Podcasts about Radio City Music Hall

On October 30, 1975, fifteen-year-old Martha Moxley failed to return home after a night out with friends in Belle Haven, an exclusive wealthy enclave in Greenwich, CT. The following morning, Moxley's badly beaten body was discovered underneath a tree, just a few hundred feet from her house, triggering one of the most notorious murder mysteries in the state's history.   MENTIONED IN THIS EPISODE: Buy Tickets to MORBID LIVE at Radio City Music Hall on June 27th! Preorder THE BUTCHER LEGACY! Preorder  our collab with Hunt a Killer, THE SALEM SLICER References Associated Press. 1975. "Parents guarding children in Greenwich murder area." Connecticut Post, November 10: 2. —. 1998. "1975 murder case before grand jury." Hartford Courant, July 12: 22. —. 1998. "Fuhrman book on 1975 slaying points to Kennedy relative." Hartford Courant, May 10: 28. Brown, Marian Gail. 2002. "Verdict shocks court observers 27 years after Moxley slaying." Connecticut Post, June 8: 1. CNN. 2007. Moxley case: Excerpts from the Sutton Report. December 17. Accessed November 26, 2025. https://www.cnn.com/2007/US/law/12/17/court.archive.skakel11/index.html. —. 2002. Moxley Case: Who was Martha Moxley? Accessed November 21, 2025. https://www.cnn.com/2007/US/law/12/17/court.archive.skakel9/index.html. Connecticut Post. 1975. "Girl, 15, found murdered at her Greenwich home." Connecticut Post, November 1: 1. Ellement, John, and Lisa Prevost. 2000. "Skakel is arrested in '75 Conn. murder." Boston Globe, January 20. Gaines, Judith. 1998. "Grand juror to probe '75 Conn. murder." Boston Globe, June 18. —. 1991. "Police taking a fresh look at 1975 murder of Conn. teen-ager." Boston Globe, October 7. Hartford Courant. 2002. "Skakel jurors." Hartford Courant, July 28: H2. Lang, Joel. 1997. "Martha's murder." Hartford Courant, May 18: 10. Levitt, Leonard. 2004. Conviction: Solving the Moxley Murder . New York, NY: Regan Books. Mahony, Edmund. 2020. "No retrial for Skakel." Hartford Courant, October 31: 1. Merchant, Robert. 2016. "Skakel murder conviction reinstated." Connecticut Post, December 31: 1. Ondek, Richard. 1976. "Prosecutor says family impedes murder probe." Connecticut Post, March 26: 1. Owens, David. 2013. "Freed on bail." Hartford Courant, November 22: 1. 2003. Mugshots: Michael Skakel. Performed by Single Spark Productions. State of Connecticut v. Michael Skakel. 2004. S.C. 16844 (Supreme Court of the State of Connecticut, June 23). Tofig, Dana. 1999. "Suspect's lawyer seeks to suprress comments." Hartford Courant, May 27: B7. Tuohy, Lynne. 2002. "A life, a death revisited." Hartford Courant, May 8: 1. —. 2000. "Kennedy nephew facing arrest in killing." Hartford Courant, January 19: 1. —. 2002. "No apology, no remorse." Hartford Courant, August 30: 1. —. 2002. "One final chance to make their cases." Hartford Courant, June 4: 1. —. 2002. "Prosecution puts on its rebuttal." Hartford Courant, May 30: 1.   Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

THIS IS A PREVIEW PODCAST. NOT THE FULL EPISODE. Please check out the full podcast episode on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture The 79th annual Tony Awards will be held on Sunday, June 7th, and for this latest episode of Next Best Theatre, Cody Dericks, Lauren LaMagna, and Dan Bayer come together to discuss, debate, and question their winner predictions in all categories for the big show this weekend. The ceremony will take place at Radio City Music Hall in New York City, and will be broadcast on CBS, with streaming available on Paramount+. We'll be back with another episode this season to give you our reactions to the show and the winners. Thank you, and enjoy the show this Sunday! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This weekend, the 2026 Tony Awards will be held at Radio City Music Hall, celebrating the best of another year of Broadway theatre.This year's nominated plays and musicals include The Lost Boys, Schmigadoon!, Cats: the Jellicle Ball, Ragtime, Death of a Salesman, Giant, Oedipus, Liberation, The Balusters, Two Strangers (Carry a Cake Across New York), Titaníque, and more.Check out this video to find out who and what Mickey-Jo and his stagey fiancé @AeronJames think will win at this year's ceremony...•00:00 | introduction02:32 | the performances18:26 | direction / writing31:27 | technical / design44:47 | the shows55:07 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

On October 30, 1975, fifteen-year-old Martha Moxley failed to return home after a night out with friends in Belle Haven, an exclusive wealthy enclave in Greenwich, CT. The following morning, Moxley's badly beaten body was discovered underneath a tree, just a few hundred feet from her house, triggering one of the most notorious murder mysteries in the state's history. MENTIONED IN THIS EPISODE: Buy Tickets to MORBID LIVE at Radio City Music Hall on June 27th! References Associated Press. 1975. "Parents guarding children in Greenwich murder area." Connecticut Post, November 10: 2. —. 1998. "1975 murder case before grand jury." Hartford Courant, July 12: 22. —. 1998. "Fuhrman book on 1975 slaying points to Kennedy relative." Hartford Courant, May 10: 28. Brown, Marian Gail. 2002. "Verdict shocks court observers 27 years after Moxley slaying." Connecticut Post, June 8: 1. CNN. 2007. Moxley case: Excerpts from the Sutton Report. December 17. Accessed November 26, 2025. https://www.cnn.com/2007/US/law/12/17/court.archive.skakel11/index.html. —. 2002. Moxley Case: Who was Martha Moxley? Accessed November 21, 2025. https://www.cnn.com/2007/US/law/12/17/court.archive.skakel9/index.html. Connecticut Post. 1975. "Girl, 15, found murdered at her Greenwich home." Connecticut Post, November 1: 1. Ellement, John, and Lisa Prevost. 2000. "Skakel is arrested in '75 Conn. murder." Boston Globe, January 20. Gaines, Judith. 1998. "Grand juror to probe '75 Conn. murder." Boston Globe, June 18. —. 1991. "Police taking a fresh look at 1975 murder of Conn. teen-ager." Boston Globe, October 7. Hartford Courant. 2002. "Skakel jurors." Hartford Courant, July 28: H2. Lang, Joel. 1997. "Martha's murder." Hartford Courant, May 18: 10. Levitt, Leonard. 2004. Conviction: Solving the Moxley Murder . New York, NY: Regan Books. Mahony, Edmund. 2020. "No retrial for Skakel." Hartford Courant, October 31: 1. Merchant, Robert. 2016. "Skakel murder conviction reinstated." Connecticut Post, December 31: 1. Ondek, Richard. 1976. "Prosecutor says family impedes murder probe." Connecticut Post, March 26: 1. Owens, David. 2013. "Freed on bail." Hartford Courant, November 22: 1. 2003. Mugshots: Michael Skakel. Performed by Single Spark Productions. State of Connecticut v. Michael Skakel. 2004. S.C. 16844 (Supreme Court of the State of Connecticut, June 23). Tofig, Dana. 1999. "Suspect's lawyer seeks to suprress comments." Hartford Courant, May 27: B7. Tuohy, Lynne. 2002. "A life, a death revisited." Hartford Courant, May 8: 1. —. 2000. "Kennedy nephew facing arrest in killing." Hartford Courant, January 19: 1. —. 2002. "No apology, no remorse." Hartford Courant, August 30: 1. —. 2002. "One final chance to make their cases." Hartford Courant, June 4: 1. —. 2002. "Prosecution puts on its rebuttal."  Hartford Courant , May 30: 1. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Weirdos! Has a child ever traumatized you by vibing with the supernatural? This month, DebDeb has cultivated a batch of tales where the kids    play nice with people that have crossed the veil. The best part? They are  brought to you By you FOR  you and ALL ABOUT YOU! Check out the YOUTUBE VIDEO VERSION is packed with extra Nicholas footage! If you've got a listener tale please send it to Deb by emailing us at  Morbidpodcast@gmail.com with “Listener Tales” somewhere in the subject line, and if you share pictures, please let us know if we can share them with fellow weirdos! :)  Mentions in this episode: Check out our new MERCH which drops today! Need International shipping ? Click here instead! Come to see MORBID Live at Radio City Music Hall on June 27th!Tickets are available for purchase by visiting this site! Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Visit https://www.markkilroyfoundation.org If you would like to donate to the Mark Kilroy Foundation. In March 1989, twenty-one-year-old University of Texas student Mark Kilroy and some friends traveled south of the border to Matamoros, Mexico to celebrate the end of spring break, along with thousands of other American students that year. After drinking all night at a bar on the night of March 10, Kilroy got separated from his friends when they decided to call it a night a little after 2:00 am. No one would see Mark Kilroy alive again. As one of several towns bordering the United States, Matamoros was popular with American tourists; however, by the late 1980s, it was beginning to develop a reputation for drug-related crime. In fact, Mark Kilroy was just one of sixty people who went missing in Matamoros in just the first three months of 1989 alone. When Kilroy's friends reported him missing to the Brownsville, Texas police a massive search began, with investigators fearing Mark might have been kidnapped by one of the local gangs. It turned out, the truth was far worse than anyone had feared. MENTIONED IN THIS EPISODE: Buy Tickets to MORBID LIVE at Radio City Music Hall on June 27th! Preorder YOUR copy of THE BUTCHER LEGACY References Associated Press. 1989. "Leader in cult slayings ordered own death, two companions say." New York Times, May 8: 14. Assocoated Press. 1989. "Hypnosis tried in hunt for student." Fot Worth Star-Telegram, March 17: 24. Bragg, Roy. 1989. "Cult 'godfather' ordered killing." Houston Chronicle, April 13: 1. —. 1989. "Fateful party is re-enacted." Houston Chronicle, March 25: 1. Cartwright, Gary. 1989. "The Work of the Devil." Tecas Monthly, June 1. Douglas, Jack, and Major Garrett. 1989. "13th victim pulled from killing field." Houston Post, April 14: 1. Garcia, Guy. 1989. "The Believers: Cult Murders in Mexico." Rolling Stone, June 29. Humes, Edward. 1991. Buried Secrets: A True Story of Serial Murder, Black Magic, and Drug-Running on the U.S. Border. New York, NY: Dutton. Kreps, Mary Ann. 1989. "Machete blow reportedly killed Kilroy instantly." Houston Chronicle, April 12: 1. Mishra, Upendra Nath. 1989. "Police search properties owned by alleged cult leader." United Press International, April 20. Perez-Trevino, Emma. 2009. "Remebering Mark J. Kilroy." Brownsville Herald, March 8: 1. Sanders, Kathy. 1989. "Rumors of Satanists kidnapping children have parents terrified." Fort Worth Star-Telegram, April 15: 1. Schutze, Jim. 2023. Cauldron of Blood: The Matamoros Cult Killings. New York, NY: Open Road Media. United Press International. 1989. "Parents of missing student seek help from state." United Press International, March 29. Warren, Susan. 1989. "Kilroys say drug users 'to blame' for son's killing." Houston Chronicle, April 13: 1.   Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When thirty-four-year-old Shanann Watts missed a doctor's appointment on August 13, 2018, her friends reported her missing to the Frederick, Colorado Police. When officers searched the home, they found Shanann's car parked in the garage and her belongings—including her wallet, cell phone, and medication—were found in various spots around the house, but there was no sign of Shanann or the couple's two children anywhere. The next day, the FBI opened an investigation into the disappearance of Shanann, Bella and Celeste and Chris took to local television to give one of the most infamous and suspicious interviews of all time. He asked anyone with information about their whereabouts to come forward. The very next day however, Chris failed a polygraph exam and eventually confessed to murdering his wife, but he initially denied killing their children. MENTIONED IN THIS EPISODE Get 25% off MORBID Merch on our shops on Sirius & Podswag! Catch the sale which is available until 5/11! Buy Tickets to our LIVE SHOW at Radio City Music Hall on June 27th! We have an INCREDIBLE guest and SICK merch! Want a signed copy of THE BUTCHER LEGACY?Click here to order from Premiere Collectibles! Chris Watts Discovery Documents Body Language Analysis Video References Baker, KC. 2018. Pregnant Woman and Her 2 Little Girls Vanish and Could Be in Danger, Authorities Say. August 15. Accessed April 15, 2026. https://people.com/crime/colorado-pregnant-mom-daughters-vanish-medication-left/. Glatt, John. 2020. The Perfect Father: The True Story of Chris Watts, His All-American Family, and a Shocking Murder. New York, NY: St. Martin's Press. Helling, Steve. 2018. Pregnant Mom Vanishes, Husband Pleads for Help — Then 3 Bodies Turn Up: How Watts Family Murder Case Unfolded. September 18. Accessed April 15, 2026. https://people.com/crime/shanann-chris-watts-family-murder-timeline/. McDonnell-Parry, Amelia. 2018. "Colorado man claims he killed pregnant wife after she strangled their daughters." Roling Stone, August 20. Swanson, Sady, and Nick Coltrain. 2018. "Christopher Watts sentenced to 3 life terms for murdering pregnant wife, 2 daughters." Fort Collins Coloradoan, November 20: 1. Chris Watts Discovery Documents Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Start Name Artist Album Year Comments Welsh Medley - Men Of Harlech; The Flower Dance; Rise Of The Lark; All Through The Night; God Bless The Prince Of Wales David Lowe Take The 'A' Train [OS Digital CD] 1998 3-8 Wurlitzer, Neuadd Pendre, Tywyn, Gwynedd; ex Granada Woolwich, opened in 1937 by Reg Dixon (Owner John Smallwood) 4:08 Dizzy Fingers Catherine Drummond In Tywyn Tonight [CRDC4] 2003 3c/9 Wurlitzer, Neuadd Pendre, Tywyn, Wales 8:01 The Arcadians (Selection): Opening Chorus (Act II); Chorus Of Waitresses; The Pipes Of Pan; Arcady Is Ever Young; Opening Chorus (Act III); Charming Weather; Truth Is So Beautiful; Arcady Is Ever Young (Reprise) Mark Laflin A Handful Of Keys 2012 3-9 Wurlitzer, Neuadd Pendre, Tywyn, Wales; ex-Granada Cinema, Woolwich (1937), plus Orchestral Oboe 13:59 Send A Little Love My Way Dave Wickerham Dave Wickerham UK Tour March 2025 2025 3-9 Wurlitzer, Neuadd Pendre, Tywyn, Wales; ex-Granada Cinema, Woolwich (1937), plus Orchestral Oboe 18:19 And The Angels Sing; Memories Of You; There Are Such Things Pearl White Concert: Senate Theatre, Detroit 1974-03-23 1974 4-34 Wurlitzer, Senate Theatre, Detroit, MI 25:14 I'll Take An Option On You Bill Vlasak Private: Roaring 20s Pizza, Ellenton, FL 4-42 Wurlitzer, Roaring 20s Pizza, Ellenton, FL; recorded for possible CD release 27:24 Unknown Mildred Fitzpatrick Private: Chicago Ice Arena 1952 1952 3-18 Wurlitzer, Chicago Arena, 333 East Erie St., Chicago, IL; Recorded by Eddie Osborne on his new mono Magnavox tape recorder 32:22 Blue Moon Ashley Miller Concert: Radio City Music Hall 1975-11-09 1975 4-58 Wurlitzer, Radio City Music Hall, New York, NY 37:52 One Night of Love Jim Riggs Concert: Phipps Center, Hudson, WI 2007-10-20 2007 3-16 Wurlitzer, Phipps Performing Arts Center, Hudson, WI; originally Paramount Theatre, St. Paul, MN then KSTP Studio, St. Paul, MN; plus player piano 41:49 Hard Hearted Hanna Charlie Balogh ATOS 1982: Detroit 1982 3-13 Barton, Michigan Theatre, Ann Arbor, MI 45:43 Brasilia Ray Brubacher Tijuana Brass Impressions 3-11 Composite, Gil White Residence, Derwood, MD; originally a 2-6 Link from First People's Congregational, Washington, DC, from 2-4 Link, Lafayette Theatre, Charlottsville, VA 48:46 Shenandoah Ray Brubacher Red Devil Recordings 1973 2-7 Moller, Moller Factory, Hagerstown, MD. Nicknamed "Red Devil". 54:22 What Is This Thing Called Love? John Steele Concert: Stanton Theatre, Baltimore 1964 3-31 Kimball, Stanton Theatre, Baltimore, MD; previously Stanley Theatre; rec by Ray Brubacher 57:28 Put On A Happy Face Billy Nalle Kline Residence 1970/71 1971 4-28 Fox-Capitol Wurlitzer-Moller, Richard F. Kline Residence, Thurmont, MD; unreleased, via Ray Brubacher collection

In this episode of The Body Pod, we sit down with professional dancer, choreographer, and entrepreneur Randi Strong — a So You Think You Can Dance Season 5 top-five finalist turned Olympic choreographer — for an honest, inspiring conversation about what it really looks like to build a life you love at every age. Randi walks us through her full journey, from training as a young girl and performing at Radio City Music Hall, to landing on national TV and taking her choreography all the way to the 2026 Milan Winter Olympics. But beyond the highlight reel, she gets real about the moment she realized her body was changing in her 30s, and how instead of fighting it, she pivoted with purpose — ultimately carving out a first-of-its-kind niche as a movement and dance coach for elite competitive figure skaters, including Olympic gold medalist Alysa Liu. For midlife women navigating shifting bodies and changing careers, Randi's story is proof that your most impactful chapter doesn't have to be behind you.Randi talks candidly about body confidence, physical longevity, and how movement and dance can be a lifelong tool for health, joy, and vitality at every age. Randi dives deep into the role that mindset, morning routines, and daily meditation have played in her mental and physical wellbeing — topics that resonate deeply with women who are learning to prioritize themselves. She shares how she went from burnout and uncertainty to building a thriving business on her own terms, and why slowing down to invest in your inner health was the key to her outer success. From setting boundaries and managing stress to showing up for yourself when life gets overwhelming, this conversation is equal parts practical wellness advice and deeply relatable real talk for women in the middle of their own reinvention.Whether you're a woman in midlife questioning your identity, struggling with your relationship to your body, or simply looking for permission to start over and dream bigger — this episode is for you. Randi Strong proves that aging doesn't mean shrinking; it means refining. Her message around movement as medicine, self-trust, and building a life aligned with who you are now (not who you were at 22) will leave you feeling fired up, seen, and ready to take up space.

When Ron Bradley won an all-expense paid cruise to the Caribbean in 1998, it seemed like a great opportunity to have one last family vacation with his wife, Iva, and his kids, twenty-three-year-old Amy and twenty-one-year-old Brad. In March, the family flew to Puerto Rico, where they boarded “Rhapsody of the Seas,” a Royal Caribbean cruise ship, and set off for the island of Curacao. The trip was everything Ron and his wife had hoped for, but just two days after departing from Puerto Rico, Amy went missing and their lives would never be the same again. If anyone has any information about the whereabouts of Amy Bradley, they are encouraged to contact the family through their website amybradleyismissing.com or the FBI at tips.fbi.gov. Mentioned in this episode: Buy Tickets to our LIVE SHOW at Radio City Music Hall on June 27th! Want a signed copy of THE BUTCHER LEGACY?Click here to order from Premiere Collectibles!   Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the spring of 1898, the British government began a large-scale infrastructure project, building a bridge connecting Uganda to Kilindini Harbor in Kenya. The ambitious project involved building a large railroad bridge across the Tsavo River in the Coast Province of Kenya. Just days after the bridge project began, workmen on the construction crew began disappearing, their remains turning up mangled days later, if they turned up at all. In time, it was discovered that two male maneless lions in the region were stalking, killing, and eating the men working on the infrastructure project. For more than nine months, the construction in the Tsavo region was plagued by attacks, resulting in anywhere from thirty-five to more than one hundred men killed and eaten by the lions. Eventually, a massive hunt was undertaken and the two animals were ultimately killed, allowing the infrastructure project to be completed unimpeded. Despite being an exceedingly rare occurrence, the attacks at Tsavo became symbolic of the wildness of Africa and the power of the British Empire to tame the region through colonialism. Come see us at Radio City Music Hall on June 27th! References Kuta, Sarah. 2024. Two Lions Went on a Man-Eating Spree in 1898. Now, DNA Evidence Reveals Their Diets. October 15. Accessed October 15, 2026. https://www.smithsonianmag.com/smart-news/two-lions-went-on-a-man-eating-spree-in-1898-now-dna-evidence-reveals-their-diets-180985269/. Patterson, Bruce. 2004. The Lions of Tsavo: Exploring the Legacy of Africa's Notorious Man-eaters. New York, NY: McGraw-Hill. Patterson, James. 2016. "The man-eaters of Tsavo." Sports Afield, January 1. Patterson, John Henry. 1907. The Man Eaters of Tsavo. London, UK: Macmilan. Raffaele, Paul. 2010.  Man-Eaters of Tsavo.  January. Accessed April 8, 2026. https://www.smithsonianmag.com/science-nature/man-eaters-of-tsavo-11614317/ Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode 179: Modi and Leo discuss Modi's recent Jimmy Fallon appearance, and his upcoming shows at Radio City Music Hall. Modi's special "Know Your Audience" is available on YouTube now!For all upcoming shows visit www.modilive.com.Follow Modi on Instagram at @modi_live.Follow the AHM podcast on Instagram at @AHM_Podcast.Leave us a voicemail!Send us Fan MailSupport the show

This week we are packing their emotional support sage and heading straight into two deeply unsettling homes because apparently “cozy” is overrated. First stop: the infamous Blood House of Atlanta, where a mystifying issue plagued the house owners.Then we hop across the pond to Perthshire, Scotland, to dig into the legend of Ballechin House. Built by a man with a very specific  obsession with reincarnation, the house became a hotspot for terrifying phenomena after his death. From bloodstained histories to ghostly tantrums, these houses prove that sometimes it's not the location, it's the lingering energy that turns a home into a nightmare.  Thanks to Kotex for sponsoring today's segment! #ad #morbidpodcast Looking for our merch? If you live in the US visit https://www.siriusxmstore.com/collections/morbid  Live Internationally? Get Merch from here!  Select your country/region in checkout! We want to see you at our Live Show at Radio City Music Hall on June 27th! Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Charles sits down with Victor Gurbo, a singer-songwriter, guitarist, and guitar builder from Brooklyn, New York. Victor's musical journey began early — literally from infancy, when his father discovered that Traveling Wilburys recordings were the only thing that could calm a crying baby Victor. That early imprinting on Dylan's collaborators set the stage for a lifelong obsession with live music, particularly the work of Bob Dylan, whom Victor estimates he has seen between 20 and 30 times. The conversation opens with Victor recounting his very first concert at age nine — an Arlo Guthrie show in Martha's Vineyard — a memory that exists more in fragments than in full, including nodding off during parts of the set, only to snap back awake for "Alice's Restaurant." The episode is rich with vivid concert memories. Victor shares stories of seeing Levon Helm multiple times at the Beacon Theatre and Terminal 5, reflecting on how Helm's deep love for his audience was palpable, especially after his battle with throat cancer. Victor also recounts a bittersweet Conor Oberst show in 2008, where he got to hear a then-unreleased song that would later appear on the next album — the kind of "you were there first" moment that makes live music so irreplaceable. But perhaps the most memorable story is the infamous Jack White show at Radio City Music Hall in 2012. After losing their tickets outside the venue and spending an hour on hold with StubHub, Victor and his friend were gifted front-row seats by a compassionate employee — only to watch White cut the show short, apparently unhappy with the audience's energy. For Victor, a performer himself, the experience was deeply personal and left a lasting impression on how he thinks about the relationship between an artist and their crowd. Victor's life as a performer and craftsman are equally compelling. After ordering a custom guitar from legendary New York luthier Rick Kelly — who famously builds instruments from the reclaimed wood of demolished Manhattan buildings — and waiting four and a half years for it to arrive, Victor taught himself to build guitars in the meantime, eventually winning Best Band in Brooklyn at NPR's Battle of the Boroughs in 2013 with an instrument he made himself. Since then, the band has performed at the Brooklyn Academy of Music and Carnegie Hall, where a mid-show equipment failure became the crowd's favorite moment of the night. Most recently, Victor released Gurbo and Company Live 2025, a live album recorded at NYC's Cafe Wha? featuring eight tracks, including covers of Bob Dylan's arrangement of "Rollin' & Tumblin'" and Johnny Cash's "Folsom Prison Blues." Victor can be found on all social platforms as Victor V. Gurbo, and his website has upcoming show dates and vinyl copies of his pandemic-era home recording project, Outrun the Invisible Man. BANDS: Amos Lee, Arlo Guthrie, Beach Boys, Beatles, Bob Dylan, Bright Eyes, Conor Oberst, Jack White, Johnny Cash, John Prine, Levon Helm, Mad Meg, Merle Haggard, Neil Young, Phoebe Snow, Scotia Rose, The Cure, The Villalobos Brothers, Traveling Wilburys, U2, Weezer, White Stripes, Willie Nelson. VENUES:  Beacon Theater, Brooklyn Academy of Music (BAM), Cafe Wha?, Carnegie Hall, China Club, Governor's Ball, Highline Ballroom, Jones Beach, Mercury Lounge, NPR Green Space, Radio City Music Hall, Riot Fest, Terminal 5. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

When twenty-seven-year-old James Bullock was shot and killed in St. Louis in the winter of 1958, investigators immediately focused their attention on Bullock's wife, Edna, who was the beneficiary of her husband's large life insurance policy. Witnesses recalled seeing the victim being chased by a man with a gun on the night of the murder, and detectives suspected Edna had arranged for her husband to be killed so she could collect the insurance money. They didn't know it at the time, but St. Louis investigators were investigating what was to be the first victim in a decades-long career of a most unlikely hitman and serial killer. Although they had their suspicions that Edna Bullock had enlisted the help of her ex-husband, Glen Engleman, in the murder of her new husband, it would take many more years before those suspicions were confirmed. And by that time, Engleman, a successful suburban dentist had taken the lives of several more people, all to satisfy his own interest in calculated and carefully planned assassinations. MENTIONED IN THIS EPISODE We are stoked to announce that the MORBID MERCH STORE is officially open for business! Visit http://www.siriusxmstore.com/Morbid Need international shipping? Visit http://podswag.com/ Buy Tickets to our LIVE SHOW at Radio City Music Hall on June 27th! Preorder THE BUTCHER LEGACY which releases on 8/11/26! References Bakos, Susan. 1988. Appointment for Murder. New York, NY: Putnam. Bryan, Bill. 1987. "Case closed." St. Louis Post-Dispatch, october 18: 77. Ellis, James. 1976. "Killing of Kirkwood man may have been accident." St. Louis Post-Dispatch, September 7: 5. Ganey, Terry. 1999. "Convicted killer Glennon Engleman dies at 71 in prison." St. Louis Post-Dispatch, March 4: 11. Kansas City Star. 1958. "Shot, run over near museum." Kansas City Star, December 18: 1. Mathes, Bob. 1979. "Clues sought in Madison County killing." St. Louis Post-Dispatch, April 6: 3. McReynolds, Becky. 1980. "Many questions in new bomb killing." St. Louis Post-Dispatch, January 15: 1. Reynolds, Becky, and Geof Dubson. 1980. "Dentist charged in 1976 killing." St. Louis Post-Dispatch, February 25: 1. St. Clair Chronicle. 1976. "Shot to death in woods near Pacific." St. Clair Chronicle, September 8: 1. St. Louis Post-Dipatch. 1958. "Mrs. Bullock's first husband won't talk at killing inquest." St. Louis Post-Dispatch, December 19: 1. St. Louis Post-Dispatch. 1980. "Car bomb linked to earlier one at victim's home." St. Louis Post-Dispatch, January 16: 3. —. 1958. "Dentist and his friends questioned further in James Bullock killing." St. Louis Post-Dispatch, December 21: 1. —. 1977. "Motive unclear in farm couple's killing." St. Louis Post-Dispatch, November 6: 18A. —. 1958. "Police question wife of man shot to death in Forest Park." St. Louis Post-Dispatch, December 18: 1. Wehling, Robert, and Robert Kelly. 1977. "Double killing stuns neighbors." St. Louis Post-Dispatch, November 5: 3. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From a 30th birthday celebration to a night at Radio City Music Hall seeing Lily Allen, this episode covers a full week of moments big and small. We get into garden updates, Winston turning 10, and the shift into warmer weather—plus a little note on those Aries planetary alignments.On the pop culture side, we break down the Alix vs Alex conversation, Kanye West's new album, updates on Taylor Frankie Paul, and rumors of a Chris Brown and Usher tour. We also cover Coachella highlights—including Justin Bieber and Karol G—and a full-circle moment with Selena Gomez supporting Demi Lovato.Plus, a full reality TV check-in with The Real Housewives of Atlanta, Summer House, and more.Social Media:Instagram: https://www.instagram.com/socialblendpod/Facebook: https://www.facebook.com/socialblendTwitter: https://twitter.com/socialblendpodGoli Gummies:5% OFF with PROMO: GSTILWELLhttps://go.goli.com/gstilwell Mercari:Use this link for $30 to spend on Mercari!Mercari: https://www.mercari.com/invitations/?iv_code=KBXUDY

They break down the reported impasse between Dexter Lawrence and the New York Giants regarding contract negotiations and potential trade offers. Comedian Akaash Singh joins the conversation to discuss the pressure of his upcoming Radio City Music Hall show and his Dallas sports loyalties. Additionally, they revisit a classic clip of Jose Canseco hanging up on the program and witness Sid Rosenberg's official conversion to a Yankees fan. 01:50 - Dexter Lawrence Trade Rumors 12:51 - Akaash Singh Interview 24:07 - Diana Russini Controversy 29:05 - Comedy Influences And Rogan 37:48 - Radio History And Guests 48:00 - Jose Canseco Clip 55:57 - Sid Rosenberg Conversion

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

In April 1834, a massive fire broke out at the mansion of Delphine LaLaurie on Royal Street in New Orleans French Quarter. LaLaurie was known to have kept several slaves as servants in the home, but when bystanders attempted to enter the house to rescue those trapped inside, they found the doors barred. After forcing the doors open and making their way inside the house, the rescuers were horrified to find the “horribly mutilated” bodies of at least seven of LaLaurie's slaves. Delphine LaLaurie was known to treat her servants very badly, including physically abusing them, but no one in New Orleans had imagined she was a sadistic murderer. After the discovery of the horrors in the LaLaurie mansion, Delphine LaLaurie fled New Orleans, fearing mob violence, and lived the rest of her life as an exile in Paris—but that is not the end of the story. Just a few decades after LaLaurie abandoned her home and fled the country, her story and those of the men, women, and children who suffered in her home worked their way into New Orleans folklore. Today, nearly two hundred years later, the LaLaurie mansion has become known as the most haunted house in New Orleans, and the legend of Delphine LaLaurie has lived on through television, film, and books about Mad Madame LaLaurie.  Buy Tickets to our LIVE SHOW at Radio City Music Hall on June 27th! References Crawford, Iain. 2020. "Harriet Matineau, White Women, and Slavery in the bAntebellum South." Nineteenth-Century Prose 89-116. Long, Carolyn Morrow. 2015. Madame Lalaurie, Mistress of the Haunted House. Gainsville, FL: University Press of Florida. Martineau, Harriet. 1838. Retrospect of Western Travel, volume 2. London, UK: Saunders and Otley. Masia, Ines Vila. 1947. "New Orleans puts its ghosts to work." The Times (Shreveport, LA), July 20: 21. New Orleans Bee. 1834. "Baton Rouge news." Baton-Rouge Gazette, April 19: 2. Pitts, Stella. 1974. "New paint, old stories stir interest in 'haunted house'." Times-Picayune, August 11: 68. Schneider, Frank. 1969. "Sale typidies French Quarter values." Times-Picayune, February 9: 47. Wolfe, Poet. 2024. "LaLaurie Mansion in New Orleans has a sinister history dating back to the 1830s." Times Picayune, July 11. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Johnny Mac previews Netflix's standup competition series “Funny AF,” hosted by Kevin Hart with Keegan-Michael Key, Tom Segura, Bethenny? (Camille) Nanjiani, Chelsea Handler, and Nikki Glaser as guest judges, premiering April 20 with live semi-final and finale May 4–5 featuring real-time viewer voting; he notes familiar NYC contestants including Leonard Ouzts and Caitlin Peluff and observes Chicago listed as a catchall city. He also highlights the Garden of Laughs event at Radio City Music Hall and shares a Steve Schirripa anecdote about acting pay cycles. Other news includes Gianmarco Soresi's podcast moving to Vox Media's network, Gabriel Iglesias launching the family-friendly FAST channel “Fluffy TV,” SNL's remaining season hosts/musical guests (Olivia Rodrigo, Matt Damon/Noah Kahan, Will Ferrell/Paul McCartney), Moontower Comedy Festival badge pricing and headliners, a clipped Stephen K Amos bit from Melbourne, and an update on “Comedy Survivor.” 00:21 Kevin Hart Netflix Contest01:10 Trailer Highlights and Format03:19 Contestants and City Breakdown04:47 Garden of Laughs Benefit05:55 Gianmarco Podcast Deal07:34 Gabriel Iglesias Fluffy TV08:57 SNL Season Closing Lineup10:33 Moontower Festival Badges13:59 Melbourne Clip Stephen K Amos Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News is the number one comedy news podcast, delivering daily coverage of standup comedy, late night television, comedy specials, tours, and the business of comedy.COMEDY SURVIVOR in the facebook group.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

Chicago in the 1920s is often remembered for the rise of organized crime and it's larger than life leaders like Al Capone and Johnny Torrio. While these men and their organizations surely shaped the city's identity, their infamy and influence were, at least for a short time, rivaled by a group of young women whose murderous acts would dominate headlines in papers around the country throughout the decade. While Beulah Annan and Belva Gardner—the real-life inspiration for the musical Chicago—were arguably the most well known of the female murders from this era, their famous murders were preceded by the equally sensationalized murder spree of Tillie Klimek. Between 1914 and 1921, Klimek was believed to have killed as many as seven people including four husbands. While her crimes would ultimately land her in the Illinois State Penitentiary for the rest of her life, her exploits and criminal trial were sensational and occupied the front pages of city newspapers for years. Buy Tickets to our LIVE SHOW at Radio City Music Hall on June 27th! References Chicago Tribune. 1922. "Death called mere routine in posion home." Chicago Tribune, November 15: 1. —. 1922. "Find arsenic, arrest wife and stepson." Chicago Tribune, October 27: 1. —. 1922. "Klimek poison list is twenty; arrest 1 more." Chicago Tribune, November 19: 1. —. 1922. "Koulik friend sought in new poison charge." Chicago Tribune, November 26: 5. —. 1922. "Mystery deaths in poison case may reach 20." Chicago Tribune, November 14: 3. —. 1923. "Tillie Klimek is strong witness in own defense." Chicago Tribune, March 13: 7. Danville Commercial News. 1923. "The woman, not the jury, was on trial." Chicago Tribune, March 30: 8. Forbes, Genevieve. 1923. "Grave digger tells of goings on at Klimks'." Chicago Tribune, March 10: 3. —. 1923. "How Mrs. Klimek jested of death of husband told." Chicago Tribune, March 9: 7. —. 1923. "Life in prison for woman as arch poisoner." Chicago Tribune, March 14: 1. —. 1923. "'Ma' Koulik, wise in jail learning, goes back home." Chicago Tribune, November 9: 4. —. 1923. "Poison evidence robs Mrs. Klimek of indifference." Chicago Tribune, March 11: 7. International News Service. 1922. "May exhume bodies of four former husbands." Waukegan News-Sun, October 27: 12. Lynch, Charles. 1923. "Ask hanging for 2 women charged with murder orgy." Belvidere Daily Republican, March 6: 1. Telfer, Tori. 2017. Lady Killers: Deadly Women Throughout History. New York, NY: Harper Perennial. United Press. 1922. "Chicago police suspect second 'Mrs. BLuebeard'." Freeport Journal-Standard, November 4: 1. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dungeon Court is back in session! Join Justices Murphy, Tanner and Axford, along with Bailiff Jake, as they pass judgement on your trials at the table!Come see us LIVE at Radio City Music Hall!CREDITS:Sound Mixing and Editing by Trevor LyonDungeon Court Theme Song by Sam WeillerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

George Thomas Hazleton – September 27, 1942 to March 14, 2006 Start Name Artist Album Year Comments I May Be Wrong (But I Think You're Wonderful) Tom Hazleton From The Avenue San Francisco [ASP-101] 1966 3-16 Wurlitzer, Avenue Theatre, San Francisco, CA; from the State Lake Theatre, Chicago, IL. Now in private residence Ft. Myers, FL 2:17 Winchester Cathedral Tom Hazleton Concert: Radio City Music Hall 1973-05-20 1973 4-58 Wurlitzer, Radio City Music Hall, New York; NYTOS Chapter concert 7:36 The Sting (The Entertainer) Tom Hazleton Alive & Well At Pizza & Pipes [Stereo Records APS-102] 4-23 Wurlitzer, Cap'ns Galley, Redwood City, CA 12:00 Announcement by Tom Tom Hazleton Concert: Dendy Theatre, Brighton, Melbourne 1978-07-23 1978 3-15 Wurlitzer, Dendy Theatre, Brighton, Melbourne, Australia You Light Up My Life Tom Hazleton Concert: Dendy Theatre, Brighton, Melbourne 1978-07-23 1978 3-15 Wurlitzer, Dendy Theatre, Brighton, Melbourne, Australia 15:51 Variations on Plop, Plop, Fizz, Fizz Tom Hazleton Concert: Pasadena Civic Dedication 1980-04-23 1980 5-28 Moller, Civic Auditorium, Pasadena, CA 20:51 Rhapsody on a Theme of Paganini Tom Hazleton ATOS 1985 Chicago 1985 6-51 Barton, Chicago Stadium, Chicago, IL 25:06 I've Got A Crush On You Tom Hazleton The Alabama Wurlitzer At Its Best [Alabama Chapter 2-CD] 1986 4-20 Wurlitzer, Alabama Theatre, Birmingham, AL; CD set released in 2016 29:33 Don't Be That Way Tom Hazleton South Bank Stateswise [COS Cassette SBW401] 1988 4-23 Wurlitzer, South Bank University, London (ex Trocadero, Elephant & Castle) 32:21 Honeysuckle Rose Trio Con Brio Not Just Another Organ Recording 1992 4-51 Wurlitzer, Organ Grinder Restaurant, Portland, OR; 4m Collins Memorial Pipe Organ, First United Methodist Church, Portland, OR; Rodgers 945, C445 and C-100 36:23 My Heart Belongs To Daddy Tom Hazleton A Little Bit Of This And A Little Bit Of That [DTOS 301] 1993 3-43 Kimball, Dickinson High School, Wilmington, DE 39:36 Announcement by Tom Tom Hazleton ATOS 1994 Regional Buffalo 1994 4-28 Wurlitzer, Shea's Buffalo Theatre, NY; 18 September 1994 Unforgettable Tom Hazleton ATOS 1994 Regional Buffalo 1994 4-28 Wurlitzer, Shea's Buffalo Theatre, NY; 18 September 1994 44:54 You, You, You Tom Hazleton ATOS 1998 San Francisco - Stanford Theatre 1998-07-05 1998 3-21 Wurlitzer, Stanford Theatre, Palo Alto, CA 48:34 Rustic March (Marche Champêtre) Tom Hazleton Scotty's Castle Organ Music 2002 3-15 Welte, Scotty's Castle, Death Valley, CA 51:54 Show Me The Way To Go Home Tom Hazleton Just A Bird's-eye View [Allen Organ CD] 2002 3-11 Allen Renaissance (R-311), Octave Hall, Allen Organ Company, Macungie, PA 55:14 I Guess I'll Have To Change My Plan Tom Hazleton The Paramount Days Signature Series 2003 4-50 Wurlitzer, Bay Theatre, Seal Beach, CA 57:49 There's No Business Like Show Business Tom Hazleton The Concert Experience [NORCAL 2-CD] 2005 4-36 Wurlitzer, Community Theatre, Berkeley, CA: concert November 13, 2005

When Carolyn and Roger Perron moved into a small farmhouse in Harrisville, Rhode Island, they thought they'd found the perfect house in which to raise their five daughters and enjoy the rest of their lives. Before long, the Perron's dream home turned into a nightmare. It started small—disembodied voices, unpleasant odors—but soon the unpleasant and obnoxious experiences developed into an all-out attack of ghostly apparitions, assaults from unseen hands, and the presence of something far worse than the spirits of the undead. At first, the Perron family ignored or dismissed the various incidents that disturbed them, but after several years in the house, the experiences had become too numerous and too severe to dismiss. Faced with the unimaginable scenario of losing their house to forces beyond their comprehension, the Perron's decided to fight back. MENTIONED IN THIS EPISODE Read an excerpt from THE BUTCHER LEGACY on Crime Reads RIGHT NOW!! Buy Tickets to our LIVE SHOW at Radio City Music Hall on June 27th! References Langston, Keith. 2024. The True Story Behind The Conjuring: Where Is the Perron Family Now? October 20. Accessed March 26, 2026. https://people.com/the-conjuring-true-story-8645388. Nickell, Joe. 2016. "Dispelling Demons: Detective Work at The Conjuring House." Skepticakl Inquirer 20-24. Nickell, Joe. 2014. "The Conjuring: Ghosts? Poltergeist? Demons?" Skeptical Inquirer 22-25. Perron, Andrea. 2013. House of Darkness, House of Light, vol. 2. Providence, RI: AuthorHouse. —. 2011. House of Darkness: House of Light, vol. 1. Providence, RI: AuthorHouse. Rhode Island Governor's Justice Commission. 1995.  Highlights and Analysis from 25 Years Collecting Serious Crime Data.  Data analysis, Providence, RI: Rhode Island Statistical Analysis Center. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Weirdos! Pack your getaway bag and  get ready to hit the road for a haunted roadtrip in West Virginia! Alaina starts a trend by telling us about a chilling crime at Cabin 13 in Babcock State Forrest in Babson, WV. Not only is this place's history haunted, what people have seen will give you goosebumps! Ash gives us the pallet cleanser about the Blennerhassett Hotel in Parkersburg where the haunting is a bit more whimsical and includes a spirit who may be our new spirit guide!  Want to Book? Head to THIS SITE to book a Cabin at Babcock State Park, or THIS SITE to book a stay at the gorgeous Blennerhassett Hotel in Parkersburg! Come to see MORBID Live at Radio City Music Hall on June 27th! Tickets are available for purchase by visiting this site! Preorder THE BUTCHER LEGACY and THE BUTCHER GAME In England! Audio and digital versions of THE BUTCHER GAME  are available NOW! Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There's a new production of Jason Robert Brown's THE LAST FIVE YEARS, celebrating its 25th Anniversary, and starring Rachel Zegler and Ben Platt.The iconic early contemporary musical theatre song cycle was performed in a semi staged concert last week at the London Palladium and will also be seen at Radio City Music Hall in New York and the Hollywood Bowl.After loving and hating different productions of this fan favourite musical last year, check out what Mickey-Jo thought of the concert treatment, and its two performances...•00:00 | introduction02:23 | overall thoughts10:39 | performances20:32 | creative choices27:15 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Weirdos! We NEEDED a nostalgic moment, and decided to share it with you! This month, DebDeb has cultivated a batch of 90's tales that are  brought to you By you FOR  you and ALL ABOUT YOU!  Check out YouTube to see what happened mid episode that made us all lose our damn minds! If you've got a listener tale please send it to Deb by emailing us at  Morbidpodcast@gmail.com with “Listener Tales” somewhere in the subject line, and if you share pictures, please let us know if we can share them with fellow weirdos! :)  Mentions in this episode: Come to see MORBID Live at Radio City Music Hall on June 27th!Tickets are available for purchase by visiting this site! PRE-ORDER GIFT! When you pre-order THE BUTCHER LEGACY, you can enter to win a spooky blood-drip bookmark to perfectly match the most chilling cover yet in this series

My returning guest was the first African American to dance with the world-famous Rockettes at NY's Radio City Music Hall. We discuss the role that dancing, and being a Rockette played in her life, her experience with and advocacy for colorectal cancer, her inspirational books, and much more.

(Part 2 of 2) On March 1, 1932, someone crept into a second-floor window of the home of Charles and Ann Lindbergh and kidnapped the couple's twenty-month-old son, Charlie, leaving behind a ransom note demanding $50,000 for the boy's return. Mentions in this episode: Come to see MORBID Live at Radio City Music Hall on June 27th! Tickets are available for purchase by visiting this site! Don't forget to prepare for our March Bonus Episode Bookclub, brought to YOU by our friends at Ashley!  We're excited to share  the episode with you wherever you find podcasts on March 31st! We will also have the full VIDEO episode available on Youtube as well!  Want to be part of the conversation? This time we're talking about Postmortem by Patricia Cornwell. Get it wherever you find books now! Reference American Experience. n.d. Ann Morrow Lindbergh.https://www.pbs.org/wgbh/americanexperience/features/lindbergh-anne-morrow/. Associated Press. 1932. "Moore halts plan for state reward." Central New Jersey Home News, March 2: 1. —. 1932. "Seek Lindbergh baby in Newark after card is discovered in mails." Central New Jersey Home News, March 2: 1. —. 1932. "Orders that vigilance be not relaxed until killers meet justice." Courier-News (Bridgewater, NJ), May 13: 1. —. 1932. "Morrow maid a suicide." Herald-News (Passaic, NJ), June 10: 1. —. 1934. "Hauptman ready to quit US." The Evening Times (Trenton, NJ), September 21: 1. Cahill, Richard. 2014. Hauptmann's Ladder: A Step-By-Step Analysis of the Lindbergh Kidnapping. Kent, OH: Kent State University Press. Hauck, Anthony. 1935. "Hauptman's guilt overwhelmingly proved." New York Times, February 12: 12. Linder, Douglas. n.d. Ransom notes, responses and other communication. Accessed December 29, 2025. https://famous-trials.com/hauptmann/1398-ransom. New York Times. 1934. "Friends describe Hauptman as shy." New York Times, September 23: 24. —. 1934. "Hauptman script 'like' kidnappers." New York Times, October 16: 20. —. 1932. "Test of religion seen in kidnapping." New York Times, May 16: 2. 2013. Who Killed Lindbergh's Baby? Directed by Larry Klein. Performed by Nova. Shapiro, Stanley. 2009. "The Celebrity of Charles Lindbergh." Air Power History 21-33. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On March 1, 1932, someone crept into a second-floor window of the home of Charles and Ann Lindbergh and kidnapped the couple's twenty-month-old son, Charlie, leaving behind a ransom note demanding $50,000 for the boy's return. Mentions in this episode: Come to see MORBID Live at Radio City Music Hall on June 27th! Tickets are available for purchase by visiting this site! Don't forget to prepare for our March Bonus Episode Bookclub, brought to YOU by our friends at Ashley!  We're excited to share  the episode with you wherever you find podcasts on March 31st! We will also have the full VIDEO episode available on Youtube as well!  Want to be part of the conversation? This time we're talking about Postmortem by Patricia Cornwell. Get it wherever you find books now! Reference American Experience. n.d. Ann Morrow Lindbergh. https://www.pbs.org/wgbh/americanexperience/features/lindbergh-anne-morrow/. Associated Press. 1932. "Moore halts plan for state reward." Central New Jersey Home News, March 2: 1. —. 1932. "Seek Lindbergh baby in Newark after card is discovered in mails." Central New Jersey Home News, March 2: 1. —. 1932. "Orders that vigilance be not relaxed until killers meet justice." Courier-News (Bridgewater, NJ), May 13: 1. —. 1932. "Morrow maid a suicide." Herald-News (Passaic, NJ), June 10: 1. —. 1934. "Hauptman ready to quit US." The Evening Times (Trenton, NJ), September 21: 1. Cahill, Richard. 2014. Hauptmann's Ladder: A Step-By-Step Analysis of the Lindbergh Kidnapping. Kent, OH: Kent State University Press. Hauck, Anthony. 1935. "Hauptman's guilt overwhelmingly proved." New York Times, February 12: 12. Linder, Douglas. n.d. Ransom notes, responses and other communication. Accessed December 29, 2025. https://famous-trials.com/hauptmann/1398-ransom. New York Times. 1934. "Friends describe Hauptman as shy." New York Times, September 23: 24. —. 1934. "Hauptman script 'like' kidnappers." New York Times, October 16: 20. —. 1932. "Test of religion seen in kidnapping." New York Times, May 16: 2. 2013. Who Killed Lindbergh's Baby? Directed by Larry Klein. Performed by Nova. Shapiro, Stanley. 2009. "The Celebrity of Charles Lindbergh." Air Power History 21-33. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dungeon Court is back in session! Join Justices Murphy, Tanner and Axford, along with Bailiff Jake, as they pass judgement on your trials at the table!Come see us LIVE at Radio City Music Hall!CREDITS:Sound Mixing and Editing by Trevor LyonDungeon Court Theme Song by Sam WeillerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Weirdos!! We are ABOSOLUTELY thrilled to be announcing that we will be doing a Live Show at Radio City Music Hall on June 27th, 2026!  Tickets go on sale on Wednesday March 18th at Noon EST, so be sure to scoop them up while they are still available! We can't wait to see you there! Click this link to get a reminder from the site that tickets are being sold from!!   Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Amanda Peet (Fantasy Life, Your Friends & Neighbors, The Whole Nine Yards) is an actor, writer, and producer. Amanda joins the Armchair Expert to discuss being a serial monogamist during her dating years, what relation she has to the designer of Radio City Music Hall, and going from a hippie Quaker school in Manhattan to a stuffy private school in London. Amanda and Dax talk about recognizing a pattern of existential thinking when her kids turn seven, undergoing psychoanalysis at age 13, and contending with the cultural mores of Something's Gotta Give. Amanda explains relishing the opportunity to play a high functioning character with mental illness in her new film, exploring a complicated relationship with wealth in Your Friends and Neighbors, and recently finding a new gear in acting.Check Allstate first for a quote that could save you hundreds: https://www.allstate.com/Head to turbotax.com to find a store location near you and get matched with a TurboTax expert — with real-time updates in the iOS app.This episode is sponsored by AppleTV. Learn more at: https://tinyurl.com/mr2caw2cSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With thanks to Lew Williams for the corrections! Start Name Artist Album Year Comments Popular Hit Medley - A: Sergeant Sally; There I Go; Yes, My Darling Daughter Ena Baga To Victory [NTOT Kinura Cassette NCM 210] 1941 3-13 Wurlitzer, Tower Ballroom, Blackpool 4:01 Just A Night For Meditation Emil Velazco Angela Mia [Retrovox XPMM15105917] 3-8 Kimball, Velazco Studio, New York, NY 7:48 Maybe Jesse Crawford, Nat Shilkret Orchestra Pioneers of the Theatre Organ [Take Two CD] 1926 CORRECTION: 2-8 Wurlitzer, (Model F), New York Wurlitzer store. 1926-11-30. 11:35 By a Waterfall Frederic Bayco Music Hall Magic: Wurlitzer Vol. 1 [FFCD 751] 1933 3-12 Compton, Dominion Thetare, Tottenham Court Road, London 14:32 Pinocchio Film Selection: Hi-diddle-dee-dee; Turn On The Old Music Box; When You Wish Upon A Star Sandy Macpherson The Wonder Of The Wurlitzer Volume 2 [Signature SIGNCD2691] 1940 4-23 Compton + Melotone, BBC Theatre Organ, St. George's Hall, London 18:50 Chloe (Song of the Swamp) Don Baker Organ Music [Columbia CL6037] 1942 CORRECTION: 4-21 Wurlitzer, Paramount Theatre Studio, New York, NY. 1942-03-02. Acetate recording. 21:17 Persian Rosebud G.T. Pattman Sounds from The Cinemas [Retrovox XPMM15110591] 1927 3-9 Compton, Astoria Cinema, Charing Cross Road, London 24:00 The Digah's Stomp Fats Waller Fats At The Organ [RCA RD-7599] 1927 Estey Organ, Camden (RCA) Studios, Trinity Church, Camden, NJ 28:02 My Blue Heaven Sigmund Krumgold Pioneers of the Theatre Organ [Take Two CD] 1927 Estey, Victor's Trinity Church Studios, Camden, NJ 31:42 Cityland 11: Wedding of the Winds; Jealousy; O Sole Mio Cor Steyn Cityland 1936-37 [Varagram 5174] 1937 4-24 Strunk, City Theatre, Amsterdam 35:02 Smoke Gets In Your Eyes Dick Leibert Pioneers of the Theatre Organ [Take Two CD] 1940 CORRECTION: 3-14 Wurlitzer, Radio City Music Hall studio, New York, NY 38:33 Mississippi selection: Soon; It's Easy To Remember; Down By The River Reginald Dixon British Theatre Organs - Recordings from 1928 to 1943 [Crystal Stream CD] 1935 3-13 Wurlitzer, Tower Ballroom, Blackpool 42:38 You've Got Me Crying Again Quentin Maclean at the Organ of the Regal, Marble Arch & The Trocadero, Elephant and Castle [WRC SH409] 1933 4-21 Wurlitzer, Trocadero Theatre, Elephant and Castle, London 46:32 Radio City Revels: Goodnight, Angel; There's A New Moon Over An Old Mill Dudley Beaven Dudley Beaven at Clapham Junction [Hot Pipes HP3002] 1938 3-8 Wurlitzer, Granada Theatre, Clapham Junction; rec 1938-39 50:04 Czardas H. Robinson Cleaver Grand Openings [NTOT Kinura Cassette NCM 211] 1936 3-8 Compton, Regal Cinema, Bexley Heath (destroyed by enemy action) 53:51 The Echo Of A Serenade (Te Quiero Dejiste) The Organ, The Dance Band and Me The Organ, Dance Band and Me [Sunflower CD] Robinson Cleaver - Organ; voc Bob Dale 57:54 Siboney Jesse Crawford The Early Years [Piping Hot PH2008] 1931 4-21 Wurlitzer, Paramount Theatre Studio, New York 60:47 The Flying Scotsman (A Record Run In Torch Time) Sidney Torch Organ Oddities and Novelties [NTOT Kinura Cassette NCM 214] 1938 4-16 Wurlitzer, Gaumont State Theatre, Kilburn, London

What's it like when you are the only African American dancer in a world of all white dancers? Lisa continues our very special interview with Jennifer Jones, the first African American Rockette. Jennifer talks about growing up seeing Broadway shows with her parents. She told her high school guidance counselor that she wanted to go to college and major in dance. Her counselor told her that she wasn't ready for college yet, although at a very early age, she always dreamed of being on stage. She was so passionate and started at a local community college before moving to New York City, auditioning, and getting hired to be a Rockette. She talks about how spectacular Radio City Music Hall is. It literally took her breath away! She shares the excitement of the famous Christmas Spectacular show and how she poured her heart into each show. She was performing up to six shows a day. Jennifer discusses resilience, and what she had to break through to make her dreams come true. She noted that this year is the 100-year anniversary of the Rockettes and a big event will be planned to celebrate. She also talks about her challenges, and how important it is to believe in yourself. She discusses the importance of being resilient. When she turned 50, she went to her doctor to request a colonoscopy. The doctor told her she was young and had nothing to worry about as she was healthy and had no family members with colorectal cancer. Jennifer listened to her powerful intuition and got a colonoscopy anyway. The doctors determined that she had colorectal cancer, and she was told she had five years to live. She felt embarrassed by this diagnosis as she was always the "healthy one" in her family. She was physically fit and a vegetarian. She met with a specialist and had four rounds of chemotherapy. To the amazement of her doctors, the tests showed dramatic improvement. She explains how she decided to meditate more, let go of toxic relationships, drink green juices, and so much more. She knew she needed to change the way she ate and the way she thought. In 2019, she was deemed cancer-free! Jennifer talks about testing early for colorectal cancer, and especially in the African American community. If there's a history, in your family, it's important to test even earlier. She shares how her symptoms started as pressure in her abdomen, so she began changing her diet and meeting with doctors. She talks about organizations who can offer early detection and additional support including Colorectal Cancer Alliance: https://colorectalcancer.org and Colon Cancer Foundation: https://coloncancerfoundation.org. Jennifer's groundbreaking memoir is titled "Becoming Spectacular: The Rhythm of Resilience from the First African American Rockette." This is Part 2 of the interview. Info: rockettejenn.com.

My guest broke a long-standing barrier when she became the first African American woman to dance with the world-famous Rockettes at NY's Radio City Music Hall. We discuss her love of dance, the process of being selected to the Rockettes, the reactions she got from others, and much more.

Today's very special interview features Jennifer Jones, the first African American Rockette. Jennifer shares her story of growing up seeing Broadway shows with her parents. From a very early age, she dreamed of being on stage. She was so passionate and knew in every cell of her body that that would be her home. Jennifer talks about resilience, and what she had to break through to make her dreams come true. She talks about the dance history of the 1920s and how the Rockettes were formed in 1925. The founder thought that Americans would love to see women of the same size and race perform the exact same moves on a dance line. During this time period, Black dancers had their own troupes, as Blacks and whites did not perform together. Jennifer was hired as a Rockette in 1987. She was the very first Black woman to join the dance line. She saw an ad in the newspaper and her friend encouraged her to audition. She wasn't familiar with the Rockettes, as she'd never seen them. She saw only white women auditioning and realized she was the only Black person. She was so nervous and intimated, she decided to leave. A voice inside of her said, "Stay!" She decided to do so. She auditioned, got measured for height and weight, and the stage manager invited her to come back. Even though she went to the call back, she still didn't realize who the Rockettes were. She didn't know their history. She was hired and they immediately sent her for media training. She met with the choreographer who said she was "misquoted" by the press and that's what Jennifer needed to say during interviews. Many people, from managers to choreographers to fellow dancers, were not happy that she was on the line. Jennifer talks about being assaulted and repeatedly insulted. It took extreme perseverance on her part to follow her dreams of being on stage. She talks about how so many women auditioned and how they were not allowed to be a Rockette simply because of their skin color. Through her perseverance, her dream came true! Her groundbreaking memoir is titled "Becoming Spectacular: The Rhythm of Resilience from the First African American Rockette."  She discusses specific mentors who helped to encourage her along the way. She received fan mail, as well as difficult hate mail. Some people didn't feel she should be there, but her parents, family, and mentors helped her along the way. She was a Rockette for 15 years, then another dream came true – she danced on Broadway! She discusses how staunch and strict the "Rockettes" brand is at Radio City. She didn't feel she could speak her truth without repercussions. They are still very strict with the brand. They do allow for slightly varying heights and weights. The draw for so many is that it's an incredible precision troupe. It has evolved over the years. They are trying to include more nationalities. The main focus is still precision and elegance. Jennifer hopes that she helped to inspire the Black women on the line today so they can experience the joy of the sisterhood of being a Rockette, dancing at Radio City Music Hall.  This is Part 1 of the interview. Info: rockettejenn.com.

Johnny Macc discusses the recent comparisons between comedians John Mulaney, Mike Feeney, and Gianmarco Soresi based on their comedic styles and performances.He explains a controversy involving Mike Epps who apologizes for comments about Nicki Minaj, and touches on Michael Che's response to an inappropriate sketch suggestion from a fan.The episode also highlights upcoming comedy events, such as Garden of Laughs at Radio City Music Hall, and includes amusing updates like Pete Davidson's favorite deli and a humorous promotional campaign by KFC Arabia featuring a comedian,00:27 John Mulaney and the Rip-off Controversy01:42 Comedy Clips Comparison: Mulaney, Feeney, and Soresi05:40 Mike Epps Apology and Michael Che's Fan Interaction07:40 Garden of Laughs Event Announcement08:25 Ronny Chieng's Subway Announcements10:10 Pete Davidson's Happy Place and Awards for Excellence in Audio16:05 Comedy Festival Highlights and Comedy Survivor17:51 UK Pun Championship and KFC Arabia Campaign Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac--4522158/support.Daily Comedy News is the number one comedy news podcast, delivering daily coverage of standup comedy, late night television, comedy specials, tours, and the business of comedy.COMEDY SURVIVOR in the facebook group.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

Bay and Laura catch up after two weeks apart, in which a lot of things occurred, including the release of the previous episode! Join them for an exciting and devious debrief, as well as Laura's tear-filled report of going to see Gregory Alan Isakov at Radio City Music Hall. If you want to catch her full video about it, here it is: https://www.youtube.com/watch?v=0hexAS1rWmc&t=255s 

Hi Broadway Besties! Get ready for the highly anticipated RAGTIME REVIEW! Lindsey also recaps seeing Data at the Lucille Lortel Theatre! Broadway News:

Peter Filichia, James Marino, and Michael Portantiere review Data @ The Lucille Lortel Theatre, New Jersey Repertory Company’s The Bookstore @ 59e59, Newsies @ Argyle Theatre, Philosophy Productions — Hans Litten: The Jew Who Cross-Examined Hitler @ Theatre Row, New York Philharmonic and Gustavo Dudamel at Radio City Music Hall, read more

Jennifer Jones was the very first African-American Rockette when she started dancing at Radio City Music Hall in 1987. She tells Rick and Dave all about the experience. [Ep192]

Topics: Heated Rivalry, Hannah is a better lesbian than Tay, other women wearing ties, what's next for Hannah, selling out Radio City Music Hall and Carnegie Hall, Hannah's super power, being buddies with Jimmy FallonSponsors:Rocket Money: Join at RocketMoney.com/taylorQuince: Go to Quince.com/taylor for free shipping on your order and 365-day returnSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Interview Date: November 9th, 2025Episode Summary:In this episode, Menina sits down with Rhonda Kaufman Malkin to unpack how a competition kid from Irvine turned a packed schedule of AP classes, UCLA coursework, the UCLA Dance Team, and three seasons as an LA Laker Girl into a long-term professional career. Rhonda shares how she balanced college with high-level pro work, why she switched from a dance major to sociology, and how booking five jobs in a row her senior year convinced her to go “all in” on dance after graduation.She walks listeners through her journey to Radio City—getting cut from her first Rockette audition, training herself between Disney shows, then booking the tour just before 9/11 and spending 12 seasons with the Rockettes (nine in NYC), seven of those as a swing, memorizing 36 tracks.Now the founder of Fusion Exercise, Rhonda has coached 75 dancers into the Rockettes and trains performers for Broadway, NFL/NBA teams, and precision work worldwide. She breaks down what makes precision dance different (counting, spacing grids, eye-high kicks, stamina), how the current three-day Rockette audition works, and why cross-training, professionalism, and genuine love of dance are non-negotiable. Shownotes:(8:52) Menina's intro: Rhonda's journey from UCLA to Rockettes.(14:03) Early life: ballet beginnings, competition team roots.(17:07) Balancing UCLA Dance Team and Laker Girls.(21:55) First agent wins; persistence through audition setbacks.(26:18) Rejection lessons: casting “type” and mindset shifts.(32:07) LA highlights: commercials, Academy Awards with Robin Williams.(37:44) Booking Rockettes post-9/11; touring and NYC seasons.(47:12) Precision dance breakdown: spacing, counting, eye-high kicks.(53:36) Fusion Exercise coaching and modern Rockette audition processBiography:Rhonda Kaufman Malkin is a 1996 honors graduate of Woodbridge High School in Irvine, CA. Rhonda was the first student from WHS to "crack Disney" and win the Outstanding Dancer Award for the Disneyland Creativity Challenge, a competition open to Orange County performing arts students. Her 13 years of dance training lead to a 17-year professional dance career in Los Angeles and New York City. While attending UCLA as a Sociology major, Rhonda performed as a Los Angeles Laker Girl for 3 years and received a championship ring for the 2000 inaugural season at Staples Center. After graduating UCLA in 2000, she attended seminary at Neve Yerushalayim and started her journey into Orthodox Jewish life. She continued dancing professionally, teaching dance, and choreography on the side while being a Radio City Music Hall Rockette for 12 years performing in multiple cities across America as well as Radio City Music Hall in the “Christmas Spectacular.” Rhonda was a Rockette Swing (memorizing all 36 Rockette dance tracks) for 7 of those years. Rhonda developed her famous FUSION EXERCISE fitness method and has trained celebrities including Ivanka Trump, Jared Kushner, Karlie Kloss and others. Rhonda's choreography talents lead her to choreographing for numerous live stage and livestream productions in NYC for Jewish artists Bracha Jaffe and Devorah Schwartz. She was Head Choreographer for Camp Mayor for 8 years, recently taught at the prestigious FAME school—La Guardia High School of the Arts, and Manhattan High School in Manhattan as Head Choreographer and Physical Education Department instructor. She recently choreographed for the Rockette Alumnae Association in “Talent is Timeless” performing off-Broadway at the United Palace Theater in NYC.As a Professional Dance Coach, she is honored to mention that 75 of her students have become Radio City Rockettes and was recently featured on NY's PIX11 News. This is Rhonda's 32nd year as a dance educator. She is a wife and mom to 3 kids.Connect on Social Media:TikTok:@fusion_exercise Instagram:https://www.instagram.com/fusion_exercise/

Michelle Buteau explains why she is the "achievable Beyonce" for government workers and how her history editing grim news footage at WNBC led her to a record-breaking comedy career. Her new special, A Beautiful Mind, marks her as the first woman of color to headline Radio City Music Hall—a feat she attributes to the same grit that carried her through five years of IVF and "weird needles" at TSA. Along the way: the "dangerous" trend of punching down in comedy, the specific anxiety of visiting a Bronx reptile sanctuary while high on an edible, and the culture shock of a Dutch husband who still defends the practicality of wooden clogs. Produced by Corey Wara Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack⁠⁠⁠⁠

The Rockettes are a famous dance group known for their high kicks, perfect timing, and amazing teamwork. They were founded in 1925 and later became stars at Radio City Music Hall in New York City. The Rockettes are best known for their holiday show, The Christmas Spectacular, which many families watch every year. Their dances require strength, balance, and lots of practice to move in perfect unison. This episode explores how the Rockettes began, how they train, and why they have become one of America's most beloved performance groups.

It's the 21st annual iFanboy All Media Year End Roundup! Conor Kilpatrick, Josh Flanagan, and special guest Ron Richards discuss some of what they enjoyed in media in this, the year that was 2025. Movies, television, music, podcasts, books, and comics — it's all here! Note: Timecodes are subject to change depending on dynamic ad insertion by the distributor. Running Time: 02:54:30 Movies:00:02:35 – The Year in Movies00:06:19 – Sinners00:09:45 – One Battle After Another00:12:30 – Superman00:14:43 – Hamnet00:16:39 – Caught Stealing00:19:24 – The Naked Gun00:22:46 – Wake Up Dead Man: A Knives Out Mystery00:26:03 – Lurker00:27:24 – Mickey 1700:28:37 – Train Dreams00:31:26 – Jay Kelly00:34:02 – Blue Moon00:37:36 – Nouvelle Vague00:40:48 – Nuremberg00:44:58 – Weapons Television:00:47:45 – The Year in Television00:49:07 – The Pitt00:50:31 – The Gilded Age00:54:25 – Slow Horses00:57:16 – The Lowdown01:00:28 – The Beast in Me01:03:22 – English Teacher01:05:13 – Andor: A Star Wars Story01:07:32 – Alien: Earth01:11:16 – Paradise01:12:56 – Death By Lightning01:19:47 – The Residence01:21:38 – The Studio01:23:05 – Dept. Q01:25:59 – Dying For Sex01:28:49 – The Conners Music:01:32:54 – “Who Is the Sky?” by David Byrne01:33:34 – Who is the Sky? Tour by David Byrne at Radio City Music Hall in New York, New York01:34:30 – Hamilton: An American Musical at Richard Rodgers Theatre in New York, New York 01:38:22 – Suffs The Musical at Hollywood Pantages Theatre in Los Angeles, California01:39:35 – Pulp Live 2025 by Pulp at Queens Forest Hills Stadium in Forest Hills, New York01:41:51 – “God Save The Gun” by Militarie Gun01:43:08 – “Antidepressants” by Suede01:44:28 – “Alive in the Catacombs” by Queens of the Stone Age01:45:45 – The Catacombs Tour by Queens of the Stone Age at Boch Center Wang Theatre in Boston, Massachusetts01:49:05 – Oasis: Live '25 by Oasis at The Rose Bowl in Pasadena, California01:50:14 – “Yell at Cloud” by PLOSIVS Books:01:51:49 – The Year in Books01:52:20 – “Lorne: The Man Who Invented Saturday Night Live” by Susan Morrison01:55:20 – “Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival” by Richard Bienstock & Tom Beaujour01:58:41 – “All Systems Red: The Murderbot Diaries” By Martha Wells02:00:10 – “Gai-Jin: The Epic Novel of the Birth of Modern Japan” by James Clavell02:03:30 – “Perfidia: A Novel” by James Ellroy02:05:16 – “The Ship Beneath the Ice: The Discovery of Shackleton's Endurance” by Mensun Bound02:09:42  – “To Kill a Troubadour: A Mystery of the French Countryside” by Martin Walker02:10:34 – “The Name of This Band is R.E.M.: A Biography” by Peter Ames Carlin02:14:21 – “The Impossible Fortune: A Thursday Murder Club Mystery” by Richard Osman02:15:22 – The Patrick Kenzie and Angela Gennaro Series by Dennis Lehane Podcasts:02:18:34 – “The Town” with Matt Belloni02:20:48 – “Blank Check” with Griffin Newman & David Sims02:23:29 – “The Rest is Entertainment” with Marina Hyde & Richard Osman02:24:54 – “Gone South” with Jed Lipinski02:27:44 – “Mike & Tom Eat Snacks” with Michael Ian Black & Tom Cavanagh02:30:21 – “Fly on the Wall” with Dana Carvey & David Spade02:31:46 – “Nudgecast: The Official Podcast of Nudge Magazine” with Ian Jacoby & Shane Told Comics:02:38:16 – Batman & Robin: Year One02:39:11 – Wonder Woman02:40:29 – Absolute Wonder Woman02:41:19 – Assorted Crisis Events02:43:04 – Daredevil: Cold Day in Hell02:43:43 – Usagi Yojimbo02:44:31 – Fantastic Four02:45:39 – Uncanny Valley02:46:41 – Redcoat02:47:40 – Supergirl More From Ron Richards:• Listen to Android Faithful!• If you're into pinball, check out Scorbit! Brought To You By: iFanboy Patrons  iFanboy T-Shirts and Merch Music:“Mele Kalikimaka [feat. Shannon McGill]”Slowey and The Boats LISTEN TO THE IFANBOY 2025 ALL MEDIA YEAR END PLAYLIST! Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 2 Join us for an unforgettable evening of love and peril at the legendary Radio City Music Hall in New York City, as two of our Mighty Nein lovebirds, Jester and Fjord, embark on their greatest adventure yet: marriage! Captured live from Radio City Music Hall in New York City on October 7, 2025 CREDITSSet design by Shaun EllisSet fabricated by Flannel & HammerJester Processional Composed, written, and performed by Taylor Ash and Lindsay Dills. Duology Music House LLCCostumes by Jennifer NewmanLollipop Bouquet designed by Abbie StrausserLollipop Bouquet fabricated by Manzi DeYoungFjord and Jester artwork by frostbite.studiosAdditional Characrer art by Adelle KincelLead Make Up Artist: Dre Ronayne BEACONWe're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join and get unparalleled access to the shows you love completely ad-free! You'll receive NEW Beacon exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. YOUTUBE MEMBERS / TWITCH SUBSCRIBERSTwitch Subscribers and YouTube Members gain instant access to VODs of our shows, moderated live chats, and custom emojis & badges:https://www.youtube.com/criticalrole/https://www.twitch.tv/criticalrole Follow us!Website: https://www.critrole.com  Newsletter: https://critrole.com/newsletter  Facebook: https://www.facebook.com/criticalroleTwitter: https://x.com/criticalroleInstagram: https://www.instagram.com/critical_roleTikTok: https://www.tiktok.com/@criticalrole  Twitch: https://www.twitch.tv/criticalrole  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Part 1 Join us for an unforgettable evening of love and peril at the legendary Radio City Music Hall in New York City, as two of our Mighty Nein lovebirds, Jester and Fjord, embark on their greatest adventure yet: marriage! Captured live from Radio City Music Hall in New York City on October 7, 2025 CREDITSSet design by Shaun EllisSet fabricated by Flannel & HammerJester Processional Composed, written, and performed by Taylor Ash and Lindsay Dills. Duology Music House LLCCostumes by Jennifer NewmanLollipop Bouquet designed by Abbie StrausserLollipop Bouquet fabricated by Manzi DeYoungFjord and Jester artwork by frostbite.studiosAdditional Characrer art by Adelle KincelLead Make Up Artist: Dre Ronayne BEACONWe're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join and get unparalleled access to the shows you love completely ad-free! You'll receive NEW Beacon exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. YOUTUBE MEMBERS / TWITCH SUBSCRIBERSTwitch Subscribers and YouTube Members gain instant access to VODs of our shows, moderated live chats, and custom emojis & badges:https://www.youtube.com/criticalrole/https://www.twitch.tv/criticalrole Follow us!Website: https://www.critrole.com  Newsletter: https://critrole.com/newsletter  Facebook: https://www.facebook.com/criticalroleTwitter: https://x.com/criticalroleInstagram: https://www.instagram.com/critical_roleTikTok: https://www.tiktok.com/@criticalrole  Twitch: https://www.twitch.tv/criticalrole  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Travel nightmares, cocktail jazz, & laughing gas…oh my!  This week, JVN is joined by comedian and certified delight, Heather McMahan (host, Absolutely Not) They're talking: baths vs. showers, jazz scatting, preferred quesadilla orders, comedy in 2025, mid-flight medical emergencies, eyelashes, meeting people where they're at, finding rituals that ground you, healthcare in the UK, The Golden Bachelor, and much much more!  Heather McMahan is an actress, comedian, and podcaster whose sharp humor and self-deprecating storytelling have made her one of the most beloved voices in comedy today. Her Netflix special Son I Never Had! debuted in 2023 to widespread acclaim, holding a Top 10 position for a full week. Known for her candor, relatability, and ability to find humor in chaos, Heather has toured internationally, selling out iconic venues including Radio City Music Hall during her Comeback Tour. She's been called “an auditory David Sedaris for the millennial set” by The Hollywood Reporter and continues to connect with fans across stand-up, television, and her hit podcast: Absolutely Not Catch her in The Bamboozled Tour continuing this spring.  Full Getting Better Video Episodes now available on YouTube.  Follow Heather McMahan on Instagram @heatherkmcmahan Follow Getting Better on Instagram @gettingbetterwithjvn  Follow Jonathan on Instagram @jvn Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support: Chad Hall Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices