Podcasts about Coen brothers

Today(land) on the pod we're talking about Brad Bird, Damon Lindelof, and George Clooney's infamous love letter to Walt Disney, futurism, and those scolding news reports that were telling you to use paper straws around the time this movie came out. It's TOMORROWLAND! TOMORROWLANDDIRECTED BY: Brad Bird RELEASED: May 22, 2015STARRING: George Clooney, Britt Robertson, Raffey Cassidy, Hugh Laurie BUDGET: $190M BOX OFFICE: $209M ESTIMATED LOSS: $150M NEXT EPISODE: We're getting our noir on with our first ever Coen Brothers movie! It's 1990's MILLER'S CROSSING0:00 Intro 2:53 Show & tell8:10 This week's movie

Generational differences between dad and daughter when it comes to music. The great film “O Brother, Where Art Thou?" and why it's still a must watch. And some thoughts about the Coen Brothers, and actor John Turturro in particular. Watching Disney animated films in chronological order, starting with Snow White and never stopping. "Bambi" might be the end of Carter as we know her. Let's visit to a Daiso store, a Japanese value store, and the experience of waiting in a long line for nearly 4 hours. They sample Takoyaki balls to great success happy hour family time! We also got gifts! Hosted on Acast. See acast.com/privacy for more information.

I'm a Lebowski, you're a Lebowski -- that's terrific, but I'm very busy, as I can imagine you are. SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

In this episode, we break down The Big Lebowski and what makes it such a cult classic. We dive into the Coen Brothers' unique storytelling style, analyze The Dude as a character, and explore the film's deeper themes about identity, chaos, and the absurdity of life. We also talk about the movie's unforgettable dialogue, bizarre yet brilliant plot, and how it became one of the most quotable comedies of all time. Whether you're a die-hard fan or new to the film, this episode gives you a fresh perspective on The Big Lebowski.Chapters:00:00:00 Why The Dude has become a philosophy and way of life00:07:59 Roger Deakin's working on this is hilarious00:09:37 How The Big Lebowski is secretly a noir movie00:13:31 Surprising and funny deep meaning inside the movie00:17:07 Diving into Walter's character00:22:14 Touching on Donny's character00:24:59 The complex story The Dude gets thrown into00:26:49 How the opening shot reveals who The Dude is00:33:14 Brandt and The Big Lebowski's character explanation00:35:43 The Dude is the most comfortable around strangers00:37:33 The Big Lebowski just an Alice in Wonderland story?00:42:54 Fun facts about the movie00:50:58 Our official rating00:54:27 Final thoughts: Sam Elliott praise00:59:34 Cue the music

This episode is bona fide! Back in the year 2000, the soundtrack to the Coen Brothers' "O Brother, Where Art Thou?" took the world by storm. We're here to break down the influences and sources of The Soggy Bottom Boys' biggest hit, "I Am a Man of Constant Sorrow," along with every other song they perform in this movie. Those aren't really George Clooney's pipes you hear in the recording, but real-life singer Dan Tyminski is a man of constant praise in the bluegrass community. Did you know he had a Hot 100 hit in 2013? Also, Jacksfilms calls in to dispute the idea that this movie was based on Homer's Odyssey!

Mark's self-loathing clouds his take on Bill Belichick and his young girlfriend. A Temple kid poked the wrong bear. We clash over a classic Coen Brothers film. And yes—you should celebrate Mother's Day at Applebee's. Donate SadlyLackingRadio@gmail.com

Send us a textWe explore five cultural touchstones that have captured our attention, ranging from new releases to beloved classics experiencing revival.• Ryan Coogler's "Sinners" blends 1930s blues culture with vampire horror while exploring themes of brotherhood and the power of music• My Chemical Romance's upcoming remixed version of "Three Cheers for Sweet Revenge" addresses longtime complaints about the original's sound quality• Garden State's 20th anniversary concert reunited most soundtrack artists, including The Shins, whose song famously "will change your life"• Fargo Season One masterfully adapts the Coen Brothers' aesthetic to television with standout performances from Billy Bob Thornton and Martin Freeman• "The Studio" on Apple TV+ offers meta-commentary on filmmaking through technically impressive one-shot scenes while examining the contradictions of studio executives' rolesGo experience these cultural moments for yourself! Whether it's catching "Sinners" in theaters, streaming "The Studio," or revisiting classics like Garden State and Fargo, there's something for everyone to enjoy.Follow My Pop Five: @mypopfive on all platforms We'll see you next time. But until then, what's your Pop Five?

I always learn so much in my conversations with Canadian cinephile, critic, & author Adam Nayman & this episode - devoted to a quartet of big screen adaptations of Ira Levin's buzzy bestselling novels that captivated a generation of readers - is no exception. Listen in as we take you through his career as a master storyteller of what Stephen King deemed "Swiss watch" worthy plots while exploring the films A KISS BEFORE DYING (1956), ROSEMARY'S BABY (1968), THE STEPFORD WIVES (1975), & THE BOYS FROM BRAZIL (1978).Bio: Adam Nayman is a critic, lecturer, and author based in Toronto. He writes for the Ringer, Criterion, Reverse Shot, the New Yorker, & Sight and Sound, and teaches cinema studies at the University of Toronto. He has written several books on film, including titles on SHOWGIRLS & the movies of the Coen Brothers, Paul Thomas Anderson, & David Fincher for Abrams.Originally Posted on Patreon (5/1/25) here: https://www.patreon.com/posts/127934077Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Welcome to the DMF. I'm Justin Younts. In this episode, I have the pleasure of speaking with Christian Schuh, a talented filmmaker who shares his journey and insights into the world of filmmaking. From his unique background of living in both Germany and Malaysia to his experiences working with high-profile clients, Christian's story is both inspiring and informative. He discusses the importance of storytelling in film, the challenges of working in different cultures, and the lessons he's learned along the way. Christian emphasizes the significance of being organized and prepared on set, as well as the value of collaboration with actors and crew members. He also shares his thoughts on the current state of the film industry and the impact of technology on filmmaking. Whether you're an aspiring filmmaker or simply interested in the art of storytelling, this conversation is packed with valuable insights and practical tips. Join us as we dive into the fascinating world of filmmaking with Christian Schuh. Don't forget to like, share, and subscribe for more engaging content!00:00:00 - Introduction00:00:11 - Guest Introduction00:00:52 - Christian Schuh's Background00:02:05 - Christian's Life in Malaysia00:03:06 - Cultural Differences00:06:01 - Christian's Early Interest in Film00:08:49 - Christian's Career Transition00:10:02 - Initial Investments in Filmmaking00:10:56 - Regrets and Learning Experiences00:13:48 - Applying Previous Experience to Filmmaking00:15:07 - Christian's Approach to Filmmaking00:15:50 - Christian's Sales and Client Acquisition00:18:08 - Learning Through YouTube00:22:35 - Christian's Approach to Brand Storytelling00:24:55 - Christian's Work with Hi-Fi and High-End Industry00:26:47 - Example of Product Introduction - Marantz00:30:43 - Discussion on Luxury Brands and their Target Audience00:31:07 - Christian's Approach to Luxury Brand Storytelling00:37:51 - Discussion on Apple's Ecosystem and Workflow00:38:49 - Christian's All-in-One Solution Approach00:41:42 - Importance of Teamwork and Avoiding Hierarchies in Filmmaking00:46:07 - Film School vs Real World Experience00:47:57 - The Importance of Hands-On Experience00:47:57 - Christian's Directing Approach00:48:50 - The Reality of Filmmaking and Work Ethic00:56:36 - The Role of a Director in Editing01:02:02 - Working with Actors01:13:26 - Influence of Other Filmmakers01:17:44 - Discussion on Interstellar and Christopher Nolan's Filmmaking01:21:07 - Discussion on Westworld01:23:09 - Discussion on Other Notable Films and Directors01:24:28 - Discussion on Coen Brothers' Films01:29:00 - Importance of Storytelling in Short Films01:29:47 - Christian's Daily Routine01:33:11 - Importance of Discipline and Adapting to Lifestyle01:33:39 - Travel and Adjusting to Different Time Zones01:34:40 - Family Dynamics in Asia vs the West01:35:09 - Value of Family and Community in Asia01:38:32 - Meditation Practices and Benefits01:44:59 - Physical Fitness Routine01:46:37 - Current Reading Material01:48:45 - Discussion on Joe Dispenza and Positivity01:50:26 - Christian's Media Background and Avoidance of News01:52:54 - Christian's Music Preferences01:58:48 - Current TV Show - The Crown02:00:01 - Recent Movies Christian Enjoyed02:01:55 - Discussion on Coen Brothers' Films02:04:10 - Christian's Social Media Presence

Dave can't make it this week, so Megan and Evan review this week's very different films as a duo. First, Megan covers the Ami Canaan Mann's biopic AUDREY'S CHILDREN (2:32), which chronicles a period in the life of world-renowned children's doctor Dr. Audrey Evans (Natalie Dormer), as she works to revolutionize treatment of childhood cancer during the late 1960s and helps co-found the first Ronald McDonald House. Come for Natalie Dormer's excellent performance. Next, they discuss Jon Kasbe and Crystal Moselle's disappointing documentary MY ROBOT SOPHIA (17:41), which follows inventor David Hanson's attempts to build life-like AI. The film features a fascinating topic, but fails to delve deep enough into it to be worthwhile. Lastly, Evan reviews Jake Schreier's THUNDERBOLTS* (37:08) the latest Marvel film, which follows a ragtag group of anti-heroes led by Florence Pugh who must confront a powerful force: their traumas and darkest secrets. It's not your typical Marvel movie, and that's a very good thing because it has a lot of heart and soul. And in this week's Patreon exclusive audio, we talk about the Coen Brothers' 1984 directorial debut, BLOOD SIMPLE!

