Podcast appearances and mentions of Jim Jarmusch

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comDavid Marchese has spent the past decade interviewing famous people, from Quincy Jones to Nicolas Cage. He is co-host of “The Interview,” the New York Times Q&A series, and before that, he interviewed bold-faced names for Vulture and NYT Magazine. But he doesn't see his job as “interviewing celebrities” — at least, that's what he says after his old pal Sarah introduces him as such. It's true that Marchese interviews all sorts of people, from author Michael Pollan to happiness expert Laurie Santos. But fame — and its excesses, contradictions, and illusions — is the backdrop for many of his best-known conversations, and it's the launchpad here for a chat about collective experiences, how to ask better questions, how journalism has changed since the days of Playboy, and why discomfort might be a key ingredient to a great interview. NOTE: This is an audio-only episode! Also discussed …As well as:* Sarah sees an advantage to David being “deeply Canadian” * “Celebrity is the coin of the realm.” Or is it?* Nicolas Cage … inspired by Gumby?* Jim Jarmusch did not do interviews that lasted less than an hour* Editor burnout is real* Adam Moss, genius* Friend o' the pod David Rensin and his dozens of Playboy interviews* Age is an undervalued asset in celebrity interviews* Denzel Washington, Nicole Kidman, Edward Norton, Anthony Hopkins* Interviewing as surgery and when to put down the knife* Sarah is still waiting on that mixed tape David promised in 2008Plus: David quotes Ezra Pound, Joyce Carol Oates and Elmore Leonard, what Clive James got right about Americans and fame, and much more!After the paywall: “Which celebrity interview was the most uncomfortable?”We're trying to ask better questions. Like: Will you become a paid subscriber?

The 2026 New Zealand International Film Festival will kick off later this winter, and the organisers have revealed what titles fans can expect to see. The first films confirmed for the 2026 programme include Comédie-Française, Jim Jarmusch's Father Mother Sister Brother, a documentary about All Black Jonah Lomu and queer classic Mysterious Skin. Entertainment correspondent Steve Newall explained further. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Tyler and David discuss the movies David saw at Slamdance 2026 as well as Jim Jarmusch's Father Mother Sister Brother.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Si han escuchado nuestros podcasts saben que nos gusta bastante Jim Jarmusch, ya sea por Ghostdog, Una noche en la tierra, Coffee and Cigarettes, Only lovers left alive, etc. Con ese antecedente, no nos íbamos a perder la oportunidad de discutir su más reciente estreno, que además lo vuelve a reunir con el formato antológico de hilar cortos con un (o varios) elemento en común. Es el caso de FATHER MOTHER SISTER BROTHER (2025) que tiene un elenco de lujo y es, en nuestra opinión, excelente. ¡Recién estrenada en MUBI! Gracias por escuchar/comentar/compartir y recuerde que puede acceder a 30 días gratis de MUBI siguiendo el siguiente enlace: www.mubi.com/flimcast Si quiere pre-estrenos, archivo y materil exclusivo lo esperamos en www.patreon.com/hermeselsabio Y si busca comprarse películas y/o series en formato físico, vaya a www.filmico.tv

In the episode, Chris is back from Peru and they talk movies. First, after the intro, they talk Jim Jarmusch's latest drama comedy stuff that he does with Father Mother Sister Brother starring Tom Wait, Adam Driver, Mayim Bialik, Cate Blanchett, Charlotte Rampling among others. Then, after news, they talk the second installement of the reboot of Mortal Kombal, Mortal Kombat II. This one had mf'in Karl Urban and mf'in Johnny Cage. Is Father Mother Sister Brother a family reunion from hell? Does Mortal Kombat II kick some butt? Listen and find out chum....p. Oh yeah , if you want a 100% free sticker (we even pay postage) send us a message! www.moviesthatdontsuck.net https://w2mnet.com/category/podcasts/movies-that-dont-suck-and-some-that-do www.patreon.com/moviesthatdontsuck https://www.bonfire.com/movies-that-dont-suck-and-some-that-do-logo/ FB: facebook.com/moviesthatdontsuckpodcast Bluesky: @moviesthatdontsuck.bsky.social

Send us Fan Mail In this episode, Marty gives Clif the movie Suitable Flesh to watch and Clif gives Marty the movie Green Book to watch. Clif and Marty pair up two movies that somehow work exceptionally well together. Here comes Green Book and Suitable Flesh. We start with Suitable Flesh. A wild Lovecraft-inspired body-swap horror throwback featuring Heather Graham and horror legend Barbara Crampton. Clif and Marty talk B-movie charm, gross-out effects and Stuart Gordon vibes. Overthinking this movie might ruin the fun!Next, it's Peter Farrelly's Oscar-winning road movie Green Book starring Viggo Mortensen and Mahershala Ali, discussing the chemistry between the leads and the film's mix of comedy and drama. Green Book often feels like “The Odd Couple in a car.” They also cover listener mail, Jim Jarmusch appreciation and pizza-folding sitcom jokes. #TalkingPondo #FilmPodcast #GreenBook #SuitableFlesh #MovieReview #HorrorMovies #ClassicCinema #BarbaraCrampton Support the showFind our films here:The Love Song of William H ShawRevenge of ZoeWriting Fren-ZeeMaking Pondo on FacebookX (formerly Twitter):@MakingPondoInstagramMaking Pondo on Letterboxd:Season OneSeason TwoSeason ThreeSeason FourTheme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

Spätestens mit “Walk the Line” und “Ray” ist in den frühen 2000ern eine neue Musik-Biopic-Welle losgetreten worden, die ihren absoluten Höhepunkt in “Bohemian Rhapsody” gefunden hat und seitdem erstaunlich erfolgreich weiter rollt. Ist die Geschichte von Michael Jackson nicht viel zu problematisch, um sie in einen glorifizierenden Film zu gießen? Über so eine Frage kann man in den Filmstudios aktuell nur lachen, während man Dollar-Scheine zählt. Bruce Springsteen, Bob Dylan, Amy Winehouse, Bob Marley, sie alle werden nochmal von auf den Oscar schielenden Jungschauspielern auf die Bühne gezerrt um Musical-artig ihre Manierismen und Geschichten runterzustottern. Und die Kritik? Quittiert das meist mit Schulterzucken bis Verriss. In dieser Folge gehen Christopher Hunold vom Track 17 Podcast und Christian der Frage nach, wieso Musik-Biopics so erfolgreich sind, obwohl sie oft so abgegriffen sind. Was sind die Tropes, wie ginge es anders und wie wichtig ist uns überhaupt die Geschichte einer Künstlerin für das Verständnis ihrer Kunst? Das ist eine Cross-Over-Folge, die (in leicht veränderter Form) auch bei Track 17 erschienen ist. Unterstützt uns gerne für exklusive Folgen, wie unsere Jim-Jarmusch- und Frederick-Wiseman-Specials: https://steadyhq.com/cuts

Justus and David have been studying the blade and are discussing Jim Jarmusch's ultra-cool movie with an ultra-cool title. Stay tuned for facts about bears, more bad Werner Herzog voice, and thoughts about this genre-defying flick. Wu-Tang forever!Ghost Dog: The Way of the Samurai (1999) is directed by Jim Jarmusch and stars Forest Whitaker, John Tormey, Cliff Gorman, Henry Silva, and Issach de BankoléMusic: “Fractals” by Kyle Casey and White Bat Audio

Avui dijous parlem del Club Hoquei Lloret, que es juga l'ascens a la màxima categoria en el partit de dissabte a casa. Emoció de primer ordre aquest cap de setmana. El Club Hoquei Lloret es juga l'ascens a la màxima categoria i el títol de campió de l'OK Lliga Plata. Aquest dissabte es disputa l'última jornada i l'entitat fa una crida a tots els lloretencs per animar l'equip. Depenen d'ells mateixos. Una victòria davant del Mataró, el rival d'aquesta jornada, els asseguraria el doble premi: l'ascens i el campionat. En cas d'empatar o perdre, necessitarien una punxada del Manlleu, que és el segon a un punt de distància i que es desplaça a la pista del Jolaseta. El partit del Club Hoquei Lloret és aquest dissabte, a les cinc de la tarda, al Pavelló Municipal d'Esports. Nosaltres volem saber com van els preparatius. En parlem amb el tècnic Manel Díez. Altres temes d'interès: Ensenyament: Les Olimpíades Interescolars de Lloret de Mar arriben avui a la seva vuitena edició amb una participació menor de la que estava prevista a causa de la vaga del sector de l'educació. Agenda: Recordem que aquest dijous s'inaugura el seminari d'arxius i turisme, amb seu a l'Azure. Hi ha 100 inscrits i 30 comunicacions previstes. A més, aquest vespre hi ha sessió de cineclub amb l'última pel·lícula de Jim Jarmusch. Recomanem el concert de piano de divendres amb la violoncel·lista Sveta Trushka i la pianista Irina Moreland, amb un repertori de compositors com Mozart, César Franck i Alexey Shor. Literatura: Ens fem ressò de la presentació del llibre LOS HEREDEROS DEL SILENCIO d'Angelique Pfzitner, dissabte a la Biblioteca. Teatre: Dissabte vespre es representa l'obra BISILA al teatre, que reflexiona sobre les conseqüències de l'apropiació cultural i religiosa, amb un llenguatge adreçat als joves. Projecte: Un dia més coneixem dones que SÓN AURORA. Científiques que poden inspirar nenes i joves a estudiar carreres Steam.

La pel·lícula ‘Father Mother Sister Brother’, dirigida per Jim Jarmusch, explora les relacions familiars a través de tres històries independents però connectades, ambientades als Estats Units, Irlanda i França. El repartiment coral compta amb Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett i Vicky Krieps. El film, que l’any passat va guanyar el Lleó d'Or a Venècia, es projecta aquest dijous a Lloret de Mar, de la mà del cineclub Adler. El seu president Joan Moret explica que “ja ho diu el títol, no enganya ningú, explica tres històries diferents, de retrobades familiars, en les quals predomina l‘inesperat, l’estranyesa, però també un cert sentiment de malenconia”. El film presenta diversos retrobaments familiars marcats per la distància emocional, els silencis i les tensions acumulades: germans adults que tornen a veure's després d'anys sense contacte i que han d'afrontar relacions difícils amb pares emocionalment absents. La crítica ha destacat l'estil minimalista i contingut de Jarmusch, amb interpretacions subtils, diàlegs precisos i una gran força expressiva del silenci, en una línia propera a cineastes com Yasujirō Ozu i Robert Bresson. El passi de ‘Father Mother Sister Brother’, de Jim Jarmusch, serà aquest dijous (20:30h) al Teatre de Lloret.

It's one of the great films of the '90s, from one of the most Pop Screen-friendly directors of all time: Jim Jarmusch, a man who can't even make a little family drama without sticking Tom Waits in there. Here, he's making a Western starring Johnny Depp, Robert Mitchum, a lot of people who would go on to be very famous, and the former lead singer of the Stooges. In a dress and bonnet.It's so good that we've redone the show's theme music in its honour this week. Join Graham and Rob as they discuss the light the film sheds on the Western genre, its place as the first of Jarmusch's offbeat genre exercises, and the film's other hidden punk rock cameo that will blow you away. Plus: the pre-wearing-wacky-hats-for-Disney-money years of Depp's career, Iggy Pop's advice to young musicians and more!If you don't want us to have to go to the town of Machine to earn our fortune, you can donate to our Patreon where we're just about to drop an exclusive episode of this show about Michael Jackson's Ghosts. Also, Graham is about to launch his new podcast The Arts Hole, and there are weekly articles about Doctor Who, The Twilight Zone and more that you won't find anywhere else. Follow us on Twitter, Bluesky, Instagram and Facebook for more.

Nick and Alex discuss the career of one of Nick's favorite directors, the singular Jim Jarmusch. As the guys break down each Jarmusch film, stray topics include style vs. fashion, making the mundane cool, slow cinema, revelatory film structure, anthology films, and much more.Visit our BRAND NEW website waywpodcast.com for episode categories, merch, donations, comments, social media, and more!

New music from PRESTI, HARRY PUTTER, NIGHTMARES ON WAX, JIM JARMUSCH w/ ANIKA + more hosted by BILL BEARDEN aka WHOA-B + LUKE STOKES. BILL begins the program with a mix of 2 step + UK garage. LUKE follows with an eclectic set of dub, techno + downtempo. [aired 26 Feb 2026 on WLUW-Chicago 88.7FM] >BILL BEARDEN aka WHOA-B Pa Salieu “Belly” (Bakey Remix, 2024) Presti “Big Ting” (Time Is Now, 2026) Main Phase “Hive Mind” (ATW Records, 2026) Holloway “Tailwind” (Nerve Collect, 2025) DJ Haus “Machine Learning” (Interplanetary Criminal Remix, Unknown To The Unknown, 2020) Bodhi “433Mhz” (Ingram, 2025) Coido “Into The Bleak” (Well Street Records, 2024) D1 “Oni” (Tempa, 2025) Adam BFD “Busy Days” (Studio Goncourt, 2025) Jeigo “Emptiness 4 U” (Fleurella Records, 2025) Harry Putter “Drink This Potion” (Swingers, 2026) Oldboy “How’d Ya Feel” (Constant Sound, 2026) Sterling Void “Don’t Wanna Go” (Gemi Remix, 2024) Kepler vs The Trip “House Nation” (Tessellate, 2026) Kobe JT & The Phat Controlla “Next DJ” (Time Is Now, 2022) >LUKE STOKES Bicep “CHROMA 004 ROLA” (CHROMA 000, CHROMA, 2025) Johan Lenox “Show ‘EM Something New” (Full Speed Nowhere, Self Released, 2025) Nightmares on Wax “Bang Bien (feat. Yasiin Bey)” (Echo45 Soundsystem, Warp, 2025) Makaton “Volvelle” (/every.moment, Rodz-Kones, 2025) Weval “OPEN UP THAT DOOR (feat. Kilimanjaro)” CHOROPHOBIA, Technicolour, 2025) Harvey Sutherland “Cigarette” (Debt, clarity recordings, 2025) Deluka “Plastic Emotion” (Supercinema 06 EP, Supercinema Records, 2025) Patrick Watson ” (Uh Oh, Secret City Records, 2025) Venna “Indigo” (MALIK, Cashmere Thoughts, 2025) Hybrid Leisureland “8mm (Mix)” (Flower Bullet, Sonar Library Records, 2025) Jim Jarmusch and Anika “These Days” (Father Mother Sister Brother Soundtrack, Sacred Bones, 2025) Afterlife “WU WEI” (Standing At The Foot Of The Mountain, Subatomic UK, 2025) JL Segel “Mist” (Mist Single, Self Released, 2025) The post absci radio 1410 – whoa-b + luke stokes appeared first on abstract science >> future music chicago.

Send us Fan Mail In this episode, Jessica Stone joins the podcast. She brings along the movie Only Lovers Left Alive. Marty and Clif give Jessica the movie Arrival to watch. Clif and Marty welcome back returning guest favorite Jessica Stone for two wildly different but unexpectedly connected films, Arrival and Only Lovers Left Alive.The conversation starts with Arrival, through a discussion of language, grief, nonlinear time, and whether Denis Villeneuve's cerebral style is immersive genius or frustratingly distant. Jessica brings sharp observations about symbolism, sound design, and the heptapods, while Marty offers a spirited dissent that sparks one of the episode's best debates.Then the crew moves into the dreamy, undead world of Jim Jarmusch's Only Lovers Left Alive, revisiting the vampire genre through a very different lens.It's an episode about aliens, immortality, loss, communication, and whether time might really be a flat circle.#TalkingPondo #ArrivalMovie #OnlyLoversLeftAlive #DenisVilleneuve #JimJarmusch #SciFiPodcast #MoviePodcast #FilmDiscussion #AmyAdams #JeremyRenner #VampireMovies #AlienMovies #IndependentFilm #CultCinema Support the showFind our films here:The Love Song of William H ShawRevenge of ZoeWriting Fren-ZeeMaking Pondo on FacebookX (formerly Twitter):@MakingPondoInstagramMaking Pondo on Letterboxd:Season OneSeason TwoSeason ThreeSeason FourTheme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

I det här klassikeravsnittet går Magnus och Misha på bio och tittar på regissören Jim Jarmusch svartvita westernfilm "Dead Man" från 1996 med Johnny Depp i huvudrollen. Och vi pratar om filmens ambienta soundtrack som Neil Young spelade in. Det blir ett samtal om både filmen och musiken som båda berör Misha och Magnus på djupet.  Filmen kan ni se på Youtube: https://www.youtube.com/watch?v=qWuoDWyQbaQ&t=1137s

Melbourne Cinémathèque's Adrian Danks joins the show to discuss their season of the films of Ryusuke Hamaguchi. Plus, Flick is joined by Will Cox and Cerise Howard to discuss Jim Jarmusch's latest anthology film Father Mother Sister Mother, as well as Rebel Wilson's aptly-named directorial debut The Deb.

This week, the guys sink their teeth into Jim Jarmusch's Only Lovers Left Alive (2013), then bounce from Project Hail Mary to The Super Mario Galaxy Movie with their usual graceful lack of restraint. Along the way, they also check in on the final season of The Boys and Hulu's two new comedies - Pizza Movie and Mike & Nick & Nick & Alice. Moody vampires, outer space, superheroes, time travel, and pizza: just another totally normal episode!

On the show this week we have a special episode dedicated to the cinema of Jim Jarmusch, tied to the UK release of his new film, Father Mother Sister Brother. We're going to be discussing that in depth, as well as exploring some other Jarmusch deep cuts along the way.Joining host David Jenkins to talk all things Jarmusch is Mark Asch.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

On the review show this week: critics Muriel Zagha and Tahmima Anam review Francois Ozon's film The Stranger., based on the Albert Camus novel which has often been described as unfilmable.Amitav Ghosh's novel Ghost Eye, set in India and dealing with parallel timelines, multiple global locations, environmental catastrophe and a young girl with mysterious powers. Jim Jarmusch's latest film Father Mother Sister Brother won the Golden Lion award at Venice. Are our critics won over?Plus, is it ok for theatre audiences to take pictures at curtain calls? Following Lesley Manville's complaints on last week's Front Row, Tom Sutcliffe debates the issue with theatre critics David Benedict and Kate Maltby. Presenter: Tom Sutcliffe Producer: Oliver Jones

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. Fresh film talk and finely tuned cinematic debate await in this week's episode of Kermode & Mayo's Take. The Good Doctors return with their trademark blend of insight and irreverence, casting a critical eye over the latest arrivals on the big screen. Leading the lineup is Father Mother Sister Brother, the latest slanted family drama from Jim Jarmusch, with an all-star cast including Adam Driver, Cate Blanchett, and Charlotte Rampling. Then on to some moody existentialism with The Stranger, an adaptation of Albert Camus' seminal novel, directed by François Ozon—who was our guest a couple of weeks back. And finally, The Undertone, a podcast-based, sound-forward horror—but will it resonate with Mark? He'll also be reviewing Glenrothan—a warming, Scottish-set tale of family reunion through whisky, directed by Brian Cox. Simon sits down with this formidable acting talent to discuss his turn to directing. Cox reflects on the changes and challenges of moving behind the camera, and what we can expect from his feature debut. All that alongside a generous helping of listener correspondence, probably some spirited disagreement, and the familiar flickers of presenter exasperation—another essential listen for wittertainees the world over. You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Timecodes: 00:00:00 Show starts 00:12:02 Father Mother Sister Brother review 00:20:31 Download Chart 00:31:55 Brian Cox interview 00:45:27 Laughter Lift 00:49:49 Undertone review 01:01:30 The Stranger review Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tres historias que ocurren en distintos lugares del mundo, donde se examina la complejidad de las relaciones familiares. Jim Jarmusch escribe y dirige este largometraje, su retorno a la pantalla grande tras seis años y con el que obtuvo el León de Oro en el Festival de Cine de Venecia. El reparto incluye a grandes estrellas y a colaboradores frecuentes del director, como Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling y Cate Blanchett. Ya disponible en salas de cine.

On this episode we talk about the 90s indie film Habit. Directed by indie legend Larry Fessenden, Habit tells the story of Sam, a 30-ish alcoholic living in New York grieving after the loss of his father. Sam falls into a seductive relationship with Anna, a mysterious woman who may be a vampire. As his obsession with Anna continues, and his alcoholism, grief, and loneliness get worse, Sam's reality blurs as he descends into sickness. A pivotal movie of low-budget, indie 90s filmmaking, Habit continues our Degenerate Vampire marathon.Other topics include Fessenden's connection to the indie scene and Scorsese, degenerate vampires in Near Dark, physical media and Vinegar Syndrome, the influence of 90s indie filmmaking, the quality of the Jurassic Park sequels, out-of-print Criterion collection, new artwork, and post-2000s Spielberg movies leading up to Disclosure Day.Songs of the WeekSave You From Yourself by Just DessertsI Don't Know How But I Am by Jimmy LewisRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Cate Blanchett on the joy of working with Jim Jarmusch again in Father Mother Sister Brother.Palestinian-American director Cherien Dabis discusses cross generational trauma in her powerful new drama All That's Left Of You.Mike Figgis invites us behind the scenes of Francis Ford Coppola's 120 million dollar spectacular flop Megalopolis in his riveting documentary Megadoc.Presenter, Jason Di RossoProducer, Tony NortonSound, Tim SymondsArts editor, Sarah L'Estrange

Ellen E Jones and Mark Kermode swap film reels for fishing reels, to ponder why fishing onscreen has got us hooked. The net is cast wide to consider everything from industrial scale fleets showcased in films like The Perfect Storm and long running series, Deadliest Catch, to more leisurely endeavours like The River Runs Through It, and the BBC's Mortimer and Whitehouse: Gone Fishing. With guests, Mark Jenkin, John Lurie and Gagga Jónsdóttir.Mark speaks to Cornish film director Mark Jenkin about why fishing has continued to have such a strong presence in his films, and how the industry has often been romanticised onscreen. Jenkins 2019 feature debut Bait dramatised clashes between tourists and locals in a once flourishing fishing village, and in his newest film, Rose of Nevada, a fishing vessel lost for 30 years mysteriously reappears in a derelict harbour. The actor, painter and frequent Jim Jarmusch collaborator, John Lurie, shares with Ellen how his 90s cult TV show, Fishing With John, hauled away the conventions of late night cable fishing shows, and what it was like onboard with the actors, Dennis Hopper and Willem Defoe. Ellen also talks to the Icelandic writer-director, Gagga Jónsdóttir, about her documentary, Strengur, and some of her unexpected cinematic sources of inspiration. The film follows the journey of four teenage girls challenging traditional gender roles on the River Laxá, as seventh generation angling guides. Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

Louisiana-aktuelle Sophie Calle hægter sig på andres privatliv som en parasit. Uanset om hun får 107 kvinder til at fortolke en break-up-mail eller stalker en fremmed til Venedig, overskrider hun ufølsomt privatsfæren. Vi dykker ned i stjernekunstnerens parasitære tendenser. Derudover taler vi om kvinder i gyserfilm, indie-darlingen Jim Jarmusch og hvorfor Instagram bliver rødglødende, når fremmede lægger sildebensparketgulve i 70'er-parcelhuse. Medvirkende: Bodil Skovgaard, kunstkritiker på Dagbladet Information Andreas Halskov, ekstern lektor i film- og medievidenskab på Aarhus Universitet Joachim Jelle og Bjørn Kjærgaard, værter på podcasten "Gysergutterne" Julia Lahme, etnolog og forfatter Vært: Louise Reumert Producer: Anna Correll Redaktør: Lasse Lauridsen

With International Day of Transgender Visibility being celebrated on March 31, we took the opportunity to spotlight ‘Homebodies’, a brand new digital series that is streaming now on SBS on Demand that highlights local trans and queer talent on screen and behind the scenes including its creator AP Pobjoy. Fresh from its selection for this year's prestigious Series Mania in France, ‘Homebodies’ stars Claudia Karvan, Luke Wiltshire and Jazi Hall, and follows Darcy, a trans man who reluctantly returns to his regional hometown to care for his estranged mother Nora. But home isn't as he left it. Nora has been living with a secret housemate: Dee, the teenage ghost of Darcy's pre-transition self. As old wounds resurface, Darcy must confront the parts of himself he tried to leave behind or risk losing himself entirely. The creator, lead-writer and one of the directors of the series is AP Pobjoy, a Sydney based creative who was in Lille, France when we spoke for Series Mania where ‘Homebodies’ had its world premiere. We discussed how they got into filmmaking, the importance of trans representation on our screens and much more. We also reviewed the latest film from indie American film director and musician Jim Jarmusch. ‘Father Mother Sister Brother’ is constructed in the form of a triptych and includes a beautiful performance from Indya Moore along with a cast that includes Cate Blanchett, Charlotte Rampling, Tom Waits and Adam Driver. The three stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three chapters takes place in the present, and each in a different country. The film is described as a series of character studies, quiet, observational and non-judgmental – a comedy, but interwoven with threads of melancholy and is in Australian cinemas from April 2nd. The post Homebodies with special guest AP Pobjoy plus Father Mother Sister Brother review appeared first on Out Takes.

Auch wenn er viele Millenials ans Indie-Kino geführt hat, scheinen Zoomer keinen Bezug mehr zu ihm zu haben. Lucas und Christian sprechen im neuen Special mit Fynn Benkert über Jim Jarmusch, dessen Gegenkino irgendwann Arthouse-Mainstream geworden ist und an das man heute eher selten denkt. Hat er uns heute noch was zu sagen? Das ist aber nur der Teaser! Wenn ihr die ganze Folge hören wollt, unterstützt uns auf https://steadyhq.com/cuts

Este é um vídeo de duas pessoas conversando. O nome do programa é Coffee & Cigacasts. Eu sou o Yuri Moraes e o homem falando comigo é o Adriano Vilas Boas.Nós começamos juntos no audiovisual. Naquela época, o audiovisual ainda conseguia convencer a gente de que era uma boa ideia. Depois, fomos juntos para a MTV. Nós falamos sobre isso. Falamos sobre como nos conhecemos, sobre o momento em que a amizade vira briga e como a terapia acaba virando uma perda de tempo.O resto é apenas o mundo acontecendo. Nós mencionamos o Ryan Coogler, a Guerra do Irã e o Gadafi. Nós também descemos para o esgoto dos e-mails do Epstein para o Woody Allen. Falamos sobre o Osho. A pós-mentira e o momento em que as ilusões acabam.No fim, é uma conversa sobre o que sobrou.Você pode assistir até o fim. Ou só um pedaço. Se você quiser curtir o vídeo ou se inscrever no canal, seria ótimo. Se não quiser, tudo bem também, eu apenas espero que os dias que virão te tratem com respeito.

Original Release Date: Monday 23 March 2026    Description:   This week's episode starts off with a follow-up to a fascinating bit of silent film history discussed on this weekend's “Celebrity Deaths” show. That leads into discussion of the landmark 107 year-old Santa Monica Airport and what is to become of that land now that the airport is (finally) shutting down. AI is creating a “new” Val Kilmer performance for an upcoming feature film. Dean and Phil have thoughts. Likewise they have thoughts about three movies: the 2016 classic zombie thriller Train to Busan, the most recent film from indie film legend Jim Jarmusch, and an all-time masterpiece from The Archers. Then, your friends in podcasting wrap up the festivities by discussing several more of the theaters that made Time Out's list of the 100 Greatest Movie Theatres in the World RIGHT NOW!

On Sunday the first Oscar for Achievement in Casting will be given in the 98-year history of the Academy Awards. Today, The Kitchen Sisters and host Frances McDormand bring you the story of two legendary casting directors: Juliet Taylor and Ellen Lewis.Listen to Part 1 of this saga: Everyone's a Casting Director: The First-Ever Academy Award for Casting in the 98-Year History of the Academy Awards“Casting is the first thing that is done on a movie. Everybody's sort of in a great mood, nothing's gone wrong yet, and everybody's feeling very positive. And it's the first time the director's heard the words read and it can really influence the way the movie goes.” —Juliet TaylorDuring her career, Juliet cast 103 films including Annie Hall, Taxi Driver, Manhattan, Terms of Endearment, Big, Schindler's List, Midnight Cowboy, Network and so many more. “It's an old-fashioned trade. You are learning from the person that you are working for. That's like your graduate school.” —Ellen LewisEllen has cast some dozen films for Martin Scorsese including Goodfellas, Casino, Gangs of New York, The Age of Innocence, Cape Fear, Kundun, The Wolf of Wall Street, The Irishman, The Departed, Killers of the Flower Moon. Also Forrest Gump, The Devil Wears Prada, A League of Their Own, lots of Jim Jarmusch movies, and the television series The Queen's Gambit, Godless, Boardwalk Empire and so much more.“More than 90% of directing a picture is the right casting.” —Martin ScorseseHave a Seat, The Casting Director Will See You Shortly: The Legends of Juliet Taylor & Ellen Lewis was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.

"Hard Ride" by Glyders from Forever; "Spooky" by Jim Jarmusch and Anika from the soundtrack from Father Mother Sister Brother; The title track from Full Serpent by Dialect; "The Buck Stops Here" by Goat and Human Language from The Human Language Goat Tape; "Let Me Know" by Nohr from the Two Lanes/Nohr collaboration EP Sign (Revision); The title track from the sountrack to The Smashing Machine by Nala Sinephro; "Space Ray" by Drew Gardner from Space Ray; "Firefly Pharology" by Bellbird from The Call; "Anna" by Katzin from Buckaroo; "Nightmare V: When All Becomes None" by The Mashmallow Ghosts from When Death Arrives - Five Nightmares; "Sentient Lithosphere" by Barry Walker, Jr. from Paleo Sol.

Nicodemus, Katja www.deutschlandfunk.de, Kultur heute

In seinem 14. Kinofilm erzählt Jim Jarmusch ein Familientreffen der anderen Art. Ein Aufeinandertreffen zwischen Eltern und Kindern, die nicht wissen, worüber sie reden sollen.

Jim Jarmusch sa vracia vo výbornej forme, Olivier Assayas mapuje zákulisie Putinovej cesty k moci a Vreskot sa dožíva už siedmej časti. Čo z toho si zaslúži vašu pozornosť? Pustite si nový diel .týždňa vo filme.

CINQUE LEE BIOCinque Lee is an American actor and filmmaker. He is the younger brother of filmmaker Spike Lee. Lee has worked in a number of different positions in his older brother's films, as a camera operator, video archivist, and most notably as a co-screenwriter in Crooklyn (1994). He also had small roles in School Daze (1988) and Oldboy (2013). As an actor, he appeared in the Jim Jarmusch-directed films Mystery Train (1989) and Coffee and Cigarettes (2003), and a number of other independent films. Lee is also a filmmaker himself, directing, producing and writing the following films: Window on Your Present (1988),Nowhere Fast (1997), Sink Like a Stone (2000), UR4 Given (2004), and Burn Out the Day (2010, co-directed with Sean BoharyABOUT LAST RIDE, DIRECTED BY CINQUE LEE AND EXECUTIVE PRODUCED BY SPIKE LEE In the winter of 1982, three American boys find themselves stranded in a cable car with a dead body, suspended midair in the mountains of Norway during a rare celestial event.Here's the trailer: https://www.youtube.com/watch?v=yjrkWz1Gvk4Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.Subscribe now at YouTube.com/@RefocusedNetworkThank you for your time. 

Spletitá rodinná pouta rozmotávají Aleš, Vít a Tomáš v epizodě Čelistí, jejíž ztišený ráz diktuje nejen hlasová indispozice, ale i dojemný návrat jednoho z největších básníků filmového plátna Jima Jarmusche k povídkovému filmu a neokázalé síle rodinných konstelací.Všechny díly podcastu Čelisti můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Spletitá rodinná pouta rozmotávají Aleš, Vít a Tomáš v epizodě Čelistí, jejíž ztišený ráz diktuje nejen hlasová indispozice, ale i dojemný návrat jednoho z největších básníků filmového plátna Jima Jarmusche k povídkovému filmu a neokázalé síle rodinných konstelací.

Just one of your everyday run of the mill licensed games made out of Jim Jarmusch movies. Can't tell you how sick I am of playing Palladium's version of Down By Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Episode, Brian talks about the new Criterion 4K UHD releases of Jim Jarmusch's DEAD MAN (1995) and Jacques Tati's PLAYTIME (1967) as well as offering some other films you could potentially pair with both movies. DEAD MAN: https://www.criterion.com/films/29064-dead-man PLAYTIME: https://www.criterion.com/films/651-playtime This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

I first noticed Marc Ribot's slinky, spiky guitar playing as “Jockey Full of Bourbon,” from Tom Waits' Rain Dogs, slithered over the opening of Jim Jarmusch's Down By Law. Rain Dogs was a breakthrough for Ribot, who previously had played in Brother Jack McDuff's soul-jazz band, backed Wilson Pickett and Solomon Burke, and been a member of the Lounge Lizards. More Waits collaborations followed, as did work with Elvis Costello, Sam Phillips, McCoy Tyner, Yoko Ono, Robert Plant and Allison Krauss, Elton John and Leon Russell, and many others. Here Ribot reflects on his robust studio-musician and solo career; his love of Latin American music; the creative leeway that Waits, Costello and others gave him; the impact of producers such as T Bone Burnett and Hal Willner; his decision to sing lead for the first time on his long-gestating 2025 album, Map of a Blue City; and his fight for indie musicians' rights with the Music Workers Alliance. (Photo by Eric van den Brulle.)

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew went went to four movies and half of them starred Ralph Fiennes. First we talk some Bone Temple starring Fiennes. Then Jim Jarmusch is back with a very Jim Jarmusch movie. After that Jim's favourite Skarsgard is in the latest from Gus Van Sant. Then we bookend the reviews with Fiennes again in The Choral. Finally in the Rage or Dare segment Bryce was forced to watch Wild Hogs. And yes a movie with Tim Allen and Martin Lawrence is exactly as bad as you would think. Introduction-0:00 Murman Predicts-1:08 In Cinema 28 Years Later: The Bone Temple (2026)-8:46 Father Mother Sister Brother  (2025)-24:27 Dead Man's Wire (2026)-36:52 The Choral (2025)-47:37 Murman Minute-59:02 Open Rage Jim's Open Rage- Ralph Fiennes isn't in everything-1:03:03 Bryce's Open Rage- Wrong line...or was it?-1:04:41 Rage or Dare Wild Hogs (2007)-1:11:58 Jim pulls from Bryce's bag of goodness-1:20:30 Outro-1:21:53 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

durée : 00:03:33 - Le Regard culturel - par : Lucile Commeaux - Petite réflexion sur l'écriture des dialogues au cinéma à partir de deux films bavards sortis mercredi dernier : "Father Mother Sister Brother" de Jim Jarmusch, et "Ma Frère" de Lisa Akoka et Romane Guéret.

durée : 00:52:39 - Le Masque et la Plume - par : Rebecca Manzoni - Le dernier film de Jim Jarmusch, celui de Mascha Schlilinski, "Ma Frère" de Lise Akoka et Romane Gueret ou encore “Anaconda” de Tom Gornican, découvrez les critiques du Masque sur les dernières sorties cinéma. - invités : Christophe Bourseiller, Marie SAUVION, Jean-Marc Lalanne, Florence COLOMBANI - Christophe Bourseiller : Journaliste France Inter et Transfuge, Marie Sauvion : Journaliste à Télérama, Jean-Marc Lalanne : Critique de cinéma et rédacteur en chef du magazine Les Inrocks, Florence Colombani : Journaliste et critique cinéma (Le Point) - réalisé par : Stéphane LE GUENNEC Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Back in 1986, Tim Blake Nelson was a drama student at Julliard when he saw Jim Jarmusch's sophomore feature, DOWN BY LAW. Tom Waits (who would continue to work with Jarmusch, and is starring in his latest film) plays a regular unlucky joe, and does it as no typical Hollywood star could. It was a path into the world of movies that Nelson could see himself following, if he got the chance (which he did). Today, you can see the great Tim Blake Nelson in Mona Fastvold's THE TESTAMENT OF ANN LEE, which stars Amanda Seyfried.Then Jordan has one quick thing about a great action cinema primer that's fun for action heads and would-be action fans alike: @HeadExposure's Action Year in Review. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

durée : 00:48:26 - La 20e heure - par : Eva Bester - Réalisateur, musicien et producteur, Jim Jarmusch, figure de lance du cinéma indépendant américain, vient présenter son tout dernier film, en salle depuis le 7 janvier, « Father Mother Sister Brother ». Il partage également ses réflexions sur l'art et les influences qui ont marqué son œuvre. - invités : Jim JARMUSCH - Jim Jarmusch : Cinéaste américain - réalisé par : Lola COSTANTINI Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The primary focus of this podcast episode is an in-depth analysis of the film "The Dead Don't Die," which serves as a striking illustration of cinematic perplexity. Alec and JJ engage in a critical discourse regarding the film's narrative structure, character development, and overall coherence, or lack thereof. Throughout our examination, we articulate our bewilderment at the film's erratic pacing and the seemingly arbitrary choices made by its director, Jim Jarmusch. We delve into the implications of the star-studded cast, questioning the rationale behind their involvement in a project that appears to lack a definitive purpose. As we navigate through our thoughts, we invite listeners to ponder the broader question of how such films ascend to production, sparking a dialogue on the intricacies of filmmaking and audience reception.Support us:https://www.patreon.com/whatsourverdictEmail us:hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com

The filmmaker Amos Poe was a guest on the podcast on two memorable occasions. The first time we sat was in a podcast studio in the East Village; Episode 385 in the Fall of 2016. For Amos’ second appearance, we sat in the downstairs lobby of the Roxy Hotel in Tribeca outside the screening room; that was Episode 520 in the Fall of 2018. Poe was a major influence in the underground filmmaking scene of Downtown NYC —aka the No Wave movement— beginning in the mid-1970’s. Of that community, which included folks like Jim Jarmusch, Bette Gordon and Eric Mitchell among others, Poe was often credited as being the first to pick up a camera. He would go on to make such films as “The Blank Generation” and “Unmade Beds”. I had heard he was ill for the past bunch of years and had reached out to him about returning, but he understandably had more important things to do with his time. He passed away on Christmas Day after a prolonged battle with cancer and is survived by his wife Claudia Summers and daughter Lisa Poe.

Gretchen McGowan joins Let's Talk Memoir for a conversation about the grit and glam of the 90s in New York, her career producing independent films, the thrill of creating something from nothing, honoring our own process, willing to be self-deprecating, negotiating manuscript revisions in digestible ways, keeping writing momentum in mind, getting character-you into trouble, when everyone around you seems to have it figured out, loving the hustle of NY, scrappiness, her role as the head of Goldcrest films, and her memoir Flying In: My Adventures in Filmmaking. Info/Registration for Ronit's 10-Week Memoir Class Memoir Writing: Finding Your Story https://www.pce.uw.edu/courses/memoir-writing-finding-your-story  This episode is brought to you by Prose Playground. If you've been writing for years but haven't published, have tons of ideas but can't get them on the page, if you have a book coming out, or you're simply curious about writing, join Prose Playground—an active, supportive writing community for writers at every level. Visit www.ProsePlayground.com to sign up free.   Also in this episode: -doing what works -transcendental mediation -women's career memoirs   Books mentioned in this episode: -Maybe You Should Talk to Someone by Lori Gottlieb -An Unfinished Woman by Lillian Hellman -The Memoir Project by Marion Roach Smith -Fast Draft Your Memoir by Rachael Herron   Gretchen McGowan is an award-winning producer and the head of production for Goldcrest Films in New York City where she has overseen titles such as Cat Person, Carol and Restrepo. Gretchen independently produced Jim Jarmusch's The Limits of Control, helped to make his iconic film Coffee and Cigarettes and has made over sixty films across the globe. Her new memoir is Flying In: My Adventures in Filmmaking.   Connect with Gretchen: Website: www.gretchenmcgowan.com Links: https://linktr.ee/gretchenmcgowan Instagram: https://www.instagram.com/gretmcgowan Info/Registration for Ronit's 10-Week Memoir Class Memoir Writing: Finding Your Story https://www.pce.uw.edu/courses/memoir-writing-finding-your-story   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.   More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social

This week we're excited to present a conversation from the 63rd New York Film Festival with Father Mother Sister Brother director Jim Jarmusch and cast members Adam Driver, Indya Moore, Luka Sabbat, Vicky Krieps, and Tom Waits. This conversation was moderated by NYFF Artistic Director Dennis Lim. The NYFF63 Centerpiece selection, Father Mother Sister Brother will open at Film at Lincoln Center on December 24. Get tickets at filmlinc.org/jarmusch For years, Jim Jarmusch has written, directed, and produced delicate, character-driven films. Winner of the Venice Film Festival Golden Lion, Father Mother Sister Brother is a perceptive study in familial dynamics, a feature film carefully constructed in the form of a triptych. The three chapters all concern the relationships between adult children reconnecting or coming to terms with aging or lost parents, which take place in the present, and each in a different country. Siblings Jeff and Emily (played by Adam Driver and Mayim Bialik) check up on their hermetic father (played by Tom Waits) in rural New Jersey; sisters Lilith and Timothea (Vicky Krieps and Cate Blanchett) reunite with their guarded novelist mother (Charlotte Rampling) in Dublin; and twins Skye and Billy (Indya Moore and Luka Sabbat) return to their Paris apartment to address a family tragedy. Father Mother Sister Brother is a kind of anti-action film, its subtle and quiet style carefully constructed to allow small details to accumulate—almost like flowers being carefully placed in three delicate arrangements. The 63rd New York Film Festival is presented in partnership with Rolex.

Originally live-streamed Monday, October 6, 2025 On this week's On-Screen Live, the gang is on-hand to sift through some entertainment news items, analyze the tepid weekend box office numbers, and dig up another gem of a Secret Movie™️, however the biggest goal of this week's show was to chat a blue streak about Paul Thomas Andersons's One Battle After Another, which takes up the majority of the episode. No spoilers are dropped, so feel free to listen without having seen it yet! Steve also gives his thoughts on The Smashing Machine, while Andrew and Chris heap loads of praise on the new Jim Jarmusch film, Father Mother Sister Brother, dropping later this year. Be sure to check out the new Craven Tier on our Patreon! This all-new, video-centric tier grants you access to all the audio shows we put out each month, as well as two new shows, WHM After Dark, a monthly, AMA-style chat show where we answer questions from Patreon supporters, and Scaredy Cats, a quarterly show where we break down a more contemporary horror film. October's After Dark airs Tuesday, October 21 at 8pm/et and the first Scaredy Cats episode, covering Barbarian, will drop on October 29th! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.