Podcasts about Mixcloud

**TRACKLIST** Intro Danny Daze - Anti Gravity Machine (.VRIL Remix) .VRIL - In Via (Rene Wise Remix) .VRIL - Demo1 .VRIL - Headlock .VRIL - Miami Shadow Aliens .VRIL - Moon Tax (Shokh Remix) KAS:ST - Nepal (.VRIL Remix) - MATERIA Rødhåd & .VRIL - Target Line (.VRIL Remix) - WSNWG .VRIL - Polizeigeist - International Day Off .VRIL - Omniverse (His Master's Voice Remix2) Mathew Jonson & .VRIL - Live Jam .VRIL - Pumped Out Kids - WSNWG Binary Algorithms - Register # 04 (.VRIL Remix) - Furatena Kmyle - Kinetical (.VRIL Remix) - Kmyle Rec .VRIL - Torus XXXII (Verraco Remix) Philipp Stoffel - Akzent (.VRIL Remix) - Akte Mathame - Never Give Up (.VRIL Remix) - B1 Recordings .VRIL - Schaltkreis Wassermann Cecilia Tosh & .VRIL - Fire In The River - Nachtdigital Wata Igarashi & .VRIL - Track 1 .VRIL - Demo2 JANEIN - Here & There feat. Olga Phage (.VRIL Remix) - SEELEN .VRIL - Kintsugi Label infos attached if released, all other tracks are unreleased. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

This show was featuring the best in Soulful, Afro House & Amapiano, plus special guests, J Bow & Leon FinesseDon't forget to tune in on Dejavufm every Monday 8pm-12am www.dejavufm.com  https://dejavufm.com/Watch us live Mixcloud https://www.mixcloud.com/afro-soul-london/Instagram@antonioafrohousepascal-https://www.instagram.com/antonioafrohousepascal/@dj_pedro_p - https://www.instagram.com/dj_pedro_p/@afrosoullondon https://www.instagram.com/antonioafrohousepascal/TikTokdj.pedro.phttps://www.tiktok.com/@dj.pedro

Codex Prime interviews Rob Swift, legendary DJ and co-author of the 2025 book The City of Hip-Hop: New York City, The Bronx, and a Peace Meeting (co-written by Rasul A. Mowatt). Tune in as Swift drops plenty of gems. Cut, mix, scratch, GET IT! Recorded June 24, 2025 ---------------------------------------------------------------------------------- Catch Codex Prime on Spotify, Apple Podcasts, or other podcast platforms. Email: CodexPrimePodcast@gmail.com SOCIAL MEDIA: Facebook: www.facebook.com/codexprime Instagram: instagram.com/codexprimepodcast/ YouTube: www.youtube.com/channel/UCbDMNJNgnM6y3WB3fA1a1HA SoundCloud: @codex-prime Victor Omoayo - Do the Film Thing Podcast: https://dothefilmthing.podbean.com/ - Do the Film Thing Linktree: https://linktr.ee/dothefilmthing - Do The Film Thing on Bluesky: @dothefilmthing.bsky.social - Email: dothefilmthing@gmail.com Carl Byrd - Instagram, TikTok and Mixcloud @mrbyrd1027

Next dates: July 4 - Balearic London x Mother Of Mankind @ The Tunnels, Frome | July 12 - Balearic London x Multi Multi, London | July 19 - Balearic London @ 17 Little Portland Street, London | Aug 16 - Balearic London x Love Dancing @ We Out Here, Dorset Follow me on Instagram Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for £2 a month to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Mac Jr - Elephant Song (Radondo Edit) [Bandcamp] Alessandro Rotter - La Sera, La Discoteca, La Spiaggia [Toy Tonics]  Saturday Vibes - Snowfall In My Room [Rewind LTD]  Fazed Idjuts feat. Sally Rodgers - Dust Of Life (Joe Claussell Main Guitar Mix) [U-Star Records] The Bayara Citizens - Kei Kweyo (The Outlaw Demo Dub) [Sacred Rhythm Music] Madonna - Into The Groove (Ben Gomori x KK Editions Edit) [DM me for the download] DJ Steaw - Cane Field [Rutilance Recordings] DJ Steaw - A Ride With M-S [Rutilance Recordings] Katrina Vaughn - Deep Day (PIEK Rework)  Retza & DJ Activties Man - How You Made Me Feel [All Kinds Of Music] Future Classic: Tom Rowlands - We Are Nothing [Phantasy Sound]

The end of a chapter is here, and so begins a new one! From 9th July (and every 2 weeks) catch me live on the mighty CENTREFORCE. > Intro show on the 2nd July with Niki Dimensions. > Chat WhatsApp/Text: +44 7709 333 883 Group Chat on Mixcloud: search '883 CENTREFORCE TV NETWORK'  

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

It's time for a fresh episode of #vivifiersessions with brand new features and brand new music presented by Elysia

You're all set to get your groove on with Shakedown Radio! Join Chris Caggs every Friday night at 7 PM (Melbourne time) on Ozz Mix Dance Radio for an electrifying mix of EDM, hip-hop, and R&B. Broadcasting from Chatswood, Sydney, Chris brings over two decades of radio experience to the airwaves, guaranteeing a musical journey that will get you dancing. How to Tune In You can catch Shakedown Radio on a variety of platforms:  * Mixcloud: www.mixcloud.com/chriscaggs  * Amazon Music Podcasts: https://bit.ly/3PhNuvZ  * Apple Podcasts / iTunes: https://apple.co/3tfyyDP  * iHeart Radio: https://ihr.fm/3ss7wr2  * Tune In App: http://tun.in/pmkVI  * Castbox: https://bit.ly/3maXTcb  * YouTube: http://www.YouTube.com/@chriscaggs For the full track listing and more, visit shakedownradio.com This weeks guest mix comes courtesy of Australian producer on the rise RYAN LUCIAN. Based in Sydney Ryan has been reshaping progressive house since 2023. His releases have gained support from Armin van Burren, Ferry Corsten, Above & Beyond, Kream and more.    This current single "Run" see's him team with fellow Australian, BIANCA out on the UK imprint Enhanced Recordings.  Here he provides a great 60 min that brings the club to airwaves. Quality all round.   Please keep me updated if you are giving it a run. Enjoy ! Ant ✌️:: Global PR Pool :: 0418 580 265 This Week's Featured Tracks Get ready to hear these hot tracks:   1. Ryan Lucian & Bianca - Run [Enhanced Recordings] 2. Goom Gum - Desire [Virgin Records] 3. Cassian - SOS [Experts Only] 4. Bigfett - Dreamer Soul [Radikon] 5. Ryan Lucian - Are You With Me [Enhanced Recordings] UNRELEASED 6. Cristoph (Feat. Jem Cooke) - Paradise [Consequence of Society]  7. Ryan Lucian & Jas. - Memory [Enhanced Recordings]  8. Harry Diamond, K-MRK - Never Gonna Let You Down [Fluentia Music] 9. Dark Heart - Damn Good [Truesoul]  10. Alphadog - It's Insanity (Goom Gum Remix) [Kinetika Music] 11. Claptone, Chichane, Moya Brennan - Saltwater [Armada]  12. Linska - Bad Boy (GENESI remix) [REALM Records] 13. Touchtalk - Change It (Westend edit) 14. Ryan Lucian & Wastemall - Electric Night [Enhanced Recordings] UNRELEASED 15. Biscits - Crush [WRONG]  

You're all set to get your groove on with Shakedown Radio! Join Chris Caggs every Friday night at 7 PM (Melbourne time) on Ozz Mix Dance Radio for an electrifying mix of EDM, hip-hop, and R&B. Broadcasting from Chatswood, Sydney, Chris brings over two decades of radio experience to the airwaves, guaranteeing a musical journey that will get you dancing. How to Tune In You can catch Shakedown Radio on a variety of platforms:  * Mixcloud: www.mixcloud.com/chriscaggs  * Amazon Music Podcasts: https://bit.ly/3PhNuvZ  * Apple Podcasts / iTunes: https://apple.co/3tfyyDP  * iHeart Radio: https://ihr.fm/3ss7wr2  * Tune In App: http://tun.in/pmkVI  * Castbox: https://bit.ly/3maXTcb  * YouTube: http://www.YouTube.com/@chriscaggs For the full track listing and more, visit shakedownradio.com This weeks guest mix comes courtesy of Australian producer on the rise RYAN LUCIAN. Based in Sydney Ryan has been reshaping progressive house since 2023. His releases have gained support from Armin van Burren, Ferry Corsten, Above & Beyond, Kream and more.    This current single "Run" see's him team with fellow Australian, BIANCA out on the UK imprint Enhanced Recordings.  Here he provides a great 60 min that brings the club to airwaves. Quality all round.   Please keep me updated if you are giving it a run. Enjoy ! Ant ✌️:: Global PR Pool :: 0418 580 265 This Week's Featured Tracks Get ready to hear these hot tracks:   1. Ryan Lucian & Bianca - Run [Enhanced Recordings] 2. Goom Gum - Desire [Virgin Records] 3. Cassian - SOS [Experts Only] 4. Bigfett - Dreamer Soul [Radikon] 5. Ryan Lucian - Are You With Me [Enhanced Recordings] UNRELEASED 6. Cristoph (Feat. Jem Cooke) - Paradise [Consequence of Society]  7. Ryan Lucian & Jas. - Memory [Enhanced Recordings]  8. Harry Diamond, K-MRK - Never Gonna Let You Down [Fluentia Music] 9. Dark Heart - Damn Good [Truesoul]  10. Alphadog - It's Insanity (Goom Gum Remix) [Kinetika Music] 11. Claptone, Chichane, Moya Brennan - Saltwater [Armada]  12. Linska - Bad Boy (GENESI remix) [REALM Records] 13. Touchtalk - Change It (Westend edit) 14. Ryan Lucian & Wastemall - Electric Night [Enhanced Recordings] UNRELEASED 15. Biscits - Crush [WRONG]  

After 20 years of incessant and persistent work-in clubs all over the world, Victor M- -has become one of Spain's top DJs and producers -whose influences have been hip-hop, funk and the house, among other styles. Pushmann, delivers techno for the mind body and soul. PUSHMANN produces a Detroitesque sound with clear and strong influence of European sound, Berlin and Birmingham. His imaginary sound is based on the fast-paced, industrial and mechanical high-octane techno. In his classic genre he delivers raw goodness to intrigue the listener and take him or her to a higher level. Power, darkness and fierceness serving the dance floor. His special attention and taste for metallic percussion and steel cavernous drums well located in front of everything, almost martia, or warlike. Also draw attention to their surgical and haunting melodies, looped and accelerated to paroxysm. Sophisticated bestiality that stuns and spreads like wildfire. As a DJ, this self-confessed lover of vinyl-and three deck performances- enjoys a refined technique after many years of selecting only the best techno, house and ghetto-techno- sessions defined as strong, energetic and vibrant. PUSHMANN is label owner on N&N Records and cuarator on Lila Session at Höhle club. PUSHMANN is working for labels like Axis, Hardgroove, Symbolism, KMS Records, Be As One, End Of Dayz, SOMA.. colaborating with artists like Ben Sims, Ken Ishii, Alexander Kowalski, Anne, Paula Cazenave, Cravo, Ritzi Lee, Jeroen Search, Head Front Panel, Dj Rush.. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

I needed some Blues and did this last minute show just to feed my soul!!! So, hear it is for YOU!!! Sit back and keep putting Music back in your Life, WE NEED MUSIC!!! Enjoy and check out TOMPodcast on Mixcloud where all my Music Show are!! Listen Like and FOLLOW, I appreciate you all!!! Later Gators!!   *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com   *Contact us at: theoldmanspodcast@gmail.com     *TOMPodcast/Rhythm and Blues Shows: https://www.mixcloud.com/TOMPodcast/

On this week's episode, Victor and Carl discuss some fondly remembered beat 'em up video games of years' past! Tune in as they chat about such memorable games as Streets of Rage 2, The Punisher, and get into whether or not Kung Fu and Golden Axe were good games. Victor also reviews four films including Celine Song's second feature Materialists, The Life of Chuck, the Oscar-winning Brazilian film I'm Still Here, and the animated anthology film Predator: Killer of Killers. Kick, punch, it's all in the mind; let's GET IT! Recorded June 17, 2025 ---------------------------------------------------------------------------------- Check out Carl Byrd's The Job: Booker Man variant cover here!: https://www.legacycomix.com/product/the-job-booker-man-carl-byrd-variant-digital/ ---------------------------------------------------------------------------------- Catch Codex Prime on Spotify, Apple Podcasts, or other podcast platforms. Email: CodexPrimePodcast@gmail.com SOCIAL MEDIA: Facebook: www.facebook.com/codexprime Instagram: instagram.com/codexprimepodcast/ YouTube: www.youtube.com/channel/UCbDMNJNgnM6y3WB3fA1a1HA SoundCloud: @codex-prime Victor Omoayo - Do the Film Thing Podcast: https://dothefilmthing.podbean.com/ - Do the Film Thing Linktree: https://linktr.ee/dothefilmthing - Do The Film Thing on Bluesky: @dothefilmthing.bsky.social - Email: dothefilmthing@gmail.com Carl Byrd - Instagram, TikTok and Mixcloud @mrbyrd1027

Welcome back to another week & another episode of Rinse & Repeat Radio!For this week's episode - I will be taking over the whole hour with new music from MAKJ, Chris Lake, Rick Wonder and myself, & more.Make sure to subscribe for new music every Wednesday on both Apple Podcasts & Mixcloud.Episode 264 - Turn it up!Upcoming dates & more - www.cazesthedj.comInstagram/TikTok/Twitter - @cazesthedj***Tracklisting***1.) Disclosure - White Noise (Club 909 Remix)2.) Kesha - Take It Off (Luke Alexander Remix)3.) Disclosure & Sam Smith X Chris Lorenzo X Gt_ofice, Matthew Topper & Robbie Rosen - Latch X Appetite (Cazes Vip Live Edit)4.) Quliano - Nyc5.) Chris Lake - Savana6.) Fenik, Eleganto - A Feeling7.) Cazes & Rick Wonder - Do It All Again8.) Led Zeppelin - Black Dog (Proppa Remix)9.) Green Velvet, Chris Lake - Percolator (Mikey Barreneche & Giometrik Edit)10.) Cat Dealers, Makj, Faiolli - I'm A Man11.) Fisher - Losing It (Henry Himself Remix)12.) Empire Of The Sun X John Summit - We Are The People (Cazes 'Light Year' Edit)13.) Zulan - Forever14.) The Goo Goo Dolls X Supermode X Meduza - Iris X Tell Me Why (Cazes Vip Edit)15.) Bijou X Westside Gunn - Porsche 911Upcoming Dates6/24 - PM Lounge - Dallas, TX6/28 - M. Bird - Tampa, FL7/5 - Barstool - Nashville, TN7/12 - FWD - Cleveland, OH

Even MORE choices & variety on Thursday, tomorrow with more “100% Random Access Play Selection!” The Music Authority Podcast... download, Listen, like, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio M, T,T, F 7 pm ET & Wed 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 18, 2025, Wednesday, subsection three…@The Poppees - Anything Wrong [Pop Goes The Anthology - Live At Cozy Corner] (@Bomp!)@Pasha Black - In The Rain [Remedy]@Splitsville - Beth Steel [Mobtown] (@Big Stir Records)@Jerry Woods – Narcissus@Tom Curless & The 46% - Scare Tactics [Person of Interest] (@Futureman Records)@The VavaVooDoos - Fun Time [After Dark]@Stephen Lawrenson - Words To Say [Obscuriosity]@The Red Button - Hopes Up [She's About To Cross My Mind]@Coke Belda - Renacerá [Coke Belda 6 My Tribute To Los Brincos] (koolkatmusik.com)@Streetcar Conductors - I Looked All Around [The Very Best of Streetcar Conductors]@The Vinylos - Do The Shake [The Vinylos] (@Clifford Records)@Del Cobras - Untied (She's The One)@Lusitanian Ghosts - A Long Time Ago@Keith Klingensmith And The TM Collective - I Wanna Destroy You [Keith Klingensmith And The TM Collective Vol 2] (@Futureman Records)@Peter Joly - Honey Babe [Easy Has Never Been The Way]@The Tremblers - Green Shirt [Twice Nightly]@Kurt Baker - Quit Dancing With My Girl [Brand New B-Sides] (@Rum Bar Records)@Itlaian Driving - Never My Love@The First Steps - The Beat Is Back@Big Star – Thank You Friends

Dinner tonight…ground beef with chopped green and kalamata olives, mushrooms, onions, garlic, marinated baby artichoke hearts, and zucchini noodles…all cooked in beef tallow. Drizzle with olive oil just before serving. The Music Authority Podcast... download, Listen, like, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio M, T,T, F 7 pm ET & Wed 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 18, 2025, Wednesday, aisle two…@The Jive - Shoulda Known Better@The Well Wishers - Hours And Days [Blue Sky Sun]@Pezband - Didn't We [Cover To Cover Remix] (@Jem Records)@The Pop - Wait A Minute@David Johansen – She [In Style]@Peter Joly - La Di Da [Easy Has Never Been The Way]@Orbis 2.0 With @Tim Izzard – Summerville@Terry Newman - Baby Blue@The Julies - My Heaven Is A Dance Floor [Always And Always]@Tom Curless & The 46% - Isolate You [Person of Interest] (@Futureman Records)@Any Trouble - Another Heartache@Wrack & Ruin - Leopard's Spots [The Beat Takes Over]@Chris Von Sneidern - I Can See [Wood + Wire]@Coke Belda - Amiga Mía [Coke Belda 6 My Tribute To Los Brincos] (koolkatmusik.com)@The Undertones - Bittersweet [West Bank Songs 1978-1983]@Sally Crosby – Shooting Star@Jason Falkner – I Go Astray [Author Unknown]@Sweet Unrest - Sunshine

Had to take my #1 lawn mower in for service this morning. Seems like the engine is misfiring after it gets warmed up! Didn't have to take it in at all last year! The Music Authority Podcast...download, Listen, like, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio M, T,T, F 7 pm ET & Wed 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 18, 2025, Wednesday, verse one…@Orbis 2.0 - TMA SHOW OPEN THEME@Danny Wilson - Mary's Prayer@Steve Conte - Decomposing A Song For You [The Concrete Jangle] (@Wicked Cool Records)@Screen Test - You Don't Know Me [Inspired Humans Making Noise – An Anthology 1980 -1986]@Abandoned Satellites - Just Last Week [Room Enough for the Sun]@Coke Belda - Nadie Te Quiere Ya [Coke Belda 6 My Tribute To Los Brincos] (koolkatmusik.com)@The Spongetones - Lulu's In Love (@Big Stir Records)@Stars Like Ours - Better Every Day [Better Every Day - EP] (@Rum Bar Records)@Drew Neely & The Heroes - Angel [This Could Be You Vol 1 - EP]@Peter Joly - Honey Babe [Easy Has Never Been The Way]@Chris Richards And The Subtractions - Sunny Day [A Smattering Of Mystery And Sound]@The Tearaways - Married and Single [And For Our Next Trick] (@Dirty Water Records)@Dramarama - Shadowless Heart [Hi Fi Sci Fi]@Tom Curless & The 46% - Another Song to Play [Person of Interest] (@Futureman Records)@Johnny Hates Jazz - Shattered Dreams@The Overly Polite Tornadoes - Like A Birds Nest [When You Wake Up] (@jamrecordings.com)@Barely Pink – Dot To Dot Elvis@Stress Dolls – Close Enough

“100% Random Access Play Selection!” for Wednesday, Thursday, & Friday! The Music Authority Podcast...download, Listen, like, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio M, T,T, F 7 pm ET & Wed 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 17, 2025, Tuesday, the third…@Letters from Mars - Reckless Love [Crash]@The Gels - Everytime [Never Mind The Title, Here's The Gels]@John McCabe - I Figured [It Rings A Bell] (@Subjangle)@Hudson Powder Company - I'm Stretched Too Thin [Hudson Powder Company LLC]@Peter Joly - Umbrellas And Overcoats [Easy Has Never Been The Way]@Euphoria Station - Dusty Roads [Smoking Gun]@The Spackles - Spy In The House Of Frankenstein [Clamaro] (@Rum Bar Records)@Tomas Nilsson - Guess I'm In Love Again [Inside My Universe] (koolkatmusik.com)@Tom Curless & The 46% - Soar High [Person of Interest] (@Futureman Records)@Muck And The Mires - Carefree [Beat Revolution] (@Dirty Water Records)@Brensheen - Running From The Tide [Don't Come Too Close]@Coke Belda - El Pasaporte [Coke Belda 6 My Tribute To Los Brincos] (koolkatmusik.com)@Movieland - Waiting For The Savior [Now & Then]@Tristan Armstrong - Gimme A Sign [The Lonely Avenue] (koolkatmusik.com)@Dinning Dead – Containers [Is This A House?]@Nick Leet Featuring @Brent Braniff – Not Here To Lose [Detours]@Late Cambrian – Thanks For Your Time

Traffic was pretty light on the way to the doctor and back home, too! Oddly enough, I spotted seven different police cars on the way to the doctor's office. Two with cars pulled over. Not a single one on the drive home, though! The Music Authority Podcast...download, Listen, like, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio M, T,T, F 7 pm ET & Wed 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 17, 2025, Tuesday, second section…@Worn Through - Omaha [Barely Real]@Lost Friends - Let Me Sleep [The Promises You Don't Keep] @The Squirts - Nothing New Under The Sun [III]@Nelson Bragg - Whitechapel Girl [Mélodie de Nelson A Pop Anthology] (@Big Stir Records)@Coke Belda - Lo Que Yo Quiero [Coke Belda 6 My tribute to Los Brincos] (koolkatmusik.com)@The Haymakers - Say It Again [Say It Again]@The Galileo 7 - Orangery Lane [Everything Is Everything Else]@West Coast Music Club - Lonely Boy [Poppelganger]@The Sparkling Dust - Ashwagandha [Leaves, Flowers and Piggies]@Peter Joly - Little Stars [Easy Has Never Been The Way]@Lightheaded - Same Drop [Thinking, Dreaming, Scheming]@HLLLYH - Trapped In The Song [URU BURU]@Joe Armstrong - For Your Mind [Gaslight Blues]@No Museums - Silence Will Outlast Us [Pale Blue Eyes And Folk Terrors]@Tom Curless & The 46% - Take My Hand [Person of Interest] (@Futureman Records)@The Milkshakes - Dogwatch On Monkey's Paw [The Men With The Golden Guitars] (@Damaged Goods Records)@Derek Smith And The Cosmic Vultures – Temporary Circus [Temporary Circus, Act 1 – EP]@Foxy – Overrated [Tonight Tonight] (@Rum Bar Records)

I had my quarterly checkup today…a clean bill of health for at least three more months and down 4 pounds since my last visit,  three months ago! The Music Authority Podcast...download, Listen, like, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio M, T,T, F 7 pm ET & Wed 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 17, 2025, Tuesday, hour one…@Orbis 2.0 - TMA SHOW OPEN THEME@Splitsville - Gray [Mobtown] (@Big Stir Records)@Randy Klawon - All You Really Need [Sunday's Child]@Caterpillars - Front And Center [After The Flood]@Hats Off Gentlemen It's Adequate - The Ultraviolet Catastrophe [The Uncertainty Principle]@Tom Curless & The 46% - Something for Nothing [Person of Interest] (@Futureman Records)@Caper Clowns - Behind The Waterfall (Ayayahoo) [Without A Safety Net]@Greg Brady And The Anchors - Satellite [I'd Rather Walk] (@Subjangle)@The Minus 5 - Let The Rope Hold, Cassie Lee [Oar On Penelope] (@Yep Rock Records)@Coke Belda - Mejor [Coke Belda 6 My Tribute To Los Brincos] (koolkatmusik.com)@Novelistme - I Need New Music [Fabulous Nonsense Can Manipulate A Smart Mind]@Black Opal - Feel Free [Divine Accusations]@Testors - MK Ultra [Best Of Testors]@Peter Joly - A Real Song [Easy Has Never Been The Way]@Shopfires - I'm Not Coming Home Tonight [We Are Not There But We Are Here] (@Subjangle)@Rattle Bones - Sleepwalking [Sleepwalking] (@Riffhaus Music)@Chimes – Hold On [Pile Of Parts]@Jeanines – You Can't Get It Back [How Long Can It Last] 

Rockin' The KOR Show #364!  The “Official Calendar” start of the Summer Solstice is this week, Friday! I truly love the summertime, but it also signals that the days are growing shorter, too…minute, by minute, by minute! So, allow me to offer you some musicalTRUE VARIETY! Thank you for encouraging my behavior! Please, keep downloading and sharing the podcast! All the usual download spots. Oh! And the website, too – TheMusicAuthority.com! The Music Authority Podcast... heard daily on TheMusicAuthority.com, Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on “X” Jim Prell@TMusicAuthority!  How to listen in?*Podcast - https://themusicauthority.transistor.fm/  The Music Authority Podcast! *Website – TheMusicAuthority.comSpecial Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, & Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *Sole Of Indie https://soleofindie.rocks/  Monday Through Friday 6PM ET! *AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!Rockin' the KOR! Show #364…@Super8UK – TMA Opening Theme@Robert Ellis Orrall - Glad All Over@The Rallies – Love@The Radio Addicts - Scroll My Life Away@Bacci Pouch - Running Around@Catherine Campbell - In My Room [Outline]@Nolan Voide - The Music Authority Jingle@The Peppermint Kicks With @Palmyra Delran - Radio Wam Bam Boom (@Rum Bar Records)@The Painting – Imprint@Icarus Phoenix - Jump Like This And Hop Over@Heron - Dead To It [Underground Sky]@David A Burdick - I Only Have Eyes For You@The Chris Vandalay Project - This Modern Age [In Any Direction]@SoulBird - The Music Authority Jingle@The Amplifier Heads feat. @Dan Kopko - Dead Star [Songs From They Came To Rock] (@Rum Bar Records)@Sabina Chantouria – Changes@Little Roger - The Girl Next Door To The Girl Next Door@Lovina Falls - Light And Low@iNWATER - Manufactured Heart@Glow And The Dark - Bright Eyes T-Shirt

Music from Retromigration, Leon Vyenahll, Radio Slave, Kenny Larkin, Paperclip People, Medicine8, Deep Dish, Tedd Patterson... Next dates: June 22 - The Standard, Ibiza | July 4 - Balearic London x Mother Of Mankind @ The Tunnels, Frome | July 12 - Balearic London x Multi Multi, London | July 19 - Balearic London @ 17 Little Portland Street, London Sounds from our birthday bash in W1. I fumbled one mix, have fun spotting it! Follow me on Instagram Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for £2 a month to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform.

Radio Candy Radio Show #222! The “Official Calendar” start of the Summer Solstice is this week, Friday! I truly love the summertime, but it also signals that the days are growing shorter, too…minute, by minute, by minute! So, allow me to offer you some musicalTRUE VARIETY! Thank you for encouraging my behavior! Please, keep downloading and sharing the podcast! All the usual download spots. Oh! And the website, too – TheMusicAuthority.com! The Music Authority Podcast... heard daily on TheMusicAuthority.com, Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on “X” Jim Prell@TMusicAuthority! How to listen in?*Podcast - https://themusicauthority.transistor.fm/  The Music Authority Podcast! *Website – TheMusicAuthority.comSpecial Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, & Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6PM ET! *AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!Radio Candy Radio Show #222…@Super8UK – TMA Opening Theme@Robert Ellis Orrall - Glad All Over@The Rallies – Love@The Radio Addicts - Scroll My Life Away@Bacci Pouch - Running Around@Catherine Campbell - In My Room [Outline]@Nolan Voide - The Music Authority Jingle@The Peppermint Kicks With @Palmyra Delran - Radio Wam Bam Boom (@Rum Bar Records)@The Painting – Imprint@Icarus Phoenix - Jump Like This And Hop Over@Heron - Dead To It [Underground Sky]@David A Burdick - I Only Have Eyes For You@The Chris Vandalay Project - This Modern Age [In Any Direction]@SoulBird - The Music Authority Jingle@The Amplifier Heads feat. @Dan Kopko - Dead Star [Songs From They Came To Rock] (@Rum Bar Records)@Sabina Chantouria – Changes@Little Roger - The Girl Next Door To The Girl Next Door@Lovina Falls - Light And Low@iNWATER - Manufactured Heart@Glow And The Dark - Bright Eyes T-Shirt

Summer Solstice is just days away. Father's Day has passed by. The summer season is nearly in full swing! Plans? Me? Hanging around here and bring YOU the best in Power Pop, Rock, Soul, Rhythm & Blues! I'm a giver like that! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 16, 2025, Monday…may you have the day you deserve…@Orbis 2.0 - TMA SHOW OPEN THEME@Robert Ellis Orrall - Glad All Over@Addison Haas - To Miss You [Through Laughter & Tears]@Archers - Crooked Smile@Autoramas - Ornitorrinquinho @Peter Joly - Every Single Second Til Today [Easy Has Never Been The Way]@Bacci Pouch - Running Around@Beta Trip – Juliet@Billy Oliver With @PD Wohl - I Dream in Blue@Tom Curless & The 46% - Pick Up The Pace [Person of Interest] (@Futureman Records)@Catherine Campbell - In My Room [Outline]@Danny Ferdinandus - My Soul Starts Dancing@Elly Kace – Lisianthuses@Coke Belda - So Good To Dance [Coke Belda 6 My Tribute To Los Brincos] (koolkatmusik.com)@David A Burdick - I Only Have Eyes For You@David A Burdick - Ice Giants@David A Burdick - When I Get Home@Faith And Circumstance - Heart Of Stone@Kitty May – Our Place

Tuesday's recording of the podcast will be later in the day. Blood work for The Proton Beam Cancer Therapy Center, then my quarterly visit to my general practitioner first thing in the morning.  Luckily, they are right around the corner from each other. Fun day in store for me! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 16, 2025, Monday…page three…@New Royal Standard - Soul Crushing (@Catch 21 Records)@Not Scientists - Hurricane [Voices]@Peter Kozlowski @PtrKozMusic - Love Get Down To Talking@Coke Belda - Érase Una Vez [Coke Belda 6 My Tribute To Los Brincos] (koolkatmusik.com)@Pinwheel Valley – Werewolf@Rose Haze - Love From Death@Sabina Chantouria – Changes@Peter Joly - Williamsville [Easy Has Never Been The Way]@The Amplifier Heads feat. @Dan Kopko - Dead Star [Songs From They Came To Rock] (@Rum Bar Records)@The Chris Vandalay Project - This Modern Age [In Any Direction]@The Legendary Swagger - Sneakin' Around [Broke And Broken] (@Rum Bar Records)@Tom Curless & The 46% - Silent Partner [Person of Interest] (@Futureman Records)@The Painting – Imprint@The Peppermint Kicks With @Palmyra Delran - Radio Wam Bam Boom (@Rum Bar Records)@The Radio Addicts – Scroll My Life Away@The Rallies – Love@Keith Klingensmith – I Wanna Thank You [If It Feels Good – Do It – A Sloan Tribute] (@Futureman Records)

Sole Of Indie Show #114!!  The “Official Calendar” start of the Summer Solstice is this week, Friday! I truly love the summertime, but it also signals that the days are growing shorter, too…minute, by minute, by minute! So, allow me to offer you some musicalTRUE VARIETY! Thank you for encouraging my behavior! Please, keep downloading and sharing the podcast! All the usual download spots. Oh! And the website, too – TheMusicAuthority.com! The Music Authority Podcast... heard daily on TheMusicAuthority.com, Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on “X” Jim Prell@TMusicAuthority! How to listen in?*Podcast - https://themusicauthority.transistor.fm/  The Music Authority Podcast! *Website – TheMusicAuthority.comSpecial Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, & Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6PM ET! *AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!Sole Of Indie Show #114…@Super8UK – TMA Opening Theme@Robert Ellis Orrall - Glad All Over@The Rallies – Love@The Radio Addicts - Scroll My Life Away@Bacci Pouch - Running Around@Catherine Campbell - In My Room [Outline]@Nolan Voide - The Music Authority Jingle@The Peppermint Kicks With @Palmyra Delran - Radio Wam Bam Boom (@Rum Bar Records)@The Painting – Imprint@Icarus Phoenix - Jump Like This And Hop Over@Heron - Dead To It [Underground Sky]@David A Burdick - I Only Have Eyes For You@The Chris Vandalay Project - This Modern Age [In Any Direction]@SoulBird - The Music Authority Jingle@The Amplifier Heads feat. @Dan Kopko - Dead Star [Songs From They Came To Rock] (@Rum Bar Records)@Sabina Chantouria – Changes@Little Roger - The Girl Next Door To The Girl Next Door@Lovina Falls - Light And Low@iNWATER - Manufactured Heart@Glow And The Dark - Bright Eyes T-Shirt

The planet we live on holds many a mystery. The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 16, 2025, Monday…second verse, so very different than the first…@iNWATER - Manufactured Heart@Heron - Dead To It [Underground Sky]@Glow And The Dark - Bright Eyes T-Shirt@Icarus Phoenix - Jump Like This And Hop Over@Tom Curless & The 46% - Street Kids [Person of Interest] (@Futureman Records)@Jack Rowberry - C'est La Vie@Johnny Jetson - Used Cars@Little Roger - The Girl Next Door To The Girl Next Door@Coke Belda - Tú Me Dijiste Adios [Coke Belda 6 My tribute To Los Brincos] (koolkatmusik.com)@Liquid Pennies - Ready Tide@Liquid Pennies – Sight Skewer@Liquid Pennies – Tapered Scape@Peter Joly - Friend [Easy Has Never Been The Way]@Lovina Falls - Light And Low@Midland Railway - A Song For Hannah-Beth@Overhaul – Spanish Lilt

ALTPHILLIE.ROCKS - Show #60! The “Official Calendar” start of the Summer Solstice is this week, Friday! I truly love the summertime, but it also signals that the days are growing shorter, too…minute, by minute, by minute! So, allow me to offer you some musicalTRUE VARIETY! Thank you for encouraging my behavior! Please, keep downloading and sharing the podcast! All the usual download spots. Oh! And the website, too – TheMusicAuthority.com! The Music Authority Podcast... heard daily on TheMusicAuthority.com, Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on “X” Jim Prell@TMusicAuthority! How to listen in?*Podcast - https://themusicauthority.transistor.fm/  The Music Authority Podcast! *Website – TheMusicAuthority.comSpecial Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, & Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6PM ET! *AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!ALTPHILLIE.ROCKS - Show #60…@Super8UK – TMA Opening Theme@Robert Ellis Orrall - Glad All Over@The Rallies – Love@The Radio Addicts - Scroll My Life Away@Bacci Pouch - Running Around@Catherine Campbell - In My Room [Outline]@Nolan Voide - The Music Authority Jingle@The Peppermint Kicks With @Palmyra Delran - Radio Wam Bam Boom (@Rum Bar Records)@The Painting – Imprint@Icarus Phoenix - Jump Like This And Hop Over@Heron - Dead To It [Underground Sky]@David A Burdick - I Only Have Eyes For You@The Chris Vandalay Project - This Modern Age [In Any Direction]@SoulBird - The Music Authority Jingle@The Amplifier Heads feat. @Dan Kopko - Dead Star [Songs From They Came To Rock] (@Rum Bar Records)@Sabina Chantouria – Changes@Little Roger - The Girl Next Door To The Girl Next Door@Lovina Falls - Light And Low@iNWATER - Manufactured Heart@Glow And The Dark - Bright Eyes T-Shirt

The Old Man was introduced to Doc through Big Rich and it was a good time! Doc has a unique singing voice and interesting back story. Doc's songs are featured on "The Old Man's Rhythm and Blues Hour" Wednesdays and Fridays at 12noon pst / 3pm east / 8pm Tenerife on Ride Time Radio (https://www.easyridertenerife.com/ridetimeradio) and most Blues Show on TOMPodcast on Mixcloud. If you know of any artists that need to get the word out on what they are doing, have them contact us at: theoldmanspodcast@gmail.com and we'll talk to them. Thanks for all your support!! Later Gators!!   *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com   *Contact us at: theoldmanspodcast@gmail.com     *TOMPodcast/Rhythm and Blues Shows: https://www.mixcloud.com/TOMPodcast/

You're all set to get your groove on with Shakedown Radio! Join Chris Caggs every Friday night at 7 PM (Melbourne time) on Ozz Mix Dance Radio for an electrifying mix of EDM, hip-hop, and R&B. Broadcasting from Chatswood, Sydney, Chris brings over two decades of radio experience to the airwaves, guaranteeing a musical journey that will get you dancing. How to Tune In You can catch Shakedown Radio on a variety of platforms:  * Mixcloud: www.mixcloud.com/chriscaggs  * Amazon Music Podcasts: https://bit.ly/3PhNuvZ  * Apple Podcasts / iTunes: https://apple.co/3tfyyDP  * iHeart Radio: https://ihr.fm/3ss7wr2  * Tune In App: http://tun.in/pmkVI  * Castbox: https://bit.ly/3maXTcb  * YouTube: http://www.YouTube.com/@chriscaggs For the full track listing and more, visit shakedownradio.com This Week's Featured Tracks Get ready to hear these hot tracks:   * Bob Sinclair - Cruel Summer (Again)  * Duck Sauce - Anyway (Sgt Slick's Melbourne ReCut)  * Gordon City feat Caroline Byrne - Run It Back (Edit)  * Claptone feat Sea Girls - Put Your Love On Me  * Groove P x Robin S - Show Me Real (Sgt Slick's ReCut)  * Jesse Bloch & PeeWee Ferris - The Magic Xylophone  * Tiesto, Odd Mob & Goodboys - Won't Be Possible  * VASSY x RSCL - Beg (Radio Edit)  * Fedde Le Grand & DJ Tora - Here Comes The Bass (Radio Edit)  * Inner City, Kevin Saunderson, Dantiez feat Steffanie Christ'ian - One Look (Radio Edit)  * Super Disco Club x Rubber People - I'm Going Back (Back To The 90's Mix)  * Chris Lake - Savana (Edit)  * Sonny Fodera, Clementine Douglas - Tell Me (Prunk Radio Edit)  * AFTC feat Lisa Millet - Bad Habits (Club De Combat Remix Radio Edit) Join the Shakedown Radio Community! Stay connected with Chris Caggs and the Shakedown Radio family:  * Threads: @ChrisCaggs  * Facebook Friend Page: www.facebook.com/chriscaggs  * Facebook Fan Page: www.facebook.com/chriscaggsradio  * Twitter: www.x.com/chriscaggs  * Instagram: www.instagram.com/chriscaggs  * TikTok: @ChrisCaggs Support the Show Help keep the music alive and support Shakedown Radio by donating:  * Patreon: Support on Patreon  * Go Fund Me: Donate Here Don't miss out! Catch Shakedown Radio with Chris Caggs every Friday Night at 7 PM Melbourne time on Ozz Mix Dance Radio. Let the music take over and get ready to dance! #ChrisCaggs #ShakedownRadio For more information, visit Ozz Mix Dance Radio, 4PLAY.FM, and Liquid Radio Network. Let's get the party started!

You're all set to get your groove on with Shakedown Radio! Join Chris Caggs every Friday night at 7 PM (Melbourne time) on Ozz Mix Dance Radio for an electrifying mix of EDM, hip-hop, and R&B. Broadcasting from Chatswood, Sydney, Chris brings over two decades of radio experience to the airwaves, guaranteeing a musical journey that will get you dancing. How to Tune In You can catch Shakedown Radio on a variety of platforms:  * Mixcloud: www.mixcloud.com/chriscaggs  * Amazon Music Podcasts: https://bit.ly/3PhNuvZ  * Apple Podcasts / iTunes: https://apple.co/3tfyyDP  * iHeart Radio: https://ihr.fm/3ss7wr2  * Tune In App: http://tun.in/pmkVI  * Castbox: https://bit.ly/3maXTcb  * YouTube: http://www.YouTube.com/@chriscaggs For the full track listing and more, visit shakedownradio.com This Week's Featured Tracks Get ready to hear these hot tracks:   * Bob Sinclair - Cruel Summer (Again)  * Duck Sauce - Anyway (Sgt Slick's Melbourne ReCut)  * Gordon City feat Caroline Byrne - Run It Back (Edit)  * Claptone feat Sea Girls - Put Your Love On Me  * Groove P x Robin S - Show Me Real (Sgt Slick's ReCut)  * Jesse Bloch & PeeWee Ferris - The Magic Xylophone  * Tiesto, Odd Mob & Goodboys - Won't Be Possible  * VASSY x RSCL - Beg (Radio Edit)  * Fedde Le Grand & DJ Tora - Here Comes The Bass (Radio Edit)  * Inner City, Kevin Saunderson, Dantiez feat Steffanie Christ'ian - One Look (Radio Edit)  * Super Disco Club x Rubber People - I'm Going Back (Back To The 90's Mix)  * Chris Lake - Savana (Edit)  * Sonny Fodera, Clementine Douglas - Tell Me (Prunk Radio Edit)  * AFTC feat Lisa Millet - Bad Habits (Club De Combat Remix Radio Edit) Join the Shakedown Radio Community! Stay connected with Chris Caggs and the Shakedown Radio family:  * Threads: @ChrisCaggs  * Facebook Friend Page: www.facebook.com/chriscaggs  * Facebook Fan Page: www.facebook.com/chriscaggsradio  * Twitter: www.x.com/chriscaggs  * Instagram: www.instagram.com/chriscaggs  * TikTok: @ChrisCaggs Support the Show Help keep the music alive and support Shakedown Radio by donating:  * Patreon: Support on Patreon  * Go Fund Me: Donate Here Don't miss out! Catch Shakedown Radio with Chris Caggs every Friday Night at 7 PM Melbourne time on Ozz Mix Dance Radio. Let the music take over and get ready to dance! #ChrisCaggs #ShakedownRadio For more information, visit Ozz Mix Dance Radio, 4PLAY.FM, and Liquid Radio Network. Let's get the party started!

You're all set to get your groove on with Shakedown Radio! Join Chris Caggs every Friday night at 7 PM (Melbourne time) on Ozz Mix Dance Radio for an electrifying mix of EDM, hip-hop, and R&B. Broadcasting from Chatswood, Sydney, Chris brings over two decades of radio experience to the airwaves, guaranteeing a musical journey that will get you dancing. How to Tune In You can catch Shakedown Radio on a variety of platforms:  * Mixcloud: www.mixcloud.com/chriscaggs  * Amazon Music Podcasts: https://bit.ly/3PhNuvZ  * Apple Podcasts / iTunes: https://apple.co/3tfyyDP  * iHeart Radio: https://ihr.fm/3ss7wr2  * Tune In App: http://tun.in/pmkVI  * Castbox: https://bit.ly/3maXTcb  * YouTube: http://www.YouTube.com/@chriscaggs For the full track listing and more, visit shakedownradio.com This Week's Featured Tracks Get ready to hear these hot tracks:   * Bob Sinclair - Cruel Summer (Again)  * Duck Sauce - Anyway (Sgt Slick's Melbourne ReCut)  * Gordon City feat Caroline Byrne - Run It Back (Edit)  * Claptone feat Sea Girls - Put Your Love On Me  * Groove P x Robin S - Show Me Real (Sgt Slick's ReCut)  * Jesse Bloch & PeeWee Ferris - The Magic Xylophone  * Tiesto, Odd Mob & Goodboys - Won't Be Possible  * VASSY x RSCL - Beg (Radio Edit)  * Fedde Le Grand & DJ Tora - Here Comes The Bass (Radio Edit)  * Inner City, Kevin Saunderson, Dantiez feat Steffanie Christ'ian - One Look (Radio Edit)  * Super Disco Club x Rubber People - I'm Going Back (Back To The 90's Mix)  * Chris Lake - Savana (Edit)  * Sonny Fodera, Clementine Douglas - Tell Me (Prunk Radio Edit)  * AFTC feat Lisa Millet - Bad Habits (Club De Combat Remix Radio Edit) Join the Shakedown Radio Community! Stay connected with Chris Caggs and the Shakedown Radio family:  * Threads: @ChrisCaggs  * Facebook Friend Page: www.facebook.com/chriscaggs  * Facebook Fan Page: www.facebook.com/chriscaggsradio  * Twitter: www.x.com/chriscaggs  * Instagram: www.instagram.com/chriscaggs  * TikTok: @ChrisCaggs Support the Show Help keep the music alive and support Shakedown Radio by donating:  * Patreon: Support on Patreon  * Go Fund Me: Donate Here Don't miss out! Catch Shakedown Radio with Chris Caggs every Friday Night at 7 PM Melbourne time on Ozz Mix Dance Radio. Let the music take over and get ready to dance! #ChrisCaggs #ShakedownRadio For more information, visit Ozz Mix Dance Radio, 4PLAY.FM, and Liquid Radio Network. Let's get the party started!

Pop Radio UK Show #347!!!  As I was prepping this show to record, I realized that I had many a new double sided single, three song singles, multi-song EP's in the lineup. So to mix it up just a bit, I added in some single song singles, too! No two hours of this show ever alike! Hell! No two fifteen-minute segments of this show are ever alike…and I like it that way! TRUE VARIETY! Thank you for encouraging my behavior! Please, keep downloading and sharing the podcast! All the usual download spots. Oh! And the website, too – TheMusicAuthority.com! The Music Authority Podcast... heard daily on TheMusicAuthority.com, Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Google Podcast Manager, Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, and APPLE iTunes! Follow the show on “X” Jim Prell@TMusicAuthority! How to listen in?*Podcast - https://themusicauthority.transistor.fm/  The Music Authority Podcast! *Website – TheMusicAuthority.comSpecial Recorded Network Shows, too! Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, & Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6PM ET! *AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!Pop Radio UK Show #347…@Super8UK – TMA Opening Theme@You're Among Friends - Half A Thought@Ultan - All In Good Time@The Lemon Drop Gang - Something Real (@Rum Bar Records)@The Lemon Drop Gang - Something Brings Me Down (@Rum Bar Records)@The Happy Somethings - Lessons In Love@Lost Signal & @The Happy Somethings - Lessons In Love (remix)@Swansea Sound - Oasis v Blur (@Skep Wax Records)@Swansea Sound - Pacio'r Fan (@Skep Wax Records)@Sove The Second - Homewell & Friendsick@Sove The Second - Green Hills@Jesika von Rabbit - Go Back to L.A. (@Dionysus Records)@Jesika von Rabbit - Hooray for Hollywood (@Dionysus Records)@Jesika von Rabbit – Wacko (@Dionysus Records)@Italian Driving - Pacific Coast Highway@Itlaian Driving - Never My Love@Heavenly – Someone Who Cares (@Skep Wax Records)@Heavenly – Portland Town (@Skep Wax Records)

Favors. It hurts my heart having to ask… I don't like having to ask for help…yet here I am again! Could ya? Would ya? Help me… please and thank you. Help me to reach those who think I abandoned my nearly 11-year-old show with no notice … It is truly through the word of mouth that my show has grown over the last almost 11 years. Kicked off FB TWICE & still doing three hours a day, five days a week. For the money? What money? For fame? When have I ever mentioned my own name in just under 11 years of sharing this show? I do this show for the LOVE OF THE MUSIC!  Help get the word out that The Music Authority Podcast is still relevant and continues to grow even without FB! Please repost this on your social media sites!  THANK YOU! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 13, 2025, Friday, page two…@Raspberries - Let's Pretend@The Zags - Still Life [The Zags]@Dave Cope And The Sass - All Alright [Hidden From The World] (koolkatmusik.com)@The Buckinghams - Kind Of A Drag@Klangstof - Ocean View@Bill Lloyd - Bunny In The High Grass [Look Into It]@Blue - Someone@Bryan Ferry - Baby I Don't Care@Smokie - Don't Play Your Rock And Roll@Tom Shotton - Back Home [Forever Home]@The Mop Tops - When I Was Young [Running Out Of Time] (@Beluga Records)@Fuzzbox Kollective - Restraining Order [Fuzzed Off]@Psychotic Youth - Ten '0 Clock Postman [Scoops] (@Ice Cream Man Power Pop And More)@Luke Fitzpatrick - Through [Sun Songs]@Cheap Star - Lifetime [Wish I Could See] (koolkatmusik.com)@The Newds - Cruel Cold Kiss [Drawing A Line]@Rapid Eye Movement - Femme Fatale [The Velvet Underground & Nico - The TM Collective]@The Connection – In The End [Wish You Success]@Adam Schmitt – Can't Get You On My Mind [World So Bright]@Margaret Airplaneman – Gift Of The Sun [Radio Botanica]

Appreciation! Gratitude!! Thanks!!! My wish for you all is always peace, love, understanding, kindness, and compassion! Have the weekend you deserve… The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 13, 2025, Friday, the third of three…@The Stanleys - Say You Will [The Stanleys]@Mark Helm - Everything's OK@The Damnwells - You Don't Have To Like Me To Love Me [Air Stereo]@Phil Seymour - Teachin' Me@Tom Shotton - Return to Joy [Forever Home]@Michael Simmons - Summer And Lightning [It's The End Of The World As We Know It, And I Feel Fine]@Fast Cars - Celluloid Heroes [LAX]@Theatre Royal - The Story Of My Life (Sun Studios demo) [B-Sides And Other Cuts] (koolkatmusik.com)@Cheap Star - Slow Down [Wish I Could See] (koolkatmusik.com)@The Vapour Trails - The Inner Truth [Godspeed It - EP] (@Futureman Records)@Toad The Wet Sprocket - Stories I Tell [Fear]@Klangstof – Death04@Hot Knives - I Hear the Wind Blow@The Knack - Sweet Dreams [Retrospective - The Best Of The Knack]@Peter Joly - It Will Never Get Better [Easy Has Never Been The Way]@Tom Curless & The 46% - Call Time [Person of Interest] (@Futureman Records)@Coke Belda - Rápidamente [Coke Belda 6 – The Tribute To Los Brincos] (koolkatmusik.com)@Side Play – Faith And Kindness

Hey USPS! Just W.T.A.H?! Again…paid EXTRA to get a two-day delivery back on the 6th. Here it is the 13th and STILL not delivered. There is a message in the tracker though now, stating “Label Made”? Was the label NOT made on June 6th? Who do I sue when I have to pay extra for a late payment penalty, when, with TWO-DAY delivery, it should NOT have been late. AND, I'm told that the only GUARANTEED delivery is the overnight version…not even the regular stamped mail anymore! There was once a time when the postal service was dependable! Yup! I'm that old! “Neither rain, nor snow, nor sleet, nor hail shall keep the postmen from their appointed rounds!” Seems just paying extra for services does! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 13, 2025, Friday, I ain't afraid of any Friday the 13th…@Orbis 2.0 - TMA SHOW OPEN THEME@William Duke - The Golden Ring [The Dark Beautiful Sun]@Gail George - On The Avenue [Follow Your Bliss]@The Lemon Twigs - A Great Snake [Do Hollywood]@Cheap Star - Where Do I Live? [Sweet Relief 4] (jamrecordings.com)@Cliff Hillis - All These Memories [Better Living Through]@Screen Test - No Place Like Work [Inspired Humans Making Noise]@Nouvelle Vague - Ever Fallen In Love?@Klangstof - Truth@Crash Basket - No Problem [Letters]@The Toms - Love At First Sight [The 1979 Sessions] (@Futureman Records)@Fotomaker - Where Have You Been All My Life [Fotomaker]@Tom Shotton - Oh Angelina! [Forever Home]@Freedy Johnston - Something's Out There [Never Home]@Joe Jackson – Fools In Love [Look Sharp!]@Eddie Japan – Rented Rooms [Pop Fiction] (@Rum Bar Records)

Co-hosts Robin Renée and Wendy Sheridan head back to the Blanket Fort this time to regroup, check in, and hide out. But there's not much actual hiding to be had from the firehose of news and unrest. They catch up on the intentional ways they each are staying sane through the mayhem -- painting, gardening, exercising, immersing in fiction, and curating the news for personal consumption among them. ICE raids, the National Guard, and the chaos stoked in Los Angeles can't be ignored, nor can thinking about ways to protest in the streets and elsewhere, wishing for the least violence and the greatest impact. They think about the role of their creative works and consider writing some "political earworms." Wendy might revive and complete one of her old songs, "Men of Stone."         For the Timelime Cleanse that starts the show, Wendy is happy with her newly painted art storage box and Robin describes a jello mold drag relay race that was pure joy. The biggest Pièce de Résistance this time around is the upcoming No Kings Day on June 14th, while the Pope seems to have scheduled some counterprogramming of his own. Wendy reads from On Tyrrany followed by a discussion and Robin reads a new brief reflection/response piece, "Why So Much Pride?" Things to do: Join a June 14th No Kings Day protest: Indivisible, FiftyFifty.one/events. Stay safe and know your rights. Listen to Episode 172 for Anji Marth's ideas for being prepared and helpful at protests. Read On Tyrrany: Twenty Lessons From the Twentieth Century by Timothy D. Snyder. Watch "LA protests LIVE: View from Los Angeles" https://www.youtube.com/watch?v=cMcCbwLCAYc Listen to the Saved By Zero show by Robin (DJ Andrew Genus) on Radio PVS and Mixcloud. Check out Wendy's stuff on Etsy. Jam out to this internet classic. https://www.youtube.com/watch?v=PuWVgVkMiHE    

Originally from Finland, Carmen Electro's formative years were shaped by her experiences in America and across Europe, each destination leaving an indelible mark on her artistic identity. Drawing inspiration from her diverse upbringing, Carmen's DJ sets pay homage to the rich legacy of techno. While she seamlessly navigates through various electronic music genres, it's techno that serves as the red thread tying everything together. Her electrifying performances are more than just DJ sets; they're transformative experiences designed to awaken the primitive dancer within us all. With an affinity for old-school raves, she effortlessly channels her boundless energy into every track, creating an atmosphere that touches on different emotions from deep to tribal, from ecstatic, to pounding. The most meaningful experiences in her artistic life have been connecting with people to whom dance was the only way to express their identity freely, against the environment or society's expectations. Her fearless attitude towards DJing mirrors her approach to life itself. Carmen believes in living life to the fullest, embracing new experiences, and pushing the boundaries of comfort to foster personal and artistic growth. For her, vinyl isn't just a medium; it's a tool for self-expression and exploration, allowing her to connect with audiences on a deeper level. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Here I am in “Old Man Complainer” mode again! STOP SIGNS ARE NOT OPTIONAL! As I was entering a shopping plaza today for groceries…I recall signs there stating incoming vehicles do not stop. Three sides other than incoming have STOP SIGNS and STOP LINES. So I am turning in and don't all three of these people try to run the STOP! I'm glad I'm blessed with faster than normal reaction time to such events. If I had continued I would have been sandwiched by THREE cars…BUT I stopped before the accident could occur, and they all stopped inches from one another. Disaster avoided. Learn traffic rules and etiquette…Oh, and “Stay Off My Lawn!” The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 12, 2025, Thursday, opening paragraph…@Orbis 2.0 - TMA SHOW OPEN THEME@The Anderson Council - What Do You Know? [The Fall Parade]@1.4.5. - Sorry Wrong Number [Three Chords And A Cloud Of Dust] [The Pink Invasion] [Rhythm & Booze]@The Dollyrots - Another Door Is Opening [Love Songs, Werewolves, & Zombies] (@Arrested Youth Records)@Owsley - Zavelow House [Owsley]@Tom Shotton - What Becomes Of The Broken Hearts [Forever Home]@Willie Nile - That's Enough For Me@Brinsley Schwarz - Hymn To Me@Cheap Star - Move Away [Wish I Could See] (koolkatmusik.com)@Terry Draper - Family [Light Years Later]@The Difficult Stranger - Acerbic Love Affair@Cowboy Junkies - Thirty Summers@Klangstof - Ocean View [Ocean View - EP] (@Velveteen Records)@Guttercats - Beautiful Curse [Rise & Fall Of The Last Civilization]@The Atlantics – One Last Night@The Flying Circus – She Don't Care About Time [the Flying Circus]@Echo & The Bunnymen – In The Midnight Hour

Chicken and sausage jambalaya for dinner tonight with cauliflower rice!  Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 12, 2025, Thursday, phase two…@Smitt E. Smitty & The Fezztones - Rebel Rebel (@Code 213 Records)@Lisa Mychols & @Super 8 - Peaceful [Lisa Mychols & Super 8]@The Duskwhales - Strawflower Lane [Strawflower Lane]@Tamar Berk - What's Become Of Me, My Friend [Tiny Injuries]@Cheap Star - Flower Girl [Wish I Could See] (koolkatmusik.com)@Circe Link & @Christian Nesmith - The Tower [Arcana]@Klangstof - Fools Rage [Ocean View - EP] (@Velveteen Records)@Chris Church - Tell Me What You Really Are [The Heartbreaks You Embrace – Revisited]@Any Trouble - The Sun Never Sets@Last Great Dreamers - Broken Things@Tom Shotton - Forever Home [Forever Home]@The Davenports - Don't Be Mad At Me@Bruce Gordon - Cold Cold Blood [One Tall Order]@FARRINGTON – The Loner

As we venture into a Friday rendition of our music podcast, it will be “99% Random Access Play Selection!” Yes, “99%!” There will be one rule enforced tomorrow, all around the week's spotlight artists in the random play sections, the rule will be… “No Songs That HAVE BEEN Played In The Last 10 Years!” This as in September, the show will be turning 11!   Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 12, 2025, Thursday, diminished third…@Andy Brown - My Little Stone [Zazel]@Brad Marino - That Girl [Basement Beat] (@Rum Bar Records)@Richard Turgeon - Cull The Herd [Sea Change] (koolkatmusik.com)@Dana Countryman - Don't You Know You'll Break My Heart [Pop3]@Klangstof - A Comforting Release [Ocean View - EP] (@Velveteen Records)@The Hangabouts - Cricket Time [Kits & Cats and Saxon Wives]@Langan, Frost & Wane - Frozen Shell [Langan, Frost & Wane] (@Goldstar Recordings)@Material Issue - Valerie Loves Me (live) [Eleven Supersonic Hit Explosions]@Tom Shotton - Kung Hei Fat Choy [Forever Home]@J Leigh Stone - Dreams Are Made From Less Than This@The Shazam - Gettin' Higher@Squire - The Life [Get Smart]@Cheap Star - Holding On [Wish I Could See] (koolkatmusik.com)@Deadbeat Poets - The Green Man [Youngstown Vortex Sutra The British Edition] (@Pop Detective Records)@The Popdudes - Coming Up [IPO Vol 14]@The Sonic Executive Sessions - On And On [Drink A Toast To Innocence- A Tribute To Lite Rock] (@Curry Cuts)@The Nautical Theme - All My Faith [Something Old, Something New, Something Borrowed]@William Duke – Thank You [Quatro]

Codex Prime chops it up with rising artist Freddy Valdelamar (@hibridarts on Instagram), discussing his experience at Rhode Island Anime Con 2025 in this week's episode! Carl and Victor also give their mid-year review of some of their favorite video games, movies, and comics so far, and Carl watches the worst wrestling match of all time. Anime guys, gals and pals, let's GET IT! Recorded June 10, 2025 ---------------------------------------------------------------------------------- Catch Codex Prime on Spotify, Apple Podcasts, or other podcast platforms. Email: CodexPrimePodcast@gmail.com SOCIAL MEDIA: Facebook: www.facebook.com/codexprime Instagram: instagram.com/codexprimepodcast/ YouTube: www.youtube.com/channel/UCbDMNJNgnM6y3WB3fA1a1HA SoundCloud: @codex-prime Victor Omoayo - Do the Film Thing Podcast: https://dothefilmthing.podbean.com/ - Do the Film Thing Linktree: https://linktr.ee/dothefilmthing - Do The Film Thing on Bluesky: @dothefilmthing.bsky.social - Email: dothefilmthing@gmail.com Carl Byrd - Instagram, TikTok and Mixcloud @mrbyrd1027

Welcome back to another week & another episode of Rinse & Repeat Radio!For this week's episode - I will be taking over the whole hour with new music from Chris Lake, Disco Lines, Odd Mob, & more.Make sure to subscribe for new music every Wednesday on both Apple Podcasts & Mixcloud.Episode 263- Turn it up!Upcoming dates & more - www.cazesthedj.comInstagram/TikTok/Twitter - @cazesthedj***Tracklisting***1.) Chris Lake & Abel Balder - Ease My Mind (Odd Mob Remix)2.) Chris Lake, Green Velvet - Deceiver (ROSEDRiiVE Remix)3.) OMNOM & Marco Strous - Everyone's Your Friend4.) Low Steppa, Capri (UK) - Got The Funk5.) Disco Lines, Tinashe - No Broke Boys6.) Rihanna x Prospa - BBHMM (Cazes 'Don't Stop' Edit)7.) Sebastian Ingrosso & Steve Angello feat. Namasenda - No Enemies8.) Moby, BLONDISH, Kiko Franco  - Natural Blues9.) Disclosure & Sam Smith x Chris Lorenzo x GT_Ofice, Matthew Topper & Robbie Rosen - Latch (Cazes 'Appetite' Edit)10.) Avicii & Nicky Romero x Luke Alexander - I Could Be The One (Cazes 'Hypnotic' Edit)11.) Nicole Moudaber & Castion - Get Back12.) Chris Lake - Savana 13.) CID - Party Jumpin14.) Green Velvet , Chris Lake - Percolator (Mikey Barreneche & Giometrik Edit)15.) Jack Orley - Swing Yo Hip (feat Siena Liggins) 16.) Zillamatic, Cazes - NaughtyUpcoming Dates6/13 - Good Night John Boy - Chicago, IL6/14 - Good Night John Boy - Cleveland, OH6/15 - Azure Day Party @ Ciel - Washington, DC6/28 - M. Bird - Tampa, FL

Tires. I was told by MANY a tire dealership that my tires were an “odd” size and no one would have them in stock! WRONG! Franks Tire And Automotive in Cocoa Village had them in stock, and got them mounted, balanced, and aligned in under an hour! AND! At a great price! Do your research and just don't go with the first offer made. Dollars & time saved! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 11, 2025, Wednesday, set one…@Orbis 2.0 - TMA SHOW OPEN THEME@Diesel - Sausalito Summernights@The Flashcubes - Do Anything You Wanna Do [Brilliant] (@Northside Records)@Jacie Madison & @The Knick Knacks - Human Dreamers [What It Means To Be Free]@The Beat Rats - Mine All Mine [IPO Vol 13]@Klangstof - Fools Rage [Ocean View - EP] (@Velveteen Records)@Splitsville - Beth Steel (@Big Stir Records)@Owen Denvir – Stay [Sticks, Stones, & Bones]@Dillary Huff - I Need to Hear That [Overused Sayings - EP]@Tom Shotton - Here, Always [Forever Home]@Sparkle Jets UK - Sunshine [We All Shine On - Celebrating The Music Of 1970] (@Big Stir Records)@Orbis 2.0 – Summerville@Honeybus - She's Out There [Story]@The Pondhawks - Drive [IPO Vol 15]@Cheap Star - Slow Down [Wish I Could See] (koolkatmusik.com)@The Jive - Shoulda Known Better@The Mayflowers – 1234@The Sneetches – Reason To Live For

Blueberry Lemonade. ‘Nuff Said! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 11, 2025, Wednesday, table two…@The Hooters - And We Danced@The Real Numbers - Internet Famous [IPO Vol 14]@Wrack & Ruin - Leopard's Spots [The Beat Takes Over]@Vivian Cook - Where In The World@Tom Shotton - Hold On To The Best Times [Forever Home]@The Grip Weeds - Realities [Giant On The Beach Anniversary Edition] (@Ground Up Records)@Routine Faces - That Time Was Mine [Us Vs Them]@Wolf Circus - I Will Answer [IPO Vol 22]@Cheap Star - What It's Like [Wish I Could See] (koolkatmusik.com)@Sally Crosby - Shooting Star@Sugar Snow - Prettiest Middle of Nowhere [Sugar Snow]@Nick Drake - From The Morning [Way To Blue - An Introduction To Nick Drake]@Klangstof - A Comforting Release [Ocean View - EP] (@Velveteen Records)@Stress Dolls – Close Enough@Jason & The Scorchers – Somewhere Within [A Blazing Grace]@The Smithereen – I Wanna Be Your Man [Meet The Smithereens]

More “100% Random Access Play Selection!” for tomorrow, Thursday! PLEASE KEEP DOWNLOADING AND SHARING! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 11, 2025, Wednesday, third course…@The Tearaways - Married and Single [And For Our Next Trick] (@Dirty Water Records)@Gallows Birds - Back To The Beach [Quaranteenage Kicks] (@Rum Bar Records)@Watts - Shocking Pink [Shady Rock & Rollers] (@Rum Bar Records)@Lou Reed - Sally Can't Dance@Cheap Star - Wish I Could See [Wish I Could See] (koolkatmusik.com)@The Rooks - Always You And Me [Encore Echoes]@The Spongetones - Lulu's In Love (@Big Stir Records)@Telyscopes - Lose Control [Arrows and Lines]@The Left Banke - She May Call You Up Tonight@Klangstof - Silver Cloud [Ocean View - EP] (@Velveteen Records)@Pugwash - Silly Love [Play This Intimately (as if among friends)]@Joe Normal - I'm Normal People [I'm Normal People]@Twenty Cent Crush - Bye, Bye Radio [IPO Vol 2]@Tom Shotton - Goodbye To All [Forever Home]@Crossword Smiles - Counting By Fives [Consequences & Detours] (@Big Stir Records)@Gretchen's Wheel – Younger Every Year [Behind The Curtain] (@Futureman Records)@Little Georgie and The Shuffling Hungarians - Down In New Orleans [The Compendium Of Unruly Caterwauling] (@Queen Bee Media)@Gail George – Thank You [The Barrio Sessions With Early Times]

Victor and Carl share their experiences of the second day of RI Anime Con 2025! They are also joined by Edward Dominguez, as well as the star and the director of Skye Hoshi: Anime Girl, Olivia Roldan and Kalani Hubbard. Recorded June 8, 2025 ---------------------------------------------------------------------------------- Catch Codex Prime on Spotify, Apple Podcasts, or other podcast platforms. Email: CodexPrimePodcast@gmail.com SOCIAL MEDIA: Facebook: www.facebook.com/codexprime Instagram: instagram.com/codexprimepodcast/ YouTube: www.youtube.com/channel/UCbDMNJNgnM6y3WB3fA1a1HA SoundCloud: @codex-prime Victor Omoayo - Do the Film Thing Podcast: https://dothefilmthing.podbean.com/ - Do the Film Thing Linktree: https://linktr.ee/dothefilmthing - Do The Film Thing on Bluesky: @dothefilmthing.bsky.social - Email: dothefilmthing@gmail.com Carl Byrd - Instagram, TikTok and Mixcloud @mrbyrd1027

It's a Good Day for a GREAT DAY!!!! We had DJ Taz, Poe, Reena, Gary join Shonda and Eric on the call-in panel along with a good group in the live chatroom this morning. With all the options out there for creators to use to help create, produce and develop their individual projects out there via music, books and podcasts DJ Taz and Shonda discussed some options. Topics after that bounced around for a GREAT show!! Check out all the additional shows from The Old Man's Podcast and TOMPodcast on Mixcloud coming out during the week. We got Music, Throwback Shows, Rewind Interviews all for you to listen to! Turn OFF the News and Have an AWESOME Week! Later Gators!! The Old Man's Podcast is a Two Time Award Winning Podcast: “Overlord Indie Podcast Award Winner - Live Podcaster of the Year 2023/2024 – The Old Man's Podcast” “Listed on FeedSpot's TOP 100 Family Friendly Podcasts” https://blog.feedspot.com/family_friendly_podcasts/.   *Get everything you need to start your own successful podcast on Podbean here: https://www.podbean.com/tomspodcastPBFree *Visit our webpage where you can catch up on Current / Past Episodes: www.theoldmanspodcast.com     *Contact us at: theoldmanspodcast@gmail.com     Checkout and Follow the Writings of Shonda Sinclair here: Roaming the Road (of Life):https://www.shondasinclair.com/   *TOMPodcast Music Shows: https://www.mixcloud.com/TOMPodcast/  

Codex Prime chats it up on day one of the 2025 Rhode Island Anime Con! Listen in as Victor and Carl speak with various cosplayers and artists, including Freddy Valdelamar (@hibridarts on Instagram), one of the stats of the indie film Skye Hoshi: Anime Girl, and Lewis Perry of The Angry Geeks Show (and man oh man, is the anger summoned here!) Recorded June 7, 2025 --------------------------------------------- Follow Freddy Valdelamar on Instagram: https://www.instagram.com/hibridarts/ Watch Skye Hoshi: Anime Girl: https://www.puremagicpictures.com/skyehoshi Listen to The Angry Geeks Show: https://www.theangrygeeksshow.com/ --------------------------------------------- Catch Codex Prime on Spotify, Apple Podcasts, or other podcast platforms. Email: CodexPrimePodcast@gmail.com SOCIAL MEDIA: Facebook: www.facebook.com/codexprime Instagram: instagram.com/codexprimepodcast/ YouTube: www.youtube.com/channel/UCbDMNJNgnM6y3WB3fA1a1HA SoundCloud: @codex-prime Victor Omoayo - Do the Film Thing Podcast: https://dothefilmthing.podbean.com/ - Do the Film Thing Linktree: https://linktr.ee/dothefilmthing - Do The Film Thing on Bluesky: @dothefilmthing.bsky.social - Email: dothefilmthing@gmail.com Carl Byrd - Instagram, TikTok and Mixcloud @mrbyrd1027