Put on your jelly sandals and grab yourself a White Russian, it's The Big Lebowski! Sports month comes to an end with our Patron voted episode on Joel & Ethan Coen's 1998 bowling send up of detective stories. Is Jeff Bridges acting? Did Walter serve in Viet Nam? What's with the toe? Also: Seth prepares a drink. Michelle spots a false dog. No one is who they say they are. Check it out, man!  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Careful, man, there's a beverage here! This week on Flavor Odyssey, our Big Screen Bracket Challenge continues with movie-themed cocktails. In this episode, the Dude abides as we dive into the iconic White Russian, the pivotal drink from the Coen Brothers' classic, The Big Lebowski. So, pour yourself a White Russian, grab the perfect cigar pairing, and join the fun! Pairings Randy: Sarsaparilla & White Russian

In this episode we discuss the early years of the Coen Brothers' careers, their process of making Fargo, and the continued critical and growing commercial success of their films. We also talk about Francis McDormand, her friendship with Holly Hunter, her marriage to and working relationship with Joel Coen, and her many career and Academy Award achievements. --Instagram: https://www.instagram.com/thanktheacademypodcastX: https://www.twitter.com/thankacademypodEmail us your thoughts: thanktheacademypod@gmail.comFollow us on Letterboxd:https://letterboxd.com/thanktheacademy/

The Coen Brothers-esque plot of 835 A.D. that backfired spectacularly, and gruesomely...Support the show

Ben from Cats And Cats And Cats and Fly Fly Triceratops guest starred this week. For more band related topics, check out our original 3-part radio play about the Spice Girls called "Spicy Burgers" (episodes 270-272) and 853: Bill & Ted Face the Music. This concludes Marching Band month. Next week will be a special birthday pick, The Return of the Living Dead (1985).

This week we leap back to English speaking films, from Paris to the old west, with cinematographer Bruno Delbonnel. Amelie was full of beautiful cinematography and this week we view and discuss The Coen Brothers 2018 American Western anthology The Ballad of Buster Scruggs. We hope you enjoy.

You might here some different intro music on this episode. That is Sènaderé by uKanDanZ off their debut album; Yetchalal. Oh, and what is that? You also here some music between the end of our interview and our post interview discussion? That is uKanDanZ's cover of War Pigs from their new album, Evil Plan.If you're unfamiliar with the band and their music, we talk plenty about it with group co-founder, songwriter, guitarist and bassist; Damien Cluzel. While on break from some shows Damien gave us some time to talk about uKanDanZ in general, their new album which is out now, and of course, about his love for the Coen Brothers', Fargo.

Our own Mr. January, Kevin Avery, joins the crew IRL (!!!) for an episode all about one of Ify's favorite movies, The Big Lebowski. With a foursome made up of half long-time Little Lebowskis and half newcomers to the film, we're tackling a much-memorized Coen Classic with fresh(ish) eyes. Plus, some Very Big Show News and a rundown of movies we can't shut up about.This in-studio episode happened because of members who supported Maximum Film! In the latest MaxFunDrive. Check out the video version of the episode on MaxFun's YouTube page!What's GoodAlonso - Right-on pudding (Petit Pot)Drea - Davy Mayer's alder win in Madison, WIKevin - The Traitors UKIfy - Latex jumpsuitITIDICOscars Add a Category Honoring Stunts for 2027Meta and Blumhouse Are Bringing a Second Screen Experience to CinemasCinema Dedicated to LGBTQ+ Films Opens in LondonStaff PicksIfy - The AmateurAlonso - A Minecraft MovieKevin - Mission Impossible: Dead Reckoning Part OneDrea - Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer Follow us on BlueSky, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

With the latest series of the much-discussed drama The White Lotus recently wrapped up, Screenshot asks why cinema and TV make so many return visits to hotels as a setting.Whether sinister and scary like in The Shining or Psycho, fabulous but faded like The Grand Budapest Hotel, or comically chaotic like in Fawlty Towers, hotels offer a myriad of possible opportunities for drama. Ellen E Jones and Mark Kermode check in to check out their rich history on screen. Ellen talks to film critic Hannah Strong about the timeless appeal of screen stays from the 1932 classic Grand Hotel to The White Lotus - and about how directors Wes Anderson and Sofia Coppola have made hotels the focus of some of their most famous films. Ellen also speaks to Sean MacPherson, hotelier, cinephile and co-owner of the storied Hotel Chelsea in New York City, about the glamorous allure of historic hotels - and the impact of the movies on hotel design. Mark speaks to writer and critic Anne Billson about the seedier - and scarier - side of hotels on screen, from the Coen Brothers' 1991 cult classic Barton Fink, to the 1990 Roald Dahl fantasy The Witches. And Mark also talks to director Rodney Ascher, whose 2012 documentary Room 237 explored Stanley Kubrick's The Shining from the unusual points of view of a number of theorists - all of whom seem to have checked into the film's Overlook hotel and never been able to leave.Producer: Jane Long A Prospect Street production for BBC Radio 4

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two American icons: Joel and Ethan Coen. Our guest is an icon all his own: Stephen Sajdak from the We Hate Movies podcast! We discuss the B-Sides The Hudsucker Proxy, The Man Who Wasn't There, Intolerable Cruelty, and Burn After Reading. There's also time given to their remake The Ladykillers. We make many references to Adam Nayman's well-researched and well-considered book The Coen Brothers This Book Really Ties the Films Together, explore the critical success the filmmakers had with Fargo, and how they filmed The Man Who Wasn't There in color and then printed it to black-and-white film. Other topics include the Coen Brothers' film Hail Caesar! and their childhood fascination with biblical epics like Quo Vadis, their amazing commentary on The Man Who Wasn't There disc, Spielberg's advice to George Clooney on how to become a movie star, or that time Clooney recalled being bewildered that Quentin Tarantino thought the two of them looked alike while they were promoting From Dusk Till Dawn. Finally, Tracy Zooms In comes up (obviously), the new Barry Levinson gangster picture The Alto Knights, and the James Gandolfini holiday picture Surviving Christmas.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two American icons: Joel and Ethan Coen. Our guest is an icon all his own: Stephen Sajdak from the We Hate Movies podcast! We discuss the B-Sides The Hudsucker Proxy, The Man Who Wasn't There, Intolerable Cruelty, and Burn After Reading. There's also time given to their remake The Ladykillers. We make many references to Adam Nayman's well-researched and well-considered book The Coen Brothers This Book Really Ties the Films Together, explore the critical success the filmmakers had with Fargo, and how they filmed The Man Who Wasn't There in color and then printed it to black-and-white film. Other topics include the Coen Brothers' film Hail Caesar! and their childhood fascination with biblical epics like Quo Vadis, their amazing commentary on The Man Who Wasn't There disc, Spielberg's advice to George Clooney on how to become a movie star, or that time Clooney recalled being bewildered that Quentin Tarantino thought the two of them looked alike while they were promoting From Dusk Till Dawn. Finally, Tracy Zooms In comes up (obviously), the new Barry Levinson gangster picture The Alto Knights, and the James Gandolfini holiday picture Surviving Christmas. Be sure to give us a follow on social at @tfsbside.bsky.social.

The blood-soaked Blood Simple represents the debuts of not only auteurs Joel & Ethan Coen, but also their star (and Joel's future wife) Frances McDormand. They don't seem to agree though with the widely-shared view that their first film was an expertly-plotted noir. It's one of their best movies, in fact. When the Coen Brothers go down to Texas to shoot a nihilistic movie about death and contract killings, classics like this and No Country For Old Men result. And considering it was an independent production without any stars, it was quite a hit. The brilliant highlight sequence is John Getz covering up what he thinks is the murder of Dan Hedaya, the man he's cuckolded. So enjoy episode #2 in Revenge Month and our 657th episode overall as we, yes ARE having a good time in our yellow suit and hat while we review Blood Simple. Well, Actually: the Sundance film festival (the "Utah/US Film Festival" as it was known at first) got its start in 1978, while the Toronto International Film Festival got its start in 1976. Also, Dessau is a neighbourhood in Austin, Texas, so the "Dessau" in the sign outside the club must refer to that. Also also, the reason Ray stops the car and runs away in shock is because he hears noise coming from the "dead" body in the back seat. Acquire outstanding beans from Sparkplug Coffee. They give our listeners a onetime 20% discount if they use our "HYES" promo code. The website? Why, it's "sparkplug.coffee/hyes". Subscribe to our podcast in your app, but also rate and review it. We post on YouTube too (@hyesellis in YouTube's search bar), where you can drop some comments and help us out by liking the show. Contact us on social media. On Twi-X, we're @moviefiend51 and @bevellisellis. On Bluesky, we're ryan-ellis and bevellisellis. And our email address is "haveyoueverseenpodcast@gmail.com".

Send us a textDoes The Big Lebowski hold up? Episode 208 of the Hey You Guys Podcast is here, and this week, Liam and Rob revisit the Coen Brother's cult 1998 classic. The finest Coen Brothers movie? Best cast of the 90s? Oddly unbearable for many women? We discuss via the link in the bio. Please download and subscribe and stuff. 

In this sermon we begin a new series looking at the seven things Jesus says from the cross before he dies. We talk about all the ways “they” do not know what they are doing, what it means to encounter Jesus on the wrong side of the cross first, and a 2008 Coen Brothers film called Burn After Reading.

Send us a textFor our final March Madness episode, it's time for Shawn to give Aaron a first-time watch with the baby-stealing Coen Brothers classic 'Raising Arizona'. We discuss all those important things like the Coen of it all, the disappearance of Nicolas Cage in this role, the shear amount of babies, the unmistakable soundtrack, all the usual suspects, and so much more. How does it hold up? What did Aaron think? Tune in to find out!5 Star reviews help drive us up the charts. Please take a minute and review us.If you would like to contact or donate to us: iusedtolikethisone@gmail.comwww.patreon.com/iusedtolikethisoneWebsite: www.iusedtolikethisone.comInstagram: @iusedtolikethisoneTwitter: @iused2likethis1Facebook: I Used To Like This OneBluesky: @iusedtolikethisone.bsky.socialSnapchat: @iused2likethis1Created/Produced/Hosted by: Shawn Wells and Colin StewartOfficial Substitute Co-host: Aaron Knowles @betteractions @oblivionbarpod @shredthestress Edited by: Shawn WellsOriginal Music by: Lindon Carter (look for his band 'Carter & the Capitals' on all music streaming platforms)Website design: David SonSponsorship Corner sponsored by movieposters.com *****With over 100,000 titles to choose from, movieposters.com is the #1 destination for posters from your favorite films + stars. Use LIKETHISONE at checkout for 15% off your purchase. *****Special Thanks To: Tracy Sheremeta, Lindon Carter, Kris Wells and Graham Wells for their contributions to the show.Hear more content from Shawn with his other podcast 'In Front Of The Yellow Line'.Buy Aaron's Book! 'The Algorithmic Frontier: Exploring the Power of AI in Social Media and Content Creation'   https://a.co/d/1gIpsgQSupport the mental health of Military Veterans with Aaron Knowles's non-profit www.shredthestress.org©️2025 And Sometimes Why? Productions.

Movie of the Year: 1996Fargo (feat. iFanboy's Josh Flanagan)Is Fargo (1996) Really a True Story? This week on Movie of the Year, our panel of film obsessives takes a deep dive into the Coen Brothers' legendary crime thriller, Fargo (1996). From its bleak, snow-covered landscapes to its uniquely offbeat characters, Fargo is a film that has stood the test of time. But does it have what it takes to be crowned the best movie of the year? Tune in as we dissect this darkly comedic masterpiece.The Genre of Fargo (1996): Crime, Comedy, or Both?One of Fargo (1996)'s greatest strengths is its ability to seamlessly blend genres. Is it a crime thriller? A dark comedy? A neo-noir? The film walks the tightrope between tension and absurdity, crafting a world where violent criminals, desperate schemes, and Minnesota Nice collide in unforgettable ways. Our hosts explore how Fargo defies genre conventions and why this unique blend makes it such a compelling film.For more discussions on genre-bending movies, check out our deep dive into The Big Lebowski or No Country for Old Men.The Setting of Fargo (1996): More Than Just SnowFargo (1996) isn't just a movie—it's an immersive experience of the American Midwest. Despite its title, most of the film unfolds in Minnesota, capturing the distinct speech patterns, mannerisms, and cold, barren beauty of the region. We discuss how the Coen Brothers use the setting as a character itself, influencing the tone, the story, and even the humor. Would Fargo be the same film without its chilling, small-town backdrop? We break it all down.For more insights on film settings, read our analysis of There Will Be Blood.Is Fargo (1996) a True Story? The Real vs. the FictionalFrom the opening title card claiming “This is a true story,” Fargo has left audiences debating its origins for nearly three decades. Is Fargo (1996) really based on actual events? Or was that just another Coen Brothers trick to pull us deeper into their world of deception? We uncover the truth behind the film's inspiration and discuss how its true crime aesthetic enhances its mystique.Want to learn more about real vs. fictionalized crime films? Check out our episode on Zodiac.Special Guest: Josh Flanagan from iFanboyJoining us this week is none other than Josh Flanagan from iFanboy! As a longtime film and comic book expert, Josh brings his signature wit and insight to the discussion. He shares his personal experience watching Fargo (1996) for the first time, his thoughts on the Coen Brothers' unique storytelling, and how Fargo fits into the larger landscape of 1996 cinema.For more of Josh's takes on film and pop culture, visit iFanboy.Does Fargo (1996) Deserve to Win Movie of the Year?After breaking down the film's genre-bending brilliance, its unforgettable setting, and the enduring mystery of its “true story” origins, we finally ask the big question: Does Fargo (1996) deserve the title of Movie of the Year? Listen in as we debate its legacy, compare it to other contenders from 1996, and ultimately decide whether Marge Gunderson's world of crime and comedy is worthy of the top spot.Subscribe now and join us for this deep-dive into Fargo (1996), a film that remains just as sharp, chilling, and darkly hilarious as it was in 1996.Recommended Further Reading:IMDB - Fargo (1996)Rotten...

Our internet connection wasn't bad during this record. It was just an homage to simpler times since we covered the Coen Brother's "O, Brother, Where Art Thou?" from the year 2000.In addition to talking about one of our favorite movies when we were teenagers, we also discuss: anhedonia; Criterion Collection flash sales; quesadilla makers; and Red Dead Redemption 2. Hosted on Acast. See acast.com/privacy for more information.

Episode 220! Benjamin and Joey discuss 'No Country for Old Men' directed by the Coen Brothers. Have a comment about something we said? Want to request something for us to review? Just wanna chat? Email: AffableChat@gmail.com Instagram: @AffableChat Soundcloud: @affablechat Youtube: www.youtube.com/channel/UCkOkrHIltGJRBpfpbCfJjgQ

"I'm not a devious man by nature." For Episode 351, Thomas and Brandon do double genre duty with the Anthology and Western genres by discussing THE BALLAD OF BUSTER SCRUGGS. Listen as they discuss when the idea originated, how difficult it was making six completely separate stories, and how the streaming era of the late 2010s allowed for this movie to happen.  Also, don't forget to join our Patreon for more exclusive content: Opening Banter - More about Gene Hackman -  (00:00:10) Recap of the Anthology Genre (00:05:36) Intro to The Ballad of Buster Scruggs (00:12:03) How The Ballad of Buster Scruggs Got to Production (00:21:40) Favorite Scenes (00:36:22) On Set Life - (01:15:53) Aftermath: Release and Legacy (01:20:56) What Worked and What Didn't (01:27:16) Film Facts (01:28:56) Awards (01:31:52) Final Questions on the Movie (01:34:31) Wrapping Up the Episode (01:38:08) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Send us a textJoin in this week as Zig talks about three movies by the Coen Brothers and no one saw but you need to while Geoffrey tells the sad story of the murder of Vickie Deblieux. Make sure to stay until the very end and see if Zig and Geoffrey remain friends through a heated debate.For your 30 day free Audible Trial go to: Audibletrial.com/nerderyandmurderyFor 10% off with BetterHelp go to: betterhelp.com/nerderyandmurderySupport the show

In this special annual episode, Tim and Tay highlight a few notable scenes from 2024. Not necessarily the best or our favourites, but certainly worth seeing!Links:THR Director Roundtable: Brady Corbet, Coralie Fargeat, Denis Villeneuve, Ridley Scott & More'Dune: Part Two' Director Denis Villeneuve Breaks Down the Sandworm Scene | Vanity FairAs always, please leave us a review on iTunes and spread the word to your friends!This month: The Coen Brothers!Follow: SSC on Instagram Tim on Letterboxd

With only their third feature film (following Blood Simple & Raising Arizona), The Coen Brothers (Joel & Ethan) delivered one of the most unique crime dramas of its era...or any era.  This neo-noir takes place during the Prohibition Era in an unidentified American city which is currently enmeshed in an ongoing war between two rival criminal organizations, one lead by Leo (Albert Finney) and the other lead by Johnny Caspar (Jon Polito).  Leo's main advisor and most trusted lieutenant is Tom (Gabriel Byrne) whose fears and machinations are at the core of this story.  And through Tom, we get to encounter a variety of colorful characters including Verna (Marcia Gay Harden), The Dane (JE Freeman), Bernie (John Turturro), Mink (Steve Buscemi) and so many others who are each on one side of this burgeoning conflict.  However the story is not what stands out most about this enduring cult classic....it's the inventive camerawork, bravura performances, gorgeous production design, and endlessly quotable dialogue!  So just in time for St. Patrick's Day, let's find out exactly what the rumpus is....  Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

0:00 The Directors Cup Semi Final match 2. 1:01 Meet the Players and get the rules. 3:00 The Tale of the tape. 5:40 Round One: Best Scene, Best Line, Best Music.  6:03 Matt's 3 minutes of Beauty. 8:53 Bern's 3 minutes in Heaven. 12:23 Round Two: Awards and Critical Acclaim. 14:14 Matt Redrafts The best Pictures from 2010 19:58 Bern Redrafts his best Picture Nomination from 2007 25:16 Round Three: Trivia Battle and Recasting. 25:39 Original Actor they wanted for No Country for Old men. 26:56 Other Actors considered for Cobb in inception.  27:41 The town wasn't big enough for both movies.  28:59 Joseph Gordon Levitt wasn't the original choice.  29:25 Javier's hair was a stroke of luck.  35:28 Matt Recast's No Country for Old Men. 40:23 Bern Recast's Inception.  45:32 Round Four: Ask Gemini.  46:53 We Get Gemini's Verdict.  51:15 Outro.   The Director's Cup semi-finals continue with a battle of cinematic titans!

Take the panty off your head and join us for our first(!!!) Coen brothers film, Raising Arizona! We discuss breaking up the brothers, a reference point for a violent birth, mozzarella sticks, Holly Hunter and the best message for kidnappers. Also: magical baby powers, cutting through earnestness with a punchline and making sure you get your dip tet. Check it out!  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

This week on That Was Wild, we're bringing you the most bizarre, chaotic, and downright hilarious stories you'll hear all week. First up, we've got a whole police department in Alabama getting caught in a major scandal—fentanyl in the evidence room and a grand jury recommending the entire department be shut down. It's straight out of a Coen Brothers movie, but it's real life.

The Coen Brothers' BURN AFTER READING (2008) offers a jaundiced take on Washington and its institutions at the tail end of the Bush era. We were in a desperate need of a good time, and the Coen Brothers can always be depended on to deliver. PLUS: Chinese blockbusters vs. American blockbusters - who will own this century? PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/123667636

On this edition of Tarantinoesque Film Review, The Reverend and his guest, Shon Wheelers (Inglourious Blue Balls) review and discuss the Coen Brother's 1996 black comedy crime film, “Fargo," to see if it deserves to be designated as a "Tarantinoesque" film. Shon Wheeler:Listen to the Splatterhouse Podcast: https://open.spotify.com/show/38MSH4gnr6BU0uSrw3SuT7?si=bb155e1a67d5404bFollow the Splatterhouse Podcast on their Socials:Facebook: @SplatterhousepodcastInstagram: @the_splatterhouse_podcastTwitter: @SplatterPodcastFollow Scare Flair Records on their Socials:Facebook & Instagram: @scareflairrecordsWebsite: www.scareflair.comBecome a member of The Church of Tarantino:Follow us on our socials:Facebook / Instagram / Blue Sky & Letterboxd: @ChurchOfQTPodEmail: TheChurchOfTarantino@gmail.comWe're also on the Rabbit Hole Podcast Network: https://rabbitholepodcasts.com/the-church-of-tarantino/

Welcome back to The Movie Draft House! We're continuing our year-long theme of "one degree of separation" from the previous week's film as we review the 1996 Coen Brothers film "Fargo" starring Frances McDormand, William H. Macy, Steve Buscemi, and more. Tune in to find out what we thought of this one...Let's recap:We finished 2024 with "A Simple Favor" starring Anna KendrickAnna Kendrick was also in "Life After Beth" which starred Paul ReiserPaul Reiser was also in the film "Whiplash" which starred Miles TellerMiles Teller was also in "Top Gun: Maverick" which was written by Peter CraigPeter Craig also wrote "Gladiator II" starring Pedro PascalPedro Pascal was also in "Drive-Away Dolls" starring Margaret QualleyMargaret Qualley was also in "The Substance" which starred Demi MooreDemi Moore starred in "Indecent Proposal" which also starred Billy Bob ThortonBilly Bob Thorton was in "Armageddon" which also starred Steve BuscemiFollow the podcast across all social media!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify) or you can also download it from the website at https://seehearpodcast.blogspot.com/2025/02/see-hear-episode-124-inside-llewyn-davis.html Proudly Pantheon Learn more about your ad choices. Visit megaphone.fm/adchoices

Will robots be white or diverse? Do lies travel faster than the truth on the internet? Yanni delves into Jay-Z’s civil suit being dismissed, the accusations against Tom Hanks, and Kendrick’s allegations that Drake likes them young. Are we living in a commentary dystopia? And finally, a vegan trans cult commits terrorism and it’s not in a Coen Brothers movie. You can’t add tragedy to tragedy and comedy to comedy.

Welcome back to the One Shot Derby, the character creation competition between three different TTRPGs! After we play all three games, The People will vote on the game in which we'll play out the one shot. This week, we're taking another try at Fiasco, playing out professional murderists in a Coen Brothers movie!   Housekeeping - RSVP for our Campaign 3 drinks pop-up at jointhepartypod.com/popup - LIVE IN PORTLAND, March 23! Get your tickets at jointhepartypod.com/live   Sponsors - CRAMPED, a new podcast about period pain by Kate Helen Downey. Listen in your podcast app now! - Audio Maverick, a 9-part documentary about one of the most visionary figures in radio, Himan Brown. Listen today!   Find Us Online - website: jointhepartypod.com - patreon: patreon.com/jointhepartypod - instagram: instagram.com/jointhepartypod - bluesky: bsky.app/profile/jointhepartypod.com - twitter: twitter.com/jointhepartypod - tumblr: jointhepartypod.tumblr.com - facebook: facebook.com/jointhepartypod - merch & music: jointhepartypod.com/merch   Cast & Crew - Game Master, Co-Producer: Eric Silver - Co-Host, Co-Producer: Brandon Grugle - Co-Host, Co-Producer: Julia Schifini - Co-Host, Co-Producer: Amanda McLoughlin - One Shot Derby edited by: Mischa Stanton - Artwork: Allyson Wakeman - Multitude Podcasts: https://multitude.productions   About Us Join the Party is an actual play podcast with tangible worlds, genre-pushing storytelling, and collaborators who make each other laugh each week. We welcome everyone to the table, from longtime players to folks who've never touched a roleplaying game before. Hop into our current campaign, a pirate story set in a world of plant- and bug-folk, or marathon our completed stories with the Camp-Paign, a MOTW game set in a weird summer camp, Campaign 2 for a modern superhero game, and Campaign 1 for a high fantasy story. And once a month we release the Afterparty, where we answer your questions about the show and how we play the game. New episodes every Tuesday.  

0:00 Directors Cup Match 3. 1:15 Introducing the combatants. 3:01 Recapping the directors cup thus far. 4:24 Tale of the tape. 7:51 Round One: Best Scene, Best Line and Music. 8:17 Bern Starts his 3 minute Rundown on Rushmore. 11:06 Matt Starts his 3 minute Rundown on Fargo. 13:52 Round Two: Awards and Critical Acclaim.  15:39 Matt goes over Oscar nods for 1996. 16:26 Best Movies of 1996.  17:46 Bern Goes over Oscar nods for 1998. 18:33 Best Movies of 1998. 19:51 Round Three: Trivia Battle and Recasting.  20:10 All 3 Wilson Brothers appear in Rushmore. 21:09 Paul Bunion Statue was built for the movie. 21:45 Schwartzman's first job.  22:48 Fargo first seen at Cannes. 23:15 Schwartzman famous family is a secret. 24:09 Original Pilot for Fargo was a failure.  24:58 Bill Murray works on the cheap.  26:35 Murray Really hated his kids in the movie. 26:47 Bruce Campbell Cameo's in both Movie and TV show. 27:25 Recasting time.  27:57 Bern Recasts Fargo.  31:29 Matt Recasts Rushmore. 36:06 Matt's Recap of his Rushmore Recast. 36:57 Round Four: Ask Gemini.  37:22 Gemini gives us their Verdict. 39:27 Bern's Final thoughts.  40:24 Outro.   Welcome to the third match of the Director's Cup, the ultimate showdown of cinematic titans!

Director Coralie Fargeat tells IndieWire how the films of David Lynch, Stanley Kubrick, the Coen Brothers, David Cronenberg, John Carpenter and Darren Aronofsky inspired her Oscar nominated body horror classic. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the 46th episode and things are dark. Dave talks briefly about the current state of US politics and shares a fond remembrance of legendary artist David Lynch.He recaps his recent trip to the 2nd annual Original Art Expo (OAX), a bout with the Florida Flu, bullies, and the professional hazard of dealing with the stupid.Dave shares reader submitted comfort movies, talks The Coen Brothers, and examines the impact that classic fandom has on his own creative process.https://www.westcoastdavengers.com/direct-edition-podcast

What if the greatest stories of our lives are the ones we never meant to write? On today's episode, we welcome Steven Bernstein, a man whose journey through the world of cinema has been anything but predictable. A writer at heart, a cinematographer by accident, and a director by destiny, his career is a living testament to the art of surrendering to the unknown. From his early days at the BBC to the sets of Hollywood blockbusters, his story unfolds like an unplanned masterpiece—one that ultimately brought him full circle, back to the thing he always loved: writing.In this profound conversation, Steven Bernstein recounts his journey from philosophy student to award-winning cinematographer, where his love of storytelling found an unexpected home behind the lens. He speaks of the curious ways life moves us, sometimes against our best-laid plans. “You tend to go with those things that are providing you income,” he muses, reflecting on how a passion for writing gave way to cinematography, leading him to films like Monster, Like Water for Chocolate, and Scary Movie 2. Yet, even as he shaped light and shadow for some of cinema's most striking images, the writer within him never faded.There is an undeniable poetry in the way Bernstein describes his work. He doesn't just shoot a film; he composes it, layering meaning through framing, movement, and light. Every choice—a dolly push, a backlight, an asymmetrical composition—whispers something to the audience. It's a language beyond words, one that he speaks fluently. “Everything to do with film is a language,” he explains. “And like any language, it's made up of two parts: that which we present and that which we mean.”His journey back to writing was not an easy one. After years of crafting imagery for others, he took a leap into directing his own films, starting with Decoding Annie Parker.It was a lesson in risk and resilience. At one point, he spent five years in poverty, refusing to return to the safety of cinematography. “If you hold out for the dream, maybe you achieve it,” he says. It is a stark reminder that the artist's path is often one of sacrifice, but those who persist find themselves richer in ways beyond money.Yet, Bernstein also understands the tension between art and commerce. Filmmaking is an expensive endeavor, and investors want guarantees. He describes the struggle of balancing creative vision with financial expectations, a dance between inspiration and limitation. And yet, some of the greatest filmmakers—Terry Malick, the Coen Brothers, Charlie Kaufman—have defied convention, proving that the most resonant stories often break the rules.The conversation moves to the nature of collaboration, the unspoken alchemy that happens on a film set when everyone is in sync. He recalls moments from Monster, where the crew, sensing the gravity of a scene, chose to remain completely silent, whispering only when necessary. It was an unspoken agreement, an offering to the art being created. “It was one of the most magical moments I remember in any film I've ever worked on,” he recalls. It is a glimpse into the rare, sacred spaces where true storytelling happens—not in the scripts, but in the spaces between them.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Billy Bob Thornton is in a class by himself. If you haven't seen Season 1 of his new show Landman on Paramount Plus, you're missing out. It's a perfect follow-up to his earlier seriesGoliath and his unforgettable turn on the first season of Fargo. Leonard and Jessie are longtime fans and delight in talking to him about finding his place in Hollywood, working with the Coen Brothers, playing the President of the United States in Love, Actually, and much, much more. This 2017 conversation doesn't cover his most recent work but it's a pleasure to listen to.

With his brilliant new book - Best Possible Place, Worst Possible Time - Barry Sonnenfeld joins Film Stories for a long, funny and candid conversation about his work. The chat covers his director of photograpy days for the Coen Brothers, shooting the last two weeks of Goodfellas, and then moving onto directing. From his debut with The Addams Family, to the challenges of Get Shorty with Gene Hackman and John Travola, and a whole lot more. Quite the chat, this. A little bit of fruity language too. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joseph McBride is a film historian and a professor in the School of Cinema at San Francisco State University. He is the author of biographies of Frank Capra, John Ford, and Steven Spielberg; three books on Orson Welles; and critical studies of Ernst Lubitsch, Billy Wilder, and the Coen Brothers. He acted for Welles in The Other Side of the Wind and has won a Writers Guild of America award. His latest book is called "George Cukor's People: Acting for a Master Director" (Columbia University Press, 2025). The director of classic films such as "Sylvia Scarlett", "The Philadelphia Story", "Gaslight", "Adam's Rib", "A Star Is Born", and "My Fair Lady", George Cukor is widely admired but often misunderstood. Reductively stereotyped in his time as a woman's director—a thinly veiled, disparaging code for gay—he brilliantly directed a wide range of iconic actors and actresses, including Cary Grant, Greta Garbo, Spencer Tracy, Joan Crawford, Marilyn Monroe, and Maggie Smith. As Katharine Hepburn, the star of ten Cukor films, told the director, “All the people in your pictures are as goddamned good as they can possibly be, and that's your stamp.”

Bill rambles about the Grapevine highway, the Coen Brothers, and the great Chuck Woolery.