Podcasts about Fez

Homilia Padre Jonas Magno, IVE:Evangelho de Jesus Cristo segundo João 2,13-22Estava próxima a Páscoa dos judeuse Jesus subiu a Jerusalém.No Templo,encontrou os vendedores de bois, ovelhas e pombase os cambistas que estavam aí sentados.Fez então um chicote de cordase expulsou todos do Templo,junto com as ovelhas e os bois;espalhou as moedase derrubou as mesas dos cambistas.E disse aos que vendiam pombas:"Tirai isto daqui!Não façais da casa de meu Pai uma casa de comércio!"Seus discípulos lembraram-se, mais tarde,que a Escritura diz:"O zelo por tua casa me consumirá".Então os judeus perguntaram a Jesus:"Que sinal nos mostras para agir assim?"Ele respondeu:"Destruí, este Templo,e em três dias o levantarei".Os judeus disseram:"Quarenta e seis anos foram precisos para a construçãodeste santuário e tu o levantarás em três dias?"Mas Jesus estava falando do Templo do seu corpo.Quando Jesus ressuscitou,os discípulos lembraram-se do que ele tinha ditoe acreditaram na Escritura e na palavra dele.Palavra da Salvação.

Fez "check" em duas coisas: recado a Luís Montenegro e apoio a Marques Mendes - com a dispersão de votos a ser cada vez maior. O Estado criou um "monstro" com os médicos tarefeiros e agora?See omnystudio.com/listener for privacy information.

Fez "check" em duas coisas: recado a Luís Montenegro e apoio a Marques Mendes - com a dispersão de votos a ser cada vez maior. O Estado criou um "monstro" com os médicos tarefeiros e agora?See omnystudio.com/listener for privacy information.

O Presidente da República tinha anunciado, no verão, uma avaliação da ministra da Saúde. Fez-se esperar e a intervenção só chegou no outono. Censurou a falta de estratégia para o Serviço Nacional de Saúde e pediu um acordo de regime. No dia seguinte, foi Pedro Passos Coelho a pedir uma visão mais a longo prazo das decisões políticas, se possível com acordos alargados. As intervenções de Marcelo e de Passos são o ponto de partida para a Comissão Política desta semana em que falamos de avisos e pedidos de acordo, mas também de saúde e da respetiva ministra. Conversam o comissário residente, Vítor Matos, a coordenadora da secção de Política, Liliana Valente, e a jornalista Paula Caeiro Varela, que acompanha o PSD e o Governo.See omnystudio.com/listener for privacy information.

 My first time with Cosplay Beth. By Thintri - listen to the podcast at Steamy Stories. She stood there, waiting impatiently for the delicious meat to slide into her eager hands. She looked forward to having it in her mouth later, I could tell. She continued to caress her belly and nibble on a fingernail as she waited impatiently.She stood around 5'4" in her Converse sneakers. She wore a black pair of boot-cut jeans and a gray tee that read “Never tell me the odds!” and had a set of red, tumbling dice and a star-fighter with four wings in the shape of an “X” sitting above a plate held up by a small plastic pole  The tee was super tight around her breasts, but I didn't notice any bra lines. I would guess she was a 36C or D. Her hips were just as wide and her ass complimented her full hips and busty chest. Her hair reminded me of that Scottish Disney movie princess, all wild and fire red. Her skin was extremely fair, like she would to burst into flames if she stepped outside. She didn't look much older than the drinking age, a good decade or more younger than me. Another adult millennial in the big city. “Seventy Three!” She pounced and grabbed the too thick package and examined it in her suddenly small hands. Her eyes were as wide as saucers and you could almost see saliva well up in the corner of her mouth. I needed to step in before she made a terrible mistake. “Excuse me. That's my Butt.” I said. “I beg your pardon?!” She responded incredulously. “Seventy Three?.. Your holding my Boston Butt.” I said, holding the ticket for her to see. “Oh, right. I'm sorry. I'm in a different world today.” “You actually look really hungry. Are you going to have time to cook or are you going to eat something raw here in the store? I'll have that Butt now.” I said holding my hands out. “Your butt is so big! Erm… I mean…” She said as she handed it over and I placed it in my cart. “Yeah, What's a bachelor going to do with all this food, right? I'm actually hosting a game night for my friends tomorrow. There will be seven of us total. Eight, if you'd like to have a taste of this Butt.” I said making “Butt” sound more like an actual innuendo this time. “T.J.” I added, extending my hand. “Beth. Pleased to meet you, T.J. What's that stand for?” She said, shaking my out-reached hand in a delicate manner. “Thaddeus Junior. ‘Thad' sounds too douchey.” “What do they call your father?” “Thad…” I said, rolling my eyes sheepishly. “But he's too old to even pretend to act like a douche. He would have no idea where to start.” “Oh, well that's good. I bet he showed you how to be a real gentleman.” She said with a slight giggle in her voice. “He showed me how to rub a butt properly, that's for sure.” “Pardon?!” She said eyes wide again. “Barbeque… dry rub? A good rub down and then moisten it up later.” “Oh, yeah… Right…” “So… Wanna come over tomorrow and join my party? You'd even out the group.” “I don't see why not. Could be fun, right?” “Splendid! That means you'll have to come over tonight to get your character squared away and maybe help prep for dinner? I promise I'll feed you tonight, too. I have flank steaks marinating.” “Oh, I don't know…” “You'll have my address and you can tell all of your friends where you'll be. There's even a doorman and a security camera in the lobby.” “Oh. That sounded well-rehearsed. Invite a lot of ladies home, do you?” She asked suspiciously. “No ma'am. I just want your mind at ease.” I lied with my hands up in a disarming manner. My response was also rehearsed, but it worked like a charm. “Tell me about the marinade.” She said slowly, squinting her eyes and nodding her head up at me. “It's a lazy meal night. It's just a store bought Italian dressing, but I add some of this and that. I was thinking maybe use my indoor grill or broil them. Do you have a preference?” I said trying to sink the hook in deeper. I'm not going to broil a steak. That's ridiculous. “Grill it!” “Agreed. So I'll see you at 6:30 then?” “Yeah. Sounds good.” Hook, Line, and Sinker. “Eighty Three!” said the butcher. “I think you're eighty three.” I said pointing at the ticket in her basket at her feet.“ “Oh. That's me!” She said turning towards the counter. We exchanged information and I gave her my address so we could meet up later. I was actually quite excited about making a new hot friend and maybe even more than that. I'm not the type of guy to jump into bed with just anybody. I really wanted to get to know her and see where in my life she might fit. 6:45 rolled around and I finally got a text from Beth: “Hey, Sorry. The train was running late and there's no cell service down there. I'm walking up to street level now. I'll be at your place in Ten minutes. Is there anything you want me to pick up?” I responded: “Hey, glad you're on the way. I was worried you split on me or worse. All I have is vanilla ice cream and toppings for dessert. If that's not good enough, we can walk around the block and get an Italian Ice from the pizza shop. Is red wine okay with the steaks? If not, I have beer. Should I let the wine breathe or would you rather beer?” She responded: “Italian Icies! And beer, please. Wine feels too formal. [Winky emoji] Be up in five.” She wasn't kidding about the train running slow. The news interrupted my background show. There was a brown out on my line that took 20 minutes to fix. One train was in emergency lighting the whole time. I already called ahead downstairs for the doorman to let my new friend up. He needed to send her up manually because she didn't have a key fob to my apartment. The elevator opened to each unit, but they all had entryways prior to the front door. It was a private place to take off wet clothes and hang jackets and kick off shoes before entering. I left the front door open and she let herself in. “Hello? TJ?” “In the kitchen.” “Hey!” She said, giving me a friendly hug. She smelled like strawberries. I also took a good look at her while were chit-chatted. She wore a Falmouth Falcons Jersey and a matching pleated skirt. She had on short two or three inch heels on that had open toes and matched her outfit well. She quickly discarded them and left them in the hall outside of the front door and closed it behind her. She also put a pair of clips in her hair, leaving the right side of her neck exposed. “I was just about to text you to ask how you like your steak cooked?” “Medium. It's okay if it's a little rare, just don't cook it too much, please.” “Oh, that makes it easier on me. I can put them on around the same time.” “Do you need any help with the cooking?” “Umm… Did you want the potatoes mashed, or as is?” “Hmm… Nah. We can leave them like that. They look done, too.” She said, looking into the pot. “Fork ready!” I said stabbing at them. I went ahead and strained them while Beth flipped the steaks. I also served up a helping of corn for each of us and added the potatoes. “How do they look?” She asked me, pointing to the steaks. I poked at one with my finger and pushed until I felt it push back. “Feels about Medium rare. Maybe another minute on that side.” I said. Beth took it upon herself to grab two beers from the fridge. I was just about done with my second, so it was good timing on her part. “This looks interesting. ‘Axel Rogues' P.O.'d India Pale Ale'? Is it new?” “It's from a brewery a couple of my friends partially own. They send it up from the Alabama Coast for me. They might be giving me a bit of a drinking problem.” I said in jest. “Isn't it bad to have cartoon characters on your beer labels? Something about advertising to minors?” “It's a promotional thing. Only a few of those labels were printed. It was mostly for investors and the grand opening a few weeks back.” “Oh. This tastes pretty good!” She said, wide-eyed. I was told it's a bit of a panty dropper, but I wasn't telling her that. “Yeah. It's got a lot of subtle tastes that the female focus groups enjoyed. The male groups said it's refreshing, but might be too easy to drink. Hence my problem.” I kidded again, even though it was true. Dinner went by pretty quickly and we both cleared our plates and then dumped the dishes in the washer. She was on her third beer and I had just finished my fourth. “Would you like another or maybe a Manhattan?” I asked, trying to grease her wheels some. “Can you make a White Manhattan?” She asked. It felt more like a test. “Sure. Is Hudson okay?” I asked, volleying her serve. “That'd be perfect!” She said all too eagerly. Beth went ahead and wiped the table down and moved some of the settings aside to make room for us to work. She had brought her messenger bag and pulled out a large Velcro binder with a few gaming books. I was actually impressed with her line of questioning and her surprising neatness. We decided that one of her old characters, a Human Monk, was a good fit for the group and I gave her the run-down of the story so far, as best as I could remember. She wasn't surprised by the content being sexual in nature. Lots of groups add a sexy/romantic spin thanks to modern fantasy movies and books. One girl in the group, Adrienne, had to re-roll after a death because she decided to fight her way out of an Orc rape scene rather than lose her purity. She was playing a Paladin at the time, so it was pretty fitting. She did set fire to the camp site and take out a few Orcs before she died, though. It was pretty awesome. She re-rolled into a rogue who was her last toon's “Black Sheep” sister; she was a very pissed off rogue. We completely forgot about going out for Icies and decided to chat some more about the group and where I felt the story might lead. I noticed in my peripheral vision that her nipples started to show through her tight shirt. My apartment isn't that cold. I like it to be around seventy six degrees. The air is humidity controlled, so the extra A/C isn't needed. The conversation slid over to her cosplay hobby and how devout she is to it. She whipped out her phone and swiped through several characters she's played at conventions and ren faires. She's even done some minor MeTube shorts in character. We were sitting side-by-side, nearly shoulder to shoulder as she swiped. One particular picture was done in a mirror “selfie” fashion. She was wearing a very tight corset dress that was blue and white, similar to a very familiar droid we all know and love. Her breasts were practically pouring out of her top and her hand was between her legs in a provocative manner. “Whoops… You weren't supposed to see that… Sorry” “Hey now… You should share with the rest of the class, Missy.” I said leaning in closer to her and her phone. “Okay, but they really aren't much to look at. Really.” She said modestly. The pics varied from lingerie to sexy cosplay back to lingerie. Some were topless, but her free hand covered her nipples. There was still an eye-full of side and under boob, though. “I showed you mine, now you show me yours.” She demanded playfully. I had several shirtless gym “Swole” pics as well as a few cosplay pics, too. None as flattering as her pictures, but she seemed pleased with them. She was definitely excited about my picture with me wearing a Fez and bow tie. As I got up for another drink, I opted to switch back to beer. I offered her one over her shoulder and she took it, letting her hand linger on mine, not taking the bottle, though. She let the cold glass rub her neck and shoulder, and when she finally took it, she pulled me into a bent over, sideways kiss. I'm pretty sure she was feeling similar fireworks to mine. I went ahead and climbed over the couch, letting our head bump in the process. We giggled as we put our beers down and started making out like ninth graders. I was being a complete gentleman and let my hands fall on her face and neck as we kissed. Her hands were in similar places, but soon explored down to my chest. I kept it cool and let her do her thing while both of my hands were now working her neck and tangled in her hair. She reached up and pulled her clips out so I didn't pull on her hair the wrong way. I kept up my aggressive assault above her shoulders as she continued to grope my chest and stomach over my shirt. I was wearing a light, loose button-down and low-rise dark blue jeans. Her hands explored more while undoing a button or two. Her left hand snaked into the opening and now rubbed my chest more over my ribbed tank tee underneath. Once all my buttons were undone, I took some initiative and grabbed her under her thighs and pulled her into my lap. She was now kneeling on both sides of my pelvis. We only broke the kiss long enough to discard my top and then my undershirt. My hands were now under her tee shirt, caressing her back. My fingers roamed and slid over where her bra strap would have been. She felt my mouth peak at the sides in a little smile at that. She giggled and pulled her tee off and tossed it to the adjacent love seat. We were sitting bare chest to bare chest as she started moving her hips in a subtle rocking motion on my lap. My hands found her breasts as I continued to molest her tongue with mine. My cock was rock hard and rubbing against her pussy though my jeans and thin fabric of her underwear. She started undoing my belt and pants as I worked on unbuttoning her skirt and pulling the hip zipper down one handed as my mouth found her right breast. Her strawberry scent was so much stronger with my face in her chest. It was driving me crazy. “Take them off.” She said breathlessly, standing up and discarding her skirt, adding it to her tee. I hopped my butt up and pulled my pants off without standing. She was standing between my legs and I would have prolly head-butted her again if I tried to stand. I decided to leave my boxer briefs on to match her level of dress. She sat back down straddling my lap again, only leaving more room between our pelvises this time. My mouth found her left breast as she blindly reached into the opening of my shorts. I was cupping her left breast with my right hand as my left hand began to fondle her right ass cheek. She was wearing a g-string. My hand would squeeze her ass and slide between her cheeks and back to squeezing again. She gasped as she grabbed my cock with her hand. She couldn't see it past my head or through my shorts, but she was certainly pleased with it's size and current level of petrification. She knelt on her left knee and tried to slide my shorts down. I miscued my attempt at helping by hopping my butt again and we head- butted again. We giggled, took a drink and she took my shorts off and took her place back in my lap again. This time, she was crushing my cock against her slit, covered by the tiniest triangle of fabric I've ever seen… Or felt for that matter. Her rocking increased and she was now dry-humping my cock. I could feel her moistness lubricating my dick through her g-string. My pre-cum was starting to bubble over my mushroom cap. Her nails dug into my chest. I didn't notice them until now… They were French tipped and matched her Quidditch jersey. My hands were both on her ass now, as my fingers were sliding up and down her crack and slipping under the thin thread. Her breathing became ragged as my fingers found her drenched pussy from behind. One hand was holding her string aside and her pussy open for me. My right hand found her opening and clit as she rocked back. She started to cum, grinding harder onto me. She called out my name as she climaxed and crumpled onto my chest. Her head on my shoulder. She was panting hard. My fingers continued to rub her from behind softly, easing several after shocks out of her. “Excuse me a moment.” She finally said through choppy breaths. She made her way to the hallway bath and I took the opportunity to grab a condom from the coffee table drawer. I had just enough time to tear one free from the rest and tuck it into the side of the couch cushion when the bathroom door opened up. Her face and chest were flushed, and she still wobbled a little when she walked. It was a combination of her orgasm and the alcohol, I guess. She was holding her g-string in one hand. Her pussy was clean shaven except for a thin trail of red pubic hair just above her clit hood. My dick jumped in approval. “What are we going to do about that?” She said hitching her head towards my crotch. “What did you have in mind?” I said standing before she got too close. She wrapped her arms around my neck and pulled me into another passionate kiss. My cock was rubbing against her navel and my hands found her ass again. She pushed/eased me back onto the couch and got between my legs. She tossed her undies to the side, this time missing the pile and ending up on the floor. The flimsy fabric wasn't heavy enough to make the whole flight. She also had a condom in her hand that she sat on the couch beside me. She must have snuck it out of the medicine cabinet. Her eyes didn't leave mine as her hands stroked my cock. Her butt lowered to a sitting position on her heels. Her mouth opened wide enough to lick the head as she pumped me. She licked from the root to the tip. Her face was covered from her chin to her hair line when she was at her deepest. My dick was longer than her face. She started to suck me off, never stopping to close her eyes, she barely blinked as she stared right into my mine. I would have loved to close my eyes and roll my head back, but her eyes were entrancing. It was the hottest blow job I have ever gotten. Hands down. She was moaning on my cock, flicking her tongue in my tip's slit, lapping up any pre-cum that was leaking out. There was plenty of it, too. My dick was practically drooling. As soon as she was certain that she killed half of my fortitude, she leaned over and retrieved the condom and handed it to me. I ripped it open and popped it on like a magician doing a close-up magic trick. A dove flew out from under my sack. I'm kidding. I grabbed her and pulled her to the couch letting her fall supine. My cock was already at her moist opening. Her heels dug into the backs of my thighs. My dick slid in a good quarter of the way, our gaze never breaking. Her heels let up some and I retreated only to thrust in again. I found a bit of resistance when I got better than half of my shaft inside her. I finally bottomed out on the fourth stroke. I could feel her cervix give about an inch and then kiss my crown with every pass. It was incredible. I still had about an inch to give her, but she'd have to take that herself, I wasn't going to hurt her. Once I got into a good rhythm, I reached up to place my right hand over her shoulder to support my weight over her a little better. She took my hand and placed it on her neck and gently squeezed my forearm until my fingers mimicked her squeezing. Once she was satisfied with my ministrations on her neck, she started to grind against me from underneath. Her left leg took footing on the floor and bounced up onto me. She was looking for the last inch. My left hand wrapped around her left ankle and lifted her leg up over my shoulder and she finally got what she wanted. I was completely inside her and now, my pubic bone grinding into her clit with each thrust. I shortened my stride and let her clit join in on the fun full-time. I found a nipple with my left hand and rubbed it gently, increasing the sensations more and more. A good deal of my upper body weight was on her neck as I squeezed, but she didn't seem to mind. Her mouth creased into a thin smile as she moaned louder and louder. She was going to cum again, only this time she was cumming on my sheathed cock. Her pussy gripped me tighter and my hands involuntarily did the same to her neck and nipple. Her eyes shot open wide as the convulsions started. My pace quickened and I started to penetrate her deeper again. Her squishing was suddenly louder and more pronounced. Her juices were coating my balls as she continued to shake and moan breathlessly. I released her and leaned back and pulled her legs further apart and rubbed her clit in a similar fashion as before. She shook and gasped as she let a third orgasm pass on by. My strokes came to a halt and stopped rubbing her clit. “Are you okay?” I asked smiling at her. The redness dimmed in her face now that the blood returned, but she was still very flushed. “That…was pretty fucking perfect!” She said honestly. “If you let me turn you over, I can go for extra credit. How does that sound?” I replied. “Oh! You didn't cum yet! Take me anyway you'd like!” She said rolling over onto her hands and knees. My right thumb immediately found her puckered asshole. “Okay, not anyway, Cowboy.” She added, giggling. I leaned in and slid all the way in, missing her cervix this time because of the angle. I was stretching her out while hitting all the right spots. My balls nuzzling her clit as I stroked into her. I could see her pussy pull out with me slightly despite her moisture and the lube on the condom. Her climax surprised us both as she began to ram back onto me. I didn't slow down because her canal tightened up and was now hugging all my favorite spots. I plowed through her narrowing passage looking for my own prize. She didn't have any time to recover as she reached orgasm again and again until I was ready. “Where would you like it?” I asked, being a perfect gentleman. “Don't you… fucking dare… pull out… FUCK!” She gasped between strokes. One last look at the condom to check on it's structural integrity and I was plowing harder, deeper, and faster now. Her moans reached a familiar volume again and I was doing my best to time my nut with her next orgasm. As soon as my seed spilled into her condom-protected cunt, she came hard again. We both grunted our approval as my balls emptied. We stayed like that for a moment, knotted together in pleasure. I could feel my cock softening so I took it as a cue to pull out. I grabbed the base of the condom and my cock and slid it out slowly. She tried backing into me to keep me inside her. The latex held and there was a considerable load sloshing in the tip. It would have produced triplets if that's how sex actually worked. She rolled over and collapsed back onto the couch. Seeing the condom in my hand, she grabbed it and poured it all over her huge breasts and rubbed it in, licking her fingers and popping a nipple in her mouth, purring like a cat. It was the grossest thing I ever saw. I fucking loved it, though. I showed her to my master bath and started the shower. I had a garden tub and a shower stall with just enough room for us both inside. We cleaned up and kissed some under the water, then dried off. She retrieved her clothes in one bundle. Her eyes looked like she had something to say, but her lips didn't move. We were both pretty drunk by now and the trains were far too dangerous to ride. I offered to call her a cab and pay for it, but she declined taking my money, saying something about feeling like a hooker. I assured her that wasn't the case and she smiled. I also offered her my spare bedroom, assuming that sleeping in the same bed would be too intimate for her. She gladly accepted. I grabbed something for her to sleep in. A pair of sweats and a big, soft white tee. I was wearing something similar, although they fit me better. After showing her to the spare bedroom and turning the bed for her, I gave her a sensual kiss on her mouth. No tongue. A peck on her forehead and I walked to the door. “What time do you wake up?” She asked, fiddling with her phone above the covers. “Got somewhere to be?” I jested. “Ten? Maybe? Wake me if you're up first. How does pancakes sound for breakfast?” “Oh my Gaia, He's making me pancakes…” She said laughing out loud. “It's a deal!” As I hit the light, I could see her face lit up by her cell phone screen. She was prolly giving the “all clear” to one of her girlfriends, assuring them that she was alright. Prolly better than alright. I reached my bedroom and wiggled under the sheet and took my rest for the night. My bedside clock said 1:37 AM. Not a bad first date, eh? My eyes were heavy and I surrendered to the best sleep of my life. By Thintri , for Literotica

No episódio de hoje do Sacristia, recebemos Dom Luiz Antônio Lopes Ricci, bispo da Diocese de Itapetininga (SP).Natural de Bauru (SP), Dom Luiz foi ordenado presbítero em 1997 e, em 2017, nomeado bispo auxiliar da Arquidiocese de Niterói (RJ) pelo Papa Francisco. Três anos depois, assumiu a Diocese de Nova Friburgo (RJ) e, desde abril de 2025, conduz o rebanho de Itapetininga.Doutor em Teologia Moral pela Pontifícia Universidade Lateranense, em Roma, é também membro da Comissão Episcopal para a Doutrina da Fé da CNBB. Sua trajetória é marcada pela dedicação à formação, ao ensino e à missão pastoral.Com o lema episcopal “Fecit mihi magna” – “Fez em mim maravilhas” (Lc 1,49), Dom Luiz testemunha a confiança e a gratidão de quem reconhece as ações de Deus em sua vida e ministério.APRESENTADOR:Guto AzevedoInstagram: @gutoazevedooficialCAPTAÇÃO E TRANSMISSÃO:Studio SantoFlowInstagram: @santoflowpodcastCom o apoio de nossos patrocinadores, o SantoFlow Podcast continua a levar o amor e a fé de Deus a milhares de pessoas ao redor do mundo.#podcast #domalgacirmunhak #santoflowpodcast

 My first time with Cosplay Beth. By Thintri - listen to the podcast at Steamy Stories. She stood there, waiting impatiently for the delicious meat to slide into her eager hands. She looked forward to having it in her mouth later, I could tell. She continued to caress her belly and nibble on a fingernail as she waited impatiently.She stood around 5'4" in her Converse sneakers. She wore a black pair of boot-cut jeans and a gray tee that read “Never tell me the odds!” and had a set of red, tumbling dice and a star-fighter with four wings in the shape of an “X” sitting above a plate held up by a small plastic pole  The tee was super tight around her breasts, but I didn't notice any bra lines. I would guess she was a 36C or D. Her hips were just as wide and her ass complimented her full hips and busty chest. Her hair reminded me of that Scottish Disney movie princess, all wild and fire red. Her skin was extremely fair, like she would to burst into flames if she stepped outside. She didn't look much older than the drinking age, a good decade or more younger than me. Another adult millennial in the big city. “Seventy Three!” She pounced and grabbed the too thick package and examined it in her suddenly small hands. Her eyes were as wide as saucers and you could almost see saliva well up in the corner of her mouth. I needed to step in before she made a terrible mistake. “Excuse me. That's my Butt.” I said. “I beg your pardon?!” She responded incredulously. “Seventy Three?.. Your holding my Boston Butt.” I said, holding the ticket for her to see. “Oh, right. I'm sorry. I'm in a different world today.” “You actually look really hungry. Are you going to have time to cook or are you going to eat something raw here in the store? I'll have that Butt now.” I said holding my hands out. “Your butt is so big! Erm… I mean…” She said as she handed it over and I placed it in my cart. “Yeah, What's a bachelor going to do with all this food, right? I'm actually hosting a game night for my friends tomorrow. There will be seven of us total. Eight, if you'd like to have a taste of this Butt.” I said making “Butt” sound more like an actual innuendo this time. “T.J.” I added, extending my hand. “Beth. Pleased to meet you, T.J. What's that stand for?” She said, shaking my out-reached hand in a delicate manner. “Thaddeus Junior. ‘Thad' sounds too douchey.” “What do they call your father?” “Thad…” I said, rolling my eyes sheepishly. “But he's too old to even pretend to act like a douche. He would have no idea where to start.” “Oh, well that's good. I bet he showed you how to be a real gentleman.” She said with a slight giggle in her voice. “He showed me how to rub a butt properly, that's for sure.” “Pardon?!” She said eyes wide again. “Barbeque… dry rub? A good rub down and then moisten it up later.” “Oh, yeah… Right…” “So… Wanna come over tomorrow and join my party? You'd even out the group.” “I don't see why not. Could be fun, right?” “Splendid! That means you'll have to come over tonight to get your character squared away and maybe help prep for dinner? I promise I'll feed you tonight, too. I have flank steaks marinating.” “Oh, I don't know…” “You'll have my address and you can tell all of your friends where you'll be. There's even a doorman and a security camera in the lobby.” “Oh. That sounded well-rehearsed. Invite a lot of ladies home, do you?” She asked suspiciously. “No ma'am. I just want your mind at ease.” I lied with my hands up in a disarming manner. My response was also rehearsed, but it worked like a charm. “Tell me about the marinade.” She said slowly, squinting her eyes and nodding her head up at me. “It's a lazy meal night. It's just a store bought Italian dressing, but I add some of this and that. I was thinking maybe use my indoor grill or broil them. Do you have a preference?” I said trying to sink the hook in deeper. I'm not going to broil a steak. That's ridiculous. “Grill it!” “Agreed. So I'll see you at 6:30 then?” “Yeah. Sounds good.” Hook, Line, and Sinker. “Eighty Three!” said the butcher. “I think you're eighty three.” I said pointing at the ticket in her basket at her feet.“ “Oh. That's me!” She said turning towards the counter. We exchanged information and I gave her my address so we could meet up later. I was actually quite excited about making a new hot friend and maybe even more than that. I'm not the type of guy to jump into bed with just anybody. I really wanted to get to know her and see where in my life she might fit. 6:45 rolled around and I finally got a text from Beth: “Hey, Sorry. The train was running late and there's no cell service down there. I'm walking up to street level now. I'll be at your place in Ten minutes. Is there anything you want me to pick up?” I responded: “Hey, glad you're on the way. I was worried you split on me or worse. All I have is vanilla ice cream and toppings for dessert. If that's not good enough, we can walk around the block and get an Italian Ice from the pizza shop. Is red wine okay with the steaks? If not, I have beer. Should I let the wine breathe or would you rather beer?” She responded: “Italian Icies! And beer, please. Wine feels too formal. [Winky emoji] Be up in five.” She wasn't kidding about the train running slow. The news interrupted my background show. There was a brown out on my line that took 20 minutes to fix. One train was in emergency lighting the whole time. I already called ahead downstairs for the doorman to let my new friend up. He needed to send her up manually because she didn't have a key fob to my apartment. The elevator opened to each unit, but they all had entryways prior to the front door. It was a private place to take off wet clothes and hang jackets and kick off shoes before entering. I left the front door open and she let herself in. “Hello? TJ?” “In the kitchen.” “Hey!” She said, giving me a friendly hug. She smelled like strawberries. I also took a good look at her while were chit-chatted. She wore a Falmouth Falcons Jersey and a matching pleated skirt. She had on short two or three inch heels on that had open toes and matched her outfit well. She quickly discarded them and left them in the hall outside of the front door and closed it behind her. She also put a pair of clips in her hair, leaving the right side of her neck exposed. “I was just about to text you to ask how you like your steak cooked?” “Medium. It's okay if it's a little rare, just don't cook it too much, please.” “Oh, that makes it easier on me. I can put them on around the same time.” “Do you need any help with the cooking?” “Umm… Did you want the potatoes mashed, or as is?” “Hmm… Nah. We can leave them like that. They look done, too.” She said, looking into the pot. “Fork ready!” I said stabbing at them. I went ahead and strained them while Beth flipped the steaks. I also served up a helping of corn for each of us and added the potatoes. “How do they look?” She asked me, pointing to the steaks. I poked at one with my finger and pushed until I felt it push back. “Feels about Medium rare. Maybe another minute on that side.” I said. Beth took it upon herself to grab two beers from the fridge. I was just about done with my second, so it was good timing on her part. “This looks interesting. ‘Axel Rogues' P.O.'d India Pale Ale'? Is it new?” “It's from a brewery a couple of my friends partially own. They send it up from the Alabama Coast for me. They might be giving me a bit of a drinking problem.” I said in jest. “Isn't it bad to have cartoon characters on your beer labels? Something about advertising to minors?” “It's a promotional thing. Only a few of those labels were printed. It was mostly for investors and the grand opening a few weeks back.” “Oh. This tastes pretty good!” She said, wide-eyed. I was told it's a bit of a panty dropper, but I wasn't telling her that. “Yeah. It's got a lot of subtle tastes that the female focus groups enjoyed. The male groups said it's refreshing, but might be too easy to drink. Hence my problem.” I kidded again, even though it was true. Dinner went by pretty quickly and we both cleared our plates and then dumped the dishes in the washer. She was on her third beer and I had just finished my fourth. “Would you like another or maybe a Manhattan?” I asked, trying to grease her wheels some. “Can you make a White Manhattan?” She asked. It felt more like a test. “Sure. Is Hudson okay?” I asked, volleying her serve. “That'd be perfect!” She said all too eagerly. Beth went ahead and wiped the table down and moved some of the settings aside to make room for us to work. She had brought her messenger bag and pulled out a large Velcro binder with a few gaming books. I was actually impressed with her line of questioning and her surprising neatness. We decided that one of her old characters, a Human Monk, was a good fit for the group and I gave her the run-down of the story so far, as best as I could remember. She wasn't surprised by the content being sexual in nature. Lots of groups add a sexy/romantic spin thanks to modern fantasy movies and books. One girl in the group, Adrienne, had to re-roll after a death because she decided to fight her way out of an Orc rape scene rather than lose her purity. She was playing a Paladin at the time, so it was pretty fitting. She did set fire to the camp site and take out a few Orcs before she died, though. It was pretty awesome. She re-rolled into a rogue who was her last toon's “Black Sheep” sister; she was a very pissed off rogue. We completely forgot about going out for Icies and decided to chat some more about the group and where I felt the story might lead. I noticed in my peripheral vision that her nipples started to show through her tight shirt. My apartment isn't that cold. I like it to be around seventy six degrees. The air is humidity controlled, so the extra A/C isn't needed. The conversation slid over to her cosplay hobby and how devout she is to it. She whipped out her phone and swiped through several characters she's played at conventions and ren faires. She's even done some minor MeTube shorts in character. We were sitting side-by-side, nearly shoulder to shoulder as she swiped. One particular picture was done in a mirror “selfie” fashion. She was wearing a very tight corset dress that was blue and white, similar to a very familiar droid we all know and love. Her breasts were practically pouring out of her top and her hand was between her legs in a provocative manner. “Whoops… You weren't supposed to see that… Sorry” “Hey now… You should share with the rest of the class, Missy.” I said leaning in closer to her and her phone. “Okay, but they really aren't much to look at. Really.” She said modestly. The pics varied from lingerie to sexy cosplay back to lingerie. Some were topless, but her free hand covered her nipples. There was still an eye-full of side and under boob, though. “I showed you mine, now you show me yours.” She demanded playfully. I had several shirtless gym “Swole” pics as well as a few cosplay pics, too. None as flattering as her pictures, but she seemed pleased with them. She was definitely excited about my picture with me wearing a Fez and bow tie. As I got up for another drink, I opted to switch back to beer. I offered her one over her shoulder and she took it, letting her hand linger on mine, not taking the bottle, though. She let the cold glass rub her neck and shoulder, and when she finally took it, she pulled me into a bent over, sideways kiss. I'm pretty sure she was feeling similar fireworks to mine. I went ahead and climbed over the couch, letting our head bump in the process. We giggled as we put our beers down and started making out like ninth graders. I was being a complete gentleman and let my hands fall on her face and neck as we kissed. Her hands were in similar places, but soon explored down to my chest. I kept it cool and let her do her thing while both of my hands were now working her neck and tangled in her hair. She reached up and pulled her clips out so I didn't pull on her hair the wrong way. I kept up my aggressive assault above her shoulders as she continued to grope my chest and stomach over my shirt. I was wearing a light, loose button-down and low-rise dark blue jeans. Her hands explored more while undoing a button or two. Her left hand snaked into the opening and now rubbed my chest more over my ribbed tank tee underneath. Once all my buttons were undone, I took some initiative and grabbed her under her thighs and pulled her into my lap. She was now kneeling on both sides of my pelvis. We only broke the kiss long enough to discard my top and then my undershirt. My hands were now under her tee shirt, caressing her back. My fingers roamed and slid over where her bra strap would have been. She felt my mouth peak at the sides in a little smile at that. She giggled and pulled her tee off and tossed it to the adjacent love seat. We were sitting bare chest to bare chest as she started moving her hips in a subtle rocking motion on my lap. My hands found her breasts as I continued to molest her tongue with mine. My cock was rock hard and rubbing against her pussy though my jeans and thin fabric of her underwear. She started undoing my belt and pants as I worked on unbuttoning her skirt and pulling the hip zipper down one handed as my mouth found her right breast. Her strawberry scent was so much stronger with my face in her chest. It was driving me crazy. “Take them off.” She said breathlessly, standing up and discarding her skirt, adding it to her tee. I hopped my butt up and pulled my pants off without standing. She was standing between my legs and I would have prolly head-butted her again if I tried to stand. I decided to leave my boxer briefs on to match her level of dress. She sat back down straddling my lap again, only leaving more room between our pelvises this time. My mouth found her left breast as she blindly reached into the opening of my shorts. I was cupping her left breast with my right hand as my left hand began to fondle her right ass cheek. She was wearing a g-string. My hand would squeeze her ass and slide between her cheeks and back to squeezing again. She gasped as she grabbed my cock with her hand. She couldn't see it past my head or through my shorts, but she was certainly pleased with it's size and current level of petrification. She knelt on her left knee and tried to slide my shorts down. I miscued my attempt at helping by hopping my butt again and we head- butted again. We giggled, took a drink and she took my shorts off and took her place back in my lap again. This time, she was crushing my cock against her slit, covered by the tiniest triangle of fabric I've ever seen… Or felt for that matter. Her rocking increased and she was now dry-humping my cock. I could feel her moistness lubricating my dick through her g-string. My pre-cum was starting to bubble over my mushroom cap. Her nails dug into my chest. I didn't notice them until now… They were French tipped and matched her Quidditch jersey. My hands were both on her ass now, as my fingers were sliding up and down her crack and slipping under the thin thread. Her breathing became ragged as my fingers found her drenched pussy from behind. One hand was holding her string aside and her pussy open for me. My right hand found her opening and clit as she rocked back. She started to cum, grinding harder onto me. She called out my name as she climaxed and crumpled onto my chest. Her head on my shoulder. She was panting hard. My fingers continued to rub her from behind softly, easing several after shocks out of her. “Excuse me a moment.” She finally said through choppy breaths. She made her way to the hallway bath and I took the opportunity to grab a condom from the coffee table drawer. I had just enough time to tear one free from the rest and tuck it into the side of the couch cushion when the bathroom door opened up. Her face and chest were flushed, and she still wobbled a little when she walked. It was a combination of her orgasm and the alcohol, I guess. She was holding her g-string in one hand. Her pussy was clean shaven except for a thin trail of red pubic hair just above her clit hood. My dick jumped in approval. “What are we going to do about that?” She said hitching her head towards my crotch. “What did you have in mind?” I said standing before she got too close. She wrapped her arms around my neck and pulled me into another passionate kiss. My cock was rubbing against her navel and my hands found her ass again. She pushed/eased me back onto the couch and got between my legs. She tossed her undies to the side, this time missing the pile and ending up on the floor. The flimsy fabric wasn't heavy enough to make the whole flight. She also had a condom in her hand that she sat on the couch beside me. She must have snuck it out of the medicine cabinet. Her eyes didn't leave mine as her hands stroked my cock. Her butt lowered to a sitting position on her heels. Her mouth opened wide enough to lick the head as she pumped me. She licked from the root to the tip. Her face was covered from her chin to her hair line when she was at her deepest. My dick was longer than her face. She started to suck me off, never stopping to close her eyes, she barely blinked as she stared right into my mine. I would have loved to close my eyes and roll my head back, but her eyes were entrancing. It was the hottest blow job I have ever gotten. Hands down. She was moaning on my cock, flicking her tongue in my tip's slit, lapping up any pre-cum that was leaking out. There was plenty of it, too. My dick was practically drooling. As soon as she was certain that she killed half of my fortitude, she leaned over and retrieved the condom and handed it to me. I ripped it open and popped it on like a magician doing a close-up magic trick. A dove flew out from under my sack. I'm kidding. I grabbed her and pulled her to the couch letting her fall supine. My cock was already at her moist opening. Her heels dug into the backs of my thighs. My dick slid in a good quarter of the way, our gaze never breaking. Her heels let up some and I retreated only to thrust in again. I found a bit of resistance when I got better than half of my shaft inside her. I finally bottomed out on the fourth stroke. I could feel her cervix give about an inch and then kiss my crown with every pass. It was incredible. I still had about an inch to give her, but she'd have to take that herself, I wasn't going to hurt her. Once I got into a good rhythm, I reached up to place my right hand over her shoulder to support my weight over her a little better. She took my hand and placed it on her neck and gently squeezed my forearm until my fingers mimicked her squeezing. Once she was satisfied with my ministrations on her neck, she started to grind against me from underneath. Her left leg took footing on the floor and bounced up onto me. She was looking for the last inch. My left hand wrapped around her left ankle and lifted her leg up over my shoulder and she finally got what she wanted. I was completely inside her and now, my pubic bone grinding into her clit with each thrust. I shortened my stride and let her clit join in on the fun full-time. I found a nipple with my left hand and rubbed it gently, increasing the sensations more and more. A good deal of my upper body weight was on her neck as I squeezed, but she didn't seem to mind. Her mouth creased into a thin smile as she moaned louder and louder. She was going to cum again, only this time she was cumming on my sheathed cock. Her pussy gripped me tighter and my hands involuntarily did the same to her neck and nipple. Her eyes shot open wide as the convulsions started. My pace quickened and I started to penetrate her deeper again. Her squishing was suddenly louder and more pronounced. Her juices were coating my balls as she continued to shake and moan breathlessly. I released her and leaned back and pulled her legs further apart and rubbed her clit in a similar fashion as before. She shook and gasped as she let a third orgasm pass on by. My strokes came to a halt and stopped rubbing her clit. “Are you okay?” I asked smiling at her. The redness dimmed in her face now that the blood returned, but she was still very flushed. “That…was pretty fucking perfect!” She said honestly. “If you let me turn you over, I can go for extra credit. How does that sound?” I replied. “Oh! You didn't cum yet! Take me anyway you'd like!” She said rolling over onto her hands and knees. My right thumb immediately found her puckered asshole. “Okay, not anyway, Cowboy.” She added, giggling. I leaned in and slid all the way in, missing her cervix this time because of the angle. I was stretching her out while hitting all the right spots. My balls nuzzling her clit as I stroked into her. I could see her pussy pull out with me slightly despite her moisture and the lube on the condom. Her climax surprised us both as she began to ram back onto me. I didn't slow down because her canal tightened up and was now hugging all my favorite spots. I plowed through her narrowing passage looking for my own prize. She didn't have any time to recover as she reached orgasm again and again until I was ready. “Where would you like it?” I asked, being a perfect gentleman. “Don't you… fucking dare… pull out… FUCK!” She gasped between strokes. One last look at the condom to check on it's structural integrity and I was plowing harder, deeper, and faster now. Her moans reached a familiar volume again and I was doing my best to time my nut with her next orgasm. As soon as my seed spilled into her condom-protected cunt, she came hard again. We both grunted our approval as my balls emptied. We stayed like that for a moment, knotted together in pleasure. I could feel my cock softening so I took it as a cue to pull out. I grabbed the base of the condom and my cock and slid it out slowly. She tried backing into me to keep me inside her. The latex held and there was a considerable load sloshing in the tip. It would have produced triplets if that's how sex actually worked. She rolled over and collapsed back onto the couch. Seeing the condom in my hand, she grabbed it and poured it all over her huge breasts and rubbed it in, licking her fingers and popping a nipple in her mouth, purring like a cat. It was the grossest thing I ever saw. I fucking loved it, though. I showed her to my master bath and started the shower. I had a garden tub and a shower stall with just enough room for us both inside. We cleaned up and kissed some under the water, then dried off. She retrieved her clothes in one bundle. Her eyes looked like she had something to say, but her lips didn't move. We were both pretty drunk by now and the trains were far too dangerous to ride. I offered to call her a cab and pay for it, but she declined taking my money, saying something about feeling like a hooker. I assured her that wasn't the case and she smiled. I also offered her my spare bedroom, assuming that sleeping in the same bed would be too intimate for her. She gladly accepted. I grabbed something for her to sleep in. A pair of sweats and a big, soft white tee. I was wearing something similar, although they fit me better. After showing her to the spare bedroom and turning the bed for her, I gave her a sensual kiss on her mouth. No tongue. A peck on her forehead and I walked to the door. “What time do you wake up?” She asked, fiddling with her phone above the covers. “Got somewhere to be?” I jested. “Ten? Maybe? Wake me if you're up first. How does pancakes sound for breakfast?” “Oh my Gaia, He's making me pancakes…” She said laughing out loud. “It's a deal!” As I hit the light, I could see her face lit up by her cell phone screen. She was prolly giving the “all clear” to one of her girlfriends, assuring them that she was alright. Prolly better than alright. I reached my bedroom and wiggled under the sheet and took my rest for the night. My bedside clock said 1:37 AM. Not a bad first date, eh? My eyes were heavy and I surrendered to the best sleep of my life. By Thintri , for Literotica

In this episode, Lora Verheecke, Policy Officer at Counter Balance, interviewed Hikma Bachegour, an Assistant Professor in the Sidi Mohamed Ben Abdellah University in Fez, Morocco. They highlighted the impacts of European hydrogen projects in Morocco and how it could affect vulnerable communities, women, and gender minorities, who are too often left out of the decision-making process.

Have you ever wondered what it's really like to experience Morocco - including the medinas, the desert, and the Blue City - all in one trip? From camel rides in the Sahara to wandering the alleyways of Fez, this trip was all about embracing adventure, culture, and connection in one unforgettable journey. In this episode, Alex and Pam share how they explored Morocco on a whirlwind girls' trip using a mix of points, miles, and cash. Listen in to learn how to plan your own Moroccan adventure, from selecting riads and desert camps to understanding local customs and tipping etiquette. They share what surprised them most, which cities left the biggest impression, and how this trip proved that sometimes, the best use of points is creating once-in-a-lifetime memories. You can find links to resources mentioned in this episode plus the transcript here: travelmomsquad.com/152 Ready to get started with NEARLY FREE travel? Click here for the exact offers we would sign up for this month: travelmomsquad.lpages.co/bestoffers/ The Travel Mom Squad is also on YouTube! You can watch this episode here: youtube.com/@travelmomsquad Let us know what you want to hear on the podcast by sending us a DM on Instagram: instagram.com/travelmomsquad

Guto Valadares trabalha com iluminação cênica há mais de 20 anos, tendo projetado, executado, coordenado e operado iluminação para bandas brasilienses de baile como a banda Squema 6, Terminal Zero entre outras. Fez peças de teatro como Nós no Bambu (com Marcelo Augusto) e shows diversos de pequeno a grande porte. Desenhou iluminação para eventos corporativos como o Vende Sicoob 2022 ,Troféu Fidelidade Sicoob e Prêmio Fieto de Inovação 2022 em Palmas-TO. Atua como iluminador cênico na Empresa Brasil de Comunicação, a EBC, onde é concursado desde 2012. Atualmente também, realiza operação de iluminação e painel de LED para a banda Rock Beats e Banda Mensana, ambas de Brasília.O Porão do Rock é muito mais do que um festival de música. Ele é um marco cultural de Brasília e um dos maiores eventos de rock independente da América Latina. Criado em 1998, o festival já reuniu mais de 1.000 bandas e atraiu um público superior a 1 milhão de pessoas ao longo de sua história.3 palcos para mais de 30 shows;Lounge e praça de alimentação com opções diversas;Praça de Esportes Urbanos, incluindo pista de skate, parkour, escalada e slackline.Ficha Técnica:Guto Valadares:Projeto de luz dos palcos, espaços comuns de publico e FOH ; Coordenação da equipe de iluminaçãoMariana Brandão:FOH palco 2Denner Alves:FOH Palco 3Moises:Operação de luz da Pista dos palcos 1 e 2Caio Maciel:Apoio e Operação de luz da Pista dos palcos 1 , 2 e pista de SkateJoao Vitor AndriottiOperação de luz da pista de SkateMarcel PapaCoordenação Técnica geralSite/Rede social do trabalho: https://poraodorock.com.br/o-festival/ /@poraodorock /https://www.youtube.com/@poraodorockoficialGênero: Show

Fez esta semana um ano que Odair Moniz, cidadão luso cabo-verdiano de 43 anos foi morto a tiro por um agente da Polícia de Segurança Pública na noite de 21 de Outubro de 2024 na Cova da Moura, na Amadora, nas imediações da capital portuguesa. Este acontecimento provocou na altura, vários dias de incidentes na zona de Lisboa, com os habitantes dos subúrbios a expressarem o seu descontentamento com o tratamento que lhes era reservado pelas autoridades. Um ano depois, são várias as organizações da sociedade civil que acusam o governo de nada ter feito para restabelecer a confiança entre os habitantes das periferias e as forças da ordem. A crispação é tanto mais palpável que o país tem estado a debater nestes últimos meses uma série de restrições a serem introduzidas tanto na lei de imigração como na lei de nacionalidade. É neste contexto particular que começou na quarta-feira o julgamento dos agentes policiais envolvidos na morte de Odair Moniz, um processo que cristaliza expectativas mas também questionamentos, com o réu principal a invocar que a vitima tinha na sua posse uma lâmina e que ele se sentiu ameaçado. Um dado que até agora não tinha vindo ao de cima e que na óptica de Rui Pena Pires, investigador ligado ao Observatório da Imigração em Portugal, é o prenúncio de que nunca se saberá ao certo o que aconteceu. RFI: O que se pode esperar do julgamento do caso Odair Moniz? Rui Pena Pires: Eu espero que o julgamento esclareça o que se passou. Prefiro sempre pronunciar-me sobre os resultados do julgamento e não a priori, e não fazer um incidente de suspeição antes do julgamento começar. Espero que esclareça bem o que se passou e que explique porque é que foi necessário recorrer a uma arma de fogo para resolver um problema que aparentemente não exigia nenhuma intervenção desse tipo. O Estado, nas sociedades democráticas, é a única entidade que tem poder de vida ou de morte, mas tem que usar com muita, muita parcimónia. Quando algum agente está envolvido na morte de alguém, essa morte tem que ser muito, muito bem explicada. Nós somos um país em que todas as polícias andam armadas com armas de fogo. Nem em todo o lado é assim. E essa é mais uma razão para que se exijam responsabilidades pelo uso das armas que são usadas no exercício das funções policiais. RFI: Durante o primeiro dia de julgamento, surgiu um dado novo: um dos réus afirmou que Odair Moniz tinha consigo uma lâmina e que ele considerou que ele representava uma ameaça à segurança dos agentes presentes. Rui Pena Pires: As versões que têm vindo a público sobre o que aconteceu têm mudado muito. E isso, por si só, não é uma boa notícia. Significa que nunca saberemos bem qual é o valor dessas declarações. Mas para isso existe o julgamento. Agora, há várias coisas que o julgamento não poderá fazer. Não faz parte do âmbito do julgamento. Não será no julgamento que se irá avaliar o treino e a formação que são dados aos agentes policiais para saberem reagir em situações em que haja alguma tensão, mesmo que resulte mais de percepções do que de perigos reais. Como sabemos, não será no julgamento que será discutido o uso sistemático de armas de fogo em todos os contextos, pelas forças de segurança e por aí adiante. E esses assuntos mereciam uma discussão, para além de se saber o que é que aconteceu naquele caso. Importava evitar que aqueles casos se repetissem. E para isso, se envolve outro tipo de discussões sobre o modelo de policiamento, sobre a formação dos agentes policiais, etc. etc. RFI: Na altura deste acontecimento houve uma série de manifestações e movimentos, inclusivamente, de revolta, nas imediações de Lisboa. Perante esta situação, o Governo prometeu ter mais atenção à situação dos habitantes dos subúrbios das grandes cidades, nomeadamente de Lisboa. Um ano depois, qual é o balanço que se pode fazer? Rui Pena Pires: Infelizmente, um ano depois, continuamos na mesma. Ou seja, houve um conjunto de revoltas que evidenciaram uma coisa, evidenciaram que as populações não têm confiança na actuação das forças policiais. E para ganhar essa confiança, eu não vi nenhuma iniciativa. Pelo contrário, o que se viram foram muitas vezes intervenções com transmissão em directo para as televisões e acções muito musculadas das forças policiais em contextos que não o justificavam e que estão a criar uma percepção de insegurança não só sobre a vida na cidade, mas sobretudo sobre a vida nos subúrbios, que não corresponde à realidade e que, no contexto de um aumento do discurso de ódio que caracteriza a ascensão da extrema-direita em Portugal, como noutros países da Europa, só irá agravar o mal-estar que existe na relação com a polícia. RFI: Um ano depois, Portugal está em pleno debate sobre a Lei de Imigração, a Lei de nacionalidade e há poucos dias ainda, foi adoptada na generalidade uma lei proibindo o uso da burca em locais públicos. O que é que se pode dizer sobre esta crescente crispação a nível político? Rui Pena Pires: Esta foi uma crispação que foi introduzida pelo crescimento da extrema-direita em Portugal. A extrema-direita em Portugal, como noutros sítios da Europa, encontrou na emigração bodes expiatórios para os problemas de mal-estar social que existem em qualquer sociedade mais ou menos desenvolvida. É um pouco irrelevante e tem vindo a produzir sobre a emigração um discurso de responsabilização dos emigrantes por tudo o que de mal acontece na sociedade portuguesa. As revisões das leis a que estamos a assistir são sobretudo o reflexo da adesão que este discurso de extrema-direita tem conseguido suscitar em importantes sectores do eleitorado. Primeiro, uma pequena minoria do eleitorado, mas hoje já numa fatia bastante maior do eleitorado nacional. Infelizmente, o centro-direita tem vindo a adoptar parcialmente como suas estas formas de actuação da extrema-direita. Um bom exemplo é o que aconteceu com a Lei da burca, aprovada na generalidade. O problema da burca não tem em Portugal qualquer dimensão social que justifique sequer que seja tratado. Já nem estou a falar sobre a forma como foi tratado. Não justifica pura e simplesmente ser tratado. Se o Estado intervém e produz leis, quando há, sobretudo todo e qualquer tipo de processo social microscópico, como é o caso burca em Portugal, rapidamente teríamos um Estado completamente totalitário no país. Portanto, esta utilização do discurso sobre a imigração para criar bodes expiatórios, para criar distracções, nós não estamos a discutir problemas complicados que existem em Portugal, como por exemplo, o problema do alojamento, que é um dos problemas mais importantes. Andamos entretidos com a agenda da extrema-direita que tem marcado a agenda política. Não havia nada que justificasse a alteração da lei da nacionalidade. A lei da nacionalidade pode ser mais perfeita, menos perfeita. Mas não há nada que vá melhorar com as mudanças que se estão a fazer ou discutir sobre a lei da Nacionalidade. Não é por as pessoas terem nacionalidade mais um ano depois ou um ano antes, que vai mudar qualquer coisa na integração dos imigrantes. Quer dizer, quando muito, aquelas mudanças que estão a fazer à lei da nacionalidade, o que evidencia é uma má vontade do Estado em relação à imigração e aos imigrantes, que terá consequências nos processos de integração dos imigrantes, que se sentirão mais afectados em relação à coesão nacional quando enfrentam este tipo de discurso negativo sobre si próprios. A lei da imigração precisaria de pequenos ajustes cirúrgicos, mas não de grandes alterações. E as alterações estão a ser feitas todas num clima emocional crispado, que era completamente desnecessário para resolver os problemas que existem na imigração, porque no caso, a imigração, a maior parte dos problemas têm pouco a ver até com a lei. Têm muito mais a ver com as políticas públicas de imigração. Há uma grande imigração irregular em Portugal. Porquê? Basicamente porque o sistema de vistos em Portugal nunca funcionou. Porque a regulação do mercado de trabalho em Portugal é fraca. E nenhum desses problemas encontra resposta nas alterações feitas à lei da nacionalidade. Aliás, não se resolve através da lei. Resolve-se através dos modos de funcionamento da administração pública. São leis que entraram no debate por esta capacidade que extrema-direita tem demonstrado em Portugal, infelizmente, de comandar a construção de uma agenda política. RFI: E lá está, o facto de a direita conservadora ter vindo a colar-se cada vez mais à agenda da extrema-direita é uma questão de convicção ou é um cálculo político? Rui Pena Pires: Às vezes não sei. Eu penso que, nalguns casos, nalguns agentes da direita conservadora, é uma questão de cálculo. Mas às vezes, não sei se noutros casos, para alguns outros dirigentes da direita clássica, não é mesmo uma mudança de convicções. E isso é algo que, apesar de tudo, me assusta mais do que a primeira alternativa. Acho que a primeira alternativa é um erro de cálculo. Acho que a segunda é mais grave, porque significa que começam a ser mais generalizadas as ideias que ainda há pouco tempo eram de uma minoria, mesmo muito pequena, dos actores políticos. RFI: Qual é o papel que têm desempenhado os contrapoderes, nomeadamente não só as associações, como também, e sobretudo, os órgãos de comunicação social em Portugal? Rui Pena Pires: O movimento associativo em Portugal é fraco e, portanto, tem procurado responder, mas não tem tido grande poder para construir uma resposta mais robusta. O papel dos órgãos de comunicação social é muito variado. Agora, aquilo que são alguns dos órgãos de comunicação social com maiores audiências, quer ao nível de imprensa, quer ao nível televisivo, para falar apenas dos media tradicionais, tem facilitado o desenvolvimento da extrema-direita e a extrema-direita procura sempre criar situações de grande tensão emocional que dão um bom espectáculo e muitos órgãos de comunicação social têm andado atrás desse espectáculo. E isso de uma forma completamente desequilibrada. Há uma jornalista no Público que faz o levantamento de vários modos de operação de outros jornais e de outros órgãos de comunicação social e que está farta de chamar a atenção para o peso completamente desproporcionado, por exemplo, que tem a exposição mediática do André Ventura, líder do Chega, quando comparada com a intervenção dos outros líderes partidários, mesmo quando esses líderes partidários lideram movimentos mais fortes que aqueles que são liderados pelo André Ventura. E, portanto, eu espero que os media no futuro não sejam apontados ou pelo menos uma parte dos média, para ser rigoroso, não venha a ser apontada como tendo contribuído para a erosão da democracia que é provocada por este crescimento da extrema-direita.

Séphora Silva é arquiteta (UFPE) com vasta experiência no campo das Artes Cênicas e Audiovisual, onde atua principalmente como diretora de arte e cenógrafa. Fez direção de arte para varios longas e no teatro fez cenografia para diversas produções pernambucanas, entre elas a peça “Um minuto para dizer que te amo”(Dir. Rudimar Constâncio). Já ganhou prêmios de cenografia e direção de arte, tanto no cinema quanto no teatro."Um minuto para dizer que te amo" é um espetáculo que aborda a doença de Alzheimer através de duas histórias entrelaçadas, focando no impacto do amor e da perda, mas sem se deter na doença em si. A peça, que conta com música ao vivo, atuações marcantes, iluminação e cenários delicados, foi premiada nacionalmente e propõe uma reflexão poética sobre a memória, a vida, as relações familiares e o tempo.Ficha Técnica:Texto: Luiz de Lima NavarroEncenação: Rudimar ConstâncioElenco: Carlos Lira, Célia Regina Rodrigues Siqueira, Vanise Souza, Edes di Oliveira, Douglas Duan e Lucas FerrDramaturgia e cenas adicionais: Moisés Monteiro de Melo NetoAssistente de direção e partitura do ator: Sandra PossaniPartitura do corpo: Paulo Henrique FerreiraPartitura da voz do ator: Leila FreitasDireção musical, músicas originais e arranjos: Samuel LiraDireção de Arte, Cenografia, figurinos e adereços: Séphora SilvaMaquiagem e visagismo: Vinicius VieiraProjeto de luz e execução: João Guilherme de PaulaProgramação visual: Claudio LiraOrientação da pesquisa e organização do programa: Rudimar ConstâncioRevisão dos textos: Acrimôri AraújoCenotécnico e contrarregra: Elias VilarExecução de cenário, adereços e figurinos: Manuel CarlosPintura da malha do espectro: Altino FranciscoCostureiras: Helena Beltrão, Irani Galdino e Ana Paula TavaresSerralheiro: Israel GaldinoDireção de produção: Ana JúliaDireção geral: Rudimar ConstâncioRealização: Grupo Matraca de Teatro/Sesc PiedadeGênero: Teatro

Cartógrafo, major e explorador, Percy Fawcett percorreu alguns dos lugares mais inóspitos do planeta. Em sua juventude, no Sri Lanka, explorou baías remotas e identificou ruínas de antigos reinos budistas.Quando adulto, trabalhou como espião para a Grã-Bretanha, investigando o sultão do Marrocos em Fez.Mas foi na Amazônia tornou-se famoso: Fawcett liderou expedições pelo Acre e pela Bolívia, ajudando a definir as fronteiras entre os dois países.Suas jornadas tornaram-se célebres, com seu rosto impresso em capas de jornais e revistas por toda Europa. Um tabloide da época dizia:“Esse é o verdadeiro escoteiro: tomem-o como exemplo! "O prestígio foi tanto que Leonard Darwin, filho de Charles Darwin e presidente da Royal Geographical Society, o levou em turnê para palestrar pela Inglaterra.Com chapéu de feltro, caderno de anotações e um jeito independente de trabalhar, Fawcett acabou se tornando o molde do aventureiro que mais tarde inspiraria personagens como Indiana Jones.Mas...nem todos o viam como um herói. Muitos colegas o consideravam rígido, arrogante e charlatão, um homem obcecado por glória pessoal e convicções quase absolutas sobre o território que explorava.E, de fato, havia muitas coisas sobre a vida de Fawcett que não era divulgada pela mídia geral...

Afgelopen week was dan de eerste echte test voor motorcoureur Deen Munsters in zijn Missie Dakar 2027 met één been. De Rallye du Maroc werd verreden in de woestijn rondom Erfoud, met een proloog in Fez. Het primaire doel was de rally uitrijden en dat deed hij. Waar hij nog een zware schuiver had in de vierde etappe, kwam hij er zonder al teveel kleerscheuren vanaf en reed hij uiteindelijk naar een 74ste plaats in het eindklassement. Het uitrijden betekent dat zijn kwalificatie voor de Dakar Rally binnen is. We blikten er met hem op terug. Presentatie: Robert Denneman

Pedro Passos Coelho discursou na apresentação do livro "Introdução ao Liberalismo". Fez questão de recordar que avisou para o descontrolo na imigração e pede que se questione António Costa.See omnystudio.com/listener for privacy information.

“Você tem que estar bem para o João Pedro ficar bem”, ouviu Mariana aos vinte e quatro semanas de gestação, ao descobrir um câncer de mama triplo negativo ; um tipo particularmente agressivo. De repente, ela precisou cuidar da própria vida e da vida que crescia dentro dela. Fez a mastectomia grávida: uma decisão guiada pela graça, mas também pelo medo de entrar em trabalho de parto. Apesar da seriedade da doença, Mariana viveu a gravidez com alegria — o seu bebê era um presente da vida.Ela conta aqui sobre o puerpério que veio junto com o tratamento, a impossibilidade de amamentar, e o vínculo com o filho que nasceu no olhar, dando a mamadeira.Num país onde a pressão social para amamentar é grande, vale lembrar: cada mãe, junto com o filho, encontra seu próprio jeito de cuidar, de criar o vínculo, de amar. Com Mariana, falamos sobre a doença que a fez repensar o corpo, o tempo e o trabalho; sobre a recidiva; e sobre a dimensão espiritual que sustenta a sua vida.Obrigada, Mariana, por nos lembrar, neste Outubro Rosa, que o cuidado com o corpo também é um ato de amor e que toda cura começa pelo vínculo que criamos com a vida.Gravamos a distância entre Belo Horizonte e São Paulo. 

"Desilusão" é a palavra escolhida por Pizarro para falar dos resultados. Fez tudo o que pôde, numa "campanha entusiasmante e muito participada", mas insuficiente. O trabalho? É para continuar.See omnystudio.com/listener for privacy information.

Have you ever been invited to “eat from your triangle”? In this episode I sit down with Moroccan culinary expert and guide Siham Lahmine to explore the real Morocco—the one you taste and sit inside. From family kitchens in Fez to late-night medina vibes during Ramadan, Siham shares how hospitality, daily rhythms, and regional dishes reveal the country's open-minded surprises and deep food heritage.You'll hear about:

Joana Marques foi absolvida no processo que os Anjos levaram a tribunal no valor de mais de 1 milhão de euros. Em causa estava um vídeo publicado pela humorista nas redes sociais, que satirizava a interpretação do hino nacional por parte de Nelson e Sérgio Rosado. Na sentença, a juíza Francisca Preto afirma que “não há na publicação da Ré qualquer incentivo ao apedrejamento verbal” e adjetiva a crítica implícita ao post como “moderada”. Confirmou-se portanto que “não ficou provado que foi a publicação da Ré que deu origem à polémica que afetou a vida e o negócio” dos queixosos. Apesar da decisão a favor da liberdade de expressão, levantam-se algumas questões: Fez sentido sequer este caso chegar a tribunal? A sentença é esclarecedora para dissuadir futuras queixas semelhantes? Como alguns afirmam, esta decisão dá aos humoristas mais liberdade de expressão do que ao cidadão comum? No Humor À Primeira Vista, Gustavo Carvalho conversa com a advogada Leonor Caldeira, que tem trabalhado em vários processos relacionados com liberdade de expressão. A advogada considera que o processo “foi uma perda de tempo” e questiona, tendo em conta que o aconselhamento jurídico deve ter alertado os Anjos para a pouca probabilidade de sucesso, se o que os moveu foi a “vontade de intimidar a Joana Marques.” Explica ainda que mecanismos têm os tribunais para “cortar pela raíz processos que não têm pés nem cabeça” e sublinha que o discurso humorístico “tem mais amplitude para chegar a lugares de maior provocação, sátira e ironia.”See omnystudio.com/listener for privacy information.

Is a Ferris Wheel a Wheel?Fez hits us with an age old debate to kick us off, followed by yarns about sewer explosions, the brilliance of Australian plumbing and even AI in parliament. Enjoy legends, let's kick this week in the freckle!Ever wanted to watch the Podcast? Check out full visual ad-free episodes and all of our vlogs on our Patreon for only 5 bucks a week. The Five Rocks Special has dropped, a full length movie of a hilarious 2 day camping adventure: patreon.com/alphablokespodcastCome join us at the Kilkivan Rodeo this year. VIP Tickets are available here: https://www.ticketebo.com.au/kilkivan-pbr/kilkivan-pbr-2025Better Beer: Get around their low sugar Ginger Beer as the weather begins to warm up: https://www.betterbeer.com.au/Neds: Whatever you bet on, take it to the neds level: https://www.neds.com.au/SP Tools: Schmicker tools for an even schmicker price, use code "ALPHA" at checkout for 10% off: sptools.comIf you want to keep up to date with what we're up to, the best way is to follow us on the socials down below:PODCAST INSTAGRAM: www.instagram.com/alphablokespodcast/PODCAST TIKTOK: https://www.tiktok.com/@alphablokespodcastPODCAST FACEBOOK: https://www.facebook.com/alphablokespodcast/Follow the boys on Instagram to check out their solo content too:Tommy: https://www.instagram.com/tomdahl_/Bandit: https://www.instagram.com/_thepoobandit_/0:00 - Intro2:00 - Knuckles Proper True Yarn7:00 - Carry Ons1:15:00 - Winning Yarn Hosted on Acast. See acast.com/privacy for more information.

Pedro Barateiro vive e trabalha em Lisboa. Desenha desde muito cedo, e a sua formação em desenho, escultura, vídeo e escrita foi ampliada na Escola António Arroio, na ESAD, nas Caldas da Rainha, no Programa de Estudos Independentes na Maumaus, em Lisboa, e com o mestrado na Academia de Arte de Malmö, na Universidade de Lund, na Suécia, com uma bolsa da Fundação Calouste Gulbenkian. Fez residências artísticas no Pavillon – Palais de Tokyo, em Paris; na AIR, em Antuérpia; no ISCP em Nova Iorque; na Galeria Zé dos Bois e na Spike Island, em Bristol.As suas primeiras exposições individuais em contexto museológico aconteceram em 2008 no Pavilhão Branco, em Lisboa, com a exposição "Domingo"; seguida de "Teoria da Fala" na Casa de Serralves em 2009. Destacam-se ainda exposições individuais em Portugal na Kunsthalle Lissabon, no Museu Coleção Berardo, Parkour, Lumiar Cité, CIAJG, Fundação Carmona e Costa, Rialto6 e nas Galerias Pedro Cera e Filomena Soares. Das suas exposições individuais fora do país, destaco as apresentadas no Kunsthalle de Basel, em 2010; na REDCAT em Los Angeles, em 2016, e no Kunsthalle de Münster, em 2023.O seu percurso foi-se definindo por muitas participações em exposições colectivas no estrangeiro como a Bienal de Performance de Vilnius em 2023, a 13ª Bienal de Sharjah, 20º Festival SESC–Videobrasil, 29ª Bienal de São Paulo, 16ª Bienal de Sidney e 5ª Bienal de Berlim, e em museus e centros de arte como Palais de Tokyo, ARTER, em Istambul, o Museu de Arte Contemporânea de Antuérpia, o CGAC Santiago de Compostela, a Fundação Gulbenkian, MAAT, Fondazione Giuliani, Le Plateau – Frac Île-de-France, entre muitos outros.As suas performances foram apresentadas em várias instituições como TNDMII, Centre Pompidou, Théâtre de la Ville e Fondation Ricard, 98 Weeks, Centro Cultural São Paulo, Cinema Batalha, Teatro Rivoli, Teatro Praga e Teatro São Luiz, entre outros.Editou vários livros de artista, e também as monografias “Como Fazer uma Máscara", editada pela Kunsthalle Lissabon e Sternberg Press; “É só uma ferida”, pela Documenta/ Mousse Publishing), e publicou parte da sua tese de mestrado "O Artista como Espectador" pela Mousse Publishing. Barateiro organiza eventos e exposições na Spirit Shop, que começou no seu atelier na Rua da Madalena em 2017. E em 2020, juntamente com um grupo de artistas, iniciou a primeira associação de artistas visuais em Portugal, a AAVP. Links: https://pedrobarateiro.tumblr.com/ https://www.gfilomenasoares.com/artists/pedro-barateiro/ https://pedro-barateiro.blogspot.com/ https://contemporanea.pt/edicoes/04-05-06-2020/pedro-barateiro-abismo https://www.moussemagazine.it/magazine/pedro-barateiro-opening-monologue-absent-artist-exhibition-jozef-netwerk-aalst/ https://gulbenkian.pt/cam/agenda/movimento-pedro-barateiro/ https://www.p55.art/blogs/p55-magazine/pedro-barateiro-na-1%C2%AAedicao-da-bienal-de-arte-performatica-de-vilnius?srsltid=AfmBOooFbnLuYz3hGwqyh0Pb8n5cK6rD1nbQiU39JT7DyaFWdnUaPyae https://www.cracalsace.com/en/569_love-song-pedro-barateiro Episódio gravado a 16.09.2025 Créditos introdução e final: David Maranha http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels / JD Collection Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes © Appleton, todos os direitos reservados

The animal is covered in spikes all over its back including some that are one metre long emerging from its neck. It also has a bony collar that wraps around its neck and what looks like a pointy mace-like weapon at the end of its tail. Professor Richard Butler of Birmingham University said it was the most exciting specimen he'd ever seen.这种动物的背部布满尖刺，其中一些从颈部伸出的尖刺长达一米。它的脖子上还有一个骨干环，尾巴末端有看起来像是一种和狼牙棒类似的尖锐武器。伯明翰大学的理查德·巴特勒教授表示，这是他所见过的最令人兴奋的恐龙标本。The discovery, which has been published in the journal Nature, turns current ideas – that armour evolved gradually in these animals over tens of millions of years – on their head. Instead, it suggests that the armour was elaborate to start with, possibly for mating and display, and then became simpler and possibly more effective as protection from predators, according to Professor Susannah Maidment of the Natural History Museum.这项发现，发表在《自然》杂志上，颠覆了目前已有的观点，即这些动物的铠甲是在数千万年的时间里逐渐进化形成的。正相反，这项发现表明这些铠甲一开始精巧复杂，可能是为了交配和求偶，而之后变得更加简单，可能成为了抵御捕食者的更有效的保护，这是自然历史博物馆苏珊娜·梅德门教授的观点。The ankylosaur is the oldest discovered to date and is the first to be found in Africa. The research team hope the specimen will be displayed to the public in Fez in Morocco.这种甲龙是迄今为止发现的最古老的、也是第一个在非洲被发现的甲龙。研究团队希望这个标本能在摩洛哥非斯向公众展出。

Dr. Rosemary Admiral provides a groundbreaking history of women's legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women's relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women's engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women's agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Rosemary Admiral provides a groundbreaking history of women's legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women's relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women's engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women's agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dr. Rosemary Admiral provides a groundbreaking history of women's legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women's relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women's engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women's agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Dr. Rosemary Admiral provides a groundbreaking history of women's legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women's relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women's engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women's agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Dr. Rosemary Admiral provides a groundbreaking history of women's legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women's relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women's engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women's agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Dr. Rosemary Admiral provides a groundbreaking history of women's legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women's relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women's engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women's agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Rosemary Admiral provides a groundbreaking history of women's legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women's relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women's engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women's agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Dr. Rosemary Admiral provides a groundbreaking history of women's legal engagement in Marinid Morocco between the thirteenth and fifteenth centuries that fundamentally challenges contemporary assumptions about women's relationships to Islamic legal traditions. Drawing on a rich collection of fatwas (legal documents) from Fez and surrounding areas, Dr. Admiral demonstrates how women—some without formal education—strategically navigated complex legal landscapes to protect their interests, expand their rights, and reshape social dynamics. Contrary to prevailing narratives that portray Islamic law as a monolithic, oppressive system, the book shows how women actively co-produced legal interpretations. They used sophisticated strategies like contract stipulations, exploring plurality in legal opinions, and consulting local scholars to renegotiate marriage terms and expand their rights. These women did not view the legal system as an enemy, but as an instrument for challenging misdeeds and addressing community needs. Dr. Admiral draws attention to the historical practice and implementation of the Maliki school of Islamic law in an area that remained outside of Ottoman control. She highlights women's engagement with Islamic law as deeply embedded in support systems encompassing families, communities, and legal structures, and makes visible women's agency and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Dev Game Club, where this week we complete our series on Portal. We talk about the ending part of the game, the increasing difficulty, the cake, and the boss and declare ourselves Still Alive. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Finished the game! Issues covered: puzzle hockey stick, having puzzles cross through multiple rooms, mechanical additions to the sequel, limiting the additional portal mechanics, having to think about getting across rooms, timing puzzles, how the portals line up, not supporting the twitch elements well, is Chell an android? (she is not -B), the feeling of escape, test subjects getting behind the walls, tactical freedom vs strategic freedom, the importance of context, the meta aspect of these narratives, the subtlety of the cake (until it isn't), "now I'm in Half-Life," competing with Black Mesa, the boss fight, thinking in portals, the final exam and having all the tools, timers as a crutch, the perfectly balanced end point, seeing the outside and being in the Half-Life world, the cake room, the character of GLaDOS as an amalgam of personality modules, triumphant GLaDOS, "the cake is a lie," the game hitting in a different way, the Weighted Companion Cube, having to be interactive, using games as a substrate for "non-interactive" entertainment, the grungy environment vs what's going on, a better show than a game (except maybe a couple of scenes), freeing your mind, the limits of new mechanics, being just one idea with some small sub-ideas, lean/no fat, really great onboarding, a light touch with narrative, everything coming together and artistic cohesion, a meta moment about the SteamDeck, portals!, safety in the portals, portal-based renderers, the one game that brought you in, another very kind review that we sometimes live up to. Games, people, and influences mentioned or discussed: The Stanley Parable, BioShock, Half-Life, President Obama, Claire Danes, Chris and Susan McKinley Ross, Jonathan Coulton, Ellen McLain, The Office, Office Space, Fallout, Saw, Ex Machina, Alex Garland, The Last of Us, Giovanni Giorgio Morodor, Diana Ross, Daft Punk, Fez, Fumito Uedo, Keita Takahashi, J. K. Simmons, Stephen Merchant, Jacques Rivette, Valve, Aperture Desk Job, Erik Wolpaw, Calamity Nolan, BioStats, Endofunctor, Morrowind, Halo CE, Paolo, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: TBA! Twitch: timlongojr and twinsunscorp  Discord  DevGameClub@gmail.com 

RJ Bell, Steve Fezzik and Mackenzie Rivers talk NFL betting for week 3. Dream Podcast – NFL Week 3 Picks Breakdown [Steve Fezzik] (0:00 - 0:04) opens abruptly, his words more like a countdown rhythm, setting a casual yet energized tone. [RJ Bell] (0:06 - 0:42) quickly frames the session with enthusiasm, declaring, “Fez was strong on this one. Acme. Just think Acme is the key word.” He underscores the rarity of what's being offered, stressing this is one of only “four times in the year” where buyers can get unusual value. His analysis implies urgency and scarcity, pressing listeners to act. [Steve Fezzik] (0:43 - 0:48) confirms, “Normally the best deal is you buy for 10 bucks, you get $50 that's offered like once a year.” The importance is clear: maximizing bankroll through this offer is a bettor's edge. [RJ Bell] (0:48 - 1:57) elaborates, repeating “10 gets you 50” while comparing bulk dollars to currency that “never expires.” He emphasizes, “You can spend bulk dollars just like cash never expires,” framing them as stable and advantageous. His implication is that investing here amplifies purchasing power and locks in long-term flexibility. [Steve Fezzik] (1:57 - 2:00) briefly shifts, noting “Hey doc, sports is still going strong,” signaling momentum and reinforcing credibility. [RJ Bell] (2:00 - 2:22) redirects to performance, praising Fezzik: “In college football this season, Steve Fezzik is up 43 units plus. How do you do that in three weeks?” The statistic highlights extraordinary profitability, anchoring Fezzik's authority. [Steve Fezzik] (2:22 - 2:23) explains simply, “High volume,” acknowledging his strategy. [RJ Bell] (2:23 - 2:36) pushes further, asking about availability of picks, emphasizing immediacy. [Steve Fezzik] (2:36 - 2:47) clarifies, “I got my Thursday, Friday college football package up. So I got plays multiple plays for Thursday and Friday,” stressing preparedness and access. [RJ Bell] (2:47 - 3:02) advises Fezzik to release weekend packages early, suggesting buyers will maximize the $10-to-$50 offer, showing a direct connection between financial deal and betting content. [Steve Fezzik] (3:04 - 3:14) adds credibility, noting, “I already won my underdog game of the year. Georgia Tech beats Clemson bonus pick… Clemson under nine and a half wins.” These stats reinforce his sharp projections and long-term leverage, demonstrating foresight on both single games and season totals. [RJ Bell] (3:14 - 4:54) amplifies Fezzik's success: “That's over 10 units. That's like 14 units a week.” He frames it as “crazy,” underscoring just how rare such hot streaks are. His analysis ties the value of the bulk dollar promotion to Fezzik's picks, arguing this is the “wise guy move.” He instructs listeners to buy through Pregame.com, directly linking purchase mechanics to betting success. [Steve Fezzik] (4:55 - 5:18) pivots to NFL observations: “There are no upsets in the NFL anymore… if you just money lined every four point favorite and higher so far, you are undefeated.” This team-level trend reveals a major shift in survivor pool dynamics, implying fewer surprises early in the season. He cautions it may be an “aberration” but still impactful for Week 3 strategy. [RJ Bell] (5:18 - 5:20) challenges why lead with an aberration, sharpening the analysis. [Steve Fezzik] (5:28 - 5:47) closes this segment by pointing to contrarian betting: “If you had done nothing but bet 0–2 teams week three in the NFL catching points 48, 27…” His stat illustrates historical strength of fading public panic on struggling teams, reinforcing his long-term contrarian philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices

RJ Bell, Steve Fezzik and Mackenzie Rivers talk NFL betting for week 3. Dream Podcast – NFL Week 3 Picks Breakdown [Steve Fezzik] (0:00 - 0:04) opens abruptly, his words more like a countdown rhythm, setting a casual yet energized tone. [RJ Bell] (0:06 - 0:42) quickly frames the session with enthusiasm, declaring, “Fez was strong on this one. Acme. Just think Acme is the key word.” He underscores the rarity of what's being offered, stressing this is one of only “four times in the year” where buyers can get unusual value. His analysis implies urgency and scarcity, pressing listeners to act. [Steve Fezzik] (0:43 - 0:48) confirms, “Normally the best deal is you buy for 10 bucks, you get $50 that's offered like once a year.” The importance is clear: maximizing bankroll through this offer is a bettor's edge. [RJ Bell] (0:48 - 1:57) elaborates, repeating “10 gets you 50” while comparing bulk dollars to currency that “never expires.” He emphasizes, “You can spend bulk dollars just like cash never expires,” framing them as stable and advantageous. His implication is that investing here amplifies purchasing power and locks in long-term flexibility. [Steve Fezzik] (1:57 - 2:00) briefly shifts, noting “Hey doc, sports is still going strong,” signaling momentum and reinforcing credibility. [RJ Bell] (2:00 - 2:22) redirects to performance, praising Fezzik: “In college football this season, Steve Fezzik is up 43 units plus. How do you do that in three weeks?” The statistic highlights extraordinary profitability, anchoring Fezzik's authority. [Steve Fezzik] (2:22 - 2:23) explains simply, “High volume,” acknowledging his strategy. [RJ Bell] (2:23 - 2:36) pushes further, asking about availability of picks, emphasizing immediacy. [Steve Fezzik] (2:36 - 2:47) clarifies, “I got my Thursday, Friday college football package up. So I got plays multiple plays for Thursday and Friday,” stressing preparedness and access. [RJ Bell] (2:47 - 3:02) advises Fezzik to release weekend packages early, suggesting buyers will maximize the $10-to-$50 offer, showing a direct connection between financial deal and betting content. [Steve Fezzik] (3:04 - 3:14) adds credibility, noting, “I already won my underdog game of the year. Georgia Tech beats Clemson bonus pick… Clemson under nine and a half wins.” These stats reinforce his sharp projections and long-term leverage, demonstrating foresight on both single games and season totals. [RJ Bell] (3:14 - 4:54) amplifies Fezzik's success: “That's over 10 units. That's like 14 units a week.” He frames it as “crazy,” underscoring just how rare such hot streaks are. His analysis ties the value of the bulk dollar promotion to Fezzik's picks, arguing this is the “wise guy move.” He instructs listeners to buy through Pregame.com, directly linking purchase mechanics to betting success. [Steve Fezzik] (4:55 - 5:18) pivots to NFL observations: “There are no upsets in the NFL anymore… if you just money lined every four point favorite and higher so far, you are undefeated.” This team-level trend reveals a major shift in survivor pool dynamics, implying fewer surprises early in the season. He cautions it may be an “aberration” but still impactful for Week 3 strategy. [RJ Bell] (5:18 - 5:20) challenges why lead with an aberration, sharpening the analysis. [Steve Fezzik] (5:28 - 5:47) closes this segment by pointing to contrarian betting: “If you had done nothing but bet 0–2 teams week three in the NFL catching points 48, 27…” His stat illustrates historical strength of fading public panic on struggling teams, reinforcing his long-term contrarian philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Dev Game Club, where this week we kick off a short series on 2007's Portal. We talk about the year it came out, a bit about Valve and the Orange Box, before talking about the game's development history and then some topics about the game itself. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Up to/through Test 12 (because Tim can't follow directions) Issues covered: 2007 in games, motion-controlled archaeology, the box of goodies that was The Orange Box, Team Fortress 2 and hats, connecting console accounts to Steam, Steam history and digital copies, "introducing Portal," long development time on TF2, character silhouettes, The Most Perfect Video Game, not knowing what you have, a killer first game, deep dives, giving permission to not shoot things, building up knowledge in puzzle games, Match 3 puzzle games, not seeing the game coming, the sequel, gating progress on mechanical knowledge, stepping through understanding portals, "this is impossible," subverting the player, learning without realizing it, increasing complexity, the magical opening portal moment, the infinite regress, whether you'd still take that deal, simple UX methods to help players get over the first-person thinking, embedding information in the world and fiction, narrative design vs writing, the voice of GladOS, where lore works for Brett, expanding the world of Half-Life.  Games, people, and influences mentioned or discussed: BioShock, Halo 3, Super Mario Galaxy, God of War II, Mass Effect, Metroid Prime III, Tomb Raider: Anniversary, Tomb Raider: Legend, Crystal Dynamics, Wii, Jason Botta, Eidos/Square, CoD4: Modern Warfare, Crysis, Uncharted, Assassin's Creed, The Witcher, Rock Band, Nintendo DS, Phantom Hourglass, Hotel Dusk, Cooking Mama, STALKER (series), Metro (series), Trespasser, Half-Life (series), Mark Laidlaw, Dario Casals, Gabe Newell, The Orange Box, Team Fortress 2, PlayStation, The "Black Box," Quake, Pixar, Steve Meretzky, Norm MacDonald, Skyrim, Claire Danes, Narbacular Drop, My So-Called Life, Baz Luhrmann, Strictly Ballroom, Nuclear Monkey Software, Kim Swift, Jeep Barnett, Tacoma, Little Women, Greta Gerwig, DigiPen Institute of Technology, 343 Industries, Firewatch, Campo Santo, Outer Wilds, The Stanley Parable, The Talos Principle, Antichamber, Gone Home, The Witness, Zelda, MYST, PopCap, Puzzle Quest, Bejewelled, Fez, Homeland, Chet Faliszek, Eric Wolpaw, Old Man Murray, 2001: A Space Odyssey, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Finish Portal and Takeaways! Links: The Most Perfect Video Game  (Note: I remembered this as longer, especially after the switch, but it's great) Twitch: timlongojr and twinsunscorp Discord  DevGameClub@gmail.com 

RJ Bell, Steve Fezzik and Mackenzie Rivers talk NFL betting for Week 2. NFL Week 2: The Picks Breakdown [RJ Bell] (0:05 - 3:09): “Alright guys, just finished up.” He immediately introduced the night's action, noting a major play on Washington at +3.5 from South Point and +3 at even money elsewhere. His breakdown emphasized confidence in the pick, urging listeners to follow the reasoning provided throughout. He also highlighted Steve Fezzik's hot streak, up 32 units already this season, and A.J. Hoffman's consistent multi-year success. This was used to reinforce credibility and demonstrate sharpness in market reads. [Steve Fezzik] (3:09 - 3:19): “Pick them to win outright.” He argued the bet was justified given the game flow, explaining it would predictably settle within a narrow margin. His comment underscored the razor-thin line between winning and losing in close spreads. [RJ Bell] (3:19 - 3:49): “But, once again, if they would have went for it down on, what was it, like the 15? Yeah, could have had a tie.” He expressed frustration over a coaching decision, pointing to how single calls can swing results. The implication was that bettors often find value or heartbreak in these fine margins. [RJ Bell] (3:52 - 3:59): “But, we almost won in the first half.” He reflected on momentum swings, stressing how first-half edges can foreshadow outcomes. His excitement revealed how bettors savor small victories even when final results turn. [Steve Fezzik] (3:59 - 4:10): “Nothing is better than betting like a baseball first five and then watching your team get their teeth kicked in.” His analogy showed the gambler's paradox—sometimes the bet is safe despite later collapses. This framed the unpredictability of sports betting as both painful and exhilarating. [RJ Bell] (4:11 - 4:39): “All right.” He explained their betting breakdown: two dimes split, with one having no vig. This transparency gave insight into bankroll strategy and why certain plays carry less risk. [Steve Fezzik] (4:39 - 4:42): “If you're listening during the summer, you won the Cincinnati under 46.” He referenced past success, reinforcing the credibility of sharp picks on season totals. [RJ Bell] (4:42 - 4:58): “By the way, Fez, I thought you were a little, let's just say, much about Seattle losing.” His pushback highlighted accountability in analysis. The back-and-forth emphasized how handicappers debate variance versus bad beats, reflecting broader conversations among bettors. [Steve Fezzik] (5:02 - 5:10): “Yeah, but I liked the spot.” He defended his position, showing conviction in handicapping angles beyond raw results. This reinforced how context matters more than outcome in evaluating a pick. Key Takeaways Player and Team Stats: The discussion referenced Washington's spread value, Seattle's underdog position, and Cincinnati's win total under 46. These stats were central to their betting angles, showing how sharp bettors exploit lines beyond just wins and losses. Strategic Insights: The speakers revealed how bankroll management (splitting dimes, avoiding vig) and situational angles (coaching calls, first-half strength) shape betting success. Implications: Their commentary stressed that variance and razor-thin spreads define the betting landscape, where judgment, timing, and discipline matter more than hindsight complaints. Learn more about your ad choices. Visit megaphone.fm/adchoices

Saudações, ouvintes apaixonados por locução. Está NO AR o 97º podcast VOZ OFF! Neste episódio, Antônio Viviani e Nicola Lauletta conversam com mais uma grande voz do rádio. Nascido em Araras - SP, filho de um vendedor de veículos pesados, sonhava em ser piloto de aviões, e sua paixão era tão grande que se tornou um estudioso no assunto, pois admirava Santos Dumont, e conhecia tudo da vida do ídolo. Quando estudava no 2º grau, uma professora o incentivou a procurar a rádio da cidade, que acabara de abrir testes para quem quisesse trabalhar de locutor. Compareceu sem muitas expectativas, mas naquele momento se apaixonou pela profissão, e continua a trabalhar no rádio até hoje, devendo comemorar 50 anos de carreira no ano que vem. Começou na Rádio Primavera de Araras, depois foi para Porto Ferreira, até que resolveu tentar a sorte em São Paulo. Fez teste na Rádio Excelsior AM, mas foi contratado pela Rádio Record, onde conheceu e conviveu com verdadeiros ícones do rádio, que muito o inspiraram. Trabalhou na Rádio Difusora, depois Antena 1, fez cabine na TV Globo, testes nas recém lançadas na época Manchete e Cidade, onde foi escolhido e trabalhoupor 25 anos. Depois, passou pela Rádio Globo, 2 vezes, Nativa, 2 vezes, Tupi, Capital, Massa FM e Super Rádio, onde se encontra até hoje. Quem vai contar a sua história de sucesso é Rony Magrini. A conversa aconteceu em julho de 2025 e você vai ficar sabendo que, como todo locutor de sucesso no AM, acaba fazendo merchandising e já está há 25 anos dando assessoria para o tradicional Armarinhos Fernando, um gigante do comércio popular de São Paulo. Também começou a atuar na internet, tendo um podcast e canal no YouTube chamado Rokast, e um programa de rádio ao vivo na internet chamado E aí?, ambos em parceria com o locutor Kaká Siqueira. Com a gente, e pra vocês: RONY MAGRINI! Para seguir nas redes sociais:- Curta a página do podcast Voz Off no Facebook- Siga o @podcastvozoff no Twitter- Curta a página do Antonio Viviani no Facebook- Siga o @antonioviviani no Twitter- Siga o @antonio.viviani no Instagram- Siga o @nicolalauletta no Twitter- Curta a página do Echo's Studio no Facebook- Curta a página do Workshop de Locução Voz A Obra no Facebook- Ouça também o podcast TEXTO SENTIDO com Antônio Viviani Assine o FEED do Voz Off:Para ouvir o Voz Off no seu agregador de podcasts preferido, clique aqui e assine o nosso FEED! Assine e avalie nosso podcast no iTunes:Se você usa o iTunes no seu computador, tablet ou smartphone, assine e avalie nosso podcast clicando aqui! Voz Off no Spotify:Caso prefira ouvir o Voz Off no Spotify, é só clicar aqui e assinar o nosso podcast no serviço de streaming! E-mails:Mande seu feedback pra gente através do e-mail podcastvozoff@gmail.com! Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.

Support my work on Patreon- https://patreon.com/realdavejackson Join the Tales from the Backlog Discord server- https://discord.gg/V3ZHz3vYQR Buy me a coffee on Ko-fi- https://ko-fi.com/realdavejackson You know a game is good when it kicks off a new round of discourse about genre names, right? Regardless, Blue Prince (Dogubomb, 2025) is the latest hit in a type of knowledge-is-power game that is really appealing to certain types of gamers. The only difference is that we seem to fully know the full depths of previous games like Animal Well, Outer Wilds, Fez, Tunic, etc....but nobody knows how deep Blue Prince goes. It's also rich with interesting design choices and contradictions, more story than meets the eye, a lowkey amazingly good soundtrack and more. Tune in for the discussion! Guest info: Jenny Windom * Check out the Geeks & Grounds game club podcast https://www.geeksandgrounds.com/ * Check out Wholesome Games https://wholesomegames.com/ * Check out Wanderstop https://store.steampowered.com/app/1299460/Wanderstop/ * Check out Jenny on Twitch https://www.twitch.tv/kimchica * Check out Jenny on YouTube https://www.youtube.com/kimchica TIMESTAMPS * 0:00 Title Card * 0:28 Intros * 5:23 Personal Histories with Blue Prince * 8:50 Opening Thoughts About Blue Prince * 15:40 Story Setup and Top Level Thoughts * 17:59 Note-taking and Organization * 25:44 Drafting Mechanic, Goal Setting and Randomness * 42:55 Getting Better at Blue Prince * 47:52 "This Game Doesn't Respect My Time" * 53:28 You Said This Was a Puzzle Game * 1:03:59 Art and Music * 1:15:04 Closing Thoughts/Recommendations * 1:18:49 Geeks & Grounds, Wholesome Games * 1:25:50 SPOILER WALL/Patron Thank-You's * 1:28:00 Spoiler Section- Discoveries and the Quest for Room 46! * 2:16:00 Spoiler Section- How Deep Does This Go? and The Story, As We Know It Music used in the episode is credited to Trigg & Gusset Tracks used: Stories of All Manor, Vanitas, Bequest, Westwardly Winds, Visions of Emerald, Departure, The Baron of Mount Holly. Purchase the soundtrack here: https://triggandgusset.bandcamp.com/album/blue-prince-the-original-soundtrack Check out Dave's guest appearance on Flashback 64: https://flashback64.com/ Social Media: BlueSky- https://bsky.app/profile/tftblpod.bsky.social Instagram- https://www.instagram.com/talesfromthebacklog/ Cover art by Jack Allen- find him at https://linktr.ee/JackAllenCaricatures

Passou a noite do 25 de abril a chorar agarrado à G3, no quartel de Mafra. Fez a primeira greve nas forças armadas. Foi corrido à pedrada nas campanhas de dinamização do MFA no Alentejo, por estar a tirar emprego aos locais. Luís Pinheiro de Almeida recorda a censura e a pancadaria quando o PCP tomou conta da sua agência noticiosa, onde trabalhava como jornalista ao mesmo tempo que era assessor de imprensa de Otelo. No dia 25 de novembro parecia um pistoleiro mexicano todo armado quando foi visitar o pai, que fazia anos: “Parabéns, pai, não posso ficar, estou em guerra”.See omnystudio.com/listener for privacy information.

Tassos Lycurgo é Professor Titular do Departamento de Artes da Universidade Federal do Rio Grande do Norte (UFRN), no Brasil, e Pesquisador Visitante do Reasons to Believe, na Califórnia, Estados Unidos. Ele também atuou nas faculdades de várias universidades, incluindo a Oral Roberts University (ORU), em Tulsa, Oklahoma, como professor visitante. Além de suas atividades acadêmicas, o Dr. Lycurgo é advogado (OAB/RN) e fundador e presidente do Ministério Defesa da Fé, onde atua como pastor.Lycurgo ocupou vários cargos ao longo de sua carreira, incluindo diretor nacional do Departamento de Patrimônio Imaterial e diretor nacional do Departamento de Cooperação e Fomento no Instituto do Patrimônio Histórico e Artístico Nacional (Iphan), no Brasil. Nessas funções, foi responsável pela gestão de relações internacionais e domésticas com outras instituições, como a UNESCO.Lycurgo obteve o doutorado em Educação (Matemática, Lógica) pela UFRN, em 2002, e o mestrado em Filosofia Analítica pela Universidade de Sussex (Reino Unido), em 1999. Fez pós-doutorado em Apologética Cristã na ORU e em Sociologia do Direito na Universidade Federal da Paraíba (UFPB), no Brasil. Possui especialização em Direito Material e Processual do Trabalho pela Universidade Anhanguera (UNIDERP) e graduações em Direito (URCA), Filosofia (UFRN), Liderança Avançada (Haggai Institute, na Tailândia), Ministério Pastoral (RBT College, Oklahoma) e Estudos Bíblicos (RBT College).Tassos escreveu vários livros sobre diversos temas, incluindo filosofia, direito, educação, cultura e apologética cristã. Viaja frequentemente pelo país e internacionalmente para falar em conferências nos meios acadêmico e religioso. Nessas ocasiões, defende a fé com o objetivo de apresentar as razões históricas, científicas e filosóficas para seguir Jesus Cristo.Redes Sociais:Instagram: https://www.instagram.com/tassoslycurgo/Youtube: www.youtube.com/@lycurgo

RW Bud Michels is the Secretary of Doric Lodge No. 19 in Millville, Delaware. Doric Lodge serves Southeastern Delaware, particularly, the Bethany Beach Resort area. He joins me for a conversation on Brotherhood and Fellowship. In this episode, we'll talk about how his Lodge strengthened the bonds of friendship and brotherhood that unite Masons, which spawned a unique club for Lodge members and Brothers.Show notes: Join us on Patreon. Start your FREE seven day trial to the Craftsmen Online Podcast and get instant access to our bonus content! Whether it's a one time donation or you become a Patreon Subscriber, we appreciate your support.Visit the Craftsmen Online website to learn more about our next Reading Room event, New York Masonic History and our Masonic Education blog!Follow the Craftsmen Online Podcast on Spotify.Subscribe to the Craftsmen Online Podcast on Apple Podcasts.Follow Craftsmen Online on YouTube, hit subscribe and get notified the next time we go LIVE with a podcast recording!Yes, we're on Tik Tok and Instagram.Get our latest announcements and important updates in your inbox with the Craftsmen Online Newsletter.Email the host, RW Michael Arce! Yes, we will read your email and may even reach out to be a guest on a future episode.Sponsor offer: Don't forget to use the promo code CRAFTSMEN to receive free shipping with your first order from Bricks Masons!Become a supporter of this podcast: https://www.spreaker.com/podcast/craftsmen-online-podcast--4822031/support.

Welcome to Dev Game Club, where this week we continue our series on indie games, by looking at Papers, Please. We talk a bit about Lucas Pope, its creator, and then turn to the game's mechanics and themes. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: One or two playthroughs Issues covered: tactile job simulation games, empathy and commentary, tactility and user interfaces, how it plays, the mechanics post-day, plate-spinning, all the various things you have to check, a nerve-wracking experience, stamping passports, turning the screws, paying vs not paying for things, stereotypical regimes, indie games coming up with new interesting mechanics and AAA borrowing them, justifying denial of entry, having your options limited by bureaucracy, ways that days can end, the timer pressure, dehumanizing the process, describing the board game Train, opportunities for subversion, coins, being recruited for espionage, a precedent for weapon power mechanics. Games, people, and influences mentioned or discussed: Shirley Jackson, The Lottery, Cart Life, Persuasive Games, Ian Bogost, Fez, Naughty Dog, Helsing's Fire, Return of the Obra Dinn, Moida Mansion, Playdate, Mars After Midnight, The Lives of Others, Fumito Ueda, Uncharted 2, Balance of Power, Chris Crawford, Seamus McNally, Train, Brenda Romero, Keita Takahashi, Katamari Damacy, To A T, Pidy Retsym/Mystery Dip, Quoggim Logglehoggle, NES, Cave Story, Blaster Master, Daisuke Amaya, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Twitch: timlongojr  Discord  DevGameClub@gmail.com  (show notes updated to attempt to force AP to update)

Welcome to Dev Game Club, where this week we continue our series on indie games with an interview with William Pugh of Crows Crows Crows, one of the principal developers of The Stanley Parable. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 1:06 Interview 1:04:15 Break 1:04:49 Outro Issues covered: his way in, modding for Mario and fan games, blaming our parents, planning to work for Valve, seeing a format for drama and small teams, turning "we'll see" into "whoopie!", being young when you start, early success and having to learn, being your own boss in indie, watching others, therapy, the crush in the industry, market share and Steam, misguided and unsustainable investment, hoping you can ride your past success after gaps in release, mansion success vs terrace house success, remote development living at home, using... nontraditional game development tools, production: the hardest part, a negative learning experience, killing yourselves for the game, "indie developers are certifiably nuts," intelligence and humor, working for the flowchart of it all, going from a console port to adding more and more content and expanding out to be a multi-platform release, a check that's difficult to cash, finding ways to subvert and surprise, a great trailer and setting a trend, day to day iteration on an anthology, not locking things behind meta gates but changing that up in the sequel, bringing in the bucket, maintaining the original and lovingly adding using the parts you have, having confidence, drawing the line when co-creators are happy, validating your own feelings through playtest, trusting in your own taste, team dynamics and having team members get a say, building and having to throw away, the pressure of the first 15 minutes, grabbing attention and compelling to play more... across the game, subverting the mental map, the impact on future work, edging into new areas, having to overdeliver on expectations and at a high level, needing to hit by the time it arrives, reverse-engineering the game development career, getting good advice, spending the time for the quality, seeing the player, not knowing how you'd extend it, really knowing their parameters, interpreting player feelings, the uselessness of focus-testing, overdoing it on the risk aversion. Games, people, and influences mentioned or discussed: Team Fortress 2, Portal, Davey Wreden, Dr. Langeskov, The Tiger, and the Terribly Cursed Emerald: A Whirlwind Heist, Accounting/Accounting+, Valve, Left 4 Dead, Mario (series), Nintendo, Macromedia Director, Garry's Mod, Narbacular Drop, DigiPen, The Lord of the Rings, Microsoft, Sonic the Hedgehog, Fez, Spelunky, Skype, Dropbox, MSPaint, Google Docs, Chet Faliszek, Indie Game: The Movie, Mark Rein, PlayStation 4, Karla Zimonja, LucasArts, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: ... TBA! Twitch: timlongojr  Discord  DevGameClub@gmail.com 

Its time to bring in some fans! Today we are talking to 2 long time friends of the show Jared and Fez. They are here to break down the Panthers and Saints. 

Welcome to Dev Game Club, where this week we complete our series on 2D indie platformer-ish things with our final episode on Spelunky. Tim talks a little bit about Derek Yu's book, the rigor and how the game just plays different, as well as Brett dipping into spoiler territory for Tim's benefit, before we turn to takeaways. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: To Ice Mines (Tim) Podcast breakdown: 00:00:47 Game discussion 59:05 Break 59:45 Takeaways Issues covered: the opening song, music in later levels and its fitness, applying movement mechanics to different challenges, procedural metrics, fall distances, hanging vs standing in one state, getting into the mental state of what your equipment is, not panicking, playing with a heart monitor, living in present vs future, the specialness of the daily challenge, reps and exercise, fighting games and muscle memory, consistency of the rules, using ropes to drop from your height, always be carrying, getting right up to the edge and dropping your carry, getting into the book, making all objects consistent, sacrifice spoiler talk, golden path spoiler talk, turkeys, going beyond your genre, what's a roguelike/lite, personality coming through, unleashing creativity, pursuing consistency throughout, games that say yes/and or yes/but, embracing a roguelite's purity, trusting the game and not minding failure, getting to depth, choosing the right run length, the risk of dilution. Games, people, and influences mentioned or discussed: Nintendo, Indiana Jones, Prince of Persia, Final Fantasy (series), Dark Souls (series), Clint Eastwood, Unforgiven, KyleAndError, Hollow Knight, Calamity Nolan, Quake, Artimage, Boss Fight Books, Nick Suttner, Shadow of the Colossus, Sebastian Deken, Aquaria, Dwarf Fortress, The Evil Dead, PlayStation Vita, Fez, Cave Story, Daisuke Amaya, Earthbound, Pokemon, Derek Yu, mossmouth, Super Mario Bros, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: TBA Twitch: timlongojr  Discord  DevGameClub@gmail.com 

Na série de conversas descontraídas com cientistas, chegou a vez da Médica, Doutora e Professora livre docente pelo departamento de Cardiopneumologia da Faculdade de Medicina da USP, Juliana Ferreira.Só vem!>> OUÇA (89min 54s)*Naruhodo! é o podcast pra quem tem fome de aprender. Ciência, senso comum, curiosidades, desafios e muito mais. Com o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.Edição: Reginaldo Cursino.http://naruhodo.b9.com.br*Juliana Carvalho Ferreira é graduada em medicina pela Universidade de São Paulo e atualmente é professora livre docente pelo departamento de Cardiopneumologia da Faculdade de Medicina da USP.Fez doutorado "sanduíche" no Massachusetts General Hospital / Harvard Medical School entre 2005 e 2007 e obteve o título de doutora em pneumologia pela Faculdade De Medicina da USP em 2008.Atua como médica da UTI Respiratória do InCor/HCFMUSP, é vice-supervisora da residência médica em pneumologia do InCor e membro suplente da Comissão Coordenadora do Programa de Pós Graduação em Pneumologia da Faculdade de Medicina da USP.Também é médica intensivista da UTI do AC Camargo Cancer Center, e pesquisadora do laboratório de investigação médica da pneumologia da faculdade de medicina da USP (LIM 09).Atualmente, é diretora do curso de capacitação em metodologia científica da American Thoracic Society (ATS- MECOR) na América Latina e presidente da Rede Brasileira de pesquisa em Terapia Intensiva ( BRICNet).Seus principais focos de ensino e pesquisa são ventilação mecânica, interação paciente-ventilador, educação médica e global health.É a primeira ganhadora do Philip Hopewell Prize for Global Respiratory Health Research Award, oferecido para pesquisadores em meio de carreira em países de baixa e média renda, reconhecidos por seu compromisso clínico e de pesquisa pela American Thoracic Society.É Bolsista de produtividade do CNPq Nível 2.Lattes: http://lattes.cnpq.br/5888969497931011*APOIE O NARUHODO!O Altay e eu temos duas mensagens pra você.A primeira é: muito, muito obrigado pela sua audiência. Sem ela, o Naruhodo sequer teria sentido de existir. Você nos ajuda demais não só quando ouve, mas também quando espalha episódios para familiares, amigos - e, por que não?, inimigos.A segunda mensagem é: existe uma outra forma de apoiar o Naruhodo, a ciência e o pensamento científico - apoiando financeiramente o nosso projeto de podcast semanal independente, que só descansa no recesso do fim de ano.Manter o Naruhodo tem custos e despesas: servidores, domínio, pesquisa, produção, edição, atendimento, tempo... Enfim, muitas coisas para cobrir - e, algumas delas, em dólar.A gente sabe que nem todo mundo pode apoiar financeiramente. E tá tudo bem. Tente mandar um episódio para alguém que você conhece e acha que vai gostar.A gente sabe que alguns podem, mas não mensalmente. E tá tudo bem também. Você pode apoiar quando puder e cancelar quando quiser. O apoio mínimo é de 15 reais e pode ser feito pela plataforma ORELO ou pela plataforma APOIA-SE. Para quem está fora do Brasil, temos até a plataforma PATREON.É isso, gente. Estamos enfrentando um momento importante e você pode ajudar a combater o negacionismo e manter a chama da ciência acesa. Então, fica aqui o nosso convite: apóie o Naruhodo como puder.bit.ly/naruhodo-no-orelo

Welcome to Dev Game Club, where this week we continue our major series on various indie games, now looking at some 2D action games with Spelunky. We talk very briefly about its director and then Tim marvels over a dynamic level design that nonetheless feels just right. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Into the Jungle (Tim) Issues covered: walking over the sands, a little history of the game, a legendary game, precise platforming, procedural and dynamic, how the level generation works, rules-based generation, eschewing precise level design, not being able to know the level, having many verbs, having to learn the skills, the wind-up of the whip, a game where you have to be focused, not seeing an obstacle due to focusing, focus meditation, the Spelunky daily challenge, similarities to theater, taking a risk with design, not knowing what other players will do, opponents dictating skill ceilings, matchmaking as the balancing feature, consistency of behaviors, not rushing, gaining knowledge in games, the ghost and fear, practicing via the tunnel man, whether it's helpful to skip ahead, the speed-run achievement, spending time on each level, getting abilities in the stores vs equippables, the eggplant and the ball-and-chain, Derek's book, learning by death.  Games, people, and influences mentioned or discussed: Tiny Subversions/Darius Kazemi, Fez, Derek Yu/mossmouth, Andy Hall, UFO 50, PS Vita, World of Warcraft, Cave Story, Diablo, Dead Cells, Minecraft, Kaeon, MegaMan, Contra, Super Mario Bros., Hunt: Showdown, Overwatch, Fortnite, Halo (series), Dark Souls, Andy Nealen, Zelda (series), Elden Ring, Bloodborne, Olmecorox, Half-Life 2, TIGSource, Demons's Souls, Dark Souls 2, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia.    Next time: More Spelunky! Twitch: timlongojr  Discord DevGameClub@gmail.com 

O convidado do programa Pânico dessa sexta-feira (27) é Gilliard.Gilliard é natural de Natal, Rio Grande do Norte. Cresceu em uma família essencialmente musical, que sempre o apoiou. Começou a trabalhar cedo: relojoaria pela manhã, estudos à tarde e música à noite.Aos 8 anos, venceu seu primeiro concurso: “A Mais Bela Voz do Nordeste”. Fez suas primeiras apresentações em rádios locais, onde mostrava suas composições nos intervalos comerciais. Foi influenciado por artistas como Luiz Gonzaga, Vicente Celestino, Luiz Vieira, Dolores Duran, Lupicínio Rodrigues e pelos astros da Jovem Guarda.Mudou-se para o Rio de Janeiro aos 13 anos, em busca do sonho de ser cantor e para ajudar a família. Cantava em bares e restaurantes até formar seu próprio repertório autoral. Em seguida, seguiu para São Paulo e apresentou seu trabalho à gravadora RGE.Lançou seu primeiro LP no final de 1979, com o sucesso “Aquela Nuvem”, que vendeu mais de 1 milhão de cópias e teve lançamento internacional. Tornou-se presença constante nas paradas de sucesso. Ao longo da carreira, vendeu mais de 10 milhões de discos.Conquistou as seguintes premiações: 12 Discos de Ouro, 10 Discos de Platina, 8 Discos de Platina Duplo, 3 Discos de Diamante; Troféu Globo de Cantor Revelação e Cantor Romântico do Ano; Rádio e TV Manchete: Ídolo dos Anos 80; Programa do Chacrinha: Ídolo da Juventude Romântica do Brasil.Participou dos principais programas de auditório da época: Globo de Ouro, Fantástico, Flávio Cavalcanti, Discoteca do Chacrinha, Programa Silvio Santos, entre outros. Foi destaque no quadro “Qual é a Música”, permanecendo invicto por 21 semanas consecutivas.Seu estilo é marcado pelo romantismo clássico e popular, com voz única, melodias elaboradas e emocionais. Suas canções embalaram trilhas de novelas, filmes, bailes e shows ao longo de décadas.Fase atual: lançamento recente do single “Folha ao Vento”, pela Som Livre. Jurado do programa “Canta Comigo” (Record TV). Prepara DVD comemorativo pelos 45 anos de carreira. É casado com Silvia Marinho (a Silvinha, ex-Harmony Cats). Tem dois filhos: Sylvio Marinho - cantor e compositor, e Bruna - médica.Redes Sociais:Instagram: ⁠https://www.instagram.com/gilliardoficial⁠Site: ⁠https://www.gilliard.com.br/⁠Contato para shows: ⁠(11) 98402-8890

Welcome to Dev Game Club, where this week we finish our series on 2004 indie classic Cave Story. We talk a lot about difficulty, a bit about story, and also just what a miracle a game like this is from one person. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Finished (Brett), to dragons (Tim) Issues covered: killing baby dragons, the boss rush, being exhausted beating your head against the wall, drinking a potion maybe too early, what is easy when you play a game every day, the hardcore game underneath, the punishing weapon system, depth of weapon strategy, bad patterns, save points as a balancing mechanism, the charm offensive, story depth and characters, motivating the player, having the music stop to introduce a character, the jetpack weapon, finding the map really late, keys that aren't keys, a HUD on top of level information, parallax, designing for player scalability, macro difficulty and player choice, linearity, having a choice at the end, committing to make a game more difficult or easier for yourself, the music options.  Games, people, and influences mentioned or discussed: League of Legends, Nintendo Treehouse, Hollow Knight/Silksong, From Software, Bayonetta, Nintendo Switch, Calamity Nolan, Resident Evil 4, Jamie Fristrom, MegaMan, Kaeon, Earthbound, Mario (series), Metroid, Castlevania, God of War, Celeste, Zelda: Ocarina of Time, Dark Souls, KyleAndError, Metal Gear Solid (series), Fez, Spelunky, Derek Yu, Outer Wilds, LostLake, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Spelunky! Links: Music for Podcasting!  Twitch: timlongojr  Discord  DevGameClub@gmail.com 

Welcome to Dev Game Club, where this week we start a new game in our series on independent games with 2004's Cave Story. We briefly set the game in its time, talk a little about its developer, and then talk about the game proper. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: A couple of hours Issues covered: freeware vs democratized indie dev and publishing, Japanese independent development, an indie darling, likely antecedents, 2004 in review, the end of a cycle, standing out in a stacked year, sticking it out, breaking through onto Nintendo platforms, early independent success on the Switch platform, influences and what's in the mix, weapon leveling, more story than expected, characters and dialog, more adventure, having a mess of villagers, setting up mysteries, merging lots of elements into their story and interactions, a spike at the end, adding puzzle-y elements, keys and keys that are not keys, threads of characters and relationships, something that is more than a MetroidVania, a skill-based game, "you're a really good person," forgetting a console came out, having the opportunity to play off-the-beaten path games, not needing a map, the dangers of categorization, how the platforming feels, fear of skill-based need, becoming one with the controller, an emotional response, empathetic response, catharsis, building the dam and breaking it, graceful building, manipulation in art, can a movie version work vs the interactivity, shock in literary fiction. Games, people, and influences mentioned or discussed: Nintendo Switch, Fez, Daisuke "Pixel" Amaya, Cara Ellison, Downwell, Wii, Crystal Dynamics, Super Meatboy, Metroid, Nifflas, Knytt, n/n+/n++, Pixeljunk (series), Q-Games, Dylan Cuthbert, World of Warcraft, Vampire: The Masquerade Bloodlines, Halo 2, Half-Life 2, The Sims 2, Metal Gear Solid 3, Doom 3, Ratchet and Clank Up Your Arsenal, Silent Hill 4: The Room, GTA: San Andreas, Far Cry, Metroid: Zero Mission, Metroid Prime 2: Echoes, Prince of Persia: Warrior Within, Knights of the Old Republic 2, Star Wars: Battlefront, Pikmin 2, Sly 2: Band of Thieves, Jak 3, Chronicles of Riddick: Escape from Butcher Bay, Katamari Damacy, Nintendo DS, Xbox 360, PlayStation 3, Republic Commando, Paper Mario: The Thousand-Year Door, WiiWare/DSi, PS Vita, Net Yaroze, Nicalis, Castlevania, MegaMan, CapCom, Bionic Commando, Sega, Sonic (series), Square Enix, Zelda (series), Final Fantasy IX, Dark Souls (series), The Seven Samurai, Firewatch, Animal Well, Spelunky (series), Hollow Knight, Gone Home, Ashton Herrmann, Last of Us, Shadow of the Colossus, Shakespeare, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Finish Cave Story Twitch Discord DevGameClub@gmail.com

Welcome to Dev Game Club, where this week we continue our series on walking simulators with 2012's Dear Esther, played here in a 2017 "Landmark Edition" but based on a 2007 Source mod for Half-Life 2. We of course set the game in its time, spend a fair amount of time on randomness and meaning, and open the cellar door. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: The whole shebang Issues covered: walking simulators, 2012 in games, a little history of The Chinese Room (the company), a little digression on The Chinese Room (the thought experiment), influences, developing in the mod community, the role of randomness, discovering the randomness, justifying the randomness, mod communities replaying games, not discussing games as you play them, writers having the same space to play, 30 seconds of depressing poetry, "cellar door," a quality of lovely phonemes, the facts we know and the things we might interpret, a dreamy narrative space, Tim reveals his baseball knowledge, a metaphor for grief and an otherworldly space, rebirth, a car accident setting vs a gurney setting, things you can miss, not a thing video games would do, appreciating a new design space, directors' commentaries, crematory urns, one of the props, the impact of the ultrasound, needing to relate to the characters, the potential for missing things. Games, people, and influences mentioned or discussed: Fez, The Stanley Parable, The Chinese Room, Dishonored, Halo 4, Diablo III, Kingdom Hearts 3D: Dream Drop Distance, Forza Horizon, New Super Mario Bros U, Far Cry 3, XCOM Enemy Unknown, Alan Wake's American Nightware, Hitman Absolution, Assassin's Creed 3, Max Payne 3, Mass Effect 3, Borderlands 2, Darksiders 2, Spec Ops: The Line, Dragon's Dogma, Fez, Journey, The Walking Dead, Hotline Miami, Spelunky, Papo y Yo, Bastion, Super Hexagon, Sumo Digital, Dan Pinchbeck, Jessica Curry, Rob Briscoe, Independent Games Festival, Korsakovia, Amnesia: A Machine for Pigs, Everyone's Gone to the Rapture, Unity, CryEngine, Little Orpheus, Still Wakes the Deep, Vampire: Bloodlines (series), Hardsuit Labs, Brian Mitsoda, John Searle, Alan Turing, William S. Burroughs, Nigel Carrington, Proteus, Halo, Drew Barrymore, Donnie Darko, Rogue Legacy 2, David Lynch, Lost Highway, Inland Empire, Laura Dern, Waiting for Godot, True West, Sam Shepard, Firewatch, LucasArts, 343 Games, Kevin Schmitt, Metal Gear, Death Stranding, Trespasser, Tacoma, Jedi Starfighter, Daron Stinnett, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: The Stanley Parable Twitch: timlongojr  Discord  DevGameClub@gmail.com