Podcast appearances and mentions of Faye Dunaway

Cet épisode vous propose la captation de mon intervention au What The Club, le 16 novembre dernier.C'était à l'Epée de Bois à Paris, juste avant la projection de Bonnie and Clyde d'Arthur Penn. En quoi ce film est-il représentatif du Nouvel Hollywood ?Quel influence a eue François Truffaut sur le projet ?Comment Theadora Van Runkle s'est retrouvée à signer ses tous premiers costumes sur ce film culte ? Quelle a été la suite de sa carrière ?Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Touboul Durante Logo : agence Silenzio

The Secret Agent (O agento secreto) is a neo-noir political thriller written and directed by Kleber Mendonça Filho. It’s set in Brazil in 1977, and it’s currently nominated for four Academy Awards, including Best Picture, Best International Feature Film, and Best Actor in a Leading Role for its star, Wagner Moura. And: Network is a satirical comedy-drama written by Paddy Chayefsky and directed by Sidney Lumet. It was nominated for 10 Academy Awards, including Best Picture, and it won four, including Best Actor in a Leading Role for Peter Finch, Best Actress in a Leading Role for Faye Dunaway, Best Actress in a Supporting Role for Beatrice Straight, and Best Original Screenplay for Chayefsky. It is one of just three movies that have ever won three of the four acting Oscars. Network celebrates its 50th anniversary later this year. GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Lindsay Lee Wallace: A writer and journalist covering culture, health, technology, bats, and anything else people will answer her questions about Bill Yousman: Professor of media studies at Sacred Heart University Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The 89th Academy Awards reached its grand finale on 26th February 2017, with a balls-up that instantly entered Hollywood lore. Presenters Warren Beatty and Faye Dunaway stepped onstage to announce Best Picture and declared La La Land the winner. Cast and crew flooded the stage, speeches began, and the orchestra swelled - but the true winner, of course, was Moonlight. Beatty's visible hesitation, replayed endlessly since, stemmed from a simple but catastrophic mistake: he had been handed the duplicate Best Actress envelope, reading “Emma Stone - La La Land”. Unsure how to proceed, he showed the card to Dunaway; believing he was prolonging the suspense, she read out the film's title. Only as producer Jordan Horowitz was thanking his family did the truth ripple across the stage: “This is not a joke. Moonlight, you guys won Best Picture.” The error was traced to PricewaterhouseCoopers partner Brian Cullinan, who had mistakenly handed over the duplicate envelope while distracted backstage, reportedly after tweeting a photograph of Emma Stone with her Oscar. The irony was sharp: PricewaterhouseCoopers had supervised the Academy's voting process since 1935, originally engaged after controversy surrounding Bette Davis's 1934 snub, and prided itself on meticulous safeguards, including identical sets of envelopes held on either side of the stage. In this episode, Arion, Rebecca and Olly force themselves to re-watch the excruciating moment repeatedly; consider how, following two years of #OscarsSoWhite criticism, the blunder landed at a particularly sensitive moment for the Academy; and admire the way the La La Land team somehow met this emotional rollercoaster with savviness and tact…  Further Reading: • ‘The Full Story Behind The 'La La Land' And 'Moonlight' Oscars Mix-Up' (Forbes, 2017): https://www.forbes.com/sites/natalierobehmed/2017/02/27/the-full-story-behind-the-la-la-land-and-moonlight-oscars-mix-up/ • ‘How Scandal Started PwC's Oscars Vote Count, Envelope System' (TIME, 2018): https://time.com/5182902/pwc-academy-awards-oscars-snub/ • ‘Oscars Mistake: Moonlight Wins Best Picture after La La Land Mistakenly Announced' (ABC, 2017): https://www.youtube.com/watch?v=rvK-g1rehpU&t=1s #Mistakes #Film #2010s #Hollywood Join 

SEASON 4 EPISODE 60: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:30) SPECIAL COMMENT: Arizona Senate Republicans just introduced a measure to make ICE MANDATORY at polling places this November. Mandatory. At voting booths. This November. No - It won’t pass. This time. But this does dispel any MAGA crap that this isn't the goal, that rounding up immigrants isn't just practice. Happily, DHS and MAGA are too busy purging themselves. Maybe just as importantly: Does Trump look drawn and unnaturally thin in the face? Like, lost a lot of girth in the face - the kind of thing where people who don’t know say “you’ve lost a lot of weight, you look great” – except you don’t? Also he has just confused Harmeet Dhillon for Phyllis Diller. Standard stuff. But he made a different gaffe that you just can’t write off because it’s new. It’s not something stupid – it’s something he’s misplaced, mentally. The one Trump blunder that suggests he’s getting WORSE: The Penn Station post. AND HOW THE DEATH OF ROBERT DUVALL mainlines into the death of CBS News and the prophesy of Duvall's most important film: Network. Which you should go watch, today. B-Block (50:00) PART TWO of my list of the nearly two dozen destructive changes we are now suffering from, in television news and media in general, that we were warned by, by Paddy Chayefsky, by Peter Finch, Faye Dunaway, Robert Duvall, and director Sidney Lumet. C-Block (1:10:00) THE WORST PERSONS IN THE WORLD: A little out of order, but still really good. Tom Emmer, Minnesota moron. Peter Navarro, economic consultant who doesn't know the Dow Jones number isn't in dollars. And the joy of Candace Owens, so lost she can't pronounce ordinary American English words like "Bureau" and "Grandiose" and as chronicled by one of the best of all Twitter-X follows: @CandaceReading1See omnystudio.com/listener for privacy information.

Adventure runs in the family! This week, Peaches and Michael are watching the skies in celebration of 1984's SUPERGIRL! In addition to discussing the dangers of runaway construction equipment, our hosts delve into the absolutely witchy wonder that is Faye Dunaway. Joining the conversation is celebrated author Mark O' Connell, who digs into a lifetime of love for Argo City's most glamorous resident. Then, acclaimed comic book writer Tim Sheridan stops by to talk about how this emerging cult classic's strangeness is its strongest suit. From Brenda Vaccaro to the Phantom Zone, this episode has it all! Go!  

HOLLYWOOD ROYALTY: MINI EP.3: VOYAGE OF THE DAMNED Welcome to the third in our series of minisodes focusing on the 60s and 70s films that helped make Faye Dunaway a star Here we discuss the actress leading an international all-star cast in 1976's Voyage of the Damned. The film was based on the true story […]

HOLLYWOOD ROYALTY: MINISODE 2 – EYES OF LAURA MARS For the second in our series of minisodes in which we explore the 60s and 70s films that helped make Faye Dunaway a star, we take a look at the 1978 supernatural cult thriller Eyes of Laura Mars. In the film, Faye plays the title character, […]

Jonathan Tolins is the showrunner and executive producer of the critically acclaimed CBS drama ELSBETH, which returns for its third season.   Tolins has been an executive producer on THE GOOD FIGHT on Paramount+, co-executive producer on “Schmigadoon!” and co-producer on “Queer as Folk,” along with producer credits on EAST NEW YORK, BRAINDEAD and PARTNERS on the Network. Other TV credits include the Tony Awards, the Academy Awards, “Grease Live!” and “A Christmas Story Live!” Additionally, Tolins was a producer and co-writer with Seth E. Bass for the films “Martian Child” starring John Cusack and “The Twilight of the Golds,” based on his Broadway play and starring Brendan Fraser and Faye Dunaway. Tolins is best known as the author of one of the 10 most produced plays in America in 2016, “Buyer & Cellar,” which won the Lucille Lortel Award for Best Solo Show and was named “Best Unique Theatrical Experience” by the Off-Broadway Alliance during its record-breaking run at the Barrow Street Theatre. The show also enjoyed a London engagement at the Menier Chocolate Factory, a run at the Mark Taper Forum in Los Angeles and was shown on the WNET series “Theater Close-Up.” Other plays by Tolins include “The Last Sunday in June,” “Secrets of the Trade,” “If Memory Serves” and “The Forgotten Woman.” He was also represented on Broadway by additional material written with his husband, Robert Cary, for the revival of “On the Town.” Together, Jon and Rob also wrote the book for the new musical “Take the Lead,” which premiered at the Paper Mill Playhouse in the spring of 2025 Tolins is a member of the Dramatists Guild and the Writers Guild of America. He has written articles for Opera News, Opera Monthly, TheaterWeek, Time magazine and the Huffington Post. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Catherine Zeta‑Jones, Mariah Carey, Faye Dunaway, Mel Gibson, Demi Lovato, Jean‑Claude Van Damme, Kanye West. Sie alle werden mit einer bipolaren Störung in Verbindung gebracht. Meist, weil sie selbst von dieser Diagnose berichten. Macht „bipolar sein“ kreativ oder exzentrisch? Oder entschuldigt es soziales Fehlverhalten? Franca und Christian sprechen heute heute über den jungen Nils und andere Fälle, die zeigen, wie sich die bipolare Störung im Alltag von nicht so prominenten Menschen zeigt. Warum wird dieses Störungsbild immer wieder verwechselt? Wo kommt es her? Was passiert dabei genau und was kann man tun? Bei der Deutschen Gesellschaft für bipolare Störungen e.V. findet ihr weiterführende Informationen. Von Selbsthilfegruppen über Telefonnummern für Krisen bis zu detaillierten Listen mit Behandlungsmöglichkeiten in deiner Region. https://dgbs.de Eine besondere Empfehlung noch für alle, die es eher visuell bevorzugen: In dem Film „THE OUTRUN“ (2024) geht es zwar primär um Alkoholabhängikeit, die Darstellung des Vaters mit bipolarer Störung ist aber so realistisch, dass der Film alleine deswegen sehenswert ist. Eure Fragen für den „Fragen-Freitag“ könnt ihr hier hinterlassen: https://www.speakpipe.com/Psychologietogo Bonus-Folgen und Antworten am Fragen-Freitag gibts im Apple-Abo oder wenn ihr den Podcast bei steady unterstützen wollt. https://steady.page/de/psychologie-to-go/ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/psychologietogo Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Emir Kusturica's Arizona Dream drifts between deadpan comedy and waking dream, a film where ambition, escape, and American myth collide at odd angles. Written by David Atkins and directed by Emir Kusturica, the 1993 features Axel (Johnny Depp) stranded between New York routine and Arctic fantasia after his cousin (Vincent Gallo) drags him west to Arizona. There, Axel falls into orbit around his Uncle Leo (Jerry Lewis) and the Stalkers—mother and daughter played by Faye Dunaway and Lili Taylor—each chasing a private version of freedom.Mike, joined by co-hosts Andras Jones and David Rodgers, unpacks how Arizona Dream bends tone and narrative into something closer to folklore than plot, balancing melancholy against absurdity. The conversation explores Kusturica's outsider view of America, the film's uneasy relationship with realism, and the way dreams—Inuit or otherwise—function as both refuge and trap. Mike also talks with screenwriter David Atkins about shaping the script, collaborating with Kusturica, and navigating a studio-era release that never quite knew what to do with a movie this strange.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Emir Kusturica's Arizona Dream drifts between deadpan comedy and waking dream, a film where ambition, escape, and American myth collide at odd angles. Written by David Atkins and directed by Emir Kusturica, the 1993 features Axel (Johnny Depp) stranded between New York routine and Arctic fantasia after his cousin (Vincent Gallo) drags him west to Arizona. There, Axel falls into orbit around his Uncle Leo (Jerry Lewis) and the Stalkers—mother and daughter played by Faye Dunaway and Lili Taylor—each chasing a private version of freedom.Mike, joined by co-hosts Andras Jones and David Rodgers, unpacks how Arizona Dream bends tone and narrative into something closer to folklore than plot, balancing melancholy against absurdity. The conversation explores Kusturica's outsider view of America, the film's uneasy relationship with realism, and the way dreams—Inuit or otherwise—function as both refuge and trap. Mike also talks with screenwriter David Atkins about shaping the script, collaborating with Kusturica, and navigating a studio-era release that never quite knew what to do with a movie this strange.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

In this heartfelt episode of The Neil Haley Show, host Neil Haley sits down with legendary actor Robert Wagner to discuss his latest book, "I Loved Her in the Movies: Memories of Hollywood's Legendary Actresses." Robert Wagner, best known for his long-running television series Hart to Hart alongside Stephanie Powers, reflects on his remarkable career spanning decades and the extraordinary women who shaped his journey in Hollywood. Wagner shares intimate insights into what made these leading ladies so special and why he felt compelled to honor their contributions to cinema and his life.Robert Wagner opens up about the collaborative process behind his book, working closely with co-author Scott Eyman to capture the essence of Hollywood's most iconic actresses. He discusses the incredible range of talent he worked with throughout his career, from Audrey Hepburn and Bette Davis to Faye Dunaway, Ethan Hawke, and Lena Olin. Wagner emphasizes that these women weren't just talented performers—they were consummate professionals who brought unparalleled energy and dedication to every set. He candidly acknowledges the unique challenges actresses faced, balancing the demands of their craft with personal lives, relationships, and families, often sacrificing more than their male counterparts to achieve excellence in their profession.Throughout the conversation, Robert Wagner reveals his approach to acting and working with leading ladies: remaining completely open, listening intently, and staying present in the moment rather than arriving with preconceived notions. He describes how these actresses became invaluable collaborators who supported him through long shooting days and multiple takes, creating an atmosphere of mutual respect and artistic excellence. Wagner's philosophy of being vulnerable and empathetic with his co-stars allowed him to build genuine connections that translated into compelling on-screen chemistry and performances that have stood the test of time.

In this engaging episode of Living a Legacy, host Eric sits down with acclaimed actor Kevin Weisman, best known for his iconic role as Marshall Flinkman on the hit series Alias. Kevin shares his journey through television, from his early days working with J.J. Abrams on Felicity to becoming one of the five core cast members who appeared in all five seasons of Alias alongside Jennifer Garner, Victor Garber, Ron Rifkin, and Carl Lumbly. The conversation reveals Kevin's deep appreciation for the craft and the legendary talents he's worked with throughout his career.Kevin Weisman opens up about the secret to his success in Hollywood: authenticity and commitment. Drawing from his theater training at Circle in the Square in New York, Kevin explains how he approaches every role with honesty rather than relying on tricks or gimmicks. He shares memorable experiences working with industry giants like Billy Bob Thornton on Goliath, Quentin Tarantino, Faye Dunaway, and Ethan Hawke on Alias, and discusses his unique approach to improvisation within scripted dialogue. Kevin's philosophy of "just committing" to choices, even when they might be mistakes, has led to some of his most memorable on-screen moments.The discussion delves into Kevin's extensive television career beyond Alias, including his work on Scorpion alongside Elias Koteas, The Blacklist, and his collaboration with comedy legends like Stephen Merchant on Hello Ladies. Kevin reflects on his friendship with Jack Black from their UCLA theater school days and his musical endeavors with Kyle Gass of Tenacious D in their band Trainwreck. These connections highlight the collaborative nature of Kevin's career and his commitment to building genuine relationships in the industry.Throughout the conversation, Kevin emphasizes the importance of being a good listener and staying present in the moment, skills that serve him not only as an actor but also in his personal life and relationships with his children. He discusses the evolution of television production, comparing the cinematic quality of Alias shot on 35mm film to today's HD productions, and shares insights into the fast-paced nature of television work where actors must shoot eight pages of dialogue per day and be ready to commit fully to their performances.The episode concludes with Kevin Weisman sharing his legacy vision: to be remembered as someone authentic who made people laugh and truly listened to others. He encourages listeners to support Save the Children and No Kid Hungry, organizations working to ensure children have access to meals, especially those who rely on school lunch programs. Kevin's passion for giving back through charity work, combined with his dedication to authentic storytelling, creates a powerful message about living a legacy of impact both on and off screen.

The LA Times released a list of the best 101 films set in Los Angeles. The number one spot went to the 1974 film Chinatown, directed by Roman Polanski, starring Jack Nicholson and Faye Dunaway, with the backdrop of a 1930’s Los Angeles. Second place went to David Lynch’s Mulholland Drive (2001), and some other notable picks include Blade Runner (1982), Her (2013), Tangerine (2015) and Boyz n the Hood (1991). Joining Larry Mantle on FilmWeek to discuss some of the more surprising films included and their personal favorites are LAist film critics Manuel Betancourt, assistant editor of Documentary Magazine, and one of the contributors to the LA Times’ Best LA Movies list, and Wade Major, film critic for CineGods.com and author of the “Hollywood Heretic” Substack. You can read the LA Times’ 101 Best LA Movies list here.

Send us a textThe YardsA family crime drama set in New York City with a sick mother, ambivalently abusive father figure, and nudity along with a role for Domenick Lombardozzi (The Wire's Herc)? Get out your James Gray bingo cards, because Season 16 Gray Poop On (working title) persists with TGTPTU continuing in Episode 3 its temporal pincer movement covering the auteur's second film THE YARDS (2000).  Filmed on film in the spring and summer of 1998 but due to studio delays and reshoots not released until the fall of 2000, The Yards stars the still up-and-coming Mark Walburg as Leo Handler just out of jail and being led back into a life of crime by Joaquin Phoenix as Willie Gutierrez, the guy dating and soon betrothed to Leo's cousin and possible love interest Erica Soltz played by a pre-Monster Charlize Theron. This trio of rising stars is supported by a trio of 70s hall of famers (James Caan, Ellen Burstyn, and Faye Dunaway) in a story about NYC train maintenance, government corruption, family loyalties, and the need for proper bannisters.    Cowritten with Matt Reeves (opinions vary) and shot with multiple POV characters, Gray would find the story in the editing room (and subsequent reshoots) by winnowing it down to Walburg's singular perspective only to have that story mollified (or straight-up mauled from Gray's perspective) by a studio-noted happier ending.   This ep, you won't be getting Ken's half-hour discussion with Ryan about Theron's surprising nude scene, but Thomas will provide context for international and homeschool listeners in the U.S., Myanmar, and Liberia. Thank you for choo-choo-choosing to listen. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

HOLLYWOOD ROYALTY: MINISODE #1: NETWORK For the first in a series of minisodes in which we look at the 60s and 70s films that helped make Faye Dunaway a star, we revisit Sidney Lumet's game-changing Network ahead of its 50th anniversary later this year. The story of a television network that goes from the bottom […]

Por su excelente guion, obra de Robert Towne, que recibió un Oscar, pero también por la dirección de Polanski y por la interpretación de Jack Nicholson, Faye Dunaway y John Huston, "Chinatwon" es una de las referencis 'con mayúsculas' del cine negro norteamericano. E incluso José Egea llega a hablar de esta película como la más murciana de Hollywood: su trama tiene que ver con la 'guerra del agua' y la luz de su fotografía está muy emparentada con la que se registra en el levante español.

Have you ever wondered what it’s like to walk in the shoes of a legendary musician? Join host Buzz Knight on this exciting replay episode of takin' a walk as he welcomes Peter Wolf, the iconic frontman of the J. Geils Band, for an unforgettable conversation about his new memoir, Waiting on the Moon. Peter opens up about his remarkable journey through the vibrant music scene of New York City, sharing personal stories that span his illustrious career, his marriage to actress Faye Dunaway, and his experiences as a musician and DJ. As they stroll through the rich tapestry of music history, Knight and Peter Wolf explore the profound influences that shaped his artistic path. From his childhood encounters with legendary artists like Bob Dylan and Sly Stone to the invaluable mentorship from his father, Peter's reflections offer deep insights into the essence of songwriting stories and the highs and lows of fame. The conversation touches on the impact of iconic venues such as the Apollo Theater and how these experiences fueled his passion for rock music history. Listeners will be captivated by Peter’s unique writing process as he shares anecdotes that reveal the heart of his creative journey. With Buzz Knight’s signature style, this episode of takin' a walk unfolds like a classic music story, blending personal reflection with the exploration of legendary musicians and their contributions to american music. Whether you’re a fan of classic rock, jazz music, or indie music journeys, this episode is filled with compelling tales that resonate with anyone who appreciates the power of artistic expression. Join Buzz Knight as he dives deep into the world of Peter Wolf, offering listeners a front-row seat to the stories behind albums, the emotional healing through music, and the cultural impact of music history. Don’t miss this chance to hear from one of the most influential figures in classic rock history—it’s a conversation that will inspire and entertain, making you see the music you love in a whole new light. Tune into takin' a walk for an episode that promises to enrich your understanding of the music journey and the lives of those who create it. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

⭐My Top 10 Color Film Noirs⭐

HOLLYWOOD ROYALTY: EP 1: THE CHAMP/THE FIRST DEADLY SIN/EVITA PERON Welcome to the debut episode of Hollywood Royalty: Dunaway After Crawford, a look at the post-Mommie Dearest career of Faye Dunaway; early 80s to early 00s. Before we dive into the infamous movie itself and some of the projects that came Faye's way afterwards, we […]

National hot pastrami sandwich day. Entertainment from 1981. Clarinet invented, Mt. Aconcagua climbed, 1st successful Cesarean section baby delivery. Todays birthdays - Jack Jones, Billie Jo Spears, Faye Dunaway, Holland Taylor, Carl Weathers, Geoff Tate, LL Cool J, Dave Grohl, Jason Bateman. Humphrey Bogart died.  (2025)Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Pastrami sandwich - Money BoyJust like starting over - John LennonI love a rainy night - Eddie RabbittBirthdays - In da club - 50 Cent     http://50cent.com/Lollipops & roses - Jack JonesLove boat TV themeBlanket on the ground - Billie Jo SpearsRocky movie theme songI don't believe in love - QueensrycheMama said knock you out - LL Cool JLearn to fly - Foo Fighterscooolmedia.com

Happy New Year, Filmlosophers! We are kicking off 2026 with high energy and even higher hijinks! Hosts Eddie and Spencer, joined by Intern Manager (and Managing Intern) Amy, are launching a brand-new mini-series to start the year: "Reel Rewinds!" To celebrate, the crew is traveling back 30 years to check into the majestic Majestic Hotel for a nostalgic look at the 1996 kids' classic, Dunston Checks In. The team dives deep into this chaotic gem starring Jason Alexander, Faye Dunaway, and a jewel-thieving orangutan. They discuss why this specific brand of animal-centric slapstick is a lost art, the surprising practical effects, and the hilarious (and slightly uncomfortable) reality that a movie about a primate terrorizing a luxury hotel would have a very tough time getting greenlit today. Does the movie still hold the key to our hearts, or should it have stayed in the lost-and-found? Grab your room service and join The Filmlosophers for a wild start to the new year!

HOLLYWOOD ROYALTY: DUNAWAY AFTER CRAWFORD – PREVIEW Hosted by Frank Calvillo, Hollywood Royalty: Dunaway After Crawford offers a look at the post-Mommie Dearest career of legendary actress Faye Dunaway. Featuring a variety of guests and titles, we look at the Oscar-winner's varied body of work from the early 80s to the early 00s, with some […]

In this episode the random movie machine transports the misfits into the 1930's. The scene is complete with gun molls, Model A s and Tommy guns as they review the 1967 crime drama Bonnie and Clyde. This film was directed by Arthur Penn and stars Warren Beatty, Faye Dunaway and Michael J Pollard. Ranking: AFI's 100 Years…100 Movies: 27th AFI's 100 Years…100 Movies – 10th Anniversary List: 42nd All original content including sound effects, graphics, photos and music is © Classic Movie Misfits.  Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #BonnieAndClyde #ArthurPenn #WarrenBeatty #FayeDunaway #MichaelJPollard #GeneHackman #EstelleParsons #ClassicMovies #AFI100 #ClassicMovieMisfits

Send us a textWhat is it really like to be a "Character Actor" in the massive Hallmark movie universe? In this episode, we sit down with the hilarious and talented Lauren Cochrane (The Christmas Club, A Family Thanksgiving) to pull back the curtain on the life of a working actor.From a hilarious acupuncture mishap to sharing the screen with legends like Faye Dunaway, Lauren holds nothing back. We discuss why Winnipeg has quietly become the "Hollywood of the North," the brutal reality of Zoom auditions, and why playing the quirky best friend is often more fun than playing the romantic lead. Plus, we put her memory to the test with a Hallmark Character Quiz and get an exclusive look at her role as Hazel Holly in the new movie Sweet Romance.In this episode, you'll learn:The "Character Actor" Advantage: Why the supporting roles often have the most freedom (and job security).Audition Horror Stories: How the industry shifted from "in the room" chemistry to "self-tape" isolation.The Winnipeg Connection: Inside the tight-knit community of actors dominating Hallmark productions.Improv vs. Script: How Lauren's background in comedy helps her save scenes when things go wrong.Sweet Romance Scoops: Behind-the-scenes stories from her latest project with Director Jeff Beesley.Follow us on social media: Instagram and TikTok: @hallmarkmysteriesandmoreYoutubeOr visit our website. This podcast was created by fans for fans and is NOT affiliated with or sponsored by Hallmark or the Hallmark Channel.

I'm mad as hell, and I'm not going to take it any longer? Or am I? Maybe I'll get a primetime slot out of it. That's right, this week Dan and Anna travel back to the 1970s to watch the continuously prescient Network! Faye Dunaway, William Holden, Peter Finch, Ned Beatty? What's not to love? Tune in to find out! If you would like to support In Conclusion, you can do so at patreon.com/inconclusion

Send us a textThis week on Fabulous Film and Friends we're going to pay tribute to the late, great Robert Reford and analyze just why this Hollywood icon belonged on the top of Mt. Olympus long before vanity, sanctimony and crass commercialism ruined his artistry. In other words, before he tarnished his legacy with offensive tripe like The Legend of Bagger Vance, the execrable Indecent Proposal and most especially by appearing as a generic schmoe bad guy #5 in Marvel movies, he was literally the undisputed KING of the Hollywood Hill starting with 1969's Downhill Racer directed by Michael Ritchie co-starring Gene Hackman, Camilla Sparv, Kenneth Kirk, Jim McMullan, Walter Stroud and Dabney Coleman in his ever so brief dreamboat era. Then Redford was his solid oakiest in 1972's Jeremiah Johnson directed by Sydney Pollack and co-starring Will Gear, Delle Bolton, Josh Albee, Paul Benedict, Jack Covin and Stefan Gierasch. And he showed us all how paranoid thrillers were done with 1975's 3 Days of the Condor directed once again by Sydney Pollack and co-starring Faye Dunaway, Max Von Sydow, John Houseman and Cliff RobertsonI'm your host Gino Caputi leading my dream team of scoffers and detractors, lil sis Roseanne Caputi and photobug/actor/gadfly Alex Robertson. Before we hit the trails on career highlights, the synopses:Downhill RacerAn arrogant young skier, David Chappellet, rockets to the top of the U.S. ski team, heedlessly chasing medals, without  regard for his teammates or his Coach who tries without success rein him in. ⸻Jeremiah JohnsonA war-weary loner heads into the Rockies to live off the land and find peace, but the wilderness has other notion, transforming Jeremiah Johnson from naive pilgrim to Legendary Crow Killer, forged by experience and hardship.  ⸻3 Days of the CondorMild-mannered CIA researcher Joe Turner, aka Condor, goes out for lunch and comes back to find everyone he works with dead. Suddenly Condor finds himself hunted, running from his own agency and clinging to the one woman who might trust him. Can he unravel the truth — before the deep state eats him alive?Why was Robert Redford the Hollywood GOAT? Find out!Watch the podcast on Youtube:https://youtu.be/zy0CtssU0-0

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with pop culture icon, Morgan Fairchild!Morgan discusses her roles in such series as Falcon's Crest, Dallas, and Flamingo Road. Doubling for Faye Dunaway in Bonnie and Clyde, acting with legends such as Lloyd Bridges, George Segal, and Roddy McDowall. Her new podcast, which she does with her sister, Two Bitches from Texas, and much more!Support the show

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with pop culture icon, Morgan Fairchild!Morgan discusses her roles in such series as Falcon's Crest, Dallas, and Flamingo Road. Doubling for Faye Dunaway in Bonnie and Clyde, acting with legends such as Lloyd Bridges, George Segal, and Roddy McDowall. Her new podcast, which she does with her sister, Two Bitches from Texas, and much more!Support the show

This week we grapple with the problematics of Chinatown (1974), arguably one of the greatest neo-noirs, with a fraught and complicated history thanks to its director, Roman Polanski. Starring Jack Nicholson and Faye Dunaway, Chinatown represents the bleakness of noir amid the sunniness of LA, with a hefty dose of political and sexual corruption. Oof. TW for discussions of sexual assault and incest. Next week, we conclude Noirvember with a far happier entry: Who Framed Roger Rabbit?

Meg revisits Christina Crawford's Mommie Dearest, the first of many “tell-all memoirs exposing the rough childhoods of Old Hollywood's nepo babies. Jessica gets the skinny on Gloria Swanson's appearance at the New School and why the venue was just as ready for its close-up as its guest.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!In this episode, we wade into Chinatown — a sun-bleached noir where water is power, everyone's lying, and the system wins. We talk Jack Nicholson's bandaged nose, Faye Dunaway's glass-shard fragility, John Huston's all-time villainy, and that ending that still guts you. Yes, we address the director caveat up front; then we focus on what's on screen: A precision-engineered thriller that never wastes a line, a clue, or a cut.What we coverWhy “Chinatown”? The title's bleak punchline and what “forget it” really means in a city built on corruption.Follow the water: Droughts, land grabs, cooked records, and a murder that only makes sense when you trace the pipes.Noir done right: Goldsmith's moody trumpet score, razor tailoring, art-deco menace, and how every tiny detail pays off.Iconic moments: The nose slice (cameo alert), the “my sister/my daughter” reveal, and the slow-motion horror of the finale.Performances: Nicholson's cocky PI unravelled, Dunaway's haunted elegance, Huston's monstrous calm.The ethics disclaimer: Separating a notorious off-screen history from on-screen craft — and why that discomfort belongs in the conversation.Context chats: How the screenplay became a template, the year it ran into The Godfather Part II, and why the ending had to be that ending.Should you watch it?If you like your mysteries tidy and comforting, this isn't that. If you want clockwork plotting, glorious craft, and a finish that lingers… it's essential. We're candid, a bit feral, and very fun about it.“Every throwaway line is a breadcrumb. By the time you see the trail, it's already too late.”

Emlékeztek arra, amikor az első „nagy” adás még csak háromnegyed órás volt? Most meg már ott tartunk, hogy egy óra alatt már csak Mininek (Pötinek) nevezzük, amit művelünk. Mert Stöki témájával most ez történt: az intrót és a patrónuslistát leszámítva 59 perces lett a mondandója, márpedig az csak egy Mini (Pöti). Amúgy a KK magyar témák iránt elkötelezett melákja folytatta az érdekes életű nőket bemutató sorozatát, ezúttal Big Nose Kate-tel, aki Horony Mária Katalin néven született, csak aztán a Magyar Királyságnál kicsit nyugatabbra került és kicsit vadabb vidékre. Szóval kicsit vadnyugatabbra, na. Faye Dunaway és Isabella Rossellini köszönik a szerepet!

Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television.      Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand.    In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards.  The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble.  Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME.     Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar.     Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ!   She is also a member of Turbine Arts Collective  (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.

Is NETWORK (1976) the most prophetic film ever made about television and journalism?Directed by Sidney Lumet and written by Paddy Chayefsky, Network follows news anchor Howard Beale (Peter Finch) as he unravels live on air and creates one of cinema's most famous speeches: “I'm as mad as hell, and I'm not gonna take this anymore!” This satirical black comedy, starring Faye Dunaway, William Holden, and Robert Duvall, predicted the rise of infotainment, corporate control of news, and the modern media circus decades before it happened. MonteCristo, Richard Lewis, and Thorin debate whether Network is satire or documentary, why the film feels even more relevant in 2025 than it did in the 1970s, and how it compares to other great journalism movies like All the President's Men and The Insider. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“A world without Human Beings has no center to it.” Little Big Man (1970) Directed by Arthur Penn and starring Dustin Hoffman, Chief Dan George, Faye Dunaway, Martin Balsam and Richard Mulligan

“Well, to tell ya the truth, I lied a little.” Alex and Nick break down one of the essential films of the New Hollywood movement, Roman Polanski's “Chinatown.” The guys discuss their favorite Jack Nicholson performances, Polanski's infamous career, Faye Dunaway's disturbing performance, John Huston as one of the best movie villains of all time, Robert Towne writing one of the best screenplays of all time, and much more.Part 6 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Twitter / Instagram / LetterboxdSend mailbag questions to whatareyouwatchingpodcast@gmail.com

EPISODE 104 -  “MEMORABLE MINUTES: JOHN DILEO ON ACTORS WHO MADE THE MOST OF LESS” - 9/08/25 Back by popular demand! This week we welcome author and friend of the podcast JOHN DILEO who will talk about his 2022 book THERE ARE NO SMALL PARTS: 100 OUTSTANDING FILM PERFORMANCES WITH SCREEN TIME OF 10 MINUTES OR LESS, a fun, insightful look at the incredible actors who made the most with the limited screen time they were given. From GLADYS GEORGE in “The Hard Way” (1943) to RUBY DEE in “American Gangster” (2007), we cover the gamut!  SHOW NOTES:  Sources: There Are No Small Parts: 100 Outstanding Film Performances With Screen Time of 10 Minutes or Less (2022), by John DiLeo; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Sharp Shooters (1938), starring Brian Donlevy & Lynn Bari; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, & Mary Beth Hughes; Mr. Deeds Goes to Town (1936), staring Jean Arthur & Gary Cooper; Blossoms In the Dust (1941), starring Greer Garson & Walter Pidgeon; My Favorite Wife (1940), starring Cary Grant, Irene Dunne, Gail Patrick, & Randolph Scott; The Hard Way (1943), starring Ida Lupino, Joan Leslie, Dennis Morgan, & Jack Carson; Now, Voyager (1942), starring Bette Davis, Paul Henreid, Claude Rains, & Gladys Cooper; Body & Soul (1947), starring John Garfield, Lilli Palmer, & Anne Revere; It's A Wonderful Life (1946), starring James Stewart & Donna Reed; Strangers on a Train (1951), starring Robert Walker, Farley Granger, & Ruth Roman; The Bishop's Wife (1947) starring Cary Grant, Loretta Young, & David Niven; The Last Picture Show (1971), starring Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ellen Burstyn, Ben Johnson & Cloris Leachman; American Gangster (2007), staring Denzel Washington, Lymari Nadal, & Russell Crowe; Network (1976), starring William Holden, Faye Dunaway, & Peter Finch; Stagecoach (1939), starling John Wayne & Claire Trevor; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; The Wizard of Oz (1939), starring Judy Garland, Ray Bolger, Jack haley, & Bert Lahr; The Letter (1940), starring Bette Davis & Herbert Marshall; Mrs. Miniver (1942), starring Greer Garson & Walter Pidgeon; State Fair (1945), starring Jeanne Crain & Dana Andrews; The Birds (1963), starring Tippi Hedren & Rod Taylor; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brandon Davis welcomes Klarissa Becksted, host of the new film podcast I've Seen That One, to discuss one of the most iconic spy thrillers of the 1970s on Front Row Classics. The episode explores Sydney Pollack's stylish and suspenseful direction, the effortless charisma of Robert Redford, and standout performances by Faye Dunaway, Max von Sydow, and John Houseman. Brandon and Klarissa also reflect on the era's political paranoia and how it shaped the film's enduring relevance and tension-filled narrative.

Three Days of the Condor Brandon Davis welcomes Klarissa Beckstead, host of the new film podcast I’ve Seen That One, to discuss one of the most iconic spy thrillers of the 1970s on Front Row Classics. The episode explores Sydney Pollack's stylish and suspenseful direction, the effortless charisma of Robert Redford, and standout performances by Faye Dunaway, … Continue reading Ep. 350- Three Days of the Condor →

Send us a textOn our season finale to our 4th blockbuster year in the podcast space,  we're going to answer the burning question on everyone's mind these days: What's the deal with Richard Lester? In order to find the answer, we're digging into the notable works from his four decades in show business, starting with 1964's A Hard Day's Night starring John Lennon Paul McCartney, George Harrison and Ringo Starr aka the Beatles along with Wilfred Brambell, Norman Rossington, John Junkin and Victor Spinetti then onto 1973 &74's The Three & Four Musketeers starring Oliver Reed, Michael York, Richard Chamberlain, Frank Finlay, Raquel Welch, Faye Dunaway, Christopher Lee & Charleton Heston and topped off with 1983's Superman III starring Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure, Annette O'Toole, Robert Vaugh, Annie Ross, Pamela Stevenson and Margot Kidder.My guests this week are the ever-reliable Roseanne Caputi and fresh from the sweltering fields of the Sacramento Valley, camera in hand and twice the photobug that Jimmy Olsen ever could be, Gordon Alex Robertson. Before we bumble and stumble and pratfall our way into the madcap, muddled mind of Mr. Lester, the synopses: A Hard Day's Night follows the Fab Four during a 24-hour period as they attempt to escape the responsibilities and madness of fame, their managers --who need them to just stay put for a television appearance-- and the misdeeds of Paul's ornery grandfather who keeps throwing a monkey wrench in everyone's plans. The Three & Four Musketeers adapts the classic Alexandre Dumas swashbuckler, following the adventures and exploits of D'artagnan a young swordsman who travels from Gascony to Paris to join the King's Royal Musketeers as his father did before him. D'artagnan soon joins forces with three of the most colorful and dynamic musketeers, the friends Athos, Porthos and Aramis when the scheming Cardinal Richelieu's Elite Guards attempt to arrest them all for dueling. From there it's non-stop intrigue, war and tragedy as D'artagnan and his three cohorts try to rescue Queen Anne and her dress maker, the lovely Lady Constance, from the dastardly machinations of Count Rochefort and Milady di Winter, two of the Cardinal's most dangerous and effective spies. Superman III features The Man of Steel pitted against Ross Webster, a ruthless business tycoon, who enlists a bumbling computer programmer Gus Gorman to try and control the global coffee and oil markets.  Thwarted by Superman at every turn, Ross and Gus build a living supercomputer to stop him for once and for all. But did Gus go too far?Did Richard Lester go to far? Is he  an unsung genius, a Hollywood hack or stuck somewhere in the messy middle?  Find out!Watch the video podcast on Youtube:https://youtu.be/oQWBL_l0I_c 

En este especial dedicado a leyendas vivas del cine hemos recuperado cuatro reportajes que en su día emitimos en “Sucedió una noche” sobre cuatro estrellas del cine estadounidense que superan ya todos ellos los 80 años, pero que, sin embargo, siguen en activo. Os vamos a hablar de Christopher Walken, Faye Dunaway, Jon Voight y Nick Nolte.

Yep, it's another episode of GLoP, where three middle-aged men wander from topic to topic like your drunk uncles at Thanksgiving—except with more references to 1970s TV pilots and less pie. This week's meandering odyssey covers the full spectrum: wiping Faye Dunaway's… dignity, debating whether puppies can survive her PR aura, discovering that Superman might be unpopular overseas because America is now “meh,” lamenting the death of big loud comedies (RIP, Naked Gun), and reviewing TV shows no one under 50 has heard of but everyone pretends to watch. Along the way, you'll get unsolicited opinions on Colbert's cancellation (spoiler: yay), the economics of late-night TV, why Hungarian tax rebates are the real star of international thrillers, and an extended meditation on historical body odor.

Yep, it's another episode of GLoP, where three middle-aged men wander from topic to topic like your drunk uncles at Thanksgiving—except with more references to 1970s TV pilots and less pie. This week's meandering odyssey covers the full spectrum: wiping Faye Dunaway's… dignity, debating whether puppies can survive her PR aura, discovering that Superman might be […]

This is a free preview of a paid episode. To hear more, visit www.wethefifth.com* An enigma wrapped inside a…wait, what does that word mean?* Wait, what did you call it??? (Take a guess)* Buffalo Bills, the preferred team of all Mossad agents* How to not write a news story* You know, Epstein was pretty close with many MAGA figures* Bannon's crisis PR business?* Tulsi and the “seditious conspiracy”* Russia redux* Michael McDonald's Faye Dunaway story* …

Hang onto your slipcases, because Blake Howard and the legendary @RufusTSuperfly aka Tom Reagan's Hat discuss the swashbuckling delights in the choreography and sound design of Criterion's new release, The Three Musketeers / The Four Musketeers: Two Films by Richard Lester.The Three Musketeers / The Four Musketeers: Two Films by Richard LesterAlexandre Dumas's immortal tale of adventure and camaraderie received perhaps the finest of its numerous screen adaptations with this two-part swashbuckling spectacular from A Hard Day's Night director Richard Lester. Featuring Michael York, Oliver Reed, Frank Finlay, and Richard Chamberlain as the swaggering swordsmen, who thrust and parry their way through courtly intrigue in seventeenth-century France, The Three Musketeers and The Four Musketeers are also graced with an all-star supporting cast that includes Raquel Welch, Faye Dunaway, Geraldine Chaplin, and Charlton Heston. Lester's exuberant epic breathes new life into an oft-told classic through its boisterous slapstick invention, its meticulous attention to period detail, and a sense of pure, unbridled bravado that is thrilling to behold.Richard Lester's spirited adaptation of Alexandre Dumas's timeless novel immediately distinguished itself from previous film versions with its irresistible lightheartedness. It follows the brash, young wannabe musketeer d'Artagnan (Michael York) as he travels from the French countryside to Paris and befriends Athos (Oliver Reed), Porthos (Frank Finlay), and Aramis (Richard Chamberlain), famed swordsmen whom he must help to stop the conniving Cardinal Richelieu (Charlton Heston) and his plot to undermine the king. The Three Musketeers sweeps viewers away with its exquisite sets and costumes, chivalric romance, and breathless duels punctuated by the ingenious physical comedy that was Lester's trademark.It may be “all for one and one for all,” but it took director Richard Lester two films to contain the sweeping spectacle of Alexandre Dumas's swashbuckling adventure. This sequel—shot simultaneously with The Three Musketeers, since they were originally conceived as a single film—dials down the comic high jinks that distinguished the first installment in favor of a more somber tone, as our heroes are drawn into a deadly revenge plot orchestrated by the seductive Milady de Winter (a deliciously wicked Faye Dunaway). Upping the psychological stakes and deepening our sense of the characters, The Four Musketeers brings this beloved tale of honor and friendship to a close with a rousing emotional flourish.SPECIAL EDITION FEATURESNew 4K digital restorations, with uncompressed monaural soundtracksIn the 4K UHD edition: Two 4K UHD discs of the films presented in Dolby Vision HDR and two Blu-rays with the films and special featuresTwo for One, a new documentary by critic David CairnsThe Saga of the Musketeers (2002), a two-part documentary featuring interviews with cast and crew membersThe Making of “The Three Musketeers,” a 1973 featurette with behind-the-scenes footage of director Richard LesterTrailersEnglish subtitles for the deaf and hard of hearingPLUS: An essay by film critic Stephanie ZacharekNew illustration by Mattias AdolfssonThe legendary @RufusTSuperfly aka Tom Reagan's Hat can be found here.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The mics pop like champagne as we usher Miami OG Lea Black back for part 2 in Dallas. What follows is a glitter cannon of gossip, gratitude, and girdle-tight life lessons—all in under an hour. Glitter vs. Grit Lea opens her designer diary: she once slid to the side so “drop-dead gorgeous” Joanna Krupa could shine, and even loaned baubles to castmates “starring in rented houses and leased Jaguars.” She applauds Bethenny Frankel's rag-to-Skinnygirl rise while roasting fame junkies who'll chase a camera “to the opening of an envelope.” Hollywood Stories & Humble Queens Grab your autograph book. Lea bumps into Faye Dunaway disguised in Juicy Couture, the boys accept a curbside first edition from Dyan Cannon, and Pol' watches Zoë Saldana crawl on the boutique floor to play with puppy SnowWhite90210. Patrik fires back: mistaking Courtney Love for a “homeless lady,” then auctioning Pamela Anderson's lap for $10 K at a gala. The moral, via icons Betty White and Anna Nicole Smith: class never goes out of style. Skincare Royalty & the Chump Army We chat about Lea Black Beauty serums, masks, and miracle oil and Pol' confesses he ditched Obagi for Lea Black Beauty. Cosmic Signs & Coffee Grounds Pol's 2nd half of Lea's Armenian coffee divination crowns Lea “queen of limitless lanes.” Two new ventures shimmer in the grinds: an affordable-housing empire for son RJ and a hush-hush jewelry play. The trio compare destiny detours—from a Phuket flight missed before the 2004 tsunami to pilots grounding planes on “feng-shui feelings.” Hot Topics & Runway Rundown Headlines fly: Gene Hackman's carbon-monoxide tragedy prompts a detector PSA. Jeff Bezos plans to rocket Lauren Sanchez, Gayle King, and Katy Perry into orbit—Lea yells “Prenup, please!”Fashion time: Pol' torches the RHOM reunion looks—Lisa Hochstein's iridescent foil (“Forever 21 clearance”), Larsa Pippen's emerald ruche, and Alexia's metallic mini—branding the set “Star-Wars prom.” By contrast, Greg Lotus's portrait of Lea in a bias-cut ivory gown is christened “Rich-Bitch Perfection.” Money, Morals & Mega-Billions Lea slams corporate layoff kings, privatized-FAA chaos, and royal PR spin. Her mantra: “Show me where you spend your money, time, and influence, and I'll show your values.” Love, Security & Limitless Hustle Coffee grounds confirm attorney/philanthropist Roy Black is Lea's steady North Star—“that box is forever checked.” With home secure, she juggles a dozen gigs and yearns for five more. Patrik crowns her the “Ozempic of people—one shot and your goals slim to what matters.” Lea's final words: “I feel naked—inside and out—but drape me in couture and 60 carats, darling!” This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Subscribe to our audio: linktr.ee/undressedpod Follow Pol Atteu:  Instagram: @polatteu  Tiktok: @polatteu  Twitter: @polatteu  www.polatteu.com Follow Patrik Simpson:  Instagram: @patriksimpson  Tiktok: @patriksimpsonbh www.patriksimpson.com Follow SnowWhite90210: Instagram: @snowwhite90210 Twitter: @SnowWhite9010 www.snowwhite90210.com Watch Gown and Out In Beverly Hills on Prime Video.  www.gownandoutinbeverlyhills.com #UndressedPodcast  Armenian Coffee Reading: https://polatteu.com/armenian-coffee-cup-read Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Wolf didn't want to write the typical rock and roll memoir filled with lurid tales and score settling. Instead he wanted to write a collection of short stories that stem from his serendipitous encounters with everyone from Marilyn Monroe to David Lynch. Peter tells Marc how he wrestled with his own memories to write the book, how he drew from his friendships with Bob Dylan, Muddy Waters and John Lee Hooker, and how he got right with the topics he wanted to avoid, namely his time with The J. Geils Band and his marriage to Faye Dunaway. Hosted on Acast. See acast.com/privacy for more information.

Tiger Woods is dating Donald Trump Jr's ex-wife, Jessica Dupnack tells us about her creepers, Jim Morrison is alive, Michelle Obama's boring podcast, The Top 50 Solo Artists in rock history, Trump Tower protests, Maz checks in, and Jim's Picks: Best Opening Lines. The Xavier Worthy story gets even worse. The Kansas City Chief WR's finance has filed a protective order detailing his other alleged attacks. He's also firing back at what she did. We're just glad this domestic dispute is taking place in the court of public opinion. Michelle Obama's podcast is super entertaining...If you like to hear her go on and on about her parents. The YouTube comments are far more entertaining. Meghan Markle has a crappy new podcast coming out that sounds a lot like her old crappy podcast. REM reunites on stage with actor Michael Shannon's REM tribute band. Jim Morrison is still alive according to a new documentary. Some people are saying that Rick Beato might have jumped the shark due to his newest interview. Ultimate Classic Rock has put out a list of the Top 50 Solo Artists in rock history. A new Bonerline. Peter Wolf's new book spills on how Faye Dunaway made him a cuck. There's a new update on the student missing in Punta Cana. Justin Bieber breaks his silence by saying he's not good enough. Fox 2's Jessica Dupnack calls in to talk about all of the boners that attack her on social media. We call Maz back after he makes us wait 14 minutes. NFL Free agency is the biggest sports news of the week. Tom predicts where Aaron Rodgers will land. Tom takes a side in the Michigan vs MSU half court brawl. We have to let Maz go because some people have to be places after the show, apparently. Tiger Woods has a new piece in Donald Trump Jr's ex-wife Vanessa. There's a very strange twist in the Diddy case. CNN deleted the video of him beating Cassie and it will not be admitted into evidence. Luigi Mangione just received his largest single donation- $35k.. he's raised over $700k for his defense team. A Bayer executive was allegedly targeted with arson. Thanks a lot, Luigi! The new Canadian Prime-Minister elect, Mark Carney, allegedly loves Ghislaine Maxwell. Jim's List: The Top 10 Best Opening Lines in Rock. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).