Podcasts about Coen brothers

Braga, King, and Ski start off Coen Brothers month with True Grit. It kicked off Hailee Steinfeld's career and got everyone excited for the Coens and Jeff Bridges reuniting for the first time since The Big Lebowski. Matt Damon struggles a bit, but does it hurt the movie? Does it live up to Coen standards? Is it any good? Listen!

Love or hate Christopher Nolan's take on The Odyssey? Agree or disagree with changes he made? It's certainly not the most radical revision of this ancient story, as this Coen Brothers' classic does (not to mention Wishbone). However, this is a great example of how (intentional or not) our narratives often have similarities with different window dressing. Revisit this beloved version set in 1930s Mississippi with OG hosts Richard and David. Originally released Dec 5, 2017. #theodyssey #coenbrothers #obrotherwhereartthou #georgeclooney #FaithAndFilm #MoviePodcast #FilmReview #ChristianPodcast #MediaLiteracy #reformedtheology  Intro Music by Ross Bugden: https://youtu.be/Bln0BEv5AJ0?si=vZx_YiHK3hNxaETA

Tom and Jenny discuss the Coen Brothers’ wonderful 2010 adaptation of the 1968 Charles Portis novel (which was previously adapted to film in 1969 and starred John Wayne). This version stars Jeff Bridges, Hailee Steinfeld, Matt Damon, and Josh Brolin. Thanks to GramtharsHammer for renting the movie for us! Audio version: https://archive.org/download/Movie-Time-True-Grit-2010/Movie%20Time_%20True%20Grit%20%282010%29.mp3 Video version: Please support … Continue reading Movie Time: True Grit (2010)

This is the 11th time a Coen Brothers film has been discussed on Have You Ever Seen, although this black comedy is slyer than many of the others. There's also a lot of violence and horror in Barton Fink. It's covering a lot of ground. John Turturro plays the title character, a Broadway playwright who's hired to write a wrestling picture in 1941 Hollywood. After dealing with writer's block for what seems like weeks on end, his script gets meta...and things get weird. John Goodman plays a complicated character with a lot of wit and devilishness while John Mahoney, Judy Davis, Jon Polito and Steve Buscemi contribute their quirks to this one too. Joel & Ethan have Barton talking a lot about the common man in this very uncommon dramedy. T'is a theme. So take your head-box to the beach and contemplate your dark future in California as I fill out close to an hour of talk time in this 756th episode with a look into Barton Fink. Well, Actually: in the "So I Got Thinkin'" about some of the summer's big releases, Milly Alcock was misidentified Milly "Adcock." Subscribe to Have You Ever Seen in your podcast application. Rate the show and review it as well. Find me on Letterboxd (RyanHYES). I tweet (@moviefiend51) and lurk on Bluesky (ryan-ellis). Email is "haveyoueverseenpodcast@gmail.com).

The Coen Brothers' American take on "The Odyssey" left an indelible mark on film and music alike, but how does it hold up as an adaptation? In episode 391, join Luke Elliott & James Bailey as the geek out about Roger Deakins, debate what makes for an effective politician, unpack the role of race in this Depression-era epic, and finally cast their votes for which they preferred, the book, the movie, or Christopher Nolan's version! Join our Discord channel https://discord.gg/yQpgu9jYB2 Pickup The Odyssey or any of the books they've covered at the Ink to Film Bookshop https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects https://www.patreon.com/inktofilm Ink to Film's Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Intro/outro music: "Rapture" by Ross Bugden  https://youtu.be/vja87ZXejyk?si=PJlByfDXNemtqJMo Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.co... Writing: https://www.lukeelliottauthor.co... James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Paul and Amy head down to the Mississippi Delta with O Brother, Where Art Thou?, the Coen Brothers' Depression-era odyssey that transformed Homer's epic into a bluegrass-fueled American fable. They unpack George Clooney's career-defining comedic turn, the film's groundbreaking digital look, and the skillful way the Coens balance myth, music, and absurdity. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we are doing the Coen Brothers! We are starting at the very beginning and going through their filmography until we hit the films we've seen. We start with their debut film, which has actor Francis McDormand's first role, as well as Barry Sonnenfeld's first time behind the camera. Blood SImple (1984), directed by the Coen Brothers.

In 2007, the Coen Brothers made a thriller set in 1980 that somehow captured an American dread that hadn't fully arrived yet. Critic Hugo Emmerzael and academic Dan Hassler-Forest return to No Country for Old Men — the coin toss, the deaths that happen offscreen, the sheriff who solves nothing — to ask how a film everybody already loves quietly called the next twenty years.Hugo and Dan get into the film's nihilism, its collapse of the Western hero and detective who restores order, and the strange afterlife of Javier Bardem's iconic Anton Chigurh: from Oscar winner to right-wing meme. JD Vance has even used Chigurh's monologue in a political speech, while Pete Hegseth apparently mistook Pulp Fiction for the Bible.And what does No Country for Old Men have in common with Euphoria? What felt like a disturbing vision of a society emptied of values in 2007 can now feel less like a warning than a description of everyday life.Get tickets to ⁠⁠Cine Of The Times: No Country For Old Men⁠⁠ @ LAB111A LAB111 production. Edited and produced by Elliot Bloom, co-produced by Laura Gommans. Music by Hugo Emmerzael. Artwork by Studio FFF.

Jaws is host Eric Vespe's favorite movie of all time, so it's only fitting that we get the nerdiest possible deep dive into the 1975 blockbuster with special guest Ian Nathan. Ian's an author and documentarian who has produced books on The Coen Brothers, Tim Burton, and Guillermo del Toro as well as produced truly epic documentaries on John Carpenter's The Thing and James Cameron's Aliens. His next project up is Jaws Explored, a documentary that goes into the minutiae of the film, its legacy, and why it's just so damned good. It's hard to get Vespe to shut up about Jaws, so brace yourself for an uber-nerdy conversation that discusses the three leading characters, the reality behind the making of the movie, and a deep dive into the color theory of the film. More information on Jaws Explored can be found at www.jawsexplored.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

ODYSSEY-MANIA comes to M:TM:TP as we discuss its 2000 Coen Brothers adaptation, "O Brother, Where Art Thou?" with theater person Leanne Dinverno (The Coil Project). We unpack all the important questions like, is this really an adaptation of "The Odyssey"? Is this even a musical?? Andy talks about seeing this soundtrack... live in concert?? Steph details which artist from this soundtrack she started a lifelong love affair with. Leanne shares her favorite "Odyssey" meme! Listen to this when you're in a tight spot!check out our patreon at patreon.com/dumbfuncheck out our No Skips playlist on Spotify at https://open.spotify.com/playlist/6NWZ1ETlRqC9s7gcVIoTFW Hosted on Acast. See acast.com/privacy for more information.

Well howdy there! The gang here talk about The Ballad of Buster Scruggs. It's a collection of western tales and as of right now the last film by those Coen Brothers as a duo. Guess everyone gets to the end of the trail. Well see here this here podcast posse have a lot of thought on this here film and how it highlights of them there failings of the brothers. We talk about: Wrath of the Righteous, Pre-Nationals Netrunner, Light Side of The Ring, Racing Games, Molly Moving, Fear & Loathing, Cut A Segment, Why Does This Look Like Shit, Singing Cowboy, Dead Man's Hand, The Meme One, Native Representation, Noah Hawley Is A Better Writer Than The Coens, We Watch A Boring Show, Longest Movie, Kinda Nice And Kinda Evil, CGI Deer, Oregon Trail Adaptation, Uncertainty, Reapers, Their Worst Movie?, Anthology Films,

O is for O Brother, Where Art Thou?   This week we get together to discuss Ashlyn's pick, the 2001 Coen Brothers comedy O Brother, Where Art Thou?   In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.

This week, we keep the Odyssey kick going with a more loose adaptation (if you can even call that). This film holds up, carried by beautiful cinematography, hilarious characters, and of course the sound track. O Brother, Where Art Thou (2000), directed by the Coen Brothers.

❄️ This week, Naomi finally crossed another legendary movie off her list—Fargo! Ohhh, ya? You're darn tootin'! For the first time ever, she experienced the Coen Brothers' dark comedy/crime classic completely spoiler-free - she had no idea about the wood chipper scene - and let's just say... she had plenty of thoughts! ❄️ Plus, an AI teacher gets expelled, a Clueless sequel, $5 ice cubes, and old school struggles that we're happy to be rid of!

This week I talk with screenwriter and director Andrew Zuckerman, and actress Sari Lennick about their new movie Good Sport, which is premiering at the Edina Mann Theatre August 13-20. We have a wide-ranging discussion about filmmaking in Minnesota, how Zuckerman took his shot at introducing himself to Lennick at a Minneapolis bar, Lennick's experience working for the Coen Brothers in A Serious Man. Tickets: https://manntheatres.com/movie/107748863/89/Good-SportEach screening will be followed by a live Q&A with members of the cast, producers, and crew, offering audiences a behind-the-scenes look at the making of this Minnesota-grown film.The Who The Folk?! Podcast is part of the Jewfolk Podcast Network, a product of Jewfolk, Inc. Episodes are produced by Jewfolk editor-in-chief Lonny Goldsmith. If you have questions, comments, or a guest to nominate, send an e-mail to editor@jewfolk.com. For more information, go to TCJewfolk.com/podcast

The SUMMER OF JASON continues as we finally cover the Coen Brothers' 1991 Hollywood writer's block nightmare starring John Turturo and John Goodman, Barton Fink. Joining us is the showrunner of Veep, writer/director (Seinfeld, Curb Your Enthusiasm, White House Plumbers) and co-host of The Stuff Dreams Are Made Of, Dave Mandel. We discuss San Diego ComicCon's biggest highlights, DNC missteps, and this fantastic film.ChaptersIntroduction (00:00:00)Hatch News (00:23:48)Barton Fink Roundtable (00:38:11)Your Letters (01:25:22)Notes and LinksCheck out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now.Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here.Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!.See the movies we've watched and are going to watch on LetterboxdEscape Hatch's Breaking Dune News Twitter listRate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211.Follow @escapehatchpod on Bluesky,Instagram, and TikTok.Music by Scott Fritz and Who'z the Boss Music.Cover art by ctcher.Edited and produced by Haitch.Escape Hatch is a production of Haitch Industries.

Ridley Scott's "The Counselor" came out in 2013 and the reviews were not kind. With a screenplay by Cormac McCarthy (not too long after his novel for "No Country For Old Men" became an Oscar winning Coen Brothers film), the bleak drug trade morality tale became a punchline from Cameron Diaz's car humping scene and a perceived sense of boredom. Is this movie the steaming pile of crap everyone claimed? Probably, but i wouldn't know, because I watched the directors cut and it's a straight up masterpiece. For whatever reason, Scott released the shorter version, and everyone missed out on the building dread, the thoughtful pauses and the doom oozing from every surface. This movie is very, very good. Everyone in it (except maybe Diaz) is firing on all cylinders and I couldn't possibly recommend this more.Buckle up, y'all. It's time for a visit from...THE COUNSELOR

In true "Odyssey" fashion, we're adding a few more stops to this Homeric kick. Today, it's the Coen Brothers' 2000 adaptation of "The Odyssey" — a banjo-picking romp full of scoundrels, sirens, and Depression-era commentary on the battle between newness and nostalgia. My sister Grace is here to discuss why "O Brother Where Art Thou?" was one of our childhood touchstones, flex some translation knowledge, and play a disturbing album sales game.

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Check it out at patreon.com/lilstinkers You voted and we listened! And watched! For this month's installment of Lil Stinkers go to the Movies, we watched the Coen Brothers' 1996 classic, Fargo. It's about a pathetic weasel who hires two criminals to pull off a fake kidnapping of his wife so he can get money from his FIL and the plan goes off the rails. And it's all just dripping with midwestern politeness. Stay warm and enjoy!

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

Get out the half and half and pour yourself a White Russian because we're talking about The Big Lebowski with returning guest, author Paul Tremblay (Horror Movie, The Cabin at the End of the World)! We chat about our own connections to the film, the Coen Brothers' oeuvre, why the film is a cult classic, and how it holds up in 2026. Then we have a spoiler-free Q and A with Paul about his latest novel, Dead But Dreaming of Electric Sheep, which is a truly unique and exciting read. Read along for our next Bookpisode about All Us Saints by Katherine Packert Burke on August 4. Then join us for another fun Othersode with Clay McLeod Chapman. We'll talk about the film Fallen and then we'll interview him about his new novel, Devil Inside, on August 18. We'd loooooove for our listeners to leave us a rating and review on Apple Podcasts! Next time you see a video of Jimothy, let that be a reminder to you to write a little review for your gals over at Book Squad Goals.TOC::30– Welcome, Paul! 15:30–Movie Intro17:00–Previous experience with the Dude24:30–How familiar are we with Raymond Chandler and do we see the connection with his work29:20–The Coen Bros34:00–Why is this a cult classic?40:45–How does this movie work in 2026?50:33–Interview with Paul Tremblay!1:31:17–What's on the blog? What's up next?

Fargo (1996) turns 30 this year. On this episode of The Cinema Psycho Show, hosts Brian and John are joined by Katie and Nat from The VHS Club podcast to revisit the Coen brothers' Minnesota crime classic — including why detective Marge Gunderson spent most of the investigation with almost nothing to go on but a single vague description of her "funny looking" suspect. In this episode: Why Fargo's dialogue rewards a rewatch more than almost any crime film of the '90s Marge Gunderson's investigation, and how one bystander's description of a "funny looking" suspect drives the entire back half of the movie The real production story behind the movie's snow (there wasn't enough of it) A live read-through of listener and Letterboxd reviews of Fargo, 30 years later Final ratings and verdict from Brian, John, Katie, and Nat Quick answers: Is Fargo based on a true story? No. Despite the film's opening title card, Fargo is a work of fiction — a detail the Coens have confirmed for decades, and one the hosts dig into on this episode. Where does Fargo take place? Mostly in Brainerd, Minnesota — not the city of Fargo, North Dakota, despite the title. Who stars in Fargo? Frances McDormand as Marge Gunderson, William H. Macy as Jerry Lundegaard, Steve Buscemi as Carl Showalter, and Peter Stormare as Gaear Grimsrud. Who directed Fargo? Joel and Ethan Coen (the Coen brothers), released in 1996. CHAPTERS: Introduction [00:00] Diverting from horror to the frozen tundra [01:17] Welcome back the VHS club [02:12] Why Fargo is a summer movie [02:46] The setting is the main character [05:30] A synopsis from IMDb [07:42] The truth about the 'true story' [09:57] Meet Jerry Lundegaard and the goons [11:20] The genius of Coen brothers dialogue [13:13] The opening scene foreshadows everything [15:06] Jerry's terrible plan and why he needs money [17:05] Jerry forgets he has a son [19:22] The worst executive salesman ever [21:29] The goons head to Brainerd [22:52] Peter Stormare's character and his weird gear [25:41] The quiet violence turns dark [26:32] Enter the greatest detective in cinema [28:27] Marge: Super pregnant, super capable [30:30] Norm and Marge's relationship goals [32:09] Why the dark humor works in Minnesota [32:53] The kidnapping scene is both ridiculous and believable [35:08] The wood chipper scene and Coen brothers' sorcery [37:54] Marge puts the pieces together [39:40] The infamous TruCoat scene [40:42] Wade's stubbornness leads to disaster [42:00] Jerry's parking lot scheme and the $750,000 lie [44:40] The strange Mike Yanagita subplot [48:56] Everyone gets what they deserve [54:55] Jerry's guttural scream and final capture [58:50] The perfect, innocuous ending [01:01:50] Review time: The audience weighs in [01:04:47] Review 1: Ned Flanders origin story [01:06:25] Review 2: She never got to see how funny looking he was [01:07:38] Review 3: A negative review and oldflation [01:08:45] Review 4: Identifying with Steve Buscemi [01:12:49] What's happening at the VHS club? [01:15:17] Where to find everyone and sign off [01:19:53]

The Summer of Jason goes on a long journey as welcome long lost, yet most frequent Escape Hatch recurring guest, co-host of the Cinenauts podcast, ctcher! In preparation for Christopher Nolan's magnum opus The Odyssey next week, we revisit one of the greatest adaptations of Homer's classic work, the Coen Brother's 2000 masterpiece starring George Clooney, O Brother Where Art Thou?Chapters Introduction (00:00:00) Hatch News (00:20:16) O Brother Where Art Thou Roundtable (00:26:51) Your Letters (01:22:45) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Hosts Chuck and Justin saddle up to discuss the Coen Brothers' The Ballad of Buster Scruggs, breaking down all six stories in the anthology western. From absurd comedy to haunting tragedy, they explore the film's shifting tones, unforgettable performances, breathtaking cinematography, and the recurring themes of mortality, chance, and the myths of the American frontier. Along the way, they talk about the Coens' transition into solo filmmaking, the film's unique journey to Netflix, debate their favorite and least favorite segments, and share the moments that stuck with them long after the credits rolled. And one final note: apologies for the unexpected reverb on Chuck's microphone. We'll have it fixed for the next episode. Hosted by Charles Phillips Co-hosted by Justin Morgan Mixing and Music by Scratchin' Menace Follow us on Facebook and Bluesky for updates. Listen on Apple Podcasts, Spotify, YouTube, and all major platforms. Please subscribe, rate, and review. We appreciate the support!

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

Damn! We're in a tight spot! This week we are seeking treasure with Ulysses Everett McGill and his two companions, Pete and Delmar, in the 2000 Coen Brothers musical comedy O Brother, Where Art Thou? Based loosely upon The Odyssey, this movie was a big hit for The Coens at the time and the soundtrack was massive. But did anyone actually listen to it or was it all just awards hype? Does the early digital colour correction hold up or is it now a bit of an eyesore? Where does this movie rank in the Coen Brothers' filmography? Is it George Clooney's best comedic performance of all time? See you in the funny pages, boys... it's a bushwhack on this week's episode of Film Junk.

We're in a tight spot. This week on Be Kind Rewind, Dave & Cody dig into the Coen Brothers' O Brother, Where Art Thou? (2000), the Depression-era chain gang comedy that's (not so) secretly Homer's Odyssey and accidentally revived an entire genre of American music. We break down what holds up (this is George Clooney's coming out party), the murderer's row of character actors, Roger Deakins making Mississippi look like a sepia dream, and a soundtrack that won Album of the Year at the Grammys as a bluegrass record. We get into what's harder to sit with in 2026, the wild behind-the-scenes stuff (the Coens claim they never read the Odyssey, Clooney said yes without reading the script, the KKK scene is staged like The Wizard of Oz), and a Pastor's Corner on Ulysses Everett McGill as an Ecclesiastes figure who chases every title but bona fide and only finds his knees when the rope comes out. Plus: Adam Sandler officiated the Taylor Swift and Travis Kelce wedding and we have questions, we Muppetize the movie (Dave cheats), and we guess Clooney's top five highest-grossing films, with a number one that made us both genuinely angry.https://linktr.ee/PopCulturePastorPod

Before Christopher Nolan's latest epic retelling of Homer's Odyssey, Let's chat about one of the world's oldest work of literature and review the 2000 loosely based adaptation from the Coen Brothers, O Brother Where Art Thou. Starring George Clooney, John Turturro, and Tim Blake Nelson, with Charles Durning, Michael Badalucco, John Goodman and Holly Hunter in supporting roles.It follows three escaped convicts searching for hidden treasure while a sheriff relentlessly pursues them. Its story is a modern satire which, while incorporating social features of the American South, is loosely based on Homer's epic Greek poem the Odyssey.Hosted on Ausha. See ausha.co/privacy-policy for more information.

Adam and Josh celebrate Fargo's 30th anniversary with a Pantheon Project review (the show’s longest ever) of the Coen Brothers' career-altering 1996 film. Plus, Olivia Wilde's The Invite, David Wain's Gail Daughtry's Celebrity Sex Pass, and listeners choose the best pair of '90s blockbusters. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:33) Fargo at 30 (00:03:34-01:16:58) Filmspotting Family (01:16:59-01:21:34) The Invite (01:21:35-01:25:46) Gail Daughtry’s Celebrity Sex Pass (01:25:47-01:33:56) Polls (01:33:57-01:41:34) Credits / Releases (01:41:35-01:44:08) Links: -Josh’s Fargo Video Essay https://www.youtube.com/watch?v=qaRRXpfTyfU Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

[School of Movies 2026] Following on from the sunny and heartfelt success of James Gunn's 2025 Superman we have the scrappy follow-up by Craig Gillespie, detailing the lifestyle of Kal-El's cousin. Gillespie most likely got the job after two filmic accomplishments in spotlighting grubby, depressed punk girls who nobody likes except the audience; I, Tonya and Cruella. Sharon and I went all out on this, reading the source book, 'Woman of Tomorrow' by Tom King & Bilquis Evely, which itself draws structural and thematic inspiration from specifically the Coen Brothers adaptation of True Grit by Charles Portis. What we are able to do is outline clearly where the film differs from the book and where the book differs from both film and original book to create this turducken of revenge. This episode is totally worth listening to, even if you haven't seen this box office bomb that everyone we talk to seems to like and everyone we don't know personally seems to despise. This week's After School Club: Aquaman 2: The Lost City Next week: EPIC: The Musical

I am the man of constant podcasts   The Becks take some time off from their time off to bring you a brand new episode on the Coen Brothers' 2000 film O Brother, Where Art Thou?, based on Homer's classic epic The Odyssey. Join them as they deep dive into this very The Treatment-coded film, answering questions like: why are there so many cows? what happened to Odysseus' son? and did anyone on set even read the source material? Enjoy!   www.linktr.ee/soonmajorpod   www.ko-fi.com/soonmajorpod   Next Episode Homework: The Odyssey (2026)

This week's archive episode is Adam and Josh's 2018 Sacred Cow review of the Coen Brothers' period gangster film Miller's Crossing. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

The new Supergirl isn’t an outright adaptation of the comic-book miniseries Woman of Tomorrow, but it retains enough of its shape that it evokes that comic’s own source of inspiration, True Grit. Either of the two film adaptations of Charles Portis’ 1968 Western novel about a young girl enlisting a reluctant, drunken hero to help her enact revenge would have provided plenty of connections to Supergirl, but we opted for Joel and Ethan Coen’s 2010 version starring Hailee Steinfeld and Jeff Bridges. So this week we’re discussing what distinguishes True Grit as both a Coens movie and a Western, the film’s overlapping notions of vengeance and justice, and how it utilizes two frequently abused elements — sincerity and voiceover narration — sparingly and effectively. Then in Feedback, we respond to a listener’s misgivings about accepting Disclosure Day’s premise at a time when conspiracy theories don’t feel as harmless as they once did. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

The new Supergirl isn’t an outright adaptation of the comic-book miniseries Woman of Tomorrow, but it retains enough of its shape that it evokes that comic’s own source of inspiration, True Grit. Either of the two film adaptations of Charles Portis’ 1968 Western novel about a young girl enlisting a reluctant, drunken hero to help her enact revenge would have provided plenty of connections to Supergirl, but we opted for Joel and Ethan Coen’s 2010 version starring Hailee Steinfeld and Jeff Bridges. So this week we’re discussing what distinguishes True Grit as both a Coens movie and a Western, the film’s overlapping notions of vengeance and justice, and how it utilizes two frequently abused elements — sincerity and voiceover narration — sparingly and effectively. Then in Feedback, we respond to a listener’s misgivings about accepting Disclosure Day’s premise at a time when conspiracy theories don’t feel as harmless as they once did. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

We're veering south on SUMMER VACATION to discuss Mitt Romney's favorite movie, the Coen Brothers' O Brother, Where Art Thou? (2000) with Mississippi-based musician Andrew Bryant, founding member of Water Liars. We discuss the film's reimagination of Homer's original vacation narrative, explore the relationship of politics, race, and cultural production, and Devin wonders why more parents aren't naming their kids James. Follow us on Twitter, Instagram, or BlueSky at @youretallpod. Follow Ethan on Twitter at @Mathissippi and Devin on Twitter at @stalecooper. Email us at youretallpod@gmail.com. Follow Andrew Bryant on Twitter at @MagnoliaState and check out his music at https://andrewbryant.bandcamp.com and https://andrewbryantmusic.com. 

It's the first week of July-brary, where Free With Ads ditches the Tubis and Vudus and Plexs in favor of library apps like Hoopla and Kanopy where all you need is a library card! This week we chose the 2010 Coen Brothers film True Grit based on the 1968 novel by Charles Portis. Tune in next week when our movie will be... Cruel Intentions. ----- Pre-order signed copies of Jordan's new comic book series "The Amazing Venom" here at bit.ly/goofriends SATURDAY JULY 11th!!! Come see Matt Lieb do stand up at the Ice House in Pasadena at 8pm. Tickets are here. Emily got some more FlemGems for you at her ETSY Store. Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfreewithads

The Summer of Jason rolls on and now we're really getting into it as we begin our run of Coen Brothers classics, starting with their first huge breakthrough hit, 1996's thriller Fargo. We're joined by co-host of Nobody Knows Anything, Rob Flaherty.Chapters Introduction (00:00:00) Hatch News (00:25:15) Fargo Roundtable (00:28:46) Your Letters (01:14:37) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

"C.E. Garcia Month" comes to a close with one of the Coen Brothers' most beloved, and possibly most bewildering films in their catalog: 'Miller's Crossing.' While one host sees it as a masterclass in layered storytelling, dialogue, and double-crosses, the other isn't entirely convinced they understood what happened, why it happened, or whether anyone in this movie actually likes each other.Join us as we untangle the hats, the loyalties, the Irish & Italian mob politics, and the endlessly quotable dialogue to try and figure out if Miller's Crossing is a timeless noir masterpiece, or a film that demands a second (or third... or even fourth) viewing before it finally clicks.Make a film recommendation for an upcoming episode!Thank you for listening! Don't forget to rate & subscribe. New episodes bi-weekly. Also available on YouTube. All new website coming soon!

Whether we choose to admit it or not, we're driven by some level of faith that something lies beyond our current plane of existence. Some of us simply hope so, some profess not to care, others will go wholeheartedly into some form of religion. And the search for God--however you view that particular concept--is a compelling one, especially when you tell a story about someone whose faith is being tested. To that end the Coen Brothers have come up with A Serious Man, the first of two films we'll be looking at in this episode. The Coens are known for cribbing from other stories to create their own tales, and in this case the Coens have come up with a story that will give you echoes of the Biblical story of Job. It's not as direct a pull as their using Homer's Odyssey as the germ of O Brother, Where Art Thou? but you'll still recognize the broader pieces of the tale. In the second half of the episode we'll look at a less-linear story in The Tree of Life.

On this week's episode of ‘The Young Man and the Three,' we welcome New York Knicks shooting guard Landry Shamet and die-hard Knicks fan actor John Turturro!The duo break down each round of the Knicks' 2026 championship, go in-depth on the NBA Finals against the San Antonio Spurs (Victor Wembanyama, Stephon Castle, Dylan Harper), discuss what this championship means to Knicks fans and the city of New York, the obstacles the team overcame, the play of Karl-Anthony Towns, Jalen Brunson, OG Anunoby, and Mikal Bridges, and the dynamics and how strangely similar working on set as an actor with directors like Spike Lee and The Coen Brothers is to playing on a sports team. Let's go!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Message us ANONYMOUSLYIt's finally 'Ben's Birthday Bash 4: You Want Some More?!' and we are joined by requested Guest: Jess(ica) Erin Martin to review Ben's pick "O Brother, Where Art Thou?" (2000 Dir. Joel & Ethan Coen). The episode tells a story about a story about a story with a horny toad, a Cyclops, sacred cows, singing into a can, psychos, sirens, suitors, Soggy Bottom GIRL, and how no matter how hard you ride them... Wild Hogs Can't Be Broken. BONUS! - An advance listen to the trailer for Ben's short film "Rough Ways." 6/23!MORE WITH JESSICA:Wild Hearts Can't Be BrokenGremlinsSupport the show**All episodes contain explicit language**Main Artwork - Ben McFadden'Review Review Intro/Outro' Themes - Jamie Henwood"What Are We Watching?" & "Whatcha Been Doin'?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul Root ("Shelf Help" - Paul Root)Podcast/Program Concept - Paul Root

Send us Fan MailJoin Eric and Curtis on a journey in Americana, as a new series begins with the Coen Brothers' classic film Oh Brother, Where Art Thou. Curtis has gone on record as saying he enjoys this movie; Eric has not. Let's see how this shakes out! Light up a cigar from the newest OGT Variety release!Bleak Midwinter IV LINK: https://oakglentobacconist.com/product/bleak-midwinter-iv-box-pressed-belicoso-5-5x54/Sign up for the OGT Cigar Society Subscriptionhttps://oakglentobacconist.com/product/ogt-monthly-subscription/

This week on Drink the Movies, we're heading to the frozen, snow-swept landscape of Minnesota for the dark comedy masterpiece, Fargo. We'll discuss the Coen Brothers' knack for blending brutal crime with quirky, polite Midwestern charm and Frances McDormand's iconic turn as the indefatigable Marge Gunderson. To toast to this cold-blooded classic, we're serving up a sharp and icy cocktail appropriately named The Wood Chipper. Grab your parka, mind the snowdrifts, and join us as we raise a glass to the film that proves things in the Midwest aren't always "oh, for cute."⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.drinkthemovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Please Drink Responsibly*

Ian Hunter has spent four decades building miniatures, supervising visual effects and thinking like a filmmaker on some of the most demanding productions in Hollywood. In this episode, he traces a career that began in a garden shed with a punched-up piece of German black velvet and ended up — via James Cameron, Tim Burton, the Coen Brothers, and Christopher Nolan — on some of the most iconic screens in the world.Ian grew up surrounded by art. His father painted oils and acrylics, played music and did pastel portraits, and encouraged his three sons to make things — even when those things destroyed the materials he'd given them. The moment that really clicked, Ian recalls, was being handed a model kit as a kid and taking to it immediately. That creative instinct only grew stronger. In high school, he and his brothers were making Super 8 films, scratching laser effects onto the film with a pin and blowing up overloaded resistors for explosions. One of those films required them to fake-rob a local bank — and the encounter that followed, with the surprisingly enthusiastic vice president of the Monrovia Wells Fargo, led to a meeting with the mother of Rick Baker, whose work Ian had recently encountered in a traveling special effects exhibition and been completely floored by.After drifting away from an aerospace course at Cal Poly Pomona and working in an acid bath plastics factory, Ian answered a classified ad looking for model makers — and on the strength of a modest portfolio, was hired the same day. His first feature was The Abyss. He and fellow model maker Jim McGee built the flooded engine room of the Montana submarine with almost no direction beyond James Cameron's bare-bones description, and shipped it to South Carolina having never seen a frame of the live action. The production was not without its disasters — Ian found himself entangled in the notorious wax crane fiasco, and talks about the valuable early lesson of knowing when to call something out before it goes wrong.From there, a friend pointed him toward Boss Film, Richard Edlund's company in Marina del Rey, where a chance encounter with departing model supervisor Mark Stetson changed everything. What was supposed to be a one-week favour on a music video turned into six years. Working with Stetson took Ian from being a junior model maker building things in isolation to visiting sets, talking directly with directors, and understanding that miniature work only succeeds when it becomes invisible — just more shots in a movie, telling the story rather than showing off the technique.Among the projects from that period, Ian talks at length about Total Recall — including the behind-the-scenes chaos of a scale miscommunication on the final day of shooting, a scene involving a little person that nobody had accounted for, and the moment he glued a Coke can to a model building because they were running out of time. That Coke can, dressed up and shot from the front, made it into the finished film. So did one in Waterworld. And Inception. And Interstellar. And, after the story apparently got around, director Fede Álvarez greeted Ian on Alien: Romulus by asking exactly where he was planning to hide it.Ian built the suburb for Edward Scissorhands — deliberately making it more bland and mundane than real life — and talks about one of his proudest in-camera shots: the final view through the bedroom window and out over the snow-dusted neighbourhood, achieved with a 1:24 scale model and real snow shakers on the night. On Batman Returns he built the Penguin's zoo, and describes receiving one of his all-time favourite compliments from Tim Burton — who, after watching a pyrotechnics test, asked simply: "Where did you shoot this?" Not realising he was looking at a miniature. The zoo also gave Ian one of his best examples of a happy accident: a polar bear sculpture that was supposed to explode but instead toppled slowly sideways with flames coming out of its feet. Tim Burton loved it. The entire subsequent engineering challenge was figuring out how to recreate the mistake.On the X-Files movie, Ian and his partner Matthew Gratzner built a collapsing federal building on a tight budget, referencing Oklahoma City bombing photographs for the detail of damaged concrete and exposed floors. The late Roger Ebert reviewed the finished film and said the sequence should have been cut — because it was too reminiscent of real tragedy. Ian reflects on that as a marker: they'd gotten past the technique and into the emotion.The conversation turns to Christopher Nolan, with whom Ian has worked across multiple films. Ian describes Nolan as collaborative but definitive, someone who discusses a shot in depth and then tells you exactly what he wants. He talks about the liberation Nolan offered on Interstellar when he told the crew to stop following the previs — pre-vis is just a guy at a computer on a Friday trying to get the shot out the door, Nolan told them; if you can see a better angle, do that instead. The result was that the miniature crew started shooting faster, and a number of shots that had been planned as digital moved across to the physical side. Ian also describes the meticulous sun-angle calculation that went into matching the Inception hospital sequence — setting up models in a parking lot at a precisely calculated skewed angle to hit the exact quality of light that had been captured in Calgary on a specific date.On First Man with Damien Chazelle, Ian had drawn storyboards before the first meeting proposing a documentary approach — cameras attached to the spacecraft, nothing sweeping or cinematic, everything either very close or very wide as if shot from another ship. Chazelle walked in and described exactly the same idea. They spent twenty minutes together going through the sequence, working to an animatic cut to music, and Ian went off and shot it. That shorthand — that moment of being in sync before the conversation has really started — is something Ian describes as central to how he has survived in an industry where so many practical effects houses have not. He's a model maker, yes. But more than that, he's a filmmaker.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

We aren't men of constant sorrow, but we ARE Bros of Constant ROFL-ing! We are so excited to be jumping into the Coen Brothers' bluegrass, deep-South-meets-Ancient-Greek epic, O Brother, where art thou? Along the way, we discuss excellent screams, pivots into surrealism, and the fascinating camp of river baptisms. Head to our PATREON for the full video episode!

This Postmodern Realities episode is a conversation with JOURNAL author Philp Tallon about his article, “The Life Metamodern with Wes Anderson”. https://www.equip.org/articles/the-life-metamodern-with-wes-anderson/This is also our 500th episode and Philp was our very first guest on Episode 001 with The Films of Quentin Tarantino. and the article Reservoir Gods: Quentin Tarantino's Premodern Theology. Please see more of Philip's work below.One way you can support our online articles and podcasts is by leaving us a tip. A tip is just a small amount, like $3, $5, or $10, which is the cost of a latte, lunch out, or coffee drink. To leave a tip, click here. Please see related articles and podcasts below:Mission Impossible FilmsEpisode 450: The Living Manifestation of Destiny: The Meaning in the Mission: Impossible Movies“The Living Manifestation of Destiny: The Meaning in the Mission: Impossible Movies”Christopher Nolan Films Episode 400: Rage Against the Dying of the Light: Christopher Nolan's Fighting FilmographyRage Against the Dying of the Light: Christopher Nolan's Fighting FilmographyHorror Movies: Episode 350 Possession and Exorcism Movies in a Modern AgeThe Power of the Devil Compels Us: Possession and Exorcism Movies in a Modern AgeSherlock Holmes Episode 243: The Fall of Sherlock: Investigating the Victorian Detective in a Modern AgeThe Fall of Sherlock: Investigating the Victorian Detective in a Modern AgeSteven Spielberg Movies:Episode 139 Clear Skies, Hurt Hearts, Can't Lose: Why Spielberg's Aliens Help Make us More HumanClear Skies, Hurt Hearts, Can't Lose: Why Spielberg's Aliens Help Make us More HumanAlfred Hitchcock films:Episode 100: A. Hitchcock FilmsThe Coen Brother's Films:Episode 050: O Father, Where Art Thou? The Coen Brothers and the Riddle of Existence“O Father, Where Are Thou? The Coen Brothers and the Riddle of ExistenceThe Films of Quentin Tarantino:Episode 001: The Films of Quentin Tarantino“Reservoir Gods: Quentin Tarantino's Premodern Theology  Don't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.

Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”. The Coen Brothers' 1991 masterpiece Barton Fink […]

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, we learn that famed actress and chanteuse Barbra Streisand received an honorary Palme D’Or at the Cannes Film Festival. Borschel-Dan, who is reading the artist's massive memoir, calls on all podcast fans to send in the names of their favorite Streisand films for a future episode. We then turn to the monumentally Jewish movie, "A Serious Man," written, produced, edited and directed by Joel and Ethan Coen in 2009. Set in 1967 Minnesota, the film focuses on the Gopnik family: father Larry, mother Judith, kids Danny and Sarah, and uncle Arthur. On the surface, the middle-class family appears to be merrily rolling along, anticipating Danny's approaching bar mitzvah. And then everything falls apart and it becomes a very funny retelling of the Book of Job. However, before the movie takes off, the audience is treated to a quote from the great rabbinic sage Rashi and is shown a Yiddish-only shtetl ghost story short -- just... because. Stay tuned for our duo's thoughts on the much-recommended Coen brothers' film, "A Serious Man." The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.