Podcast appearances and mentions of Jim Jarmusch

No episódio de hoje, mergulhamos na atmosfera sombria do filme de Jim Jarmusch. Dentre vampiros depressivos e guitarras distorcidas, discutimos os temas do filme e tentamos entender se a decadência da arte é de fato relevante ou se é apenas uma queixa nostálgica.Fale conosco:euqueroverofilme@gmail.cominsta/youtube: @euqueroverofilmetiktok: @euqueroverofilmeletterboxd: euqueroverofilm

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Movie Meltdown - Episode 642 (For our Patreon "Horror Club") Listen as the Meltdown Horror Club comes together to discuss Dead & Buried directed by Gary Sherman and featuring James Farentino, Melody Anderson, Jack Albertson and Robert Englund.  And while we're dropping off our film, we also mention… The Dead Don't Die, Mikey Madison,  Longlegs, The Banana Splits, Slugs, filming people, Scouts Guide to the Zombie Apocalypse, Scream 7, witchcraft/voodoo teacher, Superbad meets Shaun of the Dead, Oscar-winning slashers, Christopher Lee, taking photos, public domain horror, Grandpa Joe, wrapped up like a mummy, Jim Jarmusch, putting things through the telefax, Chico and the Man, knock-off markers and what the hell is wrong with Christopher Robin.  Spoiler Alert: Full spoilers for the 1981 movie “Dead & Buried”, so go watch the movie before you listen. “Yeah this movie makes sense as long as you don't think about it.”

How are we to make sense of artistic ambition?Following recent discussions about Jim Jarmusch's explorations of style as substance, this week's episode focuses on his 2016 film Paterson, starring Adam Driver.We also briefly discuss:Persona (1966) d. Ingmar BergmanPerfect Days (2023) d. Wim WendersContact Usemail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

EPISODE #447-- After much hooting and hollering, we are back on the podcastin' trail with Jim Jarmusch's seminal DEAD MAN (1995) starign Gary Farmer, Robert Mitchum, and that guy from Pirates of the Caribbean. You know the one. The one with the texts. Anyways, fun movie. An important movie. We also ramble about the Oscar-winning documentary NO OTHER LAND (2024) (now available to rent and stream), BROOKLYN (2015), Michael Mann's BLACKHAT (2015), and the legacy sequel BEVERLY HILLS COP: AXEL F (2024). A solid bunch of movies. A strange bunch of movies. Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

From A24 through Warner Bros, we go studio by film studio and discuss their known film slates and focus on the undated films that could vie for Film Festival love. A24: Eddington, Highest 2 Lowest, The Entertainment System Is Down, etc - 2:21 Amazon/MGM: After the Hunt, Madden, Hedda - 16:12 Apple Original Films: The Lost Bus, F1 - 18:11 Bleecker Street & Briarcliff: The Wedding Banquet, Sneaks, etc - 20:26 Disney: Deliver Me From Nowhere, The Roses, Is This Thing On? Etc - 21:38 Greenwich Entertainment & Janus: Diane Warren: Relentless, Peter Hujar's Day, etc - 32:18 IFC, Lionsgate, Magnolia: The Luckiest Man In America, Good Fortune, 40 Acres - 33:45 MUBI: Father Mother Sister Brother from Jim Jarmusch - 36:28 Neon: Sentimental Value from Joachim Trier, Alpha from Julia Ducournau, etc - 38:25 Netflix: Wake Up Dead Man, GDT's Frankenstein, Baumbach's Jay Kelly, Edward Berger's The Ballad of a Small Player, Train Dreams, etc - 41:02 Paramount: What's their top priority? Plus, some recent history - 53:34 Sony: Blue Moon, Eleanor the Great, East of Wall, etc - 56:07 Universal: The Phoenician Scheme details, Hamnet, Anemone, etc - 1:02:09 WB: The Bride! + Sinners first reax and Superman Cinemacon reactions - 1:08:17 NO DISTRIBUTION YET: Sundance Hits like Kiss of the Spider Woman, SXSW hits like The Rivals of Amziah King, Rosemead w/ Lucy Liu, At The Sea w/ Amy Adams, Sydney Sweeny as Christie Martin, The History of Sound + Greta Lee, Willem Dafoe, & Brendan Fraser vehicles - 1:11:34 OUTRO: We'll end our Year In Preview Series with the Cannes Lineup reactions and then our 100% Accurate Predictions coming up next! https://linktr.ee/mikemikeandoscar

In this week's episode the Unqualified Observers, Kelham and Thomas, sit down to discuss the Jim Jarmusch meta-zombie film, "The Dead Don't Die." What happens when Bill Murray, Adam Driver, Tilda Swinton, Danny Glover, and a whole host of other characters find themselves in a zombie uprising in a small town? Is this a hidden gem that people need to see, or does this film somehow miss the mark and not add up to the sum of its parts? I guess the only way to find out is to tune into the episode. So come join in the fun and stop waiting to find out.As always, please rate, review, subscribe, and share this podcast to help it continue to grow and find new audiences.Contact Us:Email - unqualifiedobservers@gmail.comSocials- @observecast @unqualifiedobserversKelham - @coolgollumThomas - @stimpyisking

"Mystery Train", cʹest le 4e film de Jim Jarmusch, sorti en 1989. Cʹest le troisième volet dʹune trilogie du désenchantement dont "Stranger in Paradise" et "Down by Law" constituent les deux autres. Une histoire en errance, à la musicalité persistante, avec des personnages en marge, atypiques. Dans "Mystery Train", tout se passe à Memphis, la ville du King, dans une Amérique à la fois mythique et miteuse, celle qui fait rêver les uns et cauchemarder les autres. Lʹhommage à Elvis Presley se raconte en une nuit, un train, et trois histoires rythmées par les entrées et sorties de ce train.

On this episode we watch 2005's The Descent. A year after tragedy strikes, a group of friends discover something far worse in the deep caverns of the Appalachian Mountains. This spelunking splatter fest is a contender for many titles, including best horror movie of the 2000s, most objectionable thing to watch for anybody with even the slightest claustrophobia, and having maybe one of the worst best friends in all of horror movie history. Listen up as we also thoroughly debate the appropriate moniker of Vampire Bats vs. Crawlers in this modern horror classic.Other topics include reflecting on the recent loss of Val Kilmer, visiting with Jim Jarmusch, pivotal David Lynch L.A. landmarks, Days of the Dead Chicago, found footage influence in the early 2000s, and the 90s forgotten gem Rumpelstiltskin on 4K.Songs of the WeekFuck and Run by Liz PhairBy the Light of the Silvery Moon by Little RichardRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

This week, Disturbed declares war on the Bulls' championship banners during a show at United Center, plus Motley Crue at MinuteMaid (Daiken) and the greatest Journey concert ever. Craig makes his 2025 MLB predictions - try not to laugh. The podcast concludes with the boys reviewing "Tommy," the 1975 Ken Russell film based on The Who's 1969 album of the same name. The film stars Roger Daltry, Ann-Margret, Oliver Reed and other many actors (Jack Nicholson) and rock stars (Tina Turner). The review includes Craig and Rex musing about their favorite rock star performances in film.Errata: Arnel Pineda is still the lead singer for Journey. Tommy's father died in the war?  Jim Jarmusch directed "Down by Law." He did not produce it. Frank Sinatra was not in "The Longest Day," You can support Hooks & Runs by purchasing books, including books featured in this episode (if any were), through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandruns Hooks & Runs - www.hooksandruns.com Email: hooksandruns@protonmail.com Hooks & Runs on TwitterCraig on Bluesky (@craigest.bsky.social)Rex (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Hosts Emeriti:Andrew Eckhoff on Tik TokEric on FacebookMusic: "Warrior of Light" by ikolics (via Premium Beat)     This podcast and this episode are copyright Craig Estlinbaum, 2025.    

Memento #331. Ha demostrat ser una int

"Yes, I'm really in a taxi." For Episode 350, Brandon and David continue the show's series on Anthology Films with a film from the possible King of Anthology films, Jim Jarmusch. Listen as they discuss NIGHT ON EARTH and why Jarmusch wrote the film, how they filmed inside the taxis, and how they tried to capture each city shown in the movie.  Also, don't forget to join our Patreon for more exclusive content:  Opening Banter - Most Popular Films You Haven't Seen and Just Friends -  (00:00:10) Recap of the Anthology Genre (00:11:25) Intro to Night on Earth (00:16:31) How Night on Earth Got to Production (00:21:53 ) Favorite Scenes (00:32:38) On Set Life - (01:04:17) Aftermath: Release and Legacy (01:12:19) What Worked and What Didn't (01:14:26) Film Facts (01:17:05) Awards (01:19:13) Final Questions on the Movie (01:24:39) Wrapping Up the Episode (01:30:17) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

How far away are we from transformative experiences?In this week's episode, we examine the power of dialogue in early 90s independent cinema, contemplating how Jim Jarmusch's 1991 classic, Night on Earth, creates substance out of style.We also briefly discuss:The Man from Earth (2007) d. Richard SchenkmanCoffee and Cigarettes (2003) d. Jim JarmuschContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

Send us a textGraham explores the mystery of rock n roll and Jim Jarmusch's 1989 film Mystery Train and talks about his meeting with Marxist rock writer Toby Manning at a Harrogate International Festivals event last week.Charles shares his recent experience at the National Museum of Science and Media in Bradford, UK Capital of Culture 2025.Charles and Graham revisit the films that won big at the BAFTAs.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

Ghost Dog was apparently the moment when Jim Jarmusch achieved “Mainstream Recognition”, but what does this fundamentally mournful reflection on the end of things have to tell us? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

HORROR WITH SIR. STURDY EPISODE 534 THE DEAD DON'T DIE REVIEW

From the clanky jangle of that first Tom Waits song to that jangly clank of the last Tom Waits song, you know you are in for a treat.  Jim Jarmusch pops back up on the show with his humanist anthology of five stories set in cabs, each taking place in a different city on the same night.  Winona, Gena, Giancarlo, Armin, Rosie, Isaach, uh.. Beatrice, Roberto, and … Matti?  Look he went truly international with his cast, so I can't name them all off the top of my head. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing John Woo's Last Hurrah for Chivalry (1991).

Cat, piano, well, watermelon, mirror, bananas.  You know, you're basic horror movie formula.  Director Nobuhiko Obayashi spins a eerily formulaic but wildly unanticipate-able story of teens.  And death. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jim Jarmusch's Night On Earth (1991).

Here we are at the end of another year, and What's New to Netflix has come through once more to break down all of the new content you can stream on Netflix in December 2024. Then we join Tom Cruise as he uncovers the truth about who he is and what really happened to Earth in Oblivion from 2013. Next, Sandra Bullock and Channing Tatum are trying to survive the jungle, fight off bad guys, and come to terms with the feelings they have for each other in The Lost City from 2022. And finally, Lindsay Lohan brings us another Netflix Christmas movie full of romance and misunderstandings in Our Little Secret from 2024. All of this plus Compliance, Subservience, Nonsense, Angelina Jolie going for the Oscar, Jim Jarmusch does zombies, the NFL takes over Christmas Day, the return of Squid Game, and some opinions on Mad Max: Fury Road. got a suggestion for the show?: whatsnewtonetflix@gmail.com

Det startet på Filmvitenskap i Stockholm, der Dag Johan Haugerud og Yngve Sæther fordypet seg i Erich Romer og Jim Jarmusch. Det var begynnelsen på et av norsk films lengste og mest feirede samarbeid mellom en regissør og produsent. Hør dem fortelle om samarbeidet i denne episoden av Filmsamtalen.

Q. What do Jim Jarmusch, David Lynch, Quentin Tarantino, Wim Wenders and Bobcat Goldthwait have to do with the New French Extremity movement?  A. Absolutely nothing but we talk about them anyway.  Merry Christmas. Do your bit: Sign up to our Patreon for (almost) unedited and raw video versions of every new episode Rate and review us wherever you're listening  Email us with your thoughts, questions, and FT slash fiction Follow us on Instagram, Bluesky and TikTok Check out Red Scare Industries Order 20 Years Of Dreaming And Scheming

In this week's episode of Friday Flix, we saddle up and ride into the hauntingly surreal world of Jim Jarmusch's Dead Man (1995). This unconventional Western starring Johnny Depp and Gary Farmer challenges genre tropes with its poetic storytelling, stunning black-and-white cinematography, and Neil Young's haunting score. We'll explore the film's unique take on identity, death, and redemption while breaking down its unforgettable performances and cultural commentary.

She is the award winning Queen of producing indie film projects and had worked with the likes of Shelley Winters, Debbie Harry and Wu Tang Clan and superstar directors like Brian De Palma, Jim Jarmusch, James Ivory. Gretchen is the head of production at GoldCrest films in NYC. James Lott Jr has a fun and informative conversation with her. 

Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to dive into the cinematic treasures that have left an indelible mark on our lives. This episode, Stephanie takes the helm to guide us through the hauntingly beautiful world of Jim Jarmusch's 2013 film, Only Lovers Left Alive. Join Stephanie, Kelly, and Jack as they delve into the film's exploration of vampirism as a metaphor for the human condition, examining the paradoxes of existence through the eyes of the ancient lovers Adam and Eve. Jarmusch weaves a love letter to human creativity and its power to transcend time. We consider the film's poetic nature, commentary on art, and the profound impact of its melancholic yet hopeful storytelling. Pour yourself a glass of something rich and join us as we celebrate a film that invites us to reflect on the beauty and complexity of life itself. Is Only Lovers Left Alive a no-notes masterpiece? Tune in to find out. --- Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support

Will, Mike, and Adam are joined by David Lambert to talk about Jim Jarmusch's DEAD MAN. Follow David on X here: https://x.com/DavidLambertArt IMDb: https://www.imdb.com/title/tt0112817/ Trailer: https://www.youtube.com/watch?v=nn2nQMfLqwg

Laura Prince et Maxime Delpierre #SessionLive Africolor 2024. À l'occasion de la 35ème édition du festival nomade francilien Africolor (15 novembre-24 décembre), nous invitons Sébastien Lagrave, Laura Prince, Agata Johnson et Maxime Delpierre #SessionLive. L'édito de Sébastien Lagrave : En 2024, Africolor fête ses 35 ans et si le monde de 1989 a disparu, il faut encore et toujours marteler les esprits et les balafons, pincer les rêves et les cordes, frotter les cordes et les mains, pour rappeler aux âmes congelées dans la peur, que l'Afrique est partout et que c'est une bonne nouvelle. La part d'africanités de chacun, nous l'accueillons joyeusement cette année avec la présence des créolités caribéennes : Les frères Cippe, grande famille de tambouyés de Guyane, rencontrent François Ladrezeau (Akiyo) et Samy Thiébault, tandis que Maxime Delpierre, fou de zouk, présente Mini-Jazz-Ouragan cependant que L'Afrique en-chante Kassav' revisite le répertoire mythique avec des instruments africains. L'Afrique est aussi au Nord, quand s'élève la spiritualité rock tunisienne de Nidhal Yahyaoui (Tunisie), quand les chants de transe de Lemma (Algérie) se mêlent au piano-marteau cubain d'Omar Sosa ou quand Mazalda invite la chorale berbère de Bagnolet. Aussi disséminée dans l'océan Indien, elle imprègne la création de Siti Amina (Zanzibar) et Siân Pottok ou encore les mélodies suaves de la révélation Marco Klarck. Mais avant tout, l'Afrique est ici chez elle comme quand Senny Camara rencontre Sequenza 9.3 ou quand la Litanie des Cimes invite Mah Damba. Toutes les Afriques d'Africolor dessinent de nouveaux « nouveaux mondes », où les ailleurs sont ici, les géographies façonnées selon de nouveaux plis, où les points cardinaux se rejoignent en un centre créatif, éruptif, radicalement joyeux et décidé à imprimer ici l'Afrique partout. Laura Prince (concert 22 novembre Maison de la Musique de Nanterre)Assister à un concert de Laura Prince, c'est un peu comme regarder le monde avec un filtre de douceur et d'authenticité. La révélation jazz de ces dernières années revient avec un nouveau projet en hommage à la terre de ses ancêtres, le Togo. Ce retour aux sources la conduit sur les rives de son village familial, au cœur des traditions d'Afrique de l'Ouest, là où les cérémonies vaudou, le tintement rituel des cloches et les chants d'initiés lui inspirent un album à la mémoire de son peuple. Entourée de ses musiciens, Laura Prince chante avec son âme et livre un set aux sonorités métissées, cousu d'improvisations jazzy et pulsé par les percussions traditionnelles. Un voyage introspectif sur ses rives-racines, où l'on navigue volontiers, enveloppé par le velours de sa voix.Auteure, compositrice, interprète, Laura Prince défend une musique épurée qui parle de la mixité de ses racines, de son enfance. Fille du Togo et de la France, elle est bercée depuis toujours par la salsa cubaine de Celia Kruz, l'afrobeat de Fela Kuti et le makossa de Manu Dibango, mais aussi Piaf, Barbara, Brel et Aznavour. Vers 13 ans, elle apprend à lire la musique et s'accompagne au piano. Elle compose et joue ses premiers morceaux. En 2021, elle sort un premier album, Peace of mine. « Révélation Jazz » d'après Jazz Magazine la même année, elle se produit aujourd'hui dans les grands festivals de jazz en France : Marciac, Jazz à Sète, Jazz à Vienne, ainsi qu'en Europe et en Afrique. Maxime Delpierre et le Mini-Jaz Ouragan (concert 23 novembre à Rosny-Sous-Bois) Jazz Pop Caribbéen  Créer un groupe de zouk ? C'est un vieux rêve pour le compositeur et guitariste nantais Maxime Delpierre, bercé par le kompa, le dub et la musique afro-cubaine. De Haïti à la Martinique en passant par la Jamaïque, les sonorités caribéennes l'accompagnent depuis de nombreuses années. Sous l'influence des orchestres haïtiens des années 60 appelés « Mini-Jazz », Maxime Delpierre poursuit son voyage en empruntant un son de guitare à la surf music des orchestres américains et en mélangeant les rythmes du bèlè, de la rumba et du kompa pour créer un jazz-pop teinté de soul. Toujours partant pour étirer le temps en laissant la part belle à l'improvisation et à la transe, Maxime Delpierre et sa team de rêve sont la promesse d'une soirée où « zouker » rime avec évidence.Maxime Delpierre est un compositeur, réalisateur et guitariste français né à Nantes en mai 1975. Après une carrière en tant que guitariste au sein de nombreuses formations de jazz et aussi réalisateur sur certains projets. Il a fait partie du trio Limousine aux côtés de Laurent Bardainne et David Aknin, imprégné des musiques des films de Jim Jarmusch, Win Wenders ou Sergio Leone, mais aussi Neil Young et Ry Cooder. C'est avec son ami d'enfance Thomas de Pourquery (artiste pluridisciplinaire) qu'il crée le groupe VKNG, dont le premier EP est sorti en avril 2015 sur le label Naïve. En 2020, il sort Naõned, un album portant le nom de sa ville de cœur (Nantes en breton), qui condense tout l'imaginaire sonore du guitariste convoité par la crème de la scène hexagonale : Jeanne Added, Rachid Taha, Louis Sclavis, Joakim. Titres joués au grand studio- Évigné Laura Prince Live RFI- Carnaval Maxime Delpierre Live RFI. + Sélection de Sébastien Lagrave :- Siti and the Band - Fulu Miziki Kolektiv- Nidhal Yahyaoui - Mah Damba Africolor site. Laura PrinceSite - YouTube - Facebook - Instagram. Maxime DelpierreInstagram.

Laura Prince et Maxime Delpierre #SessionLive Africolor 2024. À l'occasion de la 35ème édition du festival nomade francilien Africolor (15 novembre-24 décembre), nous invitons Sébastien Lagrave, Laura Prince, Agata Johnson et Maxime Delpierre #SessionLive. L'édito de Sébastien Lagrave : En 2024, Africolor fête ses 35 ans et si le monde de 1989 a disparu, il faut encore et toujours marteler les esprits et les balafons, pincer les rêves et les cordes, frotter les cordes et les mains, pour rappeler aux âmes congelées dans la peur, que l'Afrique est partout et que c'est une bonne nouvelle. La part d'africanités de chacun, nous l'accueillons joyeusement cette année avec la présence des créolités caribéennes : Les frères Cippe, grande famille de tambouyés de Guyane, rencontrent François Ladrezeau (Akiyo) et Samy Thiébault, tandis que Maxime Delpierre, fou de zouk, présente Mini-Jazz-Ouragan cependant que L'Afrique en-chante Kassav' revisite le répertoire mythique avec des instruments africains. L'Afrique est aussi au Nord, quand s'élève la spiritualité rock tunisienne de Nidhal Yahyaoui (Tunisie), quand les chants de transe de Lemma (Algérie) se mêlent au piano-marteau cubain d'Omar Sosa ou quand Mazalda invite la chorale berbère de Bagnolet. Aussi disséminée dans l'océan Indien, elle imprègne la création de Siti Amina (Zanzibar) et Siân Pottok ou encore les mélodies suaves de la révélation Marco Klarck. Mais avant tout, l'Afrique est ici chez elle comme quand Senny Camara rencontre Sequenza 9.3 ou quand la Litanie des Cimes invite Mah Damba. Toutes les Afriques d'Africolor dessinent de nouveaux « nouveaux mondes », où les ailleurs sont ici, les géographies façonnées selon de nouveaux plis, où les points cardinaux se rejoignent en un centre créatif, éruptif, radicalement joyeux et décidé à imprimer ici l'Afrique partout. Laura Prince (concert 22 novembre Maison de la Musique de Nanterre)Assister à un concert de Laura Prince, c'est un peu comme regarder le monde avec un filtre de douceur et d'authenticité. La révélation jazz de ces dernières années revient avec un nouveau projet en hommage à la terre de ses ancêtres, le Togo. Ce retour aux sources la conduit sur les rives de son village familial, au cœur des traditions d'Afrique de l'Ouest, là où les cérémonies vaudou, le tintement rituel des cloches et les chants d'initiés lui inspirent un album à la mémoire de son peuple. Entourée de ses musiciens, Laura Prince chante avec son âme et livre un set aux sonorités métissées, cousu d'improvisations jazzy et pulsé par les percussions traditionnelles. Un voyage introspectif sur ses rives-racines, où l'on navigue volontiers, enveloppé par le velours de sa voix.Auteure, compositrice, interprète, Laura Prince défend une musique épurée qui parle de la mixité de ses racines, de son enfance. Fille du Togo et de la France, elle est bercée depuis toujours par la salsa cubaine de Celia Kruz, l'afrobeat de Fela Kuti et le makossa de Manu Dibango, mais aussi Piaf, Barbara, Brel et Aznavour. Vers 13 ans, elle apprend à lire la musique et s'accompagne au piano. Elle compose et joue ses premiers morceaux. En 2021, elle sort un premier album, Peace of mine. « Révélation Jazz » d'après Jazz Magazine la même année, elle se produit aujourd'hui dans les grands festivals de jazz en France : Marciac, Jazz à Sète, Jazz à Vienne, ainsi qu'en Europe et en Afrique. Maxime Delpierre et le Mini-Jaz Ouragan (concert 23 novembre à Rosny-Sous-Bois) Jazz Pop Caribbéen  Créer un groupe de zouk ? C'est un vieux rêve pour le compositeur et guitariste nantais Maxime Delpierre, bercé par le kompa, le dub et la musique afro-cubaine. De Haïti à la Martinique en passant par la Jamaïque, les sonorités caribéennes l'accompagnent depuis de nombreuses années. Sous l'influence des orchestres haïtiens des années 60 appelés « Mini-Jazz », Maxime Delpierre poursuit son voyage en empruntant un son de guitare à la surf music des orchestres américains et en mélangeant les rythmes du bèlè, de la rumba et du kompa pour créer un jazz-pop teinté de soul. Toujours partant pour étirer le temps en laissant la part belle à l'improvisation et à la transe, Maxime Delpierre et sa team de rêve sont la promesse d'une soirée où « zouker » rime avec évidence.Maxime Delpierre est un compositeur, réalisateur et guitariste français né à Nantes en mai 1975. Après une carrière en tant que guitariste au sein de nombreuses formations de jazz et aussi réalisateur sur certains projets. Il a fait partie du trio Limousine aux côtés de Laurent Bardainne et David Aknin, imprégné des musiques des films de Jim Jarmusch, Win Wenders ou Sergio Leone, mais aussi Neil Young et Ry Cooder. C'est avec son ami d'enfance Thomas de Pourquery (artiste pluridisciplinaire) qu'il crée le groupe VKNG, dont le premier EP est sorti en avril 2015 sur le label Naïve. En 2020, il sort Naõned, un album portant le nom de sa ville de cœur (Nantes en breton), qui condense tout l'imaginaire sonore du guitariste convoité par la crème de la scène hexagonale : Jeanne Added, Rachid Taha, Louis Sclavis, Joakim. Titres joués au grand studio- Évigné Laura Prince Live RFI- Carnaval Maxime Delpierre Live RFI. + Sélection de Sébastien Lagrave :- Siti and the Band - Fulu Miziki Kolektiv- Nidhal Yahyaoui - Mah Damba Africolor site. Laura PrinceSite - YouTube - Facebook - Instagram. Maxime DelpierreInstagram.

Season two of Talking Pictures is here! Bill Murray doesn't do a lot of podcasts, but he was game to talk movies with host Ben Mankiewicz. They dive into his comedies (Stripes, Caddyshack, Groundhog Day) and discuss the directors Murray works with repeatedly (Wes Anderson, Jim Jarmusch). Murray remembers growing up a “bad boy” in a house with eight siblings and how success impacted his mom. Finally, our Super 8 returns and you don't want to miss the prop Bill Murray says he would steal for his personal collection.                                                                           Films Mentioned:  Meatballs  Ghostbusters   Stripes  Caddyshack  Groundhog Day  Broken Flowers  Lost in Translation  Rushmore  Red River  Frankenstein  Dracula  The Fugitive  Going My Way  Bells of Saint Mary's  Yankee Doodle Dandy  The Sound of Music  The Razor's Edge  Mad Dog and Glory  Henry: Portrait of a Serial Killer  Olive Kitteridge *  Moonrise Kingdom  The Royal Tenenbaums  The Grand Budapest Hotel  Coffee and Cigarettes *  The Limits of Control  The Dead Don't Die  Bottle Rocket  Asteroid City  Barry Lyndon  Gallipoli  Ninotchka  Old Yeller  The Man with Two Brains  Nothing but Trouble                                        *Available on Max as of 11/12 (Availability of titles subject to change) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Once again, we recorded this episode a while back (a number of months ago, in this case) but due to the lamentable state of many things in the US, our episode this week feels eerily timely. For our first Noirvember Substantive Cinema epsiode of 2024, we are looking at one of Samuel Fuller's most celebrated and highly regarded films, Shock Corridor. In the movie, Johnny Barrett, a journalist in pursuit of fame and acclaim, poses as a lunatic in order to infiltrate a mental institution where a murder has taken place. Can he keep his sanity long enough to solve the case and what will be left of him if he can? In our discussion we cover: how Sam Fuller bluntly portrays America's various psychoses (nationalism, racial hatred, and the worship of violent power) in the three eyewitnesses that Johnny needs to interrogate, the legacy of Fuller's work in filmmakers like Martin Scorsese, David Lynch, Spike Lee, and Jim Jarmusch, the role of journalism in a free society, and more! Watch Shock Corridor on the Internet Archive Listen to Mike, Spencer, and I talk about The Naked Kiss, Fuller's follow up to Shock Corridor which also stars Constance Towers. My discussion of Fuller's war films on The Stacks Forty Guns episode of The Criterion Connection Follow Mike's work at Weirding Way Shoutouts Spencer: When the Clock Broke by John Ganz The Surrealism of Friday the 13th Mike: The Good Fairy The Strawberry Blonde Philip: The Snake Girl and the Silver-Haired Witch If you're newer to the show be sure to check out our library of 150+ episodes with folks like Karen Swallow Prior, Jemar Tisby, Tyler Huckabee, Kaitlyn Schiess, Propaganda, Josh Larsen, Stephanie Stalvey, and John Carroll Lynch. Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod --- Support this podcast: https://podcasters.spotify.com/pod/show/thesubstancepod/support

durée : 00:12:10 - L'invité de 7h50 du week-end - Le réalisateur et musicien américain est l'invité d'honneur de la 27ème édition de Paris Photo. Il critique l'élection cette semaine de Donald Trump. "Je n'ai pas été surpris. Je m'y attendais. Mais oui, je suis inquiet", confie le cinéaste. - invités : Jim JARMUSCH - Jim Jarmusch : Cinéaste américain

durée : 00:21:27 - L'interview de 9h20 - par : Léa Salamé - Tristesse, questionnements : Jim Jarmusch, Raoul Peck, François Busnel, Oliver Gallmeister, et Lauren Groff réagissent à l'élection de Donald Trump. Le réalisateur Raoul Peck s'avoue sombre : "on observe des classes dominantes qui regardent en chantant leur propre perte". - invités : François BUSNEL, Oliver Gallmeister, Lauren GROFF, Raoul PECK, Jim JARMUSCH - François Busnel : Journaliste et critique littéraire, Oliver Gallmeister : Editeur, Lauren Groff : Écrivaine américaine, Raoul Peck : Réalisateur, Jim Jarmusch : Cinéaste américain

durée : 00:21:27 - L'interview de 9h20 - par : Léa Salamé - Tristesse, questionnements : Jim Jarmusch, Raoul Peck, François Busnel, Oliver Gallmeister, et Lauren Groff réagissent à l'élection de Donald Trump. Le réalisateur Raoul Peck s'avoue sombre : "on observe des classes dominantes qui regardent en chantant leur propre perte". - invités : François BUSNEL, Oliver Gallmeister, Lauren GROFF, Raoul PECK, Jim JARMUSCH - François Busnel : Journaliste et critique littéraire, Oliver Gallmeister : Editeur, Lauren Groff : Écrivaine américaine, Raoul Peck : Réalisateur, Jim Jarmusch : Cinéaste américain

Today's episode starts with a HUGE announcement. Plus, Millie and Danielle discuss ONLY LOVERS LEFT ALIVE (2013) and AWAY FROM HER (2007), the elder punk Jim Jarmusch, Danielle living in LA, and life in an assisted living facility. To see a full ISWYD movie list, check out our Letterboxd here: https://letterboxd.com/isawwhatyoudid/films/diary/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul and Erin wade through another stack of new releases, including Guy Maddin's RUMOURS, the Sebastian Stan starrers THE APPRENTICE and A DIFFERENT MAN, Anna Kendricks' feminist true-crime thriller WOMAN OF THE HOUR, the time-bending indie MY OLD ASS and the Indian revenge thriller JIGRA. Plus: we revisit THE COMMITMENTS, SAVE THE GREEN PLANET, AMERICAN HOT WAX and COFFEE AND CIGARETTES.

Our pal Amber Gray is here to discuss Jim Jarmusch's The Dead Don't Die.

Zach and Ben venture back to the world of Jim Jarmusch like moths to a flame. Jonny Depp and Gary Farmer star in this psychedelic neo-western filmed in beautiful black and white that is unlike anything else the genre has to offers. While not a horror movie per se, themes of death and the hellish landscape of the film certainly showcase some dark encounters. Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

As a founding member of the legendary rap crew Wu-Tang Clan, RZA revolutionized hip-hop with his ear for experimentation — not to mention raw lyricism, grimy beats and countless kung-fu references. Though he didn't initially think of himself as a composer, RZA has leaned into the title in recent years, scoring movies like Quentin Tarantino's “Kill Bill” and Jim Jarmusch's “Ghost Dog.” He talks to Tom about his first album of orchestral music, “A Ballet Through Mud,” and gaining the confidence to call himself a composer.

This one had to age a few months to reach it's prime but boy was it worth the wait! While Da Scherm hiked in Scotland, the rest of the gang put heads down to listen to the wisdom imparted from the great films featuring Tom Waits. From Down By Law to Short Cuts and Bustered Scruggs (yes he said Bustered) a great conversation on Tom's authentic acting ensues. Plus a surprise story about a neighbor. Feel the Love, folks!

Philosopher, Simone Weil said that attentiveness is the heart of prayer. In this episode, we discuss postures of attentiveness as gateways to wonder.Guests: Dr. Mary McCampbell is an author, educator, and speaker whose publications span the worlds of literature, film, and popular music. She is the author of Imagining Our Neighbors as Ourselves: How Art Shapes Empathy.Dr. Joe Kickasola is a Professor of Film and Digital Media at Baylor University. He is the author of The Films of Krzysztof Kieślowski: The Liminal Image, and has published in numerous academic venues and anthologies, including Film Quarterly, The Quarterly Review of Film and Video, and The Routledge Companion to Philosophy and Film. _____Topics: Attentiveness, cynicism, receptivity, humility, consumerism, experiencing wonder during times of upheaval, Art Forms: filmmaking, photography, literature. Name Drops: Douglas Copeland, G.K. Chesterton, Jim Jarmusch, Terrence Malick, T.S.Eliot, Wallace Stevens, Andrei Tarkovsky, Andrey Rublev, Rothko, Stan Brakhage, Virginia Wolfe, David Foster Wallace, Movie References: Patterson, Tree of Life, Zabriskie Point Support The Podcast! We need your help to continue our work of advocating for the arts.Join our creative collectiveGive a one-time donation

This week, Evan talks about BETWEEN THE TEMPLES (2:14), Nathan Silver's Jewish comedy starring Jason Schwartzman and Carol Kane about a man's grade-school music teacher who becomes his adult Bat Mitzvah student. Unfortunately, he wasn't a fan of the humor or awkward scenarios. Then, we (Dave and Megan) review HELL HOLE (13:24), John Adams and Toby Poser's (aka the Adams family) horror film about a fracking crew encountering an 1800s soldier, who's still alive with a parasite inside him. We had mixed reviews: One of us liked it, one hated it. Finally, we all discuss SMOKING TIGERS (34:19), So Young Shelly Yo's moving, sensitive, and insightful coming-of-age drama about a Korean-American teen (Ji-young Yoo) as she navigates attending an elite college prep school amidst her parents' separation. We loved it. And on our Patreon exclusive bonus episode, we cover Jim Jarmusch's NIGHT ON EARTH, in honor of Gena Rowlands, who recently passed away and stars in one of the global anthology's segments.

One of Alexei's absolute favourite contemporary filmmakers David Lowery jumps into the Last Video Store to pick up a stack of his favourite films. David's feature films include Sundance Grand Jury Prize winner Ain't Them Bodies Saints, the live-action adaptation of Pete's Dragon, A Ghost Story, The Old Man & the Gun starring Robert Redford and Sissy Spacek; and the Dev Patel–led fantasy epic The Green Knight. We talk about some of his first memories of films before even seeing them, the surrealist horror of Freddy Krueger, horror cinema, the genre-bending of Jim Jarmusch, the modern fables of Aki Kaurismäki and Indigenous ghost story anthology. Pick up tickets to catch Alexei in conversation with DAVID LOWERY at MIFF here Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here's David Lowery's combo on Letterboxd.See omnystudio.com/listener for privacy information.

This week Amanda and Wade welcome amazing imroviser and actor Nick Trotter to the podcast to discuss the 1999 Jim Jarmusch classic film, Ghost Dog: The Way of the Samurai.  The trio talk about the organic filmmaking of Jarmusch, themes of decay and incompitable, yet not completely unuseful systems of morality, and lots and lots of discussion about pigeons. Plus, our awesome friend Sama gets namechecked a few times. Listen in and enjoy! Credits: https://www.instagram.com/dontworrybmovies/ Logo – John Capezzuto https://www.creativecap.net/ Intro and Outro Music – Andrew Wolfe of Darling Overdrive https://www.instagram.com/darlingoverdrive/?hl=en Additional Music: Note: Some songs may have been adapted from their original form to fit the length of our segments "Smoldering" by Kai Engel (www.freemusicarchive.org/music/Kai_Engel/Chapter_Four__Fall/Kai_Engel_-_Chapter_Four_-_Fall_-_09_Smoldering/) "The Energy of Sound - 432Hz.mp3" By Almusic34 (www.freemusicarchive.org/music/almusic34/single/the-energy-of-sound-432hzmp3/)

In this episode of "The Truth in This Art," host Rob Lee interviews Tom Sanford, a Harlem-based painter renowned for his "low-brow conceptual art." Tom shares his journey from aspiring finance professional to celebrated artist, influenced by a pivotal college art class. The discussion covers Tom's early artistic influences, his transition from oil to acrylic painting, and his fascination with celebrity portraiture and cultural themes. They also explore the complexities of discussing race and art, the impact of digital media on creativity, and the vibrant, diverse art scene in New York City. Tom concludes by sharing his website and Instagram handle.Episode Highlights:The early days (00:00:10) Introduction and background of Tom Sanford's 30-year career as a Harlem-based painter.Artistic Beginnings (00:04:29) Tom Sanford shares his early experiences with art and drawing, including his childhood memories and influences.Tom Sanford's Artistic Process (00:12:42) Description of Tom Sanford's artistic process, materials, and the evolution of his work over the years.The art gallery exhibition (00:16:17) Tom Sanford is commissioned to create a painting for an NBA playoffs exhibition, leading to recognition and engagement from Knicks fans.Collaboration with a Knicks fan (00:17:07) Tom Sanford's painting of Knicks players catches the attention of the Knicks, leading to a commercial and involvement in the Knicks fan community.Commitment to being an artist (00:29:01) Tom Sanford shares his decision to pursue art over finance, influenced by a college professor and his passion for creating paintings.Tom Sanford's First Exhibition (00:35:07) Tom Sanford talks about his early interest in celebrity portraiture and his first exhibition in Tokyo.Creating Controversial Art (00:36:38) Tom Sanford explains his motivation and process behind creating controversial paintings of gangster rappers and his attempt to transform himself into Tupac Shakur.Reckoning with Racism (00:48:52) Tom Sanford discusses the racial implications of his art and the need to acknowledge complicity in racism for societal progress.The concept of creativity in the current climate (01:02:02) Reflection on the value of creativity in a world saturated with self-proclaimed creatives and the impact of technology on art accessibility and distribution.Key Takeaways1. Follow Your Passion: Tom Sanford's shift from finance to art underscores the importance of pursuing what truly excites you, even if it means breaking away from societal norms.2. Embrace Imperfections: Sanford's acceptance of mistakes in his art highlights how imperfections can add authenticity and depth to your creative work.3. Use Art as a Platform: Sanford's work on controversial topics shows how art can be a powerful medium for sparking important conversations and challenging societal norms.4. Leverage Digital Platforms: While mindful of maintaining authenticity, Sanford's insights remind us to use digital media to reach wider audiences and share our creative expressions.Website and Socials:tomsanford.comX: @uberkunstInstagram: uberkunstHey listeners! If you enjoyed today's episode with the incredible Tom Sanford, don't forget to visit and support his website and follow him on social media for more of his amazing work. Your support means the world to us, so please take a moment to rate and review this episode—it helps us reach more art lovers like you! And if you want to go the extra mile, consider supporting us on Patreon. Your contributions help keep "The Truth in This Art" thriving. Thank you!

Sailor Noob is the podcast where a Sailor Moon superfan and a total noob go episode by episode through the original Sailor Moon series!This week, trouble is a-bakin' as the Sailor Senshi face a delicious and deadly foe! Makoto and Usagi are invited on a cooking show, but can they convince Taiki to help them before Shadow Galactica cooks their goose?In this episode, we discuss the history of Iron Chef. We also talk about weird chips, coffee Blake, Tetsuro and Canada, eating brown goo, Sailor WikiFeet, surf terms, sparkly star destroyers, keeping Edward and Bella apart, swallow snot, gaming the Iron Chef, evil cake, Sick rose!, Sailor Trash, and our first Jim Jarmusch reference!Hello, I'm Shelley Duvall!We're on iTunes and your listening platform of choice! Please subscribe and give us a rating and a review! Arigato gozaimasu!https://podcasts.apple.com/us/podcast/sailor-noob/id1486204787Answer this week's show question on Spotify!Listen to our new podcast, Mona Lisa Overpod!https://www.spreaker.com/podcast/mona-lisa-overpod--6195851Become a patron of the show and get access to our live-action PGSM, Animedification, Utena, Ghibli, and Evangelion podcasts!http://www.patreon.com/sailornoobPut Sailor Noob merch on your body!http://justenoughtrope.threadless.comSailor Noob is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/noob_sailorhttp://www.justenoughtrope.comhttp://www.instagram.com/noob_sailorhttps://discord.gg/49bzqdpBpxBuy us a coffee on Ko-Fi!https://ko-fi.com/justenoughtrope

Robert Fripp - 1985 Aidan Baker - Radioplay Four 90 Day Men - Super Illuminary Faust - Weisse Schokolade Lee Ranaldo, Jim Jarmusch, Marc Urselli & Balazs Pandi - Infinite Rain Scott Walker - Cue Oxn - Farmer In The City Laibach - Im Herbst 197.. Starb... (Live) Techno Animal - Narco Agent VS The Medicine Man Virgin Prunes - Beast (Seven Bastard Suck) Bang On A Can - Annie Gosfield - The Manufacture Of Tangled Ivory Legendary Pink Dots - Andromeda Suite '98 Matt Elliott - The Kursk Daevid Allen - Hello Me https://www.facebook.com/fingeredfloodgate

The New York Times called Buffalo, NY born Willie Nile "one of the most gifted singer-songwriters to emerge from the New York scene in years." Uncut Magazine called him “A one-man Clash” and “the unofficial poet laureate of New York City”. His album Streets Of New York was hailed as “a platter for the ages” by Uncut. Rolling Stone listed The Innocent Ones as one of the “ Top Ten Best Under-The-Radar Albums of 2011” and BBC Radio called it “THE rock ‘n' roll album of the year.” His single from that album, “One Guitar,” was the “Top Pick of the Week” in USA Today. Bono, Bruce Springsteen, Pete Townshend, Lou Reed, Lucinda Williams, Jim Jarmusch, and Little Steven are among those who have sung his praises. Willie just released a new live album “Willie Nile – Live At Daryl's House Club” on River House Records on April 12, 2024. He is currently working on a new studio album and an Anthology project as well. He will be touring in Europe and in North America this year and lives in New York City. willienile.com Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Send us a Text Message.What if the best films of 2024 aren't the ones plastered across every billboard? Join us as we share our excitement for the hidden gems of the coming year, alongside reflections on the laughter-filled chaos of the end-of-school festivities. From modern field days and oddly renamed tug-of-war events to the sweet anticipation of summer break, we reminisce about the past school year and the joys of movie marathons that lie ahead.Our curiosity takes us into the realm of indie films, where we discuss the profound impact of smaller, less-publicized movies. We dive into how blockbusters like "Barbie" and "Oppenheimer," despite their grand appeal, sometimes lack the emotional depth that indie films often bring. This year, our radar is honed in on the potential breakout talent and the innovative stories that could surprise us all, reflecting on the hits and misses of our 2023 anticipations.As we gear up for a year of cinematic wonders, we chat about the latest releases and what's on the horizon. From the thriller "Love Lies Bleeding" and sci-fi "Spaceman," to the eagerly awaited "The Bike Riders" and "Horizon: An American Saga Part One," our excitement is palpable. We also highlight future masterpieces from directors like Jim Jarmusch, Pedro Almodóvar, and David Cronenberg, and celebrate rising stars like Emma Stone. Our episode is a vibrant celebration of film, filled with anticipation for the stories and performances that will define 2024.Support the Show.

Ep. 256: Amy Taubin on Leos Carax's It's Not Me, The Shrouds, Charles Atlas, Arthur Jafa, Man Ray, and More Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The one and only Amy Taubin comes back to The Last Thing I Saw for a wide-ranging conversation about what she's been watching. That includes at least a couple of Cannes titles—Leos Carax's It's Not Me and David Cronenberg's The Shrouds—and New York repertory highlights from the spring: the enormous Charles Atlas retrospective at Anthology Film Archives (which is still ongoing through June), the Man Ray restorations touring with new Jim Jarmusch–led score, and Arthur Jafa's shattering reimagining of the brutal ending to Taxi Driver, titled “*****”, shown at the Gladstone Gallery. There are also shout-outs to the Antoinetta Angelidi revival in Prismatic Ground, a new Blu-ray of Too Much Sleep, and more. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're slicing through cinema and animation with a focus on legendary blades. We'll kick off with our top 5 iconic swords in film and television, explore the philosophical depths of Ghost Dog: The Way of the Samurai, and then jump into the animated adventures of Samurai Jack.Top 5 Iconic Swords in Film and Television:Excalibur from "Excalibur" (1981) - The legendary sword of King Arthur, symbolizing true power and right to rule, is one of the most iconic blades in cinematic history, rich in myth and magic.The Bride's Hattori Hanzo Sword in "Kill Bill" - Crafted by the legendary swordsmith Hattori Hanzo, this sword is central to Uma Thurman's quest for vengeance in Quentin Tarantino's stylized action saga.Sting from "The Lord of the Rings" and "The Hobbit" - Frodo's and Bilbo's elven-made blade that glows blue in the presence of orcs, combining utility with elven elegance.Lightsabers from "Star Wars" - Though technically energy weapons, lightsabers function as swords with their distinct hum and combat style, becoming cultural icons synonymous with space opera heroics.Longclaw from "Game of Thrones" - Jon Snow's Valyrian steel sword, bestowed upon him by Lord Commander Mormont, symbolizes his growth from a bastard son to a leader and protector.Ghost Dog: The Way of the Samurai, directed by Jim Jarmusch and starring Forest Whitaker, is a unique blend of American gangster cinema and the samurai tradition. The film follows Ghost Dog, a hitman who lives by the ancient code of the samurai as outlined in the book "Hagakure." The movie explores themes of loyalty, honor, and the clash between old-world values and modern realities. It's a thoughtful, meditative approach to the crime genre that uses the way of the samurai to delve into existential questions.Samurai Jack, created by Genndy Tartakovsky, is an animated series that follows a samurai prince who wields a magical sword in his relentless quest to defeat the shape-shifting demon Aku. Known for its visual style that blends Eastern and Western aesthetics, the show is celebrated for its storytelling, art direction, and the way it addresses themes of good versus evil. It's not only entertaining for kids but also captivates adults with its depth and creativity.Whether you're fascinated by the legendary swords that have defined heroes and villains alike, drawn to the philosophical musings of a modern-day samurai, or a fan of animated adventures that span time and space, today's episode promises sharp insights and cutting-edge entertainment. Join us as we celebrate these blades and their bearers in another thrilling installment of Bad Dads Film Review.

Here's another song-concept idea from Patrick. This one focuses on songs written about movies, which differs from soundtracks. You'll hear John Vanderslice singing about a David Lynch film and Neil Young watching a Jim Jarmusch flick.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.