Podcast appearances and mentions of prudence flint

Podcast listeners click here to see images of the works Over the years, podcast guests have shared some fascinating back stories to paintings they have made, stories which you could never have guessed on merely viewing the work. Sometimes that back story has made me look at the work in a totally different way and I'm bringing you a few of those to you in this episode. See images of the works we talk about below. Links Tickets for talk with Caroline Zilinsky at the Art Gallery of NSW (Artists in Conversation) YouTube video - Anthony White Vincent Fantauzzo podcast episode Prudence Flint podcast episode Ben Quilty podcast episode Scott Bevan podcast episode on William Dobell 2:40    ‘Heath', 2008, oil on canvas, 106 x 140cm (Collection of the Art Gallery of NSW, highly commended and winner of the Archibald Prize People's Choice award 2008. Portrait of Heath Ledger) 10:40    ‘Baby', 2015, oil on linen, 105 x 90.5cm (Finalist in Archibald Portrait Prize 2015) 15:45.  ‘Kandahar' 2011, oil on linen, 140 x 190cmPhoto: Australian War Memorial 18:00   ‘Captain S. after Afghanistan' 2012, oil on linen, 210 x 230cmFinalist Archibald Prize 2012Photo: AGNSW/ Mim Stirling 20:30    ‘Margaret Olley', 1948, oil on hardboard, 114.3 x 85.7 cm boardCollection: Art Gallery of NSWWinner Archibald Prize 1948 23:45.    ‘Storm Approaching, Wangi', 1948, oil on cardboard on composition board, 32.9 x 56cmWinner Wynne Prize 1948

Painter Prudence Flint has a career spanning 35 years, best known for enigmatic pictures of female protagonists in surreal domestic scenes. Despite a serious local following, her paintings have proved much more popular overseas, and she only produces around eight a year. All situate the viewer in an intriguing psychological space -- but does the painter ever feel too exposed?A Beginner's guide to art openings. The art exhibition opening is a rite of passage for artists and art lovers alike, but it can be an intimidating and exclusive social affair. Artists Ming Liew and Thitibodee Rungteerawattananon made a pact to break into the Melbourne art scene by attending as many art openings as they could together, culminating in an art film about the project, by Ming. Rosa tags along to one gallery to see how it's done. Charles Lai runs a public calendar of the city's visual arts events. First aired July 2023.Humpty Doo is a red-dirt, mango-growing, beer-swilling town on the border of greater Darwin and the bush. Photographer Liss Fenwick grew up there and has captured its unique character in a powerful photo series called Humpty Doom, photographed over 10 years. First aired May 2023.

Award winning Prudence Flint chats to the team at Sunday Arts Magazine about her exhibition “Hunting and Fishing.” Prudence lives and works in Melbourne. With no background in art, she... LEARN MORE The post Sunday Arts Magazine: Prudence Flint appeared first on Sunday Arts Magazine.

Painter Prudence Flint has a career spanning 35 years, best known for enigmatic pictures of female protagonists in surreal domestic scenes. Despite a serious local following, her paintings have proved much more popular overseas, and she only produces around eight a year. All situate the viewer in an interesting psychological space.A Beginner's guide to art openings. The art exhibition opening is a rite of passage for artists and art lovers alike, but it can be an intimidating and exclusive social affair. Artists Ming Liew and Thitibodee Rungteerawattananon made a pact to break into the Melbourne art scene by attending as many art openings as they could together, culminating in an art film about the project, by Ming. Rosa tags along to one gallery to see how it's done. Charles Lai runs a public calendar of the city's visual arts events.Enter the studio of... Ema Shin. A printmaker who turned to tapestry and embroidery when motherhood and the pandemic required her to work from home, Japanese artist Ema Shin's red embroidered organs and 3D human hearts are beautiful to look at, and deeply personal-political in meaning. Her exhibition is currently showing at Ararat Gallery TAMA. First broadcast May 2022. 

Painter Prudence Flint has a career spanning 35 years, best known for enigmatic pictures of female protagonists in surreal domestic scenes. Despite a serious local following, her paintings have proved much more popular overseas, and she only produces around eight a year. All situate the viewer in an interesting psychological space. A Beginner's guide to art openings. The art exhibition opening is a rite of passage for artists and art lovers alike, but it can be an intimidating and exclusive social affair. Artists Ming Liew and Thitibodee Rungteerawattananon made a pact to break into the Melbourne art scene by attending as many art openings as they could together, culminating in an art film about the project, by Ming. Rosa tags along to one gallery to see how it's done. Charles Lai runs a public calendar of the city's visual arts events. Enter the studio of... Ema Shin. A printmaker who turned to tapestry and embroidery when motherhood and the pandemic required her to work from home, Japanese artist Ema Shin's red embroidered organs and 3D human hearts are beautiful to look at, and deeply personal-political in meaning. Her exhibition is currently showing at Ararat Gallery TAMA. First broadcast May 2022. 

Golden moments from the archives! While I'm busy updating my YouTube channel and taking a break from new interviews, I'm thrilled to bring you a new series featuring clips from past podcast guests. In my first series 'When I won that art prize' I look back at conversations I've had with painters about their experiences with winning awards. Although there are plenty of upsides (the prize money being one of the main ones) it's not always a positive experience! In 2017 (ep 35), I chatted with the fabulous Prudence Flint. No stranger to art prizes, she has won the Portia Geach Memorial Award, the Len Fox Painting Award and has been shortlisted in the Archibald seven times. But when I asked her what it was like winning the Doug Moran National Portrait prize in 2004, with prize money of $100,000, her response was not what you might expect. Links Full TWP Prudence Flint interview - episode 35 Prudence Flint website Prudence Flint on Instagram Prudence Flint's studio on TWP YouTube channel Talking with Painters YouTube channel The Good Oil Podcast with Graeme Douglas Subscribe to the Talking with Painters newsletter ‘A Fine Romance #9', 2004, oil on linen, 117 x 82cm Winner of Doug Moran National Portrait Prize 2004 ‘Baby', 2015,  oil on linen, 105 x 90.5cm Finalist in Archibald Portrait Prize 2015

What does it mean to do feminism rather than be a feminist? In the third and final episode of our FEM-aFFINITY podcast, feminist critic and art historian Anne Marsh explains the idea of doing feminism in Australian contemporary art, from the 1970s to now. For over four decades Marsh has been researching and writing at the cross-sections of feminism and contemporary art. As a leading academic in this field, she’s currently undertaking an expansive research project titled Doing Feminism which, consisting of events, residencies and a soon-to-published book, looks at women, feminism and art in Australia since 1970. In a very insightful conversation Marsh discusses feminism in the arts from the 1970s to now, and reflects on how female, marginalised and neurotypical artists can also be activists. Marsh further talks about why artists with a disability have been on the periphery on the art world, and how the Western art canon can be expanded to include the true diversity of 20th and 21st century art making. This podcast takes its name from an exhibition with the same title: FEM-aFFINITY is also a collaborative, female-led show that first began in 2019. It features a series of collaborations between seven female artists who practice from Melbourne’s Arts Project Australia, a studio and gallery for artists with an intellectual disability, and seven female contemporary artists. FEM-aFFINITY is a nationally touring exhibition and will soon show at Riddoch Art Gallery at Mount Gambier in South Australia. Exhibiting artists include: Bronwyn Hack, Cathy Staughton, Dorothy Berry, Eden Menta, Fulli Andrinopoulos, Heather Shimmen, Helga Groves, Jane Trengove, Janelle Low, Jill Orr, Lisa Reid, Prudence Flint, Wendy Dawson and Yvette Coppersmith. FEM-aFFINITY Riddoch Art Gallery 22 May—4 July Benalla Art Gallery 6 August—17 October This series is kindly sponsored by NETS Victoria who are nationally touring FEM-aFFINITY, assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body. Produced and presented by Tiarney Miekus. Engineered by Patrick Telfer. Music by Mino Peric.

What does it mean to do feminism rather than be a feminist? In the third and final episode of our FEM-aFFINITY podcast, feminist critic and art historian Anne Marsh explains the idea of doing feminism in Australian contemporary art, from the 1970s to now. For over four decades Marsh has been researching and writing at the cross-sections of feminism and contemporary art. As a leading academic in this field, she's currently undertaking an expansive research project titled Doing Feminism which, consisting of events, residencies and a soon-to-published book, looks at women, feminism and art in Australia since 1970.In a very insightful conversation Marsh discusses feminism in the arts from the 1970s to now, and reflects on how female, marginalised and neurotypical artists can also be activists. Marsh further talks about why artists with a disability have been on the periphery on the art world, and how the Western art canon can be expanded to include the true diversity of 20th and 21st century art making. This podcast takes its name from an exhibition with the same title: FEM-aFFINITY is also a collaborative, female-led show that first began in 2019. It features a series of collaborations between seven female artists who practice from Melbourne's Arts Project Australia, a studio and gallery for artists with an intellectual disability, and seven female contemporary artists.FEM-aFFINITY is a nationally touring exhibition and will soon show at Riddoch Art Gallery at Mount Gambier in South Australia. Exhibiting artists include: Bronwyn Hack, Cathy Staughton, Dorothy Berry, Eden Menta, Fulli Andrinopoulos, Heather Shimmen, Helga Groves, Jane Trengove, Janelle Low, Jill Orr, Lisa Reid, Prudence Flint, Wendy Dawson and Yvette Coppersmith.FEM-aFFINITYRiddoch Art Gallery22 May—4 JulyBenalla Art Gallery6 August—17 OctoberThis series is kindly sponsored by NETS Victoria who are nationally touring FEM-aFFINITY, assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.Produced and presented by Tiarney Miekus. Engineered by Patrick Telfer. Music by Mino Peric.

What does it mean to create art between two cultures? What relationships are formed when artists collaborate? What are the links between feminism, contemporary art and disability? These questions, and more, are explored in the second episode of our newest podcast series FEM-aFFINITY, featuring a very honest and intimate conversation with photographer Janelle Low. This podcast takes its name from an exhibition with the same title: FEM-aFFINITY is also a collaborative, female-led show that first began in 2019. It features a series of collaborations between seven female artists who practice from Melbourne’s Arts Project Australia, a studio and gallery for artists with an intellectual disability, and seven female contemporary artists. Low is one of the exhibiting artists in FEM-aFFINITY who collaborated with Arts Project artist Eden Menta, producing a series of vivid and poignant photographs. Low talks about this collaboration—the friendship, humour and life experiences that gave it strength—while also discussing her upbringing and art world experiences, and being the youngest person (and second female) to win the National Photographic Portrait Prize in 2013. Low is of Peranakan/Teochew heritage, and both of her parents migrated from Singapore. Low discusses how her work explores a sense of otherness between her cultural heritage and Western upbringing, and she further talks about navigating the art world as a person of colour, and why institutions need to curate diverse exhibitions with genuineness. FEM-aFFINITY is a nationally touring exhibition and is currently showing at Melbourne’s Bunjil Place Gallery. Exhibiting artists include; Bronwyn Hack, Cathy Staughton, Dorothy Berry, Eden Menta, Fulli Andrinopoulos, Heather Shimmen, Helga Groves, Jane Trengove, Janelle Low, Jill Orr, Lisa Reid, Prudence Flint, Wendy Dawson and Yvette Coppersmith. FEM-aFFINITY Bunjil Place Gallery 30 January—14 March Riddoch Art Gallery 22 May—4 July Benalla Art Gallery 6 August—17 October This series is kindly sponsored by NETS Victoria who are nationally touring FEM-aFFINITY, assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body. Produced and presented by Tiarney Miekus. Engineered by Patrick Telfer. Music by Mino Peric.

What does it mean to create art between two cultures? What relationships are formed when artists collaborate? What are the links between feminism, contemporary art and disability? These questions, and more, are explored in the second episode of our newest podcast series FEM-aFFINITY, featuring a very honest and intimate conversation with photographer Janelle Low. This podcast takes its name from an exhibition with the same title: FEM-aFFINITY is also a collaborative, female-led show that first began in 2019. It features a series of collaborations between seven female artists who practice from Melbourne's Arts Project Australia, a studio and gallery for artists with an intellectual disability, and seven female contemporary artists.Low is one of the exhibiting artists in FEM-aFFINITY who collaborated with Arts Project artist Eden Menta, producing a series of vivid and poignant photographs. Low talks about this collaboration—the friendship, humour and life experiences that gave it strength—while also discussing her upbringing and art world experiences, and being the youngest person (and second female) to win the National Photographic Portrait Prize in 2013. Low is of Peranakan/Teochew heritage, and both of her parents migrated from Singapore. Low discusses how her work explores a sense of otherness between her cultural heritage and Western upbringing, and she further talks about navigating the art world as a person of colour, and why institutions need to curate diverse exhibitions with genuineness. FEM-aFFINITY is a nationally touring exhibition and is currently showing at Melbourne's Bunjil Place Gallery. Exhibiting artists include; Bronwyn Hack, Cathy Staughton, Dorothy Berry, Eden Menta, Fulli Andrinopoulos, Heather Shimmen, Helga Groves, Jane Trengove, Janelle Low, Jill Orr, Lisa Reid, Prudence Flint, Wendy Dawson and Yvette Coppersmith.FEM-aFFINITYBunjil Place Gallery30 January—14 MarchRiddoch Art Gallery22 May—4 JulyBenalla Art Gallery6 August—17 OctoberThis series is kindly sponsored by NETS Victoria who are nationally touring FEM-aFFINITY, assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.Produced and presented by Tiarney Miekus. Engineered by Patrick Telfer. Music by Mino Peric.

What are the links between feminism, contemporary art and disability? FEM-aFFINITY, a new three-part podcast series, delves into this question by focussing on an exhibition of the same title. First exhibited in 2019, FEM-aFFINITY is a collaborative, female-led show. It features a series of collaborations between seven female artists who practice from Melbourne's Arts Project Australia, a studio and gallery for artists with an intellectual disability, and seven female contemporary artists.This first episode features artist, curator and academic Catherine Bell who not only curated the exhibition, but made the collaborations happen. Bell talks about the process behind the show, as well as the subjective nature of feminism and what the word means to her. She also discusses how she became familiar with Arts Project Australia, her collaborations with artist Cathy Staughton, and what it means to break down art world structures to give a voice to marginalised artists.FEM-aFFINITY is a nationally touring exhibition, and is currently showing at Melbourne's Bunjil Place Gallery. Exhibiting artists include; Bronwyn Hack, Cathy Staughton, Dorothy Berry, Eden Menta, Fulli Andrinopoulos, Heather Shimmen, Helga Groves, Jane Trengove, Janelle Low, Jill Orr, Lisa Reid, Prudence Flint, Wendy Dawson and Yvette Coppersmith.FEM-aFFINITYBunjil Place Gallery30 January—14 MarchRiddoch Art Gallery22 May—4 JulyBenalla Art Gallery6 August—17 OctoberThis series is kindly sponsored by NETS Victoria who are nationally touring FEM-aFFINITY, assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.Produced and presented by Tiarney Miekus. Engineered by Patrick Telfer. Music by Mino Peric.

What are the links between feminism, contemporary art and disability? FEM-aFFINITY, a new three-part podcast series, delves into this question by focussing on an exhibition of the same title. First exhibited in 2019, FEM-aFFINITY is a collaborative, female-led show. It features a series of collaborations between seven female artists who practice from Melbourne’s Arts Project Australia, a studio and gallery for artists with an intellectual disability, and seven female contemporary artists. This first episode features artist, curator and academic Catherine Bell who not only curated the exhibition, but made the collaborations happen. Bell talks about the process behind the show, as well as the subjective nature of feminism and what the word means to her. She also discusses how she became familiar with Arts Project Australia, her collaborations with artist Cathy Staughton, and what it means to break down art world structures to give a voice to marginalised artists. FEM-aFFINITY is a nationally touring exhibition, and is currently showing at Melbourne’s Bunjil Place Gallery. Exhibiting artists include; Bronwyn Hack, Cathy Staughton, Dorothy Berry, Eden Menta, Fulli Andrinopoulos, Heather Shimmen, Helga Groves, Jane Trengove, Janelle Low, Jill Orr, Lisa Reid, Prudence Flint, Wendy Dawson and Yvette Coppersmith. FEM-aFFINITY Bunjil Place Gallery 30 January—14 March Riddoch Art Gallery 22 May—4 July Benalla Art Gallery 6 August—17 October This series is kindly sponsored by NETS Victoria who are nationally touring FEM-aFFINITY, assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body. Produced and presented by Tiarney Miekus. Engineered by Patrick Telfer. Music by Mino Peric.

Prudence Flint is a Melbourne based artist. She has held solo exhibitions in Dublin, Sydney, Melbourne, Canberra and Hobart and has exhibited in major state and regional galleries. She is a seventh time finalist in the Archibald Prize. She won the Len Fox Painting Award (2016), the Portia Geach Memorial Award (2010), and the Doug Moran National Portrait Prize (2004). Reproductions of Flint’s paintings have recently appeared in international publications including Juxtapoz (US), Hi Fructose (US), Oh Comely (UK), It’s Nice That and Printed Pages (UK).

In Episode 24 of The Great Women Artists Podcast, Katy Hessel interviews the AMAZING artist PRUDENCE FLINT!! One of my FAVOURITE artists of 2020 – with her work particularly resonating with me at the time of lockdown – Prudence is known for her eerily quiet scenes of characters silently going about their daily lives. Swept up in her signature pastel-like palette, whilst it might at first appear as though her figures are performing seemingly mundane activities – lying on a bed to brushing their teeth – Prudence gives precedent to their actions by creating tense atmospheres in her slightly distorted and jarring environments. Painting both men and women, but focusing much more heavily on the female and the female psyche, Prudence’s work invites us into a narrative – an intimate, contemplative and private life, where we as viewers very much become an intruder, or a voyeur.  Based in Melbourne, Prudence is one of Australia's leading painters and is VERY excitingly included in an exhibition I have excitingly curated titled ‘Dwelling is the Light” at Timothy Taylor Gallery, featuring a multigenerational group of women exploring the relationship between interiors and the outdoors (https://timothytaylor.com/viewing-rooms/dwelling-is-the-light/). Speaking about women in her work she has said, “I wish for women to be at the center of things… to be all things, whole, boundless, perverse, and representative of humanity. I want to give voice to this experience of being alive, now, in this culture, as a woman.” I LOVED interviewing Prudence. It was such an insight to hear about her work in the context of the History of Art and her interest in the divine; exploring the beauty of the everyday; intensity of the home; dynamics between humans and their surroundings; and putting women at the centre of her work. Thank you for listening!! This episode is sponsored by Alighieri  https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off!  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

This episode is a joy. Stay for the whole visit.PRUDENCE FLINT is a Melbourne based artist. She has held solo exhibitions in Sydney, Melbourne, Canberra and Hobart and has exhibited in major state and regional galleries. She is a seventh time finalist in the Archibald Prize. She won the Len Fox Painting Award (2016), the Portia Geach Memorial Award (2010), and the Doug Moran National Portrait Prize (2004). Her work is held in the collections of the City of Port Phillip, Artbank, BHP Billiton, City of Gold Coast, University of Wollongong, Castlemaine Art Museum and in numerous private collections. Reproductions of Flint’s paintings have recently appeared in international publications including Oh Comely (UK), It’s Nice That, Printed Pages (UK), Hi Fructose (US) and recently in Juxtapoz (US). Flint is represented by Australian Galleries in Melbourne and Bett Gallery in Hobart. She had her first international show at Mother’s tankstation Limited Dublin in May 2019.

Here's your guide to the paintings of the 13 podcast guests whose works were shortlisted in the 2019 Archibald prize. Go to episodes 72 and 73 for the Wynne and Sulman guides! Click here for an overview of how to use this guide Click here for images of the Archibald Prize finalists Click here to see the gallery map below if you are looking at this on your podcast app. Feature Photo: 'Lindy Lee', (detail), oil on canvas, 182.5 x 152cm, Tony Costa, winner of Archibald prize 2019 Click on the artist's name below to go to their podcast episode and see the video. The time marking shows where the artist's work is mentioned in the episode and the number in brackets is the number of the work in the AGNSW. 1:25___ Jude Rae (41) 3:35___ Jonathan Dalton (14) 6:40___Prudence Flint (22) 9:38___Tony Costa (winner) (13) 13:05___Blak Douglas (18) 15:50___Paul Ryan (43) 18:13___Marc Etherington (20) 21.11___Loribelle Spirovski (44) 23:35___Laura Jones (27) 25:10___ Vanessa Stockard (45) 27:54___Natasha Bieniek (5) 29:51___ Natasha Walsh (49) 32:45___Euan Macleod (34)

This year twenty podcast guests were selected as finalists in the Archibald, Wynne, and Sulman prizes, which are exhibited every year at the Art Gallery of NSW, with a total of 26 paintings between them. In the next three episodes I'm going to talk to you about those works. Scroll down to see some tips on how to listen to these episodes. How to use episodes 72-74: As an audio guide at the Art Gallery of NSW (until 8 September 2019) or any gallery the exhibition travels to. scroll down for a map of the gallery rooms and list of finalists. (or click here if you're looking at this on your podcast app) There is a time marking for each painting so you can skip forward or back.To hear the complete podcast interview and view video of the artist click on the artist's name in the list below.Tips - download the podcast episodes onto your phone before you go (in case the wi-fi's not great) and take a screenshot of the map! Listen while you look at the paintings online on the gallery's websiteclick here for the Archibald paintingsclick here for the Wynne paintingsclick here for the Sir John Sulman paintings Just listen! It'll still be fun. The guides The Archibald guide is here The Wynne guide is here The Sulman guide is here Gallery Map Map of location of podcast guest paintings at the AGNSW. (Click here if you are looking at this on your podcast app) Episode 72: SULMAN FINALISTS 1:12 ___John Bokor(84) 3:37____Paul Ryan(104) 6:10___ Ken Done (87) 8:00____McLean Edwards (88) 10:38___Alan Jones (91) 13:19___Abdul Abdullah (81) Episode 73: WYNNE FINALISTS 00:55___Marc Etherington (63) 3:08___ Ken Done (61) 4:34____Blak Douglas (62) 7:38____Natasha Bieniek (54) 10:06___Abdul Abdullah (52) 11:56___Michaye Boulter(55) 13:39___Sylvia Ken(65) Episode 74: ARCHIBALD FINALISTS 1:25____Jude Rae (41) 3:35____Jonathan Dalton (14) 6:40____Prudence Flint (22) 9:38____Tony Costa (13) 13:05___Blak Douglas (18) 15:50___Paul Ryan (43) 18:13___Marc Etherington (20) 21:11___Loribelle Spirovski (44) 23:35___Laura Jones (27) 25:10___Vanessa Stockard (45) 27:54___Natasha Bieniek (5) 29:51___Natasha Walsh (49) 32:45___Euan Macleod (34)

Can we maintain a lightness of being using heavy materials? What is the role of a public artist and how is this changing? In this spirited conversation, Tai Snaith and Sanné Mestrom discuss what it means to be a self-made woman interested in the relationship between the lived world and the perceived world. They talk about depicting women with ‘gravity’ and a new way of how the female form might fit into the landscape. They discuss embarking on motherhood as an early to mid career artist and being okay with breastfeeding in the foundry, amongst many other things. Additional Resources: Sanné’s website: http://www.mestrom.org/ Les Demoiselles d’Avignon: https://www.moma.org/collection/works/79766 Prudence Flint: http://www.prudenceflint.com/ Architectural follies: https://en.wikipedia.org/wiki/Folly Manifesto: https://en.wikipedia.org/wiki/Manifesto_(2015_film)

In this first series of Five on Five we're asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Prudence Flint reflects on 'Virgin and Child' (1455-60) by Dieric Bouts, discussing how she’s drawn toward the maternal and erotic nature of the painting, alongside its nostalgic resonance. To view the painting as you listen along, head to Art Guide online: https://artguide.com.au/five-on-five-prudence-flint-on-dieric-bouts-virgin-and-child. Prudence Flint is a Melbourne-based painter. She is a finalist in this year's Archibald Portrait Prize at the Art Gallery of New South Wales and will have a solo show at Bett Gallery in Hobart from 16 November - 7 December 2018. Production credits: Produced by Tiarney Miekus. Music and audio engineering by Mino Peric.

Prudence Flint paints women. Usually in an interior setting and often in an intimate, solitary moment. Her subject might be in the bathroom, showering, or lying on a bed staring at the ceiling or in the kitchen drinking a glass of water. She explores that moment in time in a unique way, through her use of light, colour, portrayal of space and magnificent use of distortion. Flint has won many art awards including the Doug Moran National Portrait Prize, the Portia Geach Memorial Award and the Len Fox Painting Award. Her work has also been shortlisted many times - thirteen times in the Portia Geach alone. If you have an interest in painting in Australia, it’s very likely you’re familiar with her work. In this episode, Flint talks about her life and how she found her way to her subject matter and painting methods.  She also gives interesting insights into the workings of the inner critic - something most artists have encountered. Her approach to that is inspired and taps into the mysteries of the creative process. See a short video of Flint's studio and work in her latest show at Australian Galleries on the Talking with Painters YouTube channel here. Upcoming Events Solo show 'Bedsit' at Australian Galleries, Sydney, 14 November to 3 December 2017 Links to things and people we talk about on the show Prudence Flint Prudence Flint at Australian Galleries Prudence Flint at Bett Gallery Jenny Watson Vivienne Shark LeWitt Doug Moran National Portrait Prize Archibald Prize Urszula Dawkins Video of Flint's studio and show 'Bedsit' at Australian Galleries https://www.youtube.com/watch?v=EOTbvBR1fCM