Podcast appearances and mentions of Jim Jarmusch

Julian, Madeline, and Emilio wrap up their cycle of Musicians on Film by diving into the filmography of Tom Waits, once dubbed a "performer, singer, actor, magician, spirit guide, changeling" by the great Neil Young. Joined by Madeline's dad Richard, the trio kick off the conversation by discussing Waits' starring role in Jim Jarmusch's "Down By Law", and ponder the similarities between his character Zack and his well-known boozy troubadour persona. The group then pivots to Francis Ford Coppola's campy classic "Bram Stoker's Dracula", and agree that Waits' interpretation of R. M. Renfield is the necessary constant in such a sprawling film. And although our subject only appears in one of the six vignettes that make up Joel and Ethan Coen's "The Ballad of Buster Scruggs", the conversation would not be complete without taking the time to appreciate Waits' magnetism as the prospector in "All Gold Canyon".Subscribe to Richard's Substack for pieces on politics, satire, anger, and more at substack.com/@mcmongrelIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and continue to grow!Follow us on IG and TikTok @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Only Lovers Left Alive - " I Think the World has Enough Chaos"Have you SUBSCRIBED to our YouTube channel yet...? We are thrilled to now be producing video episodes of your favorite podcast! This week we swoon over ancient vampires in Jim Jarmusch's Award-Winning film, ONLY LOVERS LEFT ALIVE (2013). A meditation on loneliness at the end of the world through the lens of two vampires (Tilda Swinton & Tom Hiddleston) whose thirst threatens the lives of those they come in contact with & their better natures. We hope you enjoy sinking your teeth into this fresh episode!Support the show

In this episode, we discuss Jim Jarmusch's Stranger Than Paradise, including the film's visual style, how the film grammar supports the themes, and what differentiates Willie and Eva.See where Stranger Than Paradise is available to watch.Supplemental Material:• The Criterion Collection's Stranger Than Paradise Blu-ray• Stranger Than Paradise (The Criterion Channel)• Stranger Than Paradise: Enter Jarmusch by Geoff Andrew• Paradise Regained by J. HobermanAdditional Audio Sources:• Stranger Than Paradise Trailer (from The Criterion Collection's Blu-ray)• The Criterion Collection's Stranger Than Paradise Blu-rayIf you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow us on Letterboxd: Joe | Justin

Send us a textThe theatrical landscape of 2025 tells a fascinating story through its box office patterns and creative trends. Animation continues its unstoppable theatrical dominance across multiple studios, while long-running franchises like Mission Impossible and Jurassic World show unmistakable signs of fatigue. Has the time come to put these decades-old properties to rest?Our midyear film roundup reveals a striking preference for original storytelling over franchise continuation. From the breathtaking coastal beauty of Paolo Sorrentino's Parthenope to the inventive shark thrills of Dangerous Animals, our top picks demonstrate cinema's continued ability to surprise and captivate. Steven Soderbergh's spy thriller Black Bag showcases masterful craftsmanship, while Tim Robinson's Friendship brings his distinctive comedic sensibilities to feature length with remarkable success.The conversation turns passionate when discussing Ryan Coogler's Sinners and Ari Aster's Eddington – films that blend genres with extraordinary confidence while delivering profound thematic depth. Both represent bold, auteur-driven visions that resonated deeply with audiences seeking thoughtful, challenging cinema.Looking ahead, the remainder of 2025 promises an embarrassment of riches from acclaimed filmmakers including Park Chan-wook, Paul Thomas Anderson, and Jim Jarmusch. Their upcoming works, alongside anticipated releases like Edgar Wright's The Running Man and Blumhouse's Weapons, suggest our year-end lists may undergo significant transformation.What films have captured your imagination in 2025? Join our conversation about this remarkable year in cinema and share your own discoveries and disappointments. The theatrical experience continues to evolve, but the power of original storytelling remains undiminished.Support the show

Dougie Bowne is a producer, drummer, guitarist, and composer who entered New York's avant-garde scene in his early twenties after a chance street encounter with a member of John Cale's circle, who invited him to jam simply because he was carrying a bag of drum sticks and “looked cool”. Unfamiliar with Cale at the time, Dougie nonetheless accepted—and that serendipitous moment launched him into the heart of the Downtown scene. Since then, he has collaborated with an eclectic roster of artists, including John Cale, Iggy Pop, Yoko Ono, Laurie Anderson, The Lounge Lizards, Marianne Faithfull, as well as filmmakers Edet Belzberg and Jim Jarmusch.

Every podcast host needs a code, and ours is talking about Jim Jarmusch's "Ghost Dog: The Way of the Samurai" from 1999.In addition to discussing Forest Whitaker's turn as a samurai hit man, we also talk about: leisure suits; AI; interviews; weebs; a clumsy conversation about cultural appropriation; and "A Samurai in Time." Hosted on Acast. See acast.com/privacy for more information.

This is the show's first Jim Jarmusch film. It could also be our  last Jim Jarmusch film if George has anything to say about it.    Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Coffee Statistics: Consumption, Preferences, & Spending https://www.driveresearch.com/market-research-company-blog/coffee-survey/ Bad News, Coffee Drinkers: You Might Be a Psychopath if You Like Your Coffee Black https://www.rd.com/article/coffee-black-psychopath-study/ Coffee Drinking Is Widespread in the United States, but Usual Intake Varies by Key Demographic and Lifestyle Factors https://pmc.ncbi.nlm.nih.gov/articles/PMC4997286/ Cigarettes priced at $9.52 in 2003 → $33.83 in 2025 https://www.in2013dollars.com/Cigarettes/price-inflation/2003-to-2025?amount=9.52  

This is a special edition when The Bureau meets Jason Woodbury of Aquarium Drunkard for a joint transmission.     Los Angeles-based online music magazine Aquarium Drunkard is a one-of-a-kind map to the sprawling and often overwhelming landscape of independent music.  Founded in 2005 and piloted for over twenty years by Justin Gage, it has served as a curator, a passionate advocate, and a community for those seeking sounds beyond the mainstream. The Aquarium Drunkard podcast - Transmissions - hosted by Jason Woodbury, has become a massive resource for deep dives into music and culture via conversations and with an amazing range of musicians and cultural figures including Jeff Bridges, Jim Jarmusch, John Lurie, Sonic Youth's Thurston Moore, Devendra Banhart, Lee Ranaldo, Bonnie "Prince" Billy,  Shirley Collins, Gina Birch of the Raincoats and many, many more. Jason and I decided to make a joint transmission to talk about Aquarium Drunkard and Bureau of Lost Culture, and why we do it.   As well as writing for AQ, Jason writes for Pitchfork and Stereogum, is the creative director of WASTOIDS audio network, makes radiophonic sound collage, and he is a musician himself, so, of course, one of the first questions I ask him his how he gets it all done - especially as he has two dogs at his home in the Sonoran desert.     There is a bit of mutual back scratching, but we soon get onto the much more important topics of: the best time for creative work, not eating in your twenties, smoking, dreaming, the collective unconscious, David Lynch who really owns The Beatles song Yesterday, AI, consciousness, the most emotional moments from shows, the power of conversation and storytelling, who we'd really like to interview and what's next..          

Esta semana viajamos a Memphis con Mystery Train, la película coral de Jim Jarmusch donde el rock, los fantasmas y el desencanto se cruzan en una noche interminable. Tres historias, un hotel decadente y el eco eterno de Elvis Presley.

In episode 17 of (Pop) Cultural Marxism, Ajay and Isi once again find themselves in the regrettable position of praising the Walt Disney Company. After chatting about recent cultural highlights (Clair Obscur: Expedition 33, a 40th anniversary screening of Kurosawa's Ran, and a Criterion retrospective on Johnnie To), they consider the popular and critical success of Andor's second season, and ask what it means to describe a pop cultural text as “politically timely.” Their conversation turns to extratextual ecosystems (press junkets, interviews), Gilroy's deep engagement with cinematic depictions of fascism and rebellion (Army of Shadows, The Conformist), architecture and costume design, season 2 high points (the Ghorman Massacre, Mon Mothma's Senate speech), the politics of revolutionary alliances, and imperial bureaucracy. Finally, they consider how the show makes the transition—narratively, visually, musically—into the lore-dense timeline of Rogue One and A New Hope, and ponder its uncharacteristically fascistic final scene. (Pop) Cultural Marxism is produced by Ryan Lentini.  Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky Shownotes: Clair Obscur: Expedition 33 (Sandfall Interactive) Ran, dir. Akira Kurosawa (1985) Exiled, dir. Johnnie To (2006) Ghost Dog: The Way of the Samurai, dir. Jim Jarmusch (1999) Battleship Potemkin, dir. Sergei Eisenstein (1925) The Battle of Algiers, dir. Gillo Pontecorvo (1966) Army of Shadows, dir. Jean-Pierre Melville (1969) Jean-Paul Sartre, "The Republic of Silence" (1944) The Conformist, dir. Bernardo Bertolucci (1970) Sergey Nechayev, "Catechism of a Revolutionary" (1869) Laleh Khalili, "The Politics of Pleasure: Promenading on the Corniche" Guy Debord, The Society of the Spectacle Bertolt Brecht and Walter Benjamin on Brecht's "Epic Theater" McKenzie Wark, The Beach Beneath the City McKenzie Wark, A Hacker Manifesto

