Podcast appearances and mentions of Faye Dunaway

RMR 0379: Special Guest, Tyler Harlow from the After the Credits, joins your hosts, Bryan Frye, and Russell Guest for the Retro Movie Roundtable as they revisit Three Days of the Condor (1975) [R] Genre: Thriller, Spy, Crime, Psychological Thriller, Political Thriller   Starring: Robert Redfordm, Faye Dunaway, Cliff Robertson, Max von Sydow, John Houseman, Addison Powell, Walter McGinn, Tina Chen, Michael Kane, Don McHenry, Michael Miller, Jess Osuna, Dino Narizzano, Helen Stenborg, Patrick Gorman, Hansford Rowe, Carlin Glynn, Hank Garrett   Directed by: Sydney Pollack Recorded on 2026-07-22

The CIC are headed back to gritty 1970s New York to review 3 Days of the Condor! Ben and Jason put on their best tweed and leave no spy codeword tropes or bad innuendo unturned, as they review a certified spy classic starring Robert Redford and Faye Dunaway. We're headed out to pick up lunch, why not join us!  Be sure to like, follow, subscribe and interact! We'd love to hear from you!  Email: CICDeadDrop@gmail.com Instagram: https://www.instagram.com/central_intelligence_cinema/ Twitter (X): https://twitter.com/CICSpypod Bluesky Social: https://bsky.app/profile/cicspypod.bsky.social Facebook: https://www.facebook.com/CICPodcast YouTube: https://www.youtube.com/@central_intelligence_cinema Merch store: https://cic-merch-store.creator-spring.com/

HOLLYWOOD ROYALTY: BONUS EP.2- HURRY SUNDOWN/THE DEADLY TRAP On this bonus episode of Hollywood Royalty, we take a look at two of Faye's B-sides, a pair of films that don't readily come to mind when you think of Faye Dunaway. The first of the two titles, 1967's Hurry Sundown for director Otto Preminger, represents Faye's […]

Front Row Classics welcomes host, actor, and content creator Justin Root. As host of "The Justin Root Show", he provides viewers a glimpse into the history of Hollywood and Los Angeles history. Brandon and Justin discuss his love of pop culture and L.A. They also chat about his memorable encounters with legends such as Carol Burnett, Betty White and Faye Dunaway. You can find "The Justin Root Show" at https://www.youtube.com/@TheJustinRootShow and https://www.instagram.com/thejustinrootshow/

Hey kid, there’s a spider in your bed! From Kingdom of the Spiders (1977) We’re going back to horror history class with Episode 212: Slashers Come of Age and Horror Finds Religion 1975-1979. Seven years ago, in the early days of the Scariest Things, we did some horror history, diving into some of the more obscure titles that you may not be aware of. We stopped at the early seventies, and then went on a very long hiatus. But now we are back with some (maybe) forgotten gems from 1975 to 1979. Friend of the podcast Ian Parker joins Eric and Mike in this deep dive. It took a while, but we are back to our chronology of horror movies. We have picked up the baton and are moving our movie history lessons forward. The seventies were a turbulent period in history. The Hayes Code, now dead and defeated, is no longer. The early seventies started playing around in the margins with movies that pushed the boundaries of what was possible. The advent of the massive summer blockbuster began to separate movies into big-budget and indie-budget films, and horror was part of that trend. Jaws (1975) and The Exorcist (1972) proved that with the right director, scary movies could bring in big money and be legitimate critical darlings as well. The doors opened for studios to pour big money into movies that would become The Omen, Alien, Invasion of the Body Snatchers, and Carrie, landmark movies all. Big-name actors with great pedigrees were coaxed into performing in big studio horror projects. Gregory Peck did The Omen. Faye Dunaway at the height of her career did The Eyes of Laura Mars. It wouldn’t be long before Jack Nicholson got cast in The Shining (1980), but we’ll get to that one later. Having said all that, the studios weren’t quite all-in yet. There were a few pet projects out there. But the domain of the horror movie was still in the dilapidated old downtown movie houses and drive-in theaters. You couldn’t yet rent movies for home viewing. If you wanted to go see independent horror movies, you had to be willing to get down and dirty. The Cineplex wasn’t yet ready for showing off the gory delicacies that were being cooked up in the era when the boundaries between R and X hadn’t been settled yet. Slasher Movies Come of Age Horror never forgot its roots. You could still make a low-budget movie, with no-name actors, scare some teenagers, and turn a profit. But a guy in a rubber suit wasn’t going to cut it anymore. Real explicit violence and raw visceral horror are now how to make a memorable mark. Following in the footsteps of Black Christmas (1972), Last House on the Left (1972), and The Texas Chainsaw Massacre (1974), the slasher film was going to find the sweet spot of low budget and mass appeal. Enter Halloween (1978). Stabbing and spooking were now moving into the suburbs. On a budget of $325,000, Halloween would go on to earn $47,160,000. On a budget of $325,000, Halloween would go on to earn $47,160,000. Hollywood noticed. The impact of Halloween would be felt primarily in the early eighties, but a few filmmakers picked up on the trend early. The slasher films influenced directly in the wake of Halloween include: Don’t Go Into the House (1979), Silent Scream (1979), Tourist Trap (1979), Driller Killer (1979), Prom Night (1980), Maniac (1980), Friday the 13th (1980), Don’t Go into the Woods (1981), Madman (1981), Happy Birthday to Me (1981), My Bloody Valentine (1981), The Burning (1981), The House on Sorority Row (1982), and The Slumber Party Massacre (1982). All of these films featured a masked killer (usually) and some sort of stabbing weapon (usually), and oblivious teen victims (usually), with sexual activity usually as part of the equation (usually)… and a final girl (usually). That’s the modern slasher template. It didn’t take long for filmmakers to figure out the formula. Our great directors who would lead horror for the next twenty years were in place. John Carpenter, Tobe Hooper, and Wes Craven had their knives out and were ready to dominate the field. This genre still felt fresh. The sequels had yet to take control of the industry, and the concept felt raw and scary. This trend would find its killer’s stride in the 80’s, but this is when the slasher movie came out of the shadows. Horror Gets Really Weird, and Discovers God While the sixties still had a safety belt on, and the eighties went for the reliable thrills, the seventies was a period that allowed directors to stretch out their ideas. The early seventies also contributed a number of strange films, but it is hard to match the back half of the seventies with the likes of The Manitou (1976), Phantasm (1979), Hausu (1977), and Eraserhead (1977), which brought wildly original concepts to the table. Religion was a big thing too. Conventionally, there were movies like The Omen and The Exorcist that were, while very scary, using traditional good-and-evil concepts. This era also had a more counter-cultural and artistic interpretation of holy horror. God Told Me To (1976) and The Visitor (1979) were gonzo strange concepts that never found an audience, but were challenging with their takes of what celestial beings might be. What is Jesus, really? For that matter, what is God? An alien? Perhaps. Truly strange, blasphemous stuff. Perhaps it was all the hallucinogens that were popular of the era. Cosmic horror found truth in a far-out metaphysical moment. It wouldn’t take long for the politicians and the morality police to put an end to such wild concepts. But in truth, the conservative backlash was waiting in the next decade. In the seventies, the liberal notions of acceptable content had plenty of room. That would be coming to an end soon, especially when movies could come home on cable TV and VHS. The Scariest Things History of Horror Episodes Episode 22: The Silent Era 1920s Episode 25: The Rise and Fall of the Golden Age 1930’s and 1940s Episode 29: Horror Comes Back – The Matinee Era Part 1 1950-1954 Episode 31: The Height of the Atomic Age – The Matinee Era Part 2 1955-1959 Episode 51: The International Gothic Trend – Horror From 1960-1964 Episode 53: The Diversification of Horror – Horror From 1965-1969 Episode 57: Horror Gets Trippy – Horror From 1970-1974 Episode 213: Slashers Come of Age and Horror Finds Religion 1975-1979 Friend of the Podcast Ian Parker joins Eric and Mike to talk about some deep cut movies from the late seventies. We have tried to avoid the obvious stuff and to notify our audience about some curious gems that you might have missed when shuffling through your streaming options: Burnt Offerings (1976) Don’t Go Into the House (1979) God Told Me To (1976) Kingdom of the Spiders (1977) Rabid (1977) Shock Waves (1977) The Witch Who Came From the Sea (1976) The Eyes of Laura Mars (1978) The Manitou (1978)

This BEST of ALL WORLDS Band heavy-hitter is an iconic American drummer & session musician is one of the "most recorded drummer in music history", was voted "Top 100 Greatest Drummers of All Time” by Rolling Stone Magazine, and has played on records totalling over 300 million sales! Of course we're talking about the legendary drummer, best-selling author and speaker: Kenny AronoffKenny was inspired by The Beatles' 1964 Ed Sullivan performance  and pivoted from classical percussion to a lifelong career in rock n roll. He is best known for his 17-year tenure with John Mellencamp and his long stint with John Fogerty, but Kenny has played/recorded or toured with practically EVERYONE. Check out this list :Johnny Cash, Willie Nelson, Kris Kristofferson and Waylon Jennings. Loretta Lynn, Tony Iommi, Alice Cooper, Smashing Pumpkins, Sting, Bruce Springsteen, Billy Joel, Elton John, Eric Clapton, Steven Tyler, Celine Dion, Melissa Etheridge, Sheryl Crow, Alanis Morrisette, Avril Lavigne, BB King, Buddy Guy, Ray Charles, Joe Cocker, Skynyrd, Mellencamp, the Beatles, Buddy Rich tribute ,Rolling Stones, Bob Dylan, Triumph, Lady Gaga, Chickenfoot ....and now Kenny is in Sammy's Best of All Worlds band!Come hear what it was like for an overly energetic young boy growing up in Stockbridge, Massachusetts nicking Norman Rockwell's cigarettes, (almost ) shagging Norman Mailer's daughter, crashing backyard parties with Faye Dunaway, Frank Langella, Anne Bancroft and Mel Brooks, and touring the world with the RedRocker himself!Join the Bo-Hosts for an episode almost as BIG as Kenny's pipes!More on Kenny here:https://kennyaronoff.com/https://www.instagram.com/kennyaronoff/https://www.facebook.com/KennyAronoffOfficial"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=enX:https://x.com/BogusOtisShowYouTube:https://www.youtube.com/@TheBogusOtisShowTik Tok:https://www.tiktok.com/@thebogusotisshowConnect with the Bo-Hosts:bogusotisshow@gmail.com

Warning: SPOILERS!  Austin Trevor, probably the most miscast Poirot in cinema history, stars in “Lord Edgware Dies.” This version came out about five years after the introduction of sound, and it looks and sounds like it. Is it still watchable? Let's fine out! “Agatha Christie, They Watch” reviews the adaptations of Agatha Christie's novels in their order of publication. Teresa Peschel, author of "Agatha Christie, SheWatched" and the "International Agatha Christie, She Watched," hosts our livestream. Joining Teresa is her husband, technical adviser, and straight man, Bill Peschel. Together, they are Peschel Press, publisher of intriguing, intelligent, and idiosyncratic books (www.peschelpress.com). HOW TO SEE THIS MOVIE: YouTube: https://youtu.be/5MPZbhpdxPU  NEXT WEEK: The second taste of “Lord Edgware Dies” —retitled “Thirteen at Dinner,” introduces to the great raconteur and actor Peter Ustinov. This contemporary TV movie from 1985 stars Faye Dunaway and future Poirot David Suchet as Chief Inspector Japp! See you next Thursday! HOW TO SEE IT: Man, this is nearly impossible to find. Used DVD copies are for sale on ebay, and your library's interlibrary loan department might get it for you (that's how we found our copy). But none of the streaming services seem to carry it (and I checked Prime, YouTube, Yubi, and Google Play).  WHERE TO FIND USPeschel Press: www.peschelpress.comInstagram: https://www.instagram.com/peschel_press/ LOOK UP OUR BOOKS“Agatha Christie, She Watched” is our coffee-table sizedbook and not coffee-table sized ebook collection of Teresa's reviews ofChristie's movie and TV adaptations.  Agatha Christie, She Watched:https://peschelpress.com/agatha-christie-she-watched/ International Agatha Christie, She Watched:https://peschelpress.com/international-agatha-christie-she-watched/ DISCLAIMER: FAIR USE. Title 17, US Code (Sections 107-118 ofthe copyright law) All media in this video is used for the purpose of reviewand commentary under the terms of fair use. All footage, music and images used belong to their respective owners. Theme music: "Deadly Roulette" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 http://creativecommons.org/licenses/by/4.0/

"You can. On girl!"With a new Supergirl movie in theaters, The Wives Colangelo are going back to her big-screen debut in SUPERGIRL (1984), starring Helen Slater and Faye Dunaway. Joining the show this week is comics expert and arguably the smartest voice on all things Supergirl, the incomparable Jenna Anderson! Don't let anyone convince you this movie is without merit, and get ready to believe a GIRL can fly!--------Become a Patron! https://www.patreon.com/thisendsatprom--------MONTHLY SPOTLIGHTAthlete Ally: https://www.athleteally.org--------Follow our Guest!@heyitsjennalynnGo Read Some Comics with Jenna: youtube.com/@goreadsomecomics& listen to Jenna on Phase Hero!--------Social Media Plugs@ThisEndsAtProm@BJColangelo@HarmonyColangelo----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

We review Supergirl (1984) on movie podcast The Collector's Cut. The original Supergirl is directed by Jeannot Szwarc and stars Faye Dunaway, Helen Slater, Hart Bochner, Peter Cook, Mia Farrow, Marc McClure, Brenda Vaccaro, Peter O'Toole patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/

So, as I (Matt) work my way through my 365 movies in 365 days project, last week I watched the Supergirl movie from the 80s. What a weird, wild movie. I bet some of you didn't even know that this week's Supergirl movie isn't even the first one. Well, it's not, and as good as this may be, it won't have Faye Dunaway as a witch chewing the scenery. What does this have to do with this week's podcast? Not much, I just felt like talking about it here. The stories we are reading all see Supergirl team-up with members of the Bat family. We start with Kara's return to post-Crisis continuity in Superman/Batman, follow that up with her and Stephanie Brown as Batgirl teaming up to fight Draculas and end with an Elseworlds where there is no Batman or Superman, just Supergirl and Batgirl. The Supergirl from Krypton (Superman/Batman V.1 #8-13) Terror in the Third Dimension (Batgirl V.3 #14) Elseworld's Finest: Supergirl & Batgirl Check out our current ranking list at www.comicsxf.com/batchat-rankings/ Thanks to Geri Nonnewitz for our podcast logo Support the show on Patreon at www.patreon.com/batchatwithmattandwill

Supergirl is revisited!Initial Thoughts @0:20Spoiler Review @2:31Rating @1:08:43Conclusion/Plugs @1:10:07Daniel discussing Supergirl: Woman of Tomorrow on Back Issue Blood BathText Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

To celebrate the release of DC Studios' latest film, we go back to 1984 and review the first attempt at bringing the superhero to the big screen.Supergirl is a 1984 superhero film directed by Jeannot Szwarc and written by David Odell, based on the DC Comics character. It is a spin-off from the Superman film series and is set after the events of Superman III (1983). The film stars Helen Slater as Supergirl, along with Faye Dunaway, Hart Bochner, Peter Cook, Mia Farrow, Brenda Vaccaro, and Peter O'Toole, with Marc McClure reprising his role as Jimmy Olsen from the Superman films.Kara of Argo City poses as Clark Kent's cousin, Linda Lee, to recover the Omegahedron from an evil Terran sorceress. Based on DC Comics charactersHosted on Ausha. See ausha.co/privacy-policy for more information.

With the Girl of Steel flying back into theaters next week, the MovieFilm boys revisit her first solo big-screen adventure, 1984's SUPERGIRL. Join us as we talk through the cult fave DC Comics spin-off starring Helen Slater, Faye Dunaway and Peter O'Toole, its connections to the Christopher Reeve SUPERMAN series, behind-the-scenes challenges, and the state of comic book movies in the 1980s. Listen separately or watch along for a nostalgic look back at one of the most fascinating entries in the cinematic Super-saga!Listen ad-free at Patreon: https://patreon.com/MovieFilmPodcast

On this episode of Remainders we watch the 1987 movie Barfly. Written by Charles Bukowski, Barfly tries to capture the outsider drunk persona of Henry Chiaski, Bukowski's alter-ego, as he lives in L.A. asking the eternal question: who am I? As part of a Mickey Rourke double-feature, we'll check out how Rourke evolved (or devolved) in Hollywood and whether Bukowski romanticizes self-destruction.Other topics include the rest of Rourke's career, existentialism in film, Riot Fest, new physical media by Kino Lorber, and indie-horror movies Obsession and Backrooms beating Star Wars.Songs of the WeekHere's Your Future by The ThermalsMe Against the World by Lizzy BordenRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

This week, we review Supergirl (1984), Jeannot Szwarc's fantasy-tinged superhero spin-off from the Superman saga. Helen Slater stars as Kara Zor-El, Superman's cousin from Krypton, who journeys to Earth in search of a powerful lost artifact—and ends up battling an ambitious witch, played by Faye Dunaway, in a clash of cosmic and campy proportions. With a mix of magical showdowns, high school hijinks, and earnest alien fish-out-of-water charm, this film expands the DC Universe in unexpected and often bizarre directions.Is saving the world a family affair or just super awkward? Listen on to find out!Join Colin & Niall as we embrace the weird, the wonderful, and the downright awful of cinema!Contact us: itwasamoviepodcast@gmail.comSpotify: It was a movie..Spotify pageFollow, rate & review us here:https://linktr.ee/itwasamovieYoutube: It was a movie channel...Facebook: https://www.facebook.com/itwasamovieInstagram: https://www.instagram.com/itwasamoviepodcast/X: https://x.com/itwasamoviepodTikTok clips & highlights: https://www.tiktok.com/@itwasamoviepodSee all our ratings & reviews: Google SpreadsheetIMDb List: IMDb | Letterboxd: Letterboxd

RMR 0364: Special Guest, Michelle Devorah Kahn, joins your hosts, Chad Robinson and Dustin Melbardis for the Retro Movie Roundtable as they revisit The Bonnie and Clyde (1967) [R] Genre: Crime, Action, Biography, Tragedy, Drama   Starring: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Denver Pyle, Dub Taylor, Evans Evans, Gene Wilder   Directed by: Arthur Penn Recorded on 2026-03-25

Rewind. Spend some time with Sandy and Terry as they explore one of the most iconic last lines in cinema, "Forget it, Jake. It's Chinatown," from the 1974 film CHINATOWN, written by Robert Towne, directed by Roman Polanski, and starring Jack Nicholson and Faye Dunaway. In this episode, they reveal the fascinating story of how this memorable line nearly didn't make it and why!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

The original heist classic starring Steve McQueen as a bored millionaire who robs banks for enjoyment and is caught in a cat-and-mouse game with an insurance investigator (Faye Dunaway) who is trying to recover the bank losses.  Directed by Norman Jewison.

Les Ciné-Buddies enquetent sur le classique de Roman Polanski "Chinatown", 1974, starring Jack Nicholson et Faye Dunaway. Le nouveau fantastique videocast sur le film de Romain Lehnhoff, assisté de Diana Mosafir, Son Katia Lazareva maintenant disponible sur la chaine abracadaPod/KinoPod de Youtube. Likez et souscrivez à la chaine pour aider le show à continuer, merci.

Welcome back to Oscar Wild's Season 7 premiere where co-hosts Sophia and Nick break down one of the most exciting awards races and Oscar ceremonies in recent memory: the 89th Academy Awards and Moonlight's Best Picture win! First, they celebrate the 10 year anniversary of the releases of Damien Chazelle's La La Land and Barry Jenkins' Moonlight (45:18) with a detailed summary of each film and a lively discussion about their legacies.Then, they turn to the telecast (and Envelopegate) and answer some fun listener questions (1:20:30). Who did Faye Dunaway vote for? What film was in third place? How do you feel about the Picture/Director split? How have these movies and their Oscar wins aged over time? Tune in to find out all of this and more then be sure to comment on socials!Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Become a patron and listen to more content at patreon.com/OscarWildFind merch @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

Today Alex and special guest Tom Shkolnik discuss the 1976 film Network directed by Sidney Lumet, written by Paddy Chayefsky and starring Peter Finch, Robert Duvall, William Holden and Faye Dunaway.  In this episode we discuss Lumet's film-making style, how Network predicted the future, the evolution of the media landscape, the impact of systems and media on how we think and behave, technology addiction, cultural stagnation and much more. Tom is the director of the 2012 British drama The Comedian nominated for Best Newcomer at the 2012 London film festival. He is the director of an upcoming film based on the book A Life of One's Own by psychoanalyst Marion Milner. Here is the link to the crowdfunding campaign for Tom's upcoming film A Life of Own's Own about psychoanalyst Marion Milner:https://www.crowdfunder.co.uk/p/qr/BWdq6L4n?utm_campaign=sharemodal&utm_medium=referral&utm_source=shortlinkInterviewed by Dr. Alex Curmi. Dr. Alex is a consultant psychiatrist and a UKCP registered psychotherapist in-training.Check out The Thinking Mind Blog on Substack: https://substack.com/home/post/p-186445029If you would like to invite Alex to speak at your organisation please email alexcurmitherapy@gmail.com with "Speaking Enquiry" in the subject line.Alex is not currently taking on new psychotherapy clients, if you are interested in working with Alex for focused behaviour change coaching , you can email - alexcurmitherapy@gmail.com with "Coaching" in the subject line.Give feedback here - thinkingmindpodcast@gmail.com Follow us here: Twitter @thinkingmindpod Instagram @thinkingmindpodcast

What's Up Fool? Ep 574This week, Felipe and Rizo are joined by Emmy nominated actor and producer Freddy Rodriguez. A Chicago native who has been a staple in film and television for over 30 years, Freddy first captured audiences as Federico "Rico" Diaz on the iconic HBO series Six Feet Under, a role that earned him two SAG Awards and an Emmy nomination.From starring in cult classics like Robert Rodriguez's Planet Terror to lead roles in Bull and The Night Shift, Freddy has consistently redefined himself across every genre. He stops by to talk about his recent work on Wu-Tang: An American Saga, his new podcast Dos Amigos with Wilmer Valderrama, and his upcoming 2026 horror film You Lose You Die. We also get into his latest project, The Tailoress, where he stars alongside Faye Dunaway.Connect with us on InstagramFelipe - @ felipeesparzacomedianRizo - @ comicMartinRizoFreddy - @ freddyrodriguezofficialHear about Felipe's tour dates, new merch drops & more by signing up @ http://felipesworld.comFelipe Esparza is a comedian and actor, known for his stand-up specials, “They're Not Gonna Laugh at You”, “Translate This”, and his latest dual-release on Netflix, “Bad Decisions/Malas Decisiones” (2 different performances in two languages), his recurring appearances on Netflix's “Gentefied”, NBC's “Superstore” and Adultswim's “The Eric Andre Show”, as well as winning “Last Comic Standing” (2010), and his popular podcast called “What's Up Fool?”. Felipe continues to sell out live stand-up shows in comedy clubs and theaters around the country.

"Am I hallucinating *all* of this? You tell me it's all a dream." We get to the ultra-disco noir fever dream Eyes of Laura Mars with our resident Faye Dunaway expert and friend, Garrett Mitchell, this week. It's been a while since we've covered Miss Dunaway on the podcast, but she's truly one of the most iconic leading ladies of the 1970s, that all peaked with Irvin Kershner's thriller set in the backdrop of a gritty NYC in the fashion world. This movie might not be along the lines of 70s classics, but we're here to say it's a heck of a ride. With a story by John Carpenter and produced by Jon Peters, who bought the story with the idea of it being a star vehicle for his then-girlfriend Barbra Streisand at the time before it went to Dunaway, the film follows Laura Mars,  a fierce fashion photographer, as she develops an ability to see through the eyes of a killer. We talk about Faye's insane levels on display, René Auberjonois as some fun queer representation, Tommy Lee Jones's unibrow, and a secretly sexy Brad Dourif.   Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna Cover Art by Shaun Piela 

Due to a technical error, we're releasing an old Patreon episode that was never released during our 10th year of the podcast where we released (nearly) all of the paywall material. I knew I held onto this one for a reason.On the latest episode of the podcast, Jamie mentions that Doug's just a 'Little Girl From Nebraska', Doug has a real problem keeping Fay Dunaway and Lauren Hutton straight...and this movie's not helping, and we both have a real problem believing that anyone would say that a 1986 Robin Givens looks terrible. Give your boss a cigarette when she asks, try your best to juggle a life of prostitution and law school and join us as we wast a Lifetime movie before the invention of Lifetime, Beverly Hills Madam!Beverly Hills Madam is a 1986 made-for-television film directed by Harvey Hart and starring Faye Dunaway, Melody Anderson, Donna Dixon, Terry Farrell, Louis Jourdan, Marshall Colt & Robin Givens.Visit our YouTube ChannelMerch on TeePublic Follow us on TwitterFollow on InstagramFind us on FacebookDoug's Schitt's Creek podcast, Schitt's & Giggles can be found here: https://podcasts.apple.com/us/podcast/schitts-and-giggles-a-schitts-creek-podcast/id1490637008

Never mess with the money.  Newscaster Howard Beale has been fired from television, but not before he has a mental breakdown live on-air. What could be better for ratings? One of the great satires of the 1970s is a film that meant a lot to our host Mary, but co-host Dennis has never seen before, so what better to cover for Dennis Versus the Movies month? Starring: William Holden, Faye Dunaway, Peter Finch, Robert Duvall, Ned Beatty, and Beatrice Straight. Written by Paddy Chayefsky. Directed by Sidney Lumet.

This week in the Screening Room, Zeth is talking about the trials and tribulations behind the making of ‘Chinatown,' the 1974 film directed by Roman Polanski and starring Jack Nicholson and Faye Dunaway. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

This week in the Screening Room, Zeth is talking about the trials and tribulations behind the making of ‘Chinatown,' the 1974 film directed by Roman Polanski and starring Jack Nicholson and Faye Dunaway. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jeff Goldblum boards Alan Air for one of the most gloriously unpredictable flights yet. From Old Hollywood legends and Mulholland Drive nightmares to pickles, sandwiches and impromptu singing, Jeff goes full Goldblum - charming, curious and wonderfully maverick. They talk about his new album Night Blooms, touring with orchestras around the world, and the timeless magic of jazz standards. Along the way there's Sharon Stone, Billie Holiday, a surprising Bloody Mary debate… and Alan pitches Jeff a brand-new horror film: An American Were-MILF in London. Expect name-dropping, movie love, musical nostalgia and one very enthusiastic conversation about pickles.  00:00 Intro  00:18 Jeff Goldblum boards Alan Air  01:14 The Windmills of Your Mind & The Thomas Crown Affair  01:59 Jeff's frozen yoghurt meeting with Faye Dunaway  03:29 Crisps, pickles and snack food debates  05:30 Jeff Goldblum's favourite sandwiches  05:58 The “Bloody Alan” cocktail  07:30 Jeff's love of Lauren Hutton and gabby teeth  10:12 Horoscopes, science and star signs  11:41 Jeff's new album Night Blooms  12:59 Jeff and Alan singing classics like Misty and Bewitched  13:37 Nosferatu, horror films and Alan's Were-MILF pitch  15:03 Jeff agrees to star in Alan's movie  16:23 Touring the UK, Royal Albert Hall and Sydney Opera House  17:41 What happens at a Jeff Goldblum live show  19:41 Touring food: fish & chips and British roasts  20:29 Jeff's favourite drink: the Virgin Mary  21:14 Time machines, classic films and Total Recall  23:34 Sharon Stone, Casino and Scorsese movies  24:48 Old Hollywood, Chateau Marmont and Hollywood history  27:21 Mulholland Drive and David Lynch  29:15 Alan's middle name reveal  30:31 Quick-fire round  33:39 Final descent  #LifesABeach #AlanCarr #JeffGoldblum #Podcast #TravelPodcast #NightBlooms #Jazz #ClassicHollywood #MovieLegends #CelebrityPodcast #MulhollandDrive #OldHollywood #RoyalAlbertHall #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

The Secret Agent (O agento secreto) is a neo-noir political thriller written and directed by Kleber Mendonça Filho. It’s set in Brazil in 1977, and it’s currently nominated for four Academy Awards, including Best Picture, Best International Feature Film, and Best Actor in a Leading Role for its star, Wagner Moura. And: Network is a satirical comedy-drama written by Paddy Chayefsky and directed by Sidney Lumet. It was nominated for 10 Academy Awards, including Best Picture, and it won four, including Best Actor in a Leading Role for Peter Finch, Best Actress in a Leading Role for Faye Dunaway, Best Actress in a Supporting Role for Beatrice Straight, and Best Original Screenplay for Chayefsky. It is one of just three movies that have ever won three of the four acting Oscars. Network celebrates its 50th anniversary later this year. GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Lindsay Lee Wallace: A writer and journalist covering culture, health, technology, bats, and anything else people will answer her questions about Bill Yousman: Professor of media studies at Sacred Heart University Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The 89th Academy Awards reached its grand finale on 26th February 2017, with a balls-up that instantly entered Hollywood lore. Presenters Warren Beatty and Faye Dunaway stepped onstage to announce Best Picture and declared La La Land the winner. Cast and crew flooded the stage, speeches began, and the orchestra swelled - but the true winner, of course, was Moonlight. Beatty's visible hesitation, replayed endlessly since, stemmed from a simple but catastrophic mistake: he had been handed the duplicate Best Actress envelope, reading “Emma Stone - La La Land”. Unsure how to proceed, he showed the card to Dunaway; believing he was prolonging the suspense, she read out the film's title. Only as producer Jordan Horowitz was thanking his family did the truth ripple across the stage: “This is not a joke. Moonlight, you guys won Best Picture.” The error was traced to PricewaterhouseCoopers partner Brian Cullinan, who had mistakenly handed over the duplicate envelope while distracted backstage, reportedly after tweeting a photograph of Emma Stone with her Oscar. The irony was sharp: PricewaterhouseCoopers had supervised the Academy's voting process since 1935, originally engaged after controversy surrounding Bette Davis's 1934 snub, and prided itself on meticulous safeguards, including identical sets of envelopes held on either side of the stage. In this episode, Arion, Rebecca and Olly force themselves to re-watch the excruciating moment repeatedly; consider how, following two years of #OscarsSoWhite criticism, the blunder landed at a particularly sensitive moment for the Academy; and admire the way the La La Land team somehow met this emotional rollercoaster with savviness and tact…  Further Reading: • ‘The Full Story Behind The 'La La Land' And 'Moonlight' Oscars Mix-Up' (Forbes, 2017): https://www.forbes.com/sites/natalierobehmed/2017/02/27/the-full-story-behind-the-la-la-land-and-moonlight-oscars-mix-up/ • ‘How Scandal Started PwC's Oscars Vote Count, Envelope System' (TIME, 2018): https://time.com/5182902/pwc-academy-awards-oscars-snub/ • ‘Oscars Mistake: Moonlight Wins Best Picture after La La Land Mistakenly Announced' (ABC, 2017): https://www.youtube.com/watch?v=rvK-g1rehpU&t=1s #Mistakes #Film #2010s #Hollywood Join 

SEASON 4 EPISODE 60: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:30) SPECIAL COMMENT: Arizona Senate Republicans just introduced a measure to make ICE MANDATORY at polling places this November. Mandatory. At voting booths. This November. No - It won’t pass. This time. But this does dispel any MAGA crap that this isn't the goal, that rounding up immigrants isn't just practice. Happily, DHS and MAGA are too busy purging themselves. Maybe just as importantly: Does Trump look drawn and unnaturally thin in the face? Like, lost a lot of girth in the face - the kind of thing where people who don’t know say “you’ve lost a lot of weight, you look great” – except you don’t? Also he has just confused Harmeet Dhillon for Phyllis Diller. Standard stuff. But he made a different gaffe that you just can’t write off because it’s new. It’s not something stupid – it’s something he’s misplaced, mentally. The one Trump blunder that suggests he’s getting WORSE: The Penn Station post. AND HOW THE DEATH OF ROBERT DUVALL mainlines into the death of CBS News and the prophesy of Duvall's most important film: Network. Which you should go watch, today. B-Block (50:00) PART TWO of my list of the nearly two dozen destructive changes we are now suffering from, in television news and media in general, that we were warned by, by Paddy Chayefsky, by Peter Finch, Faye Dunaway, Robert Duvall, and director Sidney Lumet. C-Block (1:10:00) THE WORST PERSONS IN THE WORLD: A little out of order, but still really good. Tom Emmer, Minnesota moron. Peter Navarro, economic consultant who doesn't know the Dow Jones number isn't in dollars. And the joy of Candace Owens, so lost she can't pronounce ordinary American English words like "Bureau" and "Grandiose" and as chronicled by one of the best of all Twitter-X follows: @CandaceReading1See omnystudio.com/listener for privacy information.

Adventure runs in the family! This week, Peaches and Michael are watching the skies in celebration of 1984's SUPERGIRL! In addition to discussing the dangers of runaway construction equipment, our hosts delve into the absolutely witchy wonder that is Faye Dunaway. Joining the conversation is celebrated author Mark O' Connell, who digs into a lifetime of love for Argo City's most glamorous resident. Then, acclaimed comic book writer Tim Sheridan stops by to talk about how this emerging cult classic's strangeness is its strongest suit. From Brenda Vaccaro to the Phantom Zone, this episode has it all! Go!  

HOLLYWOOD ROYALTY: MINI EP.3: VOYAGE OF THE DAMNED Welcome to the third in our series of minisodes focusing on the 60s and 70s films that helped make Faye Dunaway a star Here we discuss the actress leading an international all-star cast in 1976's Voyage of the Damned. The film was based on the true story […]

HOLLYWOOD ROYALTY: MINISODE 2 – EYES OF LAURA MARS For the second in our series of minisodes in which we explore the 60s and 70s films that helped make Faye Dunaway a star, we take a look at the 1978 supernatural cult thriller Eyes of Laura Mars. In the film, Faye plays the title character, […]

Jonathan Tolins is the showrunner and executive producer of the critically acclaimed CBS drama ELSBETH, which returns for its third season.   Tolins has been an executive producer on THE GOOD FIGHT on Paramount+, co-executive producer on “Schmigadoon!” and co-producer on “Queer as Folk,” along with producer credits on EAST NEW YORK, BRAINDEAD and PARTNERS on the Network. Other TV credits include the Tony Awards, the Academy Awards, “Grease Live!” and “A Christmas Story Live!” Additionally, Tolins was a producer and co-writer with Seth E. Bass for the films “Martian Child” starring John Cusack and “The Twilight of the Golds,” based on his Broadway play and starring Brendan Fraser and Faye Dunaway. Tolins is best known as the author of one of the 10 most produced plays in America in 2016, “Buyer & Cellar,” which won the Lucille Lortel Award for Best Solo Show and was named “Best Unique Theatrical Experience” by the Off-Broadway Alliance during its record-breaking run at the Barrow Street Theatre. The show also enjoyed a London engagement at the Menier Chocolate Factory, a run at the Mark Taper Forum in Los Angeles and was shown on the WNET series “Theater Close-Up.” Other plays by Tolins include “The Last Sunday in June,” “Secrets of the Trade,” “If Memory Serves” and “The Forgotten Woman.” He was also represented on Broadway by additional material written with his husband, Robert Cary, for the revival of “On the Town.” Together, Jon and Rob also wrote the book for the new musical “Take the Lead,” which premiered at the Paper Mill Playhouse in the spring of 2025 Tolins is a member of the Dramatists Guild and the Writers Guild of America. He has written articles for Opera News, Opera Monthly, TheaterWeek, Time magazine and the Huffington Post. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Emir Kusturica's Arizona Dream drifts between deadpan comedy and waking dream, a film where ambition, escape, and American myth collide at odd angles. Written by David Atkins and directed by Emir Kusturica, the 1993 features Axel (Johnny Depp) stranded between New York routine and Arctic fantasia after his cousin (Vincent Gallo) drags him west to Arizona. There, Axel falls into orbit around his Uncle Leo (Jerry Lewis) and the Stalkers—mother and daughter played by Faye Dunaway and Lili Taylor—each chasing a private version of freedom.Mike, joined by co-hosts Andras Jones and David Rodgers, unpacks how Arizona Dream bends tone and narrative into something closer to folklore than plot, balancing melancholy against absurdity. The conversation explores Kusturica's outsider view of America, the film's uneasy relationship with realism, and the way dreams—Inuit or otherwise—function as both refuge and trap. Mike also talks with screenwriter David Atkins about shaping the script, collaborating with Kusturica, and navigating a studio-era release that never quite knew what to do with a movie this strange.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Emir Kusturica's Arizona Dream drifts between deadpan comedy and waking dream, a film where ambition, escape, and American myth collide at odd angles. Written by David Atkins and directed by Emir Kusturica, the 1993 features Axel (Johnny Depp) stranded between New York routine and Arctic fantasia after his cousin (Vincent Gallo) drags him west to Arizona. There, Axel falls into orbit around his Uncle Leo (Jerry Lewis) and the Stalkers—mother and daughter played by Faye Dunaway and Lili Taylor—each chasing a private version of freedom.Mike, joined by co-hosts Andras Jones and David Rodgers, unpacks how Arizona Dream bends tone and narrative into something closer to folklore than plot, balancing melancholy against absurdity. The conversation explores Kusturica's outsider view of America, the film's uneasy relationship with realism, and the way dreams—Inuit or otherwise—function as both refuge and trap. Mike also talks with screenwriter David Atkins about shaping the script, collaborating with Kusturica, and navigating a studio-era release that never quite knew what to do with a movie this strange.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The LA Times released a list of the best 101 films set in Los Angeles. The number one spot went to the 1974 film Chinatown, directed by Roman Polanski, starring Jack Nicholson and Faye Dunaway, with the backdrop of a 1930’s Los Angeles. Second place went to David Lynch’s Mulholland Drive (2001), and some other notable picks include Blade Runner (1982), Her (2013), Tangerine (2015) and Boyz n the Hood (1991). Joining Larry Mantle on FilmWeek to discuss some of the more surprising films included and their personal favorites are LAist film critics Manuel Betancourt, assistant editor of Documentary Magazine, and one of the contributors to the LA Times’ Best LA Movies list, and Wade Major, film critic for CineGods.com and author of the “Hollywood Heretic” Substack. You can read the LA Times’ 101 Best LA Movies list here.

Send us a textThe YardsA family crime drama set in New York City with a sick mother, ambivalently abusive father figure, and nudity along with a role for Domenick Lombardozzi (The Wire's Herc)? Get out your James Gray bingo cards, because Season 16 Gray Poop On (working title) persists with TGTPTU continuing in Episode 3 its temporal pincer movement covering the auteur's second film THE YARDS (2000).  Filmed on film in the spring and summer of 1998 but due to studio delays and reshoots not released until the fall of 2000, The Yards stars the still up-and-coming Mark Walburg as Leo Handler just out of jail and being led back into a life of crime by Joaquin Phoenix as Willie Gutierrez, the guy dating and soon betrothed to Leo's cousin and possible love interest Erica Soltz played by a pre-Monster Charlize Theron. This trio of rising stars is supported by a trio of 70s hall of famers (James Caan, Ellen Burstyn, and Faye Dunaway) in a story about NYC train maintenance, government corruption, family loyalties, and the need for proper bannisters.    Cowritten with Matt Reeves (opinions vary) and shot with multiple POV characters, Gray would find the story in the editing room (and subsequent reshoots) by winnowing it down to Walburg's singular perspective only to have that story mollified (or straight-up mauled from Gray's perspective) by a studio-noted happier ending.   This ep, you won't be getting Ken's half-hour discussion with Ryan about Theron's surprising nude scene, but Thomas will provide context for international and homeschool listeners in the U.S., Myanmar, and Liberia. Thank you for choo-choo-choosing to listen. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

HOLLYWOOD ROYALTY: MINISODE #1: NETWORK For the first in a series of minisodes in which we look at the 60s and 70s films that helped make Faye Dunaway a star, we revisit Sidney Lumet's game-changing Network ahead of its 50th anniversary later this year. The story of a television network that goes from the bottom […]

Have you ever wondered what it’s like to walk in the shoes of a legendary musician? Join host Buzz Knight on this exciting replay episode of takin' a walk as he welcomes Peter Wolf, the iconic frontman of the J. Geils Band, for an unforgettable conversation about his new memoir, Waiting on the Moon. Peter opens up about his remarkable journey through the vibrant music scene of New York City, sharing personal stories that span his illustrious career, his marriage to actress Faye Dunaway, and his experiences as a musician and DJ. As they stroll through the rich tapestry of music history, Knight and Peter Wolf explore the profound influences that shaped his artistic path. From his childhood encounters with legendary artists like Bob Dylan and Sly Stone to the invaluable mentorship from his father, Peter's reflections offer deep insights into the essence of songwriting stories and the highs and lows of fame. The conversation touches on the impact of iconic venues such as the Apollo Theater and how these experiences fueled his passion for rock music history. Listeners will be captivated by Peter’s unique writing process as he shares anecdotes that reveal the heart of his creative journey. With Buzz Knight’s signature style, this episode of takin' a walk unfolds like a classic music story, blending personal reflection with the exploration of legendary musicians and their contributions to american music. Whether you’re a fan of classic rock, jazz music, or indie music journeys, this episode is filled with compelling tales that resonate with anyone who appreciates the power of artistic expression. Join Buzz Knight as he dives deep into the world of Peter Wolf, offering listeners a front-row seat to the stories behind albums, the emotional healing through music, and the cultural impact of music history. Don’t miss this chance to hear from one of the most influential figures in classic rock history—it’s a conversation that will inspire and entertain, making you see the music you love in a whole new light. Tune into takin' a walk for an episode that promises to enrich your understanding of the music journey and the lives of those who create it. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

⭐My Top 10 Color Film Noirs⭐

HOLLYWOOD ROYALTY: EP 1: THE CHAMP/THE FIRST DEADLY SIN/EVITA PERON Welcome to the debut episode of Hollywood Royalty: Dunaway After Crawford, a look at the post-Mommie Dearest career of Faye Dunaway; early 80s to early 00s. Before we dive into the infamous movie itself and some of the projects that came Faye's way afterwards, we […]

Happy New Year, Filmlosophers! We are kicking off 2026 with high energy and even higher hijinks! Hosts Eddie and Spencer, joined by Intern Manager (and Managing Intern) Amy, are launching a brand-new mini-series to start the year: "Reel Rewinds!" To celebrate, the crew is traveling back 30 years to check into the majestic Majestic Hotel for a nostalgic look at the 1996 kids' classic, Dunston Checks In. The team dives deep into this chaotic gem starring Jason Alexander, Faye Dunaway, and a jewel-thieving orangutan. They discuss why this specific brand of animal-centric slapstick is a lost art, the surprising practical effects, and the hilarious (and slightly uncomfortable) reality that a movie about a primate terrorizing a luxury hotel would have a very tough time getting greenlit today. Does the movie still hold the key to our hearts, or should it have stayed in the lost-and-found? Grab your room service and join The Filmlosophers for a wild start to the new year!

HOLLYWOOD ROYALTY: DUNAWAY AFTER CRAWFORD – PREVIEW Hosted by Frank Calvillo, Hollywood Royalty: Dunaway After Crawford offers a look at the post-Mommie Dearest career of legendary actress Faye Dunaway. Featuring a variety of guests and titles, we look at the Oscar-winner's varied body of work from the early 80s to the early 00s, with some […]

Send us a textWhat is it really like to be a "Character Actor" in the massive Hallmark movie universe? In this episode, we sit down with the hilarious and talented Lauren Cochrane (The Christmas Club, A Family Thanksgiving) to pull back the curtain on the life of a working actor.From a hilarious acupuncture mishap to sharing the screen with legends like Faye Dunaway, Lauren holds nothing back. We discuss why Winnipeg has quietly become the "Hollywood of the North," the brutal reality of Zoom auditions, and why playing the quirky best friend is often more fun than playing the romantic lead. Plus, we put her memory to the test with a Hallmark Character Quiz and get an exclusive look at her role as Hazel Holly in the new movie Sweet Romance.In this episode, you'll learn:The "Character Actor" Advantage: Why the supporting roles often have the most freedom (and job security).Audition Horror Stories: How the industry shifted from "in the room" chemistry to "self-tape" isolation.The Winnipeg Connection: Inside the tight-knit community of actors dominating Hallmark productions.Improv vs. Script: How Lauren's background in comedy helps her save scenes when things go wrong.Sweet Romance Scoops: Behind-the-scenes stories from her latest project with Director Jeff Beesley.Follow us on social media: Instagram and TikTok: @hallmarkmysteriesandmoreYoutubeOr visit our website. This podcast was created by fans for fans and is NOT affiliated with or sponsored by Hallmark or the Hallmark Channel.

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with pop culture icon, Morgan Fairchild!Morgan discusses her roles in such series as Falcon's Crest, Dallas, and Flamingo Road. Doubling for Faye Dunaway in Bonnie and Clyde, acting with legends such as Lloyd Bridges, George Segal, and Roddy McDowall. Her new podcast, which she does with her sister, Two Bitches from Texas, and much more!Support the show

Meg revisits Christina Crawford's Mommie Dearest, the first of many “tell-all memoirs exposing the rough childhoods of Old Hollywood's nepo babies. Jessica gets the skinny on Gloria Swanson's appearance at the New School and why the venue was just as ready for its close-up as its guest.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Peter Wolf didn't want to write the typical rock and roll memoir filled with lurid tales and score settling. Instead he wanted to write a collection of short stories that stem from his serendipitous encounters with everyone from Marilyn Monroe to David Lynch. Peter tells Marc how he wrestled with his own memories to write the book, how he drew from his friendships with Bob Dylan, Muddy Waters and John Lee Hooker, and how he got right with the topics he wanted to avoid, namely his time with The J. Geils Band and his marriage to Faye Dunaway. Hosted on Acast. See acast.com/privacy for more information.