Podcast appearances and mentions of Aaron Sorkin

Will and Luke hash out their differences w/r/t appreciating Aaron Sorkin as they tackle Season 2 Episode 3 of THE NEWSROOM ("Willie Pete"), which offers a surprisingly cogent critique of "the boys on the bus" as well as a lot more of Sorkin's peculiar gender politics. PLUS: We check in on our favourite Who's Line is it Anyway cast member. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/628-ballad-of-13-130688755

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Decoder Ring is marking its 100th episode this year. To celebrate, we're revisiting our very first episode from 2018, which asks: What happened to the laugh track? For nearly five decades, the laugh track was ubiquitous, but beginning in the early 2000s, it fell out of sitcom fashion. What happened? How did we get from The Beverly Hillbillies to 30 Rock? In this episode we meet the man who created the laugh track, which originated as a homemade piece of technology, and trace that technology's fall and the rise of a more modern idea about humor. With the help of historians, laugh track obsessives, the showrunners of One Day at a Time and the director of Sports Night, this episode asks if the laugh track was about something bigger than laughter. You can read more in Willa's article “The Man Who Perfected the Laugh Track” in Slate. Links and further reading on some of the things we discussed on the show: Interview with Ben Glenn II on the history of the laugh track in McSweeney's See a Charlie Douglas Laff Box on Antiques Roadshow More of Paul Iverson's work restoring laugh tracks and inserting them into new shows The sitcom One Day at a Time Friends without a Laugh Track by Sboss “The Okeh Laughing Record” Tommy Schlamme and Aaron Sorkin's Sports Night This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Decoder Ring is produced by Katie Shepherd, Max Freedman, and our supervising producer Evan Chung. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show.  Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

At some point in the 15 years since its release, THE SOCIAL NETWORK (2010) became a historical document. We're joined by our official Silicon Valley correspondent Wendy Liu to discuss why its complicated perspective on startup culture resonated so strongly, and what the passage of time has revealed about people like Zuckerberg. And of course, we get into the Aaron Sorkin of it all. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/130141170

Chuck Todd opens with two issues he calls “dead rail” issues; issues that voters care about but don't vote on… campaign finance reform and the national debt. He explains why both parties aren't incentivized to address either issue, and provides a brief update on the latest developments for the upcoming midterm and presidential elections.Then, he sits down with acclaimed television writer and producer Debora Cahn, the creative force behind both "The West Wing" and Netflix's hit series "The Diplomat." Cahn shares behind-the-scenes insights from her time in Aaron Sorkin's writers' room, revealing how the team worked to make "The West Wing" realistic and even infused elements of musical theater into the show. She discusses the origins and development of "The Diplomat," explaining how her experience working on "Homeland" prepared her for tackling international diplomacy, and how COVID-19 unexpectedly helped with the show's early development process.They delve into how real-world events have shaped "The Diplomat's" narrative, particularly Russia's invasion of Ukraine, which completely changed the show's plot trajectory. Cahn explores the challenges of creating "news adjacent" content in today's rapidly changing political landscape, where she notes that satire feels off-limits for this decade. She also discusses her approach to writing strong but complex female characters, the differences between working with Shonda Rhimes versus Aaron Sorkin, and how she uses storytelling to give voice to government workers. The interview touches on everything from using real UK embassy locations for filming to incorporating recent political events and the casting of Michael McKean in a Biden-inspired role.Finally, he answers listeners' questions in the Ask Chuck segment, addressing topics like the best path to learning journalism, whether Kamala Harris could lose the California gubernatorial race and how to maximize black voter turnout in the south.Timeline:00:00 Introduction00:30 The “third-rail” issues in American politics that are untouchable01:45 Medicaid is a lifeline for more than just poor people02:20 Dead rail issues are issues that you can ignore and voters don't care03:10 Voters agree on need for campaign finance reform, but don't vote on it05:00 Both parties only care about the national debt when they're out of power07:00 Voters don't care about campaign finance or the debt until it affects them09:00 The Republicans are more fiscally irresponsible than Democrats10:30 New campaign ad rolls out with purely AI generated people11:30 Senator Jeff Merkeley may step down12:30 Senator Ed Markey may face primary challenge13:00 Rahm Emmanuel attending Iowa event, could it regain 1st primary status?14:30 Debora Cahn joins the Chuck ToddCast! 15:45 How did she create "The Diplomat" and "West Wing"? 17:00 How important was it to make the West Wing realistic? 19:00 How did you infuse musical theater into West Wing? 20:15 What was the writers' room like? 22:30 How long has she been working on The Diplomat? 25:15 How did working on Homeland prepare her for The Diplomat? 28:30 The origin of The Diplomat 30:00 Covid actually HELPED with early development 31:00 Were the characters modeled off real people? 33:45 Using a real embassy for the set 36:30 Has the narrative arc changed from the original vision? 38:45 Russia's invasion of Ukraine changed the show's entire plot 40:45 Using the PM of the UK character to caricature Trump 42:15 Satire is off the table for this decade 43:30 Giving voice to government workers via storytelling 47:00 Has the UK foreshadowed trends in US politics? 48:15 The downside to being "news adjacent"? 49:45 Writing about strong women but making it messy 51:15 Working with Shonda Rhimes vs Aaron Sorkin 53:30 Whose story would she like to tell? 56:00 Traditional journalism vs. influencer culture 56:45 The Newsroom wasn't an accurate portrayal of TV journalism 58:00 What events from the past few months does she want to incorporate? 59:45 Michael McKean is great as the Biden character57:50 Chuck's thoughts on the interview with Debora Cahn 58:20 Ask Chuck 58:40 Is college or an apprenticeship better for learning journalism? 1:02:30 Could Kamala Harris lose in the primary for CA governor? 1:06:05 What can Democrats do to maximize the black vote in the south? 1:11:50 NBA playoffs reaction

Get ready to serve at the pleasure of the (fictional) president because today we are joined by consultant and crafter, Margo Mullin (she/her) for a walk and talk about the 1990s political classic; WEST WING! We chat about the waves of political burnout and optimism, the rise of the political drama on TV, Aaron Sorkin's whip-smart dialogue, great speeches, career defining performances and the not-so-enduring fantasy of a competent and morally sound American president. Plus, we play a game of ‘West Wing or White House' and discuss the actual size of the continent of Africa.  The Fandom Show Podcast is available wherever you get your podcasts and you can also watch on YouTube https://www.youtube.com/@FandomShowPod! Want to learn more about this as well as all our episodes, and get access to even more fandom? Check us out at Patreon.com/TheFandomShow Produced by Andrew Ivimey as part of The From Superheroes

Lex and Brian don’t know if women have special powers, but maybe Aaron Sorkin does. Season two of Sports Night kicks off with a killer montage as Casey tries to work up the courage to ask Dana out. Jeremy and Natalie are fighting. Isaac’s back. There’s a lot to unpack - and a lot to love. You’re listening to Sorkin’ In It on the Incomparable podcast network, so stick around. Lex Friedman and Brian Warren.

Lex and Brian don’t know if women have special powers, but maybe Aaron Sorkin does. Season two of Sports Night kicks off with a killer montage as Casey tries to work up the courage to ask Dana out. Jeremy and Natalie are fighting. Isaac’s back. There’s a lot to unpack - and a lot to love. You’re listening to Sorkin’ In It on the Incomparable podcast network, so stick around. Lex Friedman and Brian Warren.

Send Kris and Rob a Text Message!In 1986, Marine David Cox helped carry out a Code Red at Guantanamo Bay on a Private who fully recovered from his injuries. When David and nine others were faced with a court-martial and an Other Than Honorable Discharge, he refused a plea deal, stood trial, and walked free; his attorney arguing that he was following orders. That courtroom drama would go on to inspire Aaron Sorkin's A Few Good Men. But David's story didn't end there.In 1994, Cox was found shot to death—execution-style. Wallet intact. No robbery. No suspects. No justice.This week on Hitched 2 Homicide, we're peeling back the Hollywood polish and military records to expose the haunting, unsolved truth behind one of the most infamous cases of military justice—and murder—in U.S. history.

After a healthy break, we finally return to Aaron Sorkin's THE NEWSROOM. In the first episode of season two ("First Thing We Do, Let's Kill All the Lawyers"), we find Will McAvoy and his team learning of a movement to Occupy Wall Street and debating the ethics of predator drones. PLUS: A roundup of American politics news, including David Hogg, Joe Biden, and a Woodstock for centrists. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus Catch up on our coverage of The Newsroom's first season - https://www.patreon.com/collection/1429433 See Luke interview Grace Blakeley at the 2025 Ellen Meiksins Wood Lecture on May 20 - https://broadbentinstitute.ca/events/2025-ellen-meiksins-wood-lecture/ Subscribe to Luke's Substack - https://www.lukewsavage.com/ Will's book Ed Wood: Made in Hollywood USA - https://orbooks.com/catalog/ed-wood/

Welcome to the LIVING FOR THE BOYLE review series!  Daniel Francis Boyle originally hailed from Manchester, England and his filmmaking career took off thirty years ago in 1995 with the release of acclaimed cult thriller Shallow Grave.  And ever since then, Danny Boyle (as he's officially known) has carved out a uniquely successful career not only achieving box office success several times but also winning a few Oscars along the way.  During this time period, he has also become one of MY personal favorite directors, having helmed excellent ORIGINAL stories spanning several genres including children's fantasy, science fiction, crime drama, horror, and biopic.  Over the next few months, I will be reviewing some of my favorite entries from his filmography in the lead-up to the long-awaited sequel to one of his more successful films….28 Years Later which will be released in the U.S. on June 20!From the Oscar-winning writer (Aaron Sorkin) of The Social Network comes another "Based Upon a True Story" exploration of one of the titans of the digital revolution, this time the titular Steve Jobs played by Oscar-nominee Michael Fassbender (Shame, Black Bag).  This story takes behind the scenes in the lead-up to three VERY different product launches headlined by the eventual Apple CEO in 1984, 1988, and culminating in 1998 with the launch of the revoluationairy IMac computer for home and office use.  Along the way, we not only learn about the various ups-and-downs of the Apple/Mac brand as overseen by Jobs but much of his personal drama as well, especially his tumultuous relationship with his daughter Lisa.  This Oscar nominated drama was directed by Boyle and featured a stellar cast including Kate Winslet, Michael Stuhlbarg, Jeff Daniels, and Seth Rogen.Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

