eye R.E.M. - Leaving New-York Kansas - Dust In The Wind Florence + The Machine - Sympathy Magic Wings - Jet Dog Eat Dog - Who's The King Dry Cleaning - Cruise Ship Designer ZZ Top - Rough Boy The Easybeats - See Saw Iggy Pop - Lust For Life Eric Clapton - Dont Know Which Way To Go (Feat. Buddy Guy)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

'Bugonia' star Jesse Plemons does a deep dive on his conspiracy-theorist character and going toe-to-toe with Emma Stone, and director Yorgos Lanthimos explains what made this movie more complicated than his other recent projects. Plus, Awardist host Gerrad Hall and EW Sr. Editor Joyce Eng break down the huge opening weekend for 'Wicked: For Good' and discuss the career of Eddie Murphy, who will be AFI's latest Life Achievement Award winner. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rachel Miller, founder of Film2Future, joins Dr. Laura Scherck Wittcoff to discuss how her nonprofit is revolutionizing access to the entertainment industry for underserved LA youth. Rachel shares her personal journey, from discovering filmmaking at 16, to creating a comprehensive, completely free program that removes barriers to entry for talented teenagers from low-income backgrounds. The episode explores Film2Future's innovative hybrid model, industry partnerships, and the transformative impact on students' careers and lives. Key Topics Discussed Rachel's Background & Inspiration Discovered filmmaking by chance at age 16 during a community service event Interned for legendary producer Deborah Hill Taught public school in Manhattan and witnessed firsthand the economic divide affecting students' opportunities Founded Film2Future in 2016 to address systemic barriers to entry in Hollywood The Problem Film2Future Solves Film school costs $80,000+ annually, with additional expenses for equipment, portfolios, and tutoring Industry leaders struggle to find "qualified, diverse candidates" ready to work The real issue: lack of accessible pathways for underserved youth, not lack of talent Solution: Start in high school so students are career-ready by 18 The Film2Future Model Completely free program providing computers, Wi-Fi, headphones, backpacks, supplies, food, and transportation Hybrid approach: remote learning + in-person days at partner companies (Disney, Sony, etc.) 25-30 student cohorts recruited from across LA County's most underserved schools No portfolio required for application; focus on creativity and point of view Four Core Programs Animation Live Action Filmmaking Emerging Technologies (VR, podcasting, gaming) Advertising Life Skills Integration Financial literacy Resume writing and LinkedIn development Professional communication and email etiquette Networking and pitching skills Interview preparation Success & Impact 140+ paid internships and production assistant roles 225+ students served since 2016 $2+ million in college scholarships earned Alumni hiring other alumni, creating sustainable career pipeline Notable success: Student with physical disabilities received a full-ride to NYU Tisch after creating the award-winning short COVID-19 Innovation First production up and running during the pandemic Created proprietary tech pods and safety protocols Shot five shorts with zero infections Demonstrated organizational resilience and adaptability Key Takeaways Diversity in entertainment isn't just about goodness—it's better for business and creativity Removing barriers at the pipeline level (high school) is more effective than trying to hire diversity later Life skills training is as important as technical skills in the entertainment industry Building community among students creates sustainable mentorship networks Multiple ways to get involved with nonprofits beyond monetary donations Resources & Contact Website: Film2Future.org YouTube: Film2Future Channel (to view student shorts) Instagram: @Film2Future Contact: Available through website Guest Bio Rachel Miller is the founder of Film2Future and, founding partner of Haven Entertainment, a production and management company. She's also an executive producer on Netflix's "Devil in Ohio" and has sold 28+ manuscripts to publishers. She speaks regularly at UCLA, NYU, AFI, and international film festivals about diversity in entertainment. For more great Small & Gutsy Episodes: www.smallandgutsy.org/episodes  

Shane talks AFI in Season 12, Bonus 12.AFI ALBUM REVIEWS:Black Sails in the Sunset (1999)Decemberunderground (2006)Crash Love (2009)See Shane's full ratings by visiting patreon.com/RatedRadio

In this special Veteran's Day episode of Wild Life Outdoors, Russell and Jose sit down with Cody Fongemie and Dustin Spilman from the Backcountry Hunters & Anglers Armed Forces Initiative (AFI) for an in-depth conversation about veterans, mental health, public land access, and the irreplaceable role outdoor recreation plays in healing after service.Throughout this episode, Cody and Dustin share powerful stories about:• The challenges many veterans face transitioning into civilian life• Why hunting, fishing, and time outdoors can reduce anxiety and depression• How the camaraderie of outdoor communities restores purpose• The real-world impact AFI has on active-duty and former service members• Training veterans to become conservation-minded leaders• How public lands serve as therapy, community, and identityJose and Russell dive deep into how AFI works at the ground level — from local chapter leadership and mentorship programs to group hunts, fishing trips, conservation projects, and volunteer outreach. Cody and Dustin explain why public access is critical for America's servicemen and women, and what happens when that access begins to disappear.We also explore:• How outdoor skills translate into resilience• The importance of structure, discipline, and shared suffering• How hunting ethics and conservation reconnect veterans to mission and purpose• The long-term benefits of mentorship in the field• Ways everyday citizens can support veterans OUTSIDE of politicsWhether you're a veteran, active duty, a military family member, an avid outdoorsman, or someone passionate about conservation — this episode will educate, inspire, and challenge the way you think about access to the wild places we all depend on.

The Cinematography Podcast Episode 331: Tobias Datum Murderbot is the story of a security unit, part-human and part-machine, that has hacked its governing module to act in its own free will: mainly to be left alone to watch TV shows. Cinematographer Tobias Datum views the Apple TV+ series as a visual exploration of a synthetic being's journey toward humanity and self-discovery. Tobias worked closely with show creator and director Paul Weitz, continuing a collaboration that spans over ten years with Paul and his brother, Chris Weitz. The production team included production designer Susan Chan, VFX supervisor Sean Falden, and colorist Tim Vincent. As a cohesive group that had worked together before, they were instrumental in establishing the show's distinctive visual identity. Working with the team, Tobias set the visual tone during pre-production to ensure a smooth, consistent flow throughout the shoot. He faced the challenge of lighting and shooting a cohesive environment that spanned multiple, drastically different settings. Murderbot takes place on an alien planet, on space ships and space stations, and in Murderbot's own head as it watches its favorite galactic soap opera, Sanctuary Moon. For the alien planet, the goal was to ground the setting in a believable, "earthly reality" where human life could exist, all while adhering to the production's budget and schedule. A volume stage was extensively used for scenes shot inside the ships, space stations, and for the stylized Sanctuary Moon segments. Exterior planet scenes were shot on location at a sand quarry pit in Ontario, Canada. A large, two-story exterior set for the habitat was constructed there, while the habitat's interiors were built on a separate soundstage. The diverse settings of Murderbot presented unique lighting issues. Fortunately, the design of the planet was grounded in reality, so Tobias lit for a desert planet with minimal vegetation. He used a translight as a backdrop and integrated practical lighting directly into the sets. The main habitat, designed as a translucent bubble with many windows, required careful management of its natural glow. Tobias used negative fill to strategically tone down the intensity. Dr. Mensa, the human leader of the group, acts as an anchor for the story's emotional stakes. To maintain narrative focus, Tobias consistently lit and framed her with clarity, regardless of her position relative to the other characters. At first, he was concerned that lighting the Murderbot character would be problematic, especially when it wears its highly reflective helmet. “Murderbot's a mirror ball, you know,” he explains. “So that meant lighting is going to be visible, and you don't want every shot to be a VFX shot. Once I saw the very first stage of that suit, I was like, ugh. But then when we started doing tests, it's kind of forgiving. I don't think we had a lot of equipment removal from Murderbot's helmet.” Tobias's journey began at film school in Berlin before he was accepted into AFI as a graduate student. There, he began building his portfolio while working on his colleagues' films. He credits a strong work ethic—constantly taking jobs and learning through experience—with his success as a director of photography. He reflects on his career with gratitude. “It's a great privilege and we're getting paid for this stuff. It's like every time I walk on a set, I'm just like, am I lucky. This is a great way to make a living.” See Murderbot on AppleTV. Find Tobias Datum: https://tobiasdatum.me/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

This week on Clem & Kush, Bubba catches up with Seth about all the chaos of adulting — from starting a new job and surviving the commute, to the stress of moving. Seth also confesses his total lack of sports knowledge (no surprise there) and shares a wild story from the AFI concert over the weekend.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.