Podcast appearances and mentions of Aaron Sorkin

So beyond being the famous turtleneck guy, what exactly did Steve Jobs do during his long tenure at Apple? According to Aaron Sorkin and Danny Boyle's STEVE JOBS (2015), he did... everything and nothing. We discuss a Great Man biopic from a writer who truly believes in Great Men. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/michaelandus/posts/732-bicycle-for-164653829

Next, Nadeem wanted to dive into the world of Aaron Sorkin and find out if he's really hot or not. This week, Mita and Nadeem are watching his worst film, the romantic-drama-comedy "The American President" for the next movie review. Mita and Nadeem also watch and review "The Invite". 

Plus - Tom Holland Says He's 'Got a Lot of Work to Do' to Bring Miles Morales Into the MCU; The Social Network star Jesse Eisenberg explains why he turned down Aaron Sorkin's offer to reprise role as Mark Zuckerberg Learn more about your ad choices. Visit podcastchoices.com/adchoices

We get to do an overview on Aaron Sorkin's Legal Themed Trilogy:   *How does Jack Nicholson portray the ultimate villain who thinks he's correct in A FEW GOOD MEN?   * How do Jessica Chastain and Idris Elba portray their most enriching characters to date in MOLLY's GAME?   *And why did THE TRIAL OF THE CHICAGO 7 come out at the best possible time?           GUESTS: Lynsey G, C. Courtney Joyner, Interviewer Jimmy Carter & Jeff Kerr     CLIPS USED: Siskel & Ebert's mixed review of A FEW GOOD MEN     SONGS USED: "Code Red/Semper Fidelis " and "Kaffe" by Marc Shaiman (from A FEW GOOD MEN OST)

In this episode of 3 Movies That Changed Your Life screenwriter Stuart Wright talks with script consultant Danny Manus about: A Few Good Men, My Cousin Vinny, and The Ice Storm. Discover how these films shaped his screenwriting journey, personal growth, and understanding of cinema's power. Plus, Danny Manus discusses what a script consultant does and how they can help you improve a script and become a better writer. Movies That Changed Your Life   Find out about what a script consultant does and how they can help you write a script and become a better writer and the lasting impact of cinema on Danny Manus's life with Stuart Wright on his movie podcast.   Three common aspects of script feedback Danny Manus gives to writer: [1:20] 1) Integrating the plot and character; [6:40] 2) Being able to identify your hook; and  [18:00] 3) The art of scene writing. [40:20] What makes a good writer for a script consultant? 3 Films That Have Impacted Everything In Your Adult Life A Few Good Men (1992): Noticing writing [15:40] Today, Danny Manus is a huge fan of both Aaron Sorkin and Rob Reiner, but watching A Few Good Men as a 12/13 year old, he saw for the first time, the power in the writing of a movie. It's a master class in the rhythm and build of a story through dialogue. My Cousin Vinny (1992): Unable to stop laughing [21:30] My Cousin Vinny is Danny Manus's favourite comedy of all time. He's seen it over and over 100 times, but when he saw it in theatres aged 12/13 it was the first time he couldn't catch his breath because he was laughing too hard. The Ice Storm (1997): Teen storylines   [27:40] Danny believes there is no American Beauty without The Ice Storm. He simply loves a family dysfunction movie. The teen storylines spoke to him and were echoed in his own early screenwriting efforts at college. Key Take Aways:   Discover how movies that changed your life shape personal and professional growth.  How to integrating plot and character; Can you identify your hook? Learn the art of scene writing. What makes a good writer for a script consultant? Learn what a script consultant does and how they can help you improve a script and become a better writer Understand cinema's transformative power through A Few Good Men (1992), My Cousin Vinny (1992), The Ice Storm (1997) Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast About my Guest:   Danny Manus is a script consultant and founder of No BullScript Consulting, which has been helping writers since 2009.  For more about his script consultancy services see https://www.nobullscript.net/about-daniel/    Credits:   Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we look back at the incredible career of one of Hollywood's most celebrated filmmakers. A guy who directed one of the greatest coming-of-age films ever made, one of the greatest romantic comedies ever made, one of the greatest mockumentaries ever made, one of the greatest courtroom dramas ever made, and one of the greatest psychological thrillers ever made. And he never won an Academy Award. We are talking about Rob Reiner.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

Brett & Danielle are back for a little double feature-as-a-podcast episode, as they break down the 21st century Steven Spielberg bookends of Disclosure Day and A.I.: Artificial Intelligence.First, they break down two trailers in Aaron Sorkin's The Social Reckoning and the whale-eats-man tale Whalefall.For the rest of the show, they break down last weekend's sci-fi epic Disclosure Day, what worked about it and why audiences are seeming so split on it, particularly the film's final act.In the second part of the double feature, Dani & Brett revisit A.I.: Artificial Intelligence, a completely insane movie that should not be viewed by parents OR children. I promise you, if you've never seen it, you'll have no idea where it's going.Join us for a spoiler-iffic discussion of both films!Follow Hey Julie on Bluesky and submit your questions ⁠⁠@HeyJulieBB⁠⁠.bsky.social, our ⁠⁠Discord server⁠⁠, or email us ⁠heyjuliebigbrother@gmail.com⁠!Watch Hey Julie on ⁠⁠YouTube⁠⁠Follow Brett ⁠⁠@BrettRader⁠⁠.bsky.socialFollow Danielle ⁠⁠@DingDongDani.bsky.social

Tonight on TV Party Tonight, we wrap up our retrospective on Aaron Sorkin's The Newsroom with a look at Seasons 2 and 3, where the series shifts from an idealistic defense of journalism to a critique of its failures. Season 2 centers on the Genoa scandal, a disastrous report alleging the U.S. military used sarin gas in Afghanistan. Inspired by CNN's real-life Operation Tailwind controversy, the storyline explores confirmation bias, source reliability, and the dangers of reporters becoming too invested in a narrative they want to be true. We discuss whether the season's conspiracy-driven plot ultimately undermines its message and why Maggie's Africa storyline remains one of the show's most emotionally powerful arcs.Season 3 turns its attention to the Boston Marathon bombing, citizen journalism, whistleblowers, and government secrecy. As Neal Sampat becomes entangled in a Snowden-era leak and Will McAvoy faces jail rather than betray a source, The Newsroom asks whether journalistic principles can survive in an age of social media, corporate ownership, and political pressure.Join us on our journey to Memphis.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The trailer for 'The Social Reckoning' has dropped. Jess looks at the tech story at the heart of this upcoming Aaron Sorkin film.

Episode 1121In a week where the latest Mythos AI model managed a full company network takeover, we hear why AI leaders went to the G7 begging for regulation. Most unusual. We look at the disturbing reasons why.  Plus, we give our verdict on the trailer for Aaron Sorkin's upcoming film The Social Reckoning, dive into why Anthropic is facing a court case over "tokenmaxxing" usage limits, and look at Tim Cook's claims that rising RAM costs are forcing Apple to hike prices.Finally, a great chat with our guest Isabelle Roccia about the EU's aggressive strategy to reduce its reliance on Silicon Valley. Find out more about Isabelle and the International Association of Privacy Professionals at iapp.org—----- Listen to Tech Radio now on Apple, Spotify and YouTubehttps://www.podfollow.com/tech

Welcome to Multiverse News, your source for information about all your favorite fictional universes.While it may come as no surprise, the biggest Marvel news this week is still just as exciting as it is obvious with the revelation that Chris Evans will indeed appear in Secret Wars. While not officially confirmed by Marvel, the news broke via a social media post from March 26, that is just now gaining notice, with the actor himself telling Instagram user @comicconmomsi, "I can tell you that...I start work on the next one in a couple of months, I can tell you that," in a video message. That tracks with the projected August production starting date for Secret Wars we've discussed previously.While rumors and speculation are typically not our forte here, the rumor mill surrounding The Batman II cast warrants some attention. In May, we discussed headlines from sources like Variety and The Wrap that seemingly confirmed Sebastian Stan had been cast as Harvey Dent, as he had long been rumored to be, with Scarlett Johansson and Charles Dance announced as Dent's wife and father, respectively. In hindsight, those headlines resulted from Matt Reeve's social media post where he confirmed and welcomed a number of actors as part of the film but did not actually reveal any roles. In the last week, industry insider Jeff Sneider has suggested that his sources claim that Stan will instead play Victor Zsasz and Brian Tyree Henry is set to portray Harvey. Steven Spielberg has returned to the blockbuster arena for the first time in eight years with Disclosure Day, his UFO sci-fi thriller starring Emily Blunt and Josh O'Connor, which opened to approximately $44 million domestically and $93.9 million globally, making it his biggest opening weekend ever for an original film. Meanwhile, Obsession continues its extraordinary run, adding another $19 million in week five for a domestic total of $188.3 million. Spielberg's $115 million production earned strong reviews and a B CinemaScore.Sony has released the trailer for The Social Reckoning, Aaron Sorkin's sequel to The Social Network. Jeremy Strong stars as Mark Zuckerberg alongside Mikey Madison, Jeremy Allen White, and Bill Burr. The film opens October 9.Peter Sarsgaard has joined the Season 3 cast of HBO's The Last of Us in a recurring role. He will play an original character named Amon, one of the leaders of the Seraphites. Production is currently on a planned hiatus to accommodate World Cup matches filming in Vancouver.It: Welcome to Derry writer Jason Fuchs has been tapped to write a new untitled Transformers script for Paramount and Hasbro.Channing Tatum, Jonah Hill, and Ice Cube are in talks to return for 24 Jump Street at Sony Pictures, reuniting most of the original production team.Apple TV+ has renewed horror comedy Widow's Bay for a second season ahead of its season finale this week, and has signed creator Katie Dippold to a multiyear overall deal.Jason Momoa has made clear he has no interest in a PG-13 Lobo solo movie. In an interview with Collider, he said if he makes a standalone Lobo film, it will be rated R, full stop, though he's open to appearing in ensemble DCU projects in the meantime.Peter Serafinowicz has been cast as Peeves the Poltergeist in HBO's Harry Potter series.Anya Taylor-Joy has joined the cast of the upcoming Lord of the Rings prequel The Hunt for Gollum, playing an elf character named Seren.Marvel Comics will publish a one-shot crossover this September titled The Muppets Take the Marvel Universe, celebrating the 50th anniversary of The Muppet Show by teaming Muppets characters with iconic Marvel heroes.Mark Hamill is joining Peacock's Twisted Metal for Season 3 in a recurring role, playing the father of Sweet Tooth.Chris Sanders, co-creator and co-director of the original Lilo & Stitch animated film, will direct Disney's live-action sequel Lilo & Stitch 2. Shooting is expected to begin later this year.

For this week's Tech Takeover, Jess Kelly, Newstalk's Technology Correspondent, joins Ciara and Shane to discuss the follow-up to the Social Network, The Social Reckoning. Aaron Sorkin's latest cinematic take on Facebook's fortunes

A deep dive conversation based on the moviescramble.co.uk review written by John McArthur. Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Moneyball is a 2011 American biographical sports drama film. It was directed by Bennett Miller and adapted by Steven Zaillian and Aaron Sorkin from the 2003 book Moneyball: The Art of Winning an Unfair Game by Michael Lewis. It stars Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, and Chris Pratt. The book is an account of the Oakland Athletics baseball team's 2002 season and their general manager, Billy Beane's, attempts to assemble a competitive team with half (or even a third) as much money as his rivals. In the film, Beane (Pitt) and his deputy, Peter Brand (Hill), scout the major leagues for undervalued talent by taking a sophisticated sabermetric approach to scouting and analyzing players, triggering skepticism and resentment within the baseball community. Liked it? let us know! Hated it? No need to share! Apple Podcasts   Spotify   Amazon   YouTube Facebook   x (Twitter)   Bluesky   Instagram  Moviescramble website We love you all! (yes, even you at the back)

Justin Timberlake Biography Flash a weekly Biography. Justin Timberlake's last few days have been quieter on the surface, but there are a few developments and reverberations that matter for his long term story. The biggest biographical signal right now is the renewed spotlight on his role as Sean Parker in The Social Network, thanks to fresh coverage of the upcoming companion film The Social Reckoning. Digital Spy reports that Aaron Sorkin's new movie is bringing the Facebook origin story back into the cultural conversation, with Justin's original turn as Parker specifically referenced as part of the returning mythology around the platform and its founders. Vogue Adria likewise name‑checks Justin's performance as Sean Parker when framing how the new film will revisit the tech revolution era, underscoring how a role he shot more than a decade ago is still central to how pop culture remembers the birth of social media. That continued relevance of his screen work quietly strengthens the “multi‑hyphenate” thread in his biography, even in a week without a new Timberlake movie on the slate. Around the edges of the news cycle, Justin's musical legacy has been unusually present. TikTok guitar covers of Mirrors and dance tributes using I Want You Back and other *NSYNC‑era choreography are trending again, with creators explicitly tagging Justin Timberlake and *NSYNC, a reminder that his catalog remains a go‑to emotional and nostalgic touchstone for younger musicians and dancers discovering him in real time. Fan pages on Facebook continue to resurface his Today Show performance with *NSYNC, keeping the narrative of periodic reunions alive; however, there are no verified reports from major outlets of any new tour dates, official *NSYNC projects, or solo releases announced in the last 24 hours. Any rumors of surprise drops or secret sessions are, at this stage, pure fan speculation without confirmation from Justin, his label, or primary entertainment trades. On social media, there have been passing pop‑culture mentions tying him to long‑standing associations, from Sean Parker and Napster explainers to clips recalling his Saturday Night Live work and Jimmy Fallon collaborations, but again, no major new on‑camera appearance or live event tied directly to him has been verified by outlets like Variety, The Hollywood Reporter, or People in the past day. In other words, this particular chapter in the Justin Timberlake biography is one of legacy echo rather than headline shock: the roles he has already played, both in music and on film, are doing the talking right now, even as he keeps his next move off the public radar a little longer. Thanks for listening and be sure to subscribe so you never miss an update on Justin Timberlake, and search the term Biography Flash for more great biographies. Thanks for listening. This has been a Quiet Please production. Get the best deals https://amzn.to/3ODvOta

On today's show, Sean and Amanda cover one of their most anticipated movies of the year: Steven Spielberg's alien thriller ‘Disclosure Day,' starring Josh O'Connor and Emily Blunt. Before diving in, Sean revels in the glory of an all-time New York Knicks victory that extended their NBA Finals lead over the San Antonio Spurs to 3-1 (0:43). Then, they hit myriad movie news headlines and, most importantly, react to the first trailer for Aaron Sorkin's ‘The Social Reckoning' (12:47). Next, they have a wide-ranging conversation about ‘Disclosure Day,' which they found to be an incredibly fascinating movie, not without flaws, and an amazing platform for Emily Blunt, who delivers the best performance of her career (38:05). Finally, they go into full spoilers and break down specific plot points, character motivations, and the final shot of the film (1:05:29). Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Production Support: Lucas Cavanagh Learn more about your ad choices. Visit podcastchoices.com/adchoices

Huge pop culture drop today!

Bienvenidos a un nuevo episodio de “Cinefilia y Otras Hierbas”. Soy su anfitrión, José Enrique Guzmán, y hoy el estudio se llena de una cadencia muy especial. Hoyno necesitamos explosiones, ni persecuciones de autos, ni coreografías de artes marciales para dejarlos al borde del asiento.Hoy el espectáculo está en la palabra.Continuamos con nuestro Ciclo de Aaron Sorkin, el guionista que convirtió el diálogo en cine de acción puro. Sorkin es un cirujano del verbo; sus personajes no hablan para comunicarse, hablan para competir, para desafiar, para devorarse entre sí. La calidad de su diálogo tiene una musicalidad y una precisión milimétrica donde una coma mal puesta puede arruinar una escena completa. Sus palabrascortan, emocionan y tienen el mismo ritmo frenético que una persecución a trescientos kilómetros por hora en una autopista.Y la prueba reina de esto es la película que nos convoca hoy: “Steve Jobs” (2015). Una genialidad interpretada de manera magistral por Michael Fassbender, dirigida por la energía cinética de Danny Boyle y acompañada por una descomunal Kate Winslet.La historia de cómo se gestó esta producción es casi tan dramática como la película misma.Tras el éxito de La Red Social, Sony quería repetir la fórmula. Scott Rudin, el productor, le llevó el proyecto a Sorkin basándose en la monumental biografía de Walter Isaacson. Originalmente, David Fincher iba a dirigirla y Christian Bale iba a ser Jobs, pero tras exigencias de presupuesto y un cambiode estudio que llevó el proyecto a Universal, Fincher quedó fuera y entró Danny Boyle. Bale renunció porque, según se cuenta, sintió que el volumen y la velocidad del diálogo de Sorkin eran una montaña humana imposible de escalar.Fue ahí donde apareció Fassbender para darnos la interpretación de su vida.Pero el verdadero milagro de esta obra radica en la estructura de su guion. Esta película merecía y merece muchísimo más reconocimiento del que tuvo en su momento, a pesar de las nominaciones al Oscar para Fassbender y Winslet. Sorkindesafió todas las leyes de la biopic tradicional. Esta no es unapelícula al uso de "nació, creció, inventó una computadora y murió" No. Sorkin estructuró el guion como una obra de teatro en tres actos perfectos, donde toda la acción ocurre tras bambalinas, exactamente 40 minutos antes de tres de los lanzamientos más importantes de la carrera de Jobs.Seamos claros desde ahora mismo: esto no es un documental. Si vienes buscando rigor histórico absoluto o una cronología exacta de los hechos, estás en el lugar equivocado. Al igual que pasó con La Red Social, Sorkin se toma licencias dramáticas gigantescas. En la vida real, Steve Jobs nunca tuvo esas confrontaciones operísticas con su mano derecha Joanna Hoffman, con Steve Wozniak, con John Sculley y con su hija Lisa, todas juntas en un pasillo, minutos antes de salir a cambiar el mundo. Eso no pasó así.Pero esa es la magia de la dramatización. Es un recurso creativo brillante para hacer un estudio de personaje profundo, descarnado y fascinante. Sorkin utiliza esos 40minutos de tensión previa a los eventos para desnudar el mito, para confrontar al genio con la gente que lo rodeaba y para explorar el costo humano de la genialidad. Es un lienzo dramático magnífico, una tragedia shakesperianamoderna en la era de Silicon Valley.Hoy, en Cinefilia y Otras Hierbas, vamos a analizar a profundidad los tres actos de este guion, la puesta en escena de Boyle y cómo el diálogo puede ser el efectoespecial más poderoso del cine.Empezamos.Patreon: patreon.com/cinefiliayotrashierbas⁠Correo: cinefiliayotrashierbas@gmail.comNo olviden suscribirse, compartir este episodio y dejar un comentario y un like, eso nos ayudará a crecer y a encontrar más audiencia.¡Que lo disfruten!#AaronSorkin⁠ ⁠#MichaelFassbender⁠ ⁠#Cine⁠ ⁠#KateWinslet #DannyBoyle

Take pleasure in the gut-wrenching excitement of a 90s action milestone! This week on The Dana Buckler Show, we are heading straight to Alcatraz to break down Michael Bay's 1996 definitive high-concept thriller, The Rock.Coming off the success of Bad Boys, Michael Bay was handed the keys to a massive blockbuster budget, a killer premise, and an absolutely legendary cast. The result? A beautifully shot, fast-paced, explosion-filled masterpiece that stands as a high-water mark for the golden era of 90s action cinema and Hollywood summer blockbusters.In this cinema retrospective, film historian Dana Buckler dives deep into: The Powerhouse Trio: The incredible, lightning-in-a-bottle chemistry between Nicolas Cage's frantic, vinyl-loving FBI chemical weapons expert Stanley Goodspeed and Sean Connery's sophisticated, badass British operative John Patrick Mason. The Sympathetic Villain: Ed Harris's brilliant, nuanced performance as General Hummel—an antagonist with legitimate, tragic motives that elevate the stakes way beyond a standard hostage situation. The Pinnacle of 90s Action: From the iconic, destructive Ferrari car chase through the streets of San Francisco to the brutal shower room standoff, we break down why the practical effects and set pieces in this film still hold up today. The Uncredited Script Doctors: How Hollywood legends like Quentin Tarantino, Aaron Sorkin, and Jonathan Hensleigh secretly helped polish the razor-sharp dialogue. Whether you're a long-time fan who can quote "Your best! Losers always whine about their best" line-for-line, or you're revisiting this classic Don Simpson and Jerry Bruckheimer production era for the first time, grab your green smoke and join us for the ultimate film review.Welcome to The Rock!Join our Facebook group https://www.facebook.com/groups/danabucklershowJoin my Patreon for early access to all episodes, plus a new exclusive podcast, go to Patreon.com/howisthismovieSubscribe to the podcast on your favorite podcast platform by going to https://linktr.ee/DanaBucklerShowJoin our Facebook group https://www.facebook.com/groups/danabucklershowJoin Our Patreon for early access to all episodes, plus a new exclusive podcast, go to Patreon.com/howisthismovie #TheRock #TheDanaBuckler Show #90sAction #NicolasCage #SeanConnery #MichaelBay #FilmPodcast #MovieHistory #CinemaRetrospective #ActionMovies #90sCinema #FilmBuff

With more twists than that time Twisted Sister turned up at a Chubby Checker concert, and then went to watch the film ‘Twister' while eating a massive bag of Liquorice Twists, Chris has chosen a drama (is it a drama?), thriller (is it a thriller?), legal melodrama (is it a legal melodrama?) from 1993: MALICEEND CREDITS- Presented by Robert Johnson and Christopher Webb- Produced/edited by Christopher Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-up by Christopher Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2026 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram @stillanygoodpodBluesky @stillanygood.bsky.socialEmail stillanygood@gmail.comhttps://linktr.ee/stillanygoodSupport the show

The 2024 election was a disaster for the Democrats. They have never been held to account for any of it. That would ordinarily be the job of the legacy media, but they've long since abandoned any pretense of objectivity. They are part of the “resistance,” and friendly fire is not in the job description.Do I sound bitter? I suppose I am. I once believed in not just the Democratic Party but the Obama coalition. I was a loyal, devoted soldier who believed we were all fighting the good fight, even before Trump won. We were the side that cared about climate change, women's rights, the poor, and the marginalized.It took me decades to go from being a cynical 18-year-old in the 1980s who didn't think there was any point to voting to a person who believed my vote could change the world. That cynicism would be polished off over time, as we headed into the 1990s with political correctness and therapy culture on the rise. We wanted to fix ourselves. We wanted — needed — to fill the void left by the doom spiral in the aftermath of the “Me Generation” and their counterculture revolution.It was Bill Clinton, by way of Aaron Sorkin, who ultimately pulled us out of it and primed us for a spiritual revival under the euphoric, history-making win of Barack Obama. I believed in hope and change. I believed in a new America.I believed my friends on Facebook who treated me with respect and love every time I fired off an impassioned plea for votes. I believed all of the women who made those signs for the Women's March, the Climate March, and the Gun Control March. I, too, thought Trump's win meant America couldn't handle the first black president and the Confederacy was back for another round.What I know now is that none of it was real. We were not the New Puritans leading the country into the promised land. We were like every other political party, seeking absolute power and total control. Any truthful autopsy would have to start there. The Democrats have been lying to themselves and lying to their voters about what these last ten years have really been about: the refusal to relinquish power after losing an election. Democracy becomes a problem for a party that no longer believes in it if the wrong people win.From Real Clear Politics podcast Andrew Walworth, Tom Bevan and Carl Cannon:Any honest autopsy of the 2024 election would have to start back in 2016, when Hillary Clinton was anointed by Obama, who leapfrogged Biden, meaning Biden would finally get his shot in 2020. They should have thought that one through because it would come back to bite them four years later when they pushed him out of office.They practice top-down democracy, in which party leaders attempt to steer voters in the right direction rather than allowing candidates to make the case to the people. The problem with the Democrats is that they needed someone like Donald Trump to blow through their carefully laid plans.The shame of what the Democrats did in 2024 is almost as bad as what they did in 2020 to orchestrate Joe Biden's win. Both of these elections were rooted in the mass delusion that Donald Trump wasn't just a political opponent but an existential threat, so anything goes - even censoring the Hunter Biden laptop, or pushing out a duly elected president.That delusion gave them unlimited power in their minds, which made them the most corrupt political party in my lifetime, taking what never belonged to them, pushing “resistance theater” throughout American society, and coming up mostly empty anyway.A real autopsy would require cleaning house on all of it, admitting everything. It would require admitting to their voters that they knew they were lying about Trump to cover up their own failures.After all, wouldn't it have been easier just to offer the people something better rather than treating Trump like a supervillain that could not be destroyed by ordinary means? No, because their biggest problem is that their only vision for the future is to reach back into the past. They still want to undo the Trump presidency rather than learn from it. They are fighting to bring back the utopia we all built under Barack Obama, and that has been the Democrats' fatal mistake.Barack Obama's grip on the party means they can't move forward.A real autopsy would have to talk about Obama's ongoing influence and control of the party. Why do you think he's making appearances with Zohran Mamdani and James Talarico? He sees them as the party's future because they are Obama clones, more or less. You don't see him out there boosting Gavin Newsom, just as you don't see many leaders on the Left rising to take Obama's place. They must all be shadows of him, which is why it was Kamala Harris in 2024, Joe Biden in 2020, and Hillary Clinton in 2016.Obama couldn't lose. He was treated like a god and king. He was never going to let Trump win this ten-year war. He couldn't hand the country over to the guy who dared question his birth certificate, the guy they called a “racist” and a “rapist,” but more than that, he represented the undoing of the Obama Coalition and the worldwide movement it inspired. There was no way the Democrats were ever going to let that happen. By 2016, they had control of almost everything, from institutions to universities to culture, so why not use it? Exiling and disenfranchising Trump voters was all done in the name of Barack Obama. You see, it had to be racism that gave rise to Trump because Obama couldn't fail.Isn't it so much easier to blame America? To blame it on sexism and racism? Isn't that what they tell themselves now about 2024? America wasn't ready for any woman, especially a woman of color? Isn't it easier to see it that way rather than address the real problem with the utopia we all built: it shuts too many people out?The Culture of Silence and the Climate of FearThe Vanity Fair story about how Democrats fear Kamala Harris running again is telling. Or rather, not telling. They are too afraid to use their real names. It is still considered blasphemy inside the Democratic Party to criticize her, as she has attained Obama-level status. She campaigned for Obama back in 2008 and was once called the “female Obama.” Harris rode the coattails of making history.Winning was easy for her. She was pretty and tough. She made the Democrats look good and won every single race as her star began to rise: District Attorney, Attorney General, Senator, and Vice President, next in line behind a very old Joe Biden. Probably, he would have stepped aside and handed her the presidency had he won a second term. Either way, Harris was not the best choice for Vice President, and the Democrats knew that at the time.The 100 people who signed a letter urging Biden not to choose Harris for “cosmetic reasons” were then shamed back into silence lest they be called racists and misogynists. The so-called autopsy vindicates Harris, which is all part of the same game. She is too big to fail and too popular to be cast aside, especially now after the redistricting fight has put Democrats back in “Jim Crow 2.0” mode.A real autopsy would have to confront this: how they continue to fall back on the same blame game: it's those racists over there. It's not our fault. We haven't failed our voters. We have to stop them. We have to keep fighting this war against them, our fellow Americans.How can they even begin to confront who they are and what they've become? How can they reckon with all of the madness they've put the American people through for ten long years? The January 6th show trials, the lies about Kenosha being a “Civil Rights” protest, the mocking and celebrating of Charlie Kirk's assassination, the raiding of Mar-a-Lago, the censoring of dissent via the FBI on social media, Russiagate, the collapse of a once-thriving culture, impeachments, indictments, and the unending No Kings protests.If they want a real autopsy, they should talk to people like me, once loyal supporters who were chewed up and spit out by a political party that could not tolerate even simple questions about “cancel culture” mass hysteria, or the rising intolerance in the Left writ large, or why someone's career would go up in flames just for voting for Trump. And forget about asking whether toddlers should wear masks or pre-teens should take medication that sterilizes them for life.I walked away from the party in 2020. I couldn't believe what I watched them do, what I helped them do, to drag Joe Biden over the finish line. I knew he was too old. I knew Kamala Harris was a ticking time bomb. I knew it would all blow up in our faces eventually. But lying was so much easier, especially with a full-court press serving as a propaganda front. They have been lying for so long that they don't even know how to stop. The biggest lie was that Trump was a “fascist.” They're still telling that lie. They're still scaring Americans into manic desperation every day. The lies are what drove me away. I couldn't live with them. The truth matters, especially if you're cutting up the body to find out what killed it.The lies began in 2016 when Hillary Clinton, the Democrats, and loyalists like me couldn't face the truth about why she lost. It was one lie piled on top of another, and no one had the courage to face down the social media mobs to set the record straight. Any dissent was met with strict reprisals. Before long, everyone settled into a climate of fear and a culture of silence as the new normal.Their problem goes back to the Art of War. If you don't know yourself or your enemy, you will succumb in every battle. They should first try to understand themselves. If they could just see who and what they are, and why America would choose Trump a second time, they'd be halfway there. Then, if they could understand Trump, who he really is, rather than the character they invented, they'd finally come back to the real world with the rest of us.The Democrats are in love with the dream Obama sold, not the reality of what America became with the Democrats in power. There are too many truths left to face. There are too many ghosts haunting them. There is no point in performing an autopsy on a body with nothing inside but smoke mirrors. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Chris Paul is joined by his good friend Josh Capps, a literature professor and screenwriter from Louisiana, sitting in for Burning Bright. The two break down Warren Beatty's 1998 political satire Bulworth, which Beatty wrote, directed, and starred in opposite Halle Berry, Oliver Platt, Don Cheadle, Isaiah Washington, and a nearly silent Sean Astin. Josh argues the film sits on a fascinating cultural crux point. He thinks 1998 was the pivot year when Hollywood shifted toward heavy programming, citing The Truman Show, Deep Impact, Armageddon, and The Siege all landing in the same window. The guys dig into Bulworth's opening confession that political assassinations are just a normal Tuesday for a senator with a fixer on speed dial, the eerie parallel between Bulworth dropping the mask once he had a hit out on himself and the way Trump later dispensed with the political pretense entirely, and Aaron Sorkin's fingerprints on the worst Halle Berry monologues about NAFTA and manufacturing. They also wander through the rise of West Coast rap as a marketing tool aimed at young kids, Public Enemy's 1994 song calling out a fake World Health Organization pandemic, the hierarchy of corporate political influence, and the difference between memory and story.

A Few Good MenHosts: Clark Coffey & Cullen McFaterIn this episode, Clark Coffey and Cullen McFader discuss Rob Reiner's 1992 film 'A Few Good Men,' exploring its cultural impact, performances, and the writing style of Aaron Sorkin. They delve into personal experiences with the film, the direction, and the philosophical questions it raises about the justice system. The conversation also touches on visual storytelling techniques and the balance between performance and cinematography in the film, the limitations of Aaron Sorkin's narrative style, and the performances of the lead actors. They discuss how the film addresses philosophical questions about morality and justice, while also analyzing the character dynamics and emotional depth brought by the supporting cast. The conversation highlights the film's entertainment value and its impact on audiences, reflecting on how perceptions of military culture have evolved over time.Subscribe to Soldiers of Cinema for honest, wide-ranging conversations on film, from cult favorites to award-winners - with two filmmakers, decades apart.TrailerDirector: Rob ReinerStarring:Tom CruiseJack NicholsonDemi MooreSocials:FacebookTwitterInstagram

The Rage Select Podcast is SHOOTING FOR THE STARS this week as Amanda and Jeff discuss their complicated feelings about Aaron Sorkin as well as Jeff's suprising turn to The Dark Side and ALL THE NEWS of the week! MP3 here - http://traffic.libsyn.com/rageselect/RageSelectEpisode643.mp3 RSS feed here - http://rageselect.libsyn.com/rss iTunes here - https://itunes.apple.com/us/podcast/rage-selects-podcast/id657490976 Email address for your questions: mail@rageselect.com FOLLOW Tessa on Instagram - https://www.instagram.com/tessamorrison FOLLOW Matt on Twitter! - https://twitter.com/spankzilla85 FOLLOW Brian Salisbury on Twitter! - https://twitter.com/JunkfoodCinema FOLLOW Jeff on Twitter - https://twitter.com/RageSelect FOLLOW Grant on Twitter - https://twitter.com/BaronVonGrant LIKE Rage Select on Facebook - https://www.facebook.com/RageSelect Listen to our podcast and if you enjoy it, SUBSCRIBE! Check out the full website at http://www.rageselect.com #rageselect #podcast

Today, I'm thrilled to announce my interview with veteran actress Patricia Conolly, who has appeared in over 30 Broadway shows. Tune in to hear some of the stories of her legendary career, including acting with Laurence Olivier in THE BROKEN HEART, a note Tom Stoppard gave her during THE COAST OF UTOPIA, playing for Lauren Bacall in WAITING IN THE WINGS, understanding her part in THE HEIRESS, a mystical experience taking over for Geraldine Page in BLITHE SPIRIT, working with the APA company on YOU CAN'T TAKE IT WITH YOU, a kind gesture from Aaron Sorkin during TO KILL A MOCKINGBIRD, what Tony Randall asked her during JUDGMENT AT NUREMBERG, using an accent for THE FRONT PAGE, having dinner with Tennessee Williams, and so much more. Don't miss this in-depth conversation with a true theater legend.

It's a special crossover episode between The Breakdown and Jeremy Appel's "The Orchard"!

Originally recorded on May 6, 2026 on substack, we're excited to be able to bring the whole conversation to all of our platforms! 

In this chat, Nate and Jeremy cover the separatist data breach, the current NDP strategy against Smith and the UCP, the disassembly of democratic protections in Alberta, the future of journalism and...Aaron Sorkin?If you're able to support our legal defense fund to fight back against the $6 Million lawsuit against us by Sam Mraiche, the man who imported Vanch masks and the Turkish Tylenot as well as who hosted MLA's and Ministers in his skybox as he had business with the government...You can do that at www.savethebreakdownab.ca!As always, if you appreciate the kind of content that we're trying to produce here at The Breakdown, please consider signing up as a monthly supporter at our Patreon site at www.patreon.com/thebreakdownab and we can now accept e-transfers at info@thebreakdownab.ca!If you're looking for our new merch lineup, you can find that at www.thebreakdownabmerch.comIf you're listening to the audio version of our podcast, please consider leaving us a review and a rating, and don't forget to like and follow us on Substack, Bluesky, Facebook, Twitter, Instagram and Threads!#abpoli #ableg #cdnpoli

Tonight on TV Party Tonight, Jesse and Mark revisit Season One of HBO's The Newsroom, Aaron Sorkin's cable news drama that premiered June 24, 2012. Starring Jeff Daniels as anchor Will McAvoy, the series follows the staff of fictional network ACN as they attempt to produce serious journalism inside a system driven by ratings, corporate pressure, and personal dysfunction. Featuring Emily Mortimer, Olivia Munn, Sam Waterston, Dev Patel, Alison Pill, John Gallagher Jr., and Thomas Sadoski, the show blends newsroom chaos with Sorkin's signature rapid-fire dialogue and moral grandstanding. Critics praised the performances—Daniels won an Emmy—and the ambition of the series, while others criticized its smug tone, hindsight politics, and lecture-heavy writing. More than a decade later, The Newsroom remains a fascinating time capsule of the early 2010s media landscape and the growing battle between journalism, entertainment, and outrage culture.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Jesse Jackson, contact center leader and host of Set Lusting Bruce, joins Mark Graban to share his favorite mistake: going gun-shy as a new leader when veterans push back with "we tried that, it didn't work." Jesse explains why that deference cost him his best ideas, and how a Harry Chapin story about "two kinds of tired" reshaped the way he leads. Episode page with video, links, and more We get into the real cost of staying quiet when you're new, the difference between listening to your team and being silenced by them, and the Aaron Sorkin line about surrounding yourself with smart people who disagree with you. Jesse also shares a cautionary tale about volunteering for a role he wasn't ready for, and what he changed about how he chooses opportunities now. The conversation moves into what psychological safety actually looks like day to day - treating new ideas as honest experiments rather than ego defense, and making sure team members feel heard even when their advice isn't taken. We close with a stretch of podcasting craft (forgetting to hit record, scheduling buffers, the value of embracing tangents) plus tangents of our own on Bruce Springsteen, the misunderstood patriotism of "Born in the U.S.A.," and Spinal Tap. If you've ever walked into a new role with ideas and quietly let them die in the face of "that won't work here," this episode will give you a sharper way to think about when to push and when to listen.

Tom Duncan and Sara Shea continue their journey through Season 1 of The West Wing, this time with episode 1.22 - the first season finale. We are joined by friend of the show, Klarissa Beckstead (I've Seen That One podcast). In this episode, Sara is given a difficult choice, our intrepid hosts grade The West Wing - Season 1, and they pick what's to come next for Season 2.Chapters:00:00 Introduction02:45 Recap of Season One and Episode 22 of The West Wing05:59 Emotional Reactions to the Season Finale08:52 Character Development and Plot Predictions11:48 Political Themes and Real-World Parallels14:45 Interpersonal Relationships and Character Dynamics17:47 Discussion on the Iraqi Plotline20:52 Reflections on Historical Context and Relevance26:12 Character Favorites and Dynamics28:42 Exploring Toby's Depth and Complexity29:44 Emotional Resonance of Space Tragedies31:34 Cliffhangers and Viewer Reactions33:44 Anticipation for Future Episodes39:39 Navigating Choices, Decisions, and Chaos48:39 Overview of Season Ratings and Rankings51:33 Acting Performance Evaluation54:33 Writing Quality Assessment57:36 Intangibles and Emotional Impact01:00:35 Cinematography and Visual Presentation01:03:30 Narrative Structure and Cohesion01:06:34 Character Development and Dynamics01:20:27 Character Development and Mistakes01:22:41 Ratings and Expectations for Season One01:25:03 Editing and Pacing in Aaron Sorkin's Work01:28:15 Final Thoughts on Season One Ratings01:29:30 Choosing the Next Show: Options and Decisions01:41:27 Deciding on 'The Good Wife' for Next SeasonKeywords:The West Wing, TV analysis, character development, political drama, episode review, emotional impact, storytelling, season one, character analysis, show notes, TV show analysis, binge-watching, season finale, show grading, streaming options

McKay's focus today is on the power of discovering what lies within ourselves, and he begins by introducing the story of Aaron Sorkin. Armed with a passion for drama and theater from an early age, it wasn't until Aaron dared to fail that he found success. His story serves as a testament to the power of daring to fail and discovering what lies within us.McKay also shares the stories of Eric and Laura, individuals who both faced adversity and overcame it to find success. Their stories, along with Sorkin's, inspire us all to embrace our own journeys and discover our potential. They also teach us that, to find what lies within us, we must be resilient, determined, and willing to let go of what we cannot do, while remembering who we are and where we came from. Mckay's words of wisdom here today, combined with these powerful narratives, empower us all to discover the very best that lies within us.Episode Highlights:Open Your Eyes' two-year anniversary Aaron Sorkin's storyHow the best that lies within us can lead to remarkable successEric and Laura's stories of overcoming adversity and finding success Embracing our journeys and discovering our potentialThe power of resilience and determinationLetting go of what we cannot doRemembering who we are and where we came fromDiscovering the best that lies within youQuotes:"The best that lies within you is waiting to be discovered.”"Success is not the absence of failure; it's the persistence through failure.""Daring to fail is not about wanting to fail. It's about recognizing that failure is a possibility, and deciding to take the risk anyway.""Believe in yourself, and the rest will fall into place.""The most important thing to do is to get started, even if it's a small step.""The things I cannot do, I will let go. But the things I can do, I will learn to do well.""She continued to write, and she became a successful author, living out her passion for writing about horses and racing.""To find what lies within you, you may need to remember who you are and where you came from."Links:https://www.mckaychristensen.org/

Our most-requested movie is celebrating its 30th anniversary! It's the kind of movie where a cable car inextricably flies straight up into air out of nowhere... A scene so amazing that Isaac Slade calls in to premiere a sequel to his Fray hit "Over My Head (Cable Car)" right here on this episode! We also have a brand new segment called "When was the last time David Hallgren watched this movie?" that we think will really go places. What if Quentin Tarantino wrote the Nicolas Cage parts, Aaron Sorkin wrote the government scenes, Sean Connery hired British writers and basically just played James Bond, and somehow it all came together into the only Michael Bay film in the Criterion Collection? The Rock absolutely should not work — and absolutely does.If you'd like to advertise with us or sponsor us, please e-mail greatbadmoviesshow@gmail.comSubscribe to Great Bad Movies wherever you listen to podcastsMore Great Bad Movies online:InstagramGreat Bad Movies WebsiteYouTubeEmail us at greatbadmoviesshow@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Host Jesse Jackson welcomes returning guest Jeff Blum, a Chicago-based freelance sports and entertainment writer and para-professional working with autistic students. They briefly discuss current sports topics including the Bulls' streaky season, trades, and franchise management, plus comparisons to other struggling teams. Jeff shares limited impressions of Springsteen's large “Tracks 2” set, mentions favorite deep cuts, and discusses seeing the Springsteen-related film, praising its entertainment value and its connection to renewed appreciation for the album Nebraska. The conversation then shifts to Aaron Sorkin's work, starting with Sports Night and covering The American President, A Few Good Men, The West Wing, The Newsroom, Moneyball, The Social Network, Steve Jobs, Molly's Game, and Charlie Wilson's War, emphasizing sharp dialogue, morality, journalism standards, and changing media culture. Jeff plugs upcoming writing on the Olympics and a list of 1976 albums turning 50 in 2026, and Jesse closes with show contact and network information. Learn more about your ad choices. Visit megaphone.fm/adchoices

“You can't handle the truth!” But can you handle finally watching A Few Good Men? In this episode of Missing Frames, Shawn introduces returning guest Richie Pepio to Rob Reiner's iconic courtroom drama A Few Good Men. Together, they unpack what makes the movie work, from Aaron Sorkin's signature dialogue (and early “Sorkinisms”) to Reiner's direction and the film's stacked cast, including Tom Cruise, Jack Nicholson, and Demi Moore.Along the way, Shawn and Richie reflect on Sorkin's evolution as a writer, the film's origins as a stage play, and why A Few Good Men remains such a defining showcase for powerhouse acting and a reminder that Rob Reiner was truly one of the all-time great filmmakers.HOSTSShawn EastridgeRichie Pepio

Tom Duncan and Sara Shea continue their journey through Season 1 of The West Wing, this time with episodes 1.16-1.18, exploring themes like presidential stress, political strategy, and societal values. Join us as we analyze key episodes, character development, and the show's reflection of real-world politics. In this episode, we explore the intricacies of the Federal Reserve, the dynamics of political relationships, and the behind-the-scenes of The West Wing. We delve into monetary policy, character development, and the cultural context of the show, providing insights into American politics and media portrayal.Chapters:00:00 Introduction to the Rewatch02:27 The Dynamics of Rewatching vs. First Watching06:34 The Stress of Leadership in The West Wing11:08 Episode 16: 20 Hours in L.A.32:42 Character Development: Zoe and Charlie33:57 Ethanol Tax Credit Debate36:10 Job Market Evolution and AI Impact38:25 Strained Political Relationships39:56 Romantic Developments in the Workplace42:02 Gays in the Military and Social Issues45:36 Federal Reserve and Economic Policy51:11 Conflict in Relationships56:59 Character Development and Advice01:04:59 Upcoming Challenges and Political Drama01:06:58 The Jackal: A Cultural Reflection01:12:37 Political Themes: Reparations and School Vouchers01:19:33 Character Dynamics: Mallory and Mandy01:25:12 Affirmative Action and DEI: A Critical Discussion01:30:49 Historical Perspectives: Biden, Trump, and Future GenerationsKeywords:The West Wing, political drama, presidential stress, policy analysis, character development Federal Reserve, monetary policy, political relationships, character analysis, Aaron Sorkin, TV analysis, US politics, cultural references, leadership

Based on the book The Accidental Billionaires with a screenplay by Aaron Sorkin and directed by David Fincher, The Social Network is a dramatization of Facebook's founding. The fictional story shows the grit, tenacity, and ruthlessness of its creators. Guests Scott Amyx and Cameron Tau talk about the movie, and how Facebook has caused disruptions impacting people at a very human level, resulting in isolationism and addiction, damaging mental health. But Uplifty aims to do something very different, helping people build relationships.-Scott Amyx is a global innovation expert, venture capitalist, and futurist focused on the intersection of humans and exponential technologies. He is the Founder and CEO of Uplifty, where he builds platforms to enhance human connection in an increasingly automated world, and Chair and Managing Partner at Astor Perkins, a deep-tech and sustainability venture firm. A Harvard Business Review Advisory Council Member, TEDx speaker, and author, Scott has advised governments, Fortune 500s, and startups on breakthrough innovation, smart cities, and the future of work. His work combines cutting-edge technology with human-centered strategies to help people and organizations thrive in the Fourth Industrial Revolution.https://uplifty.ai/about-us/ https://astorperkins.com/ Strive: How Doing The Things Most Uncomfortable Leads to Success by Scott Amyxhttps://amzn.to/4sU2elb -Cameron Tau is a UX and product design professional with a background in psychology, marketing, and data analytics. She served as a UI/UX team lead at Uplifty, driving the app's wireframes and overall user experience while integrating user-centered design principles. Skilled in user research, prototyping, and data-driven decision making, Cameron has created high-fidelity designs that enhance usability and engagement across digital platforms. Her work combines design thinking with analytical insights to deliver seamless and impactful user experiences.https://uplifty.ai/about-us/ -Upliftyhttps://uplifty.ai/ https://www.instagram.com/upliftyai/ -The Social Network (2010)https://www.imdb.com/title/tt1285016/https://youtu.be/lB95KLmpLR4?si=vKPKWSVjCNTHxulx -The Accidental Billionaireshttps://amzn.to/4tJ6a8T -Social media and recent fallouthttps://www.bbc.com/news/articles/c747x7gz249o https://www.bbc.com/news/technology-68161632 https://lite.cnn.com/2026/03/25/media/meta-google-social-media-verdict-advocates

It's a very special West Wing reunion! This week, we're looking back at Rob's 2020 conversation with legendary writer and director Aaron Sorkin, the writer of "The West Wing," as well as films like "The Social Network," "A Few Good Men," and "Molly's Game." They discuss the "West Wing" reunion special, their favorite episodes of the show, how Rob was cast as Sam Seaborn, a disastrous moment from the opening night of "A Few Good Men" in London, and doing Chekov with Christopher Walken. Make sure to subscribe to the show on YouTube at YouTube.com/@LiterallyWithRobLowe! Got a question for Rob? Call our voicemail at 323-570-4551. Your question could get featured on the show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tom Duncan and Sara Shea continue their journey through Season 1 of The West Wing, this time with episodes 1.13-1.15, this time with a deep dive into the political and moral complexities of the death penalty, addiction, and personal forgiveness as depicted in 'The West Wing'. Our hosts explore how these themes are portrayed with nuance and emotional depth, reflecting on their relevance in today's political landscape. In this episode, we explore the moral, religious, and political implications of the death penalty.Chapters:00:00 Introduction and Political Disclaimers03:57 Episode Overview: Take Out the Trash Day07:47 Character Relationships and Development11:50 The Hate Crime Bill and Societal Reflections15:55 The Role of Media and Public Perception20:03 Emotional Moments and Personal Connections23:53 Forgiveness and Redemption in Politics30:22 The Complexity of Forgiveness36:17 Exploring the Death Penalty Debate57:02 Moral and Ethical Implications of Capital Punishment01:03:12 Navigating Political Challenges01:04:42 Economic Insights and Political Theory01:06:24 Framing and Storytelling in Drama01:08:56 Character Development and Resolutions01:10:40 Character Favorites and Least Favorites01:12:41 Press Secretary Challenges01:16:35 Racial and Political Implications01:19:55 Episode Rankings and Themes01:22:59 Reflections on the Series and Viewer EngagementSound Bites:"Understanding addiction as a lifelong journey.""Parables that relate to justice and mercy.""The power of empathy in political leadership."Keywords:The West Wing, death penalty, addiction, forgiveness, political drama, Aaron Sorkin, moral dilemmas, public policy, emotional storytelling death penalty, morality, religion, politics, storytelling, character analysis, ethics, legal system, philosophical discussion

Olivia Munn talks casing Steve Martin's house and being the only actor to talk too fast for Aaron Sorkin. Plus, panelists Rachel Coster, Peter Grosz, and Joyelle Nicole Johnson visit the Supreme CourtTo manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Tom Duncan and Sara Shea continue their journey through Season 1 of The West Wing, this time turning to episodes 1.7-1.9.Chapters:00:00 Introduction and Historical Context04:43 Diving into the Episodes09:33 Character Dynamics and Political Commentary14:28 Episode 7: The State Dinner Overview19:19 Character Analysis and Plot Development24:07 Themes of Politics and Personal Relationships30:35 Aaron Sorkin's Personal Struggles and Writing Themes32:56 Romantic Relationships in Season One35:53 The Purpose of State Dinners39:29 Political Fundraising and Ethics44:46 Substance Abuse and Public Perception49:23 Media Attention on Political Figures54:37 Character Development and Future Plotlines58:43 Judicial Philosophy and Political Landscape01:02:52 Confirmation Hearings and Controversies01:04:29 Judicial Philosophy and Privacy Rights01:07:26 Tokenism in Judicial Appointments01:10:08 Partisan Politics and Judicial Confirmations01:13:17 Constitutional Law and Its Interpretation01:16:01 Judicial Aspirations and Career Paths01:19:01 Character Development and Ensemble Dynamics01:21:43 Episode Rankings and Future PredictionsKeywords:The West Wing, 1999, political drama, episode analysis, character development, historical context, TV show critique, political drama, judicial philosophy, presidential politics, character analysis, episode review

S.E. is a nationally syndicated columnist, author, podcaster and TV commentator. She hosts Off the Cupp, a podcast which focuses on mental health, and which features interviews with celebrities and newsmakers. She is a columnist at the New York Daily News and has also been published in the New York Times, Vanity Fair, Rolling Stone, Washington Post and many other publications. She is currently a political commentator at CNN. She regularly interviews authors for CSPAN's BookTV, and is a regular guest on The View, Real Time w/Bill Maher, Jimmy Kimmel Live!, Watch What Happens Live and others. SE has also consulted on Aaron Sorkin's The Newsroom and AppleTV's The Morning Show, and has made cameos on House of Cards and SNL. As an author SE has written two books, Losing Our Religion: The Liberal Media's Attack on Christianity, and co-authored Why You're Wrong About the RIght. She is on the Advisory Board of Cornell University's Institute of Politics and Global Affairs and INARA.org, and is a No Kid Hungry ambassador S.E. and I discuss the Iran war, MAGA, the midterms, and the general chaos, dysfunction and danger of Trump 2.0. But whenever S.E.'s around, there also has to be a some silly fun too, so there's also some chit-chat about AL Gore, French strikes, and her new "Pee Poo" pod with Adam Kinzinger! Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Wrapping up our short exploration of Aaron Sorkin, we turn to his 2015 film Steve Jobs. Loosely based on Walter Isaacson's biography, the film unfolds across three vignettes leading up to major product launches. Sorkin uses these moments to dig into Jobs' personal conflicts, as well as his aggressive, domineering approach to work. Enjoy our review of Steve Jobs (2015).   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Join me on the couch in Molly Bloom's hotel room at the Four Seasons in downtown Toronto.  Molly began her career as a world-class skier, but while training as a pre-teen was diagnosed with severe scoliosis. Her doctor told her she could never ski again, but even as a pre-teen Molly had incredible strength of mind and she ended up back on the slopes only a year after her surgery.    By age 21, she was ranked #3 in North America. She then took off to LA and began running one of the most exclusive, high-stakes, underground poker games in the world, featuring players like Alex Rodriguez, Tobey Maguire, Leonardo DiCaprio, Ben Affleck, and was raking in millions of dollars per year. Then what happened? The feds went after her! The mafia went after her! And there was a dramatic takedown. While awaiting sentencing, she wrote her life's story in her memoir, Molly's Game. That book became a bestseller and was turned into a movie written and directed by Aaron Sorkin, writer of The West Wing and The Social Network, starring Jessica Chastain (as Molly), Idris Elba, and Kevin Costner.   Molly has been featured on Ellen, NPR, LA Times, VICE, and many more. But beneath the surface is a story that, as she says in this chapter, has never been shared before.    There was a journey happening inside Molly that forced her to look at the downsides of her ambition and addictive personality.    So get into something comfy, grab a seat between us, and let's talk about life altering public defeat, how a memoir transforms into an action-packed Hollywood feature, the liberty in losing everything, finding the 'monetizable asset' in your life, and Molly's 3 most formative books.    Let's flip the page back to Chapter 42 now....

For the past seven decades, Tim Matheson has been an on-screen favorite in Hollywood. In his new memoir, 'Damn Glad to Meet You: My Seven Decades in the Hollywood Trenches,' Matheson looks behind-the-scenes of his illustrious career and reveals what it was like to learn from and work alongside the greats, including Lucille Ball, Dick Van Dyke, Steven Spielberg, and Aaron Sorkin. Also 'Virgin River' has its 7th season out now on Netflix.

Finishing our examination of Rob Reiner, we close out the series with the classic legal drama A Few Good Men (1992). Written by Aaron Sorkin, the film carries the sincerity and passion for America you'd expect, along with some of the trademark cheesiness he's known for—but by the end, it's impossible not to love. Jack Nicholson steals the show with a villainous performance, and it all builds to an unforgettable final scene. We hope you've enjoyed our series exploring the films of Rob Reiner!   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

They say the first ten words in a political debate can kill you. They are the tip of the spear. But it's the next 10-15 words that really matter, because they tell you HOW we're going to get things done. These are the next 15 words on AI.   Hello everyone and welcome to episode 226 of the Resilient Journey Podcast, presented by Anesis Consulting Group!   This week we are joined by Sarah Mohrle, an AI expert who has been in the software engineering world for 25 years. Sarah tells Mark that too many companies are going about AI deployment in the wrong way. They are looking at the tools they want to use BEFORE looking at the business problem they're trying to solve. She talks about the importance of the quality of our data and what tools are ethical. The bottom line for Sarah, and for us as resilience professionals, is to make sure our executives walk into the debate fully prepared.   Be sure to follow The Resilient Journey!  We sure do appreciate it! Check out the Resilient Journey Hub!   Want to learn more about Mark? Click here or on LinkedIn. Special thanks to Bensound for the music.     We want to offer a tip of the cap to Aaron Sorkin and The West Wing for the inspiration for this week's episode.

Bradley Whitford, a classically trained stage actor, gained fame as “Josh Lyman,” on NBC's 'The West Wing,' which earned him his first Emmy award in 2001. He went on to win Emmys in 2015 and 2019 for his work in 'Transparent' and 'The Handmaid's Tale' and is grateful to have had the opportunity last year to direct the show's fifth season penultimate episode, “Allegiance.” He is currently filming “The Diplomat” alongside his West Wing co- star, Allison Janney. Whitford appeared in AMC's limited series 'Parish' alongside Giancarlo Esposito, a drama about a taxi driver whose life is upended after picking up a Zimbabwean gangster. He also starred in the independent film 'I'll Be Right' There with Edie Falco and completed work on Netflix's limited series 'The Madness,' opposite Colman Domingo. He is also known for his work in the Oscar-nominated films 'Get Out,' 'The Post,' 'Scent of a Woman,' and Lin-Manuel Miranda's 'tick, tick… BOOM!' Whitford also produced the documentary, 'Not Going Quietly,' about the life of progressive activist Ady Barkan. Other notable film credits include Warner Bros' 'Godzilla: King of the Monsters,' Disney's 'Saving Mr. Banks,' and HBO's Lyndon B. Johnson biopic, 'All The Way,' among many others.  TV credits include Apple TV+'s 'Echo 3,' NBC's 'Perfect Harmony,' which he executive produced and starred in; FOX/Netflix's 'Brookline Nine-Nine,' Showtime's 'Happy-ish,' ABC's 'Trophy Wife,' CBS' 'The Mentalist,' FOX's 'The Good Guys,' and NBC's 'Studio 60 on the Sunset Strip,' among others. Growing up in Wisconsin, Whitford studied theater and English literature at Wesleyan University and attended the Juilliard Theater Center. He has appeared on Broadway in Aaron Sorkin's 'A Few Good Men' and in 'Boeing, Boeing' with Mark Rylance. Off-Broadway credits include 'Curse of the Starving Class,' 'Measure for Measure' at Lincoln Center, and 'Three Days of Rain' at Manhattan Theatre Club. Regional credits include the title role in 'Coriolanus' at the Folger Shakespeare Theatre in Washington, D.C., and Oberon and Theseus in 'A Midsummer Night's Dream' at Hartford Stage. In 2021, Whitford starred in the Old Vic's production of 'A Christmas Carol' at the Ahmanson in Los Angeles as “Ebenezer Scrooge.” Also at the Ahmanson, in 2023, Whitford recently played the scene-stealing “Narrator” in the hit farce 'Peter Pan Goes Wrong.' Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this bonus episode, Rob Henderson and I discussed the legacy of Aaron Sorkin, and the end of the political era that his work represented.Discussed in the episode:Sorkin interviewed on the BBC.Rob's NYT piece on The West Wing. Hosted on Acast. See acast.com/privacy for more information.

Season 2 of Sports Night finds Aaron Sorkin's cult newsroom dramedy hitting its creative stride. Airing in 1999–2000 on ABC, the sophomore season deepens the tension between idealism and network interference as Casey McCall (Peter Krause) and Dan Rydell (Josh Charles) fight to preserve the integrity of their late-night highlight show. Felicity Huffman's Dana Whitaker continues to anchor the chaos as executive producer, balancing corporate pressure from the network's new ownership with loyalty to her staff.Behind the scenes, Sorkin pushed harder into serialized storytelling, moving away from the early laugh-track experiment and leaning into walk-and-talk dialogue, romantic entanglements, and ethical dilemmas about ratings, loyalty, and creative control. The season sharpens its critique of media consolidation while giving emotional weight to character arcs—especially Dana's authority, Natalie's growth, and Jeremy's insecurity. Smart, fast, and surprisingly heartfelt, Season 2 cements Sports Night as the blueprint for Sorkin's later triumphs.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The 1960 novel “To Kill a Mockingbird” became an American classic.    The 1962 film adaptation earned 8 Oscar nominations, 3 wins, and Atticus Finch the #1 spot on AFI's 2003 list of greatest movie heroes.   And the Pulitzer Prize awarded to Harper Lee is believed to be one factor behind her failed friendship with Truman Capote.   In this fascinating podcast, we discuss the legacy of Harper Lee's “To Kill a Mockingbird,” and trace the long journey of this classic work.    What elements of Harper Lee's own life are reflected in “To Kill a Mockingbird”? What does Mary Badham, who played Scout, consider her favorite memory from filming? What role did Harper Lee play in creating Truman Capote's book “In Cold Blood,” and what caused the long-time friends to drift apart? And why has Aaron Sorkin's adaptation of “To Kill a Mockingbird” for Broadway been referred to as a ‘rethink'?   We discuss all this and more!   Thank you to Scamanda creator/investigator Nancy Moscatiello for her shout-out at the top of the episode! Be sure to check out the podcast Scamanda, available everywhere podcasts are found, along with the docuseries of the same name, exclusively on Hulu. Our coverage of the case can be found in Episodes 198, 199, 205, and 206 (September & November 2025)!   How to support Scandal Water: Rate, review, and subscribe! Follow the show on your favorite app or Scandal Water Podcast YouTube channel.  Send your shoutouts to scandalwaterpodcast@gmail.com. Become a member on patreon.com/ScandalWaterPodcast or buymeacoffee.com/scandalwaterpod – which will also grant you access to fabulous bonus content! #OrderintheCourt #JuryDuty #Courtroom #ToKillaMockingbird #HarperLee #TrumanCapote #GregoryPeck #AtticusFinch #Scout #MaryBadham #InColdBlood #AcademyAward #Oscars #PulitzerPrize #JohnGrisham #BestSeller #NewYorkTimesBestSeller #ATimetoKill #TheFirm #Writer #AFewGoodMen #Film #Movies #Podcast #February 

Keeping with tradition, we follow up our best of 2025 episode with its natural companion: our episode on the most anticipated films of 2026. After an odd 2025 where many of our most exciting picks turned out to fall short of expectations, we can only hope that 2026 might fare better. Indie gems, huge blockbusters in Nolan's The Odyssey and Dune: Messiah, and other new projects from beloved auteurs, 2026 is shaping up to pack quite a punch. Tune in and find out our individual picks!

Andrew Ross Sorkin (1929: The Inside Story of the Greatest Crash in Wall Street History) is a financial columnist, TV anchor, and author. Andrew joins the Armchair Expert to discuss a kid telling him when he was young that god drew him wrong, actually working with Aaron Sorkin (no relation) on his show The Newsroom, and landing an unofficial internship at The New York Times as a senior in high school. Andrew and Dax talk about why his motto as a finance journalist was ‘chasing interesting,' understanding not trusting the stock trading system because it doesn't deserve to be trusted, and his tips for getting ChatGPT to tell the truth with verifiable facts. Andrew explains writing an exposé on going into debt to buy stocks, shocking and unexpected stories of fallout from the stock market crash of 1929, and parallels he sees in current financial trends accompanied by an argument for transparency.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.