We present our review of The West Wing (Season 5)!The fifth season of the American political drama television series The West Wing aired in the United States on NBC from September 24, 2003, to May 19, 2004, and consisted of 22 episodes. This was the first season with executive producer John Wells as showrunner after series creator Aaron Sorkin departed the series at the end of the previous season.The fifth season had star billing for nine major roles, all of which were filled by returning main cast members from the fourth season. The cast was credited in alphabetical order except for Martin Sheen, who was listed last. Stockard Channing is only credited for the episodes in which she appears.The fifth season opens with First Daughter Zoey Bartlet being rescued from her abductors. President Bartlet takes the presidency back from acting president Walken, but is forced back into a level of powerlessness. He comes to terms with the actions that led to his daughter's kidnapping, a new Republican Speaker of the House (Walken has had to resign in order to assume the presidency) who forces Bartlet into several decisions he does not want to make, including the nomination of an unimpressive Democrat, "Bingo Bob" Russell, for vice president. The conflict with the new Speaker comes to a head in "Shutdown", when the Speaker tries to force the President into cutting federal spending more than had been agreed to and Bartlet refuses, forcing the federal government into a shutdown. Bartlet regains some of his power, cutting a deal to get a liberal Chief Justice, and season five ends with a bombing in Gaza leading Bartlet to push for Israeli peace talks and Josh to grow closer to Donna after she is critically wounded. The fifth season begins toward the end of Bartlet's first year of his second term (fifth year overall) in office. By the end of the season, over a year has elapsed.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

DÉMO(N)S ITALIENS : QUAND L'ENFER PORTAIT UN PERFECTO !

Walk with us through the West Wing and into the heart of The American President, where romance meets realpolitik under the soft glow of the White House. We're diving into this Aaron Sorkin-penned blend of idealism, charm, and sharp political drama, unpacking the chemistry between Michael Douglas and Annette Bening, the dream of a more noble presidency, and what this film says about leadership, image, and the power of personal conviction. Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going!

Dimitri and Khalid explore the deadly climax of the Molly Maguire phenomenon in 1870s Pennsylvania coal country, including: Pinkerton spy James McParlan's exposure and narrow escape from Schuylkill County, the spectacular(ly corrupt) murder trials from 1876-78 that captivated the nation, Reading Railroad President Franklin B. Gowen's mesmerizing star turn as lead prosecutor in the courtroom, his four hour Aaron Sorkin monologue about the perfidious Irish conspiracy threatening the very foundations of our (Protestant Capitalist) Republic, squealing witnesses and Pennsylvania Dutch jurors, McParlan/McKenna on the witness stand, Gowen's relentless drive to convict Hibernian leader “Black Jack” Kehoe of a Civil War murder he didn't commit, Black Thursday and the Day of the Rope, executing two Mollies just after Governor Hartranft grants a reprieve, the Great Railroad Strikes of 1877, two descendants of convicted Mollies becoming militant IRA-supporting Teamster leaders in the 20th century, Gowen's HOTGAF arc going off the rails, the Reading's slide into crushing debt and bankruptcy, getting forced out of the game by a rising JP Morgan, and Franklin Gowen grimly imitating the tactics of his Molly adversaries by shooting a mine boss - himself - in 1889.  For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.

Can you handle the truth? Sure, back in 1992, this military courtroom drama was a critical and box office smash. Tom Cruise! Demi Moore! Jack Nicholson! And all that yelling! How could it miss? But now, decades later, are we ready to issue a Code Red on this Oscar-nominated Best Picture? Is Cruise's cocksure persona the best fit for this heavy-handed tale of loyalty? Is Jack's manic line readings too big for this jurisdiction? And, for the love of God, will anyone listen to Demi's Joann, like, ever? The Old Roommates head to the mess hall and revisit all the speeches and shenanigans through their middle-aged lens. Join them!Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on social media @OldRoommates for bonus content and please give us a rating or review!#AFewGoodMen #RobReiner #AaronSorkin #TomCruise #DemiMoore #JackNicholson #KieferSutherland #KevinBacon

In the SEASON FINALE of our coverage of Aaron Sorkin's THE NEWSROOM, we find the show's many threads continuing, if not coalescing, in Episode 10 ("The Greater Fool"). We assess where the show has taken us so far, and assess the good (not much) and the bad (plenty). Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus "The End of Resistance History" by Charlotte E. Rosen - https://proteanmag.com/2025/01/20/the-end-of-resistance-history/

This week! It's another rare TV episode as we tackle all three seasons of Aaron Sorkin's The Newsroom. We discuss Sorkin's terrible history of writing for women, the worst episode of this TV show -- or any Sorkin TV show -- or any TV show??, and how awful Jim is. GET OUT OF HERE JIM.   This episode brought to you by Fast Growing Trees. Fast Growing Trees provide you with top-notch plants, the easiest way possible, delivered right to your home. This Spring they have the best deals, for your yard, up to half off on select plants and other deals. And listeners to our show get 15% off their first purchase when using the code LOVE at checkout.    Produced by Andrew Ivimey as part of The From Superheroes Network   Visit www.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 90 of the Director Watch Podcast, the boys are joined by film critic Tom O'Brien to discuss the final film in their Mike Nichols series, Charlie Wilson's War (2007). For the last film in Mike Nichols' filmography, he attempts again to try and make a political commentary that will stand out as one of best to ever get made. As someone who has tackled the human condition so well throughout his films, Nichols has also chased the idea of making a political film from his films of the 70s, to even a film on this series in Primary Colors. This time working with a script from Aaron Sorkin, Nichols does his best to tell the story of a Texas congressman and the CIA who worked together on a covert operation to support the Afghan mujahideen during the Soviet–Afghan War. Led by Tom Hanks, Julia Roberts, and Philip Seymour Hoffman's stellar performances, Charlie Wilson's War is mostly the best political film Nichols made; you just wonder if he ever needed to chase this whale in the first place considering this film is still a lesser script from the acclaimed screenwriter behind it. Ryan, Jay, and Tom break down their thoughts on the film, Sorkin as a figure in Hollywood, how uneventful the film feels, Hanks wanting Nichols for this film, the greatness of Hoffman, as well as the guys final rankings of Nichols' filmography, and a reminder of the next film series the guys will be covering after their upcoming bonus episode for Nichols' Angels in America. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h. The guys will be back next week with a bonus episode for the Mike Nichols' series with a review of his acclaimed miniseries, Angels in America. You can rent it via iTunes and Amazon Prime rental or stream on Max in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

유의:메타의 메타버스는 코로나 전이 아니라 코로나 중에 공개됐나보다.< The Social Network >마크 주커버그 Mark Zuckerberg< 아가씨 >아론 소킨 Aaron Sorkin고막사람echo chamber< 신데렐라 >냅스터- - -녹취록: https://aimdreaming.imaginariumkim.com/the-social-network-페이스북-해피엔딩-내가-사는-세상-유명세/한아임한테 ☕️ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠커피 사주기⁠⁠⁠⁠

Episode 8 of THE NEWSROOM ("The Blackout, Part 1: Tragedy Porn") finds Aaron Sorkin considering media ethics through lens of three 2011-era scandals of varying magnitude: Anthony Weiner, Casey Anthony, and NSA surveillance. His conclusions find him returning to some pet grievances. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/124709344

We present our review of The West Wing (Season 3)!The third season of the American political drama television series The West Wing aired in the United States on NBC from October 3, 2001 to May 22, 2002 and consisted of 21 episodes and 2 special episodes.The season premiere was delayed by the September 11, 2001 terrorist attacks in the United States. When the season did return, the first episode was a special episode titled "Isaac and Ishmael," in which the main cast paid tribute to those affected by the attacks and informed viewers about what to expect from the delayed premiere.Series creator Aaron Sorkin acknowledged in October 2002 that the terrorism-related plots designed to keep the series relevant after the real-life attacks were awkward at times, saying "from week to week, you felt like you were writing the show handcuffed, a little bit. I didn't know how to write it anymore. It was a constant search for what I wasn't doing that used to make the show work. Maybe there was a way to make it work. There probably was. I wasn't able to find it in twenty-two episodes."Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

We finally arrive at the legendary Bin Laden episode of THE NEWSROOM ("5/11") and discover that surrounding that iconic clip on the airplane is Aaron Sorkin's most revealing meditation yet on what he thinks journalism should be. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/124082719

Philip Dusenberry once said, “I have always believed that writing advertisements is the second most profitable form of writing. The first, of course, is ransom notes.”I can testify that Dusenberry is correct. The best ad writers make more money than the most highly paid lawyers and heart surgeons.Great advertising makes an enormous difference in the top line revenue of a company. A reputation for being able to write great ads makes an enormous difference in your bank account. But only if you get paid according to the growth of the businesses you write for.Did you notice that I ended that sentence with a preposition? A pedantic will tell you that I should have said, “But only if you get paid according to the growth of the businesses for whom you write ads.” But I chose not to do that. If you can tell me why, you might have the makings of an ad writer.Do you have a friend who reads the books of the world's most famous authors?If you say, “Call me Ishmael,” and your friend says, “Moby Dick,” your friend has the ingredients to bake a wordcake.Say to your friend, “Two roads diverged in a yellow wood.”If your friend says, “Robert Frost,” he or she has the ability to lead people to places they have never been.Say, “The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.”If your friend looks at you and says, “Tom Robbins died last month,” they definitely have the makings of ad writer.“As you read, so will you write.”If the cadence and rhythm and unpredictable phrases singular to poets, screenwriters and novelists are echoing in your brain, your mind will spew rainbows of words like ocean water from the blowhole of a whale.Luke records Jesus as having said, “Out of the abundance of the heart, the mouth speaks.” If you want to know what is inside a person, listen to what they say and read what they write.The minds of great writers are filled with the music of other great writers. Music cannot flow from your fingertips if it does not live in your mind.I don't mean to be unkind, but most writers have no music in their mind.Tom Robbins told NPR in 2014, “I would tell stories aloud to himself, but always out in the yard with a stick in my hand. I would beat the ground as I told the story. And we moved fairly frequently. We would leave houses behind where one section of the yard was completely bare from where I had destroyed the grass. But I realized much later in life that what I was doing was drumming. I was building a rhythm. Even today as a writer I pay a lot of attention to the rhythm in my work.”When Tom Robbins died, hypnotic passages from his bestselling novels were quoted by NPR and The New York Times in their eulogies of his life.Character dialogue written by Aaron Sorkin is the standard by which all screenwriting is judged. Aaron says, “It's not just that dialogue sounds like music to me. It actually is music. Anytime someone is speaking for the purpose of performance, whether they're doing it from a pulpit in a church, whether it's a candidate on the stump or an actor on a stage, anytime they're speaking for the purposes of performance, all the rules of music apply.”The workload of my 81 Wizard of Ads partners will soon be at maximum capacity.I am looking for brilliant ad writers. Between now and the end of the year I will onboard a small group of writers who are worth a lot more money than they are currently being paid. They will attend the partner meeting this autumn.Selection, orientation, and enculturation requires diligence and patience on both sides.Our journey will begin when you send exactly 12

Some stories shape us in ways we don't even realize—until we take a step back and see the bigger picture. In this solo episode, I'm pulling back the curtain on two untold tales from my past: the unexpected way I found myself on the set of Hoosiers as a little girl (a moment that unknowingly shaped my career path), and the time I went on a date with one of the most brilliant minds in Hollywood, Aaron Sorkin. But this isn't just about fun anecdotes—it's about how saying yes to certain moments can make lasting impact and how true transformation happens when we bravely revisit, heal, and rewrite our own stories.  If you're ready to take ownership of your past and step into your power, this episode is your invitation. Use code CATT to get 15% off my favorite, science-backed skincare from OneSkin. Head to OneSkin.co and use my code now for healthier, younger looking skin that works in the cellular level.  thecattwalk.com Learn more about your ad choices. Visit megaphone.fm/adchoices

John, LB and Niki peruse the menu of life and choose a number of appetizing topics to sate their hunger for discussion, including LB's new towels, hanging out with BTS, another installment of Scam Text Theater, the complete plot of The Substance (so spoiler warning obvs), if Aaron Sorkin wrote Dawson's Creek, our definitive ranking of the Barenaked Ladies, more drug physics, and y'all? Somehow even more.Welcome to If You're Driving, Close Your Eyes, a podcast about navigating the cruelty, chaos, and wonder of our terrifying world. Niki, John, LB— and our producer Jordo— try to find meaning and clarity one or twelve subjects at a time: from the menu at Cheesecake Factory to a human man dressed up as Snoopy tucking you into bed.Who are we?: We are Niki Grayson (https://twitter.com/godsewa) (the Buster Keaton of basketball), John Warren (https://twitter.com/FloppyAdult) (business boy and wassail pervert, short), LB Hunktears (https://twitter.com/hunktears) (handsome genius, 5'8", America's Gamer), and producer Jordan Mallory (https://bsky.app/profile/jordo.bsky.social) (frog with computer). Music by Jordan Mallory and Art by Max Schwartz (https://maxds.itch.io/).Follow the show: https://www.twitter.com/ifyouredriving Support us: https://www.patreon.com/ifyouredriving Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Internal Comms Podcast, host Katie Macaulay welcomes Jeremy Connell-Waite, Global Communications Designer for IBM, an acclaimed speechwriter and storyteller, and a performance coach for senior executives. In this fascinating conversation, which will challenge everything you thought you knew about storytelling, Jeremy guides Katie through the concept of storytelling design – the process of drawing speeches and stories, not writing them. It's an approach that seeks to connect on every level from the get-go. Jeremy dives into what storytelling really is, what sets the true greats apart and how internal comms pros can change the world in 1,000 seconds (about the length of time you take for your morning coffee break). As you'll see in our featured links, there's stacks of inspiration to draw from, as Jeremy unpacks the genius of everyone from Aaron Sorkin to Obama's former speechwriter, Terry Szuplat. This is a tale of how storytelling is harder skill than you think. As always, share your thoughts on this or any other episode of The Internal Comms Podcast using the hashtag #TheICPodcast. And thanks for listening.

In episode six of THE NEWSROOM ("Bullies"), Aaron Sorkin brings some much-needed shading and complexity to the character of Will McAvoy. But of course, "complexity" and "self-flattery" can sometimes overlap. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/599-newsroom-6

We present our The West Wing Season 2 Review!The second season of the American political drama television series The West Wing aired in the United States on NBC from October 4, 2000 to May 16, 2001 and consisted of 22 episodes.The second season made frequent use of flashbacks, revealing Bartlet's campaign for the presidency in the period prior to events covered in the first season. The first two episodes, "In the Shadow of Two Gunmen, Part I" and "In the Shadow of Two Gunmen, Part II", showed how many of the central characters were introduced to Josiah Bartlet, his campaign for the presidential nomination, and his election. Aaron Sorkin originally planned to have such flashbacks as a major part of the entire season, but budget and logistical demands prevented this.The second season had star billing for eight major roles. Seven of these were filled by returning main cast members from the first season, while Moira Kelly departed the cast at the end of the previous season. Rob Lowe once again receives star billing, while Martin Sheen receives the "and" credit for his role as President Josiah Bartlet. The rest of the ensemble, now including previously recurring Janel Moloney, are credited alphabetically.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/raduli...FB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1...

