Podcast appearances and mentions of Jim Jarmusch

"Hard Ride" by Glyders from Forever; "Spooky" by Jim Jarmusch and Anika from the soundtrack from Father Mother Sister Brother; The title track from Full Serpent by Dialect; "The Buck Stops Here" by Goat and Human Language from The Human Language Goat Tape; "Let Me Know" by Nohr from the Two Lanes/Nohr collaboration EP Sign (Revision); The title track from the sountrack to The Smashing Machine by Nala Sinephro; "Space Ray" by Drew Gardner from Space Ray; "Firefly Pharology" by Bellbird from The Call; "Anna" by Katzin from Buckaroo; "Nightmare V: When All Becomes None" by The Mashmallow Ghosts from When Death Arrives - Five Nightmares; "Sentient Lithosphere" by Barry Walker, Jr. from Paleo Sol.

Father Mother Sister Brother | Sorgt der neue Jim Jarmusch für mehr als ein Schulterzucken? Laura und Stu sprechen heute über den neuen Kinofilm von Indie-Ikone Jim Jarmusch. Nach sechs Jahren Leinwandpause meldet sich der Regisseur von Klassikern wie „Down by Law“, „Dead Man“ und „Ghost Dog“ mit seinem neuesten Werk „Father Mother Sister Brother“ zurück, das am 26. Februar in den deutschen Kinos startet. Der Film ist als Triptychon angelegt und vereint ein hochkarätiges Ensemble aus Cate Blanchett, Adam Driver, Mayim Bialik, Charlotte Rampling, Vicky Krieps und Tom Waits. Erzählt werden drei eigenständige, lose miteinander verbundene Geschichten, die in unterschiedlichen Ländern spielen und sich mit den komplexen Beziehungen erwachsener Geschwister zu ihren Eltern sowie untereinander befassen. Bleibt Jim Jarmusch seinem unverkennbaren Stil treu und gelingt ihm damit sowohl die Rückkehr zu alter Stärke als auch der Anschluss an ein neues Publikum – oder richtet sich „Father Mother Sister Brother“ doch vor allem an eingeschworene Fans und Arthouse-Connaisseur*innen? Die Antwort gibt es im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Bei den Filmfestspielen in Venedig hat Jim Jarmusch für seinen Film den Goldenen Löwen gewonnen - nun kommt die Tragikomödie in unsere Kinos.

CINQUE LEE BIOCinque Lee is an American actor and filmmaker. He is the younger brother of filmmaker Spike Lee. Lee has worked in a number of different positions in his older brother's films, as a camera operator, video archivist, and most notably as a co-screenwriter in Crooklyn (1994). He also had small roles in School Daze (1988) and Oldboy (2013). As an actor, he appeared in the Jim Jarmusch-directed films Mystery Train (1989) and Coffee and Cigarettes (2003), and a number of other independent films. Lee is also a filmmaker himself, directing, producing and writing the following films: Window on Your Present (1988),Nowhere Fast (1997), Sink Like a Stone (2000), UR4 Given (2004), and Burn Out the Day (2010, co-directed with Sean BoharyABOUT LAST RIDE, DIRECTED BY CINQUE LEE AND EXECUTIVE PRODUCED BY SPIKE LEE In the winter of 1982, three American boys find themselves stranded in a cable car with a dead body, suspended midair in the mountains of Norway during a rare celestial event.Here's the trailer: https://www.youtube.com/watch?v=yjrkWz1Gvk4Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.Subscribe now at YouTube.com/@RefocusedNetworkThank you for your time. 

Spletitá rodinná pouta rozmotávají Aleš, Vít a Tomáš v epizodě Čelistí, jejíž ztišený ráz diktuje nejen hlasová indispozice, ale i dojemný návrat jednoho z největších básníků filmového plátna Jima Jarmusche k povídkovému filmu a neokázalé síle rodinných konstelací.

Spletitá rodinná pouta rozmotávají Aleš, Vít a Tomáš v epizodě Čelistí, jejíž ztišený ráz diktuje nejen hlasová indispozice, ale i dojemný návrat jednoho z největších básníků filmového plátna Jima Jarmusche k povídkovému filmu a neokázalé síle rodinných konstelací.Všechny díly podcastu Čelisti můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Just one of your everyday run of the mill licensed games made out of Jim Jarmusch movies. Can't tell you how sick I am of playing Palladium's version of Down By Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

With the return of Glasgow Film Festival, we review a quartet of films from the programme. Listen in for our thoughts on Gus van Sant's 70s crime thriller, Mark Jenkin's existential fishing boat time-hopper, Pauline Loquès' small but well-formed debut drama, and Jim Jarmusch's award-winning ‘parents eh what are they like' anthology. As a little treat, Anahit slags off "Wuthering Heights", also we get interrupted by some building work in the office and we all become very cold to the point that Peter gets the sniffles at one stage. We're talking the full Slavoj Žižek, but we think we caught them all in the edit…  TIMESTAMPS: "Wuthering Heights" review (1:50) Dead Man's Wire review (10:00) Rose of Nevada review (21:00)  Nino review (32:20) Father Mother Sister Brother review (45:00) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow us on Instagram @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod  (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-

Passend zur kalten Jahreszeit könnt ihr euch an einem ungewöhnlichen wie sehenswerten Vampirfilm wärmen. Regie führte Kultregisseur Jim Jarmusch und in den Hauptrollen erscheinen Tilda Swinton und Tom Hiddleston. Warum sich Only Lovers Left Alive lohnt, erklärt Jan Felix Wuttig in dieser Folge. Der Film streamt bei Mubi und beim Amazon-Channel Mosaik. *** Dieser Podcast wird gesponsert von MagentaTV – dem TV- und Streaming-Angebot der Telekom. Abonniere und bewerte Streamgestöber bei der Podcast-App deines Vertrauens! Wenn du mit deiner Meinung im Podcast landen willst, schick uns eine Sprachnachricht oder einen Kommentar per Mail an podcast@moviepilot.de.

No episódio de hoje, o João Neto convidou o Tiago e a  Juniper para conversarem sobre os filmes de Yasujiro Ozu, em especial dois filmes: Crepúsculo em Tóquio, de 1957 e Bom Dia!, de 1959.Leia o texto Two or Three Things About Yasujiro Ozu, de Jim Jarmusch:  http://www.a2pcinema.com/ozu-san/ozu/influence/jarmusch.htmSiga o João Neto no Instagram no Letterboxde no twitterSiga a página do Cineratus no instagrame no tiktokSiga a Juniper no Twittere em várias outras redes sociais pelo seu linktree (incluindo o servidor no discord)Siga o Tiago no blueskye no letterboxd.Visite o canal do Ponto Cego no youtube.

In this Episode, Brian talks about the new Criterion 4K UHD releases of Jim Jarmusch's DEAD MAN (1995) and Jacques Tati's PLAYTIME (1967) as well as offering some other films you could potentially pair with both movies. DEAD MAN: https://www.criterion.com/films/29064-dead-man PLAYTIME: https://www.criterion.com/films/651-playtime This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

Après quelques épisodes spéciaux, voici venu le grand retour des revues de la semaine ! Au programme :Le Mage du Kremlin d'Olivier Assayas, plongée dans les coulisses du pouvoir russe, à travers le regard d'un homme qui a contribué à l'ascension de Poutine.Hamnet de Chloé Zhao, un film très intime sur l'histoire qui aurait inspiré à Shakespeare son chef d'oeuvre (presque) homonyme.Father Mother Sister Brother de Jim Jarmusch, trois récits autour des liens familiaux et surtout de la lourdeur des non-dits.Et comme toujours, on termine avec les coups de cœur/gueule de l'équipe pour vous donner d'autres idées de films !Présentation : JulietteChroniqueur.euses : Juliette, Julien, Aris

Artist Sebastián Espejo talks about observational shifts between scene and surface, how multiple temporalities accumulate in his paintings, receptiveness versus modulation in his process, and more.Sebastián Espejo (b. 1990) is a Chilean artist based in London whose practice centres on painting as a form of attention. His work explores the language of painting through close observation of the natural world, living organisms, and the perception of light. Espejo has exhibited internationally across the UK, Europe, Asia, and the Americas. He was twice a finalist for Jackson's Art Prize and was shortlisted for the John Moores Painting Prize in 2025.In 2025, he undertook a residency at Drumlanrig Castle and was subsequently selected for the Fugger Kunsthof residency in Augsburg for 2026. He is currently preparing two solo exhibitions: one at Union Pacific, London, and another at Sun Gallery, Seoul. In January 2026, he received the Brave Project Award and will be featured in Chapter 5, alongside a solo exhibition at Interval Gallery, London, presented in dialogue with works by Pierre Bonnard.Espejo understands painting as a surface of encounter. His works often place direct references to historical artworks alongside everyday objects or observed scenes, creating a dialogue between lived experience and inherited visual languages. These dualities operate both in his approach to observation and in the process of translation onto the painted surface. Alongside his studio practice, Espejo has developed and led workshops focused on painting, attention and embodied ways of seeing, extending his artistic enquiry into shared, pedagogical contexts.Sebastián's Instagram: @sebaespejovReference links:Adolfo Couve, Melliza (1964)Adolfo Couve: Una lección de pintura by Claudia Campaña (2015)—see cover for painting referencedRon Padgett, Pink Dust (2025)Jim Jarmusch, Paterson (2016)Episode cover art: "Dog Star", Oil, wax, marble dust and pencil on birch wood panel, 50x40cm, 2025. Courtesy of the artist, Interval, Jessica Draper and Wildenstein & Co. Photo by Jack Elliot Edwards.Support People Painting

Présenté par Théo Ribeton avec Murielle Joudet, Yal Sadat et notre invité Louis Séguin, critique et cinéaste.- Father Mother Sister Brother de Jim Jarmusch (à partir de 02'13)- Hamnet de Chloe Zhao (à partir de 21'49)- Le Mage du Kremlin d'Olivier Assayas (à partir de 36'04)Enregistré le 22 janvier 2026 à Paris.

I first noticed Marc Ribot's slinky, spiky guitar playing as “Jockey Full of Bourbon,” from Tom Waits' Rain Dogs, slithered over the opening of Jim Jarmusch's Down By Law. Rain Dogs was a breakthrough for Ribot, who previously had played in Brother Jack McDuff's soul-jazz band, backed Wilson Pickett and Solomon Burke, and been a member of the Lounge Lizards. More Waits collaborations followed, as did work with Elvis Costello, Sam Phillips, McCoy Tyner, Yoko Ono, Robert Plant and Allison Krauss, Elton John and Leon Russell, and many others. Here Ribot reflects on his robust studio-musician and solo career; his love of Latin American music; the creative leeway that Waits, Costello and others gave him; the impact of producers such as T Bone Burnett and Hal Willner; his decision to sing lead for the first time on his long-gestating 2025 album, Map of a Blue City; and his fight for indie musicians' rights with the Music Workers Alliance. (Photo by Eric van den Brulle.)

Patronite: https://patronite.pl/brakkulturypodcastNapiwek dla horrego: https://tipply.pl/@horrypazKoszulki Brak Kultury: https://pretext-rec.pl/shop/brak-kultury-x-pretext/SPIS TREŚCI: https://docs.google.com/spreadsheets/d/1kjXqjA13Py7pTb_SUhFt_YhIeBLm02K4GhjI9sdxcOs/edit?gid=0#gid=0Dobre artykuły znajdziecie na: https://brakkultury.pl/Autor grafiki: https://www.instagram.com/man1eq/Oprawa graficzna: https://www.instagram.com/szarnowski/Intro: Michał Tomasik (Audiosynteza.pl)horrypaz na Instagramie: https://www.instagram.com/horrypaz/Grupa na FB: https://www.facebook.com/groups/RapMATTersPodcast/Fanpage: https://www.facebook.com/rapmatterspodcast/Instagram: https://www.instagram.com/rapmatterspodcast/Twitter: https://twitter.com/MateuszOsiak_Discord BK: https://discord.gg/AsSk3Z68vt

El podcast perennial de la (re)generación del trigger. Tertulia cultural y sociológica acerca de lo divino y de lo humano de la mano de Popy Blasco. Esta semana charlando animadamente acerca de cifras redondas, el revival del 2016, afters, Cristina Piaget en GH VIP Dúo, Berlín, La cárcel de los gemelos dúo, Julio Iglesias, Ana Obregón, la nevada de Rusia, Jim Jarmusch, Chris Messina, Corina dándole el Nobel a Trump, The Studio, la vuelta de los Panteras Negras y maravillas mil. Emitiendo desde la potentísima señal de Subterfuge Radio. Hosted on Acast. See acast.com/privacy for more information.

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew went went to four movies and half of them starred Ralph Fiennes. First we talk some Bone Temple starring Fiennes. Then Jim Jarmusch is back with a very Jim Jarmusch movie. After that Jim's favourite Skarsgard is in the latest from Gus Van Sant. Then we bookend the reviews with Fiennes again in The Choral. Finally in the Rage or Dare segment Bryce was forced to watch Wild Hogs. And yes a movie with Tim Allen and Martin Lawrence is exactly as bad as you would think. Introduction-0:00 Murman Predicts-1:08 In Cinema 28 Years Later: The Bone Temple (2026)-8:46 Father Mother Sister Brother  (2025)-24:27 Dead Man's Wire (2026)-36:52 The Choral (2025)-47:37 Murman Minute-59:02 Open Rage Jim's Open Rage- Ralph Fiennes isn't in everything-1:03:03 Bryce's Open Rage- Wrong line...or was it?-1:04:41 Rage or Dare Wild Hogs (2007)-1:11:58 Jim pulls from Bryce's bag of goodness-1:20:30 Outro-1:21:53 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

This week, Julia reports back from the screening she attended of "Father Mother Sister Brother", the latest from "Ghost Dog" writer/director Jim Jarmusch. "Father Mother Sister Brother" is an anthology dramedy starring Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Sarah Greene, Indya Moore, and Luka Sabbat. Julia and John discuss the film and take another stab at what makes a Jarmusch film a Jarmusch film, the career of Tom Waits, great casting, and some of their favorite anthology films.

durée : 00:03:33 - Le Regard culturel - par : Lucile Commeaux - Petite réflexion sur l'écriture des dialogues au cinéma à partir de deux films bavards sortis mercredi dernier : "Father Mother Sister Brother" de Jim Jarmusch, et "Ma Frère" de Lisa Akoka et Romane Guéret.

Impact-Site-Verification: 1897387360It's the first new physical media roundup of 2026 with Erik Childress and Peter Sobczynski. They include Jim Jarmusch's love-it-or-hate-it western and Val Kilmer's Native American murder mystery. They debate the volcano movies of 1997 and remind everyone of Kevin Spacey's alien movie. One of the great, seemingly forgotten, Stephen King adaptations gets an upgrade as does perhaps the best Steven Seagal film and another of John Woo's classics. A lot of great action and horror to start the new year.1:45 - Criterion (Dead Man (4K))13:19 - Sony (Thunderheart (4K))20:02 - Kino (Dante's Peak 4K, K-PAX)36:07 - Lionsgate (1408 (4K))44:03 - Arrow (Evil Dead Rise (4K), Under Siege (4K))1:10:38 - Shout (Bullet in the Head (4K))1:17:23 – New TV on Blu-ray (Shameless (The Complete Series), Falling Skies (The Complete Series))1:20:12 – New Theatrical Titles On Blu-ray (Tron: Ares (4K), Shelby Oaks, The Smashing Machine (4K), It's Never Over, Jeff Buckley, Naked Ambition, Put Your Soul on Your Hand and Walk)1:22:47 – New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTSIGN UP FOR AUDIBLEBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

durée : 00:03:33 - Le Regard culturel - par : Lucile Commeaux - Petite réflexion sur l'écriture des dialogues au cinéma à partir de deux films bavards sortis mercredi dernier : "Father Mother Sister Brother" de Jim Jarmusch, et "Ma Frère" de Lisa Akoka et Romane Guéret.

durée : 00:52:39 - Le Masque et la Plume - par : Rebecca Manzoni - Le dernier film de Jim Jarmusch, celui de Mascha Schlilinski, "Ma Frère" de Lise Akoka et Romane Gueret ou encore “Anaconda” de Tom Gornican, découvrez les critiques du Masque sur les dernières sorties cinéma. - invités : Christophe Bourseiller, Marie SAUVION, Jean-Marc Lalanne, Florence COLOMBANI - Christophe Bourseiller : Journaliste France Inter et Transfuge, Marie Sauvion : Journaliste à Télérama, Jean-Marc Lalanne : Critique de cinéma et rédacteur en chef du magazine Les Inrocks, Florence Colombani : Journaliste et critique cinéma (Le Point) - réalisé par : Stéphane LE GUENNEC Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Bertrand Lesguillons vous présente les sorties de la semaine : " The Rip " sur Netflix, un thriller sombre avec Matt Damon et Ben Affleck, et " Father, Mother, Sister, Brother ", le nouveau film contemplatif de Jim Jarmusch en salle. Deux ambiances, deux films très différents, entre polar nerveux et cinéma d'auteur primé.

In the very adult comic drama "Is This Thing On?" Will Arnett plays a man who tries out standup comedy as a way to cope with his impending divorce. Strong performances by Arnett and Laura Dern propel this empathetic tale, well directed by Bradley Cooper, who also has a funny supporting role. A number of noted comics appear as cynical versions of themselves. While fictional, the movie inspired by the true story of British standup comic Jim Bishop. Arnett's foul-mouthed comedy material isn't really all that funny but still rings true. "Is This Thing On?" should appeal to those not easily offended. What's really being said when estranged family members engage in awkward 'small talk?' Indie film darling Jim Jarmusch offers a suggestion in "Father Mother Sister Brother," three unrelated stories of family dysfunction. The strong cast includes Adam Driver, Tom Waits, Mayim Bialik, Charlotte Rampling and Cate Blanchett. Surprisingly, this restrained and subtle drama was the big winner at the 2005 Venice Film Festival. The talented cast helps a lot, but “Father Mother Sister Brother” is one that will probably only appeal to fans of Jarmusch's slow, low-key style. Lucy Liu's impressive performance is the main draw of the excruciating true story "Rosemead" which is based on a 2017 article from the Los Angeles Times. Liu plays a widow suffering from terminal cancer who is forced to decide what to do with her teenage son who's struggling with schizophrenia. The intent is admirable, and the execution is competent enough. But “Rosemead” is a hard watch that offers no easy answers. It's tragic and depressing in equal measure.

Back in 1986, Tim Blake Nelson was a drama student at Julliard when he saw Jim Jarmusch's sophomore feature, DOWN BY LAW. Tom Waits (who would continue to work with Jarmusch, and is starring in his latest film) plays a regular unlucky joe, and does it as no typical Hollywood star could. It was a path into the world of movies that Nelson could see himself following, if he got the chance (which he did). Today, you can see the great Tim Blake Nelson in Mona Fastvold's THE TESTAMENT OF ANN LEE, which stars Amanda Seyfried.Then Jordan has one quick thing about a great action cinema primer that's fun for action heads and would-be action fans alike: @HeadExposure's Action Year in Review. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

durée : 00:48:26 - La 20e heure - par : Eva Bester - Réalisateur, musicien et producteur, Jim Jarmusch, figure de lance du cinéma indépendant américain, vient présenter son tout dernier film, en salle depuis le 7 janvier, « Father Mother Sister Brother ». Il partage également ses réflexions sur l'art et les influences qui ont marqué son œuvre. - invités : Jim JARMUSCH - Jim Jarmusch : Cinéaste américain - réalisé par : Lola COSTANTINI Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The primary focus of this podcast episode is an in-depth analysis of the film "The Dead Don't Die," which serves as a striking illustration of cinematic perplexity. Alec and JJ engage in a critical discourse regarding the film's narrative structure, character development, and overall coherence, or lack thereof. Throughout our examination, we articulate our bewilderment at the film's erratic pacing and the seemingly arbitrary choices made by its director, Jim Jarmusch. We delve into the implications of the star-studded cast, questioning the rationale behind their involvement in a project that appears to lack a definitive purpose. As we navigate through our thoughts, we invite listeners to ponder the broader question of how such films ascend to production, sparking a dialogue on the intricacies of filmmaking and audience reception.Support us:https://www.patreon.com/whatsourverdictEmail us:hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com

La poétique du souvenir avec Yasmine Hamdan (Liban) et Christine Zayed (Palestine). (Rediffusion) Yasmine Hamdan est notre 1ère invitée pour la sortie de son 3ème album I Remember I Forget Yasmine Hamdan a d'abord surgi sur la scène musicale avec la formation indie électronique pionnière Soapkills, formée avec Zeid Hamdan dans le Beyrouth de la fin des années 90. Le répertoire entêtant et irrévérencieux du duo ainsi que ses visuels auront rayonné créativement à travers le monde arabe et au-delà, culminant avec une anthologie en 2015. Après s'être installée à Paris en 2005, la musicienne collabore avec le producteur Mirwais (ex-Taxi Girl et producteur de Madonna) pour le projet Y.A.S., à l'origine d'un album dansant et raffiné, Arabology, paru chez Universal en 2009. Depuis, elle s'est fait un nom au-delà des frontières en tant qu'autrice-compositrice et productrice solo, entrelaçant avec élégance des univers éloignés comme la poésie, la pop et la tradition panarabe, l'electronica, la soul ou encore la guitar music. Elle a collaboré avec des cinéastes de tous horizons tels que Elia Suleiman, Jim Jarmusch (chantant notamment à l'écran dans le film de 2013 Only Lovers Left Alive), Daniele Arbid ou Ghassan Salhab, et a joué au sein de projets collectifs majeurs comme Africa Express. En solo, Yasmine Hamdan a sorti un premier disque en 2013, Ya Nass, un en 2017, Al Jamilat, et à présent son troisième album I Remember I Forget, co-produit aux côtés de son collaborateur de longue date Marc Collin (Nouvelle Vague). La mémoire est une force sans pareille. I Remember I Forget [Je me souviens que j'oublie] succède à deux disques solo salués à l'international, Ya Nass (2013) et Al Jamila (2017). L'album scelle la réputation de Yasmine Hamdan en tant que conteuse talentueuse, performeuse captivante et défricheuse indépendante. L'artiste polyglotte, née à Beyrouth et installée à Paris, a toujours mêlé dans sa musique l'intime, le poétique et la politique, souvent avec un humour vif, puisant ses influences dans les dialectes et sonorités du monde pan-arabe et d'ailleurs. C'est plus que jamais le cas sur ce nouvel album, un ensemble de chants de beauté et de fureur légitime, forgé dans le tumulte de crises mondiales, notamment l'explosion en 2020 du port de Beyrouth et l'effondrement économique du Liban (désastre financier qui aura protégé l'élite aux dépens du plus grand nombre). Dans un monde moderne de plus en plus fracturé, les prises de parole de Yasmine Hamdan semblent plus vitales que jamais. «Pour cet album, je voulais m'attacher à un lieu spécifique — et il fallait que ce soit le Liban», explique Yasmine Hamdan. «Mon lien avec le Liban et ce qui lui est arrivé a constitué le terreau à partir duquel j'ai commencé à écrire et composer l'album. Cependant, au fur et à mesure du processus créatif, cet endroit est devenu un symbole, une métaphore, une catharsis pour ce qui se passe plus largement dans le monde et à travers l'expérience collective.»  «En dépit de la douleur ressentie devant ce qui est infligé à mon lieu de naissance, s'est installé peu à peu un sentiment de tendresse, de familiarité, ce qui m'a apporté de l'espoir et de l'inspiration. Beyrouth a certainement continué à être généreuse avec moi», raconte-t-elle. Yasmine Hamdan s'est ainsi attelée à l'écriture des chansons, renouant pour l'occasion avec un collaborateur de longue date, Marc Collin (Nouvelle Vague). I Remember I Forget a été produit sous la tutelle de leurs labels respectifs, Hamdanistan et Kwaidan, et paraît chez Crammed Discs / [PIAS]. Titres joués durant l'entretien : I Remember I Forget, Shmaali, Shadia et The Beautiful Losers. ► Album I Remember I Forget (Crammed Discs / [PIAS] 2025). Site Yasmine Hamdan - Bandcamp. YouTube. Actu concert 18 mars, Paris Le Trianon.   Puis la #SessionLive reçoit Christine Zayed pour l'album Kama Kuntu. Née dans une famille mélomane de Palestine, élevée entre Jérusalem et Ramallah, Christine Zayed est une chanteuse, une compositrice et une instrumentiste, virtuose du qanûn. Elle a été initiée dès son plus jeune âge à la musique arabe classique et contemporaine, ainsi qu'à la musique traditionnelle palestinienne. Son répertoire s'appuie principalement sur la musique arabe classique, basée sur le maqam (la science et la pratique de l'improvisation modale arabe), et sur la poésie arabe, en particulier la poésie palestinienne contemporaine. Ses compositions, fortement ancrées dans la tradition, sont résolument contemporaines, recherchant les chemins de la modernité dans le croisement avec d'autres univers musicaux. Elle vit et travaille en France depuis quelques années et collabore à de multiples projets, notamment au sein de l'Ensemble Chakâm ou du groupe Atine. Elle se produit en solo ou en trio avec le flûtiste Sylvain Barou et le percussionniste Habib Meftah interprétant un répertoire que l'on retrouve dans son premier album, Kama Kuntu («Ce que j'étais»). On y croise plusieurs invités, notamment Piers Faccini. Titres interprétés au grand studio : - Avant que je photographie les oiseaux, Live RFI - Animal, Feat. Piers Faccini, extrait de l'album  - Ghalimi Live RFI. Line Up : Christine Zayed (qanûn, chant), Sylvain Barou (flûtes, duduk) et Habib Meftah (percussions) Son : Mathias Taylor, Benoît Letirant. ► Album Kama Kuntu (T-Rec 2024). Site - YouTube. Actu concerts : 11 décembre – Festival NoBorder, Brest // en trio + 12 décembre – Le Chenal, Porspoder // dans le cadre de NoBorder // en trio.

La poétique du souvenir avec Yasmine Hamdan (Liban) et Christine Zayed (Palestine). (Rediffusion) Yasmine Hamdan est notre 1ère invitée pour la sortie de son 3ème album I Remember I Forget Yasmine Hamdan a d'abord surgi sur la scène musicale avec la formation indie électronique pionnière Soapkills, formée avec Zeid Hamdan dans le Beyrouth de la fin des années 90. Le répertoire entêtant et irrévérencieux du duo ainsi que ses visuels auront rayonné créativement à travers le monde arabe et au-delà, culminant avec une anthologie en 2015. Après s'être installée à Paris en 2005, la musicienne collabore avec le producteur Mirwais (ex-Taxi Girl et producteur de Madonna) pour le projet Y.A.S., à l'origine d'un album dansant et raffiné, Arabology, paru chez Universal en 2009. Depuis, elle s'est fait un nom au-delà des frontières en tant qu'autrice-compositrice et productrice solo, entrelaçant avec élégance des univers éloignés comme la poésie, la pop et la tradition panarabe, l'electronica, la soul ou encore la guitar music. Elle a collaboré avec des cinéastes de tous horizons tels que Elia Suleiman, Jim Jarmusch (chantant notamment à l'écran dans le film de 2013 Only Lovers Left Alive), Daniele Arbid ou Ghassan Salhab, et a joué au sein de projets collectifs majeurs comme Africa Express. En solo, Yasmine Hamdan a sorti un premier disque en 2013, Ya Nass, un en 2017, Al Jamilat, et à présent son troisième album I Remember I Forget, co-produit aux côtés de son collaborateur de longue date Marc Collin (Nouvelle Vague). La mémoire est une force sans pareille. I Remember I Forget [Je me souviens que j'oublie] succède à deux disques solo salués à l'international, Ya Nass (2013) et Al Jamila (2017). L'album scelle la réputation de Yasmine Hamdan en tant que conteuse talentueuse, performeuse captivante et défricheuse indépendante. L'artiste polyglotte, née à Beyrouth et installée à Paris, a toujours mêlé dans sa musique l'intime, le poétique et la politique, souvent avec un humour vif, puisant ses influences dans les dialectes et sonorités du monde pan-arabe et d'ailleurs. C'est plus que jamais le cas sur ce nouvel album, un ensemble de chants de beauté et de fureur légitime, forgé dans le tumulte de crises mondiales, notamment l'explosion en 2020 du port de Beyrouth et l'effondrement économique du Liban (désastre financier qui aura protégé l'élite aux dépens du plus grand nombre). Dans un monde moderne de plus en plus fracturé, les prises de parole de Yasmine Hamdan semblent plus vitales que jamais. «Pour cet album, je voulais m'attacher à un lieu spécifique — et il fallait que ce soit le Liban», explique Yasmine Hamdan. «Mon lien avec le Liban et ce qui lui est arrivé a constitué le terreau à partir duquel j'ai commencé à écrire et composer l'album. Cependant, au fur et à mesure du processus créatif, cet endroit est devenu un symbole, une métaphore, une catharsis pour ce qui se passe plus largement dans le monde et à travers l'expérience collective.»  «En dépit de la douleur ressentie devant ce qui est infligé à mon lieu de naissance, s'est installé peu à peu un sentiment de tendresse, de familiarité, ce qui m'a apporté de l'espoir et de l'inspiration. Beyrouth a certainement continué à être généreuse avec moi», raconte-t-elle. Yasmine Hamdan s'est ainsi attelée à l'écriture des chansons, renouant pour l'occasion avec un collaborateur de longue date, Marc Collin (Nouvelle Vague). I Remember I Forget a été produit sous la tutelle de leurs labels respectifs, Hamdanistan et Kwaidan, et paraît chez Crammed Discs / [PIAS]. Titres joués durant l'entretien : I Remember I Forget, Shmaali, Shadia et The Beautiful Losers. ► Album I Remember I Forget (Crammed Discs / [PIAS] 2025). Site Yasmine Hamdan - Bandcamp. YouTube. Actu concert 18 mars, Paris Le Trianon.   Puis la #SessionLive reçoit Christine Zayed pour l'album Kama Kuntu. Née dans une famille mélomane de Palestine, élevée entre Jérusalem et Ramallah, Christine Zayed est une chanteuse, une compositrice et une instrumentiste, virtuose du qanûn. Elle a été initiée dès son plus jeune âge à la musique arabe classique et contemporaine, ainsi qu'à la musique traditionnelle palestinienne. Son répertoire s'appuie principalement sur la musique arabe classique, basée sur le maqam (la science et la pratique de l'improvisation modale arabe), et sur la poésie arabe, en particulier la poésie palestinienne contemporaine. Ses compositions, fortement ancrées dans la tradition, sont résolument contemporaines, recherchant les chemins de la modernité dans le croisement avec d'autres univers musicaux. Elle vit et travaille en France depuis quelques années et collabore à de multiples projets, notamment au sein de l'Ensemble Chakâm ou du groupe Atine. Elle se produit en solo ou en trio avec le flûtiste Sylvain Barou et le percussionniste Habib Meftah interprétant un répertoire que l'on retrouve dans son premier album, Kama Kuntu («Ce que j'étais»). On y croise plusieurs invités, notamment Piers Faccini. Titres interprétés au grand studio : - Avant que je photographie les oiseaux, Live RFI - Animal, Feat. Piers Faccini, extrait de l'album  - Ghalimi Live RFI. Line Up : Christine Zayed (qanûn, chant), Sylvain Barou (flûtes, duduk) et Habib Meftah (percussions) Son : Mathias Taylor, Benoît Letirant. ► Album Kama Kuntu (T-Rec 2024). Site - YouTube. Actu concerts : 11 décembre – Festival NoBorder, Brest // en trio + 12 décembre – Le Chenal, Porspoder // dans le cadre de NoBorder // en trio.

durée : 00:29:36 - Les Midis de Culture - par : Marie Labory - Pour son dernier long-métrage, "Father Mother Brother Sister", le réalisateur américain Jim Jarmusch chronique la famille dans un triptyque entre le nord-est des États-Unis, Dublin et Paris, où l'action laisse place au silence. - réalisation : Laurence Malonda, Benjamin Hû - invités : Jim Jarmusch Cinéaste américain

Con el profesor de cine, Joseba Bonaut anotamos dos estrenos que merecerán la pena: ‘Father, Mother, Sister y Brother' de Jim Jarmusch y ‘Rondallas', de Daniel Sánchez Arévalo.

The filmmaker Amos Poe was a guest on the podcast on two memorable occasions. The first time we sat was in a podcast studio in the East Village; Episode 385 in the Fall of 2016. For Amos’ second appearance, we sat in the downstairs lobby of the Roxy Hotel in Tribeca outside the screening room; that was Episode 520 in the Fall of 2018. Poe was a major influence in the underground filmmaking scene of Downtown NYC —aka the No Wave movement— beginning in the mid-1970’s. Of that community, which included folks like Jim Jarmusch, Bette Gordon and Eric Mitchell among others, Poe was often credited as being the first to pick up a camera. He would go on to make such films as “The Blank Generation” and “Unmade Beds”. I had heard he was ill for the past bunch of years and had reached out to him about returning, but he understandably had more important things to do with his time. He passed away on Christmas Day after a prolonged battle with cancer and is survived by his wife Claudia Summers and daughter Lisa Poe.

Más allá de las listas de lo mejor del año, el cine no descansa por Navidad y tenemos varios estrenos en cartelera interesantes. Uno es 'Father Mother Sister Brother', la película de Jim Jarmusch con la que ganó el León de Oro en Venecia y con la que plantea darle una vueltecita a la familia. Además, charlamos con Lois Patiño de 'Ariel', analizamos la polémica película argentina 'Homo Argentum' y os invitamos a ver cine de animación español con trasfondo social, como 'Bella' u 'Olivia y el terremoto invisible'. En 30 minutos os ponemos al día de todo.

Ha llegado el momento. Un año más tenemos nuestra lista de las mejores películas y las mejores series del año. Hemos debatido, discutido y al final votado una lista que incluye títulos como 'Una batalla tras otra', películas españolas como 'Sirat' y 'Romería', y otros títulos que no han tenido tanta repercusión. Además, no nos olvidamos de los estrenos en cines, como la película de Jim Jarmusch que ganó el León de Oro en Venecia, 'Father Mother Sister Brother', lo nuevo de Lois Patiño o una sátira argentina que ha levantado mucha polémica.

durée : 00:10:07 - L'invité de 7h50 - par : Benjamin Duhamel - Le réalisateur américain Jim Jarmusch sort son nouveau film “Father, Mother, Sister Brother”, au cinéma le 7 janvier. Cette comédie sur les relations familiales, a remporté le Lion d'or à Venise. Le cinéaste va faire une demande pour obtenir la nationalité française. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:07 - L'invité de 7h50 - par : Benjamin Duhamel - Le réalisateur américain Jim Jarmusch sort son nouveau film “Father, Mother, Sister Brother”, au cinéma le 7 janvier. Cette comédie sur les relations familiales, a remporté le Lion d'or à Venise. Le cinéaste va faire une demande pour obtenir la nationalité française. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Gretchen McGowan joins Let's Talk Memoir for a conversation about the grit and glam of the 90s in New York, her career producing independent films, the thrill of creating something from nothing, honoring our own process, willing to be self-deprecating, negotiating manuscript revisions in digestible ways, keeping writing momentum in mind, getting character-you into trouble, when everyone around you seems to have it figured out, loving the hustle of NY, scrappiness, her role as the head of Goldcrest films, and her memoir Flying In: My Adventures in Filmmaking. Info/Registration for Ronit's 10-Week Memoir Class Memoir Writing: Finding Your Story https://www.pce.uw.edu/courses/memoir-writing-finding-your-story  This episode is brought to you by Prose Playground. If you've been writing for years but haven't published, have tons of ideas but can't get them on the page, if you have a book coming out, or you're simply curious about writing, join Prose Playground—an active, supportive writing community for writers at every level. Visit www.ProsePlayground.com to sign up free.   Also in this episode: -doing what works -transcendental mediation -women's career memoirs   Books mentioned in this episode: -Maybe You Should Talk to Someone by Lori Gottlieb -An Unfinished Woman by Lillian Hellman -The Memoir Project by Marion Roach Smith -Fast Draft Your Memoir by Rachael Herron   Gretchen McGowan is an award-winning producer and the head of production for Goldcrest Films in New York City where she has overseen titles such as Cat Person, Carol and Restrepo. Gretchen independently produced Jim Jarmusch's The Limits of Control, helped to make his iconic film Coffee and Cigarettes and has made over sixty films across the globe. Her new memoir is Flying In: My Adventures in Filmmaking.   Connect with Gretchen: Website: www.gretchenmcgowan.com Links: https://linktr.ee/gretchenmcgowan Instagram: https://www.instagram.com/gretmcgowan Info/Registration for Ronit's 10-Week Memoir Class Memoir Writing: Finding Your Story https://www.pce.uw.edu/courses/memoir-writing-finding-your-story   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.   More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social

Jim Jarmusch gained accolades for showing the studio world that a movie can be just as slow, aimless, and infused with deadpan humor as real life—a notion embraced by the likes of Seinfeld, Wes Anderson—and that sometimes foible and folly reveal as much about the human condition as flashy narrative thread. Listen to how the Brains see everything in black and white--they've 'put a spell on you!'   You can watch this, and many more episodes with video at our YouTube Channel: https://www.youtube.com/@TheFilmWithThreeBrains

It's Christmas time, so we're looking at a movie that tells the story of a mysterious man who spends a lot of time on the roof with his animal friends and has the ability to sneak into your house undetected as if by magic: Ghost Dog: The Way of the Samurai! Ghost Dog appears nowhere on the 1999 box office charts because it technically didn't have a major theatrical release in the US until March of 2000 (it did begin its festival run in 1999, starting in May at the Cannes Film Festival where it was nominated for the Palme D'or) Starring Forest Whitaker and written and directed by Jim Jarmusch with a score by Wu-Tang Clan's RZA, Ghost Dog is a movie unlike any other, aggressively defying genre and staying laser-focused on its bizarre but endearing vision. This week, John and Julia are joined by returning guest Sean Malin, author of the just-released book The Podcast Pantheon to talk Whitaker, Jarmusch, podcasts, Jon Hamm, and Christmas movies!

It's Christmas eve in luscious black and white, and a cabbie working the night shift drifts through the late hours. Sometimes we get emails asking us to interview authors of weightlifting books, or there will be a trailer for something homemade (yay!) but clearly boring (boo!). This time, I said "oh hey, that looks pretty good!" And that's why there's this episode on "Stationed at Home".Tune in and hear about the cozy vibes, calm pace, and otherworldliness of empty streets in the late nights.And, as always, if you write up a review on a podcast platform, you can pick a movie for us to cover. Subscribe, share, and don't leave the taxi driver out in the cold when you owe him money. If the strip club ATM doesn't work, tell him. Don't make him come looking for you. #DanielMasciari #stationedathome #ElizaVanCort #ErikBjarnar #JeffDumont #DarrylJohnson #nightonearth #3am #podcast #moviepodcast #JimJarmusch #wesanderson

This week we're excited to present a conversation from the 63rd New York Film Festival with Father Mother Sister Brother director Jim Jarmusch and cast members Adam Driver, Indya Moore, Luka Sabbat, Vicky Krieps, and Tom Waits. This conversation was moderated by NYFF Artistic Director Dennis Lim. The NYFF63 Centerpiece selection, Father Mother Sister Brother will open at Film at Lincoln Center on December 24. Get tickets at filmlinc.org/jarmusch For years, Jim Jarmusch has written, directed, and produced delicate, character-driven films. Winner of the Venice Film Festival Golden Lion, Father Mother Sister Brother is a perceptive study in familial dynamics, a feature film carefully constructed in the form of a triptych. The three chapters all concern the relationships between adult children reconnecting or coming to terms with aging or lost parents, which take place in the present, and each in a different country. Siblings Jeff and Emily (played by Adam Driver and Mayim Bialik) check up on their hermetic father (played by Tom Waits) in rural New Jersey; sisters Lilith and Timothea (Vicky Krieps and Cate Blanchett) reunite with their guarded novelist mother (Charlotte Rampling) in Dublin; and twins Skye and Billy (Indya Moore and Luka Sabbat) return to their Paris apartment to address a family tragedy. Father Mother Sister Brother is a kind of anti-action film, its subtle and quiet style carefully constructed to allow small details to accumulate—almost like flowers being carefully placed in three delicate arrangements. The 63rd New York Film Festival is presented in partnership with Rolex.

On this episode of Remainders we watch the 1976 King Kong. Part 2 of our King Kong marathon, the '76 Kong is a beautifully oversized slice of disaster film madness, with plenty of spectacle and oily innuendo. With lots of camp and sincerity, we see where this stands in the marathon so far of the Hollywood icon.Other topics include the 70s film movement, Tarantino hot takes, the shifting culture of physical media and streaming, Simpsons nostalgia, and Loz Feliz and Punk Rock & Paintbrushes.Songs of the WeekDance the Night Away by The MavericksWe Want the Airwaves by The RamonesRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

In this episode, we discuss our latest Year of the Nineties selection, the podcast-favorite from writer/director Jim Jarmusch, "Dead Man", starring Johnny Depp and Gary Farmer! Listen now!

In episode 44, Johnny talks to Auckland film and book lover Kelly Gordon. As well as working at Auckland's Academy Cinemas - alongside previous guests Cameo England (episode #4), Gorjan Markovski (episode #21), and Stefan Moon (episode #43) - Kelly's currently a key member of the team at Unity Books, New Zealand's leading independent book store. Their chat includes lots of insider tips from Auckland's book and rep cinema landscape, they discuss Jim Jarmusch, Alan Clarke, Danny Boyle and the majesty of Wim Wenders' 1984 film Paris, Texas, and they talk about running into one of the stars of Luca Guadagnino's Challengers, when all they want to do is get out onto a New Zealand road trip…This conversation was recorded face to face in mid-October of 2025.Thanks to James Van As who wrote and performed the brilliant podcast music (check out James' ⁠⁠⁠⁠⁠⁠Loco Looper⁠⁠⁠⁠⁠⁠ game) and to Willow Van As who designed the amazing artwork and provided general podcast support.You can contact My Movie DNA on Facebook, Instagram or Twitter @mymovieDNA or email mymovieDNA@gmail.com.Check out Johnny's new podcast series, ⁠⁠⁠⁠⁠500 Films: A Journey Through Genre Cinema⁠⁠⁠⁠⁠, available wherever you get your podcasts. 

On this episode of Remainders, we watch the 1950 noir classic In A Lonely Place. Starring legends Humphrey Bogart and Gloria Grahame, it secured it's place in Hollywood history as one of the best noirs of the era. Seemingly a murder mystery, Lonely Place is at heart the existential love story between two broken souls guaranteed to fall. A bleak Hollywood movie ahead of its time.Other topics include Nicholas Ray's career and crossing paths with Jim Jarmusch, the tawdry love life of Gloria Grahame, Guillermo Del Toro and Frankenstein, Predator: Badlands and Disney franchises, Stephen Sommers and the art of the fun blockbuster, Brenden Fraser coming back to the Mummy, putting The Scorpion King movies on the watch list, Darren's November painting mission, and debating the merits of Ska.Songs of the WeekEnjoy Yourself (It's Later Than You Think) by The SpecialsCrazy Feeling by Lou ReedAll My Loving by The BeatlesThe Night Before by The BeatlesWebsiteFacebookInstagramYouTubeTwitter

The night deepens as Hot Vampire Month continues on The Art of Costume Podcast with Jim Jarmusch's hypnotic masterpiece, Only Lovers Left Alive. Spencer and Elizabeth sink into the melancholy beauty of this modern vampire tale, where eternal lovers Adam and Eve—played by Tilda Swinton and Tom Hiddleston—drift through centuries of art, music, and longing. Together, they explore the film's lush, lived-in costumes designed by Bina Daigeler, its devotion to texture and time, and what it means to be stylishly undead in a world that's lost its soul.So dim the lights, put a record on, and join us for a moody reflection on immortality, creativity, and love that never dies.

Originally live-streamed Monday, October 6, 2025 On this week's On-Screen Live, the gang is on-hand to sift through some entertainment news items, analyze the tepid weekend box office numbers, and dig up another gem of a Secret Movie™️, however the biggest goal of this week's show was to chat a blue streak about Paul Thomas Andersons's One Battle After Another, which takes up the majority of the episode. No spoilers are dropped, so feel free to listen without having seen it yet! Steve also gives his thoughts on The Smashing Machine, while Andrew and Chris heap loads of praise on the new Jim Jarmusch film, Father Mother Sister Brother, dropping later this year. Be sure to check out the new Craven Tier on our Patreon! This all-new, video-centric tier grants you access to all the audio shows we put out each month, as well as two new shows, WHM After Dark, a monthly, AMA-style chat show where we answer questions from Patreon supporters, and Scaredy Cats, a quarterly show where we break down a more contemporary horror film. October's After Dark airs Tuesday, October 21 at 8pm/et and the first Scaredy Cats episode, covering Barbarian, will drop on October 29th! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Jim Jarmusch, Adam Driver, Vicky Krieps, Tom Waits, Indya Moore, and Luka Sabbat join NYFF selection committee member Florence Almozini to discuss this year's Centerpiece selection, Father Mother Sister Brother. Winner of the Venice Film Festival Golden Lion, Jim Jarmusch's perceptive study in familial dynamics is carefully constructed in the form of a triptych, with three chapters concerning the relationships between adult children reconnecting or coming to terms with aging or lost parents. Father Mother Sister Brother opens at Film at Lincoln Center on December 24, with tickets on sale soon. The 63rd New York Film Festival is presented in partnership with Rolex.

Sitting in New York, not much happening. Sitting in Cleveland, not much happening. How about we go to Florida? We discuss Jim Jarmusch's breakout film STRANGER THAN PARADISE (1984), a film that heroically swan against the current of Reagan-era culture and politics. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus OTTAWA - See Luke take part in a live podcast recording at Press Forward's Future of Independent Media Summit on Friday, October 3 - https://press-forward.ca/introducing-the-2025-future-of-independent-media-summit-in-ottawa/ NEW YORK - See Will present Plan 9 from Outer Space and sign copies of his book Ed Wood: Made in Hollywood USA at Metrograph on Thursday, October 9 - https://metrograph.com/film/?vista_film_id=9999004527 " 'Protect Empathy at All Costs. And Live Groovy Lives.' An Interview with Jim Jarmusch" by Bilge Ebiri - https://www.vulture.com/article/jim-jarmusch-father-mother-sister-brother-interview.html