Mark Hurne and Aaron West take a closer look at the Criterion Collection, usually tackling a larger topic such as a film movement or a director’s body of work.
Here is Mark and Aaron's first podcast together, about Mark Rydell's The Rose.
Mark, Aaron, David and Trevor return for part two of our exploration of the under-appreciated French director, Julien Duvivier.
Mark, Aaron and Matt Gasteier explore the filmmaking world of Yasujirō Ozu, centering on his pivotal masterpiece Late Spring (1949).
Mark and Aaron discuss Punch-Drunk Love and the career of Paul Thomas Anderson.
Mark and Aaron continue the French 1930s series by exploring the early career of Jean Renoir.
Mark and Aaron are joined by Keith Silva to look at the Coen Brothers' debut to cap of #Noirvember.
Mark and Aaron tackle Guillermo Del Toro's debut film, recently re-released as part of the Trilogía boxset.
We let our hair down for Halloween and celebrate the oddity that is Ôbayashi's House (1977).
Mark and Aaron cover the Dutch and French horror/suspense classic, The Vanishing.
Mark, Aaron and Eric Ford begin a month of horror with the micro-budget cult classic, Carnival of Souls.
Mark and Aaron are joined by Marcus Pinn to explore the filmography of Jim Jarmusch, beginning with Mystery Train (1989).
Mark, Aaron and Scott Nye kick off the first of a seven episode series about French cinema i the 1930s.
We change things up by focusing on a boutique label, Twilight Time, that has found success through a unique business model.
Mark and Aaron are joined by Dave Eves to evaluate the massive Zatoichi serial starring Shintaro Katsu.
Mark and Aaron celebrate the Summer Olympics by exploring Downhill Racer, an independent film about the Winter Olympics.
Mark and Aaron podcast in person, reflect on the first year of the show, and what's to come.
Mark and Aaron are joined by Matt Gasteier to explore Nicholas Ray's In a Lonely Place (1950) and evaluate Humphrey Bogart's body of work.
Mark and Aaron are joined by Scott Nye to hash out the intricate themes, history, and nuance of Edward Yang's A Brighter Summer Day.
Mark and Aaron welcome old friend, Doug McCambridge to talk about Robert Altman's "Don't call it a" comeback film.
Mark and Aaron welcome Ben Model, silent film historian, accompanist, distributor, and enthusiast.
Mark and Aaron take a look at Whit Stillman's Barcelona (1994), and how it compares with his other work.
Mark and Aaron explore the popular genre that is science fiction, and we take a closer look at Fassbinder's World on a Wire.
Aaron is joined by Keith Enright for a discussion of politics, new and old, through the lens of The War Room (1993), the behind-the scenes 1992 Clinton campaign documentary.
Mark, Aaron and Paul Cobb look at John Frankenheimer's groundbreaking political thriller, the first of his paranoia trilogy.
Mark and Aaron fly back to 1939 to discuss Howard Hawks' classic Only Angels Have Wings.
Mark and Aaron discuss Plain Archive and the international Blu-Ray market, 1988 Films, and Cannes 2016.
Mark and Aaron change things up by talking about a variety of topics, such as Don Hertzfeld, Lady Snowblood, recent purchases, and 4K TVs.
Mark and Aaron are joined by Michele Rosenthal, professional illustrator and Criterion fan artist.
We explore Mike Nichols' The Graduate, why it resonated with so many and is considered such a pivotal American film.
Mark, Aaron, Cole, and Dustin are back to continue the conversation about "Gross Out" films. Topics include Giallo, 80s horror, New French Extremity, and the Cannibal series.
Mark, Aaron, Cole, and Dustin go further than most people want to go. This is our exploration of the gross film, and whether the subgenre has any artistic merit.
Mark and Aaron are joined by InSession Film Podcast to discuss the world and community of film podcasting.
Catherine Brellait's Fat Girl is a bold statement on feminism, obesity, and women's roles, plus it has a baffling ending.
Richard Linklater's Slacker from the perspective of Austin, TX.
We head north to explore Canadian media, culture, and a couple of Criterions.
Is it worthy of Criterion?
Mark, Aaron and Keith Enright give a look at D.A. Pennabaker's documentary portrait of Bob Dylan
Illustrator extraordinaire Caitlin Kuhwald joins us to talk about her artwork and the Criterion Collection.
This is our first bonus episode and we look at the behemoth of the moment, Star Wars: The Force Awakens. This is a fun little detour from our usual serious, arthouse type of podcast. We tried to approach the movie as both fans and discerning cinephiles and give it an honest look.
This is the first Criterion Close-Up double feature. Mark and Aaron take a close look at two films from Bruce Beresford, released theatrically a decade apart and just recently as part of The Criterion Collection.
Mark and Aaron start the New Year as members of CriterionCast, and jump into the world of Merchant Ivory's A Room with a View.