The Arab Spring hits THE NEWSROOM in its fifth episode ("Amen"), but once again Aaron Sorkin finds himself more concerned with Will McAvoy's workplace dramas, including a nefarious attempt by the ACN morning show to bring his downfall. PLUS: Was the '60s "the decade where everything changed"? At least one magazine cover believes so! PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/122160705

The lads pledge to the Phoenix Club and destroy democracy as they cover David Fincher and Aaron Sorkin's 2010 techbro parable: The Social Network. Topics include Trent Reznor and Atticus Ross' iconic score, the polarizing nature of Sorkin's writing, and what it means to live in a world ruled by Augustus Caesar wannabes like Mark Zuckerberg.   TICKETS TO GO SEE JOSH'S PLAY AT THE TANK IN NEW YORK CITY!   Want more TWOAPW? Get access to our full back catalogue of premium/bonus episodes by subscribing for $5/month at Patreon.com/worstofall!   Media Referenced in this Episode: The Social Network. Dir. David Fincher. 2010 “10 Years Later, Author Ben Mezrich On The Book Behind ‘The Social Network'” by Anhar Karim. Forbes. October 20th, 2020. “A Young Mark Zuckerberg's Early Mistake” by Shachar Bar-on. 60 Minutes. January 13th, 2008. “CONFIRMED: Aaron Sorkin Creates Facebook Page, Writing Facebook Movie” by Dan Kois. Vulture. August 27th, 2008. “Facebook's Other Privacy Issue” by Eriq Gardner. The Hollywood Reporter, November 30, 2007 “Joe Rogan Experience #2255 - Mark Zuckerberg.” “Mark Zuckerberg: How to Build a Future” by Y Combinator. “Tell-All Book: Zuckerberg Set Up Facebook To Get Laid” by Nick Douglas. Gawker. May 22nd, 2008. “What Producers Do: Explaining The Social Network's Social Network” by Claude Brodesser-Akner. Vuture. February 24th, 2011.   TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “The M.A.R.K.-BOT” // Written by A.J. Ditty // Feat. Brian Alford as “Mark Zuckerberg”

Amanda Dobbins (The Big Picture podcast) joins Matt and Tim to discuss the 1995 Rob Reiner directed, Aaron Sorkin written film, The American President. Michael Douglas plays President Andrew Shepherd. Give a speech then give a listen. Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amanda Dobbins https://instagram.com/akdobbins Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Amanda Dobbins (The Big Picture podcast) joins Matt and Tim to discuss the 1995 Rob Reiner directed, Aaron Sorkin written film, The American President. Michael Douglas plays President Andrew Shepherd. Give a speech then give a listen. Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amanda Dobbins https://instagram.com/akdobbins Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

From Jonny Quest to Animal House to The West Wing, Tim Matheson has spent over seven decades in Hollywood, and he's finally telling all in his new memoir, Damn Glad to Meet You: My Seven Decades in the Hollywood Trenches.In this episode, Tim shares behind-the-scenes stories from his legendary career, working with Hollywood icons like Lucille Ball, Steven Spielberg, and Aaron Sorkin. He spills on the wild days of Animal House, playing a fictional Vice President on The West Wing, and his transition from actor to director.Watch on PopCrimeTV: https://www.youtube.com/watch?v=2aIk9jAUP8Y"I went to audition for that movie, and Farley bursts in the room grabs me. He just adored Animal House, what I did in it, and he treated me like his brother. We played around and auditioned, did the audition together, and he's the reason I got it. I mean, because he loved what I did in Animal House....and anybody who'd had anything to do with John Belushi was okay with him," Tim Matheson on working with Chris Farley in Black Sheep. Hosted on Acast. See acast.com/privacy for more information.

Daniel Pemberton is an Academy Award-nominated English composer and songwriter. In 1994, at the age of 16, he recorded an album in his bedroom using a multitrack cassette recorder. It caught the attention of the music producer Pete Namlook, who released it on his label, leading to a flurry of soundtrack commissions. In the years that followed, my guest wrote music for TV shows including Peep Show, The Dark Crystal, Enola Holmes, and Slow Horses.But it's his feature film work for which he is best known. He has collaborated with many of the world's leading directors, composing for Ridley Scott's The Counselor, Danny Boyle's Steve Jobs, Guy Ritchie's The Man from U.N.C.L.E., Michael Mann's Ferrari, and Aaron Sorkin's The Trial of the Chicago 7 –– for which he was nominated for an Oscar. He has also composed the soundtrack for the Oscar-winning Spider-Man: Into the Spider-Verse, and several video games including LittleBigPlanet and Concord. In 2009, the Guardian's Paul Moody said of my guest: “few know his name but millions hear his music almost every day.” Be attitude for gains. https://plus.acast.com/s/my-perfect-console. Hosted on Acast. See acast.com/privacy for more information.

Today's episode in our history of revolutionary ideas is about a medieval movement that used the ancient past to rethink and reimagine the present and the future. David talks to historian Eric Nelson about humanism and its enormous impact on the history of ideas. How did humanism emerge out of catastrophe? What did it do to the hold of Church and Empire on the medieval mind? Was humanist politics really revolutionary politics? And where is the ‘human' in humanism? As part of our Great Political Films series we are hosting a special screening of Network (1976) at the Regent Street Cinema in London on 18th March, followed by a live podcast recording with David and Helen Lewis. Aaron Sorkin said: ‘No predictor of the future – not even Orwell – has ever been as right as Network.' Come see why! Tickets now available https://www.ppfideas.com/event-list Next up in The History of Revolutionary Ideas: The Reformation 1: Luther Past Present Future is part of the Airwave Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Our journey through Aaron Sorkin's THE NEWSROOM arrives at Episode 4 ("I'll Try to Fix You"), in which the power of a conscientiously-run newsroom helps save Gabby Giffords' life, and Will McAvoy takes a courageous stand against gossip in all its forms. The news is overwhelmingly bad right now, so we frankly had a nice time retreating to 2012. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Danielle & Brett are back after a mini-hiatus to react to this year's Oscar nominations, the frustrating duopoly of Emelia Perez and The Brutalist as front runners and there rest of the acting nominees. They also discuss the sweaty Aaron Sorkin qualities of Saturday Night, Danielle discusses the evolution gameplay in The Traitors season 3, Brett dives into some of the quirks he noticed in Juror No. 2. Follow Hey Julie on Bluesky and submit your questions ⁠⁠@HeyJulieBB⁠⁠.bsky.social, our ⁠⁠Discord server⁠⁠, or email us ⁠heyjuliebigbrother@gmail.com⁠! Watch Hey Julie on ⁠⁠YouTube⁠⁠ Follow Brett ⁠⁠@BrettRader⁠⁠.bsky.social Follow Danielle ⁠⁠@DingDongDani.bsky.social

