Podcast appearances and mentions of Bill Evans

El 6 de junio de 1991, con 64 años, nos dejó Stan Getz. Recordamos al gran saxofonista tenor en grabaciones de 'Moonlight in Vermont' -arreglo de Claus Ogerman-', 'I´m glad there is you' -con el trío del pianista Oscar Peterson-, 'But beautiful' -con Bill Evans-, 'Here´s that rainy day', 'Little girl blue' o 'If ever I would leave you'; como participante en el disco del trombonista Bob Brookmeyer y amigos ('Sometime ago', 'Jive hoot', 'Misty'), en el disco 'Stan Getz presents Jimmy Rowles' ('The peacocks') y en el disco 'Apasionado' con la pieza que le da título y 'Coba'. Escuchar audio

Featuring a selection from the incredible Charlie Hunter and his Mustang Songbook; the genius of Roman indie legend Giampaolo Speziale; masterful German pianist Alicia Sara Ott; spot-on reissues of recordings from jazz icons Buster WIlliams, Bill Evans, and Joe Henderson; one of the all-time NOLA greats, James Booker; the man, Magic Sam + reggae hall-of-famers Black Uhuru.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Un nuevo monográfico en nuestro podcast, centrado en esta ocasión en el trombonista y cantante sueco Nils Landgren. Repasamos sus colaboraciones junto a artistas como Wolfgang Haffner, Jonathan Fritzén, Torsten Goods, Bernard Purdie, Magnus Lindgren, Joe Sample, Viktoria Tolstoy, Studio Tan, Bill Evans y Lalo Schifrin.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Welcome to faustforward ep. 26   Playlist YOSHIZAWA – For Tomomi Super Jet Kinoko – Theme from Kinoko Deuter – Der Turm/Fuchtpunkt SCAM - Mentally Gone Underworld – Beautiful Burnout Ed O'Brien – Teachers Les Rallizes Denudes – The Night, Assassin's Night Super Jet Kinoko – Ikkozutsu (Sjk Remix) SYOT – Moments Arooj Aftab – Mohabbat Sunn O))) – Everett Moses Cerys Hafana – Angel Wolfgang Dauner – Ich wolte sein eine Landschaft Robert Fripp & Brian Eno – The Heavenly Music Corporation I Keith Jarrett – Koeln Jan 24 1975 Pt. II (Live) David Shea – The Morning I Awoke Miles Davis – All Blues (feat: John Coltrane, Cannonball Adderley & Bill Evans)  

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Aujourd'hui dans "Le Journal imprévisible", Marc Bourreau revient sur deux légendes du jazz à l'honneur cette semaine : Sonny Rollins et Miles Davis.Il évoque le décès du saxophoniste Sonny Rollins à 95 ans et la célébration du centenaire de la naissance de Miles Davis, deux figures emblématiques du jazz américain qui ont marqué la France. L'occasion de rappeler l'histoire d'amour entre la France et le jazz.Il met aussi en lumière le lien entre le jazz américain et la France, notamment à travers l'influence de Miles Davis sur le film "Ascenseur pour l'échafaud" de Louis Malle.Le journaliste évoque l'importance du quartier de Saint-Germain-des-Prés dans l'accueil du jazz américain en France, avec la rencontre entre artistes français et américains. Il rappelle l'influence du jazz américain sur la musique française, à l'image de Michel Legrand, ami de Miles Davis et de Bill Evans. Enfin, Marc Bourreau explique que le jazz est comme une source d'inspiration pour les artistes français, de Stéphane Grappelli à Claude Nougaro, qui ont puisé dans cette musique une forme d'émancipation.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Miles Davis's Kind of Blue is one of the greatest albums of all time - possibly THE greatest. But it's not perfect. In this special episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness break down this classic record, track-by-track, to uncover why it has become so legendary. They dig into what's really going on in the music during this album's best moments: Miles's trumpet solo on "So What", Wynton Kelly's piano solo on "Freddie Freeloader", John Coltrane's entrance on "Blue in Green".Plus - we learn more about what Miles was doing in his early years, his break from bebop, what he thought of Bill Evans's approach, and the production and engineering techniques that give Kind of Blue its unique sound.Miles Davis was born just outside of St. Louis 100 years ago this week. To celebrate his centennial birthday, Adam and Peter filmed this episode in front of a live audience at The Sheldon Concert Hall in St. Louis, MO.Chapters Legend: 

Een TORcast geheel gewijd aan de muziek van Miles Davis. Miles werd honderd jaar geleden (op 26 mei 1926) geboren en ontwikkelde zich tot één van de belangrijkste musici, niet alleen in de geschiedenis van de jazz maar in die van hele hedendaagse muziek.  In deze TORcast laat Willem Habers een selectie van zijn favoriete Davis-opnames horen. Geen uitputtende opsomming, geen verantwoord chronologisch overzicht, geen doorwrocht spectrum van ’s mans invloeden en werk maar een heel persoonlijke keuze uit het gigantische oeuvre van deze jazzgigant. Playlist: So What Miles Davis (trompet), Bill Evans (piano), Cannonball Adderly (altsax), John Coltrane (tenorsax), Paul Chambers (bas), Jimmy Cobb (drums) Move met Gerry Mulligan, Max Roach, Lee Konitz, Karl Winding en John Barber (tuba) If I Were A Bell Miles Davis (tp), Red Garland (piano), John Coltrane (tenorsax), Paul Chambers (bas), Philly Jo Jones (drums) Someday My Prince Will Come Miles Davis (tp), John Coltrane (sax), Hank Mobley (sax), Wynton Kelly (piano), Psul Chambers (bas), Jimmy Cobb (drums) My Funny Valentine Miles Davis (trompet), Herbie Hancock (piano), Wayne Shorter (tenorsax), Ron Carter (bas), Tony Williams (drums) Générique – Ascenseur pour l’echafaud Miles Davis (trompet), Barney Wilen (sax), René Urtreger (piano), Pierre Michelot (bas) en Kenny Clarke (drums) Concierto de Aranjuez: Adagio Miles Davis (trompet), orkest onder leiding van Gil Evans Een paar bespiegelingen… De muziek van Miles Davis is niet slechts een hoofdstuk in de geschiedenis van de jazz; zij is een voortdurend herlezing van wat muziek kan zijn. Wie naar Davis luistert, hoort niet alleen noten, maar ook een bepaalde houding ten opzichte van tijd, stilte en vernieuwing. Zijn oeuvre lijkt zich steeds te onttrekken aan elke definitie die men erop loslaat. Dat maakt zijn betekenis filosofisch relevant: Davis laat zien dat identiteit niet iets statisch is, maar een proces van voortdurende transformatie. Een van de opvallendste kenmerken van zijn muziek is het gebruik van ruimte. In albums als *Kind of Blue* wordt stilte niet als leegte ervaren, maar als een actief element. Deze benadering roept vragen op over de aard van expressie zelf. Moet muziek altijd gevuld zijn, of kan juist het weglaten een diepere vorm van communicatie zijn? Davis' antwoord lijkt te zijn dat betekenis ontstaat in de spanning tussen klank en stilte. Daarmee sluit hij aan bij een bredere existentiële intuïtie: dat wat niet gezegd wordt, vaak even belangrijk is als wat wel wordt uitgesproken. Daarnaast belichaamt Davis het idee van artistieke vrijheid als morele houding. Hij weigerde zich te conformeren aan de verwachtingen van zijn publiek of de industrie. Telkens wanneer hij succes bereikte—of het nu ging om bebop, modal jazz of fusion—koos hij ervoor om een nieuwe richting in te slaan. In die zin is zijn carrière een praktijk van wat de filosoof Nietzsche “zelfoverwinning” noemde: het voortdurend achterlaten van het oude zelf om ruimte te maken voor het nieuwe. Deze radicale trouw aan vernieuwing maakt hem tot een bron van inspiratie voor hedendaagse musici. De invloed van Miles Davis op huidige jazzmuzikanten ligt dan ook niet alleen in specifieke harmonieën of technieken, maar in een manier van denken. Moderne jazz kenmerkt zich door hybriditeit: invloeden van hiphop, elektronische muziek en wereldmuziek vloeien samen tot nieuwe vormen. Deze openheid is rechtstreeks schatplichtig aan Davis' grensverleggende experimenten, vooral in zijn latere werk zoals *Bitches Brew*. Hij legitimeerde het idee dat jazz geen afgesloten traditie is, maar een permeabel veld waarin alles kan worden opgenomen. Ten slotte blijft Davis relevant omdat hij de luisteraar actief betrekt. Zijn muziek vraagt om aandacht, om interpretatie, om een zekere existentiële inzet. Zij is nooit volledig transparant; er blijft altijd iets ongrijpbaars. In een tijd waarin muziek vaak als achtergrondconsumptie fungeert, herinnert Davis ons eraan dat luisteren een vorm van denken is. Zo bezien is Miles Davis niet alleen een muzikant, maar een filosoof in klank. Zijn erfenis leeft voort in elke muzikant die durft te experimenteren, te twijfelen en opnieuw te beginnen—en in elke luisteraar die bereid is om in die zoektocht mee te gaan.

Miles Dewey Davis III nació en Alton, Illinois, el 26 de mayo de 1926. Primero de los programas que le vamos a dedicar en este 2026 al genial músico estadounidense para celebrar el centenario de su nacimiento. Con 'Kind of Blue', el disco más vendido de la historia del jazz, grabado por el trompetista con John Coltrane (saxo tenor), Julian 'Cannonball' Adderley (saxo alto), Bill Evans y Wynton Kelly (piano), Paul Chambers (contrabajo) y Jimmy Cobb (batería) y que escuchamos al completo: 'So what'; 'Freddie Freeloader', 'Blue in green', 'All blues' y 'Flamenco sketches' en la del disco original y en una toma alternativa.  Escuchar audio

En este nuevo programa de Radio Jazznoend dos grandes genios de la música del siglo XX, se reúnen en nuestros estudios. Dos eminencias grises e incomprendidas en su tiempo, unidas tanto por su amistad y su talento excepcional como por su carácter humilde, ajeno a la ambición del éxito y el reconocimiento. Allan Holdsworth fue un guitarrista de técnica estratosférica que ofreció al mundo una irrepetible concepción musical tan compleja y adelantada a su tiempo que todavía hoy continua asombrando a músicos y oyentes. Algún crítico dijo de él que su música no era de este mundo y otros afirmaron que era el hombre que había cambiado la guitarra para siempre. Gordon Beck es un maestro del piano del jazz moderno cuya fuente de inspiración se encuentra en la figura seminal de Bill Evans. Su pianística, por técnica, sensibilidad y capacidad creativa, se sitúa a la par de la de algunos de los más grandes del piano de su generación, aunque su carrera se desarrollo lejos de los focos del éxito y la fama y su legado discográfico parece hoy condenado a perecer en las sombras del olvido. Estos dos grandes músicos británicos, lejanos en sus concepciones musicales, desdeñando cualquier afán de protagonismo o notoriedad, protagonizaron a lo largo de varias décadas, desde principios de los setenta del pasado siglo, una serie de fértiles encuentros discográficos que se encuentran entre las páginas más brillantes y singulares del jazz contemporáneo. Obras de una excepcional riqueza musical que nace, no solo de la grandeza individual de ambos artistas como intérpretes y compositores, sino también de la inédita inspiración que surgió de la conjunción de sus dispares pero complementarios estilos y universos artísticos y vitales. Radio Jazznoend, perseverando en su objetivo fundacional de reivindicar la obra de los malditos, de los olvidados del jazz, rescata para vosotros algunos de los más brillantes y emocionantes momentos de esos irrepetibles encuentros que, por su extraordinaria belleza, fueron sin duda, escritos para la eternidad.

Pour l'album de la semaine, Margaux Lassalle nous plonge dans "Carry the Light", le nouvel album de Peter Frampton. À soixante-seize ans, le guitariste virtuose britannique, qui a écoulé des millions de disques depuis les années soixante, prouve qu'il n'a rien perdu de sa superbe. Il dévoile en effet son premier disque de chansons originales depuis seize ans, un projet coécrit et coproduit avec son fils Julian Frampton. Cette collaboration familiale apporte une touche particulièrement personnelle et chaleureuse à l'ensemble, une atmosphère parfaitement illustrée par le morceau-titre qui ouvre l'album. Pour ce nouveau projet, Peter Frampton a convié une impressionnante liste d'invités prestigieux. On y retrouve notamment Benmont Tench, cofondateur de Tom Petty and the Heartbreakers, au clavier sur "Buried Treasure", un titre dont les paroles rendent un bel hommage à Tom Petty. Sheryl Crow vient mêler sa voix à celle du britannique sur Breaking The Mold, tandis que l'artiste H.E.R accompagne le musicien sur "Islamorada", une piste entièrement instrumentale qui fait la part belle aux guitares. Le saxophoniste américain Bill Evans est également de la partie sur le puissant "Tinderbox", une chanson aux allures d'appel à la solidarité et à la mobilisation. Sorti vendredi 15 mai 2026, ce nouveau disque s'impose comme un projet de classic rock particulièrement solide. Peter Frampton y conserve un jeu de guitare toujours aussi précis, mis au service de textes résolument engagés. Cette énergie combative atteint son apogée avec "Lions At The Gate", le titre le plus incisif de l'album, un hymne anti-guerre sur lequel le britannique croise le fer avec Tom Morello, le guitariste emblématique de Rage Against the Machine et d'Audioslave. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Kirk returns to Kind of Blue, taking a closer look at two more tunes off of the 1959 jazz classic. First, he digs into the modified 12-bar blues "Freddie Freeloader," with a focus on Wynton Kelly's much-emulated opening piano solo. He then compares and contrasts how John Coltrane and Cannonball Adderley approached the closing track, "Flamenco Sketches" on tenor and alto sax, respectively. Music by: Miles Davis and Bill Evans The Musicians: Miles Davis, Trumpet Julian "Cannonball" Adderley, Alto Sax John Coltrane, Tenor Sax Wynton Kelly & Bill Evans, Piano Paul Chambers, Bass Jimmy Cobb, Drums Produced by Irving Townsend; Engineered by Fred Plaud Album: Kind of Blue, 1959 Listen/Buy via Album.Link ALSO REFERENCED/DISCUSSED: The 2021 episode of Strong Songs about the album's opening track, "So What" Adam Maness and Peter Martin's excellent music podcast “You'll Hear It”  Kirk's 2025 “You'll Hear It” guest appearance discussing Tower of Power's 1973 self-titled album Kind of Blue: The Making of the Miles Davis Masterpiece by Ashley Kahn, 2000 “Cold Sweat” by James Brown, 1967 “Everybody Wants to Rule The World” by Tears For Fears from Songs From The Big Chair, 1985 “Some Other Time” by Leonard Bernstein by Bill Evans and Tony Bennett from The Tony Bennett Bill Evans Album, 1975 “A Love Supreme, Pt. 2: Resolution” - by John Coltrane from A Love Supreme, 1965 --------------------MAY 2026 WHOLE NOTE PATRONS Dave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Scott Lystig Fritchie - Lisa Crotty - Andy - Melissa Lucas - Greg - Julie Rowe - Rich Fish - Butch Vig - Greg - Matt R MAY 2026 HALF NOTE PATRONS Colin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare Holberton - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Linda Duffy - Ryan Rairigh - Achint Srivastava - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Michael Shain - Jamie - David Futter - Jeff Ulm - Aaron Wade - Greg Henion - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Matt Baxter - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Peter Harding - John Halpin - Douglas H Frazer - Heather J - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Jim Sellers - Ben Stein - Bla Blupp - Dick Morgan - Lee R. - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - Ol Parker - Dan Cutter - Jeff - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Praline - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Daniel Kaberon - TB - Aruni Jayatilleke - Rachel - Kym Griffith - PhantomMare - Alison Dugan - Margaret McReynolds - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Alex Miller - Steve B - Ian Karmel - Zach Putnam - Stephen - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Cheryl Wilke - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - Alexis - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - John Domina - James - Andrew Knutson - Doug - Sam Grogan - EwokEater42 - MT - Linda Lange - James Hicks - Michael Adamski - Mark MacIntosh - Jeff Stormer - Michael Sumner - Edward Reisert - Klodrik - Aron - Kevin Davis - Matt - Louise Clarke - Richard Randall - AlanB - Will King - PJ and Ethan - TheShirtRipper - Rebecca Kline - Ned Rosen - Simon Hellman - Jim M - Ben Buddy Slack - Néa --------------------

Ein neuer Blick auf die Mutter aller Städte: Giulia Becker und Chris Sommer in New York City. Ausgerechnet die Drinnies, möchte man meinen. Aber das passt: Die beiden kennen New York City sehr gut, haben dort sogar schon live auf der Bühne gestanden. Im neuen Reisen-Reisen-Podcast-Studio entwickelte sich ein wundervolles, lustiges und auch nachdenkliches Gespräch über einen Ort, der so vieles ist: einerseits eine der Hauptstädte dieser Welt, andererseits gelegen in einem gerade alles andere als einfachen Land. Sollte man derzeit in die USA reisen? Auch darüber sprechen wir mit Giulia und Chris. Und über dieses Kribbeln, diese Sehnsucht, die wir alle vier spüren, wenn wir den Namen dieses Ortes hören. Die Blicke auf Manhattan und Brooklyn, die Fahrten auf den riesigen Brücken. Giulia und Chris berichten zudem von Besuchen in Jazz- und Comedy-Clubs, in Musicals, in Harlem und von diesen krassen Gegensätzen zwischen Arm und Reich, die man einfach nicht übersehen kann. Wir sprechen auch über den neuen Bürgermeister der Stadt, der die Hoffnung eines ganzen Landes ist. New York mit den Drinnies - kommt mit in zwei ganz besondere Folgen.—Höre alle DRINNIES Episoden überall wo es Podcasts gibt! Besuche Giulia und Chris auf Instagram: @giuliabeckerdasoriginal und @chris.sommer

“Backwater to Blockbuster,” the first de novo book published by the Cancer History Project, traces the evolution of St. Jude Children's Research Hospital to its current status of a powerhouse of research in pediatric cancer.In a conversation moderated by Deborah Doroshow, the book's co-authors Charles J. Sherr and William E. Evans discuss how their book project began, their collaborative writing process.As long-time leaders, Sherr and Evans were a part of the institution's rise and thus speak authoritatively about the institutional culture, leadership philosophy, and scientific ambition that shaped St. Jude.Sherr, who joined St. Jude in 1983, served as chair of Tumor Cell Biology Department and Herrick Foundation Endowed Chair at St. Jude. Evans first came to St. Jude as a student in 1972 and served in many key positions including that of St. Jude's fifth director and CEO.Their book, published by the Cancer History Project, is available at no charge here>LINK

A promising new treatment is changing the landscape for advanced prostate cancer. In this episode, Dr. Bill Evans is joined by Dr. Ali Khan Lalani, Associate professor, McMaster University GU disease site team chair, Juravinski Cancer Centre, and Anne Khoorshed, Radiation Safety Officer, Hamilton Health Sciences and St. Joseph's Healthcare Hamilton, to explore radioligand therapy (Pluvicto), an innovative targeted treatment now available in Hamilton. They break down how this “smart bomb” approach works, who may be eligible, what patients can expect, and why this advancement is bringing new hope to men with advanced prostate cancer. From improved quality of life to exciting future research, this conversation offers an accessible look at one of cancer care's most promising emerging therapies.

1. Jaco Pastorius – Soul Intro/The Chicken (6:49) 2. Peter Schilmoller Quartett – Ballad (7:14) 3. Peter White – Turn It Out (5:30) 4. Paul van Kemenade Quintet – Xeet (4:50) 5. Bobby Caldwell – Your Precious Love (4:25) 6. De-Phazz – You may never know (5:05) 7. Bill Evans – Witchcraft (4:35) 8. Jamiroquai […]

Bill Evans no aparece en ningún tracklist de esta semana. Y sin embargo, está presente. Makoto Ozone graba For Someone con su trío TRiNFiNiTY en los estudios alemanes donde trabaja ECM. Una declaración personal por la paz que incluye un contrafacto de «Peace Piece» como homenaje silencioso. En la misma semana, el pianista romano Enrico Pieranunzi y el guitarrista sardo Bebo Ferra publican Evanscape —palabra que ellos mismos inventaron fundiendo «Evans» y «escape»—, un disco de dúo donde el tercer músico está presente en cada silencio. Gabrielle Cavassa debuta en Blue Note con Diavola, producido por Joshua Redman y Don Was. Ganó los Sassy Awards en 2021 —el mismo concurso que lanzó a Cyrille Aimée, Jazzmeia Horn y Samara Joy— y el disco confirma que la apuesta de Blue Note no fue solo estrategia de márquetin. También esta semana: Ron Carter, a sus 87 años y con más de 2.500 grabaciones a sus espaldas, avanza en dúo con el guitarrista israelí Yotam Silberstein una bossa nova contemporánea que anticipa un álbum por llegar. El guitarrista y cantante Djamal B rescata la elegancia de la chanson con una versión del clásico de Sacha Distel, «La Belle Vie», adelanto de su álbum Les Dernières. E Ibrahim Maalouf toca una trompeta de cuatro válvulas que le permite ir donde la mayoría no puede: entre el jazz y los cuartos de tono de la música árabe. Tracklist: – Rolling Tales, Makoto Ozone; – Chasing the Horizon, Makoto Ozone; – Evanscape, Enrico Pieranunzi & Bebo Ferra; – Song for Helen, Enrico Pieranunzi, Bebo Ferra & Diego Imbert; – Nova Ilusão, Ron Carter & Yotam Silberstein; – La Belle Vie, Djamal B; – Las Trompetas de Nael, Ibrahim Maalouf; - Prisoner of Love, Gabrielle Cavassa.

This week, Joe is featuring Pianist Bill Evans and Vocalist Monica Zetterlund, recorded in February 1975, “Pennywhistle Music.”

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición presentamos 'Rewind Vol. 1 & 2', los dos álbumes que ha editado el músico, compositor y productor James Day con los que celebra 20 años en el mundo de la música. En el repaso a novedades de la música Smooth Jazz reseñamos los recientes trabajos de Adam Hawley, Michael Cates, Althea René y Norman Brown. En los minutos centrales recuperamos dos de los trabajos que tiene editados el pianista alemán Simon Oslender grabados junto a conocidos nombres como Randy Brecker, Steve Gadd, Bill Evans o Will Lee. Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

大家都知道，听爵士乐和研究爵士乐是我的一大爱好之一。在有了女儿之后，琢磨女儿的教育问题也成了我的另一大爱好。而如今，我将两个爱好结合在一起，借助AI（ChatGPT 和 Gemini），发展出了一套爵士乐育儿指南。这是据我所知，全国，乃至全世界，第一份爵士乐育儿指南，敬请收听。节目最后 Tutti 跟女儿一起跳舞的视频可在小红书搜索 Tutti 并关注。今年十一假期，Why for Jazz 联合 SEAIC 法国中欧艺术创新中心发起了一个针对巴黎和波尔多的法国旅行团。我将与建筑艺术学者，我的太太 Tutti 联合带队，深入法国，开启一趟沉浸式的以爵士乐，建筑，红酒和文化学习交流为主线的全景之旅。旅行团即可开始报名，计划招募15位同行者。有兴趣的朋友可以点击上面链接，或直接添加下面二维码进行咨询。期待十一相见。扫码开启法国之旅Playlist of the Show:[23:09] What'd I Say - Ray Charles[26:30] Early Summer - Ryo Fukui[28:52] Hymn to Freedom - Oscar PetersonAI建议的爵士乐育儿歌单（20月龄-36月龄）20个月：高保真钢琴触键（物理建模期） ● 曲目： Midnight Sugar (山本刚), C-Jam Blues (Red Garland), Linus and Lucy (Vince Guaraldi), Bag's Groove (MJQ) ● 深度分析： ○ 脑神经科学： 20个月的孩子，内耳耳蜗的**音调映射（Tonotopic map）**正在进行最后的物理微调。山本刚这类钢琴录音拥有极高的“瞬态响应（Transients）”，每一个音符的起始极其清晰。这种“干净”的声音信号能最大程度减少听觉系统解码的噪音，帮助大脑建立“钢琴”这种复杂音色的高质量统计模型。 ○ 发展心理学： 此时孩子处于感知运动阶段的尾声，通过“敲击”产生的声音最能吸引其注意力。钢琴的打击乐属性最能引起这种因果关系的共鸣。21个月：行走贝斯与前庭系统平衡 ● 曲目： 1. Work Song (Nat Adderley) 2. Killer Joe (Benny Golson) 3. Blues in the Closet (Bud Powell) 4. Strollin' (Horace Silver) ● 深度分析： ○ 脑神经科学： 这一组曲目强调 Walking Bass（行走贝斯）。稳定的、如同心跳般的低音提琴拨奏（Quarter-note pulse）能直接激活基底神经节，这是人类处理节奏与运动控制的核心。 ○ 发育心理学： 21个月的孩子正处于走路重心从摇晃趋向平稳的阶段。这种稳定的低频驱动能与她的身体运动产生神经夹带（Entrainment），通过前庭系统感知重力与节奏的重合，建立起最早的“摇摆感（Swing Feeling）”。22个月：硬波普（Hard Bop）与社交对话逻辑 ● 曲目： 1. Moanin' (Art Blakey) 2. Song for My Father (Horace Silver) 3. The Sidewinder (Lee Morgan) 4. Watermelon Man (Herbie Hancock) 5. What'd I Say (Ray Charles) ● 深度分析： ○ 脑神经科学： 此时孩子正经历语言词汇量的激增，**布罗卡区（Broca's area）**极度活跃。这些曲目中经典的 Call & Response（呼唤与回应） 结构，完美契合了大脑对社交性沟通的生理渴望。 ○ 发育心理学： 此时孩子开始理解“轮流”的概念。通过这种音乐结构，她在无意识中练习了沟通的节奏感，激活了镜像神经元系统，这不仅是音乐启蒙，更是共情能力的早期培养。23个月：Jazz Hip Hop 与持续注意力的构建 ● 曲目： 1. Aruarian Dance (Nujabes) 2. Luv(sic) Part 3 (Nujabes) 3. Waltz for Life Will Born (Uyama Hiroto) 4. Feather (Nujabes) ● 深度分析： ○ 脑神经科学： 稳定的 Loop（循环）能给大脑提供极强的“神经安全性”。当背景节奏是高度可预测的，而上层的钢琴即兴是流动的，这能训练**前额叶皮层（Prefrontal Cortex）**在稳定的背景中提取细微的变化信号。 ○ 发育心理学： 这个阶段孩子开始能进行较长时间的专注游戏。高质量的循环乐句能降低皮质醇水平，延长其**深度探索（Deep Play）**的时间窗口。24个月：奇数拍与认知弹性（两岁里程碑） ● 曲目： 1. Take Five (Dave Brubeck) 2. Unsquare Dance (Dave Brubeck) 3. Blue Rondo à la Turk (Dave Brubeck) 4. Eleven Four (Paul Desmond) ● 深度分析： ○ 脑神经科学： 两岁是突触剪枝（Synaptic Pruning）剧烈发生的节点。如果此时只听 4/4 拍，大脑会认定 5/4 或 9/8 为“不可理解信号”。输入奇数拍是为了保持神经系统的认知弹性（Cognitive Flexibility），训练大脑在不对称中寻找更高阶的数学规律。 ○ 发育心理学： 此阶段孩子自我意识觉醒（Terrible Twos），非对称的节奏正好契合了这种不安分的探索精神，帮助她建立对“不平衡”的心理包容力。第二阶段：和声色彩与审美拓宽（25m - 30m）核心目标： 引入复杂和弦（9, 11, 13音），在听觉皮层建立高维度的“美学坐标系”。25个月：三拍子的流体感知（空间感知进阶） ● 曲目： 1. Waltz for Debby (Bill Evans) 2. Bluesette (Toots Thielemans) 3. Alice in Wonderland (Bill Evans) 4. Up with the Lark (Bill Evans) ● 深度分析： ○ 脑神经科学： 三拍子会强烈刺激小脑的前庭系统。Bill Evans 的“无根音和弦（Rootless Voicings）”让声音听起来是“悬浮”的。根据 Robert Zatorre 的研究，这种高级和声能精细化音调映射（Tonotopic map），训练大脑不依赖低音根音去寻找调性中心。 ○ 发育心理学： 3/4 拍的圆舞曲感能带给孩子优雅、流动的感官体验，有助于精细动作的优雅化发育。26个月：Bossa Nova 与多线信号处理 ● 曲目： 1. The Girl from Ipanema (Stan Getz) 2. Wave (Antônio Carlos Jobim) 3. Desafinado (Stan Getz) 4. Corcovado (Cannonball Adderley) ● 深度分析： ○ 脑神经科学： Bossa Nova 的底层节奏是平直的八分音符，而上层爵士和弦极其复杂。这种矛盾感要求大脑进行听觉场景解构（Auditory Scene Analysis）。 ○ 发育心理学： 这种轻松的氛围是训练情绪调节（Emotional Regulation）的绝佳工具。在神经科学上，它能激活边缘系统中的愉悦中枢而不产生过度亢奋。27个月：调式爵士（Modal Jazz）与深度观察 ● 曲目： 1. So What (Miles Davis) 2. Maiden Voyage (Herbie Hancock) 3. Little Sunflower (Freddie Hubbard) 4. Flamenco Sketches (Miles Davis) ● 深度分析： ○ 脑神经科学： 调式爵士和弦变化极慢。根据 Bregman 的理论，这种“低变化率”会迫使大脑将注意力转向**音色（Timbre）**的微观纹理。 ○ 发育心理学： 培养“静谧感”。这种音乐能训练孩子在无外部剧烈刺激的环境中进行内在的深度观察，是建立长时注意力的基石。28个月：冷爵士（Cool Jazz）与边缘系统开发 ● 曲目： 1. My Funny Valentine (Chet Baker) 2. You'd Be So Nice to Come Home To (Art Pepper) 3. Autumn Leaves (Cannonball) 4. Django (MJQ) ● 深度分析： ○ 脑神经科学： 略带忧郁、克制的音色能激活**边缘系统（Limbic system）**中的杏仁核与海马体连接。研究表明，幼儿能感知到音乐中的哀伤情绪，这能丰富其大脑的情感皮层。 ○ 发育心理学： 28个月的孩子开始萌发初级共情。通过理解音乐中的“忧郁”，她在学习处理复杂的人类情感。29个月：Bebop 与神经放电频率挑战 ● 曲目： 1. Scrapple from the Apple (Charlie Parker) 2. A Night in Tunisia (Dizzy Gillespie) 3. Donna Lee (Charlie Parker) 4. Salt Peanuts (Dizzy Gillespie) ● 深度分析： ○ 脑神经科学： 极速音阶挑战了听觉神经元的放电频率（Firing Rate）。这是一种神经层面的“高强度间歇训练（HIIT）”，旨在提高大脑对高密度信息的即时处理带宽。 ○ 发育心理学： Bebop 的多变与灵动契合了孩子此时精力旺盛、喜欢探索事物边界的行为逻辑。30个月：日本爵士 - 叙事建模（情感深度期） ● 曲目： 1. Early Summer (Ryo Fukui) 2. Scenery (Ryo Fukui) 3. Blow Up (Isao Suzuki) 4. Girl Talk (Tsuyoshi Yamamoto) ● 深度分析： ○ 脑神经科学： J-Jazz 具有独特的旋律线条。30个月的孩子正致力于将碎片化的信息拼凑成故事，此时大脑的**默认模式网络（DMN）**开始在音乐欣赏中起作用。 ○ 发育心理学： 建立文化认同感。通过这些具有东方美学色彩的爵士乐，她在潜意识中完成了一种审美的文化建构。第三阶段：结构解构与即兴逻辑（31m - 36m）核心目标： 识别主题与变奏的边界，培养长时记忆与宏观思维构架。31个月：人声爵士与语言-音乐桥梁 ● 曲目： 1. L-O-V-E (Nat King Cole) 2. Cheek to Cheek (Fitzgerald & Armstrong) 3. Fly Me to the Moon (Sinatra) 4. How High the Moon (Ella Fitzgerald) ● 深度分析： ○ 脑神经科学： SSIR 假说（Shared Syntactic Integration Resource）指出，语言与音乐共享神经资源。此时利用人声爵士独特的韵律感（Prosody），可以极大地加速她对词汇节拍的内化。 ○ 发育心理学： 模仿是此阶段的核心。Scat（拟声唱法）能锻炼她口腔肌肉的精细化控制，对发音清晰度有显著提升作用。32个月：工作记忆与“主题追踪” ● 曲目： 1. St. Thomas (Sonny Rollins) 2. Moritat (Sonny Rollins) 3. Cantaloop (Us3) 4. Mercy, Mercy, Mercy (Cannonball) ● 深度分析： ○ 脑神经科学： 训练工作记忆（Working Memory）。大脑需要记住开头的“主题（Hook）”，并在复杂的即兴独奏中，保持对这个逻辑原点的潜意识追踪。 ○ 发育心理学： 训练解决问题的策略——在复杂变幻的环境中寻找“恒定点”。33个月：拉丁爵士（Latin Jazz）与听觉分流 ● 曲目： 1. Mambo Inn (George Shearing) 2. Manteca (Dizzy Gillespie) 3. Afro Blue (Mongo Santamaría) 4. Tequila (Wes Montgomery) ● 深度分析： ○ 脑神经科学： 拉丁爵士包含大量的多声部打击乐。根据 Bregman 的理论，这要求大脑完成最高难度的流提取（Stream Segregation）。 ○ 发育心理学： 狂欢节般的节奏能释放孩子的压力，增强其在运动中的爆发力与协调性。34个月：现代融合（Fusion）与认知弹性 ● 曲目： 1. Spain (Chick Corea) 2. Birdland (Weather Report) 3. Chameleon (Herbie Hancock) 4. 500 Miles High (Chick Corea) ● 深度分析： ○ 脑神经科学： 引入非自然音色（合成器）。大脑需要重新识别这些信号，刺激腹侧注意网络（Ventral Attention Network）。 ○ 发育心理学： 培养对新奇事物的包容度，不让其听觉审美固化在单一的木质乐器上。35个月：极限和声（Coltrane Changes）算法建模 ● 曲目： 1. Giant Steps (John Coltrane) 2. Naima (John Coltrane) 3. Speak No Evil (Wayne Shorter) 4. Round Midnight (Thelonious Monk) ● 深度分析： ○ 脑神经科学： Coltrane Changes 是爵士乐中最复杂的数学矩阵。此时输入这种极限逻辑，就像是在给计算机预装最强的算法底座，挑战其处理信息的深度。 ○ 发育心理学： 训练对“高张力”的承受力。在极度复杂的声音中寻找内在平衡，是培养未来演奏家“大将之风”的必经之路。36个月：自由即兴与全球脑连接（启蒙圆满） ● 曲目： 1. Rhapsody in Blue (Gershwin) 2. Hymn to Freedom (Oscar Peterson) 3. The Köln Concert (Keith Jarrett) 4. My Favorite Things (Coltrane 1961) ● 深度分析： ○ 脑神经科学： 激活默认模式网络（DMN）。这种长篇幅、大跨度的自由即兴曲目，能让大脑在不同脑区间建立长程连接，实现想象力与自我意识的统一。 ○ 发育心理学： 此时她已经拥有了一套完整的“爵士底层操作系统”。无论以后学不学琴，这套系统都将成为她认知世界、理解“自由”的底色。

Les veus del jazz: John Pizzarelli homenatja Tonny Bennett "Watch what happens", "Young and foolish", "The bulevard of broken dreams", "It don't mean a thing" i "Waltz for Debby" (de l'

El South Bronx ardió en los años setenta. Los propietarios especuladores quemaban sus propios edificios para cobrar el seguro y barrios enteros desaparecieron entre las llamas. De ese mismo Bronx, sin embargo, nació una de las músicas más poderosas del siglo XX. Y el hombre que la conceptuó tenía dieciséis años cuando grabó su primer disco. Willie Colón —fallecido el 20 de febrero de 2026 a los 75 años— no era solo un trombonista. Era el cronista de la diáspora puertorriqueña en Nueva York: su orgullo, su violencia, sus contradicciones y su dignidad. En este episodio escuchamos su música como lo que es: un documento histórico. Desde El Malo (Fania Records, 1967), su debut junto a Héctor Lavoe, hasta Siembra (Fania Records, 1978), el manifiesto que grabó con Rubén Blades y que vendió más de tres millones de copias, la trayectoria de Colón traza el momento exacto en que la salsa neoyorquina pasó de ser música de barrio a convertirse en discurso político. «Pedro Navaja» no es una canción: es un relato corto de primera categoría con una orquesta funcionando como coro griego. «Plástico» es crítica de clase. Y «El Gran Varón», grabada en 1989 cuando hablar de homosexualidad y VIH en la radio era prácticamente un tabú, es un acto de activismo puro. Colón entendió antes que nadie que su comunidad vivía en los márgenes del sistema. Y se pasó la vida convirtiendo esos márgenes en el centro del mundo. Playlist: – El Malo, Willie Colón; – America (feat. Bill Evans and Arturo Sandoval), Dave Grusin; – Nueva York, Willie Colón; – Che Che Cole, Willie Colón & Héctor Lavoe; – Calle Luna Calle Sol, Willie Colón & Héctor Lavoe; – Juanito Alimaña, Willie Colón & Héctor Lavoe; – LLego La Banda, Willie Colón, Héctor Lavoe & Yomo Toro; – Plastico, Willie Colón & Rubén Blades; – Pedro Navaja, Willie Colón & Rubén Blades; – El gran varón, Willie Colón & Legal Alien; – La murga de Panama, Willie Colón, Héctor Lavoe & Yomo Toro.

Bill Evans has a PhD in Exercise Physiology, coaching experience at the D1 level, and is the founder of Endurance Laboratory. He has more than 20 scientific papers published in his field and was formerly a senior scientist at Johns Hopkins University in their Applied Physics Laboratory. Today, he's helping you improve your running economy. We discuss: The impact of easy running and different types of workouts on economy How to order workouts during a season How drills, plyometrics, and strength training improve efficiency Long-term and short-term perspectives on economy To improve your form, don't miss our Form Cues Cheat sheet (my favorite 3 form cues, how to use them, and when). Thanks Boulderthon! Boulderthon is a top 10 race in America according to USA Today and one of the best fall marathons according to Runner's World. With a 5k, 10k, half marathon, and marathon, Boulderthon offers an amazing fall destination race weekend right at the foothills of the Rockies. Use code STRENGTH20 for $20 off the marathon or half marathon. Join me in Boulder, one of the top running destinations in the country, on September 27th, to experience the tight knit running community here, race on the epic streets of Boulder, and finish on historic Pearl Street. While I live in Denver, I travel to boulder probably once a week to run. It's arguably one of the best running locations in the United States. There'll probably be cool and crisp fall weather for racing fast, too. And don't worry, Boulderthon is a BQ-eligible, USA Track & Field Sanctioned Event. Boulderthon is on track to sell out again this year so don't miss out. Use code STRENGTH20 to save $20 on the marathon or half-marathon here and I hope to see you in Boulder this fall. Thanks Wahoo Fitness! We're supported by our newest partner - Wahoo Fitness and the best treadmill in the game, the Wahoo KICKR Run. I have been fortunate to run on a KICKR Run treadmill and they're unique - you will immediately know that you're experiencing one of the smoothest, sturdiest treadmills you can buy.  Go to Wahoo Fitness and use code STRENGTHRUNNING to get a free KICKR Headwind Bluetooth Fan ($319.99 value) with your purchase of a Wahoo KICKR Run treadmill.  They like to say that it's the treadmill that follows you, not the other way around. And that's because it's dynamic - there's a lateral tilt feature that mimics real-world terrain. So as you're running, it varies the side-to-side angle by half a degree every few seconds to keep your muscles ready for outdoor running. And the KICKR Run's dynamic pacing is straight out of a sci-fi movie: the treadmill will match your pace automatically: no controls needed. You'll get a more natural running experience with no breaking to reach controls or setting the pace manually.  See what all the pros are raving about with the Wahoo KICKR Run Treadmill. They changed the game for bike trainers in the cycling industry - and now they're doing the same for runners. Don't forget to use code STRENGTHRUNNING to get a free KICKR Headwind Bluetooth Fan! 

Pianist/composer Michel Legrand (born Feb 24, 1932) is credited with composing over 200 film and television scores. He was active in the jazz world for most of his life. A musical milestone was his recording "Legrand Jazz" which released in 1958 and featured luminaries like Miles Davis, John Coltrane, Bill Evans, Hank Jones and many others. His recordings over the years featured his virtuoso piano playing and his compositions have been embraced by jazz musicians for decades.

朱蟒，资深爵士乐演奏家、作曲家、教育家，于2023年凭借纪念拉赫马尼诺夫150周年和勃拉姆斯190周年的MISA音乐节举办了一场“当代投影-朱蟒五重奏”音乐会。他成功地运用爵士五重奏的形式改编了两位大师的八首作品，及一首来自肖斯塔科维奇的作品。在这场激动人心的音乐会上，朱蟒通过爵士和声概念为作品重配了和弦，以当代爵士节奏的律动和新颖的结构完全颠覆了原著的氛围。钢琴作为主线引领着鼓和贝斯宣告着主题，呈现经典爵士如同Bill Evans般三重奏的优美；萨克斯和小号则用温暖的和音奏出高亢激昂的副旋律，似爵士大师Miles Davis的灵魂附身；每一位音乐家自由富有创意的即兴段落逐渐将音乐推向一个又一个高潮。以勃拉姆斯的G小调叙事曲作为开场，接下来是勃拉姆斯的第三交响曲第三乐章主题和拉赫马尼诺夫的练声曲等，最后以大家都熟悉的勃拉姆斯匈牙利舞曲为终曲圆满结束了音乐会。朱蟒将古典音乐“投影”到爵士音乐这样的形式让观众们从不同的角度来回味经典，一同感受古典乐的新生，跨越了古典音乐和爵士音乐之间的鸿沟，这是一种魔力，音乐没有界限！

In this episode of the Cancer Assist Podcast, Dr. Bill Evans is joined by Dr. Omar II, MD, SM, Assistant Professor in the Department of Surgery and Associate Member in Health Research Methods, Evidence, and Impact at McMaster University, and Staff Neurosurgeon at Hamilton General Hospital and Hamilton Health Sciences. Together, they break down what a brain tumour diagnosis really means, from the difference between benign and malignant tumours to how they are diagnosed and treated. The conversation explores surgery, radiation and chemotherapy, as well as the importance of access to care and how factors outside the hospital can impact patient outcomes. 

If you're lining up for Record Store Day 2026, this episode focuses on the one name that matters most: Zev Feldman, known as The Jazz Detective. Best known for his first-release live recordings of Bill Evans on Resonance and Elemental, Feldman has already delivered 14 Evans RSD titles, with a 15th arriving April 18.For Record Store Day 2026, he goes further than ever with 11 new jazz releases (including the Evans) across Resonance, Elemental, and Time Traveler Recordings, the label he co founded to bring back rare and hard to find 1970s jazz albums from the Muse catalog. This is not filler for collectors. It is a serious expansion of what Record Store Day can deliver.Join Eric Pye and Mitch Anderson as they break down the full slate, the continued demand for the Bill Evans RSD series, and the reality of tracking down and restoring lost recordings. At the center is Feldman's latest discovery, a deep archive from legendary Chicago club owner Joe Segal, now driving an ongoing series of never before heard live albums, with five debuting for RSD 2026. If you care about jazz, vinyl, and making smart choices before the lines form, this conversation gives you a real advantage.RESONANCE RECORDS• Joe Henderson  – Consonance: Live at the Jazz Showcase  3-LP set featuring saxophone titan Joe Henderson and his quartet with pianist Joanne Brackeen, bassist Steve Rodby and drummer Danny Spencer captured in February of 1978. Liners by John Koenig, reflections by Brackeen, Rodby and Spencer, but Joe Segal's son Wayne.• Ahmad Jamal – At The Jazz Showcase: Live in Chicago 2-LP set featuring the iconic pianist with bassist John Heard and drummer Frank Gant on March 20-21, 1976. Newly curated liner notes by Jamal scholar Eugene Holley, Jr. with memories from Jamal's daughter Sumayah and appreciations from pianists Joe Alterman and Fred Hersch. • Yusef Lateef – Alight Upon The Lake: Live at the Jazz Showcase 3-LP set featuring Lateef with pianist Kenny Barron, bassist Bob Cunningham and drummer Albert "Tootie" Heath captured live in June of 1975. Liner notes by Lateef biographer Herb Boyd, plus interviews with Bennie Maupin, Wayne Segal and more.• Mal Waldron – Stardust & Starlight: At The Jazz Showcase2-LP set featuring Waldron with bassist Steve Rodby, drummer Wilbur “the Chief” Campbell, and saxophonist Sonny Stitt captured in August 1979. Newly curated liner notes by Howard Mandel, interviews with pianist Lafayette Gilchrist, bassist Steve Rodby, Wayne Segal and more.TIME TRAVELER RECORDINGS • Terry Callier – At The Earl of Old Town2-LP set featuring the influential singer/songwriter at just 22-years-old.  A compelling never-before-released 1967 solo performance, recorded by NEA Jazz Master Joe Segal. The package includes comprehensive liner notes by Callier's longtime friend, Real Jazz Sirius/XM program director Mark Ruffin and comments by daughter Sunny Callier. • Roy Hargrove – BERNRecorded at the International Jazzfestival Bern, Switzerland in May 2000, the album captures a vital, previously unissued Roy Hargrove date showcasing the then 30-year-old trumpeter/bandleader at the height of his powers. The package features extensive liner notes by noted jazz journalist/author Nate Chinen.• Buster Williams – PinnacleWilliams' celebrated 1975 debut album will be reissued for the first time by Time Traveler Recordings' Muse Master Edition Series. Package includes original 1975 notes by Elliot Meadow, new liners by noted journalist Mike Flynn and a rare period photo by Raymond Ross. ELEMENTAL RECORDS• Michel Petrucciani – Kuumbwa (Europe only)2-LP set capturing a fiery 1987 performance at Kuumbwa Jazz Center in Santa Cruz, California. The first Petrucciani release among the label's many jazz treasures, the recording features the legendary pianist with bassist Dave Holland and drummer Eliot Zigmund. The thoughtfully annotated set includes reflections by pianist's son Alexandre Petrucciani, drummer Eliot Zigmund, Italian pianist Enrico Pieranunzi, journalist Thierry Pérémarti, and Kuumbwa Co-Founder Tim Jackson.• Bill Evans at the BBC2-LP set featuring spellbinding, intimate music from a 1965 performance showcasing the legendary pianist's trio with bassist Chuck Israels and drummer Larry Bunker which aired on the British TV program Jazz 625, hosted by English trumpet player Humphrey Lyttelton. The comprehensive package includes notes by Evans scholar Marc Myers, appreciations by Jamie Cullum and James Pearson, and an interview with Israels who told Marc Myers, “Yes, we were damn near perfect at the BBC."• Cecil Taylor Unit – Fragments, The Complete 1969 Salle Pleyel Concerts 3-LP set featuring two explosive never-before released Cecil Taylor Unit performances featuring the avant-jazz pianist's 1969 Unit with saxophonist Jimmy Lyons, saxophonist/flutist Sam Rivers and drummer Andrew Cyrille at their creative peak. The expansive package includes notes by Taylor biographer Philip Freeman, memories from drummer Andrew Cyrille and appreciations from Karen Borca, Matthew Shipp, Jack DeJohnette and more.• Freddie King – Feeling Alright: The Complete 1975 Nancy Jazz Pulsation Concerts3-LP set featuring the blues legend Freddie King live before more than 50,000 fans in October 1975, the final full year of his life. Joining King are organist Alvin Hemphill, guitarist Ed Lively, pianist Lewis Stephens, bassist Benny Turner and drummer Calep Emphrey. The deluxe package features appreciations from his daughter, Wanda King, as well as ZZ Top's Billy Gibbons, plus liner notes by author Cary Baker. The set documents an essential blues artist whose ferocious guitar tone, commanding singing, and genre-bridging vision helped reshape modern blues and rock.hank you to our sponsor SVS for supporting this episode!https://www.svsound.comIn the Episode:Zev Feldman, Elemental, Time Traveler, and Resonance RecordsEric Pye, Vintage Audio ColumnistMitch Anderson, ProducerCredits:Original intro music by The Arc of All.Voice Over Provided by Todd Harrell of SSP Unlimited.Production by Mitch Anderson, Black Circle Studios.Keep up-to-date with all the latest Hi-Fi, Music, Home Theater, and Headphone news by visiting:https://www.ecoustics.com#hifi #audiophile #vintageaudio #RSD2026 #RecordStoreDay #vinylcommunity #analogreissue #podcast #ecoustics #blackcircleradio #audioloveyyc #instavinyl #vinylcommunity #resonancerecords #elementalrecords #timetravelerrecordings #musicindustrynews

Zev Feldman returns to reveal 11 Record Store Day 2026 releases, including stunning discoveries from the legendary Joe Siegel Jazz Showcase tape archive featuring Ahmad Jamal, Yusef Lateef, Freddie King, and more never-before-heard recordings. Topics Include: Zev Feldman returns, now dubbed the "Jazz Attorney General" by Nate Feldman has 11 releases this Record Store Day — a personal record The Joe Segal tape archive is the foundation of five RSD releases Segal was an NEA Jazz Master and Chicago's greatest jazz impresario He presented legends like Lester Young starting back in 1947 Feldman first connected with Siegel around 2010-2011 via word of mouth A breakfast meeting with Siegel led to three follow-up Chicago trips The archive may be the world's largest collection of unissued jazz recordings Between 8,000 and 10,000 tapes discovered across reels, cassettes, and more Resonance is partnering with the Siegel family and Wayne Siegel on releases Joe Henderson's 1978 quartet at the Jazz Showcase is raw and electrifying Pianist Joanne Burkeen confirmed this captures exactly how the band really played Ahmad Jamal's 1976 Jazz Showcase run includes a full 26-minute Swahililand Jamal and Siegel shared a deep longstanding friendship spanning many years Yusef Lateef with Kenny Barron: a burning three-LP set from 1975 Lateef played the Jazz Showcase more than any other single artist Mal Waldron and Sonny Stitt reunite in an unusual 1979 bebop week Nate predicts Mal Waldron will be the sleeper hit of RSD 2026 Bill Evans at the BBC features performances Feldman first saw on laser disc This marks Feldman's 15th Bill Evans release — the catalog keeps growing Freddie King from the French INA archives is Nate's personal favourite of the batch Billy Gibbons of ZZ Top contributed to the Freddie King liner notes Cecil Taylor's 1969 Paris recordings premiere officially for the very first time Michel Petrucciani recordings surfaced from the Kuumbwa Jazz Center in Santa Cruz Petrucciani died young, making these rare live documents especially precious Terry Callier's 1967 solo guitar recordings came from the Earl of Old Town Roy Hargrove Quintet captured live and burning at Berne Jazz Festival 2000 Buster Williams' debut Pinnacle gets an all-analog AAA reissue on Time Traveler This batch marks Feldman's 96th Record Store Day release across his career Feldman previews a Don Schlitten jazz photography coffee table book on Fantagraphics High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Zak Shelby-Szyszko Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Best Selling author James Kaplan and myself dive deep into the life and turbulent times of three jazz giants and the iconic album they created, "Kind of Blue."   https://bit.ly/47tZCCA Get 21% OFF Luxurious Cozy Earth bamboo bedding & more   Use  Promo Code: REBEL  htttps://cozyearth.com/discount/REBEL   

Estrella Acosta en haar band Esquina 25 vieren de release van hun nieuwe album ‘Caminos' in het voorjaar van 2026 met een concerttournee, waarmee ze op vrijdag 3 april De Tor in Enschede aandoen. Ze hebben hun horizon verbreed en een breed scala aan Latijns-Amerikaanse muziek laten horen, niet alleen uit Cuba, maar uit heel Zuid-Amerika en het Caribisch gebied. Aanleiding voor TORcast-host Willem Habers om eens in de wereld van Latijns Amerikaanse muziek te duiken. Playlist: Buena Vista Social Club: Chan Chan; Estrela Acosta & Esquina 25: Baila e Son Con Mi Mulata; Estrella Acosta: Mi Tierra Es Asi; Dizzy Gillespie: Manteeca; Tito Puente: Oye Como Va; Dubbelaar: Mongo Santamaria: Afro Blue; John Coltrane quartet: Afro Blue; Antonio Carlos Jobim: Wave; Elis Regina, Antonio Carlos Jobim: Aguas de Março; Josee Koning, Has Vromans, Nelson Maria, Daniel Pezzotti: Desafinado; Izaline Calister: Mi Pais; Estrella Acosta: Que Viva Chango; Astor Piazzolla: Libertango. Beluister deze TORcast Latijns‑Amerikaanse muziek heeft een enorme invloed gehad op de ontwikkeling van de jazz, vooral via ritmes, percussie‑technieken, dansvormen en nieuwe harmonieën. Hieronder vind je een chronologisch en thematisch overzicht. Cuba: de bakermat van Afro‑Cubaanse ritmes Afro‑Cubaanse basis (19e–20e eeuw) Ontstaan uit de mix van Afrikaanse ritmiek (Yoruba, Congo, Arará) en Spaanse melodie/harmonie. Belangrijke vormen: Rumba, Son, Danzón, Mambo, Cha‑cha‑chá. Cruciaal instrument: clave (2–3 / 3–2 patroon), hét ritmische fundament. Cuban Jazz & Latin Jazz (jaren 40–50) Jongeren in Havana en New York vermengen Son, Mambo en jazzharmonie. Sleutelpersonen: Mario Bauzá, Machito, Dizzy Gillespie, Chano Pozo (o.a. Manteca). Ontstaan van Afro‑Cuban Jazz: krachtige blazers, complexe polyrhythms, montuno‑piano. Later (jaren 70–heden) Salsa ontwikkelt zich (Fania All‑Stars, Willie Colón, Celia Cruz). Moderne Cubaanse jazz: Chucho Valdés, Irakere, Gonzalo Rubalcaba, Roberto Fonseca. Brazilië: ritmische rijkdom & zwoele harmonieën Samba (begin 20e eeuw) Afro‑Braziliaanse wortels, ontwikkeld in Rio. Ritmische kenmerken: 2/4 feel, syncopen, grote percussiegroepen. Bossa Nova (jaren 50–60) Intiemere, harmonisch verfijnde stijl (invloed van jazz). Pioniers: João Gilberto, Tom Jobim, Vinicius de Moraes. Wereldwijde doorbraak met The Girl from Ipanema (Getz/Gilberto). Harmonieën beïnvloeden jazzpianisten & componisten wereldwijd. MPB en beyond MPB (Música Popular Brasileira): Caetano Veloso, Gilberto Gil, Elis Regina. Moderne Brazilian Jazz: Hermeto Pascoal, Egberto Gismonti, Hamilton de Holanda. Argentinië: Tango & Nieuw‑Tango Traditionele Tango (eind 19e–20e eeuw) Ontstaan in Buenos Aires en Montevideo. Melancholisch, dramatisch, bandoneón‑gedreven. Iconische figuur: Carlos Gardel. Nuevo Tango (jaren 50–90) Astor Piazzolla mengt tango met jazz en klassieke muziek. Complexe harmonie en ritmische vrijheid. Invloedrijk in de moderne jazzwereld; talloze jazzarrangementen van Piazzolla's werk. Andere regio's & stijlen Mexicaanse invloeden Bolero, Ranchera, Son Jarocho (bv. La Bamba). Minder directe jazzkruising, maar bolero's worden vaak in jazzsetting gespeeld. Caribisch gebied (Puerto Rico, Dominicaanse Republiek) Plena, Bomba, Merengue, Bachata. Sterk aanwezig in moderne salsa en Latin jazz (bijv. Tito Puente, Eddie Palmieri). De invloed op jazz: een korte lijn door de tijd Jaren 30–40 – Eerste invloeden Duke Ellington en Jelly Roll Morton integreren Latijnse ritmes. Jaren 40–50 – Afro‑Cuban Jazz boom Gillespie & Pozo fuseerden bebop met Cubaanse percussie. Jaren 60 – Bossa Nova in de jazz Stan Getz populariseert Bossa Nova. Pianisten als Bill Evans en Herbie Hancock nemen Braziliaanse harmonieën over. Jaren 70–90 – Salsa & Latin Fusion Latin jazz‑orchestra's (Puente, Palmieri). Jazz musicians integreren samba, baião, MPB en folkloristische ritmes. 2000–heden – Cross‑genre & global jazz Mix van Afro‑Cuban, Brazilian, elektronische muziek, hiphop en jazz. Voorbeelden: Arturo O’Farrill, Miguel Zenón, Hiromi met Latin‑influences, Snarky Puppy (sterke Braziliaanse invloed). Samenvatting in één oogopslag Stijl Land Kernkenmerken Jazzinvloed Son / Rumba / Mambo Cuba Clave ritme, percussie, montuno Basis Afro‑Cuban jazz Samba Brazilië Energieke percussie, 2/4 feel Jazzdrums & ritmiek Bossa Nova Brazilië Zachte groove, rijke harmonie Grote invloed op jazzstandards Tango Argentinië Dramatische melodieën Avant‑garde/fusion via Piazzolla Salsa Cariben Mambo + son + jazz Big band Latin jazz

In Episode 33 of Flow State Podcast, Harry expresses his love for the unexpected directions that live improvisation can take, geeks out on jazz music theory while talking about Bill Evans and Miles Davis, and admits his secret weakness for coffee table books. This episode's Meet The Team segment features video editor and animator, Sarah, who asks if freestyling is akin to talk therapy by teaching Harry lessons about himself. Harry also discusses keeping inspiration alive, freestyling as a form of magic, and the impressiveness of a well-crafted pun. Finally, he reacts to a fan-submitted freestyle before recapping the episode with some off-top bars.Show Notes:Euro Tourhttps://www.harrymackofficial.com/showsMarc Rebillethttps://www.marcrebillet.com/ARIatHOMEhttps://www.youtube.com/@ariathomeLOWLANDS FESTIVAL 2024 FULL SET - Harry Mackhttps://youtu.be/juR9CZuF3XwBill Evans - Revealing Somethinghttps://www.youtube.com/watch?v=xix9KVnPxPYSunday At The Village Vanguard - Bill Evans Triohttps://open.spotify.com/album/3uwufR7PwniMX7t3v4I5oB?si=79qJSOUUQ76_Yp3YYoLR7QKind of Blue - Miles Davishttps://open.spotify.com/album/1weenld61qoidwYuZ1GESA?si=TA2Mwz_vS5qeY-5jHx_llgFreestyle Medicine: Harry Mack x UCHealthhttps://youtube.com/playlist?list=PLtzi2XpYJaIa41TbVA6J3pUCxx07763aC&si=1ebM7If_I_21Jo89The Book of HOV: A Tribute to JAY‑Zhttps://www.thebookofhov.com/Contact High: A Visual History of Hip-Hop by Vikki Tobakhttps://bookshop.org/a/102858/9780525573883The Subtle Art of Not Giving a F*ck by Mark Mansonhttps://bookshop.org/a/102858/9780062457714The Artist's Way by Julia Cameronhttps://bookshop.org/a/102858/9780143129257The War of Art by Steven Pressfieldhttps://bookshop.org/a/102858/9781936891023Darren Walsh Punshttps://darrenwalsh.co.uk/00:00:00 Intro00:02:07 Improvised Live Performance00:12:39 Moments of Flow - Bill Evans00:30:11 Meet The Team - Question From Sarah00:46:23 Q1: What other kind of art inspires you?00:55:46 Q2: How do you deal with lack of inspiration?01:04:32 Q3: Have you ever tried doing puns or one-liners?01:11:03 Fan Submitted Freestyle - Luke M01:16:53 Closing Freestyle

Dave and Alex welcome Dr. Bill Evans onto the show and we talk about his running journey, the science of training and the performance boom!

This week's show features tuneage from Pat Metheny w Lyle Mays, Peter Gabriel, Neil Diamond, Bill Evans w Jim Hall, The Beatles, Strawbs, Oasis, Love, Leon Russell, Paul & Linda McCartney, Randy Newman, Todd Rundgren, Jefferson Airplane, Ten Years After, Mad Dogs & Englishmen, Miles Davis, John McLaughlin, Larry Coryell, Led Zeppelin and Lou Reed.

Der Kaffeemann und Daniel hätten den Goldenen Bären der Berlinale 2026 ja lieber an Everybody Digs Bill Evans verliehen als an Gelbe Briefe, immerhin hat die Jury das kunstvolle Musik-Biopic rund um den legendären Jazz-Virtuosen aber mit dem Silbernen Bären für die beste Regie prämiert. Spätestens sobald ein Kinostart feststeht, solltet ihr euch diesen wunderbaren und wunderschönen Film von Grant Gee unbedingt fest vormerken.

El 2 de marzo de 1959 se grabó Kind of Blue, un álbum de estudio del músico estadounidense de jazz Miles Davis.La grabación contó con el legendario saxofonista John Coltrane y el contrabajista Paul Chambers, el equipo se completó con Julian "Cannonball" Adderley, en el saxofón alto, Jimmy Cobb a la batería y Bill Evans al piano.​

Ep. 382: Berlin 2026 – Bilge Ebiri on Mouse, Moscas (Flies), Everybody Digs Bill Evans Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the 2026 Berlinale concluded its second week, I continued my series covering the film highlights. This time I sat down with Bilge Ebiri of Vulture and New York Magazine, who was making his first visit to this festival. Among the titles discussed were Moscas (aka Flies, directed by Fernando Eimbcke), Mouse (Kelly O'Sullivan and Alex Thompson), and Everybody Digs Bill Evans (Grant Gee). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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El 10 de febrero de 2021 nos dejó el pianista, teclista y compositor Lyle Mays, artífice, junto a Pat Metheny, del Pat Metheny Group. De los discos publicados con su nombre las piezas 'August', 'Chorinho' y 'Possible straight' ('Sweet dreams' , 1988, con Bill Frisell, Marc Johnson, Bob Mintzer...), 'Bill Evans' y 'Something left unsaid' ('Fictionary', 1992, con Marc Johnson, Jack DeJohnette...) y 'Procession' y 'This moment' ('Solo. Improvisations for expanded piano' de 1988). Con el Pat Metheny Group, 'Better days ahead' (del disco 'Letter from home'), 'First circle' (de 'The first circle') y 'Third Wind' (de 'Still life talking'). Escuchar audio

durée : 01:00:02 - Down and Out - par : Nathalie Piolé -

There is an inkling of a legend that one day scientists will perfect a regular orbit for the audio edition of Charlottesville Community Engagement. Or at least, in the current day and age, this podcast edition happens as a secondary or perhaps tertiary by-product of the creation of many stories. The optimal time for this to come is Monday morning but the mini Ice Age has taken its toll on normal routines. I'm Sean Tubbs, and I do hope you'll take a listen whenever you can.In this edition:* City Council took a look at national financial picture at recent retreat (read the story)* Charlottesville City Council briefed on FY27 budget; assessments up an average of 3.72 percent in 2026 (read the story)* Charlottesville's FY25 surplus totals $8.5 million (read the story)* The Charlottesville-Albemarle Regional Transit Authority meets for the first time in 2026 (read the story)* Albemarle County seeking changes to form-based code at Rio / 29 (read the story)* Council confirms willingness to let group build bridge to Vietnam memorial, accept the infrastructure (read the story)* City Manager Sanders goes through his work plan; Ashley Marshall leaving city government (read the story)First shout-out: Camp Albemarle!Today's subscriber-supported public service announcement goes out to Camp Albemarle, which has for over eighty years been a “wholesome rural, rustic and restful site for youth activities, church groups, civic events and occasional private programs.”Located on 14 acres on the banks of the Moorman's River near Free Union, Camp Albemarle continues as a legacy of being a Civilian Conservation Corps project that sought to promote the importance of rural activities. Rebuilt in the early 1980's, a legacy of 4-H programming thrives along with a wide range of additional activities. Educational initiatives from schools across the region spark environmental learning moments at every turn.Second shout-out: WTJU Folk Marathon running this weekWTJU's volunteer hosts are curating a Folk music mecca, running February 2 – 9, all to raise money for the non-commercial radio station as it continues to find its footing after federal funding cuts. Check out the schedule on the website here!Keep your dial set to 91.1 FM (or stream from their player) for a week of Folk sounds, including old-time, honky tonk, global music, roots, and mind-bending psych folk. There will be deep dives into the work of singular artists, including Brandi Carlile, John Prine, Jesse Welles, Martin Carthy, and many more. There will be tributes to some of the musicians we lost in 2025, including Raul Malo, Danny Thompson, Joe Ely, Michael Hurley, and Todd Snider.The Marathon will boast eight live concerts, open to the public, and broadcast on air, online, and on the WTJU YouTube channel. Stop by to see Mama Tried, Scuffletown, the Buzzard Hollow Boys, Red and the Romantics, Ramona and the Holy Smokes, and others! Every hour of the seven days and nights broadcasts directly from WTJU; even the overnight programming is populated with archived concerts from our very own stage! We have also invited some of our favorite local musicians in to present special programming, including Banjo Hall of Fame member Bill Evans, singer/songwriter extraordinaire Terri Allard, and band leader Waverly Minor. Where else but WTJU can you find such support from the community?End notes on #995-APeople who listen to the audio of this one may notice some interesting errors. More than usual, I'm popping my p's and otherwise hitting plosives. That's because something weird is happening with my recording set-up that I can't hear proper gain on my voice when I'm recording. If I can't hear them when I'm narrating a script, then they end up in the final mix because there's no choice.I'll figure it out, but I left it in for this one because this may have been one of the hardest audio editions to have done for a while. I barely took a breather in January and sometimes when I do too much work I don't process all of the stories properly.So yesterday I took off from writing new stories to get caught up with what I've already done. I usually do this work on Saturdays but I wanted to look at the General Assembly. This particular audio version also includes brand new interstitials. Those are the bits of sound in between the audio segments. One of the original ideas was that I would continue to make new ones but I've been using the same 20 stings over and over. So, today I made an effort to make new ones from existing weird things I've made over the years.Speaking of which, I've had an idea. In the coming weeks I'll be announcing a new way people can support my work, and that also involves changing the Patreon away from reporting and to something more artistic and creative. Probably not at all even close to the mainstream and it may not work, but I don't want to close the account.In any case, there may or may not be a regular newsletter today. I have to attend to the business of it all and this is a day where I may need to give myself over to that.Then again, maybe I won't. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit communityengagement.substack.com/subscribe

Send a textThe Music Stopped on Valentine's Day, a full-length radio play, tells the story of Avi Noam Gross—my late husband—whose life ended due to a medical error. It weaves this painful narrative with his music, because I needed a way not only to tell what happened, but to honour Avi's extraordinary musicianship.Avi was a gifted composer and pianist. He completed his thesis on Bill Evans at the University of British Columbia, and his instrumental album Sophie's Heart is currently streaming. This piece features his standalone songs as well as music from our original musicals, The Calling Hour and Meshugeneh, the Musical. The Old Show had already been written, and we were on the verge of workshopping it when Avi received the Tdap vaccine and suffered a catastrophic reaction.I won't go further into the details here—you know the story does not end well.With The Music Stopped on Valentine's Day, I hope you will come to know what happened to an extraordinarily talented, humble, and deeply intelligent man—one who was often misunderstood because of his unique nervous system, which placed him on the autism spectrum. It will be three years this Valentine's Day that Avi passed. With any luck he's hanging out with Bill Evans. Deep thanks to my friends who helped with the show in some way: Josea Cooper, Walt ( beautiful guitar ending) Aly, Shirley Perry, sound engineers MG ( flute), KvH and CM, as well as Michelle for her encouragement, and the very kind, Paul J. Gratitude to solo coach Jessica Lynn Johnston and Mira Wilder especially instigating the change of focus of the show. And to Beau, for all the licks and tail wags and hiking the North Shore trails!And thank you so much to those who have kept me standing through these last 3 + years: Oscar and Elliot and family:), Miriam, Micki, Kim, Nora, Penny, Holly, Florence, Seabury, Lynne, Michelle, Mona, the Sears including M and T, P. A.W., A and J; and to Walt and Mitch and all those who came to the hospital (particularly Harv, Joseph, Regan, Suzanne, Conny, D and H), and/or  memorial or wrote an email (particularly Margie, Eric and Larry).  Huge love!Please SUPPORT the show...$3/4 a month - see the link for offers. Thank you!!Support the show#trauma #medical error #music #musicals #originalsongs #autism #soloshows #NationalCitizensInquiry #Creativity in Healing #Medicalfreedom #MindControl #Canadaontheedge #HealthCanada #CanadaLaw #TrueHope #truth #apocaloptimist #transformingtrauma #grief #grievingdeeply #homeopathy #loveheals #naturopathicmedicine #druglessmedicine #energymedicine #expressiveartsheal #empoweredvoices #knowledgeispower #singtohealthyroids #erasetoxiclegacies #peaceispossible #VictimeRecoveryBooks: Transforming Trauma, a drugless and creative path to healing PTS and ACE is published by Hammersmith Books is available globally. Surviving a Viral Pandemic through the lens of a naturopathic medical doctor. On Amazon both paperback and eBookFlawed, a novel - an eccentric family saga - is on Amazon both paperback and eBook...audiobook now on Audible Music: Instrumental album: Sophie's Heart - Avi Noam Gross (streaming)websites: drheatherington.com; heatherherington.comemail: drheatherh@icloud.com new phone number 672 399 1942Breathe in and out slowly and gently wherever you are. We will survive this dark time of the world. It starts with you: standing, jumping, singing in the light of love and even if just a little at first, joy.

Bill Evans is the CEO and Solutions Architect of Liberty Fox Technologies, a software consulting firm he founded after being laid off early in his career. A La Salle University graduate with dual degrees in Computer Science and Telecommunications, Bill turned a challenging job market into an opportunity to build a stable, fast-growing technology consultancy that now serves clients internationally. Since 2010, Liberty Fox has focused on being more than just a tech provider—positioning itself as a true partner to its clients while delivering high-quality custom software solutions. Under Bill's leadership, the company has earned repeated recognition on the Philadelphia 100, achieving Hall of Fame status after more than seven years on the list and ranking as high as 14th. Bill continues to lead complex technical initiatives for a wide range of corporate clients. Outside of work, he enjoys flying airplanes, muscle cars, discovering new dining spots, and attending unique events with friends. Links https://www.libertyfoxtech.com/ https://www.linkedin.com/company/liberty-fox-technologies If you're enjoying Entrepreneur's Enigma, please give me a review on the podcast directory of your choice. The show is on all of them and these reviews really help others find the show. iTunes: https://gmwd.us/itunes Podchaser: https://gmwd.us/podchaser TrueFans: https://gmwd.us/truefans Also, if you're getting value from the show and want to buy me a coffee, go to the show notes to get the link to get me a coffee to keep me awake, while I work on bringing you more great episodes to your ears. →  https://ko-fi.com/entrepreneursenigma Support me on TrueFans.fm → https://gmwd.us/truefans. Support The Show & Get Merch: https://shop.entrepreneursenigma.com Want to learn from a 15 year veteran? Check out the Podcast Mastery Community: https://www.skool.com/podcast-mastery/about Follow Seth Online: Instagram: https://instagram.com/s3th.me LinkedIn: https://www.linkedin.com/in/sethmgoldstein/ Seth On Mastodon: https://indieweb.social/@phillycodehound The Marketing Junto Newsletter: https://MarketingJunto.com Leave The Show A Voicemail: https://podcastfeedback.com/entrepreneursenigma Learn more about your ad choices. Visit megaphone.fm/adchoices

【本节目由肯德基早餐特约赞助播出，感谢肯德基早餐，也欢迎大家在各大平台关注肯德基早餐的播客《一早肯聊|职场人的晨间灵感》节目】在爵士乐中，“双重奏”是一种非常有意思的演出形态。对于乐手来说，它是技术和默契的试金石；对于听众来说，它往往可以提供沉浸式的听觉盛宴。本期播客从“芝士双层牛肉帕尼尼”中得到灵感，向你推荐爵士乐中的五个经典又好听的双重奏，并为每一个双重奏都搭配了一款肯德基早餐爆款单品。音乐和美食有着共通之处，也希望通过这种方式，带给你从耳朵到舌尖的通感体验。其实除了音乐和美食，我们只需要用一点点心，就可以给自己的生活加层旋律。毕竟能把平凡日子过成“双重奏”的人，才是最会偷着乐的生活家。Timeline of the Show:[04:00] 爵士乐和肯德基的炸鸡都是美式复古文化的一部分[06:26] 双重奏推荐：Ella Fitzgerald & Louis Armstrong - 《Ella & Louis》[15:48] 双重奏推荐：Bill Evans & Jim Hall - 《Undercurrent》[23:03] 双重奏推荐：Michel Petrucciani & Lee Konitz - 《Toot Sweet》[30:18] 双重奏推荐：Stan Getz & Kenny Barron - 《People Time》[39:26] 双重奏推荐：Gerry Mulligan & Chet Baker - 《Line for Lyons》[46:49] 双重奏不仅仅是音乐和美食的概念，它同样可以运用到生活中【声明】本期关于爵士乐的解读，源自特约主播的个人体验，不代表本节目立场。肯德基限定新品，图片和节目中的描述仅作为参考，请以实物为准。

For this episode we're joined by Sonic Youth legend Thurston Moore to discuss his new book Now Jazz Now: 100 Essential Free Jazz and Improvisation Recordings, 1960-80. We start by recapping on the story our guest told in his acclaimed 2023 memoir Sonic Life. In the course of the conversation about his early musical life in Florida and Connecticut we hear a clip from Steve Roeser's 1994 audio interview with him. Discussion of early influences such as the Stooges takes us back to Thurston's stint in the late J.D. King's New York band the Coachmen – and then on to Sonic Youth itself. Our guest's friendship with neo-gonzoid scribe Byron Coley – a brilliant guest on our podcast last summer – takes us up to the present and the publication of Now Jazz Now. A general conversation on the subjects of "free jazz" and "improv" ensues, taking in clips from Thurston's pal David Toop's 1995 audio interview with the late Derek Bailey. After Mark has quoted from newly-added library pieces about Bill Evans (1972) and OMD (1984), Jasper talks us out with his thoughts on James Brown's 1994 loaded encounter with the Beastie Boys. Many thanks to special guest Thurston Moore. Now Jazz Now is published by Ecstatic Peace Library and available from ecstaticpeace.net/now-jazz-now. Pieces discussed: Sonic Youth, Sonic Youth And the Blast First Axis, Derek Bailey audio, Cecil Taylor: Ladies and gentlemen, please adjust your re-entry goggles, David Toop: Gorilla Noises & Mains Hum, Bill Evans: Living Time With Evans, Orchestral Manoeuvres In The Dark: OMD and The Beastie Boys: Still Ill.

Hermine Duerloo, Laurent Maur and Alexandre Piret join me on episode 150, for a retrospective on the great Toots Thielemans. Toots was born in 1922 to humble beginnings, in Brussels, Belgium, where his parents ran a cafe. His first instrument was an accordion, which he started playing at age three and showed great promise. He took up guitar and the chromatic harmonica around the age of sixteen. He then went on to tour Europe with Benny Goodman in 1950 before moving to the US in 1951 where landed a seat in the George Shearing Quintet, mainly as a guitar player, but also playing some songs on chromatic. Toots made his first solo albums from the late 1950s, including the iconic Man Bites Harmonica. From the 1960s Toots was in great demand as a session musician, recording with many giants of the music industry, such as Bill Evans, Paul Simon and Billy Joel. He also made some notable musical collaborations, including with Jaco Pastorius and Quincy Jones, and recorded on numerous film and tv scores, such as Midnight Cowboy and Sesame Street. Toots had such a long and glorious career that it's hard to do it justice, but this episode attempts to highlight some of the key moments from the undisputed giant of the chromatic harmonica, and one who has inspired pretty much every chromatic player that has followed. Links:Compilation of interviews with Toots put together by a Belgian DJ Nico Kanakaris: https://www.mixcloud.com/bluenote71/toots-thielemans-100/Articles on Toots from Roger Trobridge's The Archivist site: http://www.the-archivist.co.uk/tag/toots-thielemans/Videos:The story of Toots Thielemans by Steven De Bruyn: https://www.youtube.com/watch?v=Ar7CnZS0m0kWith Paul Simon in 1975: https://www.youtube.com/watch?v=q8v2j4lJJZY&list=RDq8v2j4lJJZYWith Billy Joel in 1983: https://www.youtube.com/watch?v=6Te0DB86-wY&list=RD6Te0DB86-wYThree Views of a Secret live with Jaco Pastorius: https://www.youtube.com/watch?v=yBhoDaS5SKQ&list=RDyBhoDaS5SKQToots Thielemans 100th Anniversary Official Concert: https://www.youtube.com/watch?v=e4hqApO5BH8Podcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com  or on Facebook or Instagram at SEYDEL HARMONICAS--------------------------------Blue Moon Harmonicas: https://bluemoonharmonicas.comSupport the show

Otmaro Ruiz is a Venezuelan-born pianist and arranger in jazz and world music. He's collaborated with Arturo Sandoval, Robbie Robertson, John McLaughlin, and Steve Winwood among others. He received a Grammy nomination for his arrangement of “The Girl From Ipanema". He's recorded with Jimmy Haslip and Abe Laboreal, was in a band with Simon Phillips, and toured with Randy Brecker and Bill Evans.My featured song is “Miles Behind”, from my debut album of the same name. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH OTMARO:www.otmaroruiz.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

durée : 01:09:52 - Club Jazzafip - En ce jour de Noël, Marjolaine Portier-Kaltenbach et Mathieu Durand ont choisi de célébrer la beauté dans le jazz en célébrant l'œuvre, aussi lyrique que novatrice, du pianiste et compositeur américain. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

There's evidence-based training, and then there's actually understanding the evidence. Dr. Bill Evans is here to explain how exercise physiology, 80–20 training, and smart periodization translates into real performance gains for runners at every level.Dr. Evans has his PhD in Exercise Physiology and is an Assistant Professor of Exercise Science. He has experience as a Senior Scientist/Consultant at Johns Hopkins Applied Physics Laboratory. He also serves as an Assistant Cross Country Coach at the collegiate level with Elon University, giving him practical coaching experience with competitive runners. Dr. Evans is the founder/co-lead coach of The Endurance Lab, a personalized running coaching service focused on evidence-based training tailored to individual goals. His lab also integrates strength training and injury-prevention work into the mix to really give athletes a full-spectrum model.Dr. Evans never competed at the collegiate level because of a back injury, but has an impressive portfolio nonetheless: he owns PRs of 1:57 in the 800m, 3:58 in the 1500m, and 15:21 in the 5,000m.  He also recently ran a 2:37 marathon.From the lab to the track to the marathon start line, Dr. Bill Evans lives the science he teaches. His insights will change how you think about training, and how you train going forward.Tap into the Dr. Bill Evans Special.If you enjoy the podcast, please consider following us on Spotify and Apple Podcasts and giving us a five-star review! I would also appreciate it if you share it with your friend who you think will benefit from it. Comment the word “PODCAST” below and I'll DM you a link to listen. If this episode blesses you, please share it with a friend!S H O W   N O T E S-The Run Down By The Running Effect (our new newsletter!): https://tinyurl.com/mr36s9rs-Our Website: https://therunningeffect.run -THE PODCAST ON YOUTUBE: https://www.youtube.com/channel/UClLcLIDAqmJBTHeyWJx_wFQ-My Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/therunningeffect/?hl=en⁠⁠⁠⁠⁠⁠-Take our podcast survey: https://tinyurl.com/3ua62ffz

durée : 01:59:06 - Le Bach du dimanche du dimanche 21 décembre 2025 - par : Corinne Schneider - Au programme de cette 363e émission : on fête Noël avec Bill Evans, la Pastorale pour orgue, des extraits de l'Oratorio et de la Messe en si mineur ; le Magnificat en mi bémol majeur BWV 243a (1723) et la Cantate BWV 197a (1728), à l'écoute de Hans-Christoph Rademann, Holger Speck et Raphaël Pichon. - réalisé par : Anne-Lise Assada Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Record Store Day Black Friday 2025 is coming up on November 28th. This week and next week's episodes of the podcast will shine a spotlight on a few of the featured titles from the Black Friday List, which is up now at RecordStoreDay.com. This week, we welcome back "The Jazz Detective,"  Zev Feldman, and while of course he brought along some super cool jazz titles from Rahsaan Roland Kirk, Bill Evans, and Yusef Lateef, he's also branching out into blues with B.B. King, and even D.C. hardcore punk, with a historically charged release from Bad Brains. Honestly, we could listen to Zev talk about his projects for days.  And we'll play a sad train song for "Folk Hero" Todd Snider who passed away on November 14th.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!