Podcasts about Sidney Lumet

Just because Erik Childress is headed to the Toronto Film Festival doesn't mean that he doesn't have you covered in the physical media department while he's gone. Peter Sobczynski and him go over two weeks worth of releases including Sidney Lumet's incredible debut and Jon Favreau's as well. There is also Mike Nichols' final film as well as one of the great (if not greatest) film noirs of all-time. There are incredible documentaries ranging from the horrors of the Holocaust to the horrors of the highway. Warner Bros is doing Looney Tunes right for a change while Arrow does right by their star-studded Robert Towne noir. Finally, the newly formed Toy Robot Video does right by all the He-Man fans of the ‘80s who still carry a torch for the Cannon Films production of their beloved action figures. 3:19 - Criterion (12 Angry Men (1957) (4K), Shoah (4K)) 22:46 - Kino (Hell's Highway: The True Story of Highway Safety Films) 37:00 - Warner Archive (Looney Tunes Collector's Vault: Volume 3, Out of the Past 4K) 54:32 - Ad Break 56:32 - Severin (Danza Macabra Vol. 5) 1:06:47 - Lionsgate (Made 4K, Sorority Row 4K) 1:23:16 - Shout Factory (Charlie Wilson's War (4K)) 1:36:29 - Ad Break 1:38:29 - Toy Robot Video (Masters of the Universe (1987) (4K)) 1:58:55 - Arrow (Tequila Sunrise (4K)) 2:14:58 – New TV on Blu-ray (Star Trek—The Original Series 60th Anniversary, Shaun the Sheep (Season Seven), Tulsa King (Season Three), Scooby-Doo and Mystery Incorporated: The Complete Series, Dark Shadows (Volume One)) 2:15:58 – New Theatrical Titles On Blu-ray (Supergirl (2026) (4K), Minions & Monsters (4K), Passenger, Stop! That! Train!, Maddie's Secret, Leviticus) CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNG Be sure to check out Erik's Weekly Box Office Column – At Rotten Tomatoes Critics' Classics Series – At Elk Grove Cinema in Elk Grove Village, IL Chicago Screening Schedule - All the films coming to theaters and streaming Physical Media Schedule - Click & Buy upcoming titles for your library. (Direct purchases help the Movie Madness podcast with a few pennies.) Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere. The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pochi artisti possono vantarsi di una carriera longeva e variegata come quella del maestro Sidney Lumet, regista che iniziò la sua carriera tra il teatro e il cinema dagli anni '50 per poi chiudere in grande stile nei primi anni 2000. Questa è una personale selezione di alcuni dei suoi grandiosi film.Sono passati cinquant'anni da quando Lumet presentò nella Nuova Hollywood prossima al declino un film satirico e crudele sul mondo delle televisione e sul bisogno patologico da parte di tutti di ricercare il caso giusto nel momento sbagliato.Il "Quinto potere" agisce, ti trova, ti mastica per bene e poi ti sputa ma senza imparare la lezione.

A comedy of frustration and a look at how the media takes and then takes back one's fifteen minutes of fame, Dog Day Afternoon (1975) is on of Sidney Lumet's best films with one of Al Pacino's best performances. Sonny wants to be Lee Marvin but acts more like Don Knotts; he wants to be a folk hero, but becomes more like a meme; he has a romance with the media and finds that his mistress is fickle. Sonny is the kind of person who accidentally appears in a viral video, comes to enjoy the renown, but then learns that his hour upon the stage is signifying nothing. Bumper music: Bumper music by John Deley. Interested in the real events that inspired the film and how the film was made? Read Rachel Walther's Born to Lose: The Misfits Who Made Dog Day Afternoon. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler's Almanac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A comedy of frustration and a look at how the media takes and then takes back one's fifteen minutes of fame, Dog Day Afternoon (1975) is on of Sidney Lumet's best films with one of Al Pacino's best performances. Sonny wants to be Lee Marvin but acts more like Don Knotts; he wants to be a folk hero, but becomes more like a meme; he has a romance with the media and finds that his mistress is fickle. Sonny is the kind of person who accidentally appears in a viral video, comes to enjoy the renown, but then learns that his hour upon the stage is signifying nothing. Bumper music: Bumper music by John Deley. Interested in the real events that inspired the film and how the film was made? Read Rachel Walther's Born to Lose: The Misfits Who Made Dog Day Afternoon. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler's Almanac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A comedy of frustration and a look at how the media takes and then takes back one's fifteen minutes of fame, Dog Day Afternoon (1975) is on of Sidney Lumet's best films with one of Al Pacino's best performances. Sonny wants to be Lee Marvin but acts more like Don Knotts; he wants to be a folk hero, but becomes more like a meme; he has a romance with the media and finds that his mistress is fickle. Sonny is the kind of person who accidentally appears in a viral video, comes to enjoy the renown, but then learns that his hour upon the stage is signifying nothing. Bumper music: Bumper music by John Deley. Interested in the real events that inspired the film and how the film was made? Read Rachel Walther's Born to Lose: The Misfits Who Made Dog Day Afternoon. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler's Almanac.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Si torna a parlare di "New Hollywood" insieme a Michela Gorini e Matteo Lolletti con una delle tante perle che affollano quel periodo storico: "Quel pomeriggio di un giorno da cani" (Dog Day Afternoon) con Al Pacino e John Cazale dove attraverso una rapina in banca si racconta un Paese in crisi di identità.Quello che doveva essere un colpo veloce e senza intoppi si trasforma rapidamente in un disastro: la rapina va storta fin dall'inizio, la banca si rivela avere pochissimi contanti e in breve tempo l'edificio viene circondato dalla polizia. Ciò che segue è un lunghissimo assedio, trasmesso in diretta dai media, durante il quale Sonny prende in ostaggio gli impiegati della banca e negozia con le forze dell'ordine.Con il passare delle ore emergono anche le ragioni personali dietro il gesto disperato di Sonny, legate alla sua vita privata e ai suoi affetti, rendendo il personaggio sempre più complesso e umano agli occhi del pubblico e della folla che si raduna fuori dalla banca.Instagram: https://www.instagram.com/tramestrane_podcast?utm_source=qr&igsh=MWhnNm1qcXc5aTdwcA==mail: tramestranepodcast@gmail.com

Movie classics, Beatles discourse, and three of pop's biggest new releases - Bianca and Julian are back with another sprawling music roundup. They kick things off with two recent watches: Sidney Lumet's timeless "Dog Day Afternoon" and Matt Johnson's new Anthony Bourdain biopic, "Tony", before weighing in on the internet's latest obsession: the flood of set photos from Sam Mendes' four Beatles biopics. Then it's time for the music. First up is Phoebe Bridgers' "Lost Weekend", a haunting meditation on grief, memory, and the strange ways we revisit the past. Bianca and Julian unpack how Bridgers transforms the death of her father and a broken engagement into one of her most cinematic records yet, exploring Jack Antonoff's fragmented production, the album's shifting sense of time, and - because they can't help themselves - a deep dive into the Phoebe Bridgers and Bo Burnham lore. Next comes Ariana Grande's "petal," an album that feels furious without ever raising its voice. They explore its restrained emotional palette, the tension between vulnerability and anger, and how the recent discourse surrounding Ariana's public image has shaped the conversation around the music itself. A quick detour brings them to Slayyyter's “brand new chanel$”, the explosive lead single from her upcoming album "WOR$T MAN IN AMERICA" - and they make the case that it's already one of the strongest pop songs of the past decade. Finally, they close with Role Model's "Chuck Timely & The Hourglass", a concept album steeped in early '70s Americana. Bianca and Julian wrestle with what the album's concept is really trying to say, and where the line lies between homage and innovation. Email us: anythingbuttoto@gmail.com Theme music by: Daniel Konikoff

In episode 50, Johnny talks to Lee Hardman and Dave Lawton from the Something Wicked podcast.Lee and Dave are two friends from Manchester who started podcasting after Dave left the city and moved to North Wales. Something Wicked is one of Johnny's favourite podcasts and, as mentioned at length during this episode, it served as the inspiration for the creation of My Movie DNA.Their show has been described as ‘For purveyors of the dark, weird, fascinating and brilliant…a podcast that is both reverent and irreverent. Something wicked this way comes!'This chat includes a discussion about the giants of American cinema: Sidney Lumet, Steven Spielberg and William Friedkin, they talk at length about one of the films often discussed on Something Wicked, William Peter Blatty's The Exorcist III, and they, incredulously, go for a dog walk in the Welsh countryside with Sharleen Spiteri from ‘90s Scottish rock band Texas.This conversation was recorded online in mid-March of 2026. Thanks to James Van As who wrote and performed the brilliant podcast music (check out James' ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Loco Looper⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ game) and to Willow Van As who designed the amazing artwork and provided general podcast support.You can contact My Movie DNA on Facebook, Instagram or Twitter @mymovieDNA or email mymovieDNA@gmail.com.Check out Johnny's new podcast series, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠500 Films: A Journey Through Genre Cinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, available wherever you get your podcasts. 

Gilbert and Frank take a day trip to the New Jersey home of comedian, actor and former Howard Stern sideman Artie Lange to bash “Godfather Part III,” to praise their favorite character actors (paging Philip Baker Hall!) and to celebrate the cinema of Sidney Lumet. Also, Artie disses Tom Cruise, dissects “Goodfellas” and dismisses “Mystery Men.” PLUS: Peter Ustinov! The genius of Tom Waits! Black Don Rickles! Charles Nelson Reilly offers batting tips! And Gilbert sings again! Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Just say, 'Dance, monkey, dance!'" My honorary kid brother from Oz, One Heat Minute Productions' podcaster Blake Howard, returns to the show this week to chat about two of our favorite filmmakers & actors in director Sidney Lumet's SERPICO with Al Pacino, and John Frankenheimer's FRENCH CONNECTION II, starring Gene Hackman.Join us for a tightrope walk down the thin blue line, that's one of a darker shade, with these films that show us the corruption, moral flexibility, power jockeying, and ethical gray area in late '60s, early '70s policing. So dress like a PINK PANTHER villain with a gold fish ring, put on your favorite hibiscus shirt, and travel to New York City and Marseilles for a look at these films that are often underdiscussed today.Note: This episode is dedicated to my very own childhood "Paco," a Marine turned police officer whose story I shared, who had his own SERPICO experience over 35 years ago, with a very different ending. RIP Paco; I loved your darkly funny curse-happy stories & wish the world had been gentler on you.Donate to the Pod via Ko-fi & PayPalShop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveOriginally Posted on Patreon (8/12/26) here: https://www.patreon.com/FilmIntuition/posts/watch-with-jen-166492599

In this episode, I talk about Sidney Lumet's 1982 film, "The Verdict." Paul Newman plays Frank Galvin, a once-promising lawyer whose life has been consumed by alcoholism, failure, and regret. When he's handed a medical malpractice case involving a young woman left permanently incapacitated after a catastrophic mistake during childbirth, what first appears to be an opportunity to revive his career becomes something far more profound. I talk about the film as a story of salvation, redemption, human frailty, justice, and moral responsibility. I also explore what it means to truly see another person's suffering, how caring about someone else can transform our own lives, and why "The Verdict" remains one of the most emotionally powerful and deeply humane films I've ever seen. There are spoilers in this episode. If you'd like to support my work and get access to bonus episodes and exclusive posts, you can join me on Patreon: patreon.com/herheadinfilmspodcast. You can follow me on Letterboxd. My email is herheadinfilms@gmail.com. My Sources: AFI entry about The Verdict New Yorker profile of David Mamet AFI Movie Club post about The Verdict Excerpt from Sidney Lumet's Making Movies Sidney Lumet on The Verdict (via American Film Institute) Sidney Lumet interview about The Verdict (via Bobbie Wygant Archive) Paul Newman interview about The Verdict (via Bobbie Wygant Archive)  

Welcome back to Not A Bomb, the podcast where we resurrect cinema's most infamous box office disasters and ask the burning question: is it a bomb? This week, Troy and Brad descend into the gritty, morally tangled world of Sidney Lumet's 1981 neo‑noir crime epic Prince of the City. It's one of those underseen gems that cinephiles whisper about, critics champion, and everyone else somehow missed entirely. Prince of the City follows a narcotics detective pulled into a sprawling corruption investigation, and the deeper he goes, the more the film tightens its grip. At the center of it all is Treat Williams, delivering a performance so raw, so committed, and so quietly devastating that it's honestly a “treat” to watch him work. This is the kind of role actors dream about, and Williams attacks it with a mix of vulnerability and intensity that feels almost dangerous. If you ever needed proof he was one of the most underrated actors of his era, this is the movie.Troy and Brad dig into Lumet's meticulous direction, the film's sprawling cast of morally compromised characters, and the real‑life case that inspired the story. They also explore how Prince of the City became overshadowed by Lumet's more famous crime dramas, why it deserves to be mentioned alongside Serpico and Dog Day Afternoon, and how its reputation has quietly grown among fans of hard‑boiled, character‑driven noir.And because the guys can't resist calling out cinematic injustices, they make it very clear that Criterion needs to get on making a 4K edition of this film. Prince of the City deserves the restoration, the essays, the spine number, the whole treatment. It's long overdue.Grab your badge, question your morals, and settle in. This is one crime saga worth revisiting.Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

Running on Empty is an interesting film by Sidney Lumet that, in our opinion, doesn't get enough love. Judd Hirsch and Christine Lahti play a married couple forced to go underground when their activist ways take an unfortunate turn and someone is accidentally killed. Now, that event took place nearly twenty years earlier, so it's mostly relevant as the setup to the film. In the present day, they have two boys: one is a tween and the other (Phoenix) is nearing the end of his high school career. Because of the parents' situation, they're forced to move frequently, take odd jobs and depend on old friends to cover for them. It's a cool take on the "sins of the fathers" argument, as their lives are having an effect on their oldest son, who is a talented musician and could conceivably miss out on getting a Juilliard education. Further complicating matters is his rapidly developing relationship with a girl at his school, played by Martha Plimpton. How does the entire family navigate these complications? COMING ATTRACTIONS: We're going to spend the next five episodes dealing with limited series, what the kids used to call miniseries. Our next episode will be the series version of Fanny and Alexander by Ingmar Bergman, which was eventually cut down into a feature-length film. We're going though all 312 minutes, though! Join us, won't you?:

Welcome to It's A Wonderful Podcast!Dark morality, difficult choices, and maybe a little bit of sci-fi camp throughout July on the main show as Morgan and Jeannine theme themselves around the end of the world with a varied series of DOOMSDAY MOVIES!Stark minimalism, palpable Cold War tension, and conversations on the greater good in the darkest, bleakest Doomsday movie yet as President Henry Fonda tries to stop a mistakenly sent bomber heading straight for Moscow!Morgan and Jeannine talk Sidney Lumet's FAIL SAFE (1964)!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Elise's final Family Freak-Out, as promised, is the peak of the climb: two emotional marathons totalling 316 minutes and featuring some of the finest acting in the history of American cinema, Sidney Lumet's adaptation of Eugene O'Neill's Long Day's Journey Into Night (1962), starring Katharine Hepburn as Mary Tyrone, and John Cassavetes' A Woman Under the Influence (1974), starring Gena Rowlands as Mabel Longhetti. We examine these two films focused on what happens to the family when the mother, its centre, collapses, and ask what is at the heart of the North American family nightmare. Whatever it is, it's productive of some great drama, melodrama, and psychodrama, onscreen and off! Time Codes: 0h 00m 20s:    LONG DAY'S JOURNEY INTO NIGHT (1962) [dir. Sidney Lumet] 0h 43m 53s:    A WOMAN UNDER THE INFLUENCE (1974) [dir. John Cassavetes] 1h 28m 34s:      So This is Sarris (Andrew Sarris's The American Cinema) –  Victor Fleming +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Having done 80+ episodes of Child's Play Minute, we have even more to say on Child's Play... but not the 1988 horror classic. No, we've found three other films with the same title that crop up time and time again when searching for our familiar Chucky. A 1954 comedic romp through the British countryside as rebellious kids in black and white build their own atomic bomb. A 1972 psychological thriller from Sidney Lumet about weird evil kids forgoten between Rosemary's Baby and The Exorcist. And a 1992 bleak as all Hell slice of life drama about a poor German kid who endures neither of his divorcing parents wanting him. Can we find any links between the three and whether they have anything in common with our favourite killer doll film? It's tenuous at best. Do we find any enjoyment in watching these films for a gimmick episode is the better question, and the answers may surprise you. Host: Dev Elson Co-Host: Mark Adams Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the boys get bleak and drink to the nuclear apocalypse- we're talking about “Fail Safe”! Sidney Lumet's 1964 Cold War “what-if” came out the same year as, but a few months after, “Dr. Strangelove…” (previous episode), but ohhhhh man does this movie feel prescient. I mean, no crazy people are in charge of nuclear weapons that can catastrophize global Armageddon, right?? Grab a beer and let's talk about this powerful warning. inktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 11:05 1964 Year in Review; 25:54 “Fail Safe”: Films of 1964; 01:14:53 What You Been Watching?; 1:22:08 Next Week's Episode Teaser Additional Cast/Crew: Walter Matthau, Henry Fonda, J.R. Ewing himself, Larry Hagman, Walter Bernstein adapted the 1962 novel by Eugene Burdick and Harvey Wheeler. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Spider Noir, The Witness, Beef Season 2, Spider-Noir, Rashomon, The Sheep Detectives, Parenthood, lots of The World Cup, Stargate, Cape Fear, House of the Dragon,  Additional Tags: Stanley Kubrick, Argentina, Spain, England, France, The Odyssey, Christopher Nolan, Moana, Toy Story 5, Focus Features, A24, Curry Barker, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Academy Awards, BFI, BAFTA, BAFTAS, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show, The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

This week on Bad Dads Film Review, we review Sidney Lumet's 12 Angry Men, the 1957 jury-room classic starring Henry Fonda and Lee J. Cobb.A young man's life is on the line. Eleven jurors are ready to convict. One juror wants to talk. From that simple setup, the film becomes a tense, brilliantly engineered argument about reasonable doubt, prejudice, memory, class, personal baggage and the terrifying confidence of people who think they are definitely right.What we coveredThe beautifully simple setup: a death-penalty murder case, a hot jury room, and a judge who seems very ready to go home.Juror 8's position: not “he is innocent,” but “I am not convinced beyond reasonable doubt.”The first 11–1 guilty vote and how quickly the accused boy could have been sent to death row.The supposedly unique switchblade, and the moment Henry Fonda produces an identical knife.The old man's testimony, the timing experiment, the passing train, and whether the witnesses could really have seen or heard what they claimed.The boy's cinema alibi, and why forgetting details under stress might not prove guilt.The glasses clue and the late “Sherlock” moment that shakes the logical stockbroker juror.Juror 10's racist rant and the powerful staging of the rest of the room turning away from him.Lee J. Cobb's Juror 3, whose anger toward his own son becomes tangled up with the fate of the defendant.Sidney Lumet's craft: the rehearsals, the sweat, the lowering camera, the tightening room, and the way the film becomes more claustrophobic as it goes.Why the premise can be remade in different countries and eras as a way to examine each culture's justice system and prejudices.Whether some of the jury-room behaviour would cause a mistrial in real life. Short answer: probably yes, especially the duplicate murder weapon.Key quotes / momentsReegs calls it “an incredible piece of science fiction” because it imagines people being persuaded by rational thought.Sidey points out that the film never proves innocence; it proves doubt.Cris remembers watching the Henry Fonda version with his dad.Dan compares its single-room effectiveness to the pleasure of low-budget, high-idea films like Coherence.The dads admire how every line either reveals character, advances the plot, or exposes someone's bias.Dan lands the final group verdict: this is “four agreed men.”VerdictA unanimous and very strong recommend. The dads see 12 Angry Men as one of the strongest black-and-white films covered on the podcast: precise, gripping, brilliantly performed and still painfully relevant.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Patrick Darms (Why Wasn't It Better? Podcast) and recurring guest Ethan Weeks help our podcast gang close out the week with a retrospect on the massivelty talented multi-genre filmmaking perfectionist Sidney Lumet:   *Were Norman Jewison and Milos Forman rather similar to Lumet in their cinematic approaches? *Would Lumet had gotten bigger budgets had The Wiz been a hit? *And how many award-winning performances did he help bring to fruition?       CLIP USED: Sidney Lumet and Andy Garcia 1997 interview w/ Charlie Rose   MUSIC INTRO/OUTRO:  Closing Credits Beats by Apple Free-To-Use Music

The acclaimed novelist Kazuo Ishiguro talks about how he went about curating a season of films featuring trains for the BFI - from classics such as Shanghai Express by Josef von Sternberg and Sidney Lumet's Murder on the Orient Express to lesser known gems - and about how trains have inspired his own work - including songs, and his forthcoming novel, Miss Lambert Steps Aboard Danger. Actresses Maureen Beattie and Tracy-Ann Oberman discuss why they've changed the gender of popular roles for stage productions which are opening soon - Lear at Pitlochry Festival Theatre which sees one of Shakespeare's greatest tragic figures portrayed as a matriarch in decline, and at the Theatre Royal Bath, Garry Essendine in Noel Coward's comedy about the perils of celebrity Present Laughter is now Gerri Essendine, an ageing actress desperately clinging on to her youthful beauty. Author Stuart Cosgrove hails Village People frontman Victor Willis (whose death has just been announced) as one of the finest soul voices of his generation, whose talents were perhaps overlooked due to the novelty reputation which came to be associated with the group. And Dr Sonke Prigge tells us why - and how - he has preserved the sound of the clattering mill, traditionally used in Germany to scare away birds from cherry orchards, for the British Library's sound archive. Presenter: Kirsty Wark Producer: Mark Crossan

My guest today is scenic artist, filmmaker, and writer Michael Lee Nirenberg, who wrote the book Cinematic Immunity, an oral history told from the perspective of New York film crews, from the 50s to the 2000s. When I came across this book I knew I had to get it right away, it's exciting to learn film history from a completely different perspective! We spoke about how Michael got into the film crew business, the wild days of New York filmmaking, what crews had to say about the likes of Sidney Lumet and William Friedkin, and a whole lot more!Show Notes:CinematicImmunity: An Oral History of New York Filmmaking As Told by the Crews That Got the Shot / Michael Lee NirenbergMicheal Lee Nirenberg's instagramMichael Lee Nirenberg's IMDBFrankenhooker (1990)Back Issues: The Hustler Mag Story (2014)Richard KoszarskiOn the Waterfront (1954)Boris KaufmanThe Out of Towners (1970)The Incident (1967)The Taking of Pelham One Two Three (1974)Michael Lee Nirenberg's book Earth A.D.The Godfather (1972)The Exorcist (1973)Do the Right Thing (1989)Max's Kansas CityAfter Hours (1985)Midnight Cowboy (1969)Amos PoeSidney LumetWilliam FriedkinNetwork (1976)Dog Day Afternoon (1975)12 Angry Men (1957)Spike LeeRandy JurgensenThree Days of the Condor (1975)The French Connection (1971)Maniac Cop (1988)Law & OrderTrading Places (1983)John Landis Twilight Zone: The Movie (1983)Twilight Zone AccidentPaul ReubensMalcolm X (1992)All That Jazz (1979)Bob Fosse Mariska HargitayIce-TMy Mom Jayne (2025)I Love Boosters (2026)Backrooms (2026)The Sopranos (1999-2007)We Need to Talk About Kevin (2011)The Wrestler (2008)The Knick (2014-2015)Boardwalk Empire (2010-2014)Girls (2012-2017)Please Give (2010)The Seven-Ups (1973)Mad Men (2007-2015)Too Much (2025)Taxi Driver (1976)Death Wish 3 (1985)John WatersDesperate Living (1977)Vincent PeranioFollow Somebody's Watching here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @somebodyswatchingpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: somebodywatchingpod@gmail.com

Mrparka's Weekly Reviews and Update Week 476 (07.04.2026) (Sangster Directs 4K, Jackie Chan)www.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00https://www.facebook.com/mrparkahttps://letterboxd.com/mrparka/https://www.patreon.com/mrparkahttps://open.spotify.com/show/2oJbmHxOPfYIl92x5g6ogKhttps://anchor.fm/mrparkahttps://podcasts.apple.com/us/podcast/mrparkas-weekly-reviews-and-update-the-secret-top-10/id1615278571Time Stamps 0:00“Horror of Frankenstein” 4K Review - 0:13“Lust for a Vampire” 4K Review - 9:24“Fear in the Night" 4K Review - 17:04“Rumble in the Bronx” 4K Reviews - 25:06“Thunderbolt” 4K Review - 30:45“La tête contre les murs” Blu-Ray Review - 35:09“VD” Blu-Ray Review - 40:25“Masters of the Universe 2026” Review - 44:501983 “Rush” Review - 52:241983 “Warrior of the Lost World” Review- 54:39Patreon Pick “Fail Safe" Review - 57:53Questions/Answers/ Comments- 1:04:08Update- 1:08:2922 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/Podcast Under the Stairs – https://tputscast.com/podcastVideo Version –https://youtu.be/afKdWeYFMDsUpdate Blu-Ray Blood Rose 4KCorpse Bride 4KGolden Harvest Volume 2: Shining Stars (Beach of the War Gods / When Taekwondo Strikes / The Skyhawk / Slaughter in San Francisco / Shaolin Boxer / Legacy of Rage / The Master / Hitman)Links Severin Films - https://severinfilms.com/Sangster Directs Hammer 4K and Blu-Ray Set - https://severinfilms.com/products/sangster-directs-hammer-7-disc-box-set-3-4k-uhd-4-blu-ray-bookArrow Video - https://www.arrowvideo.com/Jackie Chan's Breakout Hits [Limited Edition] (4K Ultra HD) - https://mvdshop.com/products/jackie-chans-breakout-hits-limited-edition-4k-ultra-hdRadiance Films - https://www.radiancefilms.co.uk/La Tête contre les murs Blu-Ray - https://mvdshop.com/products/la-tete-contre-les-murs-blu-rayCult Epics - https://cultepics.com/VD Blu-Ray - https://mvdshop.com/products/vd-blu-rayMasters of the Universe JustWatch - https://www.justwatch.com/us/movie/masters-of-the-universe-2019Rush IMDb - https://www.imdb.com/title/tt0086222/Warrior of the Lost World IMDb - https://www.imdb.com/title/tt0088380/Fail Safe Blu-Ray - https://www.barnesandnoble.com/w/dvd-fail-safe-sidney-lumet/3626501Film Notes The Horror of Frankenstein 1970 Directed by Jimmy SangsterLust for a Vampire 1971 Directed by Jimmy SangsterFear in the Night 1972 Directed by Jimmy SangsterRumble in the Bronx 1995 Directed by Stanley Tong Gwai-LaiThunderbolt 1995 Directed by Gordon ChanHead Against the Wall 1959 La Tête contre les murs Directed by Georges FranjuVD 1972 Directed by Wim VerstappenMasters of the Universe 2026 Directed by Travis KnightRush 1983 Directed by Tonino RicciWarrior of the Lost World 1983 Directed by David WorthFail Safe 1964 Directed by Sidney Lumet

Finishing our series on the films of Sidney Lumet, we take a look at Before the Devil Knows You're Dead (2007). Starring Philip Seymour Hoffman, Ethan Hawke, Albert Finney, and Marisa Tomei, the film follows two brothers whose plan to rob their parents' jewelry store quickly spirals out of control. Using a non-linear structure, Lumet gradually reveals how a single bad decision impacts everyone involved. Join us as we the film's bleak nature, its unique storytelling approach, and how it caps off the diverse career of Sydney Lumet.    Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

The Cold War Cinema team returns to discuss Sidney Lumet's 1964 film Fail Safe, a powerful (and bold) independent Hollywood production that paints a horrific picture of a potential nuclear war. The film was released the same year as Stanley Kubrick's Dr. Strangelove and has remained in its shadow, unfairly, ever since.  In this episode we discuss:  Sidney Lumut's fascinating and underrated cinematic career The political and historical context of Fail Safe (1964), a film that captures the paranoia of nuclear proliferation The film's critique of war technology and how that maps onto our current era of AI-assisted warfare.   The limits of Hollywood storrytelling for a truly radical critique of US imperialism _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Jason recommends the 1992 book Signatures of the Visible by Fredric Jameson. Paul recommends the novel Advise and Consent by Allen Drury and Otto Preminger's 1962 film adaptiion Avise & Consent.  Tony recommends the book Raymond Chandler: The Detections of Totality by Fredric Jameson and W.E.B. Du Bois's  book Darkwater: Voices from Within the Veil.  _____________________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.  For more from your hosts: Follow Jason on Bluesky at @JasonChristian.bsky.social, on X at @JasonAChristian, on Letterboxed at @exilemagic. Jason also writes an infrequent newletter on left-wing cinema at Notes on Radical Cinema.  Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas.  Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Oscar-winning superstar director Ron Howard talks to his former New World Pictures colleague Joe Dante and co-host Josh Olson about the movies that made him and continue to impress him! Show Notes: Movies Referenced In This Episode Limit Up (1989) Grand Theft Auto (1977) Infested (2002) The Courtship of Eddie's Father (1963) Hollywood Blvd. (1976) I Never Promised You a Rose Garden (1977) Citizen Kane (1941) Rush (2013) Curious George (2006) *One Flew Over The Cuckoo's Nest (1975) - 24:00 Amadeus (1984) American Graffiti (1974) 12 Angry Men (1957) The Howling (1981) The 'Burbs (1989) *The Graduate (1967) - 31:49 Bonnie and Clyde (1967) Romeo and Juliet (1968) White Heat (1949) The Searchers (1956) *The Apartment (1960) - 39:26 Some Like It Hot (1959) Sunset Blvd. (1950) Night Shift (1982) Splash (1984) Parenthood (1989) Silver Streak (1976) Foul Play (1978) Witness for the Prosecution (1957) *As Good As It Gets (1997) - 44: 37 All The President's Men (1976) Three Days of the Condor (1975) Network (1976) *Schindler's List (1993) - 49:00 Amistad (1997) The Color Purple (1985) Jurassic Park (1993) Cape Fear (1991) Apollo 13 (1995) Frost/Nixon (2008) *Dog Day Afternoon (1976) - 53:41 *Das Boot (1981) - 56:43 Eight Days A Week (2016) A Hard Day's Night (1964) Unforgiven (1992) *Mr. Smith Goes to Washington (1939) - 63:05 It's A Wonderful Life (1946) It Happened One Night (1934) *A Boy And His Dog (1975) - 70:22 David and Lisa (1962) Mad Max (1979) The Road Warrior (1981) Backrooms (2026) Obsession (2026) Other Notable Items Our revamped Patreon!  The Hollywood Food Coalition Michael Curtiz Ron and Clint Howard's memoir The Boys (2021) Rance Howard Jean Speegle Howard  The University of Oklahoma Dennis Weaver Gary Cooper Bruce Dern Harry Dean Stanton Vincente Minnelli The Andy Griffith Show TV series (1960-67) Samuel Fuller TFH Guru Allan Arkush TFH Guru Roger Corman New World Pictures Our latest RZA podcast Imagine Entertainment Brian Grazer Curious George TV series (2006-22) Milos Forman Danny DeVito Christopher Lloyd Kirk Douglas Michael Douglas Haskell Wexler Jack Nicholson One Flew Over the Cuckoo's Nest novel by Ken Kesey (1962) Gary Sinise Death of a Salesman play by Arthur Miller (1949) Nathan Lane Lee J. Cobb Henry Fonda Mister Roberts play by Joshua Logan (1948) John Ford The 'Burbs TV series (2026- ) Mike Nichols Robert Surtees Franco Zeffirelli  The Sopranos TV series (1999-2007) Sidney Hickox  Warner Bros. Pictures French New Wave Andy Griffith The Cornell Theatre in Burbank, CA Charles Martin Smith Happy Days TV series (1974-84) Penny Marshall Billy Crystal Lowell Ganz Babaloo Mandel Thomas L. Miller Glenn Close James L. Brooks Cliff Robertson Ned Beatty Steven Spielberg Michael Jordan Peter Morgan The Crown TV series (2016-23) Tom Hanks Making Movies memoir by Sidney Lumet (1995) On Directing Film book by David Mamet (1991) Bill Connor Dog Day Afternoon play by Stephen Adly Guirgis (2026) Wolfgang Peterson Ringo Starr Paul McCartney Meryl Streep Gene Hackman Clint Eastwood James Stewart Frank Capra Sam Rosen John Carradine D.W. Griffith Don Knotts Sheldon Leonard The Beverly Hillbillies TV series (1962-71) Petticoat Junction TV series (1963-70) Anson Williams Bobby Sherman Linda Purl L.Q. Jones  John Cassavetes Alvy Moore George Miller Harlan Ellison Jason Robards Robby the Robot Don Johnson TechniscopeSpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

Sidney Lumet and Naomi Foner (and Executive Producers Griffin Dunne and Lisa Robinson) took what in lesser hands would be a family melodrama and allowed it to become an incredibly mature, layered, complicated story resting entirely on the capable shoulders of its cast of wonderful actors...not least 17-year-olds Martha Plimpton and River Phoenix, a couple off-screen and on.

If we told you ‘Deathtrap' was the poorer cousin of ‘Sleuth' (see Episode 13), would that be a bad thing? It would certainly be a great double bill, and the film on the docket this time is full of surprises, deception and plot twists. It's not on a par with Hitchcock's ‘Psycho' but does follow a similar structure as the viewer is engaged in one story before the film becomes something else entirely Film Gold regular Scott Phipps joins Antony for a fun moviewhose opening scene is ‘a movie of a play-within-a-play which takes place within the play on which the movie is based'. As well as Michael Caine and Christopher Reeve, we have the director with one of the greatest filmographiesever, Sidney Lumet, adapting a play by the legendary Ira Levin What could go wrong?... Enjoy! 'Film Gold' is on all the main podcast platforms. Feedback to contrafib2001@gmail.com Facebook⁠⁠⁠https://www.facebook.com/filmgoldpod⁠⁠⁠ Twitter⁠⁠https://twitter.com/FilmGold75⁠ Antony's website (blog, music, podcasts) ⁠⁠⁠https://www.antonyrotunno.com⁠ Antony's John Lennon/Beatles and Psychology/Alt. Media podcasts⁠⁠⁠https://glassoniononjohnlennon.com⁠⁠https://lifeandlifeonly.podbean.com⁠ Support Antony's podcast work (Film Gold, Glass Onion: On JohnLennon and Life And Life Only) at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.com/paypalme/antonyrotunno⁠⁠⁠⁠⁠⁠⁠⁠⁠OR⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/antonyrotunno⁠⁠⁠⁠⁠⁠⁠⁠⁠ Scott's podcasts ‘The Stinking Pause', ‘Reel Britannia' and ‘Rainbow Valley'⁠https://directory.libsyn.com/shows/view/id/stinkingpause⁠https://directory.libsyn.com/shows/view/id/reelbritanniahttps://directory.libsyn.com/shows/view/id/rainbowvalley episode linksDeathtrap film pages and original trailerhttps://en.wikipedia.org/wiki/Deathtrap_(film)https://www.imdb.com/title/tt0083806/https://www.youtube.com/watch?v=8AQ2GlTw7x4 That Kiss! (shock horror!!)https://www.youtube.com/watch?v=Pd9ImWTVX8I Michael Caine and Christopher Reeve interviews for the filmhttps://www.youtube.com/watch?v=EFv0nVs_z7Uhttps://www.youtube.com/watch?v=CEPnsPtp3Pk&t=318s Film Gold's review of Sleuth (with Scott and his ReelBritannia co-host Stevenhttps://podcasts.apple.com/gb/podcast/episode-13-sleuth-1972/id1544641271?i=1000542380256 Caine and Reeve reunited in ‘Noises Off' (1992)https://www.youtube.com/watch?v=zjkRw2GAxRo What is Primal Therapy?https://en.wikipedia.org/wiki/Primal_therapy How to Better Understand the Rubik's Cubehttps://www.youtube.com/watch?v=vK9XjwmseSk

Matt and Jordan review HBO’s Sundance acquisition Miss You Love You. And while Jordan finds it to be a handsome, moving, and well-acted "filmed play", Matt finds too modest and predictable. For Rec Seg, Matt revisits the grueling, ice-cold dread of corporate culture with a 2019 workplace thriller, while Jordan counters with a classic 1982 Sidney Lumet thriller packed with more twists, turns -- and smooches! Finally, Jordan takes the reins as Dungeon Master for a game called On a Wing and a Prayer. Chapters / Timecodes (Timecodes/chapters may not be precise with ads.) Intro (00:00:00–00:7:27) Miss You Love You (00:7:28–00:26:54) Rec Seg!: (00:26:55–00:43:49) Personalized Recs (00:43:50–01:04:34) Game: On a Wing and a Prayer (01:04:35–01:23:04) Wrap-Up & Credits (01:23:05–01:35:02) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu. https://www.filmspotting.net/nextpictureshow Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.

FRED MILSTEIN is CEO of Media Guarantors, a CAC Group Company, with over 30 years of independent film production, completion guarantee and financing experience. Fred was the prior Global Head of Production at Miramax and also held senior-level positions at Aon and ProSight, focusing on film. Career highlights include BEFORE THE DEVIL KNOWS YOU'RE DEAD, directed by Sidney Lumet, THE IMAGINARIUM OF DOCTOR PARNASSUS, directed by Terry Gilliam, SILENT NIGHT, from director John Woo and ROOFMAN, from director Derek Cianfrance. Host Jason E. Squire is Professor Emeritus, USC School of Cinematic Arts, and Editor of The Movie Business Book. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0) 

Evan, Rémy and Marcus go one f'n hour on Stanley Kubrick's DR. STRANGELOVE, the unsettling Cold War masterpiece that confronts the specter of nuclear annihilation through absurdist satire and institutional madness. Along the way, they explore the culture of atomic anxiety that shaped the film, its disturbing parallels to our modern world, and the thematic connections it shares with Sidney Lumet's FAIL-SAFE and Michelangelo Antonioni's RED DESERT, two other 1964 classics grappling with humanity's fragile relationship to technology, power, and catastrophe. Sign-up for the OFH Patreon to get access to our bonus episodes and to support Tom Fitzgerald: ⁠http://patreon.com/onefuckinghour

 Introducing our new stand of podcasts: While they were Bond.In this new series we look at the film starring James Bond actors during their tenure as James Bond.Our first episode focuses on Sidney Lumet's extraordinary and harrowing wartime prison drama, The Hill, starring Sean Connery who by 1965 was anxious to be cast in roles very different to 007. He certainly got his wish with this outstanding yet deeply controversial telling of life in a north African prison camp for British soldiers in World War 2. Download the podcast here or listen on the player below. The Oddjob Pod is also available on Apple Podcasts,  Spotify and Amazon. Alternatively, add our feed to your podcatcher of choice. Love the OddjobPod? Please give it a 5-star rating. Like our Facebook page. Follow @oddjobpod on Twitter and on Insta   

Gay homosexuals Nick and Joseph review Equus - a 1977 psychological drama film directed by Sidney Lumet and written by Peter Shaffer. The film stars Richard Burton, Peter Firth, Colin Blakely, Joan Plowright, Harry Andrews, Eileen Atkins, Kate Reid and Jenny Agutter.Additional topics include:Brenda's Letterboxd reviewsRed Lobster in Times Square closing​The death of Peabo BrysonJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

Send us Fan MailIn this episode, we talk about Sidney Lumet's final film, Before the Devil Knows You're Dead. The film stars Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, and Albert Finney. We talk about the stellar cast, the complexity of the plot, and how Sidney Lumet wanted this to be viewed as a melodrama. We talk about Lumet's glorious career and discuss other directors with good swan songs. Click and listen!

Continuing our series on the films of Sidney Lumet, we take a look at Deathtrap (1982). Based on Ira Levin's hit stage play, the film follows a struggling playwright who becomes obsessed with a script written by one of his students. What follows is a series of twists, double-crosses, and surprises that make Deathtrap feel remarkably modern for a thriller of its era. Anchored by strong performances from Michael Caine and Christopher Reeve, the film keeps finding new ways to pull the rug out from under its audience. Enjoy our discussion of one of Lumet's most unique and entertaining films.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Richard Gere, Gene Hackman, and Denzel Washington? In a Sidney Lumet film? How could a movie like this be all but forgotten these days? I dig into it with filmmaker Rodney Ascher (back for his third episode) in this lengthy and very nerdy conversation full of digressions and Lumet sidebars. Check out the list of episodes here: bit.ly/3WZiLFk. Subscribe wherever you get your podcasts: Apple Podcasts, Spotify, etc.  Overhated is now proudly sponsored by those Effin' Birds.com, the award-winning comic strip by Aaron Reynolds.  

Adaptation is a tricky thing no matter the source in cinema. Novels, life stories, historical events, original ideas, short stories. Adapting live theater plays is an especially tricky business. Something written to be performed live, often in 1 location/set, with concentrated poetic dialogue, plays different as a movie. Secret Movie Club founder.programmer Craig Hammill takes a look at everything from Sidney Lumet's adaptations of 12 Angry Men and Long Day's Journey into Night to all the various Shakespeare adaptations to experimental one location minimalist adaptations like Richard Linklater's 2001 Tape. His conclusion? It might help moviemakers to direct some plays to be better prepared to adapt them to the big screen.

Continuing our series on the films of Sidney Lumet, we turn to The Verdict (1982). Starring Paul Newman as a down-on-his-luck attorney, the film follows a medical malpractice case that offers him one last chance at redemption. Written by David Mamet, The Verdict strips away the glamour of the courtroom drama, focusing instead on conscience, persistence, and the difficulty of doing the right thing when the odds are stacked against you. Join us as we discuss one of Lumet's most acclaimed films and one of Newman's finest performances.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Mike White May continues with more Sean Connery yet this time with an edgy, more facial-hair forward demeanor in yet another Sidney Lumet joint The Offence. Starring Connery as Sergeant Johnson, a cop in the UK who's had one bad day too many, and takes it out on a suspected child molester with catastrophic results. Professor Spencer Parsons joins to talk Connery, noir, and influences on '90s crime films.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

Sidney Lumet's 1975 masterpiece of naturalistic filmmaking is many things: a bank robbery procedural, a time capsule of 1970's NYC political and economic movements, a groundbreaking cinematic portrayal of a leading gay character, and maybe the most Brooklyn film of all time. In Episode 1 of my two-parter, I do the usual deep dive into the hows and whys of the ways in which the film still lands emotionally and experientially for viewers today. In Part 2, I'll delve into fact vs fiction, digging into the real Sonny and Sal as well as exploring some of how the real-life protagonist of the robbery began to live the version of events shown onscreen...and even came to embellish the facts far beyond the realm of plausibility. It's an incredible true story that makes you wonder what's stranger: fact or the fiction spun from it?

It's Mike White May here at the Kulturecast and we're talking Sean Connery all month long! We kick off the month with a look at one of the many pairings of Sidney Lumet and Connery with the 1965 film The Hill. Featuring an ensemble cast including Ozzie Davis, it focuses on a group of military prisoners being held in a North African "glass house" where men are broken just for fun. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

Today Alex and special guest Tom Shkolnik discuss the 1976 film Network directed by Sidney Lumet, written by Paddy Chayefsky and starring Peter Finch, Robert Duvall, William Holden and Faye Dunaway.  In this episode we discuss Lumet's film-making style, how Network predicted the future, the evolution of the media landscape, the impact of systems and media on how we think and behave, technology addiction, cultural stagnation and much more. Tom is the director of the 2012 British drama The Comedian nominated for Best Newcomer at the 2012 London film festival. He is the director of an upcoming film based on the book A Life of One's Own by psychoanalyst Marion Milner. Here is the link to the crowdfunding campaign for Tom's upcoming film A Life of Own's Own about psychoanalyst Marion Milner:https://www.crowdfunder.co.uk/p/qr/BWdq6L4n?utm_campaign=sharemodal&utm_medium=referral&utm_source=shortlinkInterviewed by Dr. Alex Curmi. Dr. Alex is a consultant psychiatrist and a UKCP registered psychotherapist in-training.Check out The Thinking Mind Blog on Substack: https://substack.com/home/post/p-186445029If you would like to invite Alex to speak at your organisation please email alexcurmitherapy@gmail.com with "Speaking Enquiry" in the subject line.Alex is not currently taking on new psychotherapy clients, if you are interested in working with Alex for focused behaviour change coaching , you can email - alexcurmitherapy@gmail.com with "Coaching" in the subject line.Give feedback here - thinkingmindpodcast@gmail.com Follow us here: Twitter @thinkingmindpod Instagram @thinkingmindpodcast

Superman sets aside his cape to prove his acting powers for this adaptation of a play about plays and murder. With an early death, numerous reversals, and enough weapons to make Chekhov choke, Sidney Lumet played it out differently than playwright Levin. Christopher Reeve and Michael Caine play cat and mouse in Deathtrap, while the Brains bust out their best yet.

Rachel Walther is the author of Born To Lose: The Misfits Who Made Dog Day Afternoon. We deep dive into one of the greatest films of all time based on a true story of a bank robbery in Brooklyn, starring Al Pacino and directed by Sidney Lumet, released in 1975. Subscribe to the show on iTunes, Spotify, Pandora, Stitcher, and other podcast outlets. It also airs every Tuesday at 4 p.m. on 92.9FM Los Gatos, 101.9FM Santa Cruz, and 91.1FM Portland on Pirate Cat Radio. Substack.DuShane.com Creative Writing at Los Feliz Public Library, Los Angeles: May 6, 2026 June 3, 2026

Ep. 391: Michael Lee Nirenberg on Cinematic Immunity, his new oral history about New York filmmaking crews Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I go behind the scenes with filmmaker and author Michael Lee Nirenberg, whose new book Cinematic Immunity is an oral history of New York filmmaking of a different sort. Rather than directors or screenwriters, Nirenberg interviewed crew members across departments—and decades—to recount the making of movies like The French Connection and Do the Right Thing, shows like Pee-Wee's Playhouse and The Sopranos, and generally the ethos of working with Sidney Lumet or Spike Lee. As our conversation demonstrates, we were able to delve into stories and anecdotes that offer different perspectives and angles on film culture and the esprit de corps of studio filmmaking. “Cinematic Immunity: An Oral History of New York Filmmaking As Told by the Crews That Got the Shot” is available for purchase online and in bookstores. Also, the Frank Perry film that's mentioned, Last Summer (1969), is screening on May 3 at the Paris Theater. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

"I'm simply asking questions."70mm presents SHAME MONTH with Sidney Lumet's 12 ANGRY MEN. Has CinemaCon changed everything? We discuss TOP GUN 3, AVENGERS DOOMSDAY coming to you via SMELL-O-VISION, VIDEO HEAVEN DNF, Danny watching THE NATURAL and MONEYBALL, Proto rewatching the original TOY STORY and much more. In the uncut portion of the episode we finally discuss the Second Sight 4K eBay pricing and offer a few chicken updates while perusing VARIETY DOT COM.Chapters:(00:00:00) Introductions + CINEMACON(00:10:27) What we watched(00:21:27) 12 ANGRY MEN(01:05:42) Next weekSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault which includes over 70 movies! Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a ⁠TAPEDECK⁠ podcast, along with our friends at ⁠BAT & SPIDER⁠,  ⁠The Letterboxd Show⁠, Austin Danger Pod, ⁠Escape Hatch⁠, ⁠Will Run For...⁠, ⁠Lost Light⁠, ⁠The Movie Mixtape⁠, and ⁠Twin Vipers⁠.(Gone but not forgotten; ⁠Cinenauts⁠ + ⁠FILM HAGS⁠.) ★ Support this podcast on Patreon ★

Continuing our series on the films of Sidney Lumet, we take a look at Serpico (1973). Starring Al Pacino in one of his most defining early roles, the film tells the true story of an NYPD officer who refuses to play along with the department's deep-rooted corruption. Gritty, grounded, and intensely personal, Serpico trades spectacle for character, charting one man's slow isolation as he chooses integrity over loyalty. Enjoy!   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Kicking off our latest series on the films of Sidney Lumet, we begin with the incendiary classic Network (1976). Written by Paddy Chayefsky, the film is as sharp and biting as ever, taking aim at television, corporate power, and the blurred line between news and entertainment. Anchored by unforgettable performances and iconic monologues, Network feels just as relevant today as it did on release. Join us as we dive into one of Lumet's most enduring films.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

In this episode I spoke with author Rachel Walther about her book "Born To Lose: The Misfits Who Made Dog Day Afternoon". This is the plot of Dog Day Afternoon, the 1975 film directed by Sidney Lumet and starring Al Pacino, John Cazale, and Chris Sarandon. It remains a high-water mark of New Hollywood, where the best acting talent of the day came together on a film that was truly exceptional.

In honor of the late Robert Duvall, we share Adam and Josh's March, 2021 review of Sidney Lumet's Best Picture-nominated NETWORK, which was part of the 7 From '76 series. For full access to the show archive, Filmspotting Discord, monthly bonus episodes, and more, ⁠join the Filmspotting Family⁠⁠.See omnystudio.com/listener for privacy information.

SEASON 4 EPISODE 60: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:30) SPECIAL COMMENT: Arizona Senate Republicans just introduced a measure to make ICE MANDATORY at polling places this November. Mandatory. At voting booths. This November. No - It won’t pass. This time. But this does dispel any MAGA crap that this isn't the goal, that rounding up immigrants isn't just practice. Happily, DHS and MAGA are too busy purging themselves. Maybe just as importantly: Does Trump look drawn and unnaturally thin in the face? Like, lost a lot of girth in the face - the kind of thing where people who don’t know say “you’ve lost a lot of weight, you look great” – except you don’t? Also he has just confused Harmeet Dhillon for Phyllis Diller. Standard stuff. But he made a different gaffe that you just can’t write off because it’s new. It’s not something stupid – it’s something he’s misplaced, mentally. The one Trump blunder that suggests he’s getting WORSE: The Penn Station post. AND HOW THE DEATH OF ROBERT DUVALL mainlines into the death of CBS News and the prophesy of Duvall's most important film: Network. Which you should go watch, today. B-Block (50:00) PART TWO of my list of the nearly two dozen destructive changes we are now suffering from, in television news and media in general, that we were warned by, by Paddy Chayefsky, by Peter Finch, Faye Dunaway, Robert Duvall, and director Sidney Lumet. C-Block (1:10:00) THE WORST PERSONS IN THE WORLD: A little out of order, but still really good. Tom Emmer, Minnesota moron. Peter Navarro, economic consultant who doesn't know the Dow Jones number isn't in dollars. And the joy of Candace Owens, so lost she can't pronounce ordinary American English words like "Bureau" and "Grandiose" and as chronicled by one of the best of all Twitter-X follows: @CandaceReading1See omnystudio.com/listener for privacy information.