Podcast appearances and mentions of Jim Jarmusch

Originally live-streamed Monday, October 6, 2025 On this week's On-Screen Live, the gang is on-hand to sift through some entertainment news items, analyze the tepid weekend box office numbers, and dig up another gem of a Secret Movie™️, however the biggest goal of this week's show was to chat a blue streak about Paul Thomas Andersons's One Battle After Another, which takes up the majority of the episode. No spoilers are dropped, so feel free to listen without having seen it yet! Steve also gives his thoughts on The Smashing Machine, while Andrew and Chris heap loads of praise on the new Jim Jarmusch film, Father Mother Sister Brother, dropping later this year. Be sure to check out the new Craven Tier on our Patreon! This all-new, video-centric tier grants you access to all the audio shows we put out each month, as well as two new shows, WHM After Dark, a monthly, AMA-style chat show where we answer questions from Patreon supporters, and Scaredy Cats, a quarterly show where we break down a more contemporary horror film. October's After Dark airs Tuesday, October 21 at 8pm/et and the first Scaredy Cats episode, covering Barbarian, will drop on October 29th! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Jim Jarmusch, Adam Driver, Vicky Krieps, Tom Waits, Indya Moore, and Luka Sabbat join NYFF selection committee member Florence Almozini to discuss this year's Centerpiece selection, Father Mother Sister Brother. Winner of the Venice Film Festival Golden Lion, Jim Jarmusch's perceptive study in familial dynamics is carefully constructed in the form of a triptych, with three chapters concerning the relationships between adult children reconnecting or coming to terms with aging or lost parents. Father Mother Sister Brother opens at Film at Lincoln Center on December 24, with tickets on sale soon. The 63rd New York Film Festival is presented in partnership with Rolex.

Sitting in New York, not much happening. Sitting in Cleveland, not much happening. How about we go to Florida? We discuss Jim Jarmusch's breakout film STRANGER THAN PARADISE (1984), a film that heroically swan against the current of Reagan-era culture and politics. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus OTTAWA - See Luke take part in a live podcast recording at Press Forward's Future of Independent Media Summit on Friday, October 3 - https://press-forward.ca/introducing-the-2025-future-of-independent-media-summit-in-ottawa/ NEW YORK - See Will present Plan 9 from Outer Space and sign copies of his book Ed Wood: Made in Hollywood USA at Metrograph on Thursday, October 9 - https://metrograph.com/film/?vista_film_id=9999004527 " 'Protect Empathy at All Costs. And Live Groovy Lives.' An Interview with Jim Jarmusch" by Bilge Ebiri - https://www.vulture.com/article/jim-jarmusch-father-mother-sister-brother-interview.html

On episode 308 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the competitive International Feature Film contenders and provide a preview of some of the major titles coming to the 63rd New York Film Festival. With more than 70 countries having submitted films for the International Feature Film Oscar so far, now was a good time to look at the frontrunners like Sentimental Value, It Was Just an Accident and The Secret Agent, the NEON dominance of them and how many can really make the final five. We also look outside of those Cannes winners for titles that could pique the voters' interest as uniquely named films have done in the past. Next up is the preview of the 63rd New York Film Festival, which begins this Friday with the opening film, Luca Guadagnino's After the Hunt. After taking a critical drubbing at its Venice bow, we examine if it can rebound here in the states. Two world premieres will be a part of the festival including Anemone, the feature debut from Ronan Day-Lewis starring his three-time Oscar-winning father Daniel Day-Lewis, back on screen for the first time since 2017's Phantom Thread. At the time of recording both Sophia and I had just seen the film but were under embargo (until September 28). The Venice Golden Lion winner Father Mother Sister Brother from Jim Jarmusch is the Centerpiece film and then Bradley Cooper's third directorial effort, the stand-up comedian story Is This Thing On? will close the festival. Could this be Cooper's attempt to rein it in and silence some of the critics of Maestro? This podcast runs 1h07m. We will be back next week with xxxxx Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

An African-American Mafia hit man who models himself after the samurai of old finds himself targeted for death by the mob.Directed by Jim Jarmusch

Nella puntata di oggi andiamo alla scoperta del cinema di Jim Jarmusch, fresco vincitore del Leone d'oro alla Mostra del cinema di Venezia appena conclusa.I titoli di analizzati sono i seguenti:(04:48) Dead Man (1995)(24:52) Ghost Dog - Il codice del samurai (1999)(35:40) Broken Flowers (2005)(41:11) Paterson (2016)

Living in a post-Venice/Telluride/Toronto world means it's time get serious about our Oscar predictions and that's just what we're doing this week. On episode 307 of the AwardsWatch podcast, AW Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to look at what shined at the fests, what lost its luster and the introduction of a new bombshell in the villa. In our conversation, we begin with the top winners at Venice and with Alexander Payne's contentious jury, including how Jim Jarmusch's Father Mother Sister Brother could factor in and if Benny Safdie's Silver Lion Best Director win for The Smashing Machine was what that film needed. Next we move to Telluride, where Hamnet was the most-liked film (while we still await the results of Michael's Telluride Blog polls of critics and non-critics) and how the Cannes winners held their ground. Moving to Toronto and Hamnet's People's Choice Award win keeps it at as a top tier contender and we talk about some films, like 1st runner-up Frankenstein, fared better at TIFF than it did at Venice and Telluride. Then we dive into Paul Thomas Anderson's One Battle After Another, which began screening last week. While Ryan and Sophia had the film at the top of their predictions list last month, I was the idiot who rashly dropped it out of my top 10. That mistake is corrected here and we talk about the narratives at play for PTA, Chloé Zhao for Hamnet, Ryan Coogler for Sinners and Joachim Trier for Sentimental Value. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h37m. We will be back next week with a preview of the 2025 New York Film Festival. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Die Filmemacherin Olga Kosanovic ist in Österreich geboren und aufgewachsen. Um so mehr hat es sie überrascht, als man ihr bei ihrem Antrag auf die österreichische Staatsbürgerschaft sagte, man müsse jetzt mal schauen, ob sie überhaupt integrierbar sei. Kosanovic bündelt ihre (Behörden-) Erfahrungen in der sensationellen, klugen und ziemlich stylishen Dokumentation „Noch lange keine Lipizzaner“. Pia Reiser und Christian Fuchs sprechen mit der Regisseurin ausführlich über ihr Werk, aber auch über ihre filmischen Prägungen. Ein wilder Ritt – ohne Lippizaner – von Jim Jarmusch über Michel Franco zu – natürlich! – dem satirischen Klassiker „Muttertag“. Sendungshinweis: FM4 Film Podcast, 15.09.2025, 0 Uhr

This week we're excited to present an archival conversation from the 51st New York Film Festival in 2013 with Only Lovers Left Alive director Jim Jarmusch and lead actress Tilda Swinton. Jim Jarmusch returns to the New York Film Festival this October with the North American Premiere of our NYFF63 Centerpiece selection Father Mother Sister Brother. NYFF63 single tickets will go on sale this Thursday, September 18! Learn more at filmlinc.org/nyff This conversation was moderated by Amy Taubin Tilda Swinton and Tom Hiddleston make a dashing and very literal first couple—centuries-old lovers Eve and Adam—in Jim Jarmusch's wry, tender take on the vampire genre. When we first meet the pair, he's making rock music in Detroit while she's hanging out with an equally ageless Christopher Marlowe (John Hurt) in Tangiers. (Long-distance spells aren't such a big deal when you've been together throughout hundreds of years.) Between sips of untainted hospital-donated blood, they struggle with depression and an ever-changing world, reflect on their favorite humans (Buster Keaton, Albert Einstein, Jack White) and watch time go by, each finding stability in the other.

What if the west was just an allegory for man's suffering? We're watching mumblecore master Jim Jarmusch's classic Dead Man this time on Harmless Phosphorescence!   Support the show and get early access and exclusive content on Patreon!   Watch us on YouTube!   Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers   Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/   Siskel and Ebert Scale Josh - Up Brian - Up Al - Up Thoreau - Up

Jim Jarmusch nie krył zdziwienia, kiedy na festiwalu w Wenecji jego film „Father, Mother, Sister, Brother” został wyróżniony Złotym Lwem – jedną z najbardziej prestiżowych nagród w branży filmowej. Sprawdzamy, jakie inne produkcje poruszyły publiczność i krytykę filmową podczas święta kina w Wenecji. Autor: Artur Burchacki Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/festiwal-w-wenecji-2025-podsumowanie

La Mostra internazionale d'arte cinematografica di Venezia si è chiusa il 6 settembre 2025 con il suo carico di premi, proteste, controversie, bellocci e bellocce. Ne parliamo con Chiara Guida, presente per tutta la durata della manifestazione per la testata che dirige, Cinefilos. Parliamo di Hind Rajab, Jim Jarmusch, Park chan-wook e il suo bellissimo No Other Choice, Del Toro e Frankenstein, La Grazia di Sorrentino e il premio a Toni Servillo, gli italiani in laguna e Kathryn Bigelow. In più non mancano il premio Meglio Figo del Bigonzo e il Premio Margot Robbie. Buon ascolto. Seguiteci su YouTube e iscrivetevi al canale, iscrivetevi al podcast, cliccate sulla campanella per ricevere gli aggiornamenti, condividetelo con gli amici e (in)seguiteci su Spotify, Apple Podcasts e tutte le app di ascolto gratuite per podcast.Link diretto allo show⬇️⬇️⬇️ https://open.spotify.com/show/06wRlaUWQ5NdWusO25uqZk?si=4PkqQwHCT86xZaWk5pDiHA Link su Audiblehttps://www.audible.it/pd?asin=B0BL9FP3QJ&source_code=AITtm161101121020J&share_location=podcast_show_detail➡️PAGINA FACEBOOK: https://www.facebook.com/ilbruttoilcattivo2.0

Chloe Malle przejmuje Vogue!Jim Jarmusch ze Złotym Lwem!Trump vs. Hanks - West Point odwołuje ceremonię!Masz pytanie do naszej redakcji? Możesz je zadać tutaj: ⁠⁠⁠⁠⁠⁠https://tally.so/r/npJBAV⁠⁠⁠⁠⁠⁠Zawsze rano. Same fakty.5 najważniejszych wiadomości.5 minut.Wydarzenia ze świata, sportu, popkultury, technologii, środowiska i gospodarki. Ramówka:Poniedziałek: Ekonomicznie in BriefWtorek: Sport in BriefŚroda: PopCulture in BriefCzwartek: Technologicznie in Brief / Planet in BriefPiątek: World in Brief W aplikacji Voice House Club m.in.:✔️ Wszystkie formaty w jednym miejscu.✔️ Możesz przeczytać lub posłuchać.✔️ Transkrypcje odcinków z dodatkowymi materiałami wideo. ► Wypróbuj 30 dni za darmo: ⁠⁠⁠⁠⁠⁠https://voicehouse.co/sluchasz-i-wiesz/?utm_source=youtube&utm_medium=social⁠⁠⁠⁠⁠

No Plano Geral desta semana, Flavia Guerra e Vitor Búrigo destacam os vencedores da 82ª edição do Festival de Cinema de Veneza, entre eles: o ator italiano Toni Servillo, que recebeu o prêmio das mãos de Fernanda Torres; o ovacionado "The Voice of Hind Rajab", de Kaouther Ben Hania; "Father Mother Sister Brother", de Jim Jarmusch, grande vencedor do Leão de Ouro; e as considerações finais do presidente do júri, Alexander Payne. E mais: uma entrevista exclusiva com a atriz Denise Fraga, que estreia o longa "Sonhar com Leões"; os destaques da 8ª edição da Poesia na Tela; os seis filmes brasileiros que disputam uma vaga no Oscar 2026; e a parceria de Sean Penn com o filme "Manas", de Marianna Brennand. Estamos no ar!

El vicealmirante Manuel Roberto Farías Laguna pasó de sonar como posible secretario de Marina a estar detenido en el penal de máxima seguridad del Altiplano, en el Edomex, acusado de formar parte de una red de tráfico ilegal de combustible, en lo que es mejor conocido en México como huachicol.Ante un año de violencia en Sinaloa, tras la detención del Mayo Zambada que desató enfrentamientos internos en el Cártel de Sinaloa, cientos de culichis salieron a marchar por la paz. Además… Una estudiante universitaria señaló a Gerardo Fernández Noroña de ser incongruente con sus actitudes y lo que predica Morena; Rusia lanzó el mayor ataque contra Ucrania que afectó por primera vez un edificio de gobierno; El primer ministro de Japón renunció a su puesto; El Papa León XIV canonizó a Carlo Acutis, el primer santo “millennial”; Anyna Sabalenka y Carlos Alcaraz conquistaron el US Open; Jim Jarmusch ganó el León de Oro de la 82ª edición del festival de Venecia.Y para #ElVasoMedioLleno…Un grupo de biólogos volvieron ver al conejo de cola de algodón tras más de 100 años.Para enterarte de más noticias como estas, síguenos en redes sociales. Estamos en todas las plataformas como @telokwento. Hosted on Acast. See acast.com/privacy for more information.

Mit „Father Mother Sister Brother“ gewinnt Jim Jarmusch den Goldenen Löwen von Venedig – eine Fehlentscheidung, findet SWR-Filmexperte Rüdiger Suchsland. Dagegen seien alle stilistisch herausragenden Filme leer ausgegangen. Das werfe kein gutes Licht auf die Filmfestspiele und ihre Zukunft.

Rüdiger Suchsland bilanziert die Filmfestspiele und die Preise und berichtet über Zwänge, Enttäuschungen und Gerüchte und denkt über den Stand des Weltkinos nach.

Wir sind wieder zurück aus der kurzen Sommerpause! Und in der heutigen Episode entführt uns Kenan nach Venedig und berichtet von den großen filmischen Highlights am Lido. Was sind die großen Highlights, nach denen man Ausschau halten sollte? Welche Stars sind ihm über den Weg gelaufen? Und was hat am meisten enttäuscht? Darüber hinaus vollenden sie die zweite Hälfte der zweiten Staffel von Wednesday und besprechen die Zukunft der Serie. Es geht in voller Fahrt in den Spätsommer mit einer weiteren Folge von Bleibende Schäden!

No der Palme d'Or fir dem Jafar Panahi seng Lëtzebuerger Koproduktioun "Un simple accident" ass 2025 ee seelent Glécksjoer fir de Lëtzebuerger Kino: Zu Venedeg geet de Gëllene Léif un deen neie Film vum Jim Jarmusch - an am Starcast vu "Mother Father Sister Brother" spillt ënner anerem d'Vicky Krieps mat. De Marc Trappendreher analyséiert de Palmarès - an erkläert, wisou de Präis fir den Jarmusch engersäits kohärent ass - an anerersäits nawell iwwerrascht.

Wellinski, Patrick www.deutschlandfunkkultur.de, Studio 9

Wellinski, Patrick www.deutschlandfunkkultur.de, Studio 9

ANSA - di Francesca Pierleoni.Tanti appelli contro la guerra. L'Italia con Rosi, Porcaroli e Covi

Israelische Armee ruft zur Evakuierung von Gaza-Stadt auf, Weiterhin Diskussion in der Regierungskoalition über Sozialstaat, Scharfe Kritik aus Südkorea an Festnahme von fast 500 Arbeitern auf der Baustelle einer Autobatteriefabrik, US-Regierung demonstriert Härte im Kampf gegen Drogenschmuggel, Hunderte Darsteller stellen zum 500. Jubiläum des Bauernkriegs Schlacht bei Bad Frankenhausen nach, Goldener Löwe für Jim Jarmusch bei Filmfestspielen in Venedig, Deutsche Basketball-Nationalmannschaft zieht nach Sieg gegen Portugal ins Viertelfinale ein, Das Wetter Hinweis: Der Beitrag zum Thema "Basketball" darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

Israelische Armee ruft zur Evakuierung von Gaza-Stadt auf, Weiterhin Diskussion in der Regierungskoalition über Sozialstaat, Scharfe Kritik aus Südkorea an Festnahme von fast 500 Arbeitern auf der Baustelle einer Autobatteriefabrik, US-Regierung demonstriert Härte im Kampf gegen Drogenschmuggel, Hunderte Darsteller stellen zum 500. Jubiläum des Bauernkriegs Schlacht bei Bad Frankenhausen nach, Goldener Löwe für Jim Jarmusch bei Filmfestspielen in Venedig, Deutsche Basketball-Nationalmannschaft zieht nach Sieg gegen Portugal ins Viertelfinale ein, Das Wetter Hinweis: Der Beitrag zum Thema "Basketball" darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

Israelische Armee ruft zur Evakuierung von Gaza-Stadt auf, Weiterhin Diskussion in der Regierungskoalition über Sozialstaat, Scharfe Kritik aus Südkorea an Festnahme von fast 500 Arbeitern auf der Baustelle einer Autobatteriefabrik, US-Regierung demonstriert Härte im Kampf gegen Drogenschmuggel, Hunderte Darsteller stellen zum 500. Jubiläum des Bauernkriegs Schlacht bei Bad Frankenhausen nach, Goldener Löwe für Jim Jarmusch bei Filmfestspielen in Venedig, Deutsche Basketball-Nationalmannschaft zieht nach Sieg gegen Portugal ins Viertelfinale ein, Das Wetter Hinweis: Der Beitrag zum Thema "Basketball" darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

Vu politeschen Analyse vun eiser Welt bis zu engem minimalistische Familljen-Triptychon: De Marc Trappendreher ass weider fir eis zu Venedeg a verréit, wéi sech déi nei Filmer vum Olivier Assayas, der Kathryn Bigelow a vum Jim Jarmusch an der Competitioun schloen. Am Jarmusch sengem "Father Mother Sister Brother" spillt ënner anerem och d'Vicky Krieps mat.

Nueva entrega de Música de Contrabando, semanario de actualidad musical (4/9/25)Entrevista: Viva Suecia.Noticias:Arde Bogotá anuncia su esperado World tour. Morrissey vende sus intereses comerciales en The Smiths. Tom Waits protagoniza la nueva película de Jim Jarmusch. BIME PRO suma a su programación a Rubén Blades. Pixies reeditan sus primeras maquetas. Saint se despiden, discograficamente, con "e en Europa. Neil Young lanza "Big crime" contra Trump. Se reedita en vinilo "The Great Escape" de Blur. Edición de luxe del primer disco de The Who. Lanzado single en directo de Sign 'o' the times de Prince. Visor Fest anuncia actividades paralelas. 9Novedades musicales:David Byrne, Bon Jovi & Bruce Springsteen, Richard Ashcroft, Bright Eyes, Apartamentos Acapulco, Miles Kane, Tigre y Diamante, The Sophs, Los Jaimes, El Otro Paraíso Agenda de conciertos:Lemon pop, Bside...

This week Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fourth episode from the city of canals, Film Comment Editor Devika Girish invited critics Bilge Ebiri and Jonathan Romney to talk about some recent premieres, including Jim Jarmusch's Father Mother Brother Sister, Kent Jones's Late Fame, Mark Jenkin's Rose of Nevada, and Gianfranco Rosi's Below the Clouds. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Ep. 343: Venice 2025: Guy Lodge on Father Mother Sister Brother, The Testament of Ann Lee, The Wizard of the Kremlin, Rose of Nevada Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I have been busily watching movies at the 2025 Venice Film Festival, and for my latest episode, I sit down with critic Guy Lodge of Variety. Among the Venice world premieres we discussed are Father Mother Sister Brother (directed by Jim Jarmusch), The Testament of Ann Lee (Mona Fastvold), The Wizard of the Kremlin (Olivier Assayas), Rose of Nevada (Mark Jenkin), and an additional pick that I'll let Guy reveal himself. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

En La W, el director Jim Jarmusch habló desde el Festival de Cine de Venecia.

Nicodemus, Katja www.deutschlandfunk.de, Kultur heute

Llegamos ya al ecuador del Festrival de Venecia y Don Carlos Rollero sigue sin descanso viendo películas para traernos las crónicas más esperadas. Hoy habla de El mago del Kremlin de Olivier Assayas, que cuenta en su reparto con Paul Dano y Jude Law. También de Father, Mother, Sister, Brother de Jim Jarmusch con Tom Waits, Adam Driver, Charlotte Rampling y Cate Blanchett.

Vampires. The Lo-fi edition. On this one, we have two alternative vampire films that twist and subvert the classic story of the immortal ones. We have Jim Jarmusch's offbeat 2013 film “Only Lovers Left Alive” vs. Ana Lily Amirpour's 2014 cult classic “A Girl Who Walks Home at Night”. Which film wins out? Let's find […]

Interview with Willie Nile ! The Great Yellow Light is filled with passionate guitar-driven, melodic songs, a mix of anthemic rockers and sensitive ballads with a subtle socio-political message throughout. Willie was joined in the studio by his core band Jimi Bones – electric & acoustic guitars, backing vocals, Johnny Pisano – bass, backing vocals and Jon Weber – drums, providing soaring lead vocals, electric guitar and piano himself. Besides Earle, special guests include Irish music icon Paul Brady on vocals, The Hooters' Rob Hyman and Eric Bazilian on keys and strings respectively, Black 47 members Larry Kirwan, Fred Parcells, and Chris Byrne and legendary sidemen Waddy Wachtel and David Mansfield. Nile's love for life and music has powered his 45-year recording career. The Buffalo, NY native made his way to New York City in the early 1970s. After establishing himself as a popular presence on the downtown club scene, Willie attained national recognition through his widely acclaimed first three major-label albums — Willie Nile, Golden Down and Places I Have Never Been. Next, he then embarked on the indie route with a long series of well-received album releases including Beautiful Wreck of the World, Streets of New York, House of a Thousand Guitars, The Innocent Ones, American Ride, World War Willie, New York At Night, Children of Paradise, The Day The Earth Stood Still, the acoustic If I Was a River, and the covers collection Positively Bob: Willie Nile Sings Bob Dylan. Working on his own terms has allowed Willie to expand his audience to encompass much of the planet. He's toured North America and overseas regularly building a sizeable and devoted following for his incendiary live performances. His loyal fan base includes such admirers as Bruce Springsteen, with whom he's guested onstage on multiple occasions, and Pete Townshend, who personally requested him as the opening act on the Who's historic 1980 U.S. tour. The list of avowed Nile fans also includes Bono, Lou Reed, Ian Hunter, Graham Parker, Jim Jarmusch, Little Steven, and Lucinda Williams, who once remarked, “Willie Nile is a great artist. If there was any justice in this world, I'd be opening up for him instead of him for me.” Appropriately, an Austrian filmmaker is currently making a documentary film about Willie, with new footage shot in Italy, England and America. http://willienile.com/ https://www.facebook.com/willie.nile  

In this episode, we continue our Year of the Nineties with the truly unique Jim Jarmusch crime film, "Ghost Dog: The Way of The Samurai", starring Forrest Whitaker and John Tormey! Listen now!

Canciones de los discos más recientes del etiope Mulatu Astatke 'Tension' con Hoodna Orchestra ('Delilah', 'Hatula', ' 'Yashan'), el maliense Salif Keita ' So kono' ('Awa', 'Chérie', 'Kanté Manfila', 'Laban') y el senegalés Youssou N´Dour 'Éclairer le monde'/'Light the world' ('Machalla', 'Sam fall', 'Noflaay', 'Mbëggëel doole', 'Ahmadou Bamba'). De propina, 'Yékèrmo séw', de Mulatu, que Jim Jarmusch utilizó en la banda sonora de 'Broken Flowers'.Escuchar audio

Julian, Madeline, and Emilio wrap up their cycle of Musicians on Film by diving into the filmography of Tom Waits, once dubbed a "performer, singer, actor, magician, spirit guide, changeling" by the great Neil Young. Joined by Madeline's dad Richard, the trio kick off the conversation by discussing Waits' starring role in Jim Jarmusch's "Down By Law", and ponder the similarities between his character Zack and his well-known boozy troubadour persona. The group then pivots to Francis Ford Coppola's campy classic "Bram Stoker's Dracula", and agree that Waits' interpretation of R. M. Renfield is the necessary constant in such a sprawling film. And although our subject only appears in one of the six vignettes that make up Joel and Ethan Coen's "The Ballad of Buster Scruggs", the conversation would not be complete without taking the time to appreciate Waits' magnetism as the prospector in "All Gold Canyon".Subscribe to Richard's Substack for pieces on politics, satire, anger, and more at substack.com/@mcmongrelIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and continue to grow!Follow us on IG and TikTok @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Only Lovers Left Alive - " I Think the World has Enough Chaos"Have you SUBSCRIBED to our YouTube channel yet...? We are thrilled to now be producing video episodes of your favorite podcast! This week we swoon over ancient vampires in Jim Jarmusch's Award-Winning film, ONLY LOVERS LEFT ALIVE (2013). A meditation on loneliness at the end of the world through the lens of two vampires (Tilda Swinton & Tom Hiddleston) whose thirst threatens the lives of those they come in contact with & their better natures. We hope you enjoy sinking your teeth into this fresh episode!Support the show

In this episode, we discuss Jim Jarmusch's Stranger Than Paradise, including the film's visual style, how the film grammar supports the themes, and what differentiates Willie and Eva.See where Stranger Than Paradise is available to watch.Supplemental Material:• The Criterion Collection's Stranger Than Paradise Blu-ray• Stranger Than Paradise (The Criterion Channel)• Stranger Than Paradise: Enter Jarmusch by Geoff Andrew• Paradise Regained by J. HobermanAdditional Audio Sources:• Stranger Than Paradise Trailer (from The Criterion Collection's Blu-ray)• The Criterion Collection's Stranger Than Paradise Blu-rayIf you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow us on Letterboxd: Joe | Justin

Send us a textThe theatrical landscape of 2025 tells a fascinating story through its box office patterns and creative trends. Animation continues its unstoppable theatrical dominance across multiple studios, while long-running franchises like Mission Impossible and Jurassic World show unmistakable signs of fatigue. Has the time come to put these decades-old properties to rest?Our midyear film roundup reveals a striking preference for original storytelling over franchise continuation. From the breathtaking coastal beauty of Paolo Sorrentino's Parthenope to the inventive shark thrills of Dangerous Animals, our top picks demonstrate cinema's continued ability to surprise and captivate. Steven Soderbergh's spy thriller Black Bag showcases masterful craftsmanship, while Tim Robinson's Friendship brings his distinctive comedic sensibilities to feature length with remarkable success.The conversation turns passionate when discussing Ryan Coogler's Sinners and Ari Aster's Eddington – films that blend genres with extraordinary confidence while delivering profound thematic depth. Both represent bold, auteur-driven visions that resonated deeply with audiences seeking thoughtful, challenging cinema.Looking ahead, the remainder of 2025 promises an embarrassment of riches from acclaimed filmmakers including Park Chan-wook, Paul Thomas Anderson, and Jim Jarmusch. Their upcoming works, alongside anticipated releases like Edgar Wright's The Running Man and Blumhouse's Weapons, suggest our year-end lists may undergo significant transformation.What films have captured your imagination in 2025? Join our conversation about this remarkable year in cinema and share your own discoveries and disappointments. The theatrical experience continues to evolve, but the power of original storytelling remains undiminished.Support the show

Dougie Bowne is a producer, drummer, guitarist, and composer who entered New York's avant-garde scene in his early twenties after a chance street encounter with a member of John Cale's circle, who invited him to jam simply because he was carrying a bag of drum sticks and “looked cool”. Unfamiliar with Cale at the time, Dougie nonetheless accepted—and that serendipitous moment launched him into the heart of the Downtown scene. Since then, he has collaborated with an eclectic roster of artists, including John Cale, Iggy Pop, Yoko Ono, Laurie Anderson, The Lounge Lizards, Marianne Faithfull, as well as filmmakers Edet Belzberg and Jim Jarmusch.

Every podcast host needs a code, and ours is talking about Jim Jarmusch's "Ghost Dog: The Way of the Samurai" from 1999.In addition to discussing Forest Whitaker's turn as a samurai hit man, we also talk about: leisure suits; AI; interviews; weebs; a clumsy conversation about cultural appropriation; and "A Samurai in Time." Hosted on Acast. See acast.com/privacy for more information.

This is the show's first Jim Jarmusch film. It could also be our  last Jim Jarmusch film if George has anything to say about it.    Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Coffee Statistics: Consumption, Preferences, & Spending https://www.driveresearch.com/market-research-company-blog/coffee-survey/ Bad News, Coffee Drinkers: You Might Be a Psychopath if You Like Your Coffee Black https://www.rd.com/article/coffee-black-psychopath-study/ Coffee Drinking Is Widespread in the United States, but Usual Intake Varies by Key Demographic and Lifestyle Factors https://pmc.ncbi.nlm.nih.gov/articles/PMC4997286/ Cigarettes priced at $9.52 in 2003 → $33.83 in 2025 https://www.in2013dollars.com/Cigarettes/price-inflation/2003-to-2025?amount=9.52  

This is a special edition when The Bureau meets Jason Woodbury of Aquarium Drunkard for a joint transmission.     Los Angeles-based online music magazine Aquarium Drunkard is a one-of-a-kind map to the sprawling and often overwhelming landscape of independent music.  Founded in 2005 and piloted for over twenty years by Justin Gage, it has served as a curator, a passionate advocate, and a community for those seeking sounds beyond the mainstream. The Aquarium Drunkard podcast - Transmissions - hosted by Jason Woodbury, has become a massive resource for deep dives into music and culture via conversations and with an amazing range of musicians and cultural figures including Jeff Bridges, Jim Jarmusch, John Lurie, Sonic Youth's Thurston Moore, Devendra Banhart, Lee Ranaldo, Bonnie "Prince" Billy,  Shirley Collins, Gina Birch of the Raincoats and many, many more. Jason and I decided to make a joint transmission to talk about Aquarium Drunkard and Bureau of Lost Culture, and why we do it.   As well as writing for AQ, Jason writes for Pitchfork and Stereogum, is the creative director of WASTOIDS audio network, makes radiophonic sound collage, and he is a musician himself, so, of course, one of the first questions I ask him his how he gets it all done - especially as he has two dogs at his home in the Sonoran desert.     There is a bit of mutual back scratching, but we soon get onto the much more important topics of: the best time for creative work, not eating in your twenties, smoking, dreaming, the collective unconscious, David Lynch who really owns The Beatles song Yesterday, AI, consciousness, the most emotional moments from shows, the power of conversation and storytelling, who we'd really like to interview and what's next..          

In episode 17 of (Pop) Cultural Marxism, Ajay and Isi once again find themselves in the regrettable position of praising the Walt Disney Company. After chatting about recent cultural highlights (Clair Obscur: Expedition 33, a 40th anniversary screening of Kurosawa's Ran, and a Criterion retrospective on Johnnie To), they consider the popular and critical success of Andor's second season, and ask what it means to describe a pop cultural text as “politically timely.” Their conversation turns to extratextual ecosystems (press junkets, interviews), Gilroy's deep engagement with cinematic depictions of fascism and rebellion (Army of Shadows, The Conformist), architecture and costume design, season 2 high points (the Ghorman Massacre, Mon Mothma's Senate speech), the politics of revolutionary alliances, and imperial bureaucracy. Finally, they consider how the show makes the transition—narratively, visually, musically—into the lore-dense timeline of Rogue One and A New Hope, and ponder its uncharacteristically fascistic final scene. (Pop) Cultural Marxism is produced by Ryan Lentini.  Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky Shownotes: Clair Obscur: Expedition 33 (Sandfall Interactive) Ran, dir. Akira Kurosawa (1985) Exiled, dir. Johnnie To (2006) Ghost Dog: The Way of the Samurai, dir. Jim Jarmusch (1999) Battleship Potemkin, dir. Sergei Eisenstein (1925) The Battle of Algiers, dir. Gillo Pontecorvo (1966) Army of Shadows, dir. Jean-Pierre Melville (1969) Jean-Paul Sartre, "The Republic of Silence" (1944) The Conformist, dir. Bernardo Bertolucci (1970) Sergey Nechayev, "Catechism of a Revolutionary" (1869) Laleh Khalili, "The Politics of Pleasure: Promenading on the Corniche" Guy Debord, The Society of the Spectacle Bertolt Brecht and Walter Benjamin on Brecht's "Epic Theater" McKenzie Wark, The Beach Beneath the City McKenzie Wark, A Hacker Manifesto

On a smoky new episode of HOW DO YOU DO, FELLOW KIDS? we're slamming java and puffing darts with Jim Jarmusch in the all-star black and white anthology film COFFEE AND CIGARETTES. Spun off from a series of previous caffeine-drenched shorts (several of which are included here) from as early as the mid-80s, you get interesting collections of actors and musicians (RZA & GZA & Bill Murray! Steve Coogan and Alfred Molina! The White Stripes! Cate Blanchett!) pontificating about a variety of subjects while downing the titular combo. It's all good fun, and you get to hear us talk about it, along with the latest Steve Buscemi news. Enjoy! The post Episode 279 – How Do You Do, Fellow Kids? – Coffee and Cigarettes (2003) first appeared on Cinema Smorgasbord.

Drew and Travis hang out with Jim Jarmusch's Ghost Dog: The Way of the Samurai! It's the 1999 hitman flick starring Forest Whitaker, featuring original music by RZA of The Wu-Tang Clan. TIMESTAMPS 00:00:00 - Ghost Dog: The Way of the Samurai 00:56:29 - The Shelf 01:02:34 - Calls to Action 01:04:22 - Currently Consuming 01:27:22 - End SHOW LINKS Perfect Days (2023) Kill Bill: Vol. 1 and Kill Bill: Vol. 2 Predator: Killer of Killers GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky

Ian and Sujewa have never been to the Cannes Film Festival, but that won't stop them from bringing it to you (sorta)!This month, the guys look at the latest news from the South of France, featuring the buzz around Richard Linklater's Nouvelle Vague, which dramatizes the making of Jean-Luc Godard's Breathless; and speculate as to why festival darling Jim Jarmusch's new movie was totally shut out of Cannes!Then they take a bumpy trip down Stardust Memories lane, to look at one of Woody Allen's sharpest, most surreal, and eerily contemporary comedies--centering on a neurotic filmmaker who must wrestle with loves both lost and lingering while navigating a weekend retrospective of his work.Join us as we talk snubs, spoilers, and a sneak peek at our next episode--which will be a star-studded Cannes-tinuation of the discussion you're about to hear!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow LinksWatch the Stardust Memories (1980) trailer.Watch the trailer for Richard Linklater's Cannes sensation, Nouvelle Vague.Watch Ian and Sujewa talk Breathless on a previous installment of "IndieSeen"!Bonus! Read Ian's archive interview with Nouvelle Vague star Zooey Deutch!Check out Sujewa's latest podcast venture, This Arthouse Life! Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Follow Sujewa on X.Check out all the episodes in our “IndieSeen” Playlist!

Rhys, James and Joe take a look at Jim Jarmusch's 1999 fusion of crime & samurai genres, Ghost Dog: Way of the Samurai. Hosted on Acast. See acast.com/privacy for more information.

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg