Podcast appearances and mentions of Archibald Prize

An edited video version of this conversation will be on the YouTube channel soon! It's one of the most thrilling days on the Australian art calendar—and this year, Julie Fragar has taken out the Archibald Prize with a captivating portrait of fellow artist and colleague Justene Williams. Her large scale portrait of Justene, appearing to float in space and surrounded by model figures and structures drawn from Justene's creative universe, commands the viewer's attention.  Julie talks with me about the portrait and its elements, her approach to colour and her tips for a productive sitting. This episode also includes Julie's moving acceptance speech. Also announced today: Jude Rae, winner of the Wynne Prize (and two-time podcast guest) Gene A'Hern, winner of the Sulman Prize (video interview coming soon!) Scroll down for images of the winning works Podcast listeners click here to see images of the works Julie Fragar's website Julie Fragar on Instagram Ep 28: Jude Rae Ep 97: Jude Rae '424-428' TWP on Instagram TWP on Facebook Maria Stoljar on LinkedIn Sign up to the TWP monthly newsletter Julie FragarFlagship Mother Multiverse (Justene)oil on canvas240 x 180.4 cm Jude RaePre-dawn sky over Port Botany container terminaloil on linen200 x 150.4 cm Gene A'HernSky paintingoil and oil stick on board240 x 240 cm  

Today's headlines include: Prime Minister Anthony Albanese says cutting student debts by 20% will be, "the first piece of legislation that we will introduce into the new parliament". Proceedings in the trial of accused mushroom murderer Erin Patterson have wrapped for another week in Victoria. Microsoft founder Bill Gates has announced he’s planning to give away 99% of his fortune by 2045. And today’s good news: Brisbane artist Julie Fragar has been named winner of the 2025 Archibald Prize. Hosts: Emma Gillespie and Zara SeidlerProducer: Emma GillespieWant to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful.The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent.Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube ChannelHave feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

The artist Loribelle Spirovski on her unusual childhood in the Philippines, meeting her father for the first time at 7 years old, and making her way as one of Australia's most exciting young painters.Loribelle Spirovski grew up in the Philippines, with her mum and her extended Filipino family.Her Serbian father, whom she had never met, was in Australia, driving taxis and waiting for the visa that would allow him to bring Loribelle and her mum to join him.Loribelle didn't meet her father until she was 7 years old, and when she saw him for the first time at Manila Airport, she was shocked by how hairy his arms were and the way he smelled just like she did.Eventually, the family was properly reunited in Sydney, Australia, where Loribelle had to navigate family and cultural ties, where she found love and where she made her way as one of Australia's most exciting young artists.This episode of Conversations explores painting, creativity, writing, books, love, marriage, Simon Tedeschi, William Barton, the Archibald Prize, art education, art teaching, chronic pain, chronic injury, identity, memoir, family dynamics, origin stories, refugees, Serbia, former Yugoslavia, music, piano, singing, language, mothers, fathers, long-distance relationships.White Hibiscus is published by Upswell.

When artist Vincent Fantauzzo was a boy he was a street-fighting petty criminal with dyslexia and a blazing talent for drawing. He escaped jail time, and grew up to become one of Australia's most well-known portrait artists.VIncent Fantauzzo is one of Australia's most successful portrait artists.For his luminous, photo-realistic paintings he's won the People's Choice Award at the annual Archibald Prize more than any other artist.He's also won the Moran National Portrait Prize twice, once with a painting of his friend, filmmaker Baz Luhrmann, and the second time with a painting of his wife, actor Asher Keddie.All the success is a long way from his upbringing in Broadmeadows in Melbourne, when at times it seemed like he was going to end up in jail, or dead.Vincent struggled so badly with dyslexia that he developed elaborate rituals to avoid writing at school, which is partly how he came to drawing. He became a street-fighting petty criminal and he was kicked out of school at 14 and was drawn into a violent world where he had to be extraordinarily streetwise to survive.Vincent still carries the scars of surviving his childhood into the big, beautiful life he's built for himself as one of Australia's most well-known artists.This episode of Conversations explores origin stories, social disadvantage, parenting, father son relationships, boxing, learning disabilities, struggling in school, Hollywood, the art world, Heath Ledger, Kim Ledger, Batman, family, family dynamics, life story, art, portraits, painting, juvenile crime, drug dealing, hot houses, brothers.Unveiled, written with Craig Henderson, is published by Penguin.

Award-winning portrait artist Vincent Fantauzzo gained recognition when his striking portrait of friend Heath Ledger won at the Archibald Prize. He became one of Australia’s most acclaimed portraitists, painting Hugh Jackman, Julia Gillard, and Asher Keddie; whom he unexpectedly fell in love with while painting her portrait. In this episode, Vince shares how he overcame poverty, violence, and abuse, revealing for the first time his lifelong struggle with dyslexia and the shame and fear he carried. He also opens up about the moment he met Asher Keddie, unaware of who she was, and how that chance encounter led to love. Content Warning: This conversation touches on suicide and abuse, and if this brings up anything for you, help is available by contacting Lifeline 13 11 14 or 1800Respect for a safe place to talk day and night. Know someone who'd enjoy this episode? Why not share it with them by tapping the 3 dots above ⬆︎ and passing it on LINKS: Buy Vincents remarkable memoir 'Unveiled' here If you loved this chat with Vincent we think you'll love Jess's conversation with Harry Garside here If you love what we do, why not follow the show, and rate and review on Apple or Spotify CREDITS:Host: Jessica RoweGuest: Vincent Fantauzzo Executive Producer: Nic McClureAudio Producer: Nat Marshall Digital Content Producer: Zoe Panaretos The Jess Rowe Big Talk Show acknowledges the Gadigal people, Traditional Custodians of the land on which we recorded this podcast, and pay our respects to their Elders past, present and extend that respect to all Aboriginal and Torres Strait Islanders peoples here today.See omnystudio.com/listener for privacy information.

In art, verisimilitude — representing things as they appear — is something like telling the unvarnished truth and it makes perfect sense that it's the form in which Vincent Fantauzzo is most comfortable. His first commercial artworks were actually counterfeit 50 dollar notes, just one of the uncomfortable truths which he tells in his new autobiography, Unveiled. Although his childhood in the outer suburbs of Melbourne was wracked by endemic poverty and a distant but physically and emotionally violent father, it was undiagnosed dyslexia that almost beat this Jack Rennie-trained boxer.But Fantauzzo has gone on to great success, and while his representational style isn't wildly popular with critics, his portraits are perennial people's choice award winners at the Archibald Prize.

Send us a textJanis Clarke's exhibition at Olsen Gallery, The Other Sun, opens March 5th - 29th March 2025. Janis Clarke, born in 1983 in Sydney, Australia, is a distinguished contemporary artist renowned for his evocative oil paintings that delve into the nuances of perception and memory. His academic journey in the arts commenced with an Advanced Diploma of Performance Art from JMC Academy in 2003. He further honed his craft at the National Art School in Darlinghurst, NSW, earning a Bachelor of Fine Arts between 2013 and 2015, followed by a Master of Fine Arts from 2016 to 2017 under the mentorship of Dr. Andrew Donaldson.Clarke's work is characterised by tightly composed scenes that capture fleeting moments and introspective reflections. His paintings often present minimalist landscapes and interiors, prompting viewers to engage deeply with the act of observation. Working predominantly at night, Clarke translates his personal experiences and memories into visual narratives, emphasising the stillness and introspection inherent in nocturnal settings.His solo exhibitions have been met with critical acclaim. Notably, in 2023, he presented Living a Life That's Perfectly Still at the Olsen Annexe in Sydney. This exhibition featured works like Full Moon and House, Blue House, and Window and Pink Lampshade, which encapsulate his exploration of light, shadow, and the subtleties of everyday scenes. The exhibition invited viewers to contemplate the act of seeing, not through detailed realism but through the lived experience of looking.Clarke's artistic excellence has been recogniSed through his participation in numerous group exhibitions and art prizes. He was a finalist in the prestigious Archibald Prize in 2024, showcasing his portrait Beckah in the Studio, which depicted musician Beckah Amani. The portrait captured Amani's strength and resilience, reflecting Clarke's ability to convey complex emotions through minimalist compositions. Additionally, Clarke has been a finalist in other esteemed competitions, including the Mosman Art Prize and the Paddington Art Prize, underscoring his significant presence in the Australian art scene.His works are part of notable collections, such as the Zimmermann Permanent Collection, the Macquarie Group Permanent Collection, and the National Art School Permanent Collection in Sydney. 

Daniel catches up with Archibald Prize winner Laura Jones, who painted author Tim Winton. Painter and sitter share a passion for WA's Ningaloo reef and its survival amid climate crisis. Unusually, Laura's own portrait is also on display  –  she entered it in the concurrent Sulman Prize, on at the Art Gallery of NSW. Interviewing visual artists is just one of the things that Jennifer Higgie has mastered in her decades-long career at the helm of Frieze magazine and as a writer, reviewer and podcast host. Daniel speaks with London-based Jennifer as her new podcast series for the National Gallery of Australia is released. Listen to Jennifer and Daniel's conversation about women artists and the spirit world.

Send us a textThank you to artist Tom Carment for speaking with us on Art Wank! We visited Tom at his home in Sydney and talked about his long career as an artist. He predominantly paints outdoors, carrying a backpack filled with supplies and capturing interesting sights along the way—whether it's a jacaranda tree, rooftops, or a unique view. His work is like a visual diary, immediate and in the moment. When he paints at home, he often focuses on the everyday, like typewriters, eggs, and vegetables—anything at hand.Tom is also a prolific and gifted writer so check out his website to read some of his works. He is represented by King Street Gallery in Sydney. 'Tom Carment was born in Sydney in 1954. He studied for one year at Julian Ashton Art School in 1973. Tom is a painter of landscapes, portraits, and still lifes, and is also a writer. His pictures have been exhibited in numerous solo and group exhibitions since the 1970s, and his stories and essays have been published nationally. During the 1980s, he lived overseas for four years in Africa (Zimbabwe and Zambia) and in France, returning to Sydney in 1988.Tom has been represented by King Street Gallery since 1993. With his most recent solo exhibition ‘The Long Way Round' in October 2023.Tom's portraits have been selected for the Archibald Prize twelve times, and his landscapes for the Wynne Prize eight times. His works are held by the Art Gallery of NSW, City of Melbourne Art & Heritage Collection, NSW State Parliament, State Library of NSW, Kedumba Drawing Collection, Macquarie Group Collection and many others.Tom was the winner of the 2014 NSW Parliament Plein Air Painting Prize, the 2008 Gallipoli Art Prize and the 2005 Mosman Art Prize. Over one hundred of Tom's works were shown at the 2014 Dobell Australian Drawing Biennial at the Art Gallery of NSW. In 2008 the Hawkesbury Regional Gallery held a survey of his work entitled, People, Paddocks, Coastlines.From 2004-06 Tom worked on a commission for the City of Melbourne to document in words, paintings and drawings the construction of Council House 2 – the ‘greenest' office building in Australia.Tom's work is a reportage on his life – the external environment through his landscapes, the internal environment and friendships through his still lifes and portraits. Tom's pictures are usually small in scale and notable for their sensitive interpretation of light. Nearly all of his works are painted and drawn from life.Tom's published books include Days and Nights in Africa (1985), Seven Walks – Cape Leeuwin to Bundeena (2014) and Womerah Lane – Lives and Landscapes (October 2019).Tom currently resides in Sydney, NSW.' King Street Gallery Website 

Tim Winton is one of Australia's greatest writers, but this year he found himself at the centre of the art world when Laura Jones' portrait took out the Archibald Prize. From his earliest experiences in a gallery to some of the earliest examples of art in Australia, Winton shares the work that's helped to shape his own keen observations of nature and our own place in it.Two guards from the Art Gallery of NSW explain what it takes to keep the work safe and introduce us to their own favourite paintings.And Lucienne Rickard discusses her new durational work, Wreck, and why she's chosen to erase her own art, leaving only ghostly shadows behind.

As we head into another weekend there is a heap to keep you busy around the Central West! Ned Sweetapple from Orange 360 joins us to chat about the Archibald Prize which is being held at The Orange Regional Gallery this weekend, the 109th Eugowra Show, a rundown of the markets around the region, and heaps more. And with spring in full swing and some weather slowly warming up, it's a great chance to get out and snaps some pics of our beautiful region. CEO of RDA Josh Gordon tells us about the Best Photography Competition and how you can enter. Our resident movie expert Shane A. Bassett also joins us to chat about what you should be watching this weekend. Whether you're heading down to Odeon 5  Cinemas or you're streaming from home there is something for everyone.See omnystudio.com/listener for privacy information.

Michael Vale is a Melbourne based contemporary artist best known for his eerie absurdist figurative paintings. Sublime landscapes occupied by a cast of strange cryptids: Masked ghostly entities, figures wrapped in bandages, skeletons smoking pipes all participating in an obscured ever unfolding narrative of humour, horror and mystery. With a professional art career spanning over four decades, Michael has held 22 solo exhibitions, has been a finalist in the Archibald Prize three times, and won a number of prestigious art prizes including the Doug Moran National Portrait Prize. Instagram: @michaelcharlesvale

Moz Azimitabar is one of Australia's most celebrated emerging artists, having been a finalist in the Archibald Prize twice. But Moz is not like other artists, he found his art not at art school but in the barbarism of Australia's offshore detention regime in Papua New Guinea's Manus Island.Moz sought refuge in Australia because he was persecuted for fighting for human rights in Iran, and in seeking refuge he found art as a way to live in the confines of his offshore prison.In this episode Moz talks to us about what art means to him as a fuel and an expression for making change.We also had Moz on ChangeMakers back in 2022 where he talked about his journey as a refugee and his time in Manus. You can find the podcast here or on all the podcast apps (the episode was released in February 2022).ChangeMakers 2024 is supported by the Civic Power Fund and work with the UCL Policy Lab. This year they are supporting ChangeMakers to bring together a collection of Chats filled with extraordinary ideas and everyday experience to understand how we can change the world, www.ucl.ac.uk/policy-lab/ucl-policy-lab and www.civicpower.org.uk/.For more on ChangeMakers check us out:Via our Website - https://changemakerspodcast.org (where you can also sign up to our email list!)On Facebook, Instagram, Threads - https://www.facebook.com/ChangeMakersPodcast/On X/Twitter - @changemakers99 or @amandatattsOn LinkedIn - Amanda.Tattersall Hosted on Acast. See acast.com/privacy for more information.

Moz Azimitabar is one of Australia's most celebrated emerging artists, having been a finalist in the Archibald Prize twice. But Moz is not like other artists, he found his art not at art school but in the barbarism of Australia's offshore detention regime in Papua New Guinea's Manus Island.Moz sought refuge in Australia because he was persecuted for fighting for human rights in Iran, and in seeking refuge he found art as a way to live in the confines of his offshore prison.In this episode Moz talks to us about what art means to him as a fuel and an expression for making change.We also had Moz on ChangeMakers back in 2022 where he talked about his journey as a refugee and his time in Manus. You can find the podcast here or on all the podcast apps (the episode was released in February 2022).ChangeMakers 2024 is supported by the Civic Power Fund and work with the UCL Policy Lab. This year they are supporting ChangeMakers to bring together a collection of Chats filled with extraordinary ideas and everyday experience to understand how we can change the world, www.ucl.ac.uk/policy-lab/ucl-policy-lab and www.civicpower.org.uk/.For more on ChangeMakers check us out:Via our Website - https://changemakerspodcast.org (where you can also sign up to our email list!)On Facebook, Instagram, Threads - https://www.facebook.com/ChangeMakersPodcast/On X/Twitter - @changemakers99 or @amandatattsOn LinkedIn - Amanda.Tattersall Hosted on Acast. See acast.com/privacy for more information.

 Before mobiles there were letters and that's how three friends from the past communicated. The letters were found and three friends from now want to solve the mystery of who they were and what happened to them.  In solving the mystery they also learn about themselves in 'Return to Sender' by Lauren Draper.'Naked Ambition' is Robert Gott's hilarious look at politicians, the Archibald Prize and Christian fundamentalism. A politician sees no problem being painted in the nude but the repercussions compound as he is elevated to the minister for education. This is a replay of an interview conducted in 2023.

Blak Douglas vs the Commonwealth directed by Angelica Cristina Dio, will open the Melbourne Documentary Film Festival (MDFF) this year. Archibald Prize winning artist Blak Douglas' uncompromising view of colonization and the affect it had on his family.

In this episode of QAV, Cameron and Tony dive into recent market activities, the RBA's decisions, the Lindy Effect, substantial shareholder announcements, and GrainCorp's prospects, along with a detailed analysis of Embark Early Education (EVO). Member questions about living off a share portfolio during down years and the differences between value and quality investing are addressed. Additionally, Tony clarifies the calculation of shares on issue for Rio Tinto, emphasizing global figures for earnings per share. In after hours, the duo also covers Mario Puzo's 'The Godfather', Alphonse Mucha, and the Archibald Prize, and discuss the potential and risks of AI, drawing references from science fiction. They wrap up with thoughts on films and books, including 'Klara and the Sun'.

We start today's show taking it slow out in nature for some journalling, before we bid farewell to a mighty Matilda. Then, we'll sit down for a meal designed for Autistic eaters, and head to the gallery to see the winners of this years Archibald Prize.Finally, we're headed back in time for a prehistoric… Wow of the week! Quiz Questions1.Is nature journalling just for professionals, or can anyone do it?2.How long has Lydia Williams been a Matilda?3.Can you name one of the foods available at the sensory friendly dinners?4.Can you name one of the people that were painted for the Archibald Prize?5.What did the scientists nickname the animal that had some similarities to an echidna, and some similarities to a platypus?Bonus Tricky QuestionWhat is a monotreme?Answers1.Anyone can give it a go!2.19 years3.Chicken nuggets and chips, plain pasta, fish fingers, mash potato and more4.Author Tim Winton, or rapper Baker Boy are the ones that we mentioned... but you might know another!5.EchidnapusBonus Tricky AnswerA mammal that lays eggs - and the only two around today are the platypus and the echidna.

The guest of this episode of the Arty podcast is Vera Glushchenko, an art critic from Melbourne. We are discussing the results of Australia's main arts prizes: Archibald for portraits, Wynne for landscapes and Sulman for genre paintings. - Гость этого выпуска подкаста об искусстве Arty - искусствовед из Мельбурна Вера Глущенко. Обсуждаем итоги главных премий Австралии: Archibald за портреты, Wynne за пейзажи и Sulman за жанровую живопись.

Big-name conceptual artist - four words you don't often hear together. But Jeremy Deller is one - he's a household name in Britain, but a few years back he sparked controversy here when he made giant wax candles of Rupert Murdoch and son Lachlan, and let them burn. The Turner Prize-winning artist also orchestrates mass public spectacles that bridge the worlds of contemporary art and pop culture.Daniel catches up with Archibald Prize winner Laura Jones, who painted author Tim Winton. Painter and sitter share a passion for WA's Ningaloo reef and its survival amid climate crisis. Unusually, Laura's own portrait is also on display  –  she entered it in the concurrent Sulman Prize, on at the Art Gallery of NSW. Brent Harris' psychologically-driven artworks are often described as haunting and even ‘brooding'. So, if you haven't ever seen his paintings– would it surprise you to know they're also colourful and cartoonish? More Betty Boop than Edvard Munch's The Scream. He takes producer Rosa Ellen through his studio, in preparation for his survey show, which is soon to tour  the Art Gallery of South Australia.

This weeks show is focusing on Melbourne's film scene. In the first of three interviews, Flick will chat with Director Molly Reynolds to discuss her film A PORTRAIT OF LOVE. For over twenty years, Archibald Prize-winning artist Craig Ruddy and his partner Roberto Meza Mont filmed their life together.Their friend, documentary-maker Molly Reynolds (MY NAME IS GULPILIL) spent months immersed in Roberto's footage to craft an intimate portrait of their relationship, from over 5000 pieces of footage. We then hear from local director Timothy Despina Marshall about his debut feature IN THE ROOM WHERE HE WAITS, starring Daniel Monks. Having recently premiered at the 2024 Mardi Gras Film Festival earlier this year, this fresh psychological thriller is a claustrophobic story of grief and abandonment set in the close quarters of a hotel room during lockdown.Primal Screen's third guests are the Naarm/Birrarung Ga/Makassar Sulawesi, Indonesia-based film collective, Dogmilk Films. Local and independently run, @dogmilkfilms produces and makes space for alternative film and sound works. The collective places emphasis on cinema that pushes the boundaries of form and exhibition, which makes them an intersection for creative enquiry and exploration. Flick speaks with Lola Hewison, John Hewison and Sofie McClure about the screening of short-form works Dogmilk is curating for 2024 St. Kilda Film Festival.

ஆஸ்திரேலிய கலை உலகின் மிகவும் மதிப்புமிக்க விருதுகளில் ஒன்றான Archibald Prize கடந்த வெள்ளிக்கிழமை வழங்கப்பட்டது. இது குறித்த செய்தியின் பின்னணியை முன் வைக்கிறார் குலசேகரம் சஞ்சயன்.

Watch the video version of my interview with Laura Jones here on the Talking with Painters YouTube channel Congratulations to previous podcast guest Laura Jones on winning the Archibald Prize - Australia's most famous portrait prize  - with a sensitive and meaningful portrait of writer and environmentalist Tim Winton. On Friday I interviewed Laura shortly after the announcement and I'm bringing you that 5 minute conversation in this episode but I've also gone through the archives to my podcast conversation with Laura in 2018 to bring you something extra.  When I interviewed Laura a few years ago it was after she had finished a residency on the Great Barrier Reef where she was studying the terrible bleaching events which occurred there (and continue to occur) and her concern surrounding those events is not unconnected with her winning portrait in this year's Archibald Prize. Because it was after seeing Tim Winton's documentary on the ABC, Ningaloo Nyinggulu, about the fight to save the Ningaloo reef that Laura requested an Archibald portrait sitting. They have in common a sense of urgency that we must act now on climate change and are doing everything they can to bring attention to the devastating and inevitable consequences of inaction. One of the most interesting parts of my conversation with Laura was when she explained how coral bleaching occurs. It's complex and scientific but she explained it in a way that anyone could understand so I thought I would bring you that part of the interview today .   The Archibald, Wynne and Sulman Prizes exhibition continues until Sunday 8 September 2024.  The Archibald finalist works then go on tour across 5 venues across NSW and for the first time, to the Northern Territory. The Wynne Prize finalist works will tour to four venues in regional NSW. 2018 podcast interview with Laura Jones (ep 53) Laura Jones' Archibald Prize acceptance speech (Instagram) YouTube version of my Archibald interview with Laura Incognito Art Show Studio A Tim WintonOil on linen, 198 x 152.5cmImage: Art Gallery of NSW, Jenni Carter Winner 2024 Archibald Prize              

Showers easing in a rain-soaked New South Wales - but the flood risk remains; The winners of this year's Archibald Prize unveiled in Sydney; Three men convicted over separate Nazi salutes at a Sydney football game in 2022.

Welcome to the 9News podcast. A snapshot of the latest stories from the9News team including: New Zealand briefed on deportation changes, TV personality missing in Greece, and the Archibald Prize winner announced. The biggest news stories in less than 10 minutes delivered three times a day,with reports from the 9News team across Australia and overseas. Subscribenow to make it part of your daily news diet.   See omnystudio.com/listener for privacy information.

Today I am very excited to have the iconic David Bromley join me. David is best known for his work in sculpting and painting particularly his paintings of children, birds and female nudes. Over the past 20 years, David's work has received widespread acclaim in Australia and internationally. He has also been an Archibald Prize finalist on six occasions. David sits down and talks candidly about how mental health issues shape his life and work. You can find David here: https://www.bromleyandco.com/art You can also find David's documentary here: https://www.youtube.com/watch?v=hoR2lHiNqms If you or someone you know is struggling with any topics discussed in this episode please contact Lifeline on 13 11 14.Please see more support options below: Butterfly Foundation: https://butterfly.org.au/get-support/... Beyond Blue: https://www.beyondblue.org.au/ The Black Dog Institute: https://www.blackdoginstitute.org.au/ Produced by Head On Agency headon.agency

Really Interesting Women - The podcastEpisode 120     Del Kathryn BartonDel Kathryn Barton is one of Australia's most recognisable and collectable artists.  She's now widely recognised as one of Australia's leading figurative painters and a 2-time Archibald Prize winner. Only the second woman to do that in the 103 year history of that portrait prize.  Her first year out of art college she had the extraordinary honour of being hung in the prestigious Sulman Art Prize at the Art Gallery of NSW. All of this is a very long way from her isolated and unconventional rural upbringing where her father was attempting to build a house from scratch (as an untrained builder) while the family lived in tents and other temporary shelters.  She openly talks about her mental health issues which went largely undiagnosed. It was her mother that suggested she take up drawing as a child to overcome these crippling attacks. And that's where it started.  It's a fascinating, open, fun, funny conversation. And she gave me the secret to her success. It's no secret.... it's been discussed by most of the women on this podcast series. Hard work. Really hard work. And passion for the work.  Head to the link in my bio to listen to Del's episode. Or go to your usual podcast platform and search Really Interesting Women. It'll be there.   Image: Eugene Hyland    Visit instagram @reallyinterestingwomen for further interviews and posts of interesting women in history. Follow the link to leave a review....and tell your friendshttps://podcasts.apple.com/au/podcast/really-interesting-women/id1526764849If you know of a potential guest or interesting woman in history, email me atreallyinterestingwomen@gmail.com

"Having a snack at a gallery were you, Molly?" Perhaps. But the bar here is a little higher.   Thinking Music Molly - TV Movie Trailer   Link to the answer Art Gallery of NSW   Support the podcasts you listen to on Lenny.fm   More about the show - www.nearly.com.au/somehow-related-podcast-with-glenn-robbins-and-dave-oneil/   Somehow Related is produced by Nearly Media. Original theme music by Kit Warhurst. Artwork created by Stacy Gougoulis.   Looking for another podcast? The Debrief with Dave O'Neil - Dave's other podcasts with comedians after gigs. Out Of The Question - Adam Zwar's fantastic interview podcast The Junkees with Dave O'Neil & Kitty Flanagan - The sweet and salty roundabout! Junk food abounds! Confessions - laugh along with Sam Petersen and friends as he reads outrageous confessions from people you'll never meet.See omnystudio.com/listener for privacy information.

Jo Litson has been one of the Nation's treasured Arts Journalists for some 37 years. She is the Print Editor of Limelight; the magazine that celebrates music, arts and culture. Jo originally joined Limelight magazine as Deputy Editor in August 2016 after more than 25 years working as a freelance arts writer for publications including The Australian, Limelight magazine, The Bulletin, the Qantas magazine, POL Oxygen, the Sydney Theatre Company's Backstage magazine, and the Sunday Telegraph where she had been the arts writer/theatre reviewer since 2006. Fascinated by the magic of theatre from a young age, she sought and navigated a career in the performing arts in a range of roles. In tertiary study, Jo completed a BA (Hons) in English/Drama from Birmingham University in the UK. And so the adventure begun. After working front of house in several West End theatres, and as an Assistant Organiser in the Theatre Department at British Actors' Equity, she moved to Australia in 1982. Initially based in Melbourne, she worked as an Assistant Publicist and Front of House Manager for Melbourne's Playbox Theatre Company, and as an usher and then Box Office Manager at Her Majesty's Theatre. She was also a dresser on several musicals including La Cage Aux Folles and Guys and Dolls. In 1986, she moved to Sydney and managed the Halftix Booth before embarking on a career in arts journalism. Jo was Arts Editor of Vogue Australia in the late 1980s and an on-screen reporter for the ABC-TV arts magazine programme Review. From 1998 – 2000, she edited the Australia Council magazine Artforce. Jo has written the extended labels for the Archibald Prize for the Art Gallery of NSW for over 20 years and wrote the programmes and media kits for the opening and closing ceremonies of the 15th Asian Games in Doha in 2006.Her appreciation of all arts is extensive, informed by a life-time working in and around stages. How fortunate we are to have Jo celebrating performance, investigating craft and shining the light.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

This weeks podcast is with the brilliant artist Carline Zilinksy. Her show opens at Nanda Hobbs Thursday 9th Novmember so go see it! She recently won the peoples choice award at the Mosman art prize, congratulations Caroline. It was a pleasure to chat with Caroline, full of energy and unapologetic passion! She is represented by Nanda Hobbs 'Caroline Zilinsky is the most enigmatic of painters.  She is obsessive, highly skilled, sharp witted and possesses an eye that drills into the very soul of her sitters, revealing their most intimate truths. Her unrelenting artistic drive is intoxicating—ten-hour days at the easel is the studio norm.When viewing Zilinsky's paintings, one cannot be an innocent bystander. As an artist, she has the ability to metaphorically reach out and grasp the viewer, compelling us to engage in a dialogue with her protagonists.  Her works inhabit an interesting place in contemporary Australian painting. She echoes many of the themes of the Australian Modernism greats and stylistically, acknowledges a debt to their introspective investigations into an uncomfortable world.Caroline Zilinsky was the winner of the 2020 Portia Geach Memorial Award (Australia's most prestigious art prize for portraiture by women) and in the same year won the Evelyn Chapman Art Award at S H Ervin Gallery. She is also a regular finalist in other premier art prizes including the Archibald Prize (2022), Art Gallery NSW, Darling Portrait Prize (2020, 2022) National Portrait Gallery of Australia, Canberra, the 2020 SBS Portrait Prize, the Kilgour Prize at Newcastle Art Gallery, Blake for Religious Art, the 2017 Sulman Prize and the Doug Moran National Portrait Prize. In 2009, the Muswellbrook Regional Gallery acquired her work United We Stand.'Thanks Caroline 

We're joined by Brad Friedman of 'Ah Sweet Mystery' to discuss chapters 6-11 of Yukito Ayatsuji's second outing in his Mansion Murder series. Brad and Herds are convinced they know what the trick is, and how the trick works, but can they figure out why it happened, and to whom? A simple mystery may not be as simple as it seems, as the doom befalling the Mill House draws out further accounts of the past, and the cruel motives of the less murderous crimes. We also speak with Robert Gott about his latest political satire, 'Naked Ambition'. The minister for transport has decided to enter his portrait into the Archibald Prize, but people might get snagged by the large member at eye-height. Thank you to Scribe Publishing for providing copies of the book.

Jessica Alyssa Cerro was born and raised in the Hills District in Sydney. The child of an Argentinian, professional football-playing father and a Filipino, music loving mother, they were always going to march to the beat of their own drum. Today, you're more likely to know them as Montaigne, the Aria award winning artist twice selected to represent Australia at Eurovision and subject of this year's Archibald Prize winning artwork. In this chat with Jamila Rizvi, Jessica explains why they chose the name Montaigne and their relationship with fame.    THE WEEKEND LIST: Watch: Deadloch on Prime Video Watch: Carry-on for 5 weeks on insta @lisecarlaw  Watch: White men can't jump on Disney+ Watch: Ed Sheeran doco The Sum of It All on Disney+ See omnystudio.com/listener for privacy information.

This is the first time in 110 years that an artwork that includes embroidery and collage has won the prestigious Archibald Prize.  This episode looks behind comments and critics to find a precedent from 1950s America.

Sydney artist and Archibald Prize winner, Julia Gutman, joins Features Editor Emma Joyce to discuss her path to winning the prestigious prize, and reflects on her unique perspective as a young woman with an unconventional style of portraiture and what that means for the future of modern art in Australia.  Featured on today's episode:  The Archibald, Wynne and Sulman Prizes 2023 New episodes of Broadsheet Melbourne Around Town drop Monday, Wednesday, Friday each week. Subscribe on the LiSTNR app to make sure you don't miss an episode. Keep up-to-date on everything Broadsheet has to offer at www.Broadsheet.com.au, or at @Broadsheet_melb.  Broadsheet Melbourne Around Town is hosted by Katya Wachtel and produced by Nicola Sitch. Deirdre Fogarty is the Executive Producer.See omnystudio.com/listener for privacy information.

Shane Desiatnik with the latest Australian Jewish News

Our Tuesday segment Sydneyside covers local events and useful community information. - 火曜日のラジオ番組でシドニーのイベント情報やコミュニティー情報を伝えるコーナーです。

Our first of many upcoming NEON NIGHTS 20 celebration episodes, Neïmo's Bruno Alexandre joins us for April's Minogue Monday to discuss writing & producing in Paris with Dannii Minogue and Terry Ronald on NEON NIGHTS, AND how that incredible Madonna mashup was created. Also popping by the virtual studio to chat with us this month is wildly talented Melbourne artist Nunzio Miano who has painted our Dannii for this year's prestigious Archibald Prize!linktr.ee/thisisdiscopodcast

For those of you interested in portraiture in Australia, Yvette Coppersmith needs no introduction.   She has painted dozens of portraits, including a collection of fascinating self-portraits, and is regularly shortlisted in the country's most competitive portrait awards. In 2018 she was awarded the one that would place her in Australian art history - the Archibald Prize. What has captured my attention more recently, though, are Yvette's abstract works, particularly a body of work I saw in her exhibition ‘Presage' at Sullivan + Strumpf in Sydney last year. They were thickly textured, swirling abstractions and how she came to create that show is as interesting as the paintings themselves. Yvette has been painting for over 20 years and her work is held in many public and private collections. In addition to winning the Archibald Prize, she has won the Metro 5 Art Award and has been a finalist multiple times in nearly every prestigious portrait prize in Australia, including the Doug Moran, Portia Geach, and Darling Portrait prizes. In this episode we follow her career from her early photorealistic works to her present-day experimentation with paint and genre, encompassing still lifes and interiors along the way. To hear the conversation click 'play' below the above photo. See below for images of the works we talk about in the show. Photograph of Yvette Coppersmith by Mel Savage Links Yvette Coppersmith's website Yvette Coppersmith on Instagram Yvette Coppersmith at Sullivan + Strumpf 'Presage' exhibition at Sullivan + Strumpf Roger Kemp 2019/20 retrospective at the National Gallery of Victoria Talking with Painters YouTube channel Sign up to the Talking with Painters newsletter 'Self-portrait after George Lambert', oil and acrylic on linen, 122 x 101.5cm, 2018 Winner Archibald Prize 2018 'Nude Self-portrait after Rah Fizelle', oil on linen, 91.5 x 66cm, 2016 Finalist, Portia Geach Memorial Award, 2016 'John Safran', oil on plywood, 120cm x 90cm, 2009 Archibald Prize finalist 2009 'John Safran', oil on plywood, 120cm x 90cm, 2009 Archibald Prize finalist 2009 'In the Garland, portrait of Paul Capsis', oil on linen, 22.5 x 111.5cm, 2007 Finalist, Archibald Prize, 2008 'Untitled Movement (Scarlet Lake)', oil on jute, 76.5 x 61cm, 2022 Photo: Matthew Stanton   'Untitled Movement (Triptych)', oil on jute, 3 x 122.5cm x 91.5cm Photo: Simon Hewson 'Arrangement with Grey and Yellow', oil on linen 61cm x 46cm , 2014 'Geranium and Succulents', oil on linen, 80cm x 59.5cm, 2015 Posthumous Portrait of Edith Morris, oil on linen, 86.5cm x 63.5cm, 2020 Photo: Matthew Stanton Collection of Melbourne Girls Grammar School  

The Queen's funeral is tonight and it's expected to be the most-watched television event of all time. Four billion people are expected to tune in. It will be the end of an era in Australia with King Charles III taking over from his mother. So what will it mean for Indigenous Australians? Our very own Rhianna Patrick, a Torres Strait Islander, tells us about her connection with the Queen and how growing up, she had a fascination with the monarch and royal family. We're also joined by Blak Douglas, an Indigenous artist who won this year's Archibald Prize, who has an entirely different perspective. He says Australia's continued support for the monarchy is salt in the wounds of First Nations people. In this episode of the Briefing, Indigenous perspectives on the Queen's funeral Headlines: - The Queen's funeral tonight- A massive typhoon has made landfall in Japan- Australia's biggest Childcare provider is offering incentives to entice workers- Patrick Cripps takes home the Brownlow medal  Follow The Briefing: Instagram: @thebriefingpodcast Facebook: TheBriefingNewsAUTwitter: @TheBriefingAU   See omnystudio.com/listener for privacy information.

Wendy Sharpe needs no introduction, but here's one anyway!!'Wendy Sharpe is one of Australia's most acclaimed artists, she lives and works in Sydney and Paris. She has been awarded The Sulman Prize, two Travelling Scholarships, The Portia Geach Memorial Award (twice), The Archibald Prize, and many others. She has been a finalist in The Sulman Prize thirteen times, and The Archibald Prize eight times. She has held over 65 solo exhibitions around Australia and internationally.'We talked to Wendy in her fantastic studio in Sydney, surrounded by all her paintings and drawings. Our conversation was so interesting, covering Wendy's career, her upcoming book with author Kate Forsyth , how to find your own voice in your artwork, and much more....Thanks so much, Wendy, we loved meeting you!

Acclaimed Dhungutti artist Blak Douglas – born Adam Douglas Hill … Continued

---ARTICLES AND LINKS DISCUSSEDPurchase "Die Laughing: The Biography of Bill Leak":https://dielaughing.org.au/---Follow Fred on Twitter@fredpawle---A Portrait of Australia - Institute of Public Affairs: https://ipa.org.au/ipa-review-articles/a-portrait-of-australia---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803---Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on Instagram---Logo Design by Made To Move: @made.tomove on InstagramTheme Song: Dreamdrive "Chase Dreams"

Winnie Dunn is the editor of and Amani Haydar is a contributor to 'Another Australia'. Winnie is the General Manager of Western Sydney based literacy movement, Sweatshop. She is a writer of Tongan descent from Mount Druitt, and her work has been published in the Sydney Review of Books, Griffith Review, Meanjin, SBS Voices, The Guardian, Huffington Post, Southerly and Cordite.  Amani is an artist, lawyer, and advocate for women's health and safety based in Western Sydney. Her memoir, The Mother Wound, received theVictorian Premier's Literary Award for Non-fiction and the Matt Richell Award for new Writer of the Year, among many other short- and long-listings. Amani's writing and illustrations have been published in ABC News Online and SBS Life and her self-portrait Insert Headline Here was a finalist in the 2018 Archibald Prize. Winnie previously appeared on The Garret in late 2021, as did Amani in mid 2021.  About The Garret Read the transcript of this interview at thegarretpodcast.com. You can also follow The Garret on Twitter and Instagram, or follow our host Astrid Edwards on Twitter or Instagram. See omnystudio.com/listener for privacy information.

It's that time of the year! The winners of the Archibald, Wynne and Sulman Prizes have been announced at the Art Gallery of New South Wales and in this episode you'll hear my interviews with each of those artists about their winning works: Blak Douglas (Archibald Prize)Nicholas Harding (Wynne Prize)Claire Healy and Sean Cordeiro (Sulman Prize) The Archibald Wynne and Sulman Prizes exhibition at the Art Gallery of NSW runs until 28 August 2022 and will then travel to Victoria and regional NSW until July 2023. Congratulations to all the winners and finalists! Links Blak Douglas - episode 68 Talking with Painters (podcast and YouTube video)Blak Douglas in his studio - TWP YouTube ChannelBlak Douglas delivering his Archibald winning painting on the loading dock - TWP YouTube channelNicholas Harding - episode 65 Talking with Painters (podcast and YouTube video)Nicholas Harding in his studio - TWP YouTube ChannelClaire Healy and Sean Cordeiro (website) Blak Douglas, 'Moby Dickens', synthetic polymer paint on linen, 300 x 200 cm Winner of the Archibald Prize 2022© the artist image © AGNSW, Mim Stirling Nicholas Harding,  'Eora', oil on linen, 196.5 x 374.8 cm Winner of the Wynne Prize 2022© the artist, image © AGNSW, Mim Stirling Claire Healy and Sean Cordeiro, 'Raiko and Shuten-dōji', acrylic gouache, jute and tape on helicopter shell, 159.5 x 120 cm Winner of the Sulman Prize 2022© the artists, image © AGNSW, Mim Stirling

Con un ritratto dell'artista Karla Dickens il prestigioso premio per ritratti è stato vinto da Blak Douglas. La recensione del direttore di blackartprojects Andrea Candiani.

Interview with Sydney-based artist Svetlana Prokhorova about the results of the Archibald Prize 2022 and her upcoming solo exhibition. This is a Russian language content. - Интервью с художником из Сиднея Светланой Прохоровой о результатах премии Archibald Prize 2022, выставке в NSW Art Gallery, а также о предстоящей соло-выставке работ Светланы.

The Archibald is perhaps the most significant art prize in this country, capturing the public's attention each year with a collection of brilliant paintings that showcase the diverse potential of the portrait. The 2022 winner is Blak Douglas, for his painting of Wiradjuri artist Karla Dickens. In the Drawing Room, Blak shares his path to portraits and the role of politics in his art.

One of Australia's most significant artists returns to the podcast! Del Kathryn Barton spoke with me the day before the opening of her spectacular exhibition ‘the women who fell to earth' at Roslyn Oxley9 Gallery, showing until 28 May 2022. Internationally renowned, Del is well known in Australia for having won the country's most famous art prize twice - the Archibald Prize - and her works are held in many private collections and public institutions. This year the National Gallery of Australia acquired her largest single-panel work she has made to date, 'my heart is blazing 11 hours', and we talk about the work in this episode. Although difficult to describe in words, Del's work often depicts a female sensuality which is at the same time beautiful and confrontational - set in an intricately detailed imaginary world. She is also a self-described optimist and the work hanging in this exhibition is a testament to that, with vivid colour bursting from the canvas. We also discuss other art forms she has recently been engaged in, including a major project she has been developing over the last 4 years which has now come to fruition. Del's first feature film 'Blaze', a very personal work which she directed and co-wrote, is debuting at the Tribeca Film festival in June and it's one of only 10 films selected in the International Narrative competition. It has also been selected for Official Competition in the upcoming Sydney film festival, again one of only ten films selected internationally. You'll also hear about the origins of her arresting timber sculptures included in the exhibition. Large shell forms inlaid with exquisite materials which reference very personal themes. To hear the conversation press 'play' beneath the above feature photo. You can hear the previous 2019 podcast interview where Del talks about her life and art here. A short video of highlights of this conversation will be uploaded to the Talking With Painters YouTube channel in the coming weeks.  Current exhibition 'the women who fell to earth' at Roslyn Oxley9 Gallery, Sydney, 6 May to 28 May 2022'Blaze at the Tribeca Film Festival on 9, 10 and 17 June 2022'Blaze' at the Sydney Film Festival, 17, 18 and 19 June 2022 Links to things we talk about on the show Del Kathryn Barton on InstagramDel Kathryn Barton at Roslyn Oxley 9Del Kathryn Barton at Albertz Benda Talking With Painters YouTube channel'Blaze' at the Tribeca Film Festival'Blaze' at the Sydney Film Festival the women who have gathered for the earth, 2021-22acrylic on linen203 x 353 cmSource: Roslyn Oxley9 Gallery website the women who came from the earth, 2022acrylic on linen203 x 303 cm her earth nature, 2022acrylic on linen243 x 203 cmSource: Roslyn Oxley9 Gallery website of her own nature, 2022Cambia Ash with Cambia Ash and Rock Maple inlay, Abalone Blue and White Fresh Water mother of pearl inlay, hardwax oil, blackened steel190 x 100 x 80 cm

Marikit Santiago is one of Australia's most impressive artists, combining a skilful representational painting technique with powerful imagery. Mythology, Disney, her Filipino heritage, religion, guilt, motherhood and family are examples of the subject matter she draws from and her upcoming show, 'For us sinners' at 4A Centre for Contemporary Asian Art in Sydney, is set to contain some of the most impactful work she has produced to date. What's equally striking is the contrast between her painting style and the surface on which she often chooses to paint: found cardboard, typically in the form of flattened packing boxes complete with rips, creases and packing tape! Marikit won the Art Gallery of NSW's Sulman prize in 2020 with her work ‘The Divine', a painting of her three children who were also her collaborators. We talk in this episode about how they contribute to her practice and why that collaboration is so important to her work. Apart from winning the Sulman, Marikit has been a finalist in many other prizes including the Archibald prize twice.  She has exhibited in 6 solo shows and her upcoming exhibition at 4A Centre for Contemporary Asian Art is her first institutional show. It is curated by Micheal Do and opens on 26 March 2022. We recorded this conversation in Marikit's garage studio with her stunning recent work, Thy Kingdom Come, leaning precariously against the easel. Rich with cultural and religious symbolism, as well as quite a few cartoon characters, the complex painting had been finished the day before our interview, after nine months' work. A short video of Marikit in her studio will also be uploaded to the Talking with Painters YouTube channel and this website soon. To hear the podcast episode click 'play' beneath the above feature photo. Current and upcoming exhibition Solo exhibition 'For us sinners', 4A Centre for Contemporary Asian Art, Sydney, 26 March to 15 May 2022 Archibald Prize 2021, currently showing at Cowra Regional Art Gallery, NSW, until 1 May 2022 Links Marikit SantiagoMarikit Santiago on Instagram Egon SchieleRodel TapayaJojit SolanoBalikbayan BoxAida Tomescu video Thy Kingdom Come, 2021 – 2022, interior paint, acrylic, oil, pyrography, pen, gold leaf on found cardboard (pen and paint markings by Santi Mateo Santiago and Sarita Santiago), collaboration with Maella Santiago, 167cm x 307cm. Courtesy of the artist and The Something Machine, Bellport, New York. Photo credit: Garry Trinh Tagsibol/tagsabong, 2019, acrylic, oil, pyrography, pen and paint on found cardboard144.5 x 214 cmFinalist, Sulman Prize, 2019, Art Gallery of NSW Filipiniana (self-portrait in collaboration with Maella Santiago Pearl), acrylic, interior paint, pen and oil on found cardboard110.5 x 100.7 cmPhoto: Garry TrinhFinalist Archibald Prize AGNSW 2021 The divine, acrylic, oil, pen, pyrography and 18ct gold leaf on ply179.5 x 120.5 cmWinner Sir John Sulman Prize, AGNSW, 2020 The Serpent and the Swan, 2021, interior paint, acrylic, pyrography, oil and Dutch metal gold leaf on found cardboard, 162cm x 77cm x 2cm.Photo: Garry Trinh The Serpent and the Swan, 2021 interior paint, acrylic, pyrography, oil and Dutch metal gold leaf on found cardboard, 162cm x 77cm x 2cm.Photo: Garry Trinh

When Wendy Sharpe read her late father's diaries, she began a new exploration of her Jewish family's history, including the story of her psychic grandmother, Bessie