Podcast appearances and mentions of Faye Dunaway

On this episode of Remainders we watch the 1987 movie Barfly. Written by Charles Bukowski, Barfly tries to capture the outsider drunk persona of Henry Chiaski, Bukowski's alter-ego, as he lives in L.A. asking the eternal question: who am I? As part of a Mickey Rourke double-feature, we'll check out how Rourke evolved (or devolved) in Hollywood and whether Bukowski romanticizes self-destruction.Other topics include the rest of Rourke's career, existentialism in film, Riot Fest, new physical media by Kino Lorber, and indie-horror movies Obsession and Backrooms beating Star Wars.Songs of the WeekHere's Your Future by The ThermalsMe Against the World by Lizzy BordenRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

This week, we review Supergirl (1984), Jeannot Szwarc's fantasy-tinged superhero spin-off from the Superman saga. Helen Slater stars as Kara Zor-El, Superman's cousin from Krypton, who journeys to Earth in search of a powerful lost artifact—and ends up battling an ambitious witch, played by Faye Dunaway, in a clash of cosmic and campy proportions. With a mix of magical showdowns, high school hijinks, and earnest alien fish-out-of-water charm, this film expands the DC Universe in unexpected and often bizarre directions.Is saving the world a family affair or just super awkward? Listen on to find out!Join Colin & Niall as we embrace the weird, the wonderful, and the downright awful of cinema!Contact us: itwasamoviepodcast@gmail.comSpotify: It was a movie..Spotify pageFollow, rate & review us here:https://linktr.ee/itwasamovieYoutube: It was a movie channel...Facebook: https://www.facebook.com/itwasamovieInstagram: https://www.instagram.com/itwasamoviepodcast/X: https://x.com/itwasamoviepodTikTok clips & highlights: https://www.tiktok.com/@itwasamoviepodSee all our ratings & reviews: Google SpreadsheetIMDb List: IMDb | Letterboxd: Letterboxd

RMR 0364: Special Guest, Michelle Devorah Kahn, joins your hosts, Chad Robinson and Dustin Melbardis for the Retro Movie Roundtable as they revisit The Bonnie and Clyde (1967) [R] Genre: Crime, Action, Biography, Tragedy, Drama   Starring: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Denver Pyle, Dub Taylor, Evans Evans, Gene Wilder   Directed by: Arthur Penn Recorded on 2026-03-25

Rewind. Spend some time with Sandy and Terry as they explore one of the most iconic last lines in cinema, "Forget it, Jake. It's Chinatown," from the 1974 film CHINATOWN, written by Robert Towne, directed by Roman Polanski, and starring Jack Nicholson and Faye Dunaway. In this episode, they reveal the fascinating story of how this memorable line nearly didn't make it and why!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

The original heist classic starring Steve McQueen as a bored millionaire who robs banks for enjoyment and is caught in a cat-and-mouse game with an insurance investigator (Faye Dunaway) who is trying to recover the bank losses.  Directed by Norman Jewison.

Les Ciné-Buddies enquetent sur le classique de Roman Polanski "Chinatown", 1974, starring Jack Nicholson et Faye Dunaway. Le nouveau fantastique videocast sur le film de Romain Lehnhoff, assisté de Diana Mosafir, Son Katia Lazareva maintenant disponible sur la chaine abracadaPod/KinoPod de Youtube. Likez et souscrivez à la chaine pour aider le show à continuer, merci.

Welcome back to Oscar Wild's Season 7 premiere where co-hosts Sophia and Nick break down one of the most exciting awards races and Oscar ceremonies in recent memory: the 89th Academy Awards and Moonlight's Best Picture win! First, they celebrate the 10 year anniversary of the releases of Damien Chazelle's La La Land and Barry Jenkins' Moonlight (45:18) with a detailed summary of each film and a lively discussion about their legacies.Then, they turn to the telecast (and Envelopegate) and answer some fun listener questions (1:20:30). Who did Faye Dunaway vote for? What film was in third place? How do you feel about the Picture/Director split? How have these movies and their Oscar wins aged over time? Tune in to find out all of this and more then be sure to comment on socials!Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Become a patron and listen to more content at patreon.com/OscarWildFind merch @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

Today Alex and special guest Tom Shkolnik discuss the 1976 film Network directed by Sidney Lumet, written by Paddy Chayefsky and starring Peter Finch, Robert Duvall, William Holden and Faye Dunaway.  In this episode we discuss Lumet's film-making style, how Network predicted the future, the evolution of the media landscape, the impact of systems and media on how we think and behave, technology addiction, cultural stagnation and much more. Tom is the director of the 2012 British drama The Comedian nominated for Best Newcomer at the 2012 London film festival. He is the director of an upcoming film based on the book A Life of One's Own by psychoanalyst Marion Milner. Here is the link to the crowdfunding campaign for Tom's upcoming film A Life of Own's Own about psychoanalyst Marion Milner:https://www.crowdfunder.co.uk/p/qr/BWdq6L4n?utm_campaign=sharemodal&utm_medium=referral&utm_source=shortlinkInterviewed by Dr. Alex Curmi. Dr. Alex is a consultant psychiatrist and a UKCP registered psychotherapist in-training.Check out The Thinking Mind Blog on Substack: https://substack.com/home/post/p-186445029If you would like to invite Alex to speak at your organisation please email alexcurmitherapy@gmail.com with "Speaking Enquiry" in the subject line.Alex is not currently taking on new psychotherapy clients, if you are interested in working with Alex for focused behaviour change coaching , you can email - alexcurmitherapy@gmail.com with "Coaching" in the subject line.Give feedback here - thinkingmindpodcast@gmail.com Follow us here: Twitter @thinkingmindpod Instagram @thinkingmindpodcast

What's Up Fool? Ep 574This week, Felipe and Rizo are joined by Emmy nominated actor and producer Freddy Rodriguez. A Chicago native who has been a staple in film and television for over 30 years, Freddy first captured audiences as Federico "Rico" Diaz on the iconic HBO series Six Feet Under, a role that earned him two SAG Awards and an Emmy nomination.From starring in cult classics like Robert Rodriguez's Planet Terror to lead roles in Bull and The Night Shift, Freddy has consistently redefined himself across every genre. He stops by to talk about his recent work on Wu-Tang: An American Saga, his new podcast Dos Amigos with Wilmer Valderrama, and his upcoming 2026 horror film You Lose You Die. We also get into his latest project, The Tailoress, where he stars alongside Faye Dunaway.Connect with us on InstagramFelipe - @ felipeesparzacomedianRizo - @ comicMartinRizoFreddy - @ freddyrodriguezofficialHear about Felipe's tour dates, new merch drops & more by signing up @ http://felipesworld.comFelipe Esparza is a comedian and actor, known for his stand-up specials, “They're Not Gonna Laugh at You”, “Translate This”, and his latest dual-release on Netflix, “Bad Decisions/Malas Decisiones” (2 different performances in two languages), his recurring appearances on Netflix's “Gentefied”, NBC's “Superstore” and Adultswim's “The Eric Andre Show”, as well as winning “Last Comic Standing” (2010), and his popular podcast called “What's Up Fool?”. Felipe continues to sell out live stand-up shows in comedy clubs and theaters around the country.

"Am I hallucinating *all* of this? You tell me it's all a dream." We get to the ultra-disco noir fever dream Eyes of Laura Mars with our resident Faye Dunaway expert and friend, Garrett Mitchell, this week. It's been a while since we've covered Miss Dunaway on the podcast, but she's truly one of the most iconic leading ladies of the 1970s, that all peaked with Irvin Kershner's thriller set in the backdrop of a gritty NYC in the fashion world. This movie might not be along the lines of 70s classics, but we're here to say it's a heck of a ride. With a story by John Carpenter and produced by Jon Peters, who bought the story with the idea of it being a star vehicle for his then-girlfriend Barbra Streisand at the time before it went to Dunaway, the film follows Laura Mars,  a fierce fashion photographer, as she develops an ability to see through the eyes of a killer. We talk about Faye's insane levels on display, René Auberjonois as some fun queer representation, Tommy Lee Jones's unibrow, and a secretly sexy Brad Dourif.   Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna Cover Art by Shaun Piela 

Due to a technical error, we're releasing an old Patreon episode that was never released during our 10th year of the podcast where we released (nearly) all of the paywall material. I knew I held onto this one for a reason.On the latest episode of the podcast, Jamie mentions that Doug's just a 'Little Girl From Nebraska', Doug has a real problem keeping Fay Dunaway and Lauren Hutton straight...and this movie's not helping, and we both have a real problem believing that anyone would say that a 1986 Robin Givens looks terrible. Give your boss a cigarette when she asks, try your best to juggle a life of prostitution and law school and join us as we wast a Lifetime movie before the invention of Lifetime, Beverly Hills Madam!Beverly Hills Madam is a 1986 made-for-television film directed by Harvey Hart and starring Faye Dunaway, Melody Anderson, Donna Dixon, Terry Farrell, Louis Jourdan, Marshall Colt & Robin Givens.Visit our YouTube ChannelMerch on TeePublic Follow us on TwitterFollow on InstagramFind us on FacebookDoug's Schitt's Creek podcast, Schitt's & Giggles can be found here: https://podcasts.apple.com/us/podcast/schitts-and-giggles-a-schitts-creek-podcast/id1490637008

Never mess with the money.  Newscaster Howard Beale has been fired from television, but not before he has a mental breakdown live on-air. What could be better for ratings? One of the great satires of the 1970s is a film that meant a lot to our host Mary, but co-host Dennis has never seen before, so what better to cover for Dennis Versus the Movies month? Starring: William Holden, Faye Dunaway, Peter Finch, Robert Duvall, Ned Beatty, and Beatrice Straight. Written by Paddy Chayefsky. Directed by Sidney Lumet.

This week in the Screening Room, Zeth is talking about the trials and tribulations behind the making of ‘Chinatown,' the 1974 film directed by Roman Polanski and starring Jack Nicholson and Faye Dunaway. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

This week in the Screening Room, Zeth is talking about the trials and tribulations behind the making of ‘Chinatown,' the 1974 film directed by Roman Polanski and starring Jack Nicholson and Faye Dunaway. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jeff Goldblum boards Alan Air for one of the most gloriously unpredictable flights yet. From Old Hollywood legends and Mulholland Drive nightmares to pickles, sandwiches and impromptu singing, Jeff goes full Goldblum - charming, curious and wonderfully maverick. They talk about his new album Night Blooms, touring with orchestras around the world, and the timeless magic of jazz standards. Along the way there's Sharon Stone, Billie Holiday, a surprising Bloody Mary debate… and Alan pitches Jeff a brand-new horror film: An American Were-MILF in London. Expect name-dropping, movie love, musical nostalgia and one very enthusiastic conversation about pickles.  00:00 Intro  00:18 Jeff Goldblum boards Alan Air  01:14 The Windmills of Your Mind & The Thomas Crown Affair  01:59 Jeff's frozen yoghurt meeting with Faye Dunaway  03:29 Crisps, pickles and snack food debates  05:30 Jeff Goldblum's favourite sandwiches  05:58 The “Bloody Alan” cocktail  07:30 Jeff's love of Lauren Hutton and gabby teeth  10:12 Horoscopes, science and star signs  11:41 Jeff's new album Night Blooms  12:59 Jeff and Alan singing classics like Misty and Bewitched  13:37 Nosferatu, horror films and Alan's Were-MILF pitch  15:03 Jeff agrees to star in Alan's movie  16:23 Touring the UK, Royal Albert Hall and Sydney Opera House  17:41 What happens at a Jeff Goldblum live show  19:41 Touring food: fish & chips and British roasts  20:29 Jeff's favourite drink: the Virgin Mary  21:14 Time machines, classic films and Total Recall  23:34 Sharon Stone, Casino and Scorsese movies  24:48 Old Hollywood, Chateau Marmont and Hollywood history  27:21 Mulholland Drive and David Lynch  29:15 Alan's middle name reveal  30:31 Quick-fire round  33:39 Final descent  #LifesABeach #AlanCarr #JeffGoldblum #Podcast #TravelPodcast #NightBlooms #Jazz #ClassicHollywood #MovieLegends #CelebrityPodcast #MulhollandDrive #OldHollywood #RoyalAlbertHall #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Cet épisode vous propose la captation de mon intervention au What The Club, le 16 novembre dernier.C'était à l'Epée de Bois à Paris, juste avant la projection de Bonnie and Clyde d'Arthur Penn. En quoi ce film est-il représentatif du Nouvel Hollywood ?Quel influence a eue François Truffaut sur le projet ?Comment Theadora Van Runkle s'est retrouvée à signer ses tous premiers costumes sur ce film culte ? Quelle a été la suite de sa carrière ?Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Touboul Durante Logo : agence Silenzio

The Secret Agent (O agento secreto) is a neo-noir political thriller written and directed by Kleber Mendonça Filho. It’s set in Brazil in 1977, and it’s currently nominated for four Academy Awards, including Best Picture, Best International Feature Film, and Best Actor in a Leading Role for its star, Wagner Moura. And: Network is a satirical comedy-drama written by Paddy Chayefsky and directed by Sidney Lumet. It was nominated for 10 Academy Awards, including Best Picture, and it won four, including Best Actor in a Leading Role for Peter Finch, Best Actress in a Leading Role for Faye Dunaway, Best Actress in a Supporting Role for Beatrice Straight, and Best Original Screenplay for Chayefsky. It is one of just three movies that have ever won three of the four acting Oscars. Network celebrates its 50th anniversary later this year. GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Lindsay Lee Wallace: A writer and journalist covering culture, health, technology, bats, and anything else people will answer her questions about Bill Yousman: Professor of media studies at Sacred Heart University Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The 89th Academy Awards reached its grand finale on 26th February 2017, with a balls-up that instantly entered Hollywood lore. Presenters Warren Beatty and Faye Dunaway stepped onstage to announce Best Picture and declared La La Land the winner. Cast and crew flooded the stage, speeches began, and the orchestra swelled - but the true winner, of course, was Moonlight. Beatty's visible hesitation, replayed endlessly since, stemmed from a simple but catastrophic mistake: he had been handed the duplicate Best Actress envelope, reading “Emma Stone - La La Land”. Unsure how to proceed, he showed the card to Dunaway; believing he was prolonging the suspense, she read out the film's title. Only as producer Jordan Horowitz was thanking his family did the truth ripple across the stage: “This is not a joke. Moonlight, you guys won Best Picture.” The error was traced to PricewaterhouseCoopers partner Brian Cullinan, who had mistakenly handed over the duplicate envelope while distracted backstage, reportedly after tweeting a photograph of Emma Stone with her Oscar. The irony was sharp: PricewaterhouseCoopers had supervised the Academy's voting process since 1935, originally engaged after controversy surrounding Bette Davis's 1934 snub, and prided itself on meticulous safeguards, including identical sets of envelopes held on either side of the stage. In this episode, Arion, Rebecca and Olly force themselves to re-watch the excruciating moment repeatedly; consider how, following two years of #OscarsSoWhite criticism, the blunder landed at a particularly sensitive moment for the Academy; and admire the way the La La Land team somehow met this emotional rollercoaster with savviness and tact…  Further Reading: • ‘The Full Story Behind The 'La La Land' And 'Moonlight' Oscars Mix-Up' (Forbes, 2017): https://www.forbes.com/sites/natalierobehmed/2017/02/27/the-full-story-behind-the-la-la-land-and-moonlight-oscars-mix-up/ • ‘How Scandal Started PwC's Oscars Vote Count, Envelope System' (TIME, 2018): https://time.com/5182902/pwc-academy-awards-oscars-snub/ • ‘Oscars Mistake: Moonlight Wins Best Picture after La La Land Mistakenly Announced' (ABC, 2017): https://www.youtube.com/watch?v=rvK-g1rehpU&t=1s #Mistakes #Film #2010s #Hollywood Join 

SEASON 4 EPISODE 60: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:30) SPECIAL COMMENT: Arizona Senate Republicans just introduced a measure to make ICE MANDATORY at polling places this November. Mandatory. At voting booths. This November. No - It won’t pass. This time. But this does dispel any MAGA crap that this isn't the goal, that rounding up immigrants isn't just practice. Happily, DHS and MAGA are too busy purging themselves. Maybe just as importantly: Does Trump look drawn and unnaturally thin in the face? Like, lost a lot of girth in the face - the kind of thing where people who don’t know say “you’ve lost a lot of weight, you look great” – except you don’t? Also he has just confused Harmeet Dhillon for Phyllis Diller. Standard stuff. But he made a different gaffe that you just can’t write off because it’s new. It’s not something stupid – it’s something he’s misplaced, mentally. The one Trump blunder that suggests he’s getting WORSE: The Penn Station post. AND HOW THE DEATH OF ROBERT DUVALL mainlines into the death of CBS News and the prophesy of Duvall's most important film: Network. Which you should go watch, today. B-Block (50:00) PART TWO of my list of the nearly two dozen destructive changes we are now suffering from, in television news and media in general, that we were warned by, by Paddy Chayefsky, by Peter Finch, Faye Dunaway, Robert Duvall, and director Sidney Lumet. C-Block (1:10:00) THE WORST PERSONS IN THE WORLD: A little out of order, but still really good. Tom Emmer, Minnesota moron. Peter Navarro, economic consultant who doesn't know the Dow Jones number isn't in dollars. And the joy of Candace Owens, so lost she can't pronounce ordinary American English words like "Bureau" and "Grandiose" and as chronicled by one of the best of all Twitter-X follows: @CandaceReading1See omnystudio.com/listener for privacy information.

Adventure runs in the family! This week, Peaches and Michael are watching the skies in celebration of 1984's SUPERGIRL! In addition to discussing the dangers of runaway construction equipment, our hosts delve into the absolutely witchy wonder that is Faye Dunaway. Joining the conversation is celebrated author Mark O' Connell, who digs into a lifetime of love for Argo City's most glamorous resident. Then, acclaimed comic book writer Tim Sheridan stops by to talk about how this emerging cult classic's strangeness is its strongest suit. From Brenda Vaccaro to the Phantom Zone, this episode has it all! Go!  

HOLLYWOOD ROYALTY: MINI EP.3: VOYAGE OF THE DAMNED Welcome to the third in our series of minisodes focusing on the 60s and 70s films that helped make Faye Dunaway a star Here we discuss the actress leading an international all-star cast in 1976's Voyage of the Damned. The film was based on the true story […]

HOLLYWOOD ROYALTY: MINISODE 2 – EYES OF LAURA MARS For the second in our series of minisodes in which we explore the 60s and 70s films that helped make Faye Dunaway a star, we take a look at the 1978 supernatural cult thriller Eyes of Laura Mars. In the film, Faye plays the title character, […]

Jonathan Tolins is the showrunner and executive producer of the critically acclaimed CBS drama ELSBETH, which returns for its third season.   Tolins has been an executive producer on THE GOOD FIGHT on Paramount+, co-executive producer on “Schmigadoon!” and co-producer on “Queer as Folk,” along with producer credits on EAST NEW YORK, BRAINDEAD and PARTNERS on the Network. Other TV credits include the Tony Awards, the Academy Awards, “Grease Live!” and “A Christmas Story Live!” Additionally, Tolins was a producer and co-writer with Seth E. Bass for the films “Martian Child” starring John Cusack and “The Twilight of the Golds,” based on his Broadway play and starring Brendan Fraser and Faye Dunaway. Tolins is best known as the author of one of the 10 most produced plays in America in 2016, “Buyer & Cellar,” which won the Lucille Lortel Award for Best Solo Show and was named “Best Unique Theatrical Experience” by the Off-Broadway Alliance during its record-breaking run at the Barrow Street Theatre. The show also enjoyed a London engagement at the Menier Chocolate Factory, a run at the Mark Taper Forum in Los Angeles and was shown on the WNET series “Theater Close-Up.” Other plays by Tolins include “The Last Sunday in June,” “Secrets of the Trade,” “If Memory Serves” and “The Forgotten Woman.” He was also represented on Broadway by additional material written with his husband, Robert Cary, for the revival of “On the Town.” Together, Jon and Rob also wrote the book for the new musical “Take the Lead,” which premiered at the Paper Mill Playhouse in the spring of 2025 Tolins is a member of the Dramatists Guild and the Writers Guild of America. He has written articles for Opera News, Opera Monthly, TheaterWeek, Time magazine and the Huffington Post. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Catherine Zeta‑Jones, Mariah Carey, Faye Dunaway, Mel Gibson, Demi Lovato, Jean‑Claude Van Damme, Kanye West. Sie alle werden mit einer bipolaren Störung in Verbindung gebracht. Meist, weil sie selbst von dieser Diagnose berichten. Macht „bipolar sein“ kreativ oder exzentrisch? Oder entschuldigt es soziales Fehlverhalten? Franca und Christian sprechen heute heute über den jungen Nils und andere Fälle, die zeigen, wie sich die bipolare Störung im Alltag von nicht so prominenten Menschen zeigt. Warum wird dieses Störungsbild immer wieder verwechselt? Wo kommt es her? Was passiert dabei genau und was kann man tun? Bei der Deutschen Gesellschaft für bipolare Störungen e.V. findet ihr weiterführende Informationen. Von Selbsthilfegruppen über Telefonnummern für Krisen bis zu detaillierten Listen mit Behandlungsmöglichkeiten in deiner Region. https://dgbs.de Eine besondere Empfehlung noch für alle, die es eher visuell bevorzugen: In dem Film „THE OUTRUN“ (2024) geht es zwar primär um Alkoholabhängikeit, die Darstellung des Vaters mit bipolarer Störung ist aber so realistisch, dass der Film alleine deswegen sehenswert ist. Eure Fragen für den „Fragen-Freitag“ könnt ihr hier hinterlassen: https://www.speakpipe.com/Psychologietogo Bonus-Folgen und Antworten am Fragen-Freitag gibts im Apple-Abo oder wenn ihr den Podcast bei steady unterstützen wollt. https://steady.page/de/psychologie-to-go/ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/psychologietogo Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Emir Kusturica's Arizona Dream drifts between deadpan comedy and waking dream, a film where ambition, escape, and American myth collide at odd angles. Written by David Atkins and directed by Emir Kusturica, the 1993 features Axel (Johnny Depp) stranded between New York routine and Arctic fantasia after his cousin (Vincent Gallo) drags him west to Arizona. There, Axel falls into orbit around his Uncle Leo (Jerry Lewis) and the Stalkers—mother and daughter played by Faye Dunaway and Lili Taylor—each chasing a private version of freedom.Mike, joined by co-hosts Andras Jones and David Rodgers, unpacks how Arizona Dream bends tone and narrative into something closer to folklore than plot, balancing melancholy against absurdity. The conversation explores Kusturica's outsider view of America, the film's uneasy relationship with realism, and the way dreams—Inuit or otherwise—function as both refuge and trap. Mike also talks with screenwriter David Atkins about shaping the script, collaborating with Kusturica, and navigating a studio-era release that never quite knew what to do with a movie this strange.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Emir Kusturica's Arizona Dream drifts between deadpan comedy and waking dream, a film where ambition, escape, and American myth collide at odd angles. Written by David Atkins and directed by Emir Kusturica, the 1993 features Axel (Johnny Depp) stranded between New York routine and Arctic fantasia after his cousin (Vincent Gallo) drags him west to Arizona. There, Axel falls into orbit around his Uncle Leo (Jerry Lewis) and the Stalkers—mother and daughter played by Faye Dunaway and Lili Taylor—each chasing a private version of freedom.Mike, joined by co-hosts Andras Jones and David Rodgers, unpacks how Arizona Dream bends tone and narrative into something closer to folklore than plot, balancing melancholy against absurdity. The conversation explores Kusturica's outsider view of America, the film's uneasy relationship with realism, and the way dreams—Inuit or otherwise—function as both refuge and trap. Mike also talks with screenwriter David Atkins about shaping the script, collaborating with Kusturica, and navigating a studio-era release that never quite knew what to do with a movie this strange.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The LA Times released a list of the best 101 films set in Los Angeles. The number one spot went to the 1974 film Chinatown, directed by Roman Polanski, starring Jack Nicholson and Faye Dunaway, with the backdrop of a 1930’s Los Angeles. Second place went to David Lynch’s Mulholland Drive (2001), and some other notable picks include Blade Runner (1982), Her (2013), Tangerine (2015) and Boyz n the Hood (1991). Joining Larry Mantle on FilmWeek to discuss some of the more surprising films included and their personal favorites are LAist film critics Manuel Betancourt, assistant editor of Documentary Magazine, and one of the contributors to the LA Times’ Best LA Movies list, and Wade Major, film critic for CineGods.com and author of the “Hollywood Heretic” Substack. You can read the LA Times’ 101 Best LA Movies list here.

Send us a textThe YardsA family crime drama set in New York City with a sick mother, ambivalently abusive father figure, and nudity along with a role for Domenick Lombardozzi (The Wire's Herc)? Get out your James Gray bingo cards, because Season 16 Gray Poop On (working title) persists with TGTPTU continuing in Episode 3 its temporal pincer movement covering the auteur's second film THE YARDS (2000).  Filmed on film in the spring and summer of 1998 but due to studio delays and reshoots not released until the fall of 2000, The Yards stars the still up-and-coming Mark Walburg as Leo Handler just out of jail and being led back into a life of crime by Joaquin Phoenix as Willie Gutierrez, the guy dating and soon betrothed to Leo's cousin and possible love interest Erica Soltz played by a pre-Monster Charlize Theron. This trio of rising stars is supported by a trio of 70s hall of famers (James Caan, Ellen Burstyn, and Faye Dunaway) in a story about NYC train maintenance, government corruption, family loyalties, and the need for proper bannisters.    Cowritten with Matt Reeves (opinions vary) and shot with multiple POV characters, Gray would find the story in the editing room (and subsequent reshoots) by winnowing it down to Walburg's singular perspective only to have that story mollified (or straight-up mauled from Gray's perspective) by a studio-noted happier ending.   This ep, you won't be getting Ken's half-hour discussion with Ryan about Theron's surprising nude scene, but Thomas will provide context for international and homeschool listeners in the U.S., Myanmar, and Liberia. Thank you for choo-choo-choosing to listen. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

HOLLYWOOD ROYALTY: MINISODE #1: NETWORK For the first in a series of minisodes in which we look at the 60s and 70s films that helped make Faye Dunaway a star, we revisit Sidney Lumet's game-changing Network ahead of its 50th anniversary later this year. The story of a television network that goes from the bottom […]

Have you ever wondered what it’s like to walk in the shoes of a legendary musician? Join host Buzz Knight on this exciting replay episode of takin' a walk as he welcomes Peter Wolf, the iconic frontman of the J. Geils Band, for an unforgettable conversation about his new memoir, Waiting on the Moon. Peter opens up about his remarkable journey through the vibrant music scene of New York City, sharing personal stories that span his illustrious career, his marriage to actress Faye Dunaway, and his experiences as a musician and DJ. As they stroll through the rich tapestry of music history, Knight and Peter Wolf explore the profound influences that shaped his artistic path. From his childhood encounters with legendary artists like Bob Dylan and Sly Stone to the invaluable mentorship from his father, Peter's reflections offer deep insights into the essence of songwriting stories and the highs and lows of fame. The conversation touches on the impact of iconic venues such as the Apollo Theater and how these experiences fueled his passion for rock music history. Listeners will be captivated by Peter’s unique writing process as he shares anecdotes that reveal the heart of his creative journey. With Buzz Knight’s signature style, this episode of takin' a walk unfolds like a classic music story, blending personal reflection with the exploration of legendary musicians and their contributions to american music. Whether you’re a fan of classic rock, jazz music, or indie music journeys, this episode is filled with compelling tales that resonate with anyone who appreciates the power of artistic expression. Join Buzz Knight as he dives deep into the world of Peter Wolf, offering listeners a front-row seat to the stories behind albums, the emotional healing through music, and the cultural impact of music history. Don’t miss this chance to hear from one of the most influential figures in classic rock history—it’s a conversation that will inspire and entertain, making you see the music you love in a whole new light. Tune into takin' a walk for an episode that promises to enrich your understanding of the music journey and the lives of those who create it. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

⭐My Top 10 Color Film Noirs⭐

HOLLYWOOD ROYALTY: EP 1: THE CHAMP/THE FIRST DEADLY SIN/EVITA PERON Welcome to the debut episode of Hollywood Royalty: Dunaway After Crawford, a look at the post-Mommie Dearest career of Faye Dunaway; early 80s to early 00s. Before we dive into the infamous movie itself and some of the projects that came Faye's way afterwards, we […]

National hot pastrami sandwich day. Entertainment from 1981. Clarinet invented, Mt. Aconcagua climbed, 1st successful Cesarean section baby delivery. Todays birthdays - Jack Jones, Billie Jo Spears, Faye Dunaway, Holland Taylor, Carl Weathers, Geoff Tate, LL Cool J, Dave Grohl, Jason Bateman. Humphrey Bogart died.  (2025)Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Pastrami sandwich - Money BoyJust like starting over - John LennonI love a rainy night - Eddie RabbittBirthdays - In da club - 50 Cent     http://50cent.com/Lollipops & roses - Jack JonesLove boat TV themeBlanket on the ground - Billie Jo SpearsRocky movie theme songI don't believe in love - QueensrycheMama said knock you out - LL Cool JLearn to fly - Foo Fighterscooolmedia.com

Happy New Year, Filmlosophers! We are kicking off 2026 with high energy and even higher hijinks! Hosts Eddie and Spencer, joined by Intern Manager (and Managing Intern) Amy, are launching a brand-new mini-series to start the year: "Reel Rewinds!" To celebrate, the crew is traveling back 30 years to check into the majestic Majestic Hotel for a nostalgic look at the 1996 kids' classic, Dunston Checks In. The team dives deep into this chaotic gem starring Jason Alexander, Faye Dunaway, and a jewel-thieving orangutan. They discuss why this specific brand of animal-centric slapstick is a lost art, the surprising practical effects, and the hilarious (and slightly uncomfortable) reality that a movie about a primate terrorizing a luxury hotel would have a very tough time getting greenlit today. Does the movie still hold the key to our hearts, or should it have stayed in the lost-and-found? Grab your room service and join The Filmlosophers for a wild start to the new year!

HOLLYWOOD ROYALTY: DUNAWAY AFTER CRAWFORD – PREVIEW Hosted by Frank Calvillo, Hollywood Royalty: Dunaway After Crawford offers a look at the post-Mommie Dearest career of legendary actress Faye Dunaway. Featuring a variety of guests and titles, we look at the Oscar-winner's varied body of work from the early 80s to the early 00s, with some […]

In this episode the random movie machine transports the misfits into the 1930's. The scene is complete with gun molls, Model A s and Tommy guns as they review the 1967 crime drama Bonnie and Clyde. This film was directed by Arthur Penn and stars Warren Beatty, Faye Dunaway and Michael J Pollard. Ranking: AFI's 100 Years…100 Movies: 27th AFI's 100 Years…100 Movies – 10th Anniversary List: 42nd All original content including sound effects, graphics, photos and music is © Classic Movie Misfits.  Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #BonnieAndClyde #ArthurPenn #WarrenBeatty #FayeDunaway #MichaelJPollard #GeneHackman #EstelleParsons #ClassicMovies #AFI100 #ClassicMovieMisfits

Send us a textWhat is it really like to be a "Character Actor" in the massive Hallmark movie universe? In this episode, we sit down with the hilarious and talented Lauren Cochrane (The Christmas Club, A Family Thanksgiving) to pull back the curtain on the life of a working actor.From a hilarious acupuncture mishap to sharing the screen with legends like Faye Dunaway, Lauren holds nothing back. We discuss why Winnipeg has quietly become the "Hollywood of the North," the brutal reality of Zoom auditions, and why playing the quirky best friend is often more fun than playing the romantic lead. Plus, we put her memory to the test with a Hallmark Character Quiz and get an exclusive look at her role as Hazel Holly in the new movie Sweet Romance.In this episode, you'll learn:The "Character Actor" Advantage: Why the supporting roles often have the most freedom (and job security).Audition Horror Stories: How the industry shifted from "in the room" chemistry to "self-tape" isolation.The Winnipeg Connection: Inside the tight-knit community of actors dominating Hallmark productions.Improv vs. Script: How Lauren's background in comedy helps her save scenes when things go wrong.Sweet Romance Scoops: Behind-the-scenes stories from her latest project with Director Jeff Beesley.Follow us on social media: Instagram and TikTok: @hallmarkmysteriesandmoreYoutubeOr visit our website. This podcast was created by fans for fans and is NOT affiliated with or sponsored by Hallmark or the Hallmark Channel.

I'm mad as hell, and I'm not going to take it any longer? Or am I? Maybe I'll get a primetime slot out of it. That's right, this week Dan and Anna travel back to the 1970s to watch the continuously prescient Network! Faye Dunaway, William Holden, Peter Finch, Ned Beatty? What's not to love? Tune in to find out! If you would like to support In Conclusion, you can do so at patreon.com/inconclusion

Send us a textThis week on Fabulous Film and Friends we're going to pay tribute to the late, great Robert Reford and analyze just why this Hollywood icon belonged on the top of Mt. Olympus long before vanity, sanctimony and crass commercialism ruined his artistry. In other words, before he tarnished his legacy with offensive tripe like The Legend of Bagger Vance, the execrable Indecent Proposal and most especially by appearing as a generic schmoe bad guy #5 in Marvel movies, he was literally the undisputed KING of the Hollywood Hill starting with 1969's Downhill Racer directed by Michael Ritchie co-starring Gene Hackman, Camilla Sparv, Kenneth Kirk, Jim McMullan, Walter Stroud and Dabney Coleman in his ever so brief dreamboat era. Then Redford was his solid oakiest in 1972's Jeremiah Johnson directed by Sydney Pollack and co-starring Will Gear, Delle Bolton, Josh Albee, Paul Benedict, Jack Covin and Stefan Gierasch. And he showed us all how paranoid thrillers were done with 1975's 3 Days of the Condor directed once again by Sydney Pollack and co-starring Faye Dunaway, Max Von Sydow, John Houseman and Cliff RobertsonI'm your host Gino Caputi leading my dream team of scoffers and detractors, lil sis Roseanne Caputi and photobug/actor/gadfly Alex Robertson. Before we hit the trails on career highlights, the synopses:Downhill RacerAn arrogant young skier, David Chappellet, rockets to the top of the U.S. ski team, heedlessly chasing medals, without  regard for his teammates or his Coach who tries without success rein him in. ⸻Jeremiah JohnsonA war-weary loner heads into the Rockies to live off the land and find peace, but the wilderness has other notion, transforming Jeremiah Johnson from naive pilgrim to Legendary Crow Killer, forged by experience and hardship.  ⸻3 Days of the CondorMild-mannered CIA researcher Joe Turner, aka Condor, goes out for lunch and comes back to find everyone he works with dead. Suddenly Condor finds himself hunted, running from his own agency and clinging to the one woman who might trust him. Can he unravel the truth — before the deep state eats him alive?Why was Robert Redford the Hollywood GOAT? Find out!Watch the podcast on Youtube:https://youtu.be/zy0CtssU0-0

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with pop culture icon, Morgan Fairchild!Morgan discusses her roles in such series as Falcon's Crest, Dallas, and Flamingo Road. Doubling for Faye Dunaway in Bonnie and Clyde, acting with legends such as Lloyd Bridges, George Segal, and Roddy McDowall. Her new podcast, which she does with her sister, Two Bitches from Texas, and much more!Support the show

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with pop culture icon, Morgan Fairchild!Morgan discusses her roles in such series as Falcon's Crest, Dallas, and Flamingo Road. Doubling for Faye Dunaway in Bonnie and Clyde, acting with legends such as Lloyd Bridges, George Segal, and Roddy McDowall. Her new podcast, which she does with her sister, Two Bitches from Texas, and much more!Support the show

This week we grapple with the problematics of Chinatown (1974), arguably one of the greatest neo-noirs, with a fraught and complicated history thanks to its director, Roman Polanski. Starring Jack Nicholson and Faye Dunaway, Chinatown represents the bleakness of noir amid the sunniness of LA, with a hefty dose of political and sexual corruption. Oof. TW for discussions of sexual assault and incest. Next week, we conclude Noirvember with a far happier entry: Who Framed Roger Rabbit?

Meg revisits Christina Crawford's Mommie Dearest, the first of many “tell-all memoirs exposing the rough childhoods of Old Hollywood's nepo babies. Jessica gets the skinny on Gloria Swanson's appearance at the New School and why the venue was just as ready for its close-up as its guest.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!In this episode, we wade into Chinatown — a sun-bleached noir where water is power, everyone's lying, and the system wins. We talk Jack Nicholson's bandaged nose, Faye Dunaway's glass-shard fragility, John Huston's all-time villainy, and that ending that still guts you. Yes, we address the director caveat up front; then we focus on what's on screen: A precision-engineered thriller that never wastes a line, a clue, or a cut.What we coverWhy “Chinatown”? The title's bleak punchline and what “forget it” really means in a city built on corruption.Follow the water: Droughts, land grabs, cooked records, and a murder that only makes sense when you trace the pipes.Noir done right: Goldsmith's moody trumpet score, razor tailoring, art-deco menace, and how every tiny detail pays off.Iconic moments: The nose slice (cameo alert), the “my sister/my daughter” reveal, and the slow-motion horror of the finale.Performances: Nicholson's cocky PI unravelled, Dunaway's haunted elegance, Huston's monstrous calm.The ethics disclaimer: Separating a notorious off-screen history from on-screen craft — and why that discomfort belongs in the conversation.Context chats: How the screenplay became a template, the year it ran into The Godfather Part II, and why the ending had to be that ending.Should you watch it?If you like your mysteries tidy and comforting, this isn't that. If you want clockwork plotting, glorious craft, and a finish that lingers… it's essential. We're candid, a bit feral, and very fun about it.“Every throwaway line is a breadcrumb. By the time you see the trail, it's already too late.”

Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television.      Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand.    In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards.  The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble.  Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME.     Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar.     Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ!   She is also a member of Turbine Arts Collective  (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.

EPISODE 104 -  “MEMORABLE MINUTES: JOHN DILEO ON ACTORS WHO MADE THE MOST OF LESS” - 9/08/25 Back by popular demand! This week we welcome author and friend of the podcast JOHN DILEO who will talk about his 2022 book THERE ARE NO SMALL PARTS: 100 OUTSTANDING FILM PERFORMANCES WITH SCREEN TIME OF 10 MINUTES OR LESS, a fun, insightful look at the incredible actors who made the most with the limited screen time they were given. From GLADYS GEORGE in “The Hard Way” (1943) to RUBY DEE in “American Gangster” (2007), we cover the gamut!  SHOW NOTES:  Sources: There Are No Small Parts: 100 Outstanding Film Performances With Screen Time of 10 Minutes or Less (2022), by John DiLeo; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Sharp Shooters (1938), starring Brian Donlevy & Lynn Bari; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, & Mary Beth Hughes; Mr. Deeds Goes to Town (1936), staring Jean Arthur & Gary Cooper; Blossoms In the Dust (1941), starring Greer Garson & Walter Pidgeon; My Favorite Wife (1940), starring Cary Grant, Irene Dunne, Gail Patrick, & Randolph Scott; The Hard Way (1943), starring Ida Lupino, Joan Leslie, Dennis Morgan, & Jack Carson; Now, Voyager (1942), starring Bette Davis, Paul Henreid, Claude Rains, & Gladys Cooper; Body & Soul (1947), starring John Garfield, Lilli Palmer, & Anne Revere; It's A Wonderful Life (1946), starring James Stewart & Donna Reed; Strangers on a Train (1951), starring Robert Walker, Farley Granger, & Ruth Roman; The Bishop's Wife (1947) starring Cary Grant, Loretta Young, & David Niven; The Last Picture Show (1971), starring Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ellen Burstyn, Ben Johnson & Cloris Leachman; American Gangster (2007), staring Denzel Washington, Lymari Nadal, & Russell Crowe; Network (1976), starring William Holden, Faye Dunaway, & Peter Finch; Stagecoach (1939), starling John Wayne & Claire Trevor; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; The Wizard of Oz (1939), starring Judy Garland, Ray Bolger, Jack haley, & Bert Lahr; The Letter (1940), starring Bette Davis & Herbert Marshall; Mrs. Miniver (1942), starring Greer Garson & Walter Pidgeon; State Fair (1945), starring Jeanne Crain & Dana Andrews; The Birds (1963), starring Tippi Hedren & Rod Taylor; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yep, it's another episode of GLoP, where three middle-aged men wander from topic to topic like your drunk uncles at Thanksgiving—except with more references to 1970s TV pilots and less pie. This week's meandering odyssey covers the full spectrum: wiping Faye Dunaway's… dignity, debating whether puppies can survive her PR aura, discovering that Superman might be unpopular overseas because America is now “meh,” lamenting the death of big loud comedies (RIP, Naked Gun), and reviewing TV shows no one under 50 has heard of but everyone pretends to watch. Along the way, you'll get unsolicited opinions on Colbert's cancellation (spoiler: yay), the economics of late-night TV, why Hungarian tax rebates are the real star of international thrillers, and an extended meditation on historical body odor.

Yep, it's another episode of GLoP, where three middle-aged men wander from topic to topic like your drunk uncles at Thanksgiving—except with more references to 1970s TV pilots and less pie. This week's meandering odyssey covers the full spectrum: wiping Faye Dunaway's… dignity, debating whether puppies can survive her PR aura, discovering that Superman might be […]

Peter Wolf didn't want to write the typical rock and roll memoir filled with lurid tales and score settling. Instead he wanted to write a collection of short stories that stem from his serendipitous encounters with everyone from Marilyn Monroe to David Lynch. Peter tells Marc how he wrestled with his own memories to write the book, how he drew from his friendships with Bob Dylan, Muddy Waters and John Lee Hooker, and how he got right with the topics he wanted to avoid, namely his time with The J. Geils Band and his marriage to Faye Dunaway. Hosted on Acast. See acast.com/privacy for more information.