Podcast appearances and mentions of Bill Evans

In this episode of the EarzUp! Podcast, the focus is on landscaping and horticulture at Disneyland, highlighting the great Bill Evans. Known for landscaping iconic Disney parks like Disneyland, Disney World, Tokyo Disney, and Disney Paris, Bill Evans played a crucial role in designing and maintaining the lush plant life that defines these parks. We jump into the challenges and intricate planning involved in creating the horticultural landscapes at Disneyland. From sourcing plants around Southern California, adapting non-native species to the Anaheim climate, to dealing with practical issues like irrigation and soil composition, Evans' ingenuity and passion for plants shine through. Learn more about your ad choices. Visit megaphone.fm/adchoices

Disco Fever all the rage and how music is measured.Jerolyn Sue Adolph Evans, the Primary First Counselor, is in a bit of a pickle. Quentin Scott got poison ivy from picking blackberries, and she's clueless about what to do. Linda Talbot, Second Counselor, is also on the case. Quentin thought his mom was literally lost, and no one wants to go with Jerolyn because they're all swamped with work. Wendy and Larry Fitzgerald have such a lovely place. Quentin ended up sleeping at MawMaw's house. She misses Deron P. Scarabin and only has Rachel Guidry to hang out with. They even sang Rhinestone Cowboy a bit. Bill Evans mentioned that MawMaw said everyone missed church earlier, but now Uncle Bill says MawMaw didn't go to church. MawMaw is Quentin's Primary teacher. Sports banquet and Bill got something special and "Jerolyn hasn't matured yet." They gave all the coaches "Coach of the Year" plaques. Mikelson decided to go to Nashville and make $21K. Bill's dad retired and sold everything but one tractor. All his parents' bills paid and no debt so they should be fine. Jerolyn said she might be "fat" by the time Scarabins return. Jerolyn has to have a CB. Quentin is Steve Austin but now Evil Knievel and Jerolyn is Disco Lady. Helen on Mother's Day. Clarence sprained his ankle helping Larry move. Handful of "tomaters." Uncle Nicky gave some cucumbers. Many beans and squash is great. Eggplant and bell peppers everywhere. Clarence will start working on sewer line. Helen feels like Quentin wanting us to talk back on the tape. Helen is out of "draws." Loves to hear from Scarabins. Wendy's backyard is so pretty. Only bad part is rain piles up in one spot. MawMaw called to be Primary Teacher and Secretary. Accepted Teacher position but refused the Secretary position because she can't write. Go up and down the steps forty times a day but rarely sees neighbors. Twice she talked without recording. Clarence "hollering." They pay the bills for the Scarabins as they come in. Gail had to work so Helen is watching Brent Edward Portie. Larry had fallen down with baby (John Dirk). Baby was fine but Larry was banged up and bruised. Emmett Adolph giving well wishes. Yvonne got a CB radio and real proud of it, carrying on with Helen Mae. Drinking a cold beer after coming from the pumping station. Yvonne Adolph sends well wishes. Everyone giggling "trying to talk to the stupid thing." Bad weather. Yvonne is the Lollipop, the name Marilyn gave Annie Adolph Chapman. Janelle Adolph gets on and gives an update on shrimping and how Mrs. Lizzy is enjoying her new job. Said her doctor going to get on her about weight gain. Sally's been sick. E.J. and Sue looked at Marilyn's trailer and tired waiting on it. Carolyn and Kyle Bergeron. Carolyn cracks up over Marilyn's grocery experience. Said Gail is still sitting and Craig made a home run in baseball. Horace said they just made errors. Kyle gets on and says Mrs. Hernandez will write to Jason. Kyle's keeping bikes clean and can't wait for us to come home. Craig updates on baseball and how much fun he's having. Horace has flu. Wendy has moved in her trailer. Don't let D.D. get beat up by the rocks. Edna Adolph updates. Fresh peaches and going to visit Pam and baby. Everyone has CBs down there. She's Hunny Bunny and Ernest is Gingerbread Man. Carolyn is Bewitched and Yvonne is Lollipop. She almost bowled 200. Gail Portie, May 11. Spending night at Helen's with Brent. Eddie's horse had baby. Brent wants to talk but didn't know what to say. Wendy has such a nice trailer. Made Gail "plum sick." Only complaint is ugly green carpet. Brent talks about his horses. Ernest Adolph and Edna brought some delicious peaches. PawPaw soaking his foot and "sure looks bad." Tomatoes coming in. Brent says a few words. Someone mistakenly thought D.D. gone overseas on mission instead of working at copper mine. JoAnne Ragas Scarabin. May 13. Helen and Clarence finish tape with more talk on the trailer park.

Cancer changes more than just the body, it reshapes how we see ourselves. In this episode of the Cancer Assist Podcast,  Dr. Karen Zhang, Psychologist and Interim Head of Service, Psychosocial Oncology, joins Dr. Bill Evans to explore the emotional, cognitive, and social impacts of cancer on identity. From changes in physical appearance and brain fog to shifts in relationships and career roles, they unpack what it really means to rebuild your sense of self after treatment. With compassion and practical advice, Dr. Zhang offers insight into coping strategies, supportive resources, and the importance of curiosity and self-compassion on the road to healing. 

Thank you Jay Taylor, Phil Stanford, Biff Thuringer, Bill Evans, Lucas Derraugh, and many others for tuning into my live video! Join me for my next live video in the app. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.racket.news/subscribe

As the fifth-largest bed and breakfast in Montana, Bad Rock offers more than cozy accommodations; it delivers unforgettable Glacier experiences and a warm, family-style atmosphere where guests and staff feel right at home.

Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more!  Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Cuando comienza el cuarto mes del calendario gregoriano, abril, comienza la primavera en el hemisferio norte, que despierta los sentidos y los sentimientos dormidos durante el invierno. La literatura, la poesía y las canciones ha dado cuenta de ese estado de euforia y desasosiego, de cambio y de búsqueda de nuevas emociones. En este episodio, a través de unas pocas canciones, vamos a dar cuenta de ese estado de ánimo en que nos sumimos en abril y en primavera. A finales de abril de cada año se celebra el día internacional del jazz. Así la primavera sirve, también, para celebrar la variedad de músicas, estilos, sensibilidades y estados de ánimo que el jazz nos brinda. Aunque podríamos dedicar todo el episodio a versiones de una sola canción, cada una con una personalidad diferente, vamos a celebrar el jazz y la primavera con 5 estándares. At the beginning of the fourth month of the Gregorian calendar, April, spring begins in the northern hemisphere, awakening the senses and feelings dormant during the winter. Literature, poetry and songs have given an account of this state of euphoria and uneasiness, of change and search for new emotions. In this episode, through a few songs, we will give an account of that state of mind in which we are immersed in April and spring. At the end of April every year we celebrate International Jazz Day. Thus, spring also serves to celebrate the variety of music, styles, sensibilities and moods that jazz offers us. Although we could devote the entire episode to versions of a single song, each with a different personality, we are going to celebrate jazz and spring with 5 standards. Playlist: - Mighty Accordion Band - April in Paris; - Doris Day - April In Paris; - Count Basie - April In Paris; - Lyambiko - April In Paris; - Bill Evans, Eddie Gomez, Jack DeJohnette - I'll Remember April; - Boz Scaggs - I'll Remember April; - Clifford Brown & Max Roach - Joy Spring; - Emilie‐Claire Barlow - Joy Spring; - Tuck & Patti - It Might as Well Be Spring; - Sophie Milman - It Might as Well Be Spring; - Bucky & John Pizzarelli - Spring Can Really Hang You Up the Most; - Ian Shaw - Spring Can Really Hang You Up the Most.

This week's show features many early Paul Motian recordings and influences (Warne Marsh, Bill Evans, Tony Scott, Moondog, Lee Konitz) interspersed with Joe Lovano's 2019 release Trio Tapestry (with Marilyn Crispell & Carmen Castaldi). With readings from the archive.Set List: https://jazzcloset.blogspot.com/2025/04/something-old-something-new-012119.htmlPhoto: Bill Evans, Jimmy Garrison?, Paul Motian location and date unknown photographer unknown ©Paul Motian Archive

Here is a “Sunny Song”, wherein the fleeting sunlight is a dappled reminder of the evanescence of existence. They're all gone now: Bill Evans (piano), Tony Bennett (vocals), Henry Mancini (Composer), and Johnny Mercer (Lyricist), but their beautiful creation lives on to remind us to gather our rosebuds while we may.Sadness, and gratitude run in equal measure throughout all of the song's manifestations. The title itself derives from an 1896 poem by Ernest Dowson, taken from the Roman poet, Horace, whose latin translates as:“The brief sum of life forbids us the hope of enduring long;” The film for which Mancini and Mercer furnished this deathless song, was so tragic in its portrayal of addiction, that, even as a 10 year old, I mourned for the hopelessness of Jack Lemmon and Lee Remick's doomed romance that should have produced nothing but happiness, but brought only sorrow. In the magician's hands of Bill Evans, the chordal melody seems to waft in the breeze, and Tony Bennett's voice, never more supple, interprets the wistfulness of unfulfilled longing with a seasoned perfection. The results: a collaborative triumph. Tony was quoted as saying that their recordings were “the most prestigious thing I ever did”. Quite a statement from the acknowledged master. 

THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

durée : 01:06:04 - Club Jazzafip - En mars, le célèbre compositeur et musicien allemand aurait eu 340 ans ! Pour le célébrer notre partition s'inspire des artistes comme Celine Bonacina, Bill Evans, Raphael Imbert ou encore Django Reinhardt, qu'il a influencé.

 Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko

Cancer treatments can make eating a challenge, but the right nutrition is essential for maintaining strength and managing side effects. Oncology dietitians Karen Biggs, RD, MHSc. and Renée Ouellette, RD share practical tips for dealing with taste changes, appetite loss, and difficulty swallowing. Learn how small adjustments can make a big difference in keeping energy up and feeling better during treatment.DisclaimerThe Cancer Assist Show is hosted by Dr. Bill Evans, MD, FRCP, Past President of the Juravinski Hospital and Cancer Centre at HHS. Brought to you by the Cancer Assistance Program—an organization lending support to cancer patients and families of those affected by cancer. --- The Cancer Assist Show and its content represent the opinions of Dr. Bill Evans and guests to the podcast. Any views and opinions expressed by Dr. Bill Evans and guests are their own and do not represent those of their places of work. The content of The Cancer Assist Show is provided for informational, educational and entertainment purposes only, and is not intended as professional medical, legal or any other advice, or as a substitute or replacement for any such advice. The Cancer Assist Program, Dr. Bill Evans and guests make no representations or warranties with respect to the accuracy or validity of any information or content offered or provided by The Cancer Assist Show. For any medical needs or concerns, please consult a qualified medical professional. No part of The Cancer Assist Show or its content is intended to establish a doctor-patient or any other professional relationship. This podcast is owned and produced by the Cancer Assistance Program.

Jazz Grooves – mit møde med Alex Riel 1: Dette programs vært, Hans Barfod, arbejdede tæt sammen med Riel om udgivelsen af bogen 'Manden bag trommerne' og har derfor været inde i næsten alle kroge af Alex's musikliv. Det første program om Alex Riel har focus på 60'erne – årene i Jazzhus Montmartre: NHØP, Kenny Drew, Roland Kirk, Bill Evans, Ben Webster, Stuff Smith, Palle Mikkelborg. 

Rick Welch sits down and has a deeply personal conversation with Andrea Robinette. Last year, Rick had heard a story about a husband and father who had perished in a house fire trying to save two of his sons, but tragically all three died. Bill Evans, the Truckdriver Theologian, called Rick and discussed this situation and introduced him to the wife and mother of this family, Andrea Robinette. After a few emails and phone conversations the schedule for her interview with the Burros of Berea was set, Thursday, September 26th 2024. On that day, planes were being delayed and cancelled due to heavy rains that stemmed from Hurricane Helene coming up from the Gulf of America (formerly Mexico). Andrea made the decision to drive down to our studio in Western North Carolina. While driving down, Rick and Andrea had a conversation about the flooding that had already begun and determined to cancel Thursday evening's recording to be safe and to talk to one another the following day and reschedule. Little did they know that Andrea was driving into the most catastrophic event in the history of Western North Carolina. This is one of the most powerful testimonies ever recorded on our show. If you would like to help the Robinette family or their Missions, below are two links where you can donate:Robinette Family GoFundMe page:https://www.gofundme.com/f/t4kht-robinette-familyAndrea Robinette Venmo Direct:https://venmo.com/u/ATrapaniRobinetteMission to Myanmar:https://missiontomyanmar.com/Foundations of Grace:https://foundationsofgrace.org/If you'd like to receive exclusive content only on Patreon, please visit our page at: www.patreon.com/theburrosofbereaIf you'd like to learn more about us, please visit our website at: www.burrosofberea.comThanks for listening!

Can you believe the most celebrated Bill Evans Trio was only together for 18 months? In this episode, we're looking at early 60's Bill alongside Scott LaFaro and Paul Motian, and the four albums they recorded together before LaFaro's tragic death at just 25 years old. From Portrait in Jazz and its cross-over with Miles Davis' Kind of Blue through Sunday at the Village Vanguard and Waltz for Debbie – recorded live on the same day in June 1961. We break down their conversational approach to jazz standards like “Autumn Leaves,” geek out over Bill Evans music theory, and explore his distinct voicings and voice leading techniques. Whether you're a mid-century jazz aficionado or just looking for the perfect “sweater weather trio songs to somberly study to,” we've got just the playlist for you.ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.Try OS Membership today! → https://osjazz.link/aboutAll about YHIhttps://lnk.to/youllhearitYB

Great interview this month with seven time National Fiddle Champion and creator of the FiddleStar site, Megan Lynch Chowning! Megan doesn't compete in fiddle contests anymore, or judge them, or go to them, so I was very curious to hear about why. We talk about fiddling in California, fiddle contests, fiddle camps, and different kinds of learning and relating to fiddle music. Megan filled me in on the just-released John Hartford Fiddle Project Volume 2 that she co-produced.Megan Lynch Chowning is a seven time national fiddle champion, touring musician, Grammy-nominated recording artist, teacher, singer, and flatfooter. She's toured with Pam Tillis and Lorrie Morgan, Dale Ann Bradley, Roland White, Larry Cordle, Jim Hurst, Chris Jones, 3 Fox Drive, Due West, Chris Stuart, and BEML (the duo of Bill Evans and Megan). Megan has released a series of entirely solo fiddle albums, focusing on crowdsourcing fabulous but slightly more obscure fiddle tunes. She has taught fiddle and vocals at prestigious camps such as Augusta Heritage Week, the British Columbia Bluegrass Workshop, Sore Fingers Bluegrass Week in the UK, Walker Creek Music Camp, and the California Bluegrass Association Camp, among many others. She's the co-director (with her husband, Adam) of the IBMA-award-winning Nashville Acoustic Camps. But sometimes she just likes to sit quietly and smell the flowers.  Reach me at meganbeller@fiddlestudio.comBandcamp YouTube Fiddle Studio books My website for learning to fiddle is Fiddle Studio which has courses and a mailing list and my Top 10 Fiddle Tunes!

Работая сессионным музыкантом и подрабатывая в казино, опытный гитарист Bill Moio записал альбом Try This. Это его второй альбом после Let's Go 1999 года. Сопродюсером и напарником выступил известный клавишник и аранжировщик George Whitty (Herbie Hancock, The Brecker Brothers, Grover Washington, Jr., Bill Evans, Richard Bona, Chaka Khan, Dave Matthews, Carlos Santana, Céline Dion). Безупречная работа на шестиструнке, напоминает George Benson и раскрывает его выдающееся мастерство в написании песен в десяти приятных оригинальных композициях. В AppleMusic он находится в категории #smoothjazz, но я смело добавлю еще один хэштег #contemporaryjazz. Считаю эту работу очень хорошим легким джазом, который хочется слушать и главное, эта музыка не надоедает.Интересный монтаж треков, который был сделан двумя музыкантами с помощью современной технологии сэмплирования/секвенирования клавишных и искусного программирования ударных. Результат звучит вполне органично, аутентично, плюс гитарист раскрывает свое мастерство в искрящейся манере с латинскими и фанковыми грувами. Приглашенные коллеги, включая альт-саксофониста Eric Marienthal, басиста Jimmy Haslip (Yellowjackets) и барабанщика Tommy Brechtlein, появляется на двух треках Try This и Struttin' (Брехтлейн также появляется на Need to Know). Трубач Wayne Bergeron и тромбонист Andy Martin усиливают секцию синтезированных духовых инструментов на Struttin' и завершающую композицию с латинским привкусом Arroz con Pollo. А полный комплект цифровых духовых инструментов и струнных на I've Heard It All Before и Friends Again звучит так же убедительно, как и настоящие.СЛУШАТЬ АЛЬБОМ - https://album.link/i/1779182170ЧИТАТЬ - https://itimusic1.bandcamp.com/album/try-thisЛучший трек альбома в плей-листе JAZZ по-русски 8 на AppleMusic и SpotifyПоставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor

Fosforo 1759: I brani della striscia numero 3 della settimana: Bill Evans - 34 Skidoo (Take 9, Alternate); Lady Blackbird - Dark days; Sara Serpa - Labor; Trentemøller - Deceive; Peace Flag Ensemble - Paint Drying; John De Leo Jazzabilly Lovers - Love Me Tender; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

Quicksie 98.3’s station owner, Bill Evans, shares details about when he toured the Gold Vault in 1974.

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLinks to Bill Evans recordings discussed in this episode:Love Theme from “Spartacus” - https://www.youtube.com/watch?v=2fdV_C3YGIs&list=OLAK5uy_mE4wobISXrQe5gLICSur-ZoVQNFJGvikM&index=3Never Let Me Go - https://www.youtube.com/watch?v=17ucdswp6GAReflections in D - https://www.youtube.com/watch?v=jBvd331AbbYJed's article about transcribing Bill Evans' music - https://www.steinway.com/news/features/bill-evans-transcribing-evans

Featuring music Paul Motian recorded in the 1950s with Jerry Wald (1955, where he met Bill Evans), Bill Evans, Don Elliot, Eddie Costa, George Russell, Lennie Tristano, Warne Marsh, & Lee Konitz. With readings from Motian's unpublished autobiography about these times.Set List: https://jazzcloset.blogspot.com/2025/02/more-music-from-1950s-011419.htmlPhoto: Paul Motian rehearsing with the Jerry Wald Orchestra 1955 Photographer unknown © Paul Motian Archive

Time Out es un disco de 1959 (originalmente catalogado como CS 8192) del Dave Brubeck Quartet. Es caracterizado por piezas compuestas en compases musicales inusuales en el jazz contemporáneo al disco, incluyendo vals y vals de doble tiempo, como también compases de 9/8 y de 5/4, este último en una de las obras más famosas del grupo, Take Five, la cual fue compuesta por Paul Desmond. Aunque el disco fue concebido como un experimento (supuestamente el presidente de la productora Columbia Records, Goddard Lieberson, tomaba un riesgo al lanzarlo) y recogió críticas negativas luego de su lanzamiento, se transformó en uno de los más famosos y mejor vendidos discos de jazz de la historia, y su sencillo Take Five se convirtió en un estándar del género musical. Time Out Artículo Discusión Leer Editar Ver historial Herramientas Apariencia ocultar Texto Pequeño Estándar Grande Anchura Estándar Ancho Color (beta) Automático Claro Oscuro Time Out Álbum de Dave Brubeck Quartet Publicación 1959 Género(s) West Coast jazz Duración 38:21 Discográfica Columbia Records Productor(es) Teo Macero [editar datos en Wikidata] Time Out es un disco de 1959 (originalmente catalogado como CS 8192) del Dave Brubeck Quartet. Es caracterizado por piezas compuestas en compases musicales inusuales en el jazz contemporáneo al disco, incluyendo vals y vals de doble tiempo, como también compases de 9/8 y de 5/4, este último en una de las obras más famosas del grupo, Take Five, la cual fue compuesta por Paul Desmond. Aunque el disco fue concebido como un experimento (supuestamente el presidente de la productora Columbia Records, Goddard Lieberson, tomaba un riesgo al lanzarlo) y recogió críticas negativas luego de su lanzamiento, se transformó en uno de los más famosos y mejor vendidos discos de jazz de la historia, y su sencillo Take Five se convirtió en un estándar del género musical. Producción A pesar de que la temática y el propio título de Time Out giran en torno a lo poco frecuente que son los compases en las cuales están compuestos los temas, la cuestión puede ser analizada con más detenimiento. "Blue Rondo à la Turk" comienza con un compás de 9/8 (mismo ritmo de la danza turca zeybek, equivalente a la griega zeibekiko), pero con la poco tradicional subdivisión de 2+2+2+3 (el patrón normal para el 9/8 es 3+3+3), y los solos de saxo y piano están en 4/4. "Blue Rondo à la Turk" no está basada en "Rondo alla Turca", de la Sonata para piano nº 11 de Mozart, sino en un ritmo turco que Brubeck había escuchado.1​ "Strange Meadow Lark" comienza con un solo de piano sin una métrica definida, para luego asentarse en un ritmo corriente de 4/4 cuando se incorpora el resto de los instrumentos. "Take Five" se mantiene en 5/4 de comienzo a fin, excepto en el solo de batería. "Three to Get Ready" se inicia en ritmo de vals y luego alterna entre dos ritmos, el 3/4 (propio del vals) y dos de 4/4. "Kathy's Waltz" comienza en 4/4 y más adelante cambia a un vals doble, para luego fusionar ambos ritmos. "Everybody's Jumpin'" se desarrolla principalmente en un 6/4 flexible, mientas que "Pick Up Sticks" se afirma en un claro y regular 6/4. Emeki además de contar con una excelente producción, resulta ser un ejercicio de pura espontaneidad y frescura. Un disco sincero, sin más artificio que la recreación del instante en clave de pura elegancia jazz. Un trabajo que gira en torno a la búsqueda de identidad propia. Sutil, parte de sólidas premisas y nos propone el encuentro con ese momento irrepetible a través de la improvisación. Composiciones como Whisper not del saxofonista, compositor y arreglista norteamericano Benny Golson o Blue in Green, una composición original de Bill Evans y Miles Davis que aparecería en el aclamado disco Kind of Blue de este último, dotan al trabajo de una impronta poco frecuentes. La banda transita suavemente por los dinámicos e improvisados pasajes de In love in vain, una composición original de Jerome Kern para deleitarnos con la deliciosa adaptación de Over the rainbow. Rafa Aceves escribe Marian como homenaje a su hermana, una composición que pone de manifiesto, tanto la sensibilidad como el talento compositivo de su autor. La banda recrea la figura del pianista norteamericano Herbie Hancock en Dolphin dance, obsequiándonos nuevamente con la delicadeza siempre muy presente a lo largo de este trabajo en Never let me go, del compositor Jay Livingston para finalizar con la recreación de la canción popular La Tarara, recuperada y adaptada en su momento por el poeta y dramaturgo Federico García Lorca. Emeki está escrito con ese lenguaje aún por descubrir, imprevisible y sutil. Ese lenguaje delicado y sin palabras donde subyace entre millones de probabilidades, la opción precisa. Ese instante concreto y no otro. Una nota que fugazmente nos desvela la verdadera esencia de un artista en busca de lo extraordinario, en busca de lo que es.

Lung cancer is the leading cause of cancer-related deaths, but early detection can change that. In this episode, Dr. Bill Evans sits down with thoracic surgeon Dr. Christian Finley to discuss the urgent need for lung cancer screening, the latest advancements in early detection, and how a simple, low-dose CT scan can dramatically improve survival rates. DisclaimerThe Cancer Assist Show is hosted by Dr. Bill Evans, MD, FRCP, Past President of the Juravinski Hospital and Cancer Centre at HHS. Brought to you by the Cancer Assistance Program—an organization lending support to cancer patients and families of those affected by cancer. --- The Cancer Assist Show and its content represent the opinions of Dr. Bill Evans and guests to the podcast. Any views and opinions expressed by Dr. Bill Evans and guests are their own and do not represent those of their places of work. The content of The Cancer Assist Show is provided for informational, educational and entertainment purposes only, and is not intended as professional medical, legal or any other advice, or as a substitute or replacement for any such advice. The Cancer Assist Program, Dr. Bill Evans and guests make no representations or warranties with respect to the accuracy or validity of any information or content offered or provided by The Cancer Assist Show. For any medical needs or concerns, please consult a qualified medical professional. No part of The Cancer Assist Show or its content is intended to establish a doctor-patient or any other professional relationship. This podcast is owned and produced by the Cancer Assistance Program.

It's all about the lurrrrrve on Jumpin' In this Valentine's Evening with loving sounds from Eddie Henderson, Tubby Hayes and Bill Evans among others but a warning; some love is unrequited!

Multi-disciplinary musician and artist, Drew “Hondo” Felder, joins Brittany and Jeannetta for Episode 6. Drew "Hondo" Felder is a true multidisciplinary artist who has written fiction for over 25 years and played music professionally for 15. Throughout his artistic journey, he has composed and played parts for other artists; created themes and sound design for short films, games, and commercials; and is currently the bassist of two all original bands. Audio engineering is among his other pursuits both live and in the studio. Outside of music, Drew is also honing his skills in videography, motion graphics, and video post-production. Combining many of these skills, he started his own Youtube channel, Hondo Felder Music and supports other artists and content creators with the technical side of the media creation process. You can follow him on Instagram @hondofelder. The group   discuss pacing and time across music and writing. The discuss how time is expressed within and outside the work, how to incorporate tension and dissonance and the relationship between a work's purpose and pacing.    Edward P Jones,  “The First Day”, Lost in the City  “Purple Rain”, Prince “Stakes is High”, De La Soul and “Stakes is High”, Robert Glasper + Mos Def Chris Dave, drummer  Derrick Hodge, bass player Matt Bell,  Refuse to Be Done Max Gladstone, Amal El-Mohtar, This is How You Lose the Time War  Sarah J Maas, A Court of Thorns and Roses Series Karen E. Binder, “Adjusting Your Pace: How to Get  A Story to Move”, https://electricliterature.com/adjusting-your-pace-how-to-get-a-story-to-move/  Game of Thrones  James Kaplan, 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool

durée : 00:59:34 - Costume - par : Nathalie Piolé -

An unreleased cassette tape of Paul Motian practicing and composing on his piano interspersed with recordings with a variety of pianists he played with: Keith Jarrett, Marc Copland, Frank Kimbrough, Marilyn Crispell, Masabumi Kikuchi, Lowell Davidson, Anat Fort, & Bill Evans. Set List: https://jazzcloset.blogspot.com/2025/02/paul-motian-piano-and-some-pianists.html Photo: Paul Motian & Keith Jarrett 1973  05courtesy ECM Records  photographer unknown

Maggie speaks with Zev Feldman, an internationally recognized, independent record producer and the Co-President of Resonance Records. He is also a consulting producer of archival and historical recordings for Blue Note Records. Over the last 25 years he has worked for PolyGram, Universal Music Group, Rhino/Warner Music Group, Concord Music Group, among others. He won DownBeat Magazine's International Critics Poll for "Rising Star Producer" in 2016 for his work on a staggering 26 historical jazz recordings that year and was called "The Indiana Jones of Jazz" by Stereophile Magazine. In addition to his lauded work at Resonance, where he works closely with the estates of jazz icons such as Bill Evans, Wes Montgomery and so much more. Maggie and Zev discuss B.B. King In France: Live at the Nancy Jazz Pulsations Festival (1977) is a previously unissued live recording from the legendary bluesman B.B. King captured by the ORTF in France on October 7, 1977 and released on producer Zev Feldman's Deep Digs label in partnership with Elemental Music and INA France.The limited-edition 180g 2 x LP set was mastered and cut by Matthew Lutthans at The Mastering Lab, and include rare photos by Thierry Trombert, Val Wilmer, Jan Persson and more; plus liner notes by the acclaimed french author Jean Buzeline; and testimonials from fellow blues icons who knew or were inspired by B.B. King.Also joining Zev & Maggie is Cary Baker, a writer based in Southern California but, born on Chicago's South Side, he not only had the chance to grow up with the blues but began his writing career at age 16 for the Chicago Reader. Mr. Baker is the author of “Down On The Corner: Adventures in Busking and Street Music.” His return to writing follows a 42-year hiatus during which he directed publicity for six record labels and two of his own companies. Prior to his PR years,  Baker wrote for, among others, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, and Record magazine. He has also written liner notes for historical reissues from labels including Universal and Capitol-EMI. Cary Baker has also been a voting member of the Recording Academy since 1979.Source: https://www.elemental-music.com/inicio/4860-bb-king-in-france-live-at-the-1977-nancy-jazz-pulsations-festival-8435395504581.htmlSource: https://recordstoreday.com/PromotionalItem/18422Source: https://www.allaboutjazz.com/the-archival-producer-zev-feldmanHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Michel Legrand nos dejó el 26 de enero de 2019. Recordamos al gran compositor francés con grabaciones del pianista Bill Evans ('You must believe in spring'), las cantantes Virginie Teychené ('La chanson de Maxence') y Astrud Gilberto ('Once upon a summertime'), el trompetista Miles Davis ('Once upon a summertime', 'Concert on the runway' -con Michel Legrand-), el propio Legrand como cantante, pianista y director ('Quand ça balance', 'Stompìn at the Savoy', 'Jitterbug waltz'), la cantante Barbra Streisand ('The windmills of your mind'), el acordeonista Richard Galliano con el Prague String Quartet ('The summer knows'), la cantante Sarah Vaughan ('What are you doing the rest of your life' -con orquesta dirigida por Michel Legrand-), el cantante Pedro Paulo Castro Neves ('How do you keep the music playing' -con Legrand al piano-), la cantante Elis Regina ('Watch what happens') y Michel Legrand, piano, arreglos y orquesta, con la arpista Catherine Michel ('Le Messager').Escuchar audio

durée : 00:58:13 - « Very early » (Bill Evans) (1962) / Démarquage : 10e Live du Tetracordo Ensemble - par : Laurent Valero - "Chaque dernier dimanche du mois, en Live, nous avons le privilège d'accueillir en direct dans le studio 351 les jeunes musiciens de l'Ensemble Tetracordo nous interpréter un démarquage du thème. Ce dimanche "Trétaux" une pièce du compositeur François Moysan écrite pour l'émission !" Laurent Valero

durée : 00:58:13 - « Very early » (Bill Evans) (1962) / Démarquage : 10e Live du Tetracordo Ensemble - par : Laurent Valero - "Chaque dernier dimanche du mois, en Live, nous avons le privilège d'accueillir en direct dans le studio 351 les jeunes musiciens de l'Ensemble Tetracordo nous interpréter un démarquage du thème. Ce dimanche "Trétaux" une pièce du compositeur François Moysan écrite pour l'émission !" Laurent Valero

A selection of Paul Motian recordings from the 1960s with Paul Bley, Gary Peacock, Bill Evans, Mose Allison and more. With readings from Motian's unpublished autobiography.Set List: https://jazzcloset.blogspot.com/2025/01/1960s-classics-and-innovators-030419.htmlPhoto: Paul Motian recording with Paul Bley 1964 photo ©Len Dobbin

Merriam-Webster's Word of the Day for January 9, 2025 is: excursion • ik-SKER-zhun • noun Excursion refers to a trip, and especially to a short one made for pleasure. Excursion is also often used figuratively to refer to a deviation from a direct, definite, or proper course, and often in particular to a digression. // Some of Maya's most cherished childhood memories are of fishing excursions with her grandpa. // Lewis Carroll's Through The Looking Glass is an excursion into a fantastical world where nothing is what it seems to be, and everything appears to be what it is not. See the entry > Examples: “… in the late sixties, he [Miles Davis] abandoned acoustic jazz altogether, moving to the easy/uneasy blend of jazz and rock that would cause consternation among jazz purists and come to be known as fusion. Then, in 1975, plagued by profuse health problems and addictions, he left music altogether, not to return until 1981. Audiences and record buyers welcomed his comeback, though jazz's zealous gatekeepers continued to fret about his stylistic excursions and commercial aspirations.” — James Kaplan, 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool, 2024 Did you know? A Tribe Called Quest's 1991 album The Low End Theory is not only widely regarded as one of the greatest hip-hop albums of all time, but one of the genre's most successful early excursions into jazz, utilizing samples and even featuring legendary bassist Ron Carter on one song. Excursion refers to a usually brief, pleasurable trip, and is often used figuratively—as in the previous sentence—for metaphorical trips outside of one's usual territory, be they artistic or otherwise. The word comes from the Latin verb excurrere (“to run out” or “to extend”), which combines the prefix ex- meaning “out of” and the verb currere meaning “to run.” Although it is sometimes used to refer to attacks or raids made against an enemy, as in “military excursions,” excursion is mostly used today for much more enjoyable jaunts, junkets, and rambles. Accordingly, on your next excursion, whether to the park, beach, or elsewhere, you could do worse than to queue up The Low End Theory on your playlist. The album's first track, after all, is titled “Excursions.”

We look at a monumental score by Kern and Hammerstein that just keeps rolling along in imaginative and compelling renditions by Miles Davis, Sarah Vaughan, Bill Evans, Audra McDonald, Peggy Lee and more.

durée : 01:00:01 - Bill Evans "In Norway : The Kongsberg Concert" - par : Nicolas Pommaret - Une heure avec Bill Evans, un soir de juin 1970, en Novvège, des enregistrements inédits du concert à l'occasion des 70 ans du festival de Kongsberg. - réalisé par : Patrick Lérisset

How do we begin to understand the impact of the opioid epidemic? An understanding about the problems the epidemic created, the challenges state and local governments might face as they attempt to address these problems, and the importance of generating evidence are all essential to any chance of successful healing for families and communities. Bill Evans, Keough-Hesburgh Professor of Economics and co-founder of the Wilson-Sheehan Lab for Economic Opportunities at Notre Dame, dives into the history and context of the opioid epidemic.This discussion took place at the University of Notre Dame's Summit on the Opioids Settlement: A Pathway to Hope which focused on how to most effectively distribute the nearly $50 billion in settlement dollars to maximize the impact on our communities and citizens.Held in August 2024, this summit brought together attorneys general from across the country to discuss best practices to proactively evaluate the efficacy of opioid abatement programs and develop strategies to best distribute the funds. Led by the University of Notre Dame's Poverty Initiative, the summit explores how evidence-based practices can inform decision making and ensure that the Opioids Settlement best helps those victims it is meant to serve.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Jay is out this week rehearsing with the Ken Demith Collection so friend of the show Keith Grasso is sitting in, and he's bringing a substantial amount of, much needed, holiday cheer. Last year Keith decided to record his own rendition of “Blue Christmas” and he enjoyed the process so much that he's done it again this year.Songs:Keith Grasso - “Christmastime is Here”Keith Grasso & John Rossman - “Hard Candy Christmas”In lieu of actual presents, Nick found some feel good news story to share via “News with Nick.” Notre Dame's organist returns for the grand opening, Pearl Jam announces a tour, as does the Middle Aged Dad Jam Band.Song: Barenaked Ladies - “Deck the Stills”Greg wraps up our show this week with a Three for Thursday. New music from Opeth & Kelsey Shell, and a classic Christmas Carol by Bill Evans.Songs:Opeth - “§3”Kelsey Shell (album - sleepwalker) - “When You're Lying There”Bill Evans - “Santa Clause is Coming to Town”Merry Christmas & Happy Holidays everyone, thanks so much for listening!

Golden Voice narrator Dion Graham joins AudioFile's Michele Cobb to discuss his performance of James Kaplan's biography of jazz greats, 3 SHADES OF BLUE. The audiobook traces the lives of Miles Davis, John Coltrane, and Bill Evans, and required some research before recording. Listen to Dion's discussion with Michele for more insights into his narration of this exceptional audiobook that's one of AudioFile's Best Biography & Memoir titles of 2024. Read AudioFile's review of THREE SHADES OF BLUE. Published by Penguin Audio. AudioFile's 2024 Best Biography & Memoir Audiobooks are: BITS AND PIECES by Whoopi Goldberg, read by Whoopi Goldberg BITTER CROP by Paul Alexander, read by Maya Days JOHN LEWIS by David Greenberg, read by David Sadzin PROFILES IN MENTAL HEALTH COURAGE by Patrick J. Kennedy, Stephen Fried, read by Johnny Heller, Patrick J. Kennedy 3 SHADES OF BLUE by James Kaplan, read by Dion Graham WHAT I ATE IN ONE YEAR by Stanley Tucci, read by Stanley Tucci Find the full list of 2024 Best Audiobooks on our website. Today's episode is brought to you by Brilliance Publishing. The Sound of Storytelling. Discover your next great listen at https://www.brilliancepublishing.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Two great music writers - James Kaplan and Paul Alexander - join Joe for a War of the Words. Joe gets excited and takes a deep dive into both of their brilliant books, which are both about America in the 40s and 50s, both about the jazz music scene, but follow very different subjects. 'Three Shades Of Blue' by James Kaplan is biography of Miles Davis, John Coltrane and Bill Evans - and how those three extraordinary musicians made one of the greatest jazz albums of all time: Kind Of Blue. 'Bitter Crop' by Paul Alexander is a biography of the great Billie Holiday, but told through the last year of her life - 1959 - which coincidently is when Kind Of Blue came out. Both books are brimming with great stories and accounts from the time - they are meticulously researched - snd Joe asks both authors how immersed they get in their subjects when writing. They also give us some brilliant book recommendations as well! THE BOOK OFF 'In Cold Blood' by Truman Capote VS'Last Train To Memphis' by Peter Guralnick We hope you enjoy the chat - which we've kept a little long - which may well inspire you to put on some jazz after listening!? :-)Oooooh and get this!For a limited time, you can get £100 off off any HD light and free UK delivery. Just visit seriousreaders.com/bookoff to claim your discount! Hosted on Acast. See acast.com/privacy for more information.

El universo musical de Bill Evans, su pianística de extraordinario y profundo lirismo, ha sido un tema recurrente en Radio Jazznoend al que nos hemos aproximado, a través de los años, desde muy diversas perspectivas. En nuestro nuevo programa os proponemos un recorrido a través de aquellos registros en los que el pianista introdujo en su música el sonido del piano eléctrico Fender Rhodes. El invento de Harold Rhodes estaba destinado a marcar el sonido de una era y Evans, más allá de su imagen de pianista académico, efectuó durante la década de los 70 del pasado siglo, una excitante inmersión en el sonido innovador y sofisticado de este legendario instrumento. Mucho más que una anécdota o un mero experimento, Evans supo hermanar en su música los sonidos acústicos, con los del piano eléctrico sin desvirtuar la esencia de su música, dotando a sus interpretaciones de colores y texturas que hoy forman parte inseparable de su inmenso legado musical.

Featuring the legend of Stax Records, Carla Thomas; modern indie jazz wizard Spencer Zahn; 90s fusion pioneers Fat Mama; drumming visionary Ian Chang; Mike McGinnis and his stunning large ensemble; new releases from masters Bill Evans and Sun Ra; and another cut from Victoria Reed's upcoming release, Gli Amanti.

Sideman recordings of Paul Motian around 1962. Includes Perry Robinson, George Russell, Bill Evans, Eddie Costa, Zoot Sims, Tony Scott, Mose Allison. With readings from Motian's unpublished autobiography.Set List: https://jazzcloset.blogspot.com/2024/11/related-to-1962-021119.htmlPhoto: Paul Motian July 1962  Likely Cape Cod, MA where he was playing a gig with Zoot Sims photographer unknown ©Paul Motian Archive

Tawny and Lisa talk with Satya Doyle Byock, LPC, about her book, QUARTERLIFE: The Search for Self in Early Adulthood. Satya is a practicing Jungian psychotherapist in Portland and the director of The Salome Institute of Jungian Studies, where she regularly teaches online seminars. They talk about the changes that happen in early adulthood, as well as how find a therapist despite all of the challenges, including insurance. Music Minute features Bill Evans, Maggie Rogers, and Beyonce Find all things Satya on her website.  Buy QUARTERLIFE: The Search for Self in Early Adulthood  Sign up for Satya's Substack newsletter and check out Why You Struggle to Find a Therapist  Preorder The Sobriety Deck Order Tawny's book, DRY HUMPING: A Guide to Dating, Relating, and Hooking Up Without the Booze Sign up for "Beyond Liquid Courage" Order Tawny's new NA drink, (parentheses)            `Purchase Lisa's memoir, Girl Walks Out of a Bar

Rosa Passos ('Outono'), Djavan ('Outono'), Eva Cassidy ('Autumn leaves'), Cécile Verny ('Les feuilles mortes'), Thomas Dutronc ('Les feuilles mortes'), Bill Evans ('When autumn comes'), Stacey Kent ('It´s autumn'), Helen Merrill ('Autumn in New York'), Ella Fitzgerald & Louis Armstrong ('Autumn in New York'), Sarah Vaughan ('September song') y Quincy Jones ('Setembro'). Escuchar audio

Jesus Molina discovered his musical gift at a very young age. Born in Colombia, you might assume that his music inspiration was cumbia or vallenato. That wasn't the case for Jesus. As a self-proclaimed YouTube baby, it was there that he discovered legendary jazz artists, such as Oscar Peterson, Art Tatum, Errol Garner, Bill Evans, Chick Corea, and Dizzy Gillespie - artists that captivated him and shaped the musician he is today. In 2016, Molina was honored with the prestigious Latin Grammy Cultural Foundation award, the Juan Luis Guerra Scholarship, which included music education at the Berklee College of Music. Since then, Jesus has emerged as one of the premier jazz keyboardists on the international stage. He recently released a new album titled “Selah” that was produced by the legendary Bobby Colomby. Here to chat with us about the new album, and his sudden rise to prominence on the jazz scene, is Jesus Molina.

This week's episode takes us behind the scenes of an independent record label and record store out of Portland, Oregon: Jackpot Records, with its founder Isaac Slusarenko. He opened the store in 1997 as a place that was all about music, no T-shirts or candles. He launched the label in 2004 with a vinyl edition of the 1971 self-titled psychedelic soul album by Beauregard, a Portland wrestler, followed by albums by local rockers the Wipers. With repeat Caropop guest Kevin Grey providing the all-analog mastering then and now, the label offers Record Store Day treasures (Gandalf!) while releasing higher-profile titles by the Meters, Booker T. and the M.G.'s, Etta James, the Electric Prunes, Bill Evans, Martin Denny and others. How does the licensing of albums work? How does Slusarenko make his Jackpot pressings stand out? How important are the cover art, colored vinyl and limited editions? Slusarenko pulls back the curtains.

ABOUT LESLIE MANDOKI: Leslie Mandoki is a German-Hungarian musician who became known as a member of the music group Dschinghis Khan. He continued his career as a solo artist and became a music producer who worked with many internationally famous artists including Phil Collins, Lionel Richie and more.  More than three decades after its inception, the Mandoki Soulmates band has not only set breakthrough musical standards with their new album “A Memory Of Our Future,” but has also delivered a masterpiece of audio production technology. The Soulmates have created a work of musical diversity that ranges from prog to jazz rock and consists of an inter-generational supergroup of rock and fusion grandmasters with Ian Anderson (Jethro Tull), Mike Stern, Al di Meola, Randy Brecker, Till Brönner, Bill Evans, John Helliwell (Supertramp), Cory Henry, Richard Bona, Steve Bailey, Simon Phillips (Toto), Leslie Mandoki, Tony Carey (Rainbow), Nick van Eede (Cutting Crew), Jesse Siebenberg and Mark Hart (both Supertramp). ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices