Podcast appearances and mentions of Bill Evans

El 15 de septiembre de 1980 nos dejó Bill Evans. Recordamos al influyente pianista en grabaciones en solitario ('What kind of fool am I', 'Emily'), con su trío más longevo junto a Eddie Gómez y Marty Morell ('Emily', 'Alfie'), con el histórico trío que formó con Scott LaFaro y Paul Motian ('Waltz for Debby', 'Alice in Wonderland') o en otros formatos ('A child is born', 'Someday my prince will come'). Y escuchamos la pieza que Pat Metheny y Lyle Mays le dedicaron en su disco 'As falls Wichita, so falls Wichita Falls' al enterarse de su muerte cuando lo estaban grabando en Oslo: 'September fifteenth'.Escuchar audio

Brett Johnson received a call from a company that had purchased hundreds of LEMON Leadership books. Curious as to why they had done this, Brett set up a conversation with CEO Bill Evans, COO Jeffrey Adams, and Project Manager Ben Blaha to explore how they have leveraged diverse leadership styles to foster a thriving corporate culture, enhance team cohesion, and drive business growth. The conversation delves into the group's mission to uplift small-town communities and the role of LEMON Leadership in aligning individual strengths with organizational needs. Learn how tailored applications, group discussions, and cross-functional understanding have enabled Open Gates Group to optimize their operations, from organic dairy production to new business ventures. Link to Bill's book: https://www.amazon.com/Open-Gates-Helping-Ministers-Resources/dp/B0FD2BSY74 Connect with Brett Johnson on social media: Facebook Instagram Twitter LinkedIn Visit brettjohnson.biz for articles, devotionals, and more.

Sí, volvemos con un relato de uno de los mejores cuentistas del siglo XX, para qué vamos a conformarnos con menos. Espero que disfrutéis de este relato sencillo, inquietante y tenso, como suelen ser todos los del estadounidense. Si tenéis ocasión buscad la versión sin editar por Gordon Lish, comprobaréis cuánto de "el estilo Carver" es gracias al editor. La música es Peace Piece de Bill Evans y la sintonía del Dr. Olmedo. https://archive.org/details/BillEvans2000/Everybody+Digs+Bill+Evans/1-07+Peace+Piece+(Solo).mp3

En agosto de 1958 se publicó el indispensable 'Kind of Blue', de Miles Davis, el disco más vendido de la historia del jazz. Grabado por el trompetista con John Coltrane (saxo tenor), Julian 'Cannonball' Adderley (saxo alto), Bill Evans y Wynton Kelly (piano), Paul Chambers (contrabajo) y Jimmy Cobb (batería) lo escuchamos al completo: 'So what'; 'Freddie Freeloader', 'Blue in green', 'All blues' y 'Flamenco sketches'.Escuchar audio

The Crusaders – A Message From The Inner City – 8:51 Ricky Peterson; The Peterson Brothers – Under The Radar – 5:04 Rick Habana; Michael Lington – La Costa – 4:01 Julian “Cannonball” Adderley; Jimmy Cobb; Wynton Kelly; Bill Evans; Miles Davis; John Coltrane; Paul Chambers – Blue In Green – 5:23 Medeski, Martin & […]

1. Jaco Pastorius – Soul Intro/The Chicken (6:49) 2. Peter Schilmoller Quartett – Ballad (7:14) 3. Peter White – Turn It Out (5:30) 4. Paul van Kemenade Quintet – Xeet (4:50) 5. Bobby Caldwell – Your Precious Love (4:25) 6. De-Phazz – You may never know (5:05) 7. Bill Evans – Witchcraft (4:35) 8. Jamiroquai […]

TU JAZZ CON SABOR A VERANO.-Sheila Jordan - Portrait of Sheila-JAZZACTUALIDAD.-60 Jazzaldia Marco Mezquida & Iñaki Salvador Dúo Portrait of Sheila es el álbum debut de 1963 de la cantante de jazz estadounidense Sheila Jordan , publicado por Blue Note Records . En la encuesta de la crítica de la revista DownBeat de 1963 , ocupó el primer puesto en la categoría vocal por "Talento que merece mayor reconocimiento". No volvió a grabar como líder durante más de doce años. Según las notas de la funda (escritas por Nat Hentoff ), Alfred Lion de Blue Note decidió grabar a Jordan después de escucharla cantar en el Page Three Club en Greenwich Village , Nueva York , a pesar de que el sello "tenía como política no grabar vocalistas de jazz antes". [ 4 ] [ 5 ] El cuarto tema del álbum, « Dat Dere », muestra la predilección de Jordan por los duetos de voz y bajo. Según la biógrafa Ellen Johnson (autora de Jazz Child: A Portrait of Sheila Jordan ), [ 6 ] Jordan originalmente quería dedicar Portrait of Sheila completamente al bajo y la voz, pero Blue Note rechazó la idea. El álbum recibió una calificación de cuatro estrellas de la revista Billboard en enero de 1963. [ 2 ] La Penguin Guide to Jazz seleccionó el álbum como parte de su "Core Collection" y le dio una calificación de cuatro estrellas (de un máximo de cuatro). [ 8 ] AllMusic le dio al álbum una calificación de cinco estrellas (de un máximo de cinco), con Scott Yanow escribiendo en su reseña: "Jordan suena bastante distintiva, de tono fresco y aventurera durante su cita clásica. Sus interpretaciones de 'Hum Drum Blues' de Oscar Brown, Jr. y 11 estándares (incluyendo ' Falling in Love With Love ', ' Dat Dere ', ' Baltimore Oriole ' y ' I'm a Fool to Want You ') son a la vez vibrantes y evocadoras". En las listas de "Álbumes del año" de AllMusic, Portrait of Sheila es nombrado como uno de los álbumes mejor calificados de 1963. El concierto Dichosos tributos es una celebración de la conexión entre dos pianistas excepcionales, el donostiarra Iñaki Salvador y el menorquín Marco Mezquida. Ambos se unen por primera vez en un diálogo musical para rendir homenaje a los grandes compositores y pianistas de la historia del Jazz, reinterpretando piezas emblemáticas que marcaron un hito en la evolución de este género, desde el ragtime hasta nuestros días. Iñaki y Marco construirán, deconstruirán y jugarán sobre canciones de Duke Ellington, Thelonious Monk, Bill Evans, Herbie Hancock o Keith Jarrett, además de creaciones propias, para ofrecer un espacio de escucha y libertad. Será una singular declaración de amor a los grandes compositores del Jazz, un compendio de tradición y modernidad, un diálogo entre composición e improvisación. Iñaki Salvador es una pieza clave en las últimas décadas de la música del País Vasco y sin duda uno de los representantes a nivel internacional más importantes de nuestro Jazz. Pianista, compositor, arreglista y profesor, realizó sus estudios de piano, armonía y composición bajo la dirección de maestros como los pianistas José Antonio Medina y Jesús González Alonso, o el compositor Francisco Escudero. Se formó de manera básicamente autodidacta en lo referido a la música moderna y el Jazz. Marco Mezquida es, aunque todavía no haya llegado a los 40 años de edad, uno de los músicos más recocidos en la escena musical de la península. Un artista destinado a conquistar cualquier escenario del mundo. Ecléctico y camaleónico, brillante como compositor, pianista, improvisador y director.

Oscar Peterson hield van Chopin, Bill Evans had Bach bovenaan zijn lijstje staan en Frank Zappa had iets met Edgar Varèse. Klassieke muziek, wie is er niet groot mee geworden? Presentatie: Melchior Huurdeman   Gedraaid in de uitzending:   Bill Evans - studeert Bach Bill Evans: - B minor Waltz Frank Zappa - Sad Jane Lyle Mays - Close to Home Pat Metheny Group: San Lorenzo Sting - Come Again van John Downland  Nora Fischer/Marnix Dorrestein - O Cessate Di Piagarmi (A. Scarlatti) Jacques Loussier trio - Bach Goldberg Varitiaties Brad Mehldau - After Bach Oscar Peterson - Allegro Lou Reed - Berlin (The Bed en Sad Song)

durée : 00:04:04 - Musique matin - par : Max Dozolme - Il y a cent ans, en 1924, disparaissait une gloire nationale : le compositeur Gabriel Fauré. On lui doit des œuvres sublimes, des pièces qui témoignent d'un art de la mélodie et de l'harmonie comme sa Pavane, une petite pièce sans prétention qui inspire Bill Evans ou encore Bobby McFerrin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode of The Cancer Assist Podcast, Dr. Bill Evans speaks with Dr. Christopher Coroneos, Associate Professor at McMaster University and reconstructive surgeon at the Juravinski Cancer Centre. Together, they explore the evolving world of breast reconstruction from immediate and delayed procedures to oncoplastic surgery, nipple-sparing techniques, and the use of a patient's own tissue versus implants. Dr. Coroneos also addresses topics like breast implant safety, breast implant illness, risks, while offering insight into complex reconstructive procedures beyond breast surgery, including limb salvage.

ALEATORIO RANDOM PROJECT 043 1- WE MADE IT – CEDRIC BURNSIDE 2- OKIE DOKIE STOMP – CLARENCE GATEMOUT BROWN 3- AS LONG AS I´VE GOT YOU – SETH SUMMERS 4- OTIS IN THE DARK – OTIS SPANN 5- LET THE GOOD TIMES ROLL – B.B. KING 6- BLUES PRISIONER – TOMMY CASTRO 7- LIMEHOUSE BLUES – CHET ATKINS & LES PAUL 8- DARKNESS I BECAME – NOTTURNO CONCERTANTE 9- I´M IN THE MOOD FOR LOVE – JULIE LONDON 10- CLEAR DAWN – AURORA CLARA 11- CAPTAIN JOCELYN – CHICK COREA ELEKTRIC BAND 12- SKATING IN CENTRAL PARK – BILL EVANS & JIM HALL 13- BOUREE – JETHERO TULL 14- ALBERT´S SHUFFLE – MIKE BOOMFIEL & AL KOOPER 15- WHEN THE LEVEE BREAKS – LED ZEPPELIN 16- PEOPLE ARE STRANGE – THE DOORS

Pete takes mercy on Kelly, who's been under the weather, and does the heavy lifting on our follow-up to last season's "Rude Mechanicals - Jungle Cruise: The Early Years."Bill Evans is back to see the fruition of the project he began over 35 years prior. His dream becomes a reality in the best way!Disney doubles down on immersion with unintended consequences!The jungle grows, transforms, and becomes something even more mysterious as it tries to embrace the Forbidden Eye of Mara!Join us!Thanks for listening!We'd love it if you would give us a review on your podcast platform of choice. They're really helpful.Come visit us on Bluesky, Mastodon, Instagram, or whatever social media you like. Just look up Lowdown on the Plus-Up and you'll probably find us. Or drop us a note to comments@lowdown-plus-up.com and let us know any questions or comments about how YOU would like to plus-something-up! We are a Boardwalk Times production.Boardwalk Times, https://boardwalktimes.net/Boardwalk Times store, https://boardwalktimes.store .

Mindiff Abdullah Ibrahim SolotudeÚtviklingssang Carla Bley, Steve Swallow, Andy Sheppard TriosThe Boatman (Prelude) Tigran Hamasyan They Say Nothing Stays the Same (Bso)Summer Song John Surman, Nelson Ayres, Rob Waring Invisible ThreadsTomorrow is Too Boring Greg Spero, Nicole McCabe, Ka'Cye Thompkins Ego or Soul?Para Machuchar Meu Coracao - Mono Version Stan Getz, João Gilberto, Antônio Carlos Jobim Getz/Gilberto My Heart Stood Still Stan Getz, Bill Evans Stan Getz & Bill EvansChildren's Song: No. 6 Gary Burton, Chick Corea DuetComes A Time The Doobie Brothers, Allison Russell Comes A TimeMy Darling My Dear Taj Mahal, Keb' Mo' Room On The PorchHome Is A Song Mary Chapin Carpenter, Anaïs Mitchell Personal HistoryEscuchar audio

Puntata a cura di Untimoteo. Arrivato su Netflix nel 2025, Kids on the Slope è un anime del 2012 diretto da Shin'ichirō Watanabe, il celebre autore di Cowboy Bebop. Ma se là dominavano il ritmo frenetico e la fantascienza hardboiled, qui siamo agli antipodi: un racconto intimo e realistico di formazione, amicizia e amore, ambientato nel Giappone degli anni '60. Al centro della storia – tratta dal manga Sakamichi no Apollon – ci sono le jam session jazzistiche tra due liceali molto diversi. La musica, curata da Yoko Kanno, accompagna e scolpisce i momenti chiave: da Coltrane a Chet Baker, da Bill Evans a Gershwin. Un'opera breve (12 episodi), raffinata e nostalgica, che racconta la giovinezza con grazia e profondità.“Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana. Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

Il 10 agosto dalle 21 alle 2 di notte piazzale della Vittoria si trasforma in un  palcoscenico a luci spente. Aisha Ruggieri, al pianoforte a coda, eseguirà brani di Sting, Nirvana, Duke Ellington, Doors, Red Hot Chili Peppers,  Bill Evans, Miles Davis e Led Zeppelin. Mentre il Gruppo Astrofili Vicentini accompagnerà i presenti in un viaggio tra le stelle.

The most recent Record Store Day episode is barely in the rear-view, but the boys decide to take on four more vault finds dug up by jazz detective Zev Feldman. Which ones are keepers and which ones get the dreaded label "redundant" and an invite off the island (or, at least, out of the record collection)? Only listening to this podcast will answer that query! Yusef Lateef – ATLANTIS LULLABY – THE CONCERT FROM AVIGNON; Sun Ra – AT THE SHOWCASE LIVE IN CHICAGO; Art Tatum – JEWELS IN THE TREASURE BOX; Bill Evans – LIVE IN NORWAY – THE KONGSBERG CONCERT.

durée : 01:06:04 - Club Jazzafip - En mars, le célèbre compositeur et musicien allemand aurait eu 340 ans ! Pour le célébrer notre partition s'inspire des artistes comme Celine Bonacina, Bill Evans, Raphael Imbert ou encore Django Reinhardt, qu'il a influencé. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This week on Jazz After Dinner Joe features Pianist Bill Evans, from a 2016 Resonance Records recording, Recorded in 1968, titled “Some Other Time.”

In dieser Ausgabe des Reflektor-Magazins ist der Comedian Oliver Polak zu Gast. Neben seiner Tätigkeit als Stand-Up-Comedian ist Oliver außerdem Autor, Podcast- und TV-Host, Sprechstallmeister und vieles mehr. Jan spricht mit Oliver über die Vielzahl seiner Tätigkeiten. Aber da Reflektor ein Musikpodcast ist, geht es selbstverständlich schwerpunktmäßig um Musik. Wer Olivers Bücher gelesen hat, weiß, welche Rolle Musik für Oliver spielt. Im Interview berichtet er, wie sie ihm buchstäblich das Leben gerettet hat. Jan und Oliver sprechen über Weezer, Kiss, Motorpsycho, Bill Evans, Franz Josef Degenhardt und ein frühes Tocotronic-Konzert in der Stadt Nordhorn.

En películas de Pedro Almodóvar suenan canciones como 'Ne me quitte pas' en la grabación de la cantante brasileña Maysa Matarzazzo ('La ley del deseo'), 'Tonada de luna llena' por Caetano Veloso ('La flor de mi secreto') y 'Cucurrucucú paloma' también por Caetano ('Hable con ella'), 'Por toda minha vida' grabación de Elis Regina & Tom Jobim ('Hable con ella'), 'Raquel' del caboverdiano Baú ('Hable con ella') y 'Tajabone' del senegalés Ismaël Lò ('Todo sobre mi madre' ). Ryuichi Sakamoto con Everton Nelson y Jaques Morelenbaum tocando 'High heels' (de la película de Almodóvar 'Tacones lejanos'), 'The sheltering sky' (de la película de Bernardo Bertolucci 'El cielo protector') y 'Merry Xmas Mr.Lawrence' (de la película de Nagisa Oshima 'Feliz navidad Mr. Lawrence'). David Bowie canta con el Pat Metheny Group 'This is not America' en la película de John Schlessinger 'The falcon and the snowman' y el pianista Bill Evans toca en trío el tema de la película de Robert Altman M.A.S.H. Abre la orquesta de Maria Schneider ('Love theme from Spartacus' que Johnny Mandel escribió para la película de Kubrick 'Espartaco') y lo cierran el pianista Giovanni Ceccarelli, el bajista Ferruccio Spinetti y la cantante Chiara Civello ('Chanson de maxence' que Michel Legrand compuso para 'Les demoiselles de Rochefort').Escuchar audio

When Kenisha Hanson was diagnosed with Stage 4 Hodgkin's Lymphoma, her life plans came to a sudden halt. In this episode, Kenisha shares how she redefined success on her own terms and found peace after cancer, alongside reflections from her book Peace Your Way to Success. Joining the conversation is Sandra Turner, nurse coordinator of the PYNK program at Juravinski Cancer Centre, which provides specialized support for young adults diagnosed with breast cancer. Dr. Evans explores the unique challenges faced by young people with cancer navigating fertility, relationships, body image, finances, mental health, and the importance of having the right supports in place.DisclaimerThe Cancer Assist Show is hosted by Dr. Bill Evans, MD, FRCP, Past President of the Juravinski Hospital and Cancer Centre at HHS. Brought to you by the Cancer Assistance Program—an organization lending support to cancer patients and families of those affected by cancer. --- The Cancer Assist Show and its content represent the opinions of Dr. Bill Evans and guests to the podcast. Any views and opinions expressed by Dr. Bill Evans and guests are their own and do not represent those of their places of work. The content of The Cancer Assist Show is provided for informational, educational and entertainment purposes only, and is not intended as professional medical, legal or any other advice, or as a substitute or replacement for any such advice. The Cancer Assist Program, Dr. Bill Evans and guests make no representations or warranties with respect to the accuracy or validity of any information or content offered or provided by The Cancer Assist Show. For any medical needs or concerns, please consult a qualified medical professional. No part of The Cancer Assist Show or its content is intended to establish a doctor-patient or any other professional relationship. This podcast is owned and produced by the Cancer Assistance Program.

There's something of Missy Raines in every song she records or performs. Whether she wrote it herself or selected it from another songwriter, she's lived inside the story and the sound. And she wants you to experience it alongside her. Love & Trouble, Raines' latest album with her band Allegheny, offers views from the highest peaks of her native West Virginia and from the deepest hollers of heartbreak. The 10 songs come to life with people, places, and stories that have caught her heart during her five-decade journey in bluegrass and beyond.“Who I am,” Raines reflects, “is because of what I've been through, what I've seen and experienced, what I've loved, what I've been moved by.”As a kid, Raines often traveled with her family to festivals in Baltimore and Washington, D.C., the beating heart of bluegrass in the 1960s and 70s. She'd dabbled in piano and guitar, but when her father bought a bass for himself when she was 10, she picked it up and never let it go. (The same bass is still her primary instrument now.) She started performing as a young teenager, and since then she's played with some of the greats across several generations: Mac Wiseman, Kenny Baker, Eddie Adcock, Bobby Osborne, Alison Brown, Bill Evans, Laurie Lewis, and Claire Lynch, to name a few. In her 40s, she took on the mantle of bandleader, cementing her own legacy in the bluegrass world. In 1998, she became the first woman to win IBMA's Bass Player of the Year award, and she's won that title another nine times since, as well as IBMA awards for collaborative projects with a wide range of her bluegrass peers and a Grammy nomination for her 2018 album, Royal Traveller. Her stature and her sparkle made her a well-received host of the 2024 IBMA Bluegrass Music Awards show alongside fellow bassist John Cowan.Nearly all the songs on Love & Trouble are rooted in some moment along her path, in the people and places and feelings she wants to share with her audience for the kind of connection that lasts.“Yanceyville Jail” stems from one of Raines' earliest memories of bluegrass, or at least from the backstory behind it. It was the early 1970s, and she was a kid in the audience at the storied Camp Springs, North Carolina, bluegrass festival. When Jimmy Martin's set time rolled around, festival promoter Carlton Haney walked onstage and explained that Martin wasn't going to be performing that evening, though he'd rejoin the festivities the following day. “You're not going to hear Jimmy sing tonight,” Raines, in a near-perfect mimic of Haney's North Carolina drawl, recalls him explaining, “because Jimmy's gonna spend the night in the  Yanceyville jail.” The way she's heard it, there was a backstage scuffle between Martin and Haney before the set. The ground was muddy and tempers were high, ripe conditions for a juicy bit of bluegrass lore. Decades later, Raines has committed the story to song, told from Martin's imagined perspective: “I've been in hard liquor and soft red clay / And I've been in some trouble here today / Roll and tumble tooth and nail / I ain't going to the Yanceyville jail.”

Step aboard our adventure-filled podcast as we navigate the fascinating world of Disney's Jungle Cruise—from its humble beginnings as one of Disneyland's opening day attractions to its global status as a beloved cultural icon.You'll discover how Walt Disney's original vision for a realistic wildlife experience transformed when Imagineers like Harper Goff and Bill Evans created a convincing jungle through innovative techniques—including flipping orange trees upside down to create instant exotic foliage. We explore how the initially serious, educational tone evolved into the pun-filled, skipper-led experience that guests cherish today, sharing some of the most groan-worthy jokes that have become part of Disney lore.Our journey takes you through the different Jungle Cruise iterations across global Disney parks, each with unique elements—from Magic Kingdom's extended riverways to Tokyo's dynamic lighting effects and Hong Kong's supernatural finale. With special guest Lynn Kinny in full skipper attire, we unpack fascinating behind-the-scenes details that even devoted Disney fans might not know, including how Disneyland's man-made environment officially became a self-sustaining ecosystem after 55 years of growth.The adventure continues as we dive into the 2021 Jungle Cruise film starring Dwayne Johnson and Emily Blunt, exploring its development, production challenges, and the numerous Easter eggs that connect it to the beloved attraction with co-captain, Sally Weyant. And, to cap things off, our Disney snack expert Kimba Watson rounds out the expedition with delicious jungle-inspired recipes perfect for your 5K celebration—from DIY Dole Whip to tropical hydration stations that will fuel your adventure.Whether you're preparing for the Run Disney Virtual 5K Summer Series or simply fascinated by Disney history, this episode delivers skipper-worthy entertainment while providing practical tips for making your own jungle adventure extraordinary. Tag us in your Jungle Cruise-themed runs!!! Have questions or want to chat? Send me a text!Support the showJoin the newsletter list for updates, special offers, and exclusive behind-the-scenes content.Join fellow pod and running enthusiasts at The Stride Collective community on Facebook or follow us on Instagram.

JACKIE MCLEAN “SWING, SWANG, SWINGIN'” Englewood Cliffs, NJ, October 20, 1959Stablemates, I'll take romance, 116th and LenoxJackie McLean (as) Walter Bishop, Jr. (p) Jimmy Garrison (b) Art Taylor (d) GIL EVANS “CENTENNIAL (NEWLY DISCOVERED WORKS OF GIL EVANS)” New York, August 24, 25 & 26, 2011Punjab, The maids of CadizRyan Truesdell (cond) Gil Evans (comp) y diferentes músicos de estudio CHET BAKER “CHET – THE LYRICAL TRUMPET OF CHET BAKER” New York, December 30, 1958Punjab, The maids of Cadiz, Early morning moodChet Baker (tp) Herbie Mann (fl) Pepper Adams (bar) Bill Evans (p) Kenny Burrell (g-1) Paul Chambers (b) Connie Kay (d) Continue reading Puro Jazz 07 de julio, 2025 at PuroJazz.

Nour Abdul-Razzak talks about her research on a cognitive behavioral therapy program called Choose to Change. “Longer-term Impacts of a Youth Behavioral Science Intervention: Experimental Evidence from Chicago” by Nour Abdul-Razzak, Brandon Domash, Kelly Hallberg, and Cristobal Pinto Poehls. OTHER RESEARCH WE DISCUSS IN THIS EPISODE: Scarcity: Why having too little means so much by Sendhil Mullainathan and Eldar Shafir. “Thinking, fast and slow? Some field experiments to reduce crime and dropout in Chicago” by Sara B. Heller, Anuj K. Shah, Jonathan Guryan, Jens Ludwig, Sendhil Mullainathan, and Harold A. Pollack. “Reducing crime and violence: Experimental evidence from cognitive behavioral therapy in Liberia” by Christopher Blattman, Julian C. Jamison, and Margaret Sheridan. “Cognitive Behavioral Therapy Reduces Crime and Violence over Ten Years: Experimental Evidence” by Christopher Blattman, Sebastian Chaskel, Julian C. Jamison, and Margaret Sheridan. “Predicting and Preventing Gun Violence: An Experimental Evaluation of READI Chicago" by Monica P. Bhatt, Sara B. Heller, Max Kapustin, Marianne Bertrand, and Christopher Blattman. Probable Causation Episode 88: Sara Heller and Max Kapustin. "Therapy to Reduce Violence and Improve Institutional Safety During Incarceration" by Bill Evans, Tyler Giles, and Rebecca Margolit-Chan. "Can Recidivism be Prevented from Behind Bars? Evidence from a Behavioral Program" by William Arbour. Probable Causation Episode 102: William Arbour. "'Something Works' in U.S. Jails: Misconduct and Recidivism Effects of the IGNITE Program" by Marcella Alsan, Arkey Barnett, Peter Hull, Crystal S. Yang. Probable Causation Episode 113: Peter Hull . “A Cognitive View of Policing” by Oeindrila Dube, Sandy Jo MacArthur, and Anuj Shah. Probable Causation Episode 104: Oeindrila Dube.

Peter Gabriel; Youssou N’Dour – Shaking the Tree – Live – 5:48 Azymuth; Bluey; Incognito; Jean Paul ‘Bluey’ Maunick of Incognito – Last Summer In Rio – 8:38 Roberto Tola – Here, There, Up And Down – 4:51 Nathan East; Noah East; Jack Lee – Reminisce – 4:12 Usein Bekirov; Bill Evans; Frank Gambale; Michael […]

Welcome to Gene-ology, a podcast by Roddenberry Entertainment that dives deep into the early TV writing works of Gene Roddenberry. Twice before, the Joan Crawford Show was piloted - would the third time, with a pilot written by Gene Roddenberry, have been the charm? Ashley and Earl find a lot of charm and a considerable amount of progressive thought in this unproduced 1961 script. Hosted by Earl Green & Ashley Thomas About Gene-ology Gene-ology explores Gene Roddenberry's early television scripts, including his lesser-known works before Star Trek using the Mission Log format popularized by Roddenberry Podcasts. We analyze the themes, writing style, and cultural impact of his scripts, and we even unearth stories from the Roddenberry archives that were never produced. Join us as we trace the roots of Gene's creative genius. In This Episode A breakdown of key moments and themes in "A Man's World." Exploring Gene Roddenberry's evolving style and storytelling. How this episode ties into the broader TV landscape of the time and reflects the early seeds of Roddenberry's visionary work. Guest stars and unique production elements that bring this episode to life. Special Segment: Dramatic Recreation Since this episode was never produced (or the original video can't be found), we've brought it to life with a dramatic recreation! Special guests Crystal Allen and John Champion  perform a key section of the script as Valerie Downes  and Bill Evans. Listen in as they bring the story to life in this exclusive performance. Join the Conversation What did you think of this episode? Share your thoughts, theories, and favorite moments in the comments or reach out to us on social media or email us at missionlog@roddenberry.com Did you know Roddenberry Podcasts is on YouTube? Find the video versions of your favorite shows like Mission Log: Prodigy, Mission Log: The Orville, as well as exclusive content only available on YouTube. Subscribe now! https://www.youtube.com/@RoddenberryEntertainment?sub_confirmation=1 Follow us on Social Media: INSTAGRAM https://www.instagram.com/roddenberrypodcasts BLUESKY https://bsky.app/profile/roddenberrypod.bsky.social THREADS https://www.threads.net/@roddenberrypodcasts FACEBOOK https://www.facebook.com/MissionLogPod Our shows are part of the Roddenberry Entertainment family. For more great shows and to learn how we live the legacy of Gene Roddenberry, the creator of Star Trek, follow us here: RODDENBERRY PODCASTS https://www.instagram.com/RoddenberryPodcasts RODDENBERRY ENTERTAINMENT https://www.instagram.com/RoddenberryOfficial RODDENBERRY FOUNDATION https://www.instagram.com/TheRoddenberryFoundation Support the Show For as little as $1 a month, you can gain access to our Mission Log Discord Community! There, we continue the discussion with dedicated channels and a weekly video chat with the hosts. Become a member of our Patreon today! https://www.Patreon.com/MissionLog Subscribe and Stay Tuned Be sure to subscribe to Gene-ology for more deep dives into Gene Roddenberry's early works. New episodes are released regularly as we uncover more of Gene's television legacy.   – Gene-ology is produced by Roddenberry Entertainment. Executive producer Eugene "Rod" Roddenberry. Visit https://Podcasts.Roddenberry.com for more great content. Edited by Earl Green.

En este episodio de La Montaña Rusa hemos escuchado y comentado los siguientes discos:ALBUM DESTACADO. Tim Garland. Moment of Departure (2024).Johannes Walmann. Precarious Towers (2022).CLÁSICO DE LA SEMANA. Bill Evans. Further Ahead -Live in Finland 1964-1969- (2025).Gonzalo Rubalcaba. Borrowed Roses (2023).Snarky Puppy. Empire Central (2022).Peggy Lee & Cole Schmidt. Forever Stories of: Moving Parties (2024).Carl Winther / Richard Anderson / Jeff "Tain" Watts. Steep Steps (2025).

Episode 77: Steve Smith.The incredible, multi-faceted, Steve Smith was one of my favorite drummers growing up. His playing with Journey blew me mind, and the fact that he had a full-on jazz career alongside his rock success made him even more inspiring to me. Steve made Modern Drummer's Top 25 Drummers of All Time list and won the #1 All-Around Drummer Award five years in a row. His credits are stacked, from early gigs with Jean Luc-Ponty (alongside Allan Holdsworth), Focus, and Ronnie Montrose, to arena-filling hits with Journey, to leading his band Vital Information (for the past 4 decades). He's done sessions with Mariah Carey, Andrea Bocelli, Vasco Rossi, Zucchero, Savage Garden, Bryan Adams, and Zakir Hussain. On the jazz side, Steve has played with heavyweights like Steps Ahead, Tom Coster, Ahmad Jamal, Victor Wooten, Mike Stern, Randy Brecker, Frank Gambale, Stuart Hamm, Dweezil Zappa, Hiromi, and Bill Evans.Steve is one of the greatest to ever do it, and it was a total honor to have him on the show. I hope you enjoy my conversation with the legendary Steve Smith! Special thanks to Zildjian. I used their ALCHEM-E Perfect Tune Headphones in this episode and loved it. Check it out! https://zildjian.com/products/zildjian-alchem-e-perfect-tune-headphones?variant=49623287628068 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) INTRO (0:06:01) FROM JAZZ TO JOURNEY (0:11:02) PROGRESSIVE FUSION, BOSTON FROM 1972 TO 1976 (0:12:24) JEAN-LUC PONTY (0:13:37) MOVING TO L.A. IN 1978 (0:15:13) SONOR FUSION DRUM KIT, RONNIE MONTROSE (0:16:24) OPENING FOR JOURNEY IN 1978 WITH RONNIE MONTROSE (0:17:02) TOURING WITH VAN HALEN, RONNIE, AND JOURNEY (0:18:37) GETTING THE GIG WITH JOURNEY (0:20:51) AN IMPRESSIVE CAREER AT 24 YEARS OLD (0:21:49) WHAT VAN HALEN WAS LIKE IN THE EARLY DAYS (0:24:25) RECORDING JOURNEY'S ALBUM, “EVOLUTION” (0:24:54) HOW JOURNEY'S HIT SINGLES CHANGED STEVE SMITH'S LIFE (0:27:42) PLAYING JAZZ, MEETING RANDY JACKSON (0:28:40) STARTING VITAL INFORMATION (0:29:32) GETTING FAMOUS (0:33:36) “DON'T STOP BELIEVIN'” (0:40:45) CREATING JOURNEY'S BIGGEST HITS (0:44:03) DRUM SOLOS (0:45:44) ROCK AND ROLL HALL OF FAME, DANNY SERAPHINE, NARADA MICHAEL WALDEN, BILLY COBHAM (0:46:56) MAHAVISHNU ORCHESTRA (0:48:13) LEAVING JOURNEY (0:53:11) “TRIAL BY FIRE” ALBUM (0:55:02) TRANSITIONING OUT OF JOURNEY (1:02:20) BUDDY RICH BIG BAND (1:06:13) NEAL PEART FRIENDSHIP (1:07:08) TOURING (1:11:31) TOURING WITH VITAL INFORMATION IN 2025 (1:12:09) HOW TO PLAY GREAT EVERY NIGHT (1:13:58) STAYING INSPIRED (1:15:00) DRUMMING IN NEW YORK CITY (1:16:19) HOW TO BUILD A DRUM COURSE (1:20:02) HOW TO SYSTEMATICALLY PRACTICE (1:23:12) KONNAKOLS, ZAKIR HUSSAIN, INDIA Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Steve: https://www.instagram.com/stevesmithdrums/ Follow Vital Information: https://www.vitalinformation.com/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Journey's Rock & Roll Hall of Fame Acceptance Speeches https://www.youtube.com/watch?v=2XyCKJ-Z9dA

Zev Feldman, a.k.a. the “Jazz Detective,” has turned his crate-digging passion into a career: He tracks down previously unreleased recordings and jumps through the necessary hoops to get them released, often in lavish packages for his label, Resonance Records. This past Record Store Day featured such Feldman finds as live albums from Bill Evans, Freddie Hubbard, Kenny Dorham and Charles Mingus plus a limited-edition double album of previously unreleased Patsy Cline performances, Imagine That: The Lost Recordings (1954-1963). Feldman also co-produced last year's incendiary Blue Note release from McToy Tyner and Joe Henderson, Forces of Nature: Live at Slugs. In this expansive conversation, Feldman tells his Jazz Detective origin story and describes how he finds these recordings (or vice versa), he gets specific about the importance of Record Store Day and these projects' tight margins, and he reveals his white whales. (Photo by Jean-Louis Atlan.)

It starts simply. Two blocked jazz chords with I-V in the bass. And then the vocalist comes in:“Twenty-four hours can go so fast. You look around, the day has passed…”This is Leonard Bernstein's song “Some Other Time” with lyrics by Betty Comden and Adolph Green, written for the 1944 musical, On the Town. It's about three sailors on 24-hour leave in New York City who meet three women before leaving for war. Four characters perform this song (in the stage version), hoping to catch up some other time, but knowing they may never see each other again.I first heard this song a few weeks ago on Bill McGlaughlin's weeknight radio show, Exploring Music. We've been listening to this show for over 16 years—we have it on while we cook and eat dinner.A few weeks ago, he did a series called “Dona Nobis Pacem (Grant Us Peace).” Nestled in the middle of the Wednesday night program, he paired Bernstein's “Some Other Time” with jazz pianist Bill Evans' improvised solo piano recording, “Peace Piece.”I was captivated.I got up from the dinner table and went to the piano to find the two chords by ear, playing along gently with the recording.Today, I'm taking you behind the scenes of these two pieces of music—exploring how they're made, what they have in common, and how hearing them played back to back inspired a listening and improvisation project in my intermediate-level studio class last month.For show notes + a full transcript, click here.Resources Mentioned“Some Other Time” (Bernstein)Exploring Music with Bill McGlaughlin“Peace Piece” (Bill Evans)The Profound Impact of Peace Piece – Bill Evans Time Remembered Documentary Film“Flamenco Sketches” (Miles Davis)“It's Been a Long, Long Time” (Harry James)“Put on Your Sunday Clothes” (Wall-E)“It Only Takes a Moment” (Wall-E)Ep. 042 - What Does It Mean to Be a Teacher-Facilitator?Get a free 15-minute consult with meIf you enjoyed this episode, please leave a review in Apple Podcasts >>Find me on Instagram: @ashleydanyewWhenever you're ready, here are three ways we can work together:1️⃣ Need fresh teaching ideas? Schedule a quick 25-min. call and we'll brainstorm on a topic of your choice. Build an idea bank that you can pull from in the months to come.2️⃣ Have questions about teaching or managing your music career? Book a 60-min call and get personalized advice, creative ideas & step-by-step strategies on up to 3-4 teaching/business topics.3️⃣ Develop the skills and strategies you need to plan the year, refine your teaching methods, and manage your time more effectively with a suite of online courses and professional development trainings

Zev Feldman, a/k/a "The Jazz Detective," returns to our show to talk about a newly released 1980 live set from the late great alto sax legend, Art Pepper, An Afternoon In Norway: The Kongsberg Concert (Elemental Music), plus a little about his work on the recent sold out Record Store Day Release from Patsy Cline: Imagine That: The Lost Recordings (1954-1963). The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com

El prolífico guitarrista sueco no para de publicar discos. Escuchamos grabaciones de los editados en estos primeros meses de 2025. De 'Sofo session', en trío con Martin Höper al contrabajo y Ola Bothzén en la batería, escuchamos 'Bossa for Miles', 'Once I loved' de Jobim, 'Sunny' de Bobby Hebb, 'La tranquilidad', 'Sommar' y 'Monicas vals' de Bill Evans -con la voz de su hija Tea-; del homenaje a Billie Holiday, 'For Billie', grabado a dúo, voz y guitarra, con Tea, los clásicos 'I´ll be seeing you', 'Lover man', 'My romance' y 'Blue moon'; de 'Live at Jamboree', en concierto en Barcelona, con el bajista Camil Arcarazo y el baterista Jorge Rossy, 'It could happen to you' y 'Skylark'; de 'Sunbeam', en cuarteto con Pär-Ola Landin (bajo), Karl-Henryk Ousbäck (batería) y Britta Virves (piano), 'October song'. Escuchar audio

www.patreon.com/banjopodcast   This is a re-mix of an interview from 2018 that was originally released as a 2-part episode. Ryan Cavanaugh is best known for his innovative approach to playing jazz on the 5-string banjo, his tenure with legendary saxophonist Bill Evans's band Soulgrass, and his genre-defying solo recordings. Through his mastery and creativity, he has truly pushed the boundaries of what is possible on the instrument. He is currently working on solo projects, and touring with Jeremy Garrett of The Infamous Stringdusters.   Sponsored by Peghead Nation, Elderly Instruments, Sullivan Banjos, and Bluegrass Country Radio   Ryan on the web: www.ryancavanaughbanjo.com   Contact the show: pickyfingersbanjopodcast@gmail.com

In this episode of the EarzUp! Podcast, the focus is on landscaping and horticulture at Disneyland, highlighting the great Bill Evans. Known for landscaping iconic Disney parks like Disneyland, Disney World, Tokyo Disney, and Disney Paris, Bill Evans played a crucial role in designing and maintaining the lush plant life that defines these parks. We jump into the challenges and intricate planning involved in creating the horticultural landscapes at Disneyland. From sourcing plants around Southern California, adapting non-native species to the Anaheim climate, to dealing with practical issues like irrigation and soil composition, Evans' ingenuity and passion for plants shine through. Learn more about your ad choices. Visit megaphone.fm/adchoices

Disco Fever all the rage and how music is measured.Jerolyn Sue Adolph Evans, the Primary First Counselor, is in a bit of a pickle. Quentin Scott got poison ivy from picking blackberries, and she's clueless about what to do. Linda Talbot, Second Counselor, is also on the case. Quentin thought his mom was literally lost, and no one wants to go with Jerolyn because they're all swamped with work. Wendy and Larry Fitzgerald have such a lovely place. Quentin ended up sleeping at MawMaw's house. She misses Deron P. Scarabin and only has Rachel Guidry to hang out with. They even sang Rhinestone Cowboy a bit. Bill Evans mentioned that MawMaw said everyone missed church earlier, but now Uncle Bill says MawMaw didn't go to church. MawMaw is Quentin's Primary teacher. Sports banquet and Bill got something special and "Jerolyn hasn't matured yet." They gave all the coaches "Coach of the Year" plaques. Mikelson decided to go to Nashville and make $21K. Bill's dad retired and sold everything but one tractor. All his parents' bills paid and no debt so they should be fine. Jerolyn said she might be "fat" by the time Scarabins return. Jerolyn has to have a CB. Quentin is Steve Austin but now Evil Knievel and Jerolyn is Disco Lady. Helen on Mother's Day. Clarence sprained his ankle helping Larry move. Handful of "tomaters." Uncle Nicky gave some cucumbers. Many beans and squash is great. Eggplant and bell peppers everywhere. Clarence will start working on sewer line. Helen feels like Quentin wanting us to talk back on the tape. Helen is out of "draws." Loves to hear from Scarabins. Wendy's backyard is so pretty. Only bad part is rain piles up in one spot. MawMaw called to be Primary Teacher and Secretary. Accepted Teacher position but refused the Secretary position because she can't write. Go up and down the steps forty times a day but rarely sees neighbors. Twice she talked without recording. Clarence "hollering." They pay the bills for the Scarabins as they come in. Gail had to work so Helen is watching Brent Edward Portie. Larry had fallen down with baby (John Dirk). Baby was fine but Larry was banged up and bruised. Emmett Adolph giving well wishes. Yvonne got a CB radio and real proud of it, carrying on with Helen Mae. Drinking a cold beer after coming from the pumping station. Yvonne Adolph sends well wishes. Everyone giggling "trying to talk to the stupid thing." Bad weather. Yvonne is the Lollipop, the name Marilyn gave Annie Adolph Chapman. Janelle Adolph gets on and gives an update on shrimping and how Mrs. Lizzy is enjoying her new job. Said her doctor going to get on her about weight gain. Sally's been sick. E.J. and Sue looked at Marilyn's trailer and tired waiting on it. Carolyn and Kyle Bergeron. Carolyn cracks up over Marilyn's grocery experience. Said Gail is still sitting and Craig made a home run in baseball. Horace said they just made errors. Kyle gets on and says Mrs. Hernandez will write to Jason. Kyle's keeping bikes clean and can't wait for us to come home. Craig updates on baseball and how much fun he's having. Horace has flu. Wendy has moved in her trailer. Don't let D.D. get beat up by the rocks. Edna Adolph updates. Fresh peaches and going to visit Pam and baby. Everyone has CBs down there. She's Hunny Bunny and Ernest is Gingerbread Man. Carolyn is Bewitched and Yvonne is Lollipop. She almost bowled 200. Gail Portie, May 11. Spending night at Helen's with Brent. Eddie's horse had baby. Brent wants to talk but didn't know what to say. Wendy has such a nice trailer. Made Gail "plum sick." Only complaint is ugly green carpet. Brent talks about his horses. Ernest Adolph and Edna brought some delicious peaches. PawPaw soaking his foot and "sure looks bad." Tomatoes coming in. Brent says a few words. Someone mistakenly thought D.D. gone overseas on mission instead of working at copper mine. JoAnne Ragas Scarabin. May 13. Helen and Clarence finish tape with more talk on the trailer park.

Thank you Jay Taylor, Phil Stanford, Biff Thuringer, Bill Evans, Lucas Derraugh, and many others for tuning into my live video! Join me for my next live video in the app. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.racket.news/subscribe

As the fifth-largest bed and breakfast in Montana, Bad Rock offers more than cozy accommodations; it delivers unforgettable Glacier experiences and a warm, family-style atmosphere where guests and staff feel right at home.

Tonight's Jazz Feature is a true classic and an essential recording for anyone interested in Jazz music. Tenor and alto saxophonist/composer/arranger Oliver Nelson is the leader and his hand picked sideman include the innovative Eric Dolphy on alto saxophone and flute and a young Freddie Hubbard on trumpet, baritone saxophonist George Barrow anchors the horn section in a non-soloing role. The great Bill Evans is on piano with Paul Chambers on bass and "Mr. Snap Crackle", Roy Haynes on drums. The six compositions are by Oliver Nelson and arranged by him. "The Blues and The Abstract Truth" is a true classic and always worth rehearing anytime!

Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more!  Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

This week's show features many early Paul Motian recordings and influences (Warne Marsh, Bill Evans, Tony Scott, Moondog, Lee Konitz) interspersed with Joe Lovano's 2019 release Trio Tapestry (with Marilyn Crispell & Carmen Castaldi). With readings from the archive.Set List: https://jazzcloset.blogspot.com/2025/04/something-old-something-new-012119.htmlPhoto: Bill Evans, Jimmy Garrison?, Paul Motian location and date unknown photographer unknown ©Paul Motian Archive

Here is a “Sunny Song”, wherein the fleeting sunlight is a dappled reminder of the evanescence of existence. They're all gone now: Bill Evans (piano), Tony Bennett (vocals), Henry Mancini (Composer), and Johnny Mercer (Lyricist), but their beautiful creation lives on to remind us to gather our rosebuds while we may.Sadness, and gratitude run in equal measure throughout all of the song's manifestations. The title itself derives from an 1896 poem by Ernest Dowson, taken from the Roman poet, Horace, whose latin translates as:“The brief sum of life forbids us the hope of enduring long;” The film for which Mancini and Mercer furnished this deathless song, was so tragic in its portrayal of addiction, that, even as a 10 year old, I mourned for the hopelessness of Jack Lemmon and Lee Remick's doomed romance that should have produced nothing but happiness, but brought only sorrow. In the magician's hands of Bill Evans, the chordal melody seems to waft in the breeze, and Tony Bennett's voice, never more supple, interprets the wistfulness of unfulfilled longing with a seasoned perfection. The results: a collaborative triumph. Tony was quoted as saying that their recordings were “the most prestigious thing I ever did”. Quite a statement from the acknowledged master. 

THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

durée : 01:06:04 - Club Jazzafip - En mars, le célèbre compositeur et musicien allemand aurait eu 340 ans ! Pour le célébrer notre partition s'inspire des artistes comme Celine Bonacina, Bill Evans, Raphael Imbert ou encore Django Reinhardt, qu'il a influencé.

 Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko

Rick Welch sits down and has a deeply personal conversation with Andrea Robinette. Last year, Rick had heard a story about a husband and father who had perished in a house fire trying to save two of his sons, but tragically all three died. Bill Evans, the Truckdriver Theologian, called Rick and discussed this situation and introduced him to the wife and mother of this family, Andrea Robinette. After a few emails and phone conversations the schedule for her interview with the Burros of Berea was set, Thursday, September 26th 2024. On that day, planes were being delayed and cancelled due to heavy rains that stemmed from Hurricane Helene coming up from the Gulf of America (formerly Mexico). Andrea made the decision to drive down to our studio in Western North Carolina. While driving down, Rick and Andrea had a conversation about the flooding that had already begun and determined to cancel Thursday evening's recording to be safe and to talk to one another the following day and reschedule. Little did they know that Andrea was driving into the most catastrophic event in the history of Western North Carolina. This is one of the most powerful testimonies ever recorded on our show. If you would like to help the Robinette family or their Missions, below are two links where you can donate:Robinette Family GoFundMe page:https://www.gofundme.com/f/t4kht-robinette-familyAndrea Robinette Venmo Direct:https://venmo.com/u/ATrapaniRobinetteMission to Myanmar:https://missiontomyanmar.com/Foundations of Grace:https://foundationsofgrace.org/If you'd like to receive exclusive content only on Patreon, please visit our page at: www.patreon.com/theburrosofbereaIf you'd like to learn more about us, please visit our website at: www.burrosofberea.comThanks for listening!

Can you believe the most celebrated Bill Evans Trio was only together for 18 months? In this episode, we're looking at early 60's Bill alongside Scott LaFaro and Paul Motian, and the four albums they recorded together before LaFaro's tragic death at just 25 years old. From Portrait in Jazz and its cross-over with Miles Davis' Kind of Blue through Sunday at the Village Vanguard and Waltz for Debbie – recorded live on the same day in June 1961. We break down their conversational approach to jazz standards like “Autumn Leaves,” geek out over Bill Evans music theory, and explore his distinct voicings and voice leading techniques. Whether you're a mid-century jazz aficionado or just looking for the perfect “sweater weather trio songs to somberly study to,” we've got just the playlist for you.ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.Try OS Membership today! → https://osjazz.link/aboutAll about YHIhttps://lnk.to/youllhearitYB

Great interview this month with seven time National Fiddle Champion and creator of the FiddleStar site, Megan Lynch Chowning! Megan doesn't compete in fiddle contests anymore, or judge them, or go to them, so I was very curious to hear about why. We talk about fiddling in California, fiddle contests, fiddle camps, and different kinds of learning and relating to fiddle music. Megan filled me in on the just-released John Hartford Fiddle Project Volume 2 that she co-produced.Megan Lynch Chowning is a seven time national fiddle champion, touring musician, Grammy-nominated recording artist, teacher, singer, and flatfooter. She's toured with Pam Tillis and Lorrie Morgan, Dale Ann Bradley, Roland White, Larry Cordle, Jim Hurst, Chris Jones, 3 Fox Drive, Due West, Chris Stuart, and BEML (the duo of Bill Evans and Megan). Megan has released a series of entirely solo fiddle albums, focusing on crowdsourcing fabulous but slightly more obscure fiddle tunes. She has taught fiddle and vocals at prestigious camps such as Augusta Heritage Week, the British Columbia Bluegrass Workshop, Sore Fingers Bluegrass Week in the UK, Walker Creek Music Camp, and the California Bluegrass Association Camp, among many others. She's the co-director (with her husband, Adam) of the IBMA-award-winning Nashville Acoustic Camps. But sometimes she just likes to sit quietly and smell the flowers.  Reach me at meganbeller@fiddlestudio.comBandcamp YouTube Fiddle Studio books My website for learning to fiddle is Fiddle Studio which has courses and a mailing list and my Top 10 Fiddle Tunes!

Featuring music Paul Motian recorded in the 1950s with Jerry Wald (1955, where he met Bill Evans), Bill Evans, Don Elliot, Eddie Costa, George Russell, Lennie Tristano, Warne Marsh, & Lee Konitz. With readings from Motian's unpublished autobiography about these times.Set List: https://jazzcloset.blogspot.com/2025/02/more-music-from-1950s-011419.htmlPhoto: Paul Motian rehearsing with the Jerry Wald Orchestra 1955 Photographer unknown © Paul Motian Archive

Merriam-Webster's Word of the Day for January 9, 2025 is: excursion • ik-SKER-zhun • noun Excursion refers to a trip, and especially to a short one made for pleasure. Excursion is also often used figuratively to refer to a deviation from a direct, definite, or proper course, and often in particular to a digression. // Some of Maya's most cherished childhood memories are of fishing excursions with her grandpa. // Lewis Carroll's Through The Looking Glass is an excursion into a fantastical world where nothing is what it seems to be, and everything appears to be what it is not. See the entry > Examples: “… in the late sixties, he [Miles Davis] abandoned acoustic jazz altogether, moving to the easy/uneasy blend of jazz and rock that would cause consternation among jazz purists and come to be known as fusion. Then, in 1975, plagued by profuse health problems and addictions, he left music altogether, not to return until 1981. Audiences and record buyers welcomed his comeback, though jazz's zealous gatekeepers continued to fret about his stylistic excursions and commercial aspirations.” — James Kaplan, 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool, 2024 Did you know? A Tribe Called Quest's 1991 album The Low End Theory is not only widely regarded as one of the greatest hip-hop albums of all time, but one of the genre's most successful early excursions into jazz, utilizing samples and even featuring legendary bassist Ron Carter on one song. Excursion refers to a usually brief, pleasurable trip, and is often used figuratively—as in the previous sentence—for metaphorical trips outside of one's usual territory, be they artistic or otherwise. The word comes from the Latin verb excurrere (“to run out” or “to extend”), which combines the prefix ex- meaning “out of” and the verb currere meaning “to run.” Although it is sometimes used to refer to attacks or raids made against an enemy, as in “military excursions,” excursion is mostly used today for much more enjoyable jaunts, junkets, and rambles. Accordingly, on your next excursion, whether to the park, beach, or elsewhere, you could do worse than to queue up The Low End Theory on your playlist. The album's first track, after all, is titled “Excursions.”