Podcasts about philadelphia dance company

Here are some takeaways from the conversation I had with Shaness Kemp who happens to be a performing artist, choreographer, and dance educator. The first takeaway is you need time to replenish. Now this looks different for all of us but it's important to replenish so you can continue to pour out as an artist. Next, versatility is the key to flexibility. If you are versatile it's easier to be flexible and follow the road that unfolds in front of you. And third, that once you let go of the fear of not understanding, or looking silly, or being uncomfortable you will realize how much you can actually do. Shaness D. Kemp Kemp is a native of Nassau, Bahamas and holds both a Bachelor of Fine Arts degree and a Master's of Fine Arts degree from Temple University. She is an Assistant Professor of Dance at the University of Maryland Baltimore County, and continues to work as a freelance dancer, choreographer and dance educator. As Master Teacher of the Umfundalai technique, she has taught at various institutions, festivals and intensives, both nationally and internationally. Kemp has trained and performed with several notable artists and professional dance companies, including Deeply Rooted Dance Theater, Kariamu & Company: Traditions, Kun-Yang Lin/Dancers, Eleone Dance Theatre, Philadanco! The Philadelphia Dance Company, Urban Bush Women, Complexions Contemporary Ballet, Rennie Harris Puremovement, The Katherine Dunham Seminar and The American Dance Festival to name a few. Most recently, she has appeared as a guest performing artist with Tabanka African and Caribbean Peoples Dance Ensemble in Oslo, Norway. Tabanka is Northern Europe's largest all black dance ensemble. Her work has been presented nationally and internationally.  Get in touch:  Shaness Kemp  Instagram: @shaness_d Ayana Major Bey  Website: www.ayanabey.com Instagram: @ayanambey, @theartistpivot  Monthly Newsletter: https://www.ayanabey.com/podcast Show Sponsor: Get 10% off your first month with BetterHelp at https://betterhelp.com/artistpivot  ******* Host & Exec. Producer: Ayana Major Bey  Editor: Kieran Niemand  Part of the Boundless Audio Network

PHILADANCO's Dr. Joan Myers Brown is a true dance pioneer. After founding the Philadelphia Dance Company in 1970, she went on to create the International Association of Blacks in Dance and the International Conference of Black Dance Companies. As she steps down (but not away) from her role at PHILADANCO, she reflects on her achievements and the impact she has made on the dance community globally. Also on the show: Ben “BoxWon” Barnes-McGee, who will take break dancing to the 2024 Olympics for the first time ever with the help of the World Dance Sport Federation's Breaking for Gold USA. This West Philadelphia native is a four-time world champion b-boy and founder of a Bred2Burn, a hip-hop dance education and development mentorship program.

Week nine of the Performing Arts Industry Series brings us Broadway performer, professional dancer, mother, and wife, Teneise Ellis! Teneise will be making her way back to Broadway to perform in Wicked as Broadway reopens in the Fall. You'll hear in our conversation why Teneise's return to Broadway will be shorter than her original debut, and I'm so excited to see how this next chapter of her life unfolds for her. Teneise spent five years performing with the Philadelphia Dance Company known as Philadanco, she's performed at Radio City Music Hall as a Rockette, and after her final performances of Wicked, she's now heading into the next chapter of her life with her family and career in Georgia where she and her husband just purchased their forever home! Teneise talks me through her decision to take a leap of Faith on herself as she moves to a new city, trusting that things will fall into place from all of the hard work she's done and the path she has created for herself up to this point. I can't wait to see all of the goodness that comes Teneise's way in the future. Happy growing on the go with Teneise Ellis! Follow Sarah Jo on Instagram Follow On The Go, The Podcast on Instagram Follow Teneise Ellis on Instagram

In this weeks episode, award winning  dancer, educator, choreographer and speaker Hope Boykin, 18 season dancer at Alvin Ailey Dance Theater takes the guest chair. Hope shares about forgiveness, fear and the power of grace. Hope was an original member of Complexions. She was also formerly a member of The Philadelphia Dance Company, PHILADANCO. As dancer, she has received many award and honors, including the acclaimed “Bessie”, a New York dance and performance award. Hope continues to travel the world performing for audiences and following the mission and legacy of the great Alvin Ailey- “bringing dance to everyone.    Connect with  Hope:  Website: https://www.hopeboykindance.com instagram: https://www.instagram.com/hbdance/ https://www.youtube.com/watch?v=YNFNRPvVFqI https://www.facebook.com/HopeBoykin2/   She’s Got Drive is produced by Cassandra Voltolina and music by Blonde. Artwork by Natasha Merrifield  Listen on iTunes, Podbean, Stitcher and Google Play and SoundCloud   Go to  shirleymcalpine.com  for a free download of my ebook ‘3 Top Tips on How to be a Woman with Drive’ and the P.I.E download.    To connect with me and the She’s Got Drive community  Instagram: https://www.instagram.com/shirleymcalpineconsulting/ She’s Got Drive Facebook page: https://www.facebook.com/shesgotdrive/?ref=aymt_homepage_panel @shirleymcalpine on Twitter:https://twitter.com/shirleymcalpine #shesgotdrivepodcast   

Arts Weekly Radio Show and Podcast Special Guest Jan Hodges Burch with Augusta Ballet Listen two ways: Radio Show on Saturday morning at 9:30 on Smooth Jazz 92.3 FM or Podcast via our website or iTunes www.AugustaArts.com It was great to catch up with Jan who took a break from setting up the Holiday Tour of Homes to talk about the weekend tour and upcoming Augusta Ballet Events: Everyone can Dance Camp and Philadanco! The Philadelphia Dance Company coming to the The Bell Auditorium on February 4th. Wow. So, take the tour of homes on River Island, sign up your kids for Dance Camp during the Holiday Break and buy yourself some tickets (good presents) to see the February show! Of course I covered events for this week-end and beyond. The Colton Ballet Company is bringing the Nutcracker back to the Imperial Theatre over Thanksgiving week-end, last year I brought my 5 year old grandson and he was mesmerized. You can: Meet an author, take a yoga class at the Swamp, see a play at Le Chat Noir, enjoy a piano recital, or experience the Urban Expressionism show at Jabez Sanford Hardin Performing Arts Center. Sunday is Morris Museum of Art "Music at the Morris" with Garden City Chorus. The choice is yours. All these events are on our Calendar, go to www.AugustaArts.com to learn more, buy tickets, and invite your friends. Tickets make good presents. The Greater Augusta Arts Council Happy Georgia Gives Day 2016 Brenda #Augustaarts #havesomefun #planahead

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial. It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country's most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It's important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown's biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn't shy away from the realities of race, class, power and gender that can often constrain one's mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won't be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.  It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country’s most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It’s important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown’s biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn’t shy away from the realities of race, class, power and gender that can often constrain one’s mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won’t be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.  It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country’s most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It’s important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown’s biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn’t shy away from the realities of race, class, power and gender that can often constrain one’s mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won’t be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.  It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country’s most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It’s important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown’s biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn’t shy away from the realities of race, class, power and gender that can often constrain one’s mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won’t be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.  It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country's most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It's important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown's biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn't shy away from the realities of race, class, power and gender that can often constrain one's mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won't be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies