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This Week on 'The Price for Paradise'
In this podcast, we cover - Jessica Fishman's journey dealing with her mother's death and inheriting the BRCA1 mutation Living, while knowing you will get cancer. Navigating survivorship, finding a way back into the society and enhancing meaning through giving back to the community Jessica Fisherman is the Founder of a Non-Profit called, Soulful Sunflower. Jessica was 34 when she was diagnosed with TNBC (Triple Negative Breast Cancer). She was overwhelmed researching products that could have potential reactions due to chemotherapy. She began researching companies that made "good" products for cancer patients. She started getting products and giving them away for free to others. Soulful Sunflower provides products for free to the cancer community. They go directly to companies to make sure that their product is safe, but can not predict everyone's allergies or sensitivities and do not take responsibility and accept no liabilities. This is a completely free box that is sent directly to people that have either been nominated by friends or family members or they nominate themselves through social media. Key Moments: At 18 minutes and 41 seconds: I have such little energy, and I need to focus that energy on the good parts (of life). At 25 minutes: It is okay to be vulnerable. People understand, even if they have never gone through..they give us the space to make mistakes. References: Jessica's Instagram: https://www.instagram.com/_soulfulsunflower_/?hl=en Soulful Sunflower: https://www.soulfulsunflowerinc.com/ Disclaimer: This podcast is for general informational purposes only and does not constitute the practice of medicine, nursing or other professional health care services, including the giving of medical advice, and no doctor/patient relationship is formed. The use of information on this podcast or materials linked from this podcast is at the user's own risk. The content of this podcast is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Users should not disregard, or delay in obtaining, medical advice for any medical condition they may have, and should seek the assistance of their health care professionals for any such conditions. --- Support this podcast: https://podcasters.spotify.com/pod/show/manta-cares/support
It's woman crush Wednesday!!! And Im so excited for you to hear this increidble interview Jessica Fishman! As discussed in the episode her Beauty Counter link is: https://beautycounter.com/jessicafishman Her favorite clean brands: Ilia, Fitglow, Paris Laundry, Indie Lee, Lilly Lo Lo, Osea, Thrive Causemetics, innersense, Olaplex, Better Not Youngerscalp massager, Plume science for eyebrow and lashes. * Pique Tea: Favorite Tea-> https://www.piquetea.com/?rfsn=5818415.d1d969a&utm_source=affiliate * STRONGER TOGETHER - Cancer group for women you can request to join: https://www.facebook.com/groups/womeninpink * MENOPAUSE MIRACLE: https://pinklotus.com/elements/?r=401 *My FAVORITE journal where I write what Im grateful for!!! https://pushjournal.com/?rfsn=4086660.6edc3&utm_source=refersion&utm_medium=affiliate&utm_campaign=4086660.6edc3 *To access my document on some of the changes Ive made you can get it here -> https://mailchi.mp/b609cecd4c0f/cancer
In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
Having grown up in a Midwestern Jewish and Zionist family, Jessica Fishman moved to Israel after graduating from Indiana University with a degree in Journalism and Business. She spent her first few years in the country serving in the Israel Defense Forces, learning the Hebrew language, and getting acclimated to the country. Jessica Fishman has written a number of articles about Israel and her story has been featured in leading Israeli and Jewish media.After developing the popular Aliyah Survival Blog, which is an irreverent portrayal of an American immigrant’s first years in Israel, she has written a deeply personal, witty memoir about the difficulties, absurdities, and excitement of making a home in a new country.She was inspired to write Chutzpah and High Heels: The Search for Love and Identity in the Holy Land after a life-changing event in Israel. Her goals are to share her experience and inspire social change.The book is now available and can be purchased from a variety of online locations. https://jessicafishmanauthor.com
The right of return for the Jewish people states that anyone with at least one Jewish grandparent may become a citizen of the State of Israel. The reasoning: this was the criteria by which the Jews were persecuted under the Third Reich. On the other hand, if you want to have an ordained marriage in the State of Israel, the par is set a little higher: your mother must be Jewish. This dissonance leads to an inevitable rift in Israeli society: people who live here as lawful citizens, but are unable to legally marry their partner. Jessica Fishman, author of the new book “Chutzpah and High Heels”, joins Two Nice Jewish Boys to share her story of Aliyah and talk about her devastation at the hands of this little known discrepancy in Israeli law.