In episode three of THE NEWSROOM, "The 112th Congress," Will McAvoy finally runs afoul of the people who really run the network. We discuss what Aaron Sorkin gets right about news media and the people who own it, in addition to all the things he gets wrong. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/591-facts-are-3-120499773

Everyone loves getting the insider view.It's like getting let in on a secret. There's an exclusivity to it that's all too appealing. So why not lure your audience in with the chance to be a fly on the wall in your story?That's one of the things we're talking about today with the help of our special guest, Chief Marketing & Communications Officer at CSG, David Pendery. Together, we're taking marketing lessons from The West Wing including pitting two characters against each other with opposing views, going for the walk-and-talk, and much more.About our guest, David PenderyDavid Pendery is an award-winning creative, business-focused enterprise marketing & communications leader with extensive experience building brands and businesses, connecting stakeholder needs to company solutions and driving impactful results for 10-figure and Fortune 500 B2B and B2C organizations. He has more than 20 years of experience elevating the visibility, media sophistication and global internal and external interactions of diverse national and international public and private organizations in a wide variety of industries, representing some of the most well-known B2B and B2C brands.What B2B Companies Can Learn From The West Wing:Give the fly-on-the-wall insider view. Let your audience in on the inside scoop of your story. David says in The West Wing, “ It was like you were a fly on the wall in these super secret conversations, right? The way it was written, I think is what was so successful about it.  You just felt like you were the secret observer and it drew people in.” And Ian adds that “ fly on the wall content is crazy valuable.  You feel like you are intruding on a conversation that you are not invited to. And like, that's incredibly cool for the audience.”Pit two characters against each other with opposing views. It's an easy formula for a compelling plot, it's repeatable, and it works every time. Plus you have one of the greatest writers - Aaron Sorkin - using it in his content. Ian says, “ The way that Sorkin wrote the show, is The West Wing happens in the west wing of the White House. So he would repeatedly say to his staff, ‘Our show is at its best when it's one of our characters that we love, they're disagreeing with another character that we love, and they are on either side of something. And it is happening in the West Wing.'”Go for the walk-and-talk. In The West Wing, a character is often walking down the hallway and other staffers are coming up and updating them or giving them important information on the way. The movement gives the information immediacy and importance. Which are great attributes to lend your content. Ian says, “ I think it's an interesting thing to put your CEO or executive or whoever it is - your persona - and it's a really good way to get video content, right? It's like having them walking and having other people come up to them and jump in and do this. You never see that in B2B, never. You never see that. And it's funny. It's pretty cool.”Quotes*”The biggest thing is you've got to establish some credibility with the stakeholders. So I think it's not really something you're going to be able to come in and do on day one, but if you can prove some value, if you can deliver on the results that you've been tasked with delivering, you'll build up this credibility bank and your stakeholders will let you push the envelope a little bit more.  That credibility allows you to be a little bit more experimental, a little bit more agile, and not get too hung up when things don't always work exactly the way you had hoped.”*”Have your A players up front, make sure you've got the right people surrounding you. Having the right people in the right seats on the bus, so to speak, I think is super important because you wouldn't have that same sort of beautiful orchestration that you saw with The West Wing if it wasn't for the right blend of talents and personalities and experiences in all the right seats.”*”Well, so much B2B marketing is so perfectly staged, right? You've got the perfect talking head and everything's polished and overproduced. You've got the perfect soundtrack and the perfect graphics and everything else. And I think sometimes just getting something a little bit more raw like that walk-and-talk kind of gives you that. It's a little unfiltered. It doesn't have to be perfect. It doesn't have to be the 15th take to get the talking points just right. It's just a real, authentic kind of moment that I think is a lot more endearing. And people are much more interested in something that isn't perfect, cause it's more relatable.”Time Stamps[0:55] Meet David Pendery, Chief Marketing & Communications Officer at CSG[1:41] Why the West Wing?[4:00] The Origins of the West Wing[11:52] Marketing Lessons from the West Wing[26:24] Embracing Raw and Authentic B2B Marketing[26:59] The Importance of Creativity in Marketing[28:36] Understanding Customer Needs Through Direct Conversations[30:57] Timing and Flexibility in B2B Marketing[37:59] The Role of Personal Branding in Company Success[43:54] Investing in Content and Brand Strategy[47:03] Exciting Trends and Future Plans[48:00] Final Thoughts and Advice for CMOsLinksConnect with David on LinkedInLearn more about CSGAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Senior Producer). Remarkable was produced this week by Meredith Gooderham, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

It's Inauguration Day, so Jeff and Amber are discussing one of their favorite movie presidents in Rob Reiner's political romantic comedy, The American President. Listen as they talk minor controversies behind the scenes, Michael Douglas' move toward "elder statesmen" acting, and both do their best to refrain from quoting Aaron Sorkin's crackling dialogue!For exclusive episodes and content, check out A Film By... Podcast on our Patreon with a FREE 7-day trial. You can also sign up as a free member! Check out www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

New year, new episode, new president. The American political landscape has never felt more divided. Can we agree on anything this day in age? Well, listen in to find out if Rob Reiner's 1995 The American President can have us reaching across the aisle and uniting, not only the gang, but all of America...If you're sense of patriotism motivates you,  feel free to check us on Twitter (X) @MovieVBPod and email us at movievolleyball@gmail.com

Tom Cruise and Demi Moore need their friend Kevin Pollak and a conga line of 90s faces to solve the crime at the end of this Aaron Sorkin-penned Rob Reiner film. 

In real estate, it's easy to get caught up in the pursuit of success, especially when the stakes are high and the market is competitive.  For people like Molly Bloom, an entrepreneur, former professional skier, and mastermind behind one of the most exclusive high-stakes poker games in the world, the allure of wealth and power took her down a dangerous path.  Molly's poker games attracted Hollywood stars, business moguls, and athletes, creating an environment where money and fame collided.  But what happens when the game you're playing turns into a game of consequences? Are you positioning yourself in real estate where your success might come at a much higher cost? Are you pursuing deals without fully considering the risks involved? Molly Bloom's involvement in illegal gambling led to her arrest, causing everything she had built to collapse. This turning point serves as a wake-up call for those chasing success without considering the risks.  In this episode, entrepreneur, author, and former professional skier Molly Bloom, known for orchestrating one of the world's most exclusive high-stakes poker games, joins me in this episode to share her remarkable journey. She discusses the lessons learned from hosting underground poker games with celebrities and moguls, and how she transformed her experiences into a powerful story of personal growth and resilience. I think that you have to start to look at the patterns in your life and take some responsibility there. -Molly Bloom   Things You'll Learn In This Episode  Trusting a gut feeling Trusting our gut doesn't mean abandoning our plan; it means adapting strategy to achieve the same goal. How can pivoting strategy uncover hidden opportunities in real estate? Don't give up for gain Success in any industry, especially real estate, comes from building trust and relationships, not sacrificing people for personal gain. How can prioritizing integrity help us prove ourselves in the competitive landscape? Micro-decisions Small, seemingly insignificant decisions can gradually lead us away from ethical principles in both business and personal life. How can we stay mindful of the long-term impact of our daily choices on our moral values?   Guest Bio Molly Bloom is an entrepreneur, author, and former professional skier best known for her involvement in running one of the most exclusive high-stakes poker games in the world. Her memoir, Molly's Game, chronicles her rise to prominence in the underground poker scene, where she hosted games attended by Hollywood stars, business moguls, and athletes. The memoir was later adapted into a feature film directed by Aaron Sorkin, starring Jessica Chastain. Her story took a dramatic turn when her involvement in illegal gambling led to her arrest, but she later turned her experiences into a platform for public speaking and writing. She has become an advocate for mental resilience and self-empowerment, sharing her journey of overcoming adversity and transforming her life. Molly Bloom holds a degree in political science and was also a highly competitive skier before pivoting into her poker career. Today, she continues to inspire others through her speaking engagements, podcast, and written works, offering insights into personal growth, decision-making, and the psychology of success. Find Molly on Instagram @immollybloom Follow Molly on X @ImMollyBloom    About Your Host Real Producers Podcast is hosted by Remington Ramsey, creator of the Real Producers brand that reaches more than 120 markets nationwide. He is a real estate investor as well as an avid reader and writer. Remington calls Indianapolis home and enjoys life on the lake surrounded by his wife and their three girls.   Follow the show on our website, Apple Podcasts or Spotify so you don't miss a single inspiring episode! Start a Real Producers Magazine in YOUR Market! Learn more about franchise opportunities at realproducersmag.com

On our Patreon, we will be discussing the full run of Aaron Sorkin's THE NEWSROOM. This is the first episode. Join us on Patreon - https://www.patreon.com/michaelandus

The second David Fincher film in our series (after Fight Club) is The Social Network (2010), the Aaron Sorkin-scripted take on how Mark Zuckerberg created Facebook and the price paid by everyone else. A tale of power and privilege, innocence and cynicism, it is also about how exploitation can be sold as exclusivity. What is left when we have given away our control over who we are in order to decide who counts as a friend? Out later this week: a new bonus episodes on PPF+ exploring the joys of Armando Iannucci's In The Loop, not just one of the smartest films about contemporary politics but also the funniest. Sign up now for £5 per month or £50 for a whole year to get this and all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus Next time: Zero Dark Thirty Past Present Future is part of the Airwave Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Hot on the heels of our magisterial Studio 60 on the Sunset Strip project, we return to the Aaron Sorkin mines with the Sorkiest Sorkin show that ever Sorked. We begin our deep dive into THE NEWSROOM with the pilot episode, "We Just Decided To." PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/119311355

25 years ago, the TV series The West Wing premiered. It was a behind-the-scenes look at a fictional White House. We revisit our interviews with show creator/writer Aaron Sorkin, and actors Allison Janney, who played C.J., and John Spencer, who played Leo McGarry. They talk about the show's signature walk-and-talk and the quippy, rapid-fire style of dialogue. Also, Justin Chang reviews Francis Ford Coppola's Megalopolis.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy