Podcast appearances and mentions of ian danskin

Ian Danskin is back with another insane woke rant that pulled directly out of his behind! Want to know who's at fault for all the bad stuff in the world? The answer is obviously anyone who doesn't agree with everything he says! Join the channel: https://www.youtube.com/channel/UCn8m... Buy our graphic novel: http://adamfriended.com/supervillains Support Us On Patreon! : https://www.patreon.com/sitchandadam Support us on Subscribestar: https://www.subscribestar.com/sitch-a... Sitch & Adam Merch! : https://sitchandfriended.threadless.com/ UNOFFICIAL FAN RUN REDDIT! https://www.reddit.com/r/SitchandAdam... Clip Channel: https://www.youtube.com/c/SitchAdamClips Sitch and Adam Bingo Card: https://twitter.com/CaffeineTweaker/s... Sitch's Main Channel: https://www.youtube.com/channel/UCyGE... Adam's Channels Think Club: https://www.youtube.com/channel/UCCAH... Adam Friended: https://www.youtube.com/channel/UCy6Q... Secret Channel: https://www.youtube.com/channel/UCKH2...

Speaking with Shawna is guest Hannah Brancato, co-founder of the culture-jamming FORCE: Upsetting Rape Culture, the organization behind The Monument Quilt for survivors of rape and sexual assault, and their allies. They discuss collaborating on the music video, what it was like to see the effects of their activism in real time, and the difficult necessity of living our values. Learn all about the War On Women song “Say It” - insight on making the video (including how they ensured full consent from everyone appearing in the video), critiques of the song, a short history of WOW's self-titled album, and more. The official sponsor of this episode is First Defense Krav Maga out of Herndon, VA. Episode transcripts, important links, and ways to support Shawna and this podcast can be found at shawnapotter.com. Everything War On Women can be found at linktr.ee/waronwomen. For bonus episodes, behind the scenes content, and the chance to make special requests and get shoutouts on air, become a patron at patreon.com/shawnapotter. Thanks to Brooks Harlan for chopping up War On Women's song “Her?” to create the podcast theme song. Main podcast photo: Justin Borucki. Content Warning: sexual violence, victim-blaming LINKS/RESOURCES: To access confidential help, visit https://www.rainn.org or call 800-656-HOPE (4673) Sexual Assault Awareness Month: https://www.nsvrc.org/saam Hannah Brancato: https://www.hannahbrancato.com/ Monument Quilt: https://themonumentquilt.org/archiving-the-monument-quilt/ FORCE: https://upsettingrapeculture.com/ Fake Victoria's Secret campaign: https://upsettingrapeculture.com/pastprojects/pinklovesconsent/ Inheritance of White Silence: https://www.hannahbrancato.com/inheritance “Say It” music video: https://www.youtube.com/watch?v=M4KjM2zEj1w The work of artist & videographer, Danielle Damico: http://www.daniellecdamico.com/ Mariame Kaba: http://mariamekaba.com/ adrienne maree brown: https://adriennemareebrown.net/ Decolonizing non violent communication: https://co-conspirator.press/Decolonizing-Non-Violent-Communication But Her Lyrics (ep 12) with Ian Danskin https://anchor.fm/dashboard/episode/e16v0nk But Her Lyrics (ep 8) with Brittany Oliver https://anchor.fm/shawnapotter/episodes/Seeds---008-e146nr3 --- Send in a voice message: https://anchor.fm/shawnapotter/message Support this podcast: https://anchor.fm/shawnapotter/support

This episode of But Her Lyrics… tackles track 10 on Wonderful Hell, “The Ash Is Not The End.” Host Shawna interviews Ian Danskin (of Innuendo Studios), whose videos about the alt-right, gmr/gte, and angry white men directly inspired the lyrics. Find out what a spinal injury, Adult Swim, and Elliott Smith have to do with any of it. The band talks about how writing and recording this song was a little different than all the others, but it all starts with a surprise appearance by a former WOW tour-mate! Be sure to listen til the end to hear Shawna's request for help deciding what the hell should happen next. It's not often you get to tell a feminist what to do! For more bonus episodes, behind the scenes content, and the chance to make special requests and get shoutouts on air, become a patron at patreon.com/shawnapotter The official sponsor of this podcast is First Defense Krav Maga out of Herndon, VA! All episode transcriptions and important links can be found right here a few days after the original air date: shawnapotter.com/#/but-her-lyrics-podcast --- Send in a voice message: https://anchor.fm/shawnapotter/message Support this podcast: https://anchor.fm/shawnapotter/support

Hi! It's been a wild year. Thanks to Ian Danskin of Innuendo Studios for a conversation on loss, life, happiness, and home (and a little bit about games). Special thanks to Ben Cohn for the music ("File Select" from Land of the Gods, Vol II).

Ian Danskin runs the Youtube channel Innuendo studios where his videos seem to focus on how horrible, manipulative, dishonest, and terrible, the people who disagree with him are. But it seems like he's just upset that people don't agree with him and his inability to make them follow his ideology. Let's take a look. Watch the full episode on youtube here: https://youtu.be/K4DCk_cNEw4

At Pax East 2018 I participated in a panel discussion on Patreon and some of the things I've learned using the crowd funding platform. Also on the panel were Tanya C. DePass from I Need Diverse Games, Ian Danskin from Innuendo Studios, and Ken Gagne host of Gamebits on YouTube and the Polygamer podcast. Links: I Need Diverse Games: https://ineeddiversegames.net/ Innuendo Studios: https://www.youtube.com/user/mrskimps/featured Gamebits: https://www.youtube.com/c/gamebitstv Polygamer: https://www.polygamer.net/

Should we ever talk to the alt-right? When we do so, why does it feel so unproductive? Why can't we on the left ever seem to "win" debates with the alt-right? Why are Gamer-Gaters so angry? These are just a few of the questions Ian Danskin of the YouTube channel Innuendo Studios has sought to answer. He does so brilliantly and incisively. I've found his work to be incredibly illuminating. He was kind enough to come on the show and talk about his background, how he got into this line of work, and answer some of my questions about political discourse and his videos! Brilliant GamerGate Series; The Alt-Right Playbook Leave Thomas a voicemail! (916) 750-4746, remember short and to the point! Support the show at seriouspod.com/support! Follow us on Twitter: @seriouspod Facebook:  https://www.facebook.com/seriouspod For comments, email thomas@seriouspod.com  

Riven was the long-awaited, highly anticipated sequel to the adventure-blockbuster Myst from Cyan Worlds. Today, Michael and Ragnar talk about both Myst and its phenomenal sequel with the help of Ian Danskin... who brings the *LORE* Check out Ian Danskin's channel Innuendo Studios https://www.youtube.com/channel/UC5fdssPqmmGhkhsJi4VcckA

Support the show and get double the episodes by subscribing to bonus episodes for $5/month at patreon.com/champagnesharks.  Also, remember to review and rate the podcast in Itunes: itunes.apple.com/us/podcast/champ…d1242690393?mt=2. Today I'm joined by Ian Danskin of Innuendo Studios, who can be found on twitter at http://twitter.com/innuendostudios. We're here to talk about his new Youtube video series on dealing with the Alt-Right, "The Alt-Right Playbook." You can support his work via Patreon at https://www.patreon.com/InnuendoStudios. "The Alt-Right Playbook: Introduction" https://www.youtube.com/watch?v=4xGawJIseNY. "The Alt-Right Playbook: Control the Conversation" https://www.youtube.com/watch?v=4xGawJIseNY. "The Alt-RIght Playbook: Never Play Defense" https://www.youtube.com/watch?v=wmVkJvieaOA Data and Society website's papers https://datasociety.net/output/ "Media Manipulation and Disinformation Online" by Alice Marwick and Rebecca Lewis https://datasociety.net/pubs/oh/DataAndSociety_MediaManipulationAndDisinformationOnline.pdf The Authoritarians by Bob Altemeyer http://theauthoritarians.org/Downloads/TheAuthoritarians.pdf Don't Think of a Pink Elephant by George Lakoff http://amzn.to/2DaCh9v Anti-Semite and Jew: An Exploration of the Etiology of Hate by Jean-Paul Sartre http://amzn.to/2CJiInR The #ianlivetweetshisresearch hashtag: https://twitter.com/hashtag/IanLivetweetsHisResearch?src=hash

There’s a lot of assumptions folks make about violence and video games, from beliefs that violence in video games cause real life violent crime, to the stereotype that violence in video games is intended only for our more dudely players. But what about the violence that happens in real life sports? Does tackling and dragging someone to the ground for a ball make you more likely to tackle and drag someone to the ground out in the real world? And do women really like all that brutal physicality anyways? As far as brutality goes, the sport of rugby is about as brutal as they come. Sometimes it hurts to watch rugby, much less play it. Legend has it that rugby was invented in England in 1823, when William Webb Ellis decided the rules of soccer (“football”) didn’t apply to him, picked up the ball with his hands, and ran the length of the pitch to score the first ever try. The Tulane Women’s Rugby Team follows in this great rugby tradition of smashing expectations, and are currently ranked third in the country after only two years of competitive play. This week we're joined by members of Tulane University's Women's Rugby Team, Emma Peterson and Hayley Alexander. Emma and Hayley want folks to know that there's more than meets the eye when it comes to the "violence" in rugby, and that the respect and comraderie of rugby is actually the selling point of the sport... not the bruises and the black eyes (however fetching they can be). Unfortunately, Hayley and Emma have found that rugby isn’t always thought of as a “women’s sport”, mostly due to assumptions about what genders are interested in physically brutal gameplay. And when people DO think of women rugby players, they often assume the women are all hyper-masculine drunken lesbians who are into bar fights. While there undoubtedly are rugby women who fall into those categories ("shoot the boot" is a real and terrifying thing, apparently), Hayley and Emma discuss some of the stereotype-shattering aspects of the women’s rugby community, from teams filled to the brim with sorority girls, to winning kicking competitions at rugby tournaments in pencil skirts. Emma Peterson, originally from Northern California, is a graduate student at Tulane University, getting her M.A. in English. She plays for Tulane Women's Rugby Club.   Hayley Alexander, originally from Bellevue, WA, is a senior at Tulane University, getting her M.P.H (Masters in Public Health). She's the president of the Tulane University Women's Rugby Club.   This episode is the fifth (and final) episode in Gaming Broad(ly)'s series on violence and video games. For the full conversation, start with “Episode 10: Moral Combat—Why the War on Violent Video Games is Wrong” with researchers Chris Ferguson and Patrick Markey on the (lack of) data about video games causing real life acts of violence, followed by “Episode 11: Why Are You So Angry?”, with Ian Danskin of Innuendo Studios, to learn more about why folks get so, well, aggressive about making sure games stay violent. Part three will bring you to "Episode 12: Why Are You Afraid of Virtual Reality?" with Gijs Molsbergen for a discussion on virtual reality, violence and trauma, and the responsibility of VR advocates to make psychologically healthy and enjoyable VR experiences. In Episode 13, "The Unbearable Anxiety of Tweeting", we looked at how just the FEAR of violence in online gaming spaces causes ripple effects that impact even our conversations and interpersonal relationships.    Stuff we mentioned...How to Play RugbyTulane UniversityRugby BallMoon WalkingShoot the Boot JD (The Broad)Website: GamingBroadly.comTwitter: @JayDeeCepticonInstagram: @JayDeeCepticon Tulane Women's Rugby Club (The Cast)Facebook: TulaneUWRFC Instagram: @Tulanewrfc Website: www.tulanewrfc.wixsite.com/tuwrfc  Gaming Broad(cast) is the official podcast of GamingBroadly.com. Thank you to everyone who has liked, subscribed, and commented about Gaming Broad(cast) on Apple Podcasts! You can also follow this podcast on Spotify, Podbean, Stitcher, Google Music, or subscribe directly using our RSS feed. Want some gamey goodness in your email inbox? Sign up for some occasional(ly) playful newsletter updates. Thanks to Los Kurados for the use of their song "Rojo Y Azul" for the intro and outro music of our podcast.

Subtweeting is all the rage these days. And no, we don't mean tweeting from a Subway. Rae Sterling, writer and twitter role-player, joins us this week to talk about how (and why) passive-aggressiveness crops up in online gaming spaces. Join us this week to learn more about Twitter roleplay, the benefit and detriment of anonymity on the internet, and the toxic effects of passive-aggression on community-building.  While the anonymity of the internet is what has allowed Rae to really delve deep into the cathartic (and often therapeutic)  world of role-play, Rae thinks that anonymity also makes space for people to dredge up the worst part of themselves in the form of trolling, pile-ons, and emotional abuse. Subtweeting and vaguebooking is a way that a lot of folks deal with the fear of internet aggression, but these indirect forms of communication wind up creating toxic play spaces. Subtweeting, indirectly tweeting something about someone without mentioning their name (even though it's KIND OF clear who the person tweeting is referring to), can have surprisingly devastating effects on individuals and communities. Add in an anxiety disorder? The effects become ten-fold! This episode is part four in Gaming Broad(ly)'s series on violence and video games. Continuing from previous conversations, this week we look at how just the FEAR of violence in online gaming spaces causes ripple effects that impact even our conversations and interpersonal relationships. For the full conversation, start with “Episode 10: Moral Combat—Why the War on Violent Video Games is Wrong” with researchers Chris Ferguson and Patrick Markey on the (lack of) data about video games causing real life acts of violence, followed by “Episode 11: Why Are You So Angry?”, with Ian Danskin of Innuendo Studios, to learn more about why folks get so, well, aggressive about making sure games stay violent. Part three will bring you to "Episode 12: Why Are You Afraid of Virtual Reality?" with Gijs Molsbergen for a discussion on virtual reality, violence and trauma, and the responsibility of VR advocates to make psychologically healthy and enjoyable VR experiences. Rae Sterling (they/them) is a gender adjacent in-progress writer of both comics and prose based in Austin, Texas. In their spare time, they work full time at Austin Books and Comics and at reading more than your daily suggested serving of comics to keep up with the ever-moving world. They participate in online role-playing on Twitter and Tumblr, play Overwatch, and describe themselves as "bad at video games". Their passions include speaking loudly and to whomever will listen about both LGBT+ comic books, diversity in comics, and the importance of all-ages comics in the lives of young readers. In Austin, Rae is working hard to become a source of information to both schools and parents for all-ages graphic novels and comic books. Stuff we mentioned...Slime RancherDream DaddyOverwatchFighting Games (like Moral Combat, Tekken, etc.)Twitter RoleplayTumblr RoleplayShadow BanningVaguebookingSubtweetingPassive-aggressive behavior JD (The Broad)Website: GamingBroadly.comTwitter: @JayDeeCepticonInstagram: @JayDeeCepticon Rae Stirling (The Cast)Twitter: @dragonosaurusWebsite: Genretastic.com Gaming Broad(cast) is the official podcast of GamingBroadly.com. Thank you to everyone who has liked, subscribed, and commented about Gaming Broad(cast) on Apple Podcasts! You can also follow this podcast on Spotify, Podbean, Stitcher, Google Music, or subscribe directly using our RSS feed. Want some gamey goodness in your email inbox? Sign up for some occasional(ly) playful newsletter updates. Thanks to Los Kurados for the use of their song "Rojo Y Azul" for the intro and outro music of our podcast.

The next frontier of video game development is the virtual one, and research about the impact of violence in Virtual Realiy (VR) has started to gear up (if Dr. Chris Ferguson of Episode 10 is any indication). This week JD continues the conversation about violence in video games by chatting about violence and VR with Gijs Molsbergen, a virtual reality gamer with experience developing an award winning VR experience. Gijs is a VR advocate, and has been awed and inspired by the experience and potential of virtual reality for quite a while.  But loving something also means acknowledging how powerful it can be, and Gijs admits there could be some unintended negative effects of VR if developers and VR advocates don’t take their role as VR ambassadors seriously. While Gijs thinks violence in VR is extremely unlikely to cause acts of violence in real life, there is the potential for virtual reality to be traumatic for folks who aren’t fully prepared for just how real VR can feel. Gijs has some suggestions to help make the mental transition from physical to virtual a good one, from physical grounding techniques and proper mental preparation, to thinking ahead about designing experiences that mitigate the effects of harassment in virtual spaces. The episode culminates with Gijs talking about his work with the National Video Game Museum in the Netherlands (opening October 2017), which will include a Virtual Reality exhibit and game research lab. Gaming Broad(ly) field trip to the Netherlands, anyone? This episode is part three in Gaming Broad(ly)'s series on violence and video games. For the full conversation, start with “Episode 10: Moral Combat—Why the War on Violent Video Games is Wrong” with researchers Chris Ferguson and Patrick Markey on the (lack of) data about video games causing real life acts of violence, followed by “Episode 11: Why Are You So Angry?”, with Ian Danskin of Innuendo Studios, to learn more about why folks get so, well, aggressive about making sure games stay violent. Gijs Molsbergen is a Virtual Reality gamer and content marketing consultant in the Netherlands, with experience developing an award winning VR experience. Stuff we mentioned...Lab4242SpaceLAB (Category Management VR App for retailers) by Lab4242VTimePaintLab by Lab4242 “Making virtual reality matter” TEDxYouth Talk by Gijs MolsbergenMan’s reaction to rollercoaster VR prankResident Evil 7: Biohazard (example of a VR horror game) JD (The Broad)Website: GamingBroadly.comTwitter: @JayDeeCepticonInstagram: @JayDeeCepticon Gijs Molsbergern (The Cast)Twitter: @Gijs_Molsbergen Work: OrangeValley.nl Website: GijsMolsbergen.nl Email: ghf.molsbergen@gmail.com Gaming Broad(cast) is the official podcast of GamingBroadly.com. Thank you to everyone who has liked, subscribed, and commented about Gaming Broad(cast) on Apple Podcasts! You can also follow this podcast on Spotify, Podbean, Stitcher, Google Music, or subscribe directly using our RSS feed. Want some gamey goodness in your email inbox? Sign up for some occasional(ly) playful newsletter updates. Thanks to Los Kurados for the use of their song "Rojo Y Azul" for the intro and outro music of our podcast.

Ian Danskin of Innuendo Studios joins JD this week to talk the WHY of violence. Specifically, why does violence matter so much to so many people who play games? Ian explores why the mission to keep violence in video games feels so personal to so many people, and why conversations about the cultural implications of violence in video games get so heated. A particularly relevant conversation, seeing as the past few years have seen a flurry of intense (and somewhat scary) responses to critiques of the ubiquity of violence in video games (Gamergate and the harassment directed towards Anita Sarkeesian being notable examples). For Ian, regardless of how we think the violence affects us, there is the question of what the violence is used to sell and who it’s supposed to sell itself to. Tune in this week to learn about the ripple effects of censorship attempts, the gendered nature of marketing, and how the perceived naughtiness of violence in video games can affect our emotional attachment to these digital playscapes. Ian Danskin is a New England media artist and video essayist. He makes videos about games and web culture on his YouTube channel, Innuendo Studios. This episode is the second in a current mini series on violence and video games. For the first episode in the series, check out Episode 10: Moral Combat--Why the War on Violent Video Games is Wrong. Stuff we mentioned...Moral Combat: Why the War on Violent Video Games is Wrong90s Censorship WarsJack ThompsonAnita Sarkeesian and Feminist FrequencyGamergateDOOM: Bethesda E3 Showcase Gameplay Reveal“Blood is Compulsory” video by Ian DanskinMortal Combat Blood CodeSupreme Court ruling on video games being artNancy Drew Games"No Girls Allowed" Polygon Article on the relationship between stereotypes that "video games are for boys" and marketingDear EstherWhat Remains of Edith FinchMystWalking SimulatorsCasual Games (and "Casual Revolution" by Jesper Juul, just for kicks)Sonic the Hedgehog is so meanPlay it Loud Campaign“Will thoust get the girl? Or play like one?”Part 1 of Ian’s “Why Are You So Angry?” Series (part 2 gets to "bubble popping")D.A.R.E.The Sims JD (The Broad)Website: GamingBroadly.comTwitter: @JayDeeCepticonInstagram: @JayDeeCepticon Ian Danskin (The Cast)Twitter: @InnuendoStudiosYoutube Channel: Innuendo StudiosPatreon: Innuendo StudiosTumblr: InnuendoStudios Gaming Broad(cast) is the official podcast of GamingBroadly.com. Thank you to everyone who has liked, subscribed, and commented about Gaming Broad(cast) on Apple Podcasts! You can also follow this podcast on Spotify, Podbean, Stitcher, Google Music, or subscribe directly using our RSS feed. Want some gamey goodness in your email inbox? Sign up for some occasional(ly) playful newsletter updates. Thanks to Los Kurados for the use of their song "Rojo Y Azul" for the intro and outro music of our podcast.

Ian Danskin is a freelance animator, writer, video editor, and visual essayist. His YouTube channel, Innuendo Studios, hosts a dozen videos analyzing aspects of gaming culture and media, including how fame manifests itself in the gaming industry, using Phil Fish of Fez as a case study; the evolution and manifestations of Sonic the Hedgehog; and how GamerGate […]

Somewhat late, we present this month's interview of the Critical Distance Confab! I interview Ian Danskin of the Innuendo Studios YouTube channel. In 2014, Ian Danskin made his first YouTube video about celebrity in internet culture, This is Phil Fish, and what that means. He expected a few views and he would build his audience over time, except that video went viral and is to date, by far, his most viewed video. Since then, he's mostly trekked his own path and talked about whatever interested him. We cover some of those interests in talking about adventure games, the challenge of discussing theory that was mostly self taught and, of course, the virality of YouTube videos and the efforts of tracking what an audience is looking for. SHOW NOTES Innuendo Studios YouTube Channel This is Phil Fish Why Are You So Angry? Who Shot Guybrush Threepwood? Things of Beauty: Super Smash Bros. as Spectator Sport Story Beats: Ben There, Dan That The Artist is Absent: Davey Wreden and The Beginner's Guide It's Not Easy Being Blue Innuendo Studios Patreon Opening Theme: 'Close' by The Alpha Conspiracy Closing Theme: 'Wishing Never' by The Alpha Conspiracy

George, Jimmy, and Matt are joined by Ian Danskin to discuss Ubisoft f**king up Tetris, Telltale Games' Minecraft game, and more!

Kahlief and Cicero are back from their mini hiatuses and have an awesome show for you. In this episode we are joined by the creator of the viral video "This is Phil Fish" Innuendo Studio's own Ian Danskin. We a dig a little into why "internet culture" is making monsters of us all and how segregated e-sports leagues might not be a bad thing to combat misogyny. We run down some of the games we've been playing and run through our latest installment of True Fronts October release date edition.