Podcasts about australia council

Tom Petsinis is a novelist, playwright, and poet. He was born in Macedonia, Greece, and immigrated to Australia as a child. He lives in Melbourne and works as a mathematics co-ordinator at Deakin University. He has published several collections of poetry, including Sonnets: Offerings from Mount Athos, My Father's Tools, Steles, Isolation, and Four Quarters, which won the Wesley Michel Wright Poetry Prize. His play The Drought was short-listed for the Victorian Premier's Literary Award and won the Wal Cherry Award. His novels include The Twelfth Dialogue and The French Mathematician, nominated for both the New South Wales and South Australian Premier's Award. His recent novels are Fitzroy Raw and Fog. The Australia Council for the Arts has awarded him a Writers' Fellowship and a Residency at the B.R. Whiting Library in Rome. He also been a Creative Fellow at the State Library of Victoria and a writer-in-residence in Lavigny, Switzerland. Tom's work has been translated into several languages. His latest collection of poetry is Zero's Whisper and his latest play is Zorba's Last Dance.Dimitrios Koutsoukos is an actor with a diverse range of credits. Television and film credits include Kick, Neighbours, Noah's Ark, and Crackerjack. He has appeared in numerous short films, including Bulk Bill (VCA), Apply Yourself  (Art of the State) and Short Change (48 Hour Film Fest Award Winner). Beyond film and television, Dimitrios has performed in theatre productions such as The Greeks (La Mama Collaborations) and Heart Thy Neighbour (Melbourne International Comedy Festival). His training includes The Film Space, St. Kilda Acting Company, and Tony Nikolakopoulos' Kali Techni Theatre Company. He has served as the Co-Artistic Director of the Greek Australian Short Film Festival (GASFF).  Here, he reads extracts from Tom Petsinis's new play, Zorba's Last Dance, and also joins Tom Petsinis in reading poems from Zero's Whisper.Tom Petsinis's work is available here: https://scholarly.info/?s=Tom+Petsinis&post_type=productProduction and Interview: Tina Giannoukos  

CEO pay levels have decreased in many of Australia's listed companies, but bonus payments have become the norm, new research from the Australia Council of Superannuation Investors (ACSI) shows. The study reveals that over the past year, a CEO is more likely to lose their job than their bonus. In FY23, only two ASX100 CEOs received zero bonus. Ed John is the Executive Manager, Stewardship at ACSI. He talks to Sean Aylmer about the concerns of potential breakouts in CEO pay levels and the responsibility of boards to set performance standards.Find out more: https://fearandgreed.com.auSee omnystudio.com/listener for privacy information.

On this week's episode of LWICFD! we have Dr. Georgie McClean! Georgie is the Executive Director of Development & Partnerships at Creative Australia (formerly known as the Australia Council) where she oversees research & industry development, plus looks after the partnerships team dealing with philanthropy, wellbeing & education, all within the Creative Arts industry.  It sounds like a lot (and it is!) so tune in to find out how Georgie ended up here...and who she would like to invite to her fantasy dinner party! Massive thanks to @shizafrigginhotsauce for the Friggin' hot sauce & sponsoring my show. It's hotter than my fireplace at home during this heinous cold snap, so go check them out and put it on all of the foods.

Really Interesting Women - the podcastEpisode 128SUSAN JOHNSONThe Australian newspaper has described Susan Johnson as, ‘One of the finest Australian writers.'She describes herself as,  author, incurable Australian, friend, feminist, ambivalent mother skewered by love and struck by eternal wanderlust. Isn't that a terrific description. Her books include, From Where I Fell, published in 2021 (shortlisted for the Voss Literary Award) and The Broken Book (longlisted for the Miles Franklin Award in 2005) and, most recently, Aphrodite's Breath: A Mother and Daughter's Greek Island Adventure which is a memoir about living on Kythera, Greece, with her 85-year-old mother.  A really great read.She started her career as a journalist and her life trajectory changed in 1985, when she received the first of three New Writers' grants from the Literature Board of the Australia Council which allowed her to write full time. She is now the author of twelve books.Join me for a great discussion with Susan Johnson. Link to Susan's latest book: https://www.booktopia.com.au/aphrodite-s-breath-susan-johnson/book/9781760876562.htmlVisit instagram @reallyinterestingwomen for further interviews and posts of interesting women in history. Follow the link to leave a review....and tell your friendshttps://podcasts.apple.com/au/podcast/really-interesting-women/id1526764849

CELEBRATING DANE CRAWFORDIn these special episodes, we celebrate the life of a person who has died via someone who loved them deeply - keeping the memory of them alive through shared recollections, joy and grief.These conversations can be intensely raw, and many tears are shed. Please move gently as you listen.TW: Grief, suicidal ideation.Dane Crawford was a sparkly-eyed, sweet natured man who loved his work in construction. He died suddenly in 2018 at 37 years of age. Celebrating Dane is his former partner Tommy Murphy - a celebrated playwright and screenwriter based in Sydney, where his recent stage adaptation of Nevil Shute's On The Beach premiered at Sydney Theatre Company. His earlier adaptation of Tim Conigrave's memoir Holding The Man plays regularly around the world, including a recent revival at Belvoir. Tommy won the National Theatre Award from the Australia Council in 2020 following his play Packer & Sons. Other theatre credits include Mark Colvin's Kidney, and Gwen in Purgatory (Belvoir St Theatre), Troy's House (SUDS, ATYP), Strangers in Between (Griffin Theatre Company, Trafalgar Studios West End), Blood Wedding (Royal and Derngate Northampton Theatre, UK), and Saturn's Return (Sydney Theatre Company). He created and was the Head Writer and Script Producer for the ABC original television series Significant Others (Fremantle, nominated for the 2023 Logie for Outstanding Drama). Tommy has also written episodes on The Twelve, Bloom, Fighting Season, The Devil's Playground and Offspring. Tommy wrote and was Associate Producer on the feature film Holding The Man (Goalpost Pictures) directed by Neil Armfield. He won the AWGIE Award for Best Writing in a Feature Film and Critics Circle Award for Best Screenplay. Tommy was the recipient of the Patrick White Playwrights Fellowship (2016), and The Writers' Guild and Screen Australia Creators Program in Hollywood (2023). His other notable awards include winner of the 2022 AWGIE Award for Audio Fiction for his radio play Call You Back and winner of the N.S.W. Premier's Literary Awards for Best Play for both Holding The Man and Strangers In Between and the W.A. Premier's Prize for Gwen in Purgatory. He is currently developing a feature film. Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Support the show via www.patreon.com/mariekehardy and drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some  wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ ★ Support this podcast on Patreon ★

The Doctor of the disordered stage is back. In this second episode of Dr Rob Vs, Dr Rob tells the story of government funding for the performing arts, deconstructs a post apocalyptic play from the 1950s and reflects on two more months in the industry. Hosted on Acast. See acast.com/privacy for more information.

This week on "Radio Architecture with Ilana Razbash", Ilana's special guest is Sophie Travers. Sophie was appointed as CEO of the Australian Tapestry Workshop in May 2023, bringing with her a wealth of experience in the arts and cultural sector gained internationally. Sophie joined the ATW from Collingwood Yards where as CEO she was fortunate to work with some of Melbourne's most dynamic artists and creative organisations among a vibrant local community in Melbourne's inner north. Prior to this she held leadership roles at City of Melbourne and Australia Council for the Arts as well as several British arts organisations. She has worked internationally from Berlin, Brussels and London and brings a diversity of relationships with international artists and arts institutions to ATW. Sophie is a Director of the board at TarraWarra Museum of Art and Chunky Move and is member of Deakin University's Arts and Cultural Management Advisory Board. She was previously a Director at res artis, international artist residency network, and has held numerous mentoring and advisory roles over her career.

Amanda Lohrey writes fiction and non-fiction. Her latest novel, The Conversion, was released in 2023. Her previous novel, The Labyrinth (2021), won the Miles Franklin Literary Award, a Prime Minister's Literary Award, a Tasmanian Literary Award and the Voss Literary Prize. Amanda is also regular contributor to the Monthly magazine and a former senior fellow of the Australia Council's Literature Board.  About The Garret Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram. Explore our back catalogue (and transcripts) at thegarretpodcast.com.See omnystudio.com/listener for privacy information.

Thanks Nathan Hawkes for such a great chat - we loved talking with you. To find out more about Nathan's practice look at these links https://www.instagram.com/n.a.t.h.a.n.h.a.w.k.e.s/?hl=enb. 1980 in Bowral, NSW, AustraliaLives and works in Sydney, AustraliaNathan Hawkes is a Sydney-based artist whose work is grounded in the practice of drawing as a way of paying attention to and reflecting on the visual dynamics and sensations encountered in his daily life.His large-format drawings involve scratching into the surface of paper and using rudimentary mark-making with fingers and hands, masking, sponges and a vacuum cleaner, to embody a rough-hewn euphoria and sense of renewal whilst gesturing towards an illusory perception of self in relationship to the world. It exemplifies his commitment to the exercise of drawing.Hawkes states:I am obsessed by the seemingly endless vitality and flexibility inherent to the act of drawing. Being arguably one of the oldest modes of communication there is something so deeply rooted, open, adaptive and non- exclusive about the practice of making marks on a surface in various ways to embody an idea or sensation.In 2020, Hawkes exhibited in Real Worlds: Dobell Australian Drawing Biennial. In 2019, Hawkes was a finalist in the 2019 Ramsay Art Prize at the Art Gallery of South Australia. He has been the recipient of a number of prestigious awards including the Brett Whiteley Travelling Art Scholarship, Marten Bequest travelling scholarship, and the Asa Masakusa Award. Between 2013 and 2015 he was an artist in residence at Australia House, Japan and exhibited at the 2015 Echigo-Tsumari Art Triennial. In 2017 the Australia Council for the Arts funded an extended visit to Sweden where he worked with internationally acclaimed artist Andreas Eriksson.Collections: Art Gallery of New South Wales -Chalk horse Galleryrepresented by Chalk horse Gallery in Sydney and Sophie Gannon in Melbourne

Jo Litson has been one of the Nation's treasured Arts Journalists for some 37 years. She is the Print Editor of Limelight; the magazine that celebrates music, arts and culture. Jo originally joined Limelight magazine as Deputy Editor in August 2016 after more than 25 years working as a freelance arts writer for publications including The Australian, Limelight magazine, The Bulletin, the Qantas magazine, POL Oxygen, the Sydney Theatre Company's Backstage magazine, and the Sunday Telegraph where she had been the arts writer/theatre reviewer since 2006. Fascinated by the magic of theatre from a young age, she sought and navigated a career in the performing arts in a range of roles. In tertiary study, Jo completed a BA (Hons) in English/Drama from Birmingham University in the UK. And so the adventure begun. After working front of house in several West End theatres, and as an Assistant Organiser in the Theatre Department at British Actors' Equity, she moved to Australia in 1982. Initially based in Melbourne, she worked as an Assistant Publicist and Front of House Manager for Melbourne's Playbox Theatre Company, and as an usher and then Box Office Manager at Her Majesty's Theatre. She was also a dresser on several musicals including La Cage Aux Folles and Guys and Dolls. In 1986, she moved to Sydney and managed the Halftix Booth before embarking on a career in arts journalism. Jo was Arts Editor of Vogue Australia in the late 1980s and an on-screen reporter for the ABC-TV arts magazine programme Review. From 1998 – 2000, she edited the Australia Council magazine Artforce. Jo has written the extended labels for the Archibald Prize for the Art Gallery of NSW for over 20 years and wrote the programmes and media kits for the opening and closing ceremonies of the 15th Asian Games in Doha in 2006.Her appreciation of all arts is extensive, informed by a life-time working in and around stages. How fortunate we are to have Jo celebrating performance, investigating craft and shining the light.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

In this episode, we hear from Prof. Joe Siracusa regarding the current conflict in Israel and Palestine as well as the most pressing diplomatic and political challenges of 2023 to date.Dr. Joseph Siracusa is an Chicago-born historian, professor and author with 40+ years in Australian higher education and over 50 books on history, diplomacy, politics, and nuclear weapons to his name. Joe currently teaches at Curtin University, and he serves as the President Emeritus of the Australia Council for the Humanities, Arts and Social Sciences. By merit of the wisdom and understanding that Joe has cultivated over his life, we have called him to become the Honorary Professor of The Walled Garden Philosophical Society.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5910819/advertisement

You will be successful and you will be rejected. It's time to talk cold hard cash! Episode 6 - Our Season 1 finale. We've had the idea, made the art, found a space to show it, made it look fantastic in the room and found an audience for it, now - how do we get paid? We wrap the season with Julie Lomax, CEO of a-n The Artists Information Company. Julie was previously Director of Development at Liverpool Biennial and has held the Director of Visual Arts position at Australia Council for Arts and Arts Council England, where she was responsible for visual arts policy and investment. Funding is one of the topics we get most requested to cover, so here's some tips from one of the most knowledgeable people we know in the industry to get you started or fill in the gaps!

This episode we speak with Dr Brendan Keogh, discussing his new book The Videogame Industry Does Not Exist: Why We Should Think Beyond Commercial Game Production (https://mitpress.mit.edu/9780262545402/the-videogame-industry-does-not-exist/). It is the final part of a special 6-episode Season of Keywords in Play, exploring intersections and exchanges between Chinese and Australian game studies scholarship. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Dr Brendan Keogh (he/him) is a senior lecturer in the School of Communication and a Chief Investigator of the Digital Media Research Centre, Queensland University of Technology. He is the co-author of The Unity Game Engine and The Circuits of Cultural Software (Palgrave Macmillan, 2019; with Benjamin Nicoll), and is the author of The Videogame Industry Does Not Exist (MIT Press, 2023), A Play of Bodies: How We Perceive Videogames (MIT Press, 2018), and Killing is Harmless: A Critical Reading of Spec Ops The Line (Stolen Projects, 2012). He has written extensively about the cultures and development practices of videogames in journals such as Games and Culture, Creative Industries, and Covergence, and for outlets such as Overland, The Conversation, Polygon, Edge, and Vice. You can check out more of Brendan's work and games on his website: https://brkeogh.com/, and follow him on Twitter: https://twitter.com/brkeogh. The podcast series is part of the Engaging Influencers initiative. This initiative is curated by the Australia Council for the Arts and funded by the National Foundation for Australia-China Relations. As a joint venture, “Keywords in Play” expands Critical Distance's commitment to innovative writing and research about games while using a conversational style to bring new and diverse scholarship to a wider audience. Our goal is to highlight the work of graduate students, early career researchers and scholars from under-represented groups, backgrounds and regions. The primary inspiration comes from sociologist and critic Raymond Williams. In the Preface to his book Keywords: a vocabulary of culture and society, Williams envisaged not a static dictionary but an interactive document, encouraging readers to populate blank pages with their own keywords, notes and amendments. “Keywords in Play” follows Williams in affirming that “The significance is in the selection”, and works towards diversifying the critical terms with which we describe games and game culture.” Interviewer: Mahli-Ann Butt Production Team: Darshana Jayemanne, Emilie Reed, Zoyander Street Audio Direction and Engineering: Damian Stewart Double Bass: Aaron Stewart Special Thanks: Hugh Davies, Chloe Yan Li

This episode we speak with Dr. Xavier Ho, discussing his data visualisation and design research, as well as the curation process of the thoughtful queer indie games exhibition ‘Pride at Play' (https://prideatplay.org/). It is part 5 of a special 6-episode Season of Keywords in Play, exploring intersections and exchanges between Chinese and Australian game studies scholarship. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Xavier Ho is a lecturer and a queer games researcher at Monash University. He received the inaugural CSIRO Medal for Diversity and Inclusion, was appointed as Junior Chair in Sexuality Studies at the Hunt-Simes Institute in Sydney, and was named a 2023 Australian Broadcast Corporation TOP 5 Arts media resident. You can check out his work here: https://jtg.design/, and follow him on Twitter https://twitter.com/Xavier_Ho. The podcast series is part of the Engaging Influencers initiative. This initiative is curated by the Australia Council for the Arts and funded by the National Foundation for Australia-China Relations. As a joint venture between Critical Distance and DiGRA, “Keywords in Play” expands Critical Distance's commitment to innovative writing and research about games while using a conversational style to bring new and diverse scholarship to a wider audience. Our goal is to highlight the work of graduate students, early career researchers and scholars from under-represented groups, backgrounds and regions. The primary inspiration comes from sociologist and critic Raymond Williams. In the Preface to his book Keywords: a vocabulary of culture and society, Williams envisaged not a static dictionary but an interactive document, encouraging readers to populate blank pages with their own keywords, notes and amendments. “Keywords in Play” follows Williams in affirming that “The significance is in the selection”, and works towards diversifying the critical terms with which we describe games and game culture. Please consider supporting Critical Distance at https://www.patreon.com/critdistance Interviewer: Mahli-Ann Butt Production Team: Darshana Jayemanne, Emilie Reed, Zoyander Street Audio Direction and Engineering: Damian Stewart Double Bass: Aaron Stewart Special Thanks: Hugh Davies, Chloe Yan Li

This episode we speak with Dr. Stephanie Harkin, discussing the concept of “techno-femininity” from her award winning PhD Thesis (2022) Girlhood Games: Gender, Identity, and Coming of Age in Videogames. You can read her PhD here: https://researchbank.swinburne.edu.au/file/86788440-fcec-420a-8df1-b7c35f976066/1/stephanie_harkin_thesis.pdf, follow her on Twitter: https://twitter.com/sa_harkin, and read more of her work on Academia.edu: https://swin.academia.edu/SHarkin. It is part 4 of a special 6-episode Season of Keywords in Play, exploring intersections and exchanges between Chinese and Australian game studies scholarship. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Stephanie Harkin is an early career researcher interested in girls' gaming cultures and representations of girlhood. She completed her PhD at Swinburne University of Technology where her thesis explored girlhood and the coming-of-age genre in videogames. She has previously published on gender and games in the journals Game Studies, Games and Culture, and Girlhood Studies. The podcast series is part of Engaging Influencers initiative. This initiative is curated by the Australia Council for the Arts and funded by the National Foundation for Australia-China Relations. As a joint venture between DiGRA and Critical Distance, “Keywords in Play” expands Critical Distance's commitment to innovative writing and research about games while using a conversational style to bring new and diverse scholarship to a wider audience. Our goal is to highlight the work of graduate students, early career researchers and scholars from under-represented groups, backgrounds and regions. The primary inspiration comes from sociologist and critic Raymond Williams. In the Preface to his book Keywords: a vocabulary of culture and society, Williams envisaged not a static dictionary but an interactive document, encouraging readers to populate blank pages with their own keywords, notes and amendments. “Keywords in Play” follows Williams in affirming that “The significance is in the selection”, and works towards diversifying the critical terms with which we describe games and game culture.” Please consider supporting Critical Distance at https://www.patreon.com/critdistance Interviewer: Mahli-Ann Butt Production Team: Darshana Jayemanne, Emilie Reed, Zoyander Street Audio Direction and Engineering: Damian Stewart Double Bass: Aaron Stewart Special Thanks: Hugh Davies, Chloe Yan Li

This episode we speak with Dr. Felania Liu. The episode is part 3 of a special 6-episode Season of Keywords in Play, exploring intersections and exchanges between Chinese and Australian game studies scholarship. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Dr Felania Liu is a game researcher, and is founder and curator of the Homo Ludens Archive. She currently lectures at Beijing Normal University and has previously worked at the Department of History, Institute of Humanities, Tsinghua University /Durham University. Felania is also responsible for cultivating the game research community in China and for fostering international collaborations in the field of video game studies from the perspectives and techniques of Social Sciences in China. As a researcher, a historian, a curator, and a gamification designer, Felania specializes in using fun and game mechanics to solve problems in education, recruiting, training, learning, marketing and the designing of events. Felania promotes video games as forms of media that can bring meaningful communication and are able to make positive social impacts to the world. The podcast series is part of Engaging Influencers initiative. This initiative is curated by the Australia Council for the Arts and funded by the National Foundation for Australia-China Relations Please consider supporting Critical Distance at https://www.patreon.com/critdistance Interviewer: Hugh Davies Production Team: Darshana Jayemanne, Emilie Reed, Zoyander Street Audio Direction and Engineering: Damian Stewart Double Bass: Aaron Stewart Special Thanks: Mahli-Ann Butt, Chloe Yan Li

This episode we speak with Dr. Tingting Liu, discussing her research as a cultural anthropologist examining digital intimacies, gender, platforms and gaming in China. It is part 2 of a special 6-episode Season of Keywords in Play, exploring intersections and exchanges between Chinese and Australian game studies scholarship. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Dr Tingting Liu is an Associate Professor in the School of Journalism and Communication at Jinan University, China. She received her PhD in anthropology from the University of Queensland in 2018. Dr. Liu used to serve as a Postdoctoral Research Fellow at the Institute for Culture and Society at Western Sydney University, as well as a part-time lecturer at the University of Sydney. Dr. Liu's research interests centre on digital media, video games, gender, sexuality, and their intersections. Her pioneering research on Chinese digital games has been published in leading international journals, including Games & Cultures, Information, Communication & Society, and Television & New Media.   The podcast series is part of Engaging Influencers initiative. This initiative is curated by the Australia Council for the Arts and funded by the National Foundation for Australia-China Relations Please consider supporting Critical Distance at https://www.patreon.com/critdistance Interviewer: Hugh Davies Production Team: Darshana Jayemanne, Emilie Reed, Zoyander Street Audio Direction and Engineering: Damian Stewart Double Bass: Aaron Stewart Special Thanks: Mahli-Ann Butt, Chloe Yan Li

The Australia Council for the Arts has announced the recipients of money from a literature fund used to increase the profile of both Australian authors and literature. The Literature Structural Investment Fund is made up of three streams which include translation, rights travel and author travel.

Breanne Peters (Kai Tahu, Ngāti Ruanui, Te Atiawa) was born in Naarm (Melbourne) and didn't know anything about her Māori heritage until a trip home to Aotearoa a few years ago that changed the course of her life. Now, the 18 year old artist is on a mission to heal intergenerational trauma so that future generations can have access to their language and culture. She is a passionate advocate for rangatahi Māori (young people) and has found community and support for her journey with the Naarm based kapa haka T'HONI. Breanne shares how singing vocals on Mana Takatāpui helped her to put words to what she had been feeling and how Te Ao Māori (the Māori worldview) has deepened her respect for First Nations people and culture in Australia. See tour dates and listen to Jen's new album: https://bio.site/jencloher  Credits: Executive Producer/Host: Jen Cloher Producer/Engineer: Mike Williams Story Editor: Karla Arnall Cover Artwork: Huriana Kopeke -Te Aho Layout and Design: Sebastian White Web Design: Aron Lebani With thanks to: Triple R 102.7FM, Australia Council for the Arts

Emma Donovan (Gumbangyirr, Yamatji) grew up singing gospel songs in her Nan and Pop's band The Donovans. She soon went on to tour the world as one of the youngest members of the legendary Black Arm Band. Emma's released four albums with Melbourne rhythm combo The Putbacks and is currently in the studio making her first solo album. Jen joins Emma and her daughters for an emotional Survival Day at Yabun Festival before heading to La Perouse in Sydney's south where Emma shares about the lasting influence of Aunty Ruby Hunter on her music and language journey. See tour dates and listen to Jen's new album: https://bio.site/jencloher  Credits: Executive Producer/Host: Jen Cloher Producer/Engineer: Mike Williams Story Editor: Karla Arnall Cover Artwork: Huriana Kopeke -Te Aho Layout and Design: Sebastian White Web Design: Aron Lebani With thanks to: Triple R 102.7FM, Australia Council for the Arts

This episode marks the beginning of a special 6-episode Season of Keywords in Play, exploring intersections and exchanges between Chinese and Australian game studies scholarship. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. This episode we speak with Dr. Gejun Huang. Gejun is an Assistant Professor in the Department of Media and Communication at Xi'an Jiaotong-Liverpool University. He was a Lecturer in the School of Communication at Soochow University and earned his Ph.D. and MA in Media Studies from the Radio-Television-Film Department of the University of Texas at Austin. His academic interests mainly touch on the digital game industry, media entrepreneurship, cultural policy, as well as digital inequalities and digital privacy. He has published in peer-reviewed journals including Big Data & Society, Cultural Trends, International Journal of Communication, Chinese Journal of Communication, American Behavioral Scientists, and Information, Communication & Society. The podcast series is part of Engaging Influencers initiative. This initiative is curated by the Australia Council for the Arts and funded by the National Foundation for Australia-China Relations Please consider supporting Critical Distance at https://www.patreon.com/critdistance Interviewer: Hugh Davies Production Team: Darshana Jayemanne, Emilie Reed, Zoyander Street Audio Direction and Engineering: Damian Stewart Double Bass: Aaron Stewart Special Thanks: Mahli-Ann Butt, Chloe Yan Li

Anna Coddington (Ngāti Tūwharetoa and Te Arawa) was catapulted into the public eye at age 15 when her high school band won a national songwriting competition. Since then she's released four solo albums, received a degree in socio-linguistics, and has been dedicated to learning Te reo Māori at night classes — all the while raising two young boys. Her album ‘Aho' (written entirely in the Māori language) recently won Best Te Reo Māori Album at the Māori Music Awards. Jen catches up with Anna at the APRA NZ Te Reo Māori Songwriting Hubs curated by Bic Runga. The story begins with a masterclass in Taonga Pūoro (traditional Māori musical instruments) from Reti Hedley. Find out more about Anna Coddington: https://annacoddington.bandcamp.com/music  See tour dates and listen to Jen's new album: https://bio.site/jencloher  Credits: Executive Producer/Host: Jen Cloher Producer/Engineer: Mike Williams Story Editor: Karla Arnall Cover Artwork: Huriana Kopeke -Te Aho Layout and Design: Sebastian White Web Design: Aron Lebani With thanks to: Triple R 102.7FM, Australia Council for the Arts

Confused? We've got you. The Federal Government has introduced the legislation to Parliament which will see the formation of Creative Australia and Music Australia. The drafted legislation has provided more of a picture of how Music Australia would operate, including its structure and its Board, which will actually be known as the Music Australia Council. The Music Australia Council will consist of eight representatives with “relevant and appropriate experience in music”, the Australia Council for the Arts said. Minister for the Arts, Tony Burke, will make the appointments, which will run for four years. The Council will be charged with advising the Board of Creative Australia – which will remain known as the Australia Council Board

Dr. Lou Bennett (Dja Dja Wurrung, Yorta Yorta) is songwriting royalty. A founding member of both the Black Arm Band and ARIA award winning trio, TIDDAS. Lou has spent her life dedicated to what she describes as ‘Sovereign Language Rematriation' and her passion is traced back to her love for her people and Country. Lou takes Jen home to Dja Dja Wurrung Country in Victoria's north west to share the heartbreaking story of the Djaara baby. On the way home they are greeted by an unexpected friend. Find out more about Dr Lou Bennett: https://www.vic.gov.au/dr-lou-bennett See tour dates and listen to Jen's new album: https://bio.site/jencloher  Credits: Executive Producer/Host: Jen Cloher Producer/Engineer: Mike Williams Story Editor: Karla Arnall Cover Artwork: Huriana Kopeke -Te Aho Layout and Design: Sebastian White Web Design: Aron Lebani With thanks to: Triple R 102.7FM, Australia Council for the Arts

Martin Portus has managed media and communication strategies for five organisations, including the launch of the National Museum of Australia, for the University of Sydney's Conservatorium of Music, Parramatta City Council and the Australia Council for the Arts.  At Parramatta City Council Martin was also employed as senior policy/political adviser to three Lord Mayors.  Most recently, he completed a one-year contract where he reinvented the branding, media and partnership strategies for the Commonwealth's new Workplace Gender Equality Agency (WGEA).  NIDA trained, his first career was as a television and stage actor in Sydney and Adelaide. Later, with a BA from Adelaide University, he studied a post-graduate diploma of journalism at City University in London.  After freelancing in London, Martin worked in Sydney as an arts journalist and critic for Fairfax Media, mostly the SMH, before joining the ABC in 1989.From 1989–2000,  Martin was an ABC TV and Radio National arts broadcaster and producer - presenter of Arts National, presenter of Performance (a specialist performing arts program) and producer/presenter of Arts Today.  Martin continues to work as a theatre and dance critic, a freelance journalist and a PR and media strategy consultant. He also works for the performing arts advocacy organisation, Currency House. Martin is a  director of Currency and a media and editorial advisor, notably in promoting and steering the quarterly Platform Papers and quarterly Creative and Business Breakfast addresses at the MCA.He has also served on the boards of the Sydney Star Observer, the ACT AIDS Council and the Street Theatre in Canberra.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Theia (Waikato-Tainui, Ngāti Tīpa) has earned a reputation for fearless pop music. Now her Māori language project, Te Kaahu o Rangi [Taite Music Prize] has caught the imagination of new fans worldwide. In this episode, Jen and Theia head out to the Waikato River to trace the origins of Theia's rich songwriting ancestry, dig into the significance of Pai Mārire, and spend time at Theia's beloved Taupiri. Find out more about Te Kaahu: https://www.princesstheia.com/https://www.princesstheia.com/ See tour dates and listen to Jen's new album: https://bio.site/jencloher  Credits: Executive Producer/Host: Jen Cloher Producer/Engineer: Mike Williams Story Editor: Karla Arnall Cover Artwork: Huriana Kopeke -Te Aho Layout and Design: Sebastian White Web Design: Aron Lebani With thanks to: Triple R 102.7FM, Australia Council for the Arts

Jen Cloher (Ngāpuhi, Ngāti Kahu) was on tour in Aotearoa in 2019 when something happened that changed the course of their life. Four years later, Jen is a new person — about to set out on an international tour (Aus, UK, Europe and Aotearoa) for a new album that weaves their matrilineal language, Te reo Māori throughout. Before they can begin to document other Māori and First Nations experiences, Jen will need to face imposter syndrome, stare down shame, and walk open hearted towards their language and culture. See tour dates and listen to Jen's new album: jencloher.com Credits: Executive Producer/Host: Jen Cloher Producer/Engineer: Mike Williams Story Editor: Karla Arnall Cover Artwork: Huriana Kopeke-Te Aho Layout and Design: Sebastian White Web Design: Aron Lebani With thanks to: Triple R 102.7FM, Australia Council for the Arts

Introducing Everybody's Trying To Find Their Way Home. A podcast where Jen Cloher speaks with Māori and First Nations songwriters who are writing and performing in their tribal languages. See tour dates and listen to my new album: jencloher.com Credits: Executive Producer/Host: Jen Cloher Producer/Engineer: Mike Williams Story Editor: Karla Arnall Cover Artwork: Huriana Kopeke-Te Aho Layout and Design: Sebastian White Web Design: Aron Lebani With thanks to: Triple R 102.7FM, Australia Council for the Arts

The hosts of It's Layered podcast (Amanda Mudege-Fleischer and Rumbidzayi Dube) chop it up with Christine to dissect

In this season's finale, actions speak and truth hurts

Surprising revelations leave everyone rattled

Confusion and comparisons plague Vee and Luke

CONTENT WARNING: strong language, sex and violence. Intimate partner violence: 02:12 - 03:46 & 10:15 - 10:35.It's back to highschool to find out what happened with PJ?

CONTENT WARNING: strong language & mild violence.The friends jet off to Thailand for Vee's unforgettable 30th birthday trip!

BONNIE BROWN is a Franco-Australian concert pianist. As a soloist and collaborative musician she has performed across Europe, Asia, North America and Australia, in prominent music festivals and performance venues, including Wigmore Hall, London, the Sydney Opera House, Australia, on Broadway, New York, across France, as well as with Australia's leading orchestras and on the radio internationally.​At the invitation of the French Government, in 2008 Bonnie Brown was Australian Artist in Residence at the Cité internationale des arts, Paris. To assist with her performance research in Europe, she was the recipient of over 20 grants and scholarships. These include, from France, the 2nd Prize internationally from the Fondation Nadia et Lili Boulanger (Paris) for 2009-2010, and from Australia, the prestigious Winston Churchill Memorial Trust Fellowship, the Australia Council for the Arts Project Fellowship, to name a few (full list of prizes a and scholarships here)​Her mentors and teachers include celebrated concert pianist Cristina Ortiz (2008-2018), renowned French pedagogue and concert pianist France Clidat (2008-2012) and her assistant Paul Blacher at the Ecole normale de musique de Paris, Professor Alexandr Satz (2003-2004) at the Universität für music und darstellende kunst, Austria and Professor Ronald Farren-Price A.M., Australia. She holds the Diplôme supérieure d'enseignement (6ème niveau) from the Ecole normale de musique de Paris, as well as a Master of Music (performance) from the University of Melbourne, Australia, which she completed with a full post-graduate scholarship. She attended the Victorian College of the Arts Secondary School in Melbourne, Australia where she graduated Dux of the school, her exceptional results at the end of her schooling afforded her a full scholarship for her undergraduate studies at the University of Melbourne. In 2018 Bonnie Brown founded Concerts sans frontières, an international chamber music series for which she is also artistic director, which launched at the Australian Embassy in Paris. Biography https://www.bonniebrownpiano.com/biographyExamples of my work as a concert pianist https://www.bonniebrownpiano.com/watch-listenInformation about my work as a teacher https://www.bonniebrownpiano.com/teaching-experience-1Support the show

In this episode, Peter will talk to us about the Woodford Folk Festival, where the ATMS sponsored a tent of homeopaths to help out at the six day and six  night event, where they treated a whole variety of different conditions. Peter Berryman is a qualified Naturopath, Homeopath, Medical Scientist & educator who has spent 30 years+ in clinical practice. Peter is also Director (2007-) and President (2017 -) of the ATMS, with the special role of representing the ATMS on the Chinese Medical Board of NSW, the Australia Council of Chinese Medicine, and the Chinese Medical Board of Australia. He holds a Master of Science (homeopathy), a Bachelor of Medical Science, a Bachelor of Science, a post-graduate diploma in health sciences, an advanced diploma in homeopathy, a diploma in naturopathy, and a post-graduate diploma in education, and a graduate of the Australian Institute of Company Directors. Check out these episode highlights: 01:54 - What is the Woodford Folk Festival 08:06 - How the festival is different from other festivals 15:00 - What is the experience like at the dispensary 19:03 - Fibonacci home records in water dosing 32:14 - Where can people get in touch if they want to get involved 35:55 - The future of homeopathy in Australia 45:54 - How long does it take for chronic cases to reach the point of cure Find out more about Peter Website: https://www.atms.com.au/ Support the Homeopathy Hangout Podcast by making a $5 once-off donation at www.buymeacoffee.com/hangout   Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/   Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s   Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom

REGISTER FOR UPCOMING EVENT: thewalledgarden.com/humanbeinginglobalizedworld ABOUT THE EVENT: Many people are struggling to find their place in this increasingly globalized world. Now that we're more hyper-connected than ever before, what does it really mean to be human? How do we relate to our neighbours, both at home and abroad? How can we find meaning and stability when our focus on localised community building has been redirected with our modern ability to move beyond borders at higher speeds than ever before?  Join Prof. Joe Siracusa for a talk and Q&A to explore these questions and more.  Listen to Here & Now: thewalledgarden.com/hereandnow Dr. Joseph Siracusa is a giant among men, a true citizen, and a professor of wisdom in these times of widespread folly. Born and raised in Chicago, Illinois, Joe went on to explore the world and human nature to an extent that very few could boast. He has now spent over 40 years in higher education in Australia and currently serves as the President Emeritus of the Australia Council for the Humanities, Arts and Social Sciences. Joe has published over 50 books covering some of the most complicated political, diplomatic, and historical issues of modernity. By merit of the quality of his works and words, we—the Founding Members of The Walled Garden Philosophical Society—have called Dr. Joseph M. Siracusa to serve as our Honorary Professor in Residence.  Join The Walled Garden Philosophical Society: CLICK HERE Learn more about your ad choices. Visit megaphone.fm/adchoices

Six years ago, Hannah Gregory, owner of Bad Ass Stained Glass, Cervantes, Western Australia, was puttying windows for free in exchange for education in stained glass. In October 2022, the artist spent a month at the renowned Judson Studios, Los Angeles, California, working with some of the best glass painters in the world as well as artists working with glass in non-traditional ways. This was made possible through a fellowship awarded to Gregory by the International Specialized Skills Institute of Australia. Growing up in Western Australia, Gregory enjoyed a childhood spent by the ocean, around cray-fishing boats and fishing off of the beach. With no fine arts education, she has always been an outsider artist, making irreverent, bold works in painting, drawing, printing and photography until her mid 20s when she became focused entirely on working with glass.  Since 2016, stained glass has been the planet on which Gregory wakes and sleeps. She has now trained, worked, studied and travelled extensively in the US, Europe, and Australia resulting in a comprehensive and contrasting repertoire of both Medieval and innovative skills and techniques for working with stained glass. Residencies have been awarded to Gregory by the Australia Council of the Arts, the International Specialized Skills Institute, the Western Australian Department of Local Government, Sport and Cultural Industries, and the American Glass Guild.  A passionate advocate for a more diverse, inclusive and engaging future for stained glass, Gregory is also determined to undermine the outdated expectations and connotations of her beloved craft. Gregory states: “I believe stained glass needs to be where people don't expect it. It needs to say things people don't expect it to say. It needs to ask questions. It needs to be in architecture/ outside of architecture. It needs to be thought provoking and collaborative.” Currently living with her husband in the small fishing town of Cervantes on unceded Yued land, Gregory enjoys working on both architectural commissions and experimental autonomous works. She served as International Artist in Resident at the well-known Swansea College of Art in the UK for what was supposed to be one year, but ended up being two due to Covid. At the beginning of 2022, she returned to Australia where she was awarded a six-month residency at the Fremantle Arts Centre, resulting in a new body of work focused on seaweed. Her work can be found in architecture and private collections across the world. Upon her return to Australia from Judson Studios, Gregory begins work on two large jellyfish windows, a complex commission for a wildlife photographer and videographer in Oregon for 12 animal skylights, an ongoing larger job in Melbourne that will be her largest job to date, and her Steven's competition window. She has also just received seed money from the UN International Year of Glass to run some lead lighting workshops for people in regional Australia and is hoping to start glass painting workshops in her studio. She enjoys sharing her passion for glass through teaching and workshops when she can. Believing that stained glass is a having a bit of a renaissance and hasn't reached its full potential, Gregory and husband Kris are experimenting with traditional wet plate collodion photography on glass and its applications for stained glass. Other recent projects have included two windows for a door depicting a large protea, some commissioned tattoo designs and some small memorial windows.  Says Gregory: “My work is guided by the concept of transformation from destruction. Stained glass is one of the most enduring artforms in the western world, and its creation hinges on breaking glass, manipulating metals, burning pigment. Every act in fabricating a piece of my work relies on destruction. In its very essence, the building and durability of stained glass relies on a balanced mix of the fragility of glass, and the strength of lead.”  

Leith Taylor is an experienced theatre practitioner having worked across a range of fields as an actor, director, producer, writer and drama educator. As an actor Leith worked extensively over two decades in film, television and radio as well as appearing in more than sixty theatre productions nationally and internationally. In Perth she is well remembered for her numerous appearances in leading roles at the Playhouse and Hole in the Wall theatres. After being awarded a Fellowship, she transitioned to directing and founded her own company, Theatre West, with a focus on shows by or about women. She subsequently directed numerous productions, some under the banner of her own company but also in collaboration with or for other theatre companies including Black Swan, W.A. and Perth Theatre Companies, deckchair and Melbourne's HIT Productions. Some of her productions toured nationally or were part of Arts Festival programming and include Oleanna, One Small Step, Woman in Mind, Speaking in Tongues, The Season at Sarsaparilla, Sixteen Words for Water and Blood Moon. Leith has long been involved with professional drama training having lectured and directed at numerous performing arts institutions in Australia and overseas including the Drama Studio (U.S. and U.K.), LaSalle College of the Arts (Singapore) and a long association with the West Australian Academy of Performing Arts. Early training in journalism enhanced her work as a dramaturg and scriptwriter, while her psychology qualifications resulted in work as a drama therapist with groups and individuals in this specialist field. She was able to bring these different perspectives to her doctoral research which focused on the role of emotions in actor training programmes, signalling the necessity for significant procedural changes in drama schools and in the profession. Leith is a graduate of the University of Western Australia, California State University L.A., the Drama Studio London and WAAPA @ ECU where she completed her PhD. She has won several awards for acting and directing and been a member of numerous boards and consultative panels including the Australia Council for the Arts, Perth International Arts Festival, Healthway Foundation and the W.A. Department for Culture and the Arts. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

“As much as I struggled with the works themselves in terms of these broader themes, and I guess what was important to me; I do love the art. The craft of getting your mouth around Shakespeare. I love the language.” This week on Speak The Speech, we are joined by award-wining actor, director, and dramaturg Rachael Maza. Rachel talks to us about working with John Bell and Jim Sharman on The Tempest for Bell Shakespeare in 1997, her work as Artistic Director of ILBIJERRI Theatre Company and taking First Nations works overseas, and how she feels Shakespeare sits alongside First Nations theatre and the reclaiming of language. Aboriginal and Torres Strait Islander listeners are advised that this podcast episode contains the names of people who have died. Rachael Maza is Yidinji, Meriam and Dutch. She is an award-winning actor, director and dramaturg, and has been Artistic Director of ILBIJERRI Theatre Company since 2008. A Western Australian Academy of Performing Arts graduate, her outstanding performances have been acknowledged with a Green Room Award and a Sydney Theatre Critics Circle Award. She's worked as a presenter for ABC's Message Stick program, and has appeared in major Australian productions such as the feature film Radiance and the stage production of The Sapphires. Her directing credits include Stolen, Jack Charles V The Crown, Foley, Which Way Home and Heart is a Wasteland. She currently sits on the board of Force Majeure and on the ACMI Indigenous Advisory Group.  She is a Member of the Order of Australia and has also received a Touring Legend Drover Award, an Australia Council of the Arts Award for Theatre, and an Honorary Doctorate from Edith Cowan University.

In this episode Kate speaks with internationally acclaimed Australian author, Margo Lanagan about her writing career in which she has written a formidable number of award winning titles spanning children's lit, YA, fantasy, realism and speculative fiction and including the short story collection Black Juice, the novel Tender Morsels and the NYT bestselling Zeroes trilogy with Scott Westerfeld and Deborah Biancotti. Margo has been a judge of the NSW Premier's Literary Awards and the Australian–Vogel's Literary Award. She served on the Literature Board of the Australia Council for the Arts for three years. She has been an instructor at six residential Clarion workshops, in Brisbane, Seattle and (with Maureen F. McHugh) San Diego. She has also conducted numerous creative writing workshops both for school groups and for adult writers. In this conversation Lanagan discusses playing with language, the hierarchy of lit stripes, scrapbooking, what to do when a novel falls apart in your hands and so much more. Check out the full transcript of the interview and show notes for this episode on our website www.thefirsttimepodcast.com or get in touch via Twitter (@thefirsttimepod) or Instagram (@thefirsttimepod). Don't forget you can support us and the making of Season Five via our Patreon page. Thanks for joining us!

*Content Warning: This episode of Doin' Time contains audio images and discussion of Aboriginal and Torres-Strait Islander people who have died Marisa starts off the program by paying tribute to the late Uncle Archie Roach to whom this show is dedicated, and whose music is played throughout the hour. The first interview today is with Nerita Waight, proud Yorta Yorta woman and CEO of the Victorian Aboriginal Legal Service. She comes on the show to discuss how Victoria's dysfunctional bail laws are worsening since the Royal Commission into Aboriginal Deaths in Custody over 30 years ago, with ever stricter conditions disproportionately affecting Aboriginal people for whom the remand prison population has increased to a horrific 50%. She also explains how there are more women in remand (many of which are incarcerated for crimes relating to poverty and survival), and how the same bail conditions apply for children, with devastating effects for those in state care. Read and sign the VALS petition to fix Victoria's broken bail laws here. VALS also released a new policy paper last week, entitled Reforming Police Oversight in Victoria  - we encourage listeners to read their abridged policy brief (link to the comprehensive policy paper here). Later on the program, Marisa invites Uncle Jack Charles for an extended conversation to remember late Uncle Archie Roach, where he discusses working and singing together on the Bloodstream tour, and connecting after Uncle Jack spoke out about systemic issues with insidious questions of Proof of Aboriginality, which led to the Australia Council for the Arts amending their policy.

Janina Harding is a proud Meriam (Erub/Mer) woman, who is currently the Artistic Director of the Cairns Indigenous Art Fair (CIAF). She has over thirty years of experience in and across the Indigenous art sector (ranging from leading various cultural and employment programs, who has experience in public broadcasting, boasting exceptional prowess in event management and programming).A daughter of Eleanor Harding, she hails from Melbourne, Victoria but currently lives in Cairns, Queensland where, for the last seven years, she has been reconnecting with her roots and actively bolstering the Indigenous art output of Queensland.Having served two terms on the Aboriginal & Torres Strait Islander Arts Board of the Australia Council—as well as two terms on the Torres Strait Islander Advisory Board for the Aboriginal & Torres Strait Islander Commission (ATSIC)— Harding brings a keen national focus, encapsulating contemporary and more traditional insights to her practice as a Cultural Practitioner and Worker.Prior to her move to Tropical North Queensland, from 2001-2015 Harding worked for the City of Melbourne, managing the Indigenous Arts Program. Throughout her tenure, she curated, established and produced the Indigenous Film Festival Blak Nite Cinema, and the Melbourne Indigenous Arts Festival. Harding also established the City of Melbourne's inaugural Indigenous Mentorship Program—opening the door for aspiring arts managers, directors and producers, providing professional networks with Melbourne's major cultural institutions.In more recent years, Harding assumed the post of Artistic Director of the CIAF. In year's prior to 2015, audience attendance to CIAF peaked at 27,000. Through Harding's reinvigorated and expanded programming (brining in new mediums/modes of art and expression, as well as diversifying the creative participation in CIAF), in 2016 visitation numbers soared to 50,000 (a steadily growing figure, until 2020). With Harding's unique stamp on the event, she has transformed CIAF as being greater than an Art Fair.CIAF is now celebrated as being Australia's premier Indigenous art fair, enjoying global interest and wide-reaching domestic acclaim. But, through Harding's influence, it has become a melting pot of inclusivity, embracing and empowering artists and communities, in celebrating the two cultures of this country's First Peoples, their artforms and ever-changing cultures.Janina Harding continues to embrace the broader arts industry, ever curious about creative endeavours and advances in contemporary art movements from across the country. This passion, for the arts and for Indigenous peoples, remains her driving force, forever inspiring her to forge new pathways for their longevity and success, and to inspire the broader arts industry to engage in best practice methods with Indigenous creatives.Recommendations throughout this episode:https://ciaf.com.auhttps://ciaf.com.au/people/janina-hardingWebsite: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcastThe Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. See acast.com/privacy for privacy and opt-out information.

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. ALLYSON NEWMAN: Allyson Newman earned her Master's degree in Composition from the Sydney Conservatorium of Music. Her first feature film, Watermark, screened at the Cannes Film Festival in 2003. She then moved to LA to study film scoring at USC. Allyson has been awarded both an Australia Council for the Arts Grant and an Australian Guild of Screen Composers Award. Allyson scored the multi award winning documentary feature Limited Partnership that premiered on PBS Independent Lens in 2015. In 2016 Allyson scored the Emmy nominated media series Her Story. In July 2017 Allyson participated in the BMI Conducting Workshop and then went on to score Kusama-Infinity which premiered at Sundance and was released theatrically around the world in September 2018. Allyson collaborated with Oscar Winning directors Jeffrey Friedman and Rob Epstein to score State of Pride which opened the SXSW Film Festival 2019. In 2019 Allyson scored Making Waves: The Art of Cinematic Sound which had its premiere at the Cannes Film Festival. She is a member of the Television Academy and is on the leadership team for the Alliance for Women Film Composers. Most recently Allyson scored the HULU series First Day and is currently in production for Season 3 of The L Word- Generation Q as well as a new Netflix drama series called Partner Track. JASHA KLEBE Jasha Klebe is a composer known for emotive melodies and impactful scores. Most notably, Jasha co-scored the BAFTA and Emmy nominated music of BBC's Planet Earth II, alongside Hans Zimmer and Jacob Shea. He additionally provided music to the follow up series, Blue Planet II, as well as wrote the Emmy nominated music of National Geographic's Challenger Disaster: Lost Tapes. Jasha also composed the score to Netflix's Oscar nominated documentary, Winter on Fire: Ukraine's Fight For Freedom and National Geographic's, Diana: In Her Own Words. In 2019, Jasha composed the score to the Emmy-nominated Netflix documentary, The Black Godfather, directed by Reginald Hudlin and produced by Nicole Avant. In 2021 he scored FOX's Malika the Lion Queen narrated by Angela Bassett as well music for Garrett Bradley's Naomi Osaka series. He also wrote the music for Imperative Entertainment's podcast, The Agent, as well as Netflix/Plimsoll's nature documentary series, Animal. His music can be most recently heard on Peacock's upcoming reimagining of Queer As Folk, created by Stephen Dunn and executive produced by Russell T Davies. Jasha began his musical career at the age of 5, singing at his Grandparents' opera house, Cinnabar Theater, in Petaluma, CA. He studied classical piano and trombone for over 15 years before he moved to Los Angeles and started working at Remote Control Productions under Hans Zimmer. Over the 4 years with Hans, Jasha wrote on such films as The Dark Knight Rises, Rush, Man of Steel, and several other notable projects. Jasha was also the music arranger for the 84th Academy Awards, as well as keyboard/ synthesizer player within the event's orchestra. In 2013, Jasha began to serve as one of the headlining composers at Bleeding Fingers Music. Within this role, Jasha contributed countless hours of music to some of the most acclaimed series on television, including shows on ABC, CBS, MTV, Netflix, Lifetime, A&E, The Discovery Channel, The History Channel, National Geographic, BBC, and he performed live
on The Late Show with Colbert alongside Shea and Zimmer. Jasha currently lives and works in Los Angeles, CA.

Dan Graham is a Theatre Director and a Disability Advocate with a particular interest in access support for neuro-diverse performing artists. Dan himself has a neurodiverse disability. His directing and access work have seen him travel all over Australia and the world to research and explore access and inclusion.Dan has engaged with companies across Australia such as Bell Shakespeare, Sydney Festival, Sydney Fringe, Antipode Theatre Company, and the Ensemble Theatre. His recent collaborations in the US include the Atlantic Theatre Company and Pasadena Playhouse, and in the UK the Globe Theatre.Dan is a fellow of the Australia Council's Future Leader's Program, an Ian Potter Foundation scholarship, and Create NSW Fellowship recipient. He has a stellar director resume and uses his success to advocate for other artists who identify as neurodiverse.Dan studied BA (Communication) and MCA (Theatre, specialising in directing) at the University of Tasmania and Honours in Performance Studies at the University of Sydney. His Honours paper focused on the playwright's intent and how this is realised in the director's vision. Dan also holds a Certificate IV in Training and Assessment.Dan is a board director of Arts Access Australia and a regular peer assessor for the Australia Council for the Arts. He is the co-chair of the Media, Entertainment and Arts Alliance's (MEAA) artists with Disability Board and on the LGBTQIA+ disability advisory group for ACON. He is a board member of the Hickson Road Group Accessible Arts, and a member of Accessible Arts NSW Artists Advisory Group. He is Access Consultant for Brand X.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Join me in Episode 2 of Season 2 for a discussion with composer and pianist Catherine Likhuta! Catherine is an Australian-based composer, pianist and recording artist. Her music exhibits high emotional charge, programmatic nature and rhythmic complexity. Catherine's pieces have been played extensively around the world, including highly prestigious venues such as Carnegie Hall (Stern Auditorium/Perelman Stage), Glyndebourne Opera House (Organ Room), five International Horn Symposiums and two World Saxophone Congresses, as well as many festivals and conferences. Her works have enjoyed performances by prominent symphony orchestras (such as Melbourne Symphony Orchestra and Orchestra of the National Radio of Ukraine), chamber ensembles (such as Atlantic Brass Quintet, Ensemble Q, NU CORNO and U.S. Army Field Band Horns) and soloists (including former president of the North American Saxophone Alliance Griffin Campbell and president of the International Horn Society Andrew Pelletier). Catherine has held residencies at Tyalgum Music Festival, North Carolina NewMusic Initiative, University of Missouri Kansas City, University of Georgia and other institutions. She is a two-time winner of the International Horn Society Composition Contest (virtuoso division) and a recipient of several awards, including two grants from the Australia Council for the Arts. Her music can be heard on Albany, Cala, Equilibrium and Summit Records. Catherine's wind band works have enjoyed performances by dozens of wind ensembles, including prominent groups such as SUNY Potsdam Crane Wind Ensemble, Sydney Conservatorium Wind Symphony, University of Georgia Hodgson Wind Ensemble and University of Kentucky Wind Symphony. Her music has been played at Australian School Band and Orchestra Festival (Sydney), CBDNA Conference (Norman, OK) and Midwest Clinic (Chicago, IL). Catherine holds a Bachelor's degree in jazz piano from Kyiv Glière Music College, a five-year post-graduate degree in composition from the Tchaikovsky National Music Academy of Ukraine (Kyiv Conservatory) and a PhD in composition from the University of Queensland. She is an active performer, often playing her own music. She was the soloist on the premiere and the CD recording of Out Loud, her piano concerto commissioned by the Cornell University Wind Ensemble, and the pianist on Adam Unsworth's CD Snapshots.  Episode Highlights How she ended up in the US, then Australia “You can be a freelance composer, but not a freelance mathematician…” Cultural differences between Ukraine and US Collaborations with Adam Unsworth, Peter Luff, Denise Tryon Advice for young composers Networking advice from a mathematician “Write the music you believe in…” Shoutout to Dana Wilson, Alexander Shuhan, Nancy Joy! Horn/Saxophone Rivalry Writing for low horn “Horn is such an amazing storyteller…” “If you write awkward music, it's not going to come out sounding nice…” “I'm a geriatric millennial.” For details and audio samples of Cathy's music, visit www.catherinelikhuta.com

In current times, with all the challenges of a global pandemic and what that means for us as we navigate work, family, isolation, sickness and sanity (and in lockdown for some of us), the notion of kindness must be an anecdote for some of that which we struggle with. I am speaking today to Hugh Mackay, a highly regarded social psychologist and researcher, and the bestselling author of 22 books, including eight novels. His latest book, The Kindness Revolution, was published in 2021. He has had a 60-year career in social research and was also a weekly newspaper columnist for over 25 years. He is currently an honorary professor in the Research School of Psychology at ANU, and a patron of the Asylum Seekers Centre. Among other honorary appointments, he has been deputy chairman of the Australia Council for the Arts, the inaugural chairman of the ACT government's Community Inclusion Board and an honorary professor at Macquarie, Wollongong and Charles Sturt universities. Hugh is a Fellow of the Australian Psychological Society and the Royal Society of NSW. In recognition of his pioneering work in social research, he has been awarded honorary doctorates by Charles Sturt, Macquarie, NSW, Western Sydney and Wollongong universities. He was appointed an Officer of the Order of Australia in 2015. We talk today about kindness! In this episode, you can hear from Hugh on: His new book The Kindness Revolution – how did that book come to be and what can we expect to learn when we read it? What makes someone kinder? Is it through experiencing it from others and in a non-transactional way or are some of us born kinder naturally? Food is a popular way to show kindness, with a recent study showing almost four in five (78 per cent) believing that sharing a meal with friends and family is a powerful way to display kindness. Meanwhile two thirds (62 per cent) of Aussies believe that helping our neighbours is something we should do more of. In your observations, do close-knit regional communities vs urban dwellers where we can share an apartment block and not ever know our neighbours? Are Australians known to be kinder than other countries perhaps? Take away: What is your final takeaway message for us today on The Politics of Kindness? To connect with Hugh:   See this Q&A with Hugh on the subject of kindness: https://helgas.com.au/articles/conversation-hugh-mackay-part-one Book: The Kindness Revolution - Hugh Mackay - 9781760879938 - Allen & Unwin - Australia (allenandunwin.com) Email: Dr. Hugh Mackay | ANU Research School of Psychology  

In 2020, Diversity Arts Australia and British Council launched the Creative Equity Toolkit (www.creativeequitytoolkit.org), a how-to resource that supports organisations in reaching diversity goals.This episode was filmed at the Toolkit launch at Sydney Opera House. It features conversations about the global anti-racism movements of 2020, allyship, building alliances between the culturally diverse immigrant space and First Nations movements and practical strategies for making change in the creative sector.Panel: Peter White (Senior Manager, Aboriginal Strategy and Engagement at Create NSW), Benjamin Law (writer and broadcaster) and Mikala Tai (Head of Visual Arts, Australia Council for the Arts). Spotlight: Writer-filmmaker Katrina Irawati Graham.

Art is something we consume, or participate in every day – whether we realise it or not. Every podcast we listen to, book we read, or tv show or movie is a piece of art. A lot of the time we don't realise that we are participating in it at all. I invited Jade Lillie, Head of Sector Development at the Australia Council for the Arts to chat with me about the role art plays in our everyday lives, how it can be used as an effective tool to address social issues, and the complexities surrounding the funding and delivery of arts project in Australia and overseas, particularly in an international development context. Jade is known for her work as a leader, executive, facilitator and specialist in community engagement. She has been recognised for her thought leadership in receiving the Sidney Myer Creative Fellowship in 2018 – 19 following her role as Director and CEO, Footscray Community Arts Centre (2012 – 2017). Whilst Jade has held a number of leadership roles across the sector, she is primarily known and respected for her skills and expertise in strategy, governance and her commitment to collaboration, cultural leadership and advocacy in championing diversity and access. She has worked extensively in arts, cultural development, health, education, community and international development contexts in government and non-government settings, including non-profit management, local and state government. She has lived and worked in regional, remote and metropolitan contexts across Australia and South East Asia. Jade is also the Curator and Editor for The Relationship is the Project. Jade is reading Glimpses of Utopia: Real Ideas for a Fairer World by Jess Scully Jade is planning to listen to I Weigh with Jameela Jamil.