Podcasts about selected tracks

This mix features selected tracks from a compilation album “Imaginary north transmission 001” on an ambient label by “Kilometre club”https://imaginarynorth.bandcamp.com/communitySome familiar names on this one of which we have included works before.Ben McCarthy and Le Code to name a few. A real smooth ambient vibe throughout.Go to the link for full listing.We highly recommend checking out and following the Kilometre club label. One to watch we feel. 01:10 kilometre club - Scarborough bluffs03:31 Anthene - Fallen mountains07: 22 Soular child - Hiking simulator10:18 Grzegorz Bojanek - Summer never ends14:13 Raphah - Emergence18:00 Andactica - Semblance21:19 Absence - And now the wind will blow the leaves around forever26:39 Quelche - Indecisio29:58 Le code - Behind the waves32:34 Test card - Through stolen green favours52:49 Ben McCarthy - Old anoretics (Soft cut)Follow linkhttps://sites.google.com/view/imaginarynorth/home

Michael Douglas recalls one of his favorite soundtracks, playing some of the tracks from the Bright Lights Big City soundtrack from 1988.

this mix i made by my daughters approval. she did her thumbs up or thumbs down. i had have her listened over 50 tracks to her and this is the result

Lockdown Mix of few Selected Tracks of Progressive Tunes

BIOSTRUCTURE @ PΔTRICK_DJ´S TECHNѺLѺGY List of Selected Tracks: 1.- Xerox & Illumination - Paranoia. 2.- Sinerider and Sonic Species - Alien Technology. 3.- U-Recken Vs. Digicult - The Optimist. 4.- Astral Projection - Let There Be Light. 5.- Talamasca - Time Simulation. 6.- Outsiders Vs. Killerwatts - Space Travel. 7.- Djantrix Vs Spirit Architect - Full Moon. 8.- Galactic Explorers - Soundscape Sacred Technology. 9.- Tron - This Is Real. 10.- Martian Arts - Albino Cat. 11.- Sajanka- Psysex - Barsha. 12.- Stereo Plug Vs SwiTcHcaChe - Days Of Present Future. 13.- Talamasca - A Brief History Of Goa Trance Astral Projection M16. All the reserved rights of their respective Authors. Promotional use Only. Mixed by ™ PΔTRICK_DJ´S ✈ TECHNѺLѺGY. ( MIЖ PRѺDUCTIѺNS )

List of Selected Tracks: 1.- Dual Resonance - We Are Universe. 2.- Reeson - Anubis. 3.- Reeson - Amon-Ra. 4.- Audiotec - Telemetry (Vs Zen Mechanics). 5.- Symbolic & Lifeforms - We Are Awakening. 6.- Pixel & Wrecked Machines - Mother Funker. 7- Bionix Vs IKON - Psylosophy. 8- Kali - Typology EP Minimix [BMSS Records]. 9- Talamasca - A Brief History Of Goa Trance Man With No Name M16. 10.- Electric Universe & Symbolic - Science & Spirit. 11.- Sonic Species - Eternal. 12.- Simon Patterson - SMACK (WAIO Remix). All the reserved rights of their respective Authors. Promotional use Only. Mixed by ™ PΔTRICK_DJ´S ✈ TECHNѺLѺGY. ( MIЖ PRѺDUCTIѺNS ) .

The SWS ReaConsole Basic Usage Use Option+C on Mac, or Alt+C on Windows to open the console. Type the command and press Enter to commit the command, leaving the console open for another command. You can also press Command+Enter to commit and close the window, which is Control+Return on Windows. Escape will close the console without performing the command. A ReaConsole command can have up to three parts. Firstly, the command, which is a letter that denotes what is to be done. eg M for mute or V to set the volume. , Than,, an optional text string to specify which tracks are to be adjusted. This can be the track numbers, and/or the track names where * is a wild card. Eg. 2,4–6, which would specify tracks 2, 4, 5, and 6. Or, voc* which would specify any tracks that started with the letters “Voc”. The final part is the parameter value where relevant. Eg, dB of volume change or in the case of mute, not relevant. If no tracks are specified in the command, the function will be performed on the currently selected tracks. Additional Syntax You can just use a space to separate the track selection from the parameter value, however if you need to be more specific, you can use a semicolon when necessary. One example is where you are renaming a track, you may have multiple words in the text to select the track and than need to use a semicolon to designate where the new track name is to start. For the toggle commands, using lower case will toggle the current state, prefix with a dash will force to off, prefix with a plus to force on for the selected/specified tracks, leaving the other tracks at their current state. An upper case command letter will force on for only the selected/specified tracks and off for all other tracks. If you place an exclamation mark, after the command, the action will be performed on the unselected tracks, as though you have inverted the selection. If you follow the track specifier with a slash, than the command will also be performed on any child tracks, that is tracks within the folder specified. List of ReaConsole Commands v Trim volume V Set volume p Trim pan P Set pan s Select o Solo a Arm m Mute h Phase f Enable Effect (Bypass) n* Name Selected Tracks to * b* Name Selected Track with prefix * z* Name Selected Track with suffix * c Change colour on Selected Tracks i Set input on Selected Tracks l Set # channels on Selected Tracks x Add effect to selected tracks ! Add action marker at edit cursor / Send local OSC message Links Official ReaConsole Documentation Derek Lane CAVI Audio Giveaway

The SWS ReaConsole Basic Usage Use Option+C on Mac, or Alt+C on Windows to open the console. Type the command and press Enter to commit the command, leaving the console open for another command. You can also press Command+Enter to commit and close the window, which is Control+Return on Windows. Escape will close the console without performing the command. A ReaConsole command can have up to three parts. Firstly, the command, which is a letter that denotes what is to be done. eg M for mute or V to set the volume. , Than,, an optional text string to specify which tracks are to be adjusted. This can be the track numbers, and/or the track names where * is a wild card. Eg. 2,4–6, which would specify tracks 2, 4, 5, and 6. Or, voc* which would specify any tracks that started with the letters “Voc”. The final part is the parameter value where relevant. Eg, dB of volume change or in the case of mute, not relevant. If no tracks are specified in the command, the function will be performed on the currently selected tracks. Additional Syntax You can just use a space to separate the track selection from the parameter value, however if you need to be more specific, you can use a semicolon when necessary. One example is where you are renaming a track, you may have multiple words in the text to select the track and than need to use a semicolon to designate where the new track name is to start. For the toggle commands, using lower case will toggle the current state, prefix with a dash will force to off, prefix with a plus to force on for the selected/specified tracks, leaving the other tracks at their current state. An upper case command letter will force on for only the selected/specified tracks and off for all other tracks. If you place an exclamation mark, after the command, the action will be performed on the unselected tracks, as though you have inverted the selection. If you follow the track specifier with a slash, than the command will also be performed on any child tracks, that is tracks within the folder specified. List of ReaConsole Commands v Trim volume V Set volume p Trim pan P Set pan s Select o Solo a Arm m Mute h Phase f Enable Effect (Bypass) n* Name Selected Tracks to * b* Name Selected Track with prefix * z* Name Selected Track with suffix * c Change colour on Selected Tracks i Set input on Selected Tracks l Set # channels on Selected Tracks x Add effect to selected tracks ! Add action marker at edit cursor / Send local OSC message Links Official ReaConsole Documentation Derek Lane CAVI Audio Giveaway additional Details and Examples ReaConsole is a very quick way to adjust volume, panning, adding/renaming a track, the status of such things as the mute and solo state, and the input (if any) the track is to record from. Adjustable track values and the command needed to change them are as follows: track volume: type v, followed by a number that the volume should increase in DB. Add a - to subtract the value. Example: v10 increases the track volume by 10DB. v–10 decreases it by 10 DB Using an uppercase v sets the number entered to an absolute value. So, lower case v will adjust the volume relative to the current value, but upper case V doesn't care about what was, it just sets the track to the volume you specify. Track Pan: type p and a percentage to adjust the relative track pan from –100% (hard left) to 100% (Hard right) A value of 0 = centre. Just as with volume upper case P makes the pan value you enter absolute; Again, it doesn't care about what was, it just sets the value to what you want it to be. set track input: i followed by the number of the input example: i2 sets the track input to the second input on your audio interface. Upper case letters are ignored, so check your capsloc. To select a stereo pair of channels, use the s after the channel number. For example: i1s This creates a stereo track containing the first 2 inputs of your interface. Again, check capslock. To cascade inputs, that is, to set track 1 to input 1, track 2 to input 2, etc. create and select the necessary amount of tracks, enter the reaconsole, type i followed by the first track you wish to use, followed by - (dash). So, lets say you created 10 tracks, you could select them with the reaconsole, said command written about in a bit, or use the reaper/osara interface to make the selection. Cascading inputs would look like this: i1- what if you wanted tracks 1–10 to start from input 3, and go to input 13? i3- Selecting of 1 or more tracks: Bring up reaconsole, and type an s followed by a single track, or a range of tracks to be armed such as: a 1–10 Using 1–10 establishes the selection in this case. To establish the selection of multiple tracks in various parts of the project, use a comma to ceparate the track names/numbers if they're not contiguous and a - if they are. Example: s5,10,15 selects tracks 5 10 and 15. s5,10–15 selects track 5 as well as tracks 10 through 15. You can also use wild card characters at any point to establish your selection or a part of your selection. Example if you have 2 tracks called “Piano left channel,” and “Piano Right Channel” You could type: spiano* to select those tracks. If the tracks are named something like “08, Piano left,” and “09 piano right,” the string above wouldn't work because numbers exist before the word “Piano.” This, however, would work: sPiano If no other tracks contained the letter p, you could even condense the command to something as small as: sp These selection commands will not work with upper case letters, so if nothing seems to work when you perform an action on your selection, check your capslock. Remember that volume and pan commands are effected by the case of v and p. Here are several ways which could be used to pan our piano tracks, going with the example that the track names start with 08 and 09: s08* P100 s09* P100 This would work but not be the most efficient way of panning because track 8, all one would have to do is simply say p8 –100 p9 100. Entering a command such as sp P–100 Would pan both tracks left, as any track containing the letter P would find itself hard left. Adding Effects To add effects to a track or selected tracks, type x, followed by the first part of a plugin which you'd like to add, then press either enter or Control+Enter as required. Examples: xreag Adds the reagate to the selected track, or tracks. x2–12 reag Adds the reagate effect on tracks 2–12, which is much faster than manually adding a gate on each track. unfortunately, this command acts like the “I'm feeling lucky,” button on google; that is, it adds the first result it finds in a search. It also has the problem of not trying to find your typed string of text anywhere with in the name of your available plugins. So, xreav would give you reaverb added to your selected tracks, but xverb would not.

This mix started out as a thread on the Sasha & Digweed Facebook Group Page where members selected one track from 2017 they would name as their favourite for the year. This brought out 28 tracks which I have arranged and mixed in a 3 hour extended mix as a best of 2017. Some really big tracks on this which goes very dark and then builds to the end. I had a lot of fun making this. Play it loud and enjoy. Chart positions: This upload was 71st in the #progressive house chart on MixCloud in December Setlist: 1. Liquid Stars – Eli Nissan 2. Letter for Polly – Cornucopia 3. Trigonometry – Sasha 4. The Wild Man Has it All (Matan Caspi Extended Remix) – Erkka 5. Vanished – Pablo Bolivar 6. The Bends – Matter 7. Chanjira (Mongo Remix) – Stuart King 8. Counting Comets (Ruede Hagelstein Remix) – Marc Romboy 9. Innerbloom (Sasha Remix) – RUFUS DU SOL, Sasha 10. Serenade – Einmusik 11. Love Song (Quivver Remix) – Sagara 12. Weltaufgang – Miyagi 13. Event Horizon – Mind Against 14. The Mask of Sanity – Reset Robot 15. Exile 007 B2 – Johannes Heil 16. Aftermath – Supacooks 17. Alone – Christoph 18. Aura (12” Mix) – Bicep 19. Tell Me (Ezequiel Arias Space Mix) – Galestian 20. Another Earth – Kamilo Sanclemente 21. Out of Time – Sasha, POLICA 22. Midstate – Deltawerk 23. Tachyon Dream (Rework) – Gabriel Ananda, John Digweed 24. Memory (Peter Dundov Remix) – Paul Nazca 25. Brutal (Peter Dundov Remix) – Rhythm Cult 26. Sustain (Slam Remix) – Fur Coat 27. Just One More - Gary Beck 28. Hale Bopp – DR. KUCHO!

El guitarrista Ralph Towner sigue activo y creativo a sus 77 años y lanza "My foolish heart", disco a solo de temas propios y la versión del standard que lo titula, con el que rinde tributo a la versión del trío de Bill Evans, con Scott LaFaro y Paul Motian, que tanto le inspiró. En esta edición de 'Club de Jazz' rendimos un sencillo homenaje al vibrafonista Gary Burton, que se retira, y lo hacemos escuchándole precisamente junto a Ralph Towner en una grabación de 1975, "Matchbook". "La duda y el permamente" de Ferran Esteve nos acerca un adelanto del próximo disco de la Large Unit del baterista Paal Nilssen-Love, incluida en sus "Selected Tracks 2013-2017". Völga es el nombre de un cuarteto de improvisadores de la escena barcelonesa compuesto por Fernando Carrasco (guitarra), Àlex Reviriego (contrabajo), Iván González (trompeta) y Vasco Trilla (percusión). El contrabajista Renaud García-Fons toma el título de la novela "La vie devant soi", Premio Goncourt en 1975, para su nuevo trabajo junto a David Venitucci (acordeón) y Stephan Caracci (vibráfono). Los "Ritmos Latinos" de Anxo encuentran las influencias anglosajonas en dos grupos españoles: los gallegos The Soul Jacket y los castellanos Los Hermanos Cubero. "desde mi cadiera" Jesús Moreno presenta "Couleur de l'exil", trabajo a dúo de Sylvain Guérineau (saxo tenor) y Kent Carter (contrabajo). Toda la información y derechos: http://www.elclubdejazz.com

El guitarrista Ralph Towner sigue activo y creativo a sus 77 años y lanza "My foolish heart", disco a solo de temas propios y la versión del standard que lo titula, con el que rinde tributo a la versión del trío de Bill Evans, con Scott LaFaro y Paul Motian, que tanto le inspiró. En esta edición de 'Club de Jazz' rendimos un sencillo homenaje al vibrafonista Gary Burton, que se retira, y lo hacemos escuchándole precisamente junto a Ralph Towner en una grabación de 1975, "Matchbook". "La duda y el permamente" de Ferran Esteve nos acerca un adelanto del próximo disco de la Large Unit del baterista Paal Nilssen-Love, incluida en sus "Selected Tracks 2013-2017". Völga es el nombre de un cuarteto de improvisadores de la escena barcelonesa compuesto por Fernando Carrasco (guitarra), Àlex Reviriego (contrabajo), Iván González (trompeta) y Vasco Trilla (percusión). El contrabajista Renaud García-Fons toma el título de la novela "La vie devant soi", Premio Goncourt en 1975, para su nuevo trabajo junto a David Venitucci (acordeón) y Stephan Caracci (vibráfono). Los "Ritmos Latinos" de Anxo encuentran las influencias anglosajonas en dos grupos españoles: los gallegos The Soul Jacket y los castellanos Los Hermanos Cubero. "desde mi cadiera" Jesús Moreno presenta "Couleur de l'exil", trabajo a dúo de Sylvain Guérineau (saxo tenor) y Kent Carter (contrabajo). Toda la información y derechos: http://www.elclubdejazz.com

 This week, Podikins Presents. . . Andy and the Bread Sled! On this episode, Andrew regales us with a Christmas story from his childhood. This festive tall-tale features a baker, a bread sled, a shadowy figure--a whole lot of bread pudding--and an unexpected guest...  So heat up the hot coco, gather round the radio, and enjoy our Podikins holiday special!  (Also, how does one make a snow weasel?) FYI, this is our final episode of 2016!  But fret not, we will be back again in.... January 2017! So stay tuned for new episodes! If you have any questions/comments/suggestions, or you want to submit an Interactive Introduction (Ep. 001), an ingredient for a story (ep. 002), or a question for Podi (ep. 004), you can send them to... share@podikins.fm   Or, you can head over to our Facebook Page and get in touch with us there. Not sure how to send a voice memo, or even record one?  Check out our FAQ.  Credits: Created by James Nicholson and Andrew Whitfield Artwork by Liz Whitehead Matt Schichter is GoldenTone Music: All music in this episode is licensed under an Attribution-Noncommercial-Share Alike Agreement. More information on this type of agreement can be found at freemusicarchive.org   Patrick Lee - Crested Fly Catcher   Brett Moots - All I want for XMas is You   EvilWezil - Carol of the Bells   Live Action Fezz - Carol of the bells   Noisewaves - Last Xmas   DKSTR - Have yourself a Funky Christmas   Selected Tracks from Voices of Christmas Past     Thank You!   As always, a very special thanks to all our listeners! Thank you for your support thus far. We look forward to building on what we've started in the new year.   Thanks for subscribing, and for leaving us a review on iTunes.  If you haven't done it yet, please do!  It's really helpful. You can subscribe to the podcast on iTunes here Connect with us on Facebook For more information check out podikins.fm or send us an e-mail to info@podikins.fm

We gladly present Part 4 of our ‚Sessions - Selected Tracks‘ series featuring tracks from artists on our popular YouTube series ‘Get Physical Sessions’. Artists like Emanuel Satie, German Brigante, Eagles & Butterflies, Kevin Over and our Brazilian friend Zopelar who was also in charge of mixing the compilation. Of course the package also features tracks played by our ‘Sessions’ artists. Among the selection are well-known tracks from David Mayer, Andhim and DJ Le Roi as well as a never before heard exclusive coming from Zopelar. We hope you enjoy this compilation; check out our YouTube channel https://www.youtube.com/user/physicalfilms for all sessions. Be sure to subscribe to stay in the loop!

We gladly present Part 3 of our ‚Sessions - Selected Tracks‘ series featuring tracks from artists on our popular YouTube series ‘Get Physical Sessions’. Artists like Bryan Kessler, Francesco Tristano, Thomas Barfod, P41 and our South African friend Ryan Murgatroyd who was also in charge of mixing the compilation. Of course the package also features tracks played by our ‘Sessions’ artists. Among the selection are well-known tracks from WhoMadeWho, Tom Trago and Beth Lydi as well as 3 never before heard exclusives coming from Ryan Murgatroyd & Kostakis, Jazzuelle & Lazarusman and P41.

‚Get Physical Sessions‘ is Get Physical Music’s latest YouTube series showcasing its large family of DJ’s talent on the decks. Performed in the Get Physical headquarters in Berlin’s Kreuzberg, the series has created quite a stir among the community – hosting acts like Ian Pooley, German Brigante, Martin Eyerer, Christian Prommer, DJ T. and Andreas Henneberg, as well as lesser known up-and-comers like Jonas Woehl, Alican, and more. After the first installment of 'Selected Tracks', we’ve made the second selection of some of the best tracks to ever be played in the studio. With old favourites like ‘Donut’ from M.A.N.D.Y. vs. Booka Shade, to never-before-heard exclusive’s like Andreas Henneberg’s ‘Leblon’ or DJ T. Remix of 'What Is House Muzik', there is definitely something here for your own session! And don’t forget to tune in on YouTube/PhysicalFilms – see you there!