Donde se comenta "Ghost Dog" de Jim Jarmusch, rarísimo y celebratorio crisol de culturas.

On a smoky new episode of HOW DO YOU DO, FELLOW KIDS? we're slamming java and puffing darts with Jim Jarmusch in the all-star black and white anthology film COFFEE AND CIGARETTES. Spun off from a series of previous caffeine-drenched shorts (several of which are included here) from as early as the mid-80s, you get interesting collections of actors and musicians (RZA & GZA & Bill Murray! Steve Coogan and Alfred Molina! The White Stripes! Cate Blanchett!) pontificating about a variety of subjects while downing the titular combo. It's all good fun, and you get to hear us talk about it, along with the latest Steve Buscemi news. Enjoy! The post Episode 279 – How Do You Do, Fellow Kids? – Coffee and Cigarettes (2003) first appeared on Cinema Smorgasbord.

Drew and Travis hang out with Jim Jarmusch's Ghost Dog: The Way of the Samurai! It's the 1999 hitman flick starring Forest Whitaker, featuring original music by RZA of The Wu-Tang Clan. TIMESTAMPS 00:00:00 - Ghost Dog: The Way of the Samurai 00:56:29 - The Shelf 01:02:34 - Calls to Action 01:04:22 - Currently Consuming 01:27:22 - End SHOW LINKS Perfect Days (2023) Kill Bill: Vol. 1 and Kill Bill: Vol. 2 Predator: Killer of Killers GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky

Backdoor Media presents HUMP! Wednesdays with DJSOUL - 60-minute, commercial-free mixtape by Tony DJSOUL Dobson featuring best LGBTQ+ voices in HipHop - Weds 12a (ET)“ … Ranting ‘bout gay, cuz ignorance is bliss” — Fat JoeB! NOTED  - Originally recorded in East New York, Brooklyn - May 7, 2014 - CASH APP $TonyDJSOULDobson 1 Misunderstood - Common/Nina Simone 2 Lost - Chance The Rapper/Noname Gypsy3 Get Ya Money - August Alsina/Fabolous4 Louis Vuitton - Fabolous/J. Cole5 Afro Puffs - The Lady of Rage6 Tell a Friend - Freddie Gibbs/Curren$y7 Another Day - Fat Joe/French Montana/Rick Ross/Tiara Thomas8 Names & Faces - Granthm/Kevin Kaoz Williams9 Where You Belong - The Groovers/Dionne Warwick10 Peculiar Mathematics - Yasiin Bey/Marvin Gaye11 Money Brings Problems - Kin4life12 Say Word - Camp Lo/Jungle Brown13 Sunshine - Wale/Rick Ross/Common14 LiKWUiDation Reprise - Likwuid15 The Light Is Not Afraid of the Dark - Yasiin Bey16 Bully - Tim'm West/Smut Stud/Trezure17 Higher - Baauer/Just Blaze/Jay-Z18 Reminisce - Bilal/Common/Yasiin Bey19 Right On - Syl Johnson“HipHop Is Fine Art!” — Tony DJSOUL Dobson* Intro - Excerpt courtesy Ghost Dog: The Way of the Samurai - Forest Whitaker - Directed by Jim Jarmusch

Ian and Sujewa have never been to the Cannes Film Festival, but that won't stop them from bringing it to you (sorta)!This month, the guys look at the latest news from the South of France, featuring the buzz around Richard Linklater's Nouvelle Vague, which dramatizes the making of Jean-Luc Godard's Breathless; and speculate as to why festival darling Jim Jarmusch's new movie was totally shut out of Cannes!Then they take a bumpy trip down Stardust Memories lane, to look at one of Woody Allen's sharpest, most surreal, and eerily contemporary comedies--centering on a neurotic filmmaker who must wrestle with loves both lost and lingering while navigating a weekend retrospective of his work.Join us as we talk snubs, spoilers, and a sneak peek at our next episode--which will be a star-studded Cannes-tinuation of the discussion you're about to hear!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow LinksWatch the Stardust Memories (1980) trailer.Watch the trailer for Richard Linklater's Cannes sensation, Nouvelle Vague.Watch Ian and Sujewa talk Breathless on a previous installment of "IndieSeen"!Bonus! Read Ian's archive interview with Nouvelle Vague star Zooey Deutch!Check out Sujewa's latest podcast venture, This Arthouse Life! Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Follow Sujewa on X.Check out all the episodes in our “IndieSeen” Playlist!

Rhys, James and Joe take a look at Jim Jarmusch's 1999 fusion of crime & samurai genres, Ghost Dog: Way of the Samurai. Hosted on Acast. See acast.com/privacy for more information.

• Sound Art • Die Veränderung unseres Planeten durch den Klimawandel ist vielerorts noch unsichtbar. Dennoch schafft sie schon jetzt neue Landschaften und Lebensbedingungen. Das Soundwalk Collective macht diese Entwicklung hörbar. Von Soundwalk Collective www.deutschlandfunkkultur.de, Klangkunst

• Sound Art • Die Veränderung unseres Planeten durch den Klimawandel ist vielerorts noch unsichtbar. Dennoch schafft sie schon jetzt neue Landschaften und Lebensbedingungen. Das Soundwalk Collective macht diese Entwicklung hörbar. Von Soundwalk Collective www.deutschlandfunkkultur.de, Klangkunst

No episódio de hoje, mergulhamos na atmosfera sombria do filme de Jim Jarmusch. Dentre vampiros depressivos e guitarras distorcidas, discutimos os temas do filme e tentamos entender se a decadência da arte é de fato relevante ou se é apenas uma queixa nostálgica.Fale conosco:euqueroverofilme@gmail.cominsta/youtube: @euqueroverofilmetiktok: @euqueroverofilmeletterboxd: euqueroverofilm

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Movie Meltdown - Episode 642 (For our Patreon "Horror Club") Listen as the Meltdown Horror Club comes together to discuss Dead & Buried directed by Gary Sherman and featuring James Farentino, Melody Anderson, Jack Albertson and Robert Englund.  And while we're dropping off our film, we also mention… The Dead Don't Die, Mikey Madison,  Longlegs, The Banana Splits, Slugs, filming people, Scouts Guide to the Zombie Apocalypse, Scream 7, witchcraft/voodoo teacher, Superbad meets Shaun of the Dead, Oscar-winning slashers, Christopher Lee, taking photos, public domain horror, Grandpa Joe, wrapped up like a mummy, Jim Jarmusch, putting things through the telefax, Chico and the Man, knock-off markers and what the hell is wrong with Christopher Robin.  Spoiler Alert: Full spoilers for the 1981 movie “Dead & Buried”, so go watch the movie before you listen. “Yeah this movie makes sense as long as you don't think about it.”

How are we to make sense of artistic ambition?Following recent discussions about Jim Jarmusch's explorations of style as substance, this week's episode focuses on his 2016 film Paterson, starring Adam Driver.We also briefly discuss:Persona (1966) d. Ingmar BergmanPerfect Days (2023) d. Wim WendersContact Usemail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

EPISODE #447-- After much hooting and hollering, we are back on the podcastin' trail with Jim Jarmusch's seminal DEAD MAN (1995) starign Gary Farmer, Robert Mitchum, and that guy from Pirates of the Caribbean. You know the one. The one with the texts. Anyways, fun movie. An important movie. We also ramble about the Oscar-winning documentary NO OTHER LAND (2024) (now available to rent and stream), BROOKLYN (2015), Michael Mann's BLACKHAT (2015), and the legacy sequel BEVERLY HILLS COP: AXEL F (2024). A solid bunch of movies. A strange bunch of movies. Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

From A24 through Warner Bros, we go studio by film studio and discuss their known film slates and focus on the undated films that could vie for Film Festival love. A24: Eddington, Highest 2 Lowest, The Entertainment System Is Down, etc - 2:21 Amazon/MGM: After the Hunt, Madden, Hedda - 16:12 Apple Original Films: The Lost Bus, F1 - 18:11 Bleecker Street & Briarcliff: The Wedding Banquet, Sneaks, etc - 20:26 Disney: Deliver Me From Nowhere, The Roses, Is This Thing On? Etc - 21:38 Greenwich Entertainment & Janus: Diane Warren: Relentless, Peter Hujar's Day, etc - 32:18 IFC, Lionsgate, Magnolia: The Luckiest Man In America, Good Fortune, 40 Acres - 33:45 MUBI: Father Mother Sister Brother from Jim Jarmusch - 36:28 Neon: Sentimental Value from Joachim Trier, Alpha from Julia Ducournau, etc - 38:25 Netflix: Wake Up Dead Man, GDT's Frankenstein, Baumbach's Jay Kelly, Edward Berger's The Ballad of a Small Player, Train Dreams, etc - 41:02 Paramount: What's their top priority? Plus, some recent history - 53:34 Sony: Blue Moon, Eleanor the Great, East of Wall, etc - 56:07 Universal: The Phoenician Scheme details, Hamnet, Anemone, etc - 1:02:09 WB: The Bride! + Sinners first reax and Superman Cinemacon reactions - 1:08:17 NO DISTRIBUTION YET: Sundance Hits like Kiss of the Spider Woman, SXSW hits like The Rivals of Amziah King, Rosemead w/ Lucy Liu, At The Sea w/ Amy Adams, Sydney Sweeny as Christie Martin, The History of Sound + Greta Lee, Willem Dafoe, & Brendan Fraser vehicles - 1:11:34 OUTRO: We'll end our Year In Preview Series with the Cannes Lineup reactions and then our 100% Accurate Predictions coming up next! https://linktr.ee/mikemikeandoscar

In this week's episode the Unqualified Observers, Kelham and Thomas, sit down to discuss the Jim Jarmusch meta-zombie film, "The Dead Don't Die." What happens when Bill Murray, Adam Driver, Tilda Swinton, Danny Glover, and a whole host of other characters find themselves in a zombie uprising in a small town? Is this a hidden gem that people need to see, or does this film somehow miss the mark and not add up to the sum of its parts? I guess the only way to find out is to tune into the episode. So come join in the fun and stop waiting to find out.As always, please rate, review, subscribe, and share this podcast to help it continue to grow and find new audiences.Contact Us:Email - unqualifiedobservers@gmail.comSocials- @observecast @unqualifiedobserversKelham - @coolgollumThomas - @stimpyisking

"Mystery Train", cʹest le 4e film de Jim Jarmusch, sorti en 1989. Cʹest le troisième volet dʹune trilogie du désenchantement dont "Stranger in Paradise" et "Down by Law" constituent les deux autres. Une histoire en errance, à la musicalité persistante, avec des personnages en marge, atypiques. Dans "Mystery Train", tout se passe à Memphis, la ville du King, dans une Amérique à la fois mythique et miteuse, celle qui fait rêver les uns et cauchemarder les autres. Lʹhommage à Elvis Presley se raconte en une nuit, un train, et trois histoires rythmées par les entrées et sorties de ce train.

On this episode we watch 2005's The Descent. A year after tragedy strikes, a group of friends discover something far worse in the deep caverns of the Appalachian Mountains. This spelunking splatter fest is a contender for many titles, including best horror movie of the 2000s, most objectionable thing to watch for anybody with even the slightest claustrophobia, and having maybe one of the worst best friends in all of horror movie history. Listen up as we also thoroughly debate the appropriate moniker of Vampire Bats vs. Crawlers in this modern horror classic.Other topics include reflecting on the recent loss of Val Kilmer, visiting with Jim Jarmusch, pivotal David Lynch L.A. landmarks, Days of the Dead Chicago, found footage influence in the early 2000s, and the 90s forgotten gem Rumpelstiltskin on 4K.Songs of the WeekFuck and Run by Liz PhairBy the Light of the Silvery Moon by Little RichardRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

This week, Disturbed declares war on the Bulls' championship banners during a show at United Center, plus Motley Crue at MinuteMaid (Daiken) and the greatest Journey concert ever. Craig makes his 2025 MLB predictions - try not to laugh. The podcast concludes with the boys reviewing "Tommy," the 1975 Ken Russell film based on The Who's 1969 album of the same name. The film stars Roger Daltry, Ann-Margret, Oliver Reed and other many actors (Jack Nicholson) and rock stars (Tina Turner). The review includes Craig and Rex musing about their favorite rock star performances in film.Errata: Arnel Pineda is still the lead singer for Journey. Tommy's father died in the war?  Jim Jarmusch directed "Down by Law." He did not produce it. Frank Sinatra was not in "The Longest Day," You can support Hooks & Runs by purchasing books, including books featured in this episode (if any were), through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandruns Hooks & Runs - www.hooksandruns.com Email: hooksandruns@protonmail.com Hooks & Runs on TwitterCraig on Bluesky (@craigest.bsky.social)Rex (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Hosts Emeriti:Andrew Eckhoff on Tik TokEric on FacebookMusic: "Warrior of Light" by ikolics (via Premium Beat)     This podcast and this episode are copyright Craig Estlinbaum, 2025.    

"Yes, I'm really in a taxi." For Episode 350, Brandon and David continue the show's series on Anthology Films with a film from the possible King of Anthology films, Jim Jarmusch. Listen as they discuss NIGHT ON EARTH and why Jarmusch wrote the film, how they filmed inside the taxis, and how they tried to capture each city shown in the movie.  Also, don't forget to join our Patreon for more exclusive content:  Opening Banter - Most Popular Films You Haven't Seen and Just Friends -  (00:00:10) Recap of the Anthology Genre (00:11:25) Intro to Night on Earth (00:16:31) How Night on Earth Got to Production (00:21:53 ) Favorite Scenes (00:32:38) On Set Life - (01:04:17) Aftermath: Release and Legacy (01:12:19) What Worked and What Didn't (01:14:26) Film Facts (01:17:05) Awards (01:19:13) Final Questions on the Movie (01:24:39) Wrapping Up the Episode (01:30:17) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

How far away are we from transformative experiences?In this week's episode, we examine the power of dialogue in early 90s independent cinema, contemplating how Jim Jarmusch's 1991 classic, Night on Earth, creates substance out of style.We also briefly discuss:The Man from Earth (2007) d. Richard SchenkmanCoffee and Cigarettes (2003) d. Jim JarmuschContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

Ghost Dog was apparently the moment when Jim Jarmusch achieved “Mainstream Recognition”, but what does this fundamentally mournful reflection on the end of things have to tell us? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

HORROR WITH SIR. STURDY EPISODE 534 THE DEAD DON'T DIE REVIEW

From the clanky jangle of that first Tom Waits song to that jangly clank of the last Tom Waits song, you know you are in for a treat.  Jim Jarmusch pops back up on the show with his humanist anthology of five stories set in cabs, each taking place in a different city on the same night.  Winona, Gena, Giancarlo, Armin, Rosie, Isaach, uh.. Beatrice, Roberto, and … Matti?  Look he went truly international with his cast, so I can't name them all off the top of my head. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing John Woo's Last Hurrah for Chivalry (1991).

Cat, piano, well, watermelon, mirror, bananas.  You know, you're basic horror movie formula.  Director Nobuhiko Obayashi spins a eerily formulaic but wildly unanticipate-able story of teens.  And death. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jim Jarmusch's Night On Earth (1991).

Here we are at the end of another year, and What's New to Netflix has come through once more to break down all of the new content you can stream on Netflix in December 2024. Then we join Tom Cruise as he uncovers the truth about who he is and what really happened to Earth in Oblivion from 2013. Next, Sandra Bullock and Channing Tatum are trying to survive the jungle, fight off bad guys, and come to terms with the feelings they have for each other in The Lost City from 2022. And finally, Lindsay Lohan brings us another Netflix Christmas movie full of romance and misunderstandings in Our Little Secret from 2024. All of this plus Compliance, Subservience, Nonsense, Angelina Jolie going for the Oscar, Jim Jarmusch does zombies, the NFL takes over Christmas Day, the return of Squid Game, and some opinions on Mad Max: Fury Road. got a suggestion for the show?: whatsnewtonetflix@gmail.com

Q. What do Jim Jarmusch, David Lynch, Quentin Tarantino, Wim Wenders and Bobcat Goldthwait have to do with the New French Extremity movement?  A. Absolutely nothing but we talk about them anyway.  Merry Christmas. Do your bit: Sign up to our Patreon for (almost) unedited and raw video versions of every new episode Rate and review us wherever you're listening  Email us with your thoughts, questions, and FT slash fiction Follow us on Instagram, Bluesky and TikTok Check out Red Scare Industries Order 20 Years Of Dreaming And Scheming

In this week's episode of Friday Flix, we saddle up and ride into the hauntingly surreal world of Jim Jarmusch's Dead Man (1995). This unconventional Western starring Johnny Depp and Gary Farmer challenges genre tropes with its poetic storytelling, stunning black-and-white cinematography, and Neil Young's haunting score. We'll explore the film's unique take on identity, death, and redemption while breaking down its unforgettable performances and cultural commentary.

She is the award winning Queen of producing indie film projects and had worked with the likes of Shelley Winters, Debbie Harry and Wu Tang Clan and superstar directors like Brian De Palma, Jim Jarmusch, James Ivory. Gretchen is the head of production at GoldCrest films in NYC. James Lott Jr has a fun and informative conversation with her. 

Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to dive into the cinematic treasures that have left an indelible mark on our lives. This episode, Stephanie takes the helm to guide us through the hauntingly beautiful world of Jim Jarmusch's 2013 film, Only Lovers Left Alive. Join Stephanie, Kelly, and Jack as they delve into the film's exploration of vampirism as a metaphor for the human condition, examining the paradoxes of existence through the eyes of the ancient lovers Adam and Eve. Jarmusch weaves a love letter to human creativity and its power to transcend time. We consider the film's poetic nature, commentary on art, and the profound impact of its melancholic yet hopeful storytelling. Pour yourself a glass of something rich and join us as we celebrate a film that invites us to reflect on the beauty and complexity of life itself. Is Only Lovers Left Alive a no-notes masterpiece? Tune in to find out. --- Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support

Will, Mike, and Adam are joined by David Lambert to talk about Jim Jarmusch's DEAD MAN. Follow David on X here: https://x.com/DavidLambertArt IMDb: https://www.imdb.com/title/tt0112817/ Trailer: https://www.youtube.com/watch?v=nn2nQMfLqwg

Season two of Talking Pictures is here! Bill Murray doesn't do a lot of podcasts, but he was game to talk movies with host Ben Mankiewicz. They dive into his comedies (Stripes, Caddyshack, Groundhog Day) and discuss the directors Murray works with repeatedly (Wes Anderson, Jim Jarmusch). Murray remembers growing up a “bad boy” in a house with eight siblings and how success impacted his mom. Finally, our Super 8 returns and you don't want to miss the prop Bill Murray says he would steal for his personal collection.                                                                           Films Mentioned:  Meatballs  Ghostbusters   Stripes  Caddyshack  Groundhog Day  Broken Flowers  Lost in Translation  Rushmore  Red River  Frankenstein  Dracula  The Fugitive  Going My Way  Bells of Saint Mary's  Yankee Doodle Dandy  The Sound of Music  The Razor's Edge  Mad Dog and Glory  Henry: Portrait of a Serial Killer  Olive Kitteridge *  Moonrise Kingdom  The Royal Tenenbaums  The Grand Budapest Hotel  Coffee and Cigarettes *  The Limits of Control  The Dead Don't Die  Bottle Rocket  Asteroid City  Barry Lyndon  Gallipoli  Ninotchka  Old Yeller  The Man with Two Brains  Nothing but Trouble                                        *Available on Max as of 11/12 (Availability of titles subject to change) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Once again, we recorded this episode a while back (a number of months ago, in this case) but due to the lamentable state of many things in the US, our episode this week feels eerily timely. For our first Noirvember Substantive Cinema epsiode of 2024, we are looking at one of Samuel Fuller's most celebrated and highly regarded films, Shock Corridor. In the movie, Johnny Barrett, a journalist in pursuit of fame and acclaim, poses as a lunatic in order to infiltrate a mental institution where a murder has taken place. Can he keep his sanity long enough to solve the case and what will be left of him if he can? In our discussion we cover: how Sam Fuller bluntly portrays America's various psychoses (nationalism, racial hatred, and the worship of violent power) in the three eyewitnesses that Johnny needs to interrogate, the legacy of Fuller's work in filmmakers like Martin Scorsese, David Lynch, Spike Lee, and Jim Jarmusch, the role of journalism in a free society, and more! Watch Shock Corridor on the Internet Archive Listen to Mike, Spencer, and I talk about The Naked Kiss, Fuller's follow up to Shock Corridor which also stars Constance Towers. My discussion of Fuller's war films on The Stacks Forty Guns episode of The Criterion Connection Follow Mike's work at Weirding Way Shoutouts Spencer: When the Clock Broke by John Ganz The Surrealism of Friday the 13th Mike: The Good Fairy The Strawberry Blonde Philip: The Snake Girl and the Silver-Haired Witch If you're newer to the show be sure to check out our library of 150+ episodes with folks like Karen Swallow Prior, Jemar Tisby, Tyler Huckabee, Kaitlyn Schiess, Propaganda, Josh Larsen, Stephanie Stalvey, and John Carroll Lynch. Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod --- Support this podcast: https://podcasters.spotify.com/pod/show/thesubstancepod/support

Today's episode starts with a HUGE announcement. Plus, Millie and Danielle discuss ONLY LOVERS LEFT ALIVE (2013) and AWAY FROM HER (2007), the elder punk Jim Jarmusch, Danielle living in LA, and life in an assisted living facility. To see a full ISWYD movie list, check out our Letterboxd here: https://letterboxd.com/isawwhatyoudid/films/diary/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul and Erin wade through another stack of new releases, including Guy Maddin's RUMOURS, the Sebastian Stan starrers THE APPRENTICE and A DIFFERENT MAN, Anna Kendricks' feminist true-crime thriller WOMAN OF THE HOUR, the time-bending indie MY OLD ASS and the Indian revenge thriller JIGRA. Plus: we revisit THE COMMITMENTS, SAVE THE GREEN PLANET, AMERICAN HOT WAX and COFFEE AND CIGARETTES.

Our pal Amber Gray is here to discuss Jim Jarmusch's The Dead Don't Die.

Zach and Ben venture back to the world of Jim Jarmusch like moths to a flame. Jonny Depp and Gary Farmer star in this psychedelic neo-western filmed in beautiful black and white that is unlike anything else the genre has to offers. While not a horror movie per se, themes of death and the hellish landscape of the film certainly showcase some dark encounters. Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

As a founding member of the legendary rap crew Wu-Tang Clan, RZA revolutionized hip-hop with his ear for experimentation — not to mention raw lyricism, grimy beats and countless kung-fu references. Though he didn't initially think of himself as a composer, RZA has leaned into the title in recent years, scoring movies like Quentin Tarantino's “Kill Bill” and Jim Jarmusch's “Ghost Dog.” He talks to Tom about his first album of orchestral music, “A Ballet Through Mud,” and gaining the confidence to call himself a composer.

Philosopher, Simone Weil said that attentiveness is the heart of prayer. In this episode, we discuss postures of attentiveness as gateways to wonder.Guests: Dr. Mary McCampbell is an author, educator, and speaker whose publications span the worlds of literature, film, and popular music. She is the author of Imagining Our Neighbors as Ourselves: How Art Shapes Empathy.Dr. Joe Kickasola is a Professor of Film and Digital Media at Baylor University. He is the author of The Films of Krzysztof Kieślowski: The Liminal Image, and has published in numerous academic venues and anthologies, including Film Quarterly, The Quarterly Review of Film and Video, and The Routledge Companion to Philosophy and Film. _____Topics: Attentiveness, cynicism, receptivity, humility, consumerism, experiencing wonder during times of upheaval, Art Forms: filmmaking, photography, literature. Name Drops: Douglas Copeland, G.K. Chesterton, Jim Jarmusch, Terrence Malick, T.S.Eliot, Wallace Stevens, Andrei Tarkovsky, Andrey Rublev, Rothko, Stan Brakhage, Virginia Wolfe, David Foster Wallace, Movie References: Patterson, Tree of Life, Zabriskie Point Support The Podcast! We need your help to continue our work of advocating for the arts.Join our creative collectiveGive a one-time donation

One of Alexei's absolute favourite contemporary filmmakers David Lowery jumps into the Last Video Store to pick up a stack of his favourite films. David's feature films include Sundance Grand Jury Prize winner Ain't Them Bodies Saints, the live-action adaptation of Pete's Dragon, A Ghost Story, The Old Man & the Gun starring Robert Redford and Sissy Spacek; and the Dev Patel–led fantasy epic The Green Knight. We talk about some of his first memories of films before even seeing them, the surrealist horror of Freddy Krueger, horror cinema, the genre-bending of Jim Jarmusch, the modern fables of Aki Kaurismäki and Indigenous ghost story anthology. Pick up tickets to catch Alexei in conversation with DAVID LOWERY at MIFF here Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here's David Lowery's combo on Letterboxd.See omnystudio.com/listener for privacy information.