Podcast appearances and mentions of Jim Jarmusch

Con el profesor de cine, Joseba Bonaut anotamos dos estrenos que merecerán la pena: ‘Father, Mother, Sister y Brother' de Jim Jarmusch y ‘Rondallas', de Daniel Sánchez Arévalo.

The filmmaker Amos Poe was a guest on the podcast on two memorable occasions. The first time we sat was in a podcast studio in the East Village; Episode 385 in the Fall of 2016. For Amos’ second appearance, we sat in the downstairs lobby of the Roxy Hotel in Tribeca outside the screening room; that was Episode 520 in the Fall of 2018. Poe was a major influence in the underground filmmaking scene of Downtown NYC —aka the No Wave movement— beginning in the mid-1970’s. Of that community, which included folks like Jim Jarmusch, Bette Gordon and Eric Mitchell among others, Poe was often credited as being the first to pick up a camera. He would go on to make such films as “The Blank Generation” and “Unmade Beds”. I had heard he was ill for the past bunch of years and had reached out to him about returning, but he understandably had more important things to do with his time. He passed away on Christmas Day after a prolonged battle with cancer and is survived by his wife Claudia Summers and daughter Lisa Poe.

Más allá de las listas de lo mejor del año, el cine no descansa por Navidad y tenemos varios estrenos en cartelera interesantes. Uno es 'Father Mother Sister Brother', la película de Jim Jarmusch con la que ganó el León de Oro en Venecia y con la que plantea darle una vueltecita a la familia. Además, charlamos con Lois Patiño de 'Ariel', analizamos la polémica película argentina 'Homo Argentum' y os invitamos a ver cine de animación español con trasfondo social, como 'Bella' u 'Olivia y el terremoto invisible'. En 30 minutos os ponemos al día de todo.

Ha llegado el momento. Un año más tenemos nuestra lista de las mejores películas y las mejores series del año. Hemos debatido, discutido y al final votado una lista que incluye títulos como 'Una batalla tras otra', películas españolas como 'Sirat' y 'Romería', y otros títulos que no han tenido tanta repercusión. Además, no nos olvidamos de los estrenos en cines, como la película de Jim Jarmusch que ganó el León de Oro en Venecia, 'Father Mother Sister Brother', lo nuevo de Lois Patiño o una sátira argentina que ha levantado mucha polémica.

durée : 00:10:07 - L'invité de 7h50 - par : Benjamin Duhamel - Le réalisateur américain Jim Jarmusch sort son nouveau film “Father, Mother, Sister Brother”, au cinéma le 7 janvier. Cette comédie sur les relations familiales, a remporté le Lion d'or à Venise. Le cinéaste va faire une demande pour obtenir la nationalité française. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:07 - L'invité de 7h50 - par : Benjamin Duhamel - Le réalisateur américain Jim Jarmusch sort son nouveau film “Father, Mother, Sister Brother”, au cinéma le 7 janvier. Cette comédie sur les relations familiales, a remporté le Lion d'or à Venise. Le cinéaste va faire une demande pour obtenir la nationalité française. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

FILMOTECAMURCIA.ESViernes 26 de diciembre / 19:15 horas¡Qué bello es vivir! (It´s a wonderful life; Frank Capra, 1946) Estados Unidos. 130'. VOSEGeorge Bailey es un honrado y modesto ciudadano que dirige y mantiene a flote un pequeño banco familiar, a pesar de los intentos de un poderoso banquero por arruinarlo. El día de Nochebuena de 1945, abrumado por la repentina desaparición de una importante suma de dinero, que supondría no solo la quiebra de su banco, sino también un gran escándalo, decide suicidarse, pero cuando está a punto de hacerlo ocurre algo extraordinario. Sábado 27 de diciembre / 19:15 horas / IMAGO CIVITASWest Side Story (Robert Wise, 1961). Estados Unidos. 151'. VOSEModerna versión de "Romeo y Julieta". En el West Side de Nueva York, un barrio marginal, se disputan la hegemonía dos bandas callejeras: los "sharks" son puertorriqueños, y los "jets", de ascendencia europea. El jefe de los primeros es Bernardo, que vive con su hermana María, la cual acaba de llegar a Nueva York. Una noche, en un baile, coinciden los dos grupos y se desencadena una violenta pelea.Sábado 27 de diciembre / 21:30 horas / IMAGO CIVITASWest Side Story (Steven Spielberg, 2021). Estados Unidos. 156'. VOSE Los adolescentes Tony y María, a pesar de tener afiliaciones con pandillas callejeras rivales, los Jets y los Sharks, se enamoran en la ciudad de Nueva York en la década de los 50. Nueva versión del legendario musical 'West Side Story', a su vez adaptación de una famosa obra de teatro de Broadway, que modernizaba la historia de 'Romeo y Julieta', de Shakespeare. 29 de diciembre de 2025 / 21:30 horas / (PANORAMA DE ACTUALIDAD)Sirat. Trance en el desierto (Sirât; Oliver Laxe, 2025). España. 114'. Un hombre y su hijo llegan a una rave perdida en Marruecos. Buscan a Mar, su hija y hermana, desaparecida hace meses en una de esas fiestas sin amanecer. Reparten su foto una y otra vez rodeados de música electrónica y un tipo de libertad que desconocen. Conocen a un grupo de raveros y deciden seguirlos a una última fiesta que se celebrará en el desierto, donde esperan encontrar a la joven desaparecida.ESTRENOS DE LA SEMANAFather mother sister brother (Jim Jarmusch, 110)Tom Waits, Adam Driver, Charlotte Rampling, Cate Blanchett, Mayim BialikPelícula dividida en tres actos alrededor del mismo hecho: el reencuentro de miembros de una familia. Unos hermanos ya adultos se vuelven a juntar después de años sin verse, forzados a enfrentarse a tensiones no resueltas y a reevaluar sus tensas relaciones con unos padres emocionalmente distantes. Cada una de las tres historias tiene lugar en un país diferente: "Father" está ambientada en EE. UU., "Mother" en Dublín, y "Sister Brother" en París. Anaconda (Tom Gormican, 100)Paul Rudd, Jack Black, Steve Zahn, Thandie NewtonDoug y Griff son muy buenos amigos desde que eran niños y siempre han soñado con hacer un remake de su película favorita de todos los tiempos: el «clásico cinematográfico» Anaconda. Cuando una crisis de mediana edad les anima a lanzarse por fin a la aventura, se adentran en la selva amazónica para empezar a rodar. Pero las cosas se ponen serias cuando aparece una anaconda gigante de verdad, convirtiendo su caótico y cómico plató de rodaje en una situación mortal. ¿La película que se morían por hacer, podría ser la que les mate?Homo Argentum (Mariano Cohn, Gastón Duprat, 98)Guillermo FrancelaPelícula compuesta por 16 historias cortas que exploran con humor y autocrítica las particularidades de la cultura argentina. Cada relato, con tono satírico, refleja costumbres, conductas y actitudes propias del país, invitando a la reflexión desde la risa y destacando la capacidad del cine para retratar aspectos de la identidad nacional.Bob Esponja: Una aventura pirata (96)Desesperado por demostrar que es un tío grande, Bob Esponja decide demostrar su valentía ante el señor Cangrejo siguiendo al Holandés Errante, el misterioso legendario pirata fantasma.Así comienza una aventura marítima que lo lleva a las profundidades más remotas del océano, donde ninguna esponja ha llegado jamás.

Gretchen McGowan joins Let's Talk Memoir for a conversation about the grit and glam of the 90s in New York, her career producing independent films, the thrill of creating something from nothing, honoring our own process, willing to be self-deprecating, negotiating manuscript revisions in digestible ways, keeping writing momentum in mind, getting character-you into trouble, when everyone around you seems to have it figured out, loving the hustle of NY, scrappiness, her role as the head of Goldcrest films, and her memoir Flying In: My Adventures in Filmmaking. Info/Registration for Ronit's 10-Week Memoir Class Memoir Writing: Finding Your Story https://www.pce.uw.edu/courses/memoir-writing-finding-your-story  This episode is brought to you by Prose Playground. If you've been writing for years but haven't published, have tons of ideas but can't get them on the page, if you have a book coming out, or you're simply curious about writing, join Prose Playground—an active, supportive writing community for writers at every level. Visit www.ProsePlayground.com to sign up free.   Also in this episode: -doing what works -transcendental mediation -women's career memoirs   Books mentioned in this episode: -Maybe You Should Talk to Someone by Lori Gottlieb -An Unfinished Woman by Lillian Hellman -The Memoir Project by Marion Roach Smith -Fast Draft Your Memoir by Rachael Herron   Gretchen McGowan is an award-winning producer and the head of production for Goldcrest Films in New York City where she has overseen titles such as Cat Person, Carol and Restrepo. Gretchen independently produced Jim Jarmusch's The Limits of Control, helped to make his iconic film Coffee and Cigarettes and has made over sixty films across the globe. Her new memoir is Flying In: My Adventures in Filmmaking.   Connect with Gretchen: Website: www.gretchenmcgowan.com Links: https://linktr.ee/gretchenmcgowan Instagram: https://www.instagram.com/gretmcgowan Info/Registration for Ronit's 10-Week Memoir Class Memoir Writing: Finding Your Story https://www.pce.uw.edu/courses/memoir-writing-finding-your-story   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.   More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social

Jim Jarmusch gained accolades for showing the studio world that a movie can be just as slow, aimless, and infused with deadpan humor as real life—a notion embraced by the likes of Seinfeld, Wes Anderson—and that sometimes foible and folly reveal as much about the human condition as flashy narrative thread. Listen to how the Brains see everything in black and white--they've 'put a spell on you!'   You can watch this, and many more episodes with video at our YouTube Channel: https://www.youtube.com/@TheFilmWithThreeBrains

La cartellera de les festes de Nadal presenta dues estrenes molt diferents: l'espectacle de la nova "Avatar" per una banda i el drama familiar de "Father, mother, sister, brother", de Jim Jarmusch, per l'altra. De les s

Esce finalmente nelle sale il terzo capitolo della saga che ha riportato in vita in cinema 3D. Con gli attori Sam Worthington e Stephen Lang parliamo di "Avatar - Fuoco e cenere" diretto da James Cameron, con Zoe Saldana e Sigourney Weaver.Abbiamo incontrato al Marrakesh Film Festival l'attore Tahar Rahim, protagonista del biopic "Monsieur Aznavour" diretto da Medhi Idir, Grand Corps Malade, con Victor Meutelet e Rupert Wynne-James.Speciale Strenne cinematografiche: sentiamo Guido Conti, autore di "Zavattini AZ" e parliamo del gioco da tavolo ispirato alla serie Squid Game.Con Boris Sollazzo parliamo di "Norimberga" diretto da James Vanderbilt, con Rami Malek, Russel Crowe e Richard E. Grant e di "Father, Mother, Sister, Brother" diretto da Jim Jarmusch, con Tom Waits, Adam Driver e Charlotte Rampling.

It's Christmas time, so we're looking at a movie that tells the story of a mysterious man who spends a lot of time on the roof with his animal friends and has the ability to sneak into your house undetected as if by magic: Ghost Dog: The Way of the Samurai! Ghost Dog appears nowhere on the 1999 box office charts because it technically didn't have a major theatrical release in the US until March of 2000 (it did begin its festival run in 1999, starting in May at the Cannes Film Festival where it was nominated for the Palme D'or) Starring Forest Whitaker and written and directed by Jim Jarmusch with a score by Wu-Tang Clan's RZA, Ghost Dog is a movie unlike any other, aggressively defying genre and staying laser-focused on its bizarre but endearing vision. This week, John and Julia are joined by returning guest Sean Malin, author of the just-released book The Podcast Pantheon to talk Whitaker, Jarmusch, podcasts, Jon Hamm, and Christmas movies!

It's Christmas eve in luscious black and white, and a cabbie working the night shift drifts through the late hours. Sometimes we get emails asking us to interview authors of weightlifting books, or there will be a trailer for something homemade (yay!) but clearly boring (boo!). This time, I said "oh hey, that looks pretty good!" And that's why there's this episode on "Stationed at Home".Tune in and hear about the cozy vibes, calm pace, and otherworldliness of empty streets in the late nights.And, as always, if you write up a review on a podcast platform, you can pick a movie for us to cover. Subscribe, share, and don't leave the taxi driver out in the cold when you owe him money. If the strip club ATM doesn't work, tell him. Don't make him come looking for you. #DanielMasciari #stationedathome #ElizaVanCort #ErikBjarnar #JeffDumont #DarrylJohnson #nightonearth #3am #podcast #moviepodcast #JimJarmusch #wesanderson

This week we're excited to present a conversation from the 63rd New York Film Festival with Father Mother Sister Brother director Jim Jarmusch and cast members Adam Driver, Indya Moore, Luka Sabbat, Vicky Krieps, and Tom Waits. This conversation was moderated by NYFF Artistic Director Dennis Lim. The NYFF63 Centerpiece selection, Father Mother Sister Brother will open at Film at Lincoln Center on December 24. Get tickets at filmlinc.org/jarmusch For years, Jim Jarmusch has written, directed, and produced delicate, character-driven films. Winner of the Venice Film Festival Golden Lion, Father Mother Sister Brother is a perceptive study in familial dynamics, a feature film carefully constructed in the form of a triptych. The three chapters all concern the relationships between adult children reconnecting or coming to terms with aging or lost parents, which take place in the present, and each in a different country. Siblings Jeff and Emily (played by Adam Driver and Mayim Bialik) check up on their hermetic father (played by Tom Waits) in rural New Jersey; sisters Lilith and Timothea (Vicky Krieps and Cate Blanchett) reunite with their guarded novelist mother (Charlotte Rampling) in Dublin; and twins Skye and Billy (Indya Moore and Luka Sabbat) return to their Paris apartment to address a family tragedy. Father Mother Sister Brother is a kind of anti-action film, its subtle and quiet style carefully constructed to allow small details to accumulate—almost like flowers being carefully placed in three delicate arrangements. The 63rd New York Film Festival is presented in partnership with Rolex.

On this episode of Remainders we watch the 1976 King Kong. Part 2 of our King Kong marathon, the '76 Kong is a beautifully oversized slice of disaster film madness, with plenty of spectacle and oily innuendo. With lots of camp and sincerity, we see where this stands in the marathon so far of the Hollywood icon.Other topics include the 70s film movement, Tarantino hot takes, the shifting culture of physical media and streaming, Simpsons nostalgia, and Loz Feliz and Punk Rock & Paintbrushes.Songs of the WeekDance the Night Away by The MavericksWe Want the Airwaves by The RamonesRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

In this episode, we discuss our latest Year of the Nineties selection, the podcast-favorite from writer/director Jim Jarmusch, "Dead Man", starring Johnny Depp and Gary Farmer! Listen now!

In episode 44, Johnny talks to Auckland film and book lover Kelly Gordon. As well as working at Auckland's Academy Cinemas - alongside previous guests Cameo England (episode #4), Gorjan Markovski (episode #21), and Stefan Moon (episode #43) - Kelly's currently a key member of the team at Unity Books, New Zealand's leading independent book store. Their chat includes lots of insider tips from Auckland's book and rep cinema landscape, they discuss Jim Jarmusch, Alan Clarke, Danny Boyle and the majesty of Wim Wenders' 1984 film Paris, Texas, and they talk about running into one of the stars of Luca Guadagnino's Challengers, when all they want to do is get out onto a New Zealand road trip…This conversation was recorded face to face in mid-October of 2025.Thanks to James Van As who wrote and performed the brilliant podcast music (check out James' ⁠⁠⁠⁠⁠⁠Loco Looper⁠⁠⁠⁠⁠⁠ game) and to Willow Van As who designed the amazing artwork and provided general podcast support.You can contact My Movie DNA on Facebook, Instagram or Twitter @mymovieDNA or email mymovieDNA@gmail.com.Check out Johnny's new podcast series, ⁠⁠⁠⁠⁠500 Films: A Journey Through Genre Cinema⁠⁠⁠⁠⁠, available wherever you get your podcasts. 

On this episode of Remainders, we watch the 1950 noir classic In A Lonely Place. Starring legends Humphrey Bogart and Gloria Grahame, it secured it's place in Hollywood history as one of the best noirs of the era. Seemingly a murder mystery, Lonely Place is at heart the existential love story between two broken souls guaranteed to fall. A bleak Hollywood movie ahead of its time.Other topics include Nicholas Ray's career and crossing paths with Jim Jarmusch, the tawdry love life of Gloria Grahame, Guillermo Del Toro and Frankenstein, Predator: Badlands and Disney franchises, Stephen Sommers and the art of the fun blockbuster, Brenden Fraser coming back to the Mummy, putting The Scorpion King movies on the watch list, Darren's November painting mission, and debating the merits of Ska.Songs of the WeekEnjoy Yourself (It's Later Than You Think) by The SpecialsCrazy Feeling by Lou ReedAll My Loving by The BeatlesThe Night Before by The BeatlesWebsiteFacebookInstagramYouTubeTwitter

Coffee and cigarettes. Alles, was man für ein gesundes Frühstück braucht. Jim Jarmusch nutzt Kaffee und Zigaretten, um Menschen in Kontakt zu bringen, oder in manchen Fällen nicht in Kontakt zu bringen, obwohl sie zusammen sitzen. Wir bekommen in elf kurzen Episoden Ausschnitte aus Gesprächen präsentiert, die nicht nur die titelgebenden Requisiten, sondern auch eine gewisse Awkwardness, Absurdität und Kommunikationsprobleme gemeinsam haben. Fast alle halten sich an Kaffee und Zigaretten fest, um die Lücken zu füllen, die zwischen den Worten und den Menschen klaffen. Im Gegensatz zu Hitchcock, der Film als Zusammenschnitt der spannenden Teile des Lebens begreift, sind Jim Jarmuschs Gespräche hier ein supercut der Belanglosigkeiten, Banalitäten und Absurditäten. Keine Action, kein großes Drama, keine laugh out loud Comedy, kein Horror, kein Thriller, keine Doku… Plor… what the hell is this movie?

La poétique du souvenir avec Yasmine Hamdan (Liban) et Christine Zayed (Palestine). Yasmine Hamdan est notre 1ère invitée pour la sortie de son 3ème album I Remember I Forget Yasmine Hamdan a d'abord surgi sur la scène musicale avec la formation indie électronique pionnière Soapkills, formée avec Zeid Hamdan dans le Beyrouth de la fin des années 90. Le répertoire entêtant et irrévérencieux du duo ainsi que ses visuels auront rayonné créativement à travers le monde arabe et au-delà, culminant avec une anthologie en 2015. Après s'être installée à Paris en 2005, la musicienne collabore avec le producteur Mirwais (ex-Taxi Girl et producteur de Madonna) pour le projet Y.A.S., à l'origine d'un album dansant et raffiné, Arabology, paru chez Universal en 2009. Depuis, elle s'est fait un nom au-delà des frontières en tant qu'autrice-compositrice et productrice solo, entrelaçant avec élégance des univers éloignés comme la poésie, la pop et la tradition panarabe, l'electronica, la soul ou encore la guitar music. Elle a collaboré avec des cinéastes de tous horizons tels que Elia Suleiman, Jim Jarmusch (chantant notamment à l'écran dans le film de 2013 Only Lovers Left Alive), Daniele Arbid ou Ghassan Salhab, et a joué au sein de projets collectifs majeurs comme Africa Express. En solo, Yasmine Hamdan a sorti un premier disque en 2013, Ya Nass, un en 2017, Al Jamilat, et à présent son troisième album I Remember I Forget, co-produit aux côtés de son collaborateur de longue date Marc Collin (Nouvelle Vague). La mémoire est une force sans pareille. I Remember I Forget [Je me souviens que j'oublie] succède à deux disques solo salués à l'international, Ya Nass (2013) et Al Jamila (2017). L'album scelle la réputation de Yasmine Hamdan en tant que conteuse talentueuse, performeuse captivante et défricheuse indépendante. L'artiste polyglotte, née à Beyrouth et installée à Paris, a toujours mêlé dans sa musique l'intime, le poétique et la politique, souvent avec un humour vif, puisant ses influences dans les dialectes et sonorités du monde pan-arabe et d'ailleurs. C'est plus que jamais le cas sur ce nouvel album, un ensemble de chants de beauté et de fureur légitime, forgé dans le tumulte de crises mondiales, notamment l'explosion en 2020 du port de Beyrouth et l'effondrement économique du Liban (désastre financier qui aura protégé l'élite aux dépens du plus grand nombre). Dans un monde moderne de plus en plus fracturé, les prises de parole de Yasmine Hamdan semblent plus vitales que jamais. «Pour cet album, je voulais m'attacher à un lieu spécifique — et il fallait que ce soit le Liban», explique Yasmine Hamdan. «Mon lien avec le Liban et ce qui lui est arrivé a constitué le terreau à partir duquel j'ai commencé à écrire et composer l'album. Cependant, au fur et à mesure du processus créatif, cet endroit est devenu un symbole, une métaphore, une catharsis pour ce qui se passe plus largement dans le monde et à travers l'expérience collective.»  «En dépit de la douleur ressentie devant ce qui est infligé à mon lieu de naissance, s'est installé peu à peu un sentiment de tendresse, de familiarité, ce qui m'a apporté de l'espoir et de l'inspiration. Beyrouth a certainement continué à être généreuse avec moi», raconte-t-elle. Yasmine Hamdan s'est ainsi attelée à l'écriture des chansons, renouant pour l'occasion avec un collaborateur de longue date, Marc Collin (Nouvelle Vague). I Remember I Forget a été produit sous la tutelle de leurs labels respectifs, Hamdanistan et Kwaidan, et paraît chez Crammed Discs / [PIAS].   Titres joués durant l'entretien : I Remember I Forget, Shmaali, Shadia et The Beautiful Losers. ► Album I Remember I Forget (Crammed Discs / [PIAS] 2025). Site Yasmine Hamdan - Bandcamp. YouTube. Actu concert 18 mars, Paris Le Trianon.   Puis la #SessionLive reçoit Christine Zayed pour l'album Kama Kuntu. Née dans une famille mélomane de Palestine, élevée entre Jérusalem et Ramallah, Christine Zayed est une chanteuse, une compositrice et une instrumentiste, virtuose du qanûn. Elle a été initiée dès son plus jeune âge à la musique arabe classique et contemporaine, ainsi qu'à la musique traditionnelle palestinienne. Son répertoire s'appuie principalement sur la musique arabe classique, basée sur le maqam (la science et la pratique de l'improvisation modale arabe), et sur la poésie arabe, en particulier la poésie palestinienne contemporaine. Ses compositions, fortement ancrées dans la tradition, sont résolument contemporaines, recherchant les chemins de la modernité dans le croisement avec d'autres univers musicaux. Elle vit et travaille en France depuis quelques années et collabore à de multiples projets, notamment au sein de l'Ensemble Chakâm ou du groupe Atine. Elle se produit en solo ou en trio avec le flûtiste Sylvain Barou et le percussionniste Habib Meftah interprétant un répertoire que l'on retrouve dans son premier album, Kama Kuntu («Ce que j'étais»). On y croise plusieurs invités, notamment Piers Faccini. Titres interprétés au grand studio : - Avant que je photographie les oiseaux, Live RFI - Animal, Feat. Piers Faccini, extrait de l'album  - Ghalimi Live RFI. Line Up : Christine Zayed (qanûn, chant), Sylvain Barou (flûtes, duduk) et Habib Meftah (percussions) Son : Mathias Taylor, Benoît Letirant. ► Album Kama Kuntu (T-Rec 2024). Site - YouTube. Actu concerts : 11 décembre – Festival NoBorder, Brest // en trio + 12 décembre – Le Chenal, Porspoder // dans le cadre de NoBorder // en trio.

La poétique du souvenir avec Yasmine Hamdan (Liban) et Christine Zayed (Palestine). Yasmine Hamdan est notre 1ère invitée pour la sortie de son 3ème album I Remember I Forget Yasmine Hamdan a d'abord surgi sur la scène musicale avec la formation indie électronique pionnière Soapkills, formée avec Zeid Hamdan dans le Beyrouth de la fin des années 90. Le répertoire entêtant et irrévérencieux du duo ainsi que ses visuels auront rayonné créativement à travers le monde arabe et au-delà, culminant avec une anthologie en 2015. Après s'être installée à Paris en 2005, la musicienne collabore avec le producteur Mirwais (ex-Taxi Girl et producteur de Madonna) pour le projet Y.A.S., à l'origine d'un album dansant et raffiné, Arabology, paru chez Universal en 2009. Depuis, elle s'est fait un nom au-delà des frontières en tant qu'autrice-compositrice et productrice solo, entrelaçant avec élégance des univers éloignés comme la poésie, la pop et la tradition panarabe, l'electronica, la soul ou encore la guitar music. Elle a collaboré avec des cinéastes de tous horizons tels que Elia Suleiman, Jim Jarmusch (chantant notamment à l'écran dans le film de 2013 Only Lovers Left Alive), Daniele Arbid ou Ghassan Salhab, et a joué au sein de projets collectifs majeurs comme Africa Express. En solo, Yasmine Hamdan a sorti un premier disque en 2013, Ya Nass, un en 2017, Al Jamilat, et à présent son troisième album I Remember I Forget, co-produit aux côtés de son collaborateur de longue date Marc Collin (Nouvelle Vague). La mémoire est une force sans pareille. I Remember I Forget [Je me souviens que j'oublie] succède à deux disques solo salués à l'international, Ya Nass (2013) et Al Jamila (2017). L'album scelle la réputation de Yasmine Hamdan en tant que conteuse talentueuse, performeuse captivante et défricheuse indépendante. L'artiste polyglotte, née à Beyrouth et installée à Paris, a toujours mêlé dans sa musique l'intime, le poétique et la politique, souvent avec un humour vif, puisant ses influences dans les dialectes et sonorités du monde pan-arabe et d'ailleurs. C'est plus que jamais le cas sur ce nouvel album, un ensemble de chants de beauté et de fureur légitime, forgé dans le tumulte de crises mondiales, notamment l'explosion en 2020 du port de Beyrouth et l'effondrement économique du Liban (désastre financier qui aura protégé l'élite aux dépens du plus grand nombre). Dans un monde moderne de plus en plus fracturé, les prises de parole de Yasmine Hamdan semblent plus vitales que jamais. «Pour cet album, je voulais m'attacher à un lieu spécifique — et il fallait que ce soit le Liban», explique Yasmine Hamdan. «Mon lien avec le Liban et ce qui lui est arrivé a constitué le terreau à partir duquel j'ai commencé à écrire et composer l'album. Cependant, au fur et à mesure du processus créatif, cet endroit est devenu un symbole, une métaphore, une catharsis pour ce qui se passe plus largement dans le monde et à travers l'expérience collective.»  «En dépit de la douleur ressentie devant ce qui est infligé à mon lieu de naissance, s'est installé peu à peu un sentiment de tendresse, de familiarité, ce qui m'a apporté de l'espoir et de l'inspiration. Beyrouth a certainement continué à être généreuse avec moi», raconte-t-elle. Yasmine Hamdan s'est ainsi attelée à l'écriture des chansons, renouant pour l'occasion avec un collaborateur de longue date, Marc Collin (Nouvelle Vague). I Remember I Forget a été produit sous la tutelle de leurs labels respectifs, Hamdanistan et Kwaidan, et paraît chez Crammed Discs / [PIAS].   Titres joués durant l'entretien : I Remember I Forget, Shmaali, Shadia et The Beautiful Losers. ► Album I Remember I Forget (Crammed Discs / [PIAS] 2025). Site Yasmine Hamdan - Bandcamp. YouTube. Actu concert 18 mars, Paris Le Trianon.   Puis la #SessionLive reçoit Christine Zayed pour l'album Kama Kuntu. Née dans une famille mélomane de Palestine, élevée entre Jérusalem et Ramallah, Christine Zayed est une chanteuse, une compositrice et une instrumentiste, virtuose du qanûn. Elle a été initiée dès son plus jeune âge à la musique arabe classique et contemporaine, ainsi qu'à la musique traditionnelle palestinienne. Son répertoire s'appuie principalement sur la musique arabe classique, basée sur le maqam (la science et la pratique de l'improvisation modale arabe), et sur la poésie arabe, en particulier la poésie palestinienne contemporaine. Ses compositions, fortement ancrées dans la tradition, sont résolument contemporaines, recherchant les chemins de la modernité dans le croisement avec d'autres univers musicaux. Elle vit et travaille en France depuis quelques années et collabore à de multiples projets, notamment au sein de l'Ensemble Chakâm ou du groupe Atine. Elle se produit en solo ou en trio avec le flûtiste Sylvain Barou et le percussionniste Habib Meftah interprétant un répertoire que l'on retrouve dans son premier album, Kama Kuntu («Ce que j'étais»). On y croise plusieurs invités, notamment Piers Faccini. Titres interprétés au grand studio : - Avant que je photographie les oiseaux, Live RFI - Animal, Feat. Piers Faccini, extrait de l'album  - Ghalimi Live RFI. Line Up : Christine Zayed (qanûn, chant), Sylvain Barou (flûtes, duduk) et Habib Meftah (percussions) Son : Mathias Taylor, Benoît Letirant. ► Album Kama Kuntu (T-Rec 2024). Site - YouTube. Actu concerts : 11 décembre – Festival NoBorder, Brest // en trio + 12 décembre – Le Chenal, Porspoder // dans le cadre de NoBorder // en trio.

The night deepens as Hot Vampire Month continues on The Art of Costume Podcast with Jim Jarmusch's hypnotic masterpiece, Only Lovers Left Alive. Spencer and Elizabeth sink into the melancholy beauty of this modern vampire tale, where eternal lovers Adam and Eve—played by Tilda Swinton and Tom Hiddleston—drift through centuries of art, music, and longing. Together, they explore the film's lush, lived-in costumes designed by Bina Daigeler, its devotion to texture and time, and what it means to be stylishly undead in a world that's lost its soul.So dim the lights, put a record on, and join us for a moody reflection on immortality, creativity, and love that never dies.

The night deepens as Hot Vampire Month continues on The Art of Costume Podcast with Jim Jarmusch's hypnotic masterpiece, Only Lovers Left Alive. Spencer and Elizabeth sink into the melancholy beauty of this modern vampire tale, where eternal lovers Adam and Eve—played by Tilda Swinton and Tom Hiddleston—drift through centuries of art, music, and longing. Together, they explore the film's lush, lived-in costumes designed by Bina Daigeler, its devotion to texture and time, and what it means to be stylishly undead in a world that's lost its soul.So dim the lights, put a record on, and join us for a moody reflection on immortality, creativity, and love that never dies.

In this episode of 'Need Some Introduction,' host Victor and co-host Sona discuss the final episode of the miniseries 'Task' on HBO Max, titled 'A Still Small Voice.' They delve into the show's resolution, the character arcs, and key themes such as masculinity, forgiveness, and class dynamics. The hosts also address a previous technical issue with the podcast feed and share personal anecdotes, including an unexpected visit to the Montclair Film Festival. Sona provides insights from an interview between Spike Lee and Stephen Colbert. They wrap up by speculating on future projects from the show's creator and upcoming series they'll cover. Last Week's Recap Episode: https://needssomeintroduction.podbean.com/e/task-episode-6-out-beyond-ideas-of-wrongdoing-and-rightdoing-there-is-a-river/ mailto:needssomeintroduction@gmail.com 00:00 Introduction and Podcast Updates 02:46 Montclair Film Festival Highlights 03:28 Spike Lee and Stephen Colbert Interview Insights 04:19 Discussion on Spike Lee's Career and Influences 07:44 Jim Jarmusch and New Jersey's Film Legacy 08:55 Transition to HBO Max Miniseries Discussion 09:11 Episode Title and Biblical Context 10:04 Final Episode Impressions and Analysis 11:10 Action and Tension in the Finale 13:30 Character Dynamics and Plot Developments 15:24 Investigation and Evidence Unfolding 17:17 Maeve's House Showdown 37:53 Concerns and Odd Choices 38:39 Jason's Mistake and Aaliyah's Skills 39:17 Tense Sequence and Unrealistic Choke Hold 40:10 Tom's Decision and Moral Dilemma 41:33 Robbie's Intention and Money's Significance 48:03 Ethan's Dark Past and Tom's Forgiveness 55:43 Final Reflections and Symbolism 01:00:24 Gender and Class Dynamics in Media 01:10:52 Upcoming Shows and Final Thoughts

Welcome to Episode #13 of the 4ever in Electric Dreams & CONFESSIONS OF A CURLY MIND co-production - Supple & Lean | A Geekcast. Presented by Imran Mirza from London, UK, and Vahé Vishapakagh Koshayan from Melbourne, Australia, for this episode we dive into two cult classics: Jim Jarmusch's Ghost Dog: The Way of the Samurai (1999) and Keanu Reeves' directorial debut Man of Tai Chi (2013). Ghost Dog blends hip-hop, samurai philosophy and mafia codes in a meditative hitman tale starring Forest Whitaker while Man of Tai Chi brings Keanu to the director's chair — and into the villain role — in a slick martial arts flick about fighting, morality and spiritual discipline in modern-day China. We unpack the East-meets-West aesthetics, the existential questions and discuss why both films punch way above their weight in the action genre. The show today features original music from Supple & Lean featuring Balogneous Monk with 'Run N' Cut Ya!'. www.4everinelectricdreams.com/ Emanating from London, UK, the 4ever in Electric Dreams website and podcast network is designed to help us celebrate the things we loved growing up and the things that continue to excite and inspire us today. With podcast episodes of the Close Encounters of the Nerd Kind, 90s State of Mind and Supple & Lean, there's lots of reasons to visit us again and again, and to join us in our ongoing celebration of the things we can't leave behind.

Originally live-streamed Monday, October 6, 2025 On this week's On-Screen Live, the gang is on-hand to sift through some entertainment news items, analyze the tepid weekend box office numbers, and dig up another gem of a Secret Movie™️, however the biggest goal of this week's show was to chat a blue streak about Paul Thomas Andersons's One Battle After Another, which takes up the majority of the episode. No spoilers are dropped, so feel free to listen without having seen it yet! Steve also gives his thoughts on The Smashing Machine, while Andrew and Chris heap loads of praise on the new Jim Jarmusch film, Father Mother Sister Brother, dropping later this year. Be sure to check out the new Craven Tier on our Patreon! This all-new, video-centric tier grants you access to all the audio shows we put out each month, as well as two new shows, WHM After Dark, a monthly, AMA-style chat show where we answer questions from Patreon supporters, and Scaredy Cats, a quarterly show where we break down a more contemporary horror film. October's After Dark airs Tuesday, October 21 at 8pm/et and the first Scaredy Cats episode, covering Barbarian, will drop on October 29th! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Send us a textThis week is our second spooky month pick from Eric, The dead don't die! Our creator profile this week is Adam Driver! https://www.instagram.com/thebonsaimoviecrew/https://twitter.com/bonsai_crewhttps://www.tiktok.com/@thebonsaimoviecrewhttps://discord.gg/8jCPe8T2kT#moviereview #podcast #moviefan #filmpodcast #moviepodcast #film #nostalgia #classic  #zombies #billmurray #adamdriver #horror #comedy

Jim Jarmusch, Adam Driver, Vicky Krieps, Tom Waits, Indya Moore, and Luka Sabbat join NYFF selection committee member Florence Almozini to discuss this year's Centerpiece selection, Father Mother Sister Brother. Winner of the Venice Film Festival Golden Lion, Jim Jarmusch's perceptive study in familial dynamics is carefully constructed in the form of a triptych, with three chapters concerning the relationships between adult children reconnecting or coming to terms with aging or lost parents. Father Mother Sister Brother opens at Film at Lincoln Center on December 24, with tickets on sale soon. The 63rd New York Film Festival is presented in partnership with Rolex.

Sitting in New York, not much happening. Sitting in Cleveland, not much happening. How about we go to Florida? We discuss Jim Jarmusch's breakout film STRANGER THAN PARADISE (1984), a film that heroically swan against the current of Reagan-era culture and politics. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus OTTAWA - See Luke take part in a live podcast recording at Press Forward's Future of Independent Media Summit on Friday, October 3 - https://press-forward.ca/introducing-the-2025-future-of-independent-media-summit-in-ottawa/ NEW YORK - See Will present Plan 9 from Outer Space and sign copies of his book Ed Wood: Made in Hollywood USA at Metrograph on Thursday, October 9 - https://metrograph.com/film/?vista_film_id=9999004527 " 'Protect Empathy at All Costs. And Live Groovy Lives.' An Interview with Jim Jarmusch" by Bilge Ebiri - https://www.vulture.com/article/jim-jarmusch-father-mother-sister-brother-interview.html

On episode 308 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the competitive International Feature Film contenders and provide a preview of some of the major titles coming to the 63rd New York Film Festival. With more than 70 countries having submitted films for the International Feature Film Oscar so far, now was a good time to look at the frontrunners like Sentimental Value, It Was Just an Accident and The Secret Agent, the NEON dominance of them and how many can really make the final five. We also look outside of those Cannes winners for titles that could pique the voters' interest as uniquely named films have done in the past. Next up is the preview of the 63rd New York Film Festival, which begins this Friday with the opening film, Luca Guadagnino's After the Hunt. After taking a critical drubbing at its Venice bow, we examine if it can rebound here in the states. Two world premieres will be a part of the festival including Anemone, the feature debut from Ronan Day-Lewis starring his three-time Oscar-winning father Daniel Day-Lewis, back on screen for the first time since 2017's Phantom Thread. At the time of recording both Sophia and I had just seen the film but were under embargo (until September 28). The Venice Golden Lion winner Father Mother Sister Brother from Jim Jarmusch is the Centerpiece film and then Bradley Cooper's third directorial effort, the stand-up comedian story Is This Thing On? will close the festival. Could this be Cooper's attempt to rein it in and silence some of the critics of Maestro? This podcast runs 1h07m. We will be back next week with xxxxx Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

An African-American Mafia hit man who models himself after the samurai of old finds himself targeted for death by the mob.Directed by Jim Jarmusch

Living in a post-Venice/Telluride/Toronto world means it's time get serious about our Oscar predictions and that's just what we're doing this week. On episode 307 of the AwardsWatch podcast, AW Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to look at what shined at the fests, what lost its luster and the introduction of a new bombshell in the villa. In our conversation, we begin with the top winners at Venice and with Alexander Payne's contentious jury, including how Jim Jarmusch's Father Mother Sister Brother could factor in and if Benny Safdie's Silver Lion Best Director win for The Smashing Machine was what that film needed. Next we move to Telluride, where Hamnet was the most-liked film (while we still await the results of Michael's Telluride Blog polls of critics and non-critics) and how the Cannes winners held their ground. Moving to Toronto and Hamnet's People's Choice Award win keeps it at as a top tier contender and we talk about some films, like 1st runner-up Frankenstein, fared better at TIFF than it did at Venice and Telluride. Then we dive into Paul Thomas Anderson's One Battle After Another, which began screening last week. While Ryan and Sophia had the film at the top of their predictions list last month, I was the idiot who rashly dropped it out of my top 10. That mistake is corrected here and we talk about the narratives at play for PTA, Chloé Zhao for Hamnet, Ryan Coogler for Sinners and Joachim Trier for Sentimental Value. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h37m. We will be back next week with a preview of the 2025 New York Film Festival. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Die Filmemacherin Olga Kosanovic ist in Österreich geboren und aufgewachsen. Um so mehr hat es sie überrascht, als man ihr bei ihrem Antrag auf die österreichische Staatsbürgerschaft sagte, man müsse jetzt mal schauen, ob sie überhaupt integrierbar sei. Kosanovic bündelt ihre (Behörden-) Erfahrungen in der sensationellen, klugen und ziemlich stylishen Dokumentation „Noch lange keine Lipizzaner“. Pia Reiser und Christian Fuchs sprechen mit der Regisseurin ausführlich über ihr Werk, aber auch über ihre filmischen Prägungen. Ein wilder Ritt – ohne Lippizaner – von Jim Jarmusch über Michel Franco zu – natürlich! – dem satirischen Klassiker „Muttertag“. Sendungshinweis: FM4 Film Podcast, 15.09.2025, 0 Uhr

This week we're excited to present an archival conversation from the 51st New York Film Festival in 2013 with Only Lovers Left Alive director Jim Jarmusch and lead actress Tilda Swinton. Jim Jarmusch returns to the New York Film Festival this October with the North American Premiere of our NYFF63 Centerpiece selection Father Mother Sister Brother. NYFF63 single tickets will go on sale this Thursday, September 18! Learn more at filmlinc.org/nyff This conversation was moderated by Amy Taubin Tilda Swinton and Tom Hiddleston make a dashing and very literal first couple—centuries-old lovers Eve and Adam—in Jim Jarmusch's wry, tender take on the vampire genre. When we first meet the pair, he's making rock music in Detroit while she's hanging out with an equally ageless Christopher Marlowe (John Hurt) in Tangiers. (Long-distance spells aren't such a big deal when you've been together throughout hundreds of years.) Between sips of untainted hospital-donated blood, they struggle with depression and an ever-changing world, reflect on their favorite humans (Buster Keaton, Albert Einstein, Jack White) and watch time go by, each finding stability in the other.

What if the west was just an allegory for man's suffering? We're watching mumblecore master Jim Jarmusch's classic Dead Man this time on Harmless Phosphorescence!   Support the show and get early access and exclusive content on Patreon!   Watch us on YouTube!   Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers   Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/   Siskel and Ebert Scale Josh - Up Brian - Up Al - Up Thoreau - Up

El vicealmirante Manuel Roberto Farías Laguna pasó de sonar como posible secretario de Marina a estar detenido en el penal de máxima seguridad del Altiplano, en el Edomex, acusado de formar parte de una red de tráfico ilegal de combustible, en lo que es mejor conocido en México como huachicol.Ante un año de violencia en Sinaloa, tras la detención del Mayo Zambada que desató enfrentamientos internos en el Cártel de Sinaloa, cientos de culichis salieron a marchar por la paz. Además… Una estudiante universitaria señaló a Gerardo Fernández Noroña de ser incongruente con sus actitudes y lo que predica Morena; Rusia lanzó el mayor ataque contra Ucrania que afectó por primera vez un edificio de gobierno; El primer ministro de Japón renunció a su puesto; El Papa León XIV canonizó a Carlo Acutis, el primer santo “millennial”; Anyna Sabalenka y Carlos Alcaraz conquistaron el US Open; Jim Jarmusch ganó el León de Oro de la 82ª edición del festival de Venecia.Y para #ElVasoMedioLleno…Un grupo de biólogos volvieron ver al conejo de cola de algodón tras más de 100 años.Para enterarte de más noticias como estas, síguenos en redes sociales. Estamos en todas las plataformas como @telokwento. Hosted on Acast. See acast.com/privacy for more information.

Israelische Armee ruft zur Evakuierung von Gaza-Stadt auf, Weiterhin Diskussion in der Regierungskoalition über Sozialstaat, Scharfe Kritik aus Südkorea an Festnahme von fast 500 Arbeitern auf der Baustelle einer Autobatteriefabrik, US-Regierung demonstriert Härte im Kampf gegen Drogenschmuggel, Hunderte Darsteller stellen zum 500. Jubiläum des Bauernkriegs Schlacht bei Bad Frankenhausen nach, Goldener Löwe für Jim Jarmusch bei Filmfestspielen in Venedig, Deutsche Basketball-Nationalmannschaft zieht nach Sieg gegen Portugal ins Viertelfinale ein, Das Wetter Hinweis: Der Beitrag zum Thema "Basketball" darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

Israelische Armee ruft zur Evakuierung von Gaza-Stadt auf, Weiterhin Diskussion in der Regierungskoalition über Sozialstaat, Scharfe Kritik aus Südkorea an Festnahme von fast 500 Arbeitern auf der Baustelle einer Autobatteriefabrik, US-Regierung demonstriert Härte im Kampf gegen Drogenschmuggel, Hunderte Darsteller stellen zum 500. Jubiläum des Bauernkriegs Schlacht bei Bad Frankenhausen nach, Goldener Löwe für Jim Jarmusch bei Filmfestspielen in Venedig, Deutsche Basketball-Nationalmannschaft zieht nach Sieg gegen Portugal ins Viertelfinale ein, Das Wetter Hinweis: Der Beitrag zum Thema "Basketball" darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

This week Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fourth episode from the city of canals, Film Comment Editor Devika Girish invited critics Bilge Ebiri and Jonathan Romney to talk about some recent premieres, including Jim Jarmusch's Father Mother Brother Sister, Kent Jones's Late Fame, Mark Jenkin's Rose of Nevada, and Gianfranco Rosi's Below the Clouds. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Ep. 343: Venice 2025: Guy Lodge on Father Mother Sister Brother, The Testament of Ann Lee, The Wizard of the Kremlin, Rose of Nevada Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I have been busily watching movies at the 2025 Venice Film Festival, and for my latest episode, I sit down with critic Guy Lodge of Variety. Among the Venice world premieres we discussed are Father Mother Sister Brother (directed by Jim Jarmusch), The Testament of Ann Lee (Mona Fastvold), The Wizard of the Kremlin (Olivier Assayas), Rose of Nevada (Mark Jenkin), and an additional pick that I'll let Guy reveal himself. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

En La W, el director Jim Jarmusch habló desde el Festival de Cine de Venecia.

Llegamos ya al ecuador del Festrival de Venecia y Don Carlos Rollero sigue sin descanso viendo películas para traernos las crónicas más esperadas. Hoy habla de El mago del Kremlin de Olivier Assayas, que cuenta en su reparto con Paul Dano y Jude Law. También de Father, Mother, Sister, Brother de Jim Jarmusch con Tom Waits, Adam Driver, Charlotte Rampling y Cate Blanchett.

Interview with Willie Nile ! The Great Yellow Light is filled with passionate guitar-driven, melodic songs, a mix of anthemic rockers and sensitive ballads with a subtle socio-political message throughout. Willie was joined in the studio by his core band Jimi Bones – electric & acoustic guitars, backing vocals, Johnny Pisano – bass, backing vocals and Jon Weber – drums, providing soaring lead vocals, electric guitar and piano himself. Besides Earle, special guests include Irish music icon Paul Brady on vocals, The Hooters' Rob Hyman and Eric Bazilian on keys and strings respectively, Black 47 members Larry Kirwan, Fred Parcells, and Chris Byrne and legendary sidemen Waddy Wachtel and David Mansfield. Nile's love for life and music has powered his 45-year recording career. The Buffalo, NY native made his way to New York City in the early 1970s. After establishing himself as a popular presence on the downtown club scene, Willie attained national recognition through his widely acclaimed first three major-label albums — Willie Nile, Golden Down and Places I Have Never Been. Next, he then embarked on the indie route with a long series of well-received album releases including Beautiful Wreck of the World, Streets of New York, House of a Thousand Guitars, The Innocent Ones, American Ride, World War Willie, New York At Night, Children of Paradise, The Day The Earth Stood Still, the acoustic If I Was a River, and the covers collection Positively Bob: Willie Nile Sings Bob Dylan. Working on his own terms has allowed Willie to expand his audience to encompass much of the planet. He's toured North America and overseas regularly building a sizeable and devoted following for his incendiary live performances. His loyal fan base includes such admirers as Bruce Springsteen, with whom he's guested onstage on multiple occasions, and Pete Townshend, who personally requested him as the opening act on the Who's historic 1980 U.S. tour. The list of avowed Nile fans also includes Bono, Lou Reed, Ian Hunter, Graham Parker, Jim Jarmusch, Little Steven, and Lucinda Williams, who once remarked, “Willie Nile is a great artist. If there was any justice in this world, I'd be opening up for him instead of him for me.” Appropriately, an Austrian filmmaker is currently making a documentary film about Willie, with new footage shot in Italy, England and America. http://willienile.com/ https://www.facebook.com/willie.nile  

In this episode, we continue our Year of the Nineties with the truly unique Jim Jarmusch crime film, "Ghost Dog: The Way of The Samurai", starring Forrest Whitaker and John Tormey! Listen now!

Canciones de los discos más recientes del etiope Mulatu Astatke 'Tension' con Hoodna Orchestra ('Delilah', 'Hatula', ' 'Yashan'), el maliense Salif Keita ' So kono' ('Awa', 'Chérie', 'Kanté Manfila', 'Laban') y el senegalés Youssou N´Dour 'Éclairer le monde'/'Light the world' ('Machalla', 'Sam fall', 'Noflaay', 'Mbëggëel doole', 'Ahmadou Bamba'). De propina, 'Yékèrmo séw', de Mulatu, que Jim Jarmusch utilizó en la banda sonora de 'Broken Flowers'.Escuchar audio

Only Lovers Left Alive - " I Think the World has Enough Chaos"Have you SUBSCRIBED to our YouTube channel yet...? We are thrilled to now be producing video episodes of your favorite podcast! This week we swoon over ancient vampires in Jim Jarmusch's Award-Winning film, ONLY LOVERS LEFT ALIVE (2013). A meditation on loneliness at the end of the world through the lens of two vampires (Tilda Swinton & Tom Hiddleston) whose thirst threatens the lives of those they come in contact with & their better natures. We hope you enjoy sinking your teeth into this fresh episode!Support the show

Send us a textThe theatrical landscape of 2025 tells a fascinating story through its box office patterns and creative trends. Animation continues its unstoppable theatrical dominance across multiple studios, while long-running franchises like Mission Impossible and Jurassic World show unmistakable signs of fatigue. Has the time come to put these decades-old properties to rest?Our midyear film roundup reveals a striking preference for original storytelling over franchise continuation. From the breathtaking coastal beauty of Paolo Sorrentino's Parthenope to the inventive shark thrills of Dangerous Animals, our top picks demonstrate cinema's continued ability to surprise and captivate. Steven Soderbergh's spy thriller Black Bag showcases masterful craftsmanship, while Tim Robinson's Friendship brings his distinctive comedic sensibilities to feature length with remarkable success.The conversation turns passionate when discussing Ryan Coogler's Sinners and Ari Aster's Eddington – films that blend genres with extraordinary confidence while delivering profound thematic depth. Both represent bold, auteur-driven visions that resonated deeply with audiences seeking thoughtful, challenging cinema.Looking ahead, the remainder of 2025 promises an embarrassment of riches from acclaimed filmmakers including Park Chan-wook, Paul Thomas Anderson, and Jim Jarmusch. Their upcoming works, alongside anticipated releases like Edgar Wright's The Running Man and Blumhouse's Weapons, suggest our year-end lists may undergo significant transformation.What films have captured your imagination in 2025? Join our conversation about this remarkable year in cinema and share your own discoveries and disappointments. The theatrical experience continues to evolve, but the power of original storytelling remains undiminished.Support the show

Dougie Bowne is a producer, drummer, guitarist, and composer who entered New York's avant-garde scene in his early twenties after a chance street encounter with a member of John Cale's circle, who invited him to jam simply because he was carrying a bag of drum sticks and “looked cool”. Unfamiliar with Cale at the time, Dougie nonetheless accepted—and that serendipitous moment launched him into the heart of the Downtown scene. Since then, he has collaborated with an eclectic roster of artists, including John Cale, Iggy Pop, Yoko Ono, Laurie Anderson, The Lounge Lizards, Marianne Faithfull, as well as filmmakers Edet Belzberg and Jim Jarmusch.

Drew and Travis hang out with Jim Jarmusch's Ghost Dog: The Way of the Samurai! It's the 1999 hitman flick starring Forest Whitaker, featuring original music by RZA of The Wu-Tang Clan. TIMESTAMPS 00:00:00 - Ghost Dog: The Way of the Samurai 00:56:29 - The Shelf 01:02:34 - Calls to Action 01:04:22 - Currently Consuming 01:27:22 - End SHOW LINKS Perfect Days (2023) Kill Bill: Vol. 1 and Kill Bill: Vol. 2 Predator: Killer of Killers GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky