Podcasts about merchant ivory

And we're back! This week, we're talking about Maurice (1987), the Merchant-Ivory adaptation of E.M. Forster's startlingly progressive story of homosexual love in Edwardian England. The more things change, the more they stay the same, it seems. Next week, we'll be discussing The Princess Bride, so Gen-Xers and Millennials should get real excited!

Grand Tour starts out like a Merchant Ivory passage to Southeast Asia about a man running away from the prospects of a wedding, before turning into a very strange travelogue. Directed by Portuguese auteur Miguel Gomes (Arabian Nights) who won Best Director at last year's Cannes Film Festival for it.Go to this episode on rnz.co.nz for more details

Happy Valentine's Day! What could be a messier and filmier way to celebrate Valentine's than discussing that most dramatic of story lines - the love triangle? Guest Manish Mathur joins us on this episode where we discuss Manmarziyaan (2018), Hum Dil De Chuke Sanam (1999), and Shakespearewallah (1965). You know you want an episode that covers Merchant Ivory, Bhansali, and Kashyap in the same discussion! What are your favorite love triangles? Manish hosts the podcasts Bollywood Drafts and the former It Pod to Be You, which you can find on all major podcast platforms. You can hear us on the episode ranking the top 10 Kapoor family movies here https://open.spotify.com/episode/2WfxcURZFBeRtFleho0Gh0 Subscribe to Filmi Ladies on Spotify https://open.spotify.com/show/7Ib9C1X5ObvN18u9WR0TK9 or Apple Podcasts https://podcasts.apple.com/us/podcast/filmi-ladies/id1642425062 @filmiladies on Instagram Pitu is @pitusultan on Instagram Beth is @bethlovesbollywood on Bluesky Email us at filmiladies at gmail See our letterboxd for everything discussed on this podcast. https://boxd.it/qSpfy Our logo was designed by London-based artist Paula Ganoo @velcrothoughts on Instagram https://www.art2arts.co.uk/paula-vaughan

James Ivory formed the filmmaking company Merchant Ivory with producer Ismail Merchant and the writer Ruth Prawer Jhabvala in 1961. The company went on to produce over 40 films and became synonymous with a particular sumptuous movie genre in the 80s and 90s, often adapted from literary classics. Merchant Ivory won awards and acclaim for A Room With A View, Howard's End, The Remains Of The Day and many more. In 2018, at the age of 89, James Ivory became the oldest ever winner of an Academy Award. Having been nominated three times previously for best director, he won the best adapted screenplay Oscar for the coming-of-age drama Call Me By Your Name. Now 96 years old, James Ivory recalls his upbringing in Oregon, the son of a timber merchant. He says that seeing Gone With the Wind soon after the film had first been released in 1939 was a formative moment in his love of cinema. Having initially studied architecture, he enrolled at the University of California to study cinema and began making short films. It was during a trip to India that he first became fascinated with the country and was introduced to the great Indian filmmaker Satyajit Ray, who was a hugely influential figure. James Ivory also talks about the unique relationship he had with Ismail Merchant and Ruth Jhabvala whom he describes as his "life's partners".Producer: Edwina Pitman

Enda Wyley - Music Books for Christmas - Merchant Ivory

The ‘Rumours' are true... screen superstar Cate Blanchett and director Guy Maddin are joining Simon this week to give us the gossip on their surreal new satire—once they've finished fangirling over the music of Sparks, that is. Following decades of avant garde work that's made him one of Canada's most celebrated filmmakers, ‘Rumours' is the biggest movie to date from the Winnipeg weirdo—its star-studded cast featuring Charles Dance and Alicia Vikander alongside Blanchett. Set at a G7 summit called to address an ‘unnamed-crisis', it follows the hapless world leaders as they are beleaguered by bronze-age bog bodies come to life in some sort of apocalypse situation. There's also a giant brain. It's as odd as it sounds. Mark reviews this bizarre object of a film, along with ‘Merchant Ivory', a documentary deep dive on the filmmakers responsible for all those most quintessentially British of period dramas from ‘Room With A View' to ‘The Remains of the Day'—and ‘Nightbitch', Marielle Heller's dark comedy where Amy Adams plays a new mother at her wits end who transforms into a dog. The Christmas Spectacular is almost upon us! Mark and Simon will be live onstage at London's Prince Edward theatre this Sunday 8th December. We're all sold out now, and you can find the event info here: https://www.fane.co.uk/kermode-and-mayo Timecodes (for Vanguardistas listening ad-free): Merchant Ivory Review: 06:09 Cate Blanchett and Guy Maddin Interview: 25:53 Rumours Review: 40:18 Nightbitch Review: 56:11 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com And to find out more about Sony's new show Origins with Cush Jumbo, click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

The couple's view of life is full of fun, facts, and opinions with travel, movies, documentaries, weather sensitivity, and more in focus. From Tulsa to Cincinnati, "Conclave" to "King Of Cool", "The Diplomat" to Merchant Ivory" and beyond. Come along for the ride!

A lot of good stuff on the physical media beat for those starting to make their Christmas lists. Peter Sobczynski joins Erik Childress to guide you through the lot which includes gangster and samurai classics from Criterion. There's also a trio of 1980s puberty-starters and a reevaluation of the fourth Body Snatchers adaptation. You can also get new 4K releases of Steven Spielberg's debut theatrical feature and one of Oliver Stone's finest achievements.   0:00 - Intro 1:09 - Criterion (Scarface 4K, Seven Samurai 4K) 17:25 - Universal (The Sugarland Express 4K) 29:44 - Fun City (Paradise, Heavenly Bodies) 44:28 - Arrow (Elvira 4K, The Invasion 4K) 1:04:25 - Shout (Born on the Fourth of July) 1:15:16 - Kino (Maniac, Circus of Horrors, One Two Three, Arabesque 4K, Merchant Ivory, Roseland) 1:43:00 – New Blu-Ray Announcements

In 15th and 16th century Scotland, in the highest courts of the land, you'd find esteemed poets hurling insults at each other. This was flyting, a sort of medieval equivalent of battle rap, and it was so popular at the time that the King himself wrote instructions for how to do it well. Writer and Scots language campaigner Ishbel McFarlane and historical linguist Joanna Kopaczyk explain the art of flyting, where an insult becomes slander, what's going on within the speech act of performative diss-trading, and what the legal consequences could be of being accused of witchcraft. Find out more about the episode and read the transcript at theallusionist.org/flyting.  Content note: this episode contains brief references to historical capital and corporal punishments, and discussion of insults and slurs; there is also a derogatory term for sex workers, and category A and B swears. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me and my collection of reference books, inside scoops into the making of this show, and watchalong parties - we're enjoying Merchant Ivory films, the current seasons of Great British Bake Off and the Canadian version, and Taskmaster featuring my brother Andy. Coming up, we've got Pride & Prejudice and Carol! And best of all, you get to bask in the company of your fellow Allusionauts in our delightful Discord community.  This episode was produced by me, Helen Zaltzman, with music and editorial assistance from Martin Austwick of palebirdmusic.com. Thanks to Y-Lynn Ong. Find @allusionistshow on Instagram, Facebook, YouTube, Xitter, Threads, Bluesky, TikTok, etc. Our ad partner is Multitude. If you want me to talk about your product or thing on the show, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online bailiwick. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Constant Wonder, the podcast that opens our eyes and ears to the nature around us and its, yes, constant wonders. Listen to Constant Wonder in your usual podcast-listening places.• Rocket Money, the personal finance app that helps find and cancel your unwanted subscriptions and monitors your spending. Go to rocketmoney.com/allusionist to save money and lower your outgoings.• LinkedIn Ads: convert your B2B audience into high quality leads. Get $100 credit on your next campaign at linkedin.com/allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

As a new doc releases at the British Film Festival exploring the classic films and iconic pairing of James Ivory and Ismail Merchant, the legendary, Academy Award winning James Ivory joins us.Documentary filmmakers Matthew Salleh and Rose Tucker on Slice of Life, a road movie serving insights into how former Pizza Hut buildings around the U.S. have been repurposed.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Russell StapletonExecutive producer, Rhiannon Brown

As a new doc releases at the British Film Festival exploring the classic films and iconic pairing of James Ivory and Ismail Merchant, the legendary, Academy Award winning James Ivory joins us.Documentary filmmakers Matthew Salleh and Rose Tucker on Slice of Life, a road movie serving insights into how former Pizza Hut buildings around the U.S. have been repurposed.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Russell StapletonExecutive producer, Rhiannon Brown

We go to great lengths to highlight the diversity and representation on offer in LGBTIQA+ cinema and for this program we looked at two very different films that showcase this... LEARN MORE The post ‘Merchant Ivory' with Stephen Soucy and ‘Audrey' with Natalie Bailey appeared first on Out Takes.

There's so much more to say about Singlish after last episode that we're saying some more of it this episode. Poet and academic Gwee Li Sui, author of Spiaking Singlish: A Companion to how Singaporeans Communicate, describes the resistance he received in Singapore when he published Singlish translations of literary works - and why they are important and celebratory for Singlish. And Stacey Mei Yan Fong, baker and author of 50 Pies, 50 States, explains how the language that used to be embarrassing for her is now a huge comfort. Find out more about the episode and read the transcript at theallusionist.org/singlishsinglish. And listen to the previous episode about Singlish at theallusionist.org/singlish. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me and my collection of reference books, inside scoops into the making of this show, and watchalong parties - we're enjoying Merchant Ivory films, the current seasons of Great British Bake Off and the Canadian version, and Taskmaster featuring my brother Andy. Coming up, we've got What We Do In The Shadows, Pride & Prejudice, and Carol! And best of all, you get to bask in the company of your fellow Allusionauts in our delightful Discord community.  This episode was produced by me, Helen Zaltzman, with music and editorial assistance from Martin Austwick of palebirdmusic.com. Thanks to Y-Lynn Ong. Find @allusionistshow on Instagram, Facebook, YouTube, Xitter, Threads, Bluesky, TikTok,  etc. Our ad partner is Multitude. If you want me to talk about your product or thing on the show, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Rocket Money, the personal finance app that helps find and cancel your unwanted subscriptions and monitors your spending. Go to rocketmoney.com/allusionist to save money and lower your outgoings.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Squarespace, your one-stop shop for building and running your online bailiwick. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Constant Wonder, the podcast that opens our eyes and ears to the nature around us and its, yes, constant wonders. Listen to Constant Wonder in your usual podcast-listening places.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

The Return After 20 years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king finds much has changed since he left to fight in the Trojan War. His beloved wife, Penelope, is a prisoner in her own home and hounded to choose a new husband. Their son faces death at the hands of suitors who see him as an obstacle in their pursuit of Penelope and the kingdom. Odysseus is no longer the mighty warrior his people remember, but he must face his past to save his family. Merchant Ivory Archival footage and interviews provide insight into the partnership, both professional and personal, between director James Ivory and producer Ismail Merchant. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Fergus Grady, Director of the British & Irish Film Festival, previews this year's programme. Among the highlights are Conclave, starring Ralph Fiennes, We Live In Time, with Florence Pugh, a tribute to the Merchant Ivory team and a documentary on the “lost Rolling Stone”, Brian Jones.

"If you grow up being told that one of your first languages, Singlish, is actually a bad version of an already existing language, you kind of get this sense that “I'm just bad at language,” says Bibek Gurung, a former linguist who grew up in Singapore speaking Singlish with his family and friends, while schools and the government tried to quash it. "Language is a fundamental human skill. And to just have this sense that you're bad at this very fundamental skill really does a number to your self esteem and your abilities to communicate in general." Find out more about the episode and read the transcript at theallusionist.org/singlish. Content note: this episode contains references to corporal punishment of children. And there is one category B swear.   Come to the Allusionist meetup in Vancouver BC on 20 October 2024! Information is at theallusionist.org/events. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me and my collection of reference books, inside scoops into the making of this show, and watchalong parties - this month we're enjoying Merchant Ivory films, the current seasons of Great British Bake Off and the Canadian version, and Taskmaster featuring my brother Andy. And best of all, you get to bask in the company of your fellow Allusionauts in our delightful Discord community.  This episode was produced by me, Helen Zaltzman, with music and editorial assistance from Martin Austwick of palebirdmusic.com. Find @allusionistshow on Instagram, Facebook, YouTube, Xitter, Threads, Bluesky, TikTok,  etc. Our ad partner is Multitude. If you want me to talk about your product or thing on the show, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Quince, high quality clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.• Rocket Money, the personal finance app that helps find and cancel your unwanted subscriptions and monitors your spending. Go to rocketmoney.com/allusionist to save money and lower your outgoings.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Squarespace, your one-stop shop for building and running your online empire/new home for your cryptic puzzle that takes months to solve. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Bombas, whose mission is to make the comfiest clothing essentials, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase.  Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

The costume designer Jenny Beavan has won three Academy Awards for three very different films: the elegant Merchant Ivory drama Room with a View; the post-apocalyptic Mad Max: Fury Road; and most recently the Disney film Cruella, for which she created a huge, vibrant parade of 1970s-inspired fashion. She's received a further nine Oscar nominations across her 40 year career. She found just the right top hat for Colin Firth in the King's Speech and ditched the deerstalker in favour of a bowler for Robert Downey Jr in Sherlock Holmes. And despite claiming she has “never been interested in fashion”, she re-created striking Dior outfits for Mrs Harris Goes to Paris. Jenny's music choices include Handel, Mendelssohn, Sondheim and - with a nod to the film the King's Speech - Beethoven. Presenter Michael Berkeley Producer Clare Walker

Frankiesense & More Host Frankie Picasso and Chicago Movie Critic Brent Marchant bring you September 2024 Movie Reviews.If you are looking for something a little different from mainstream then we have the movies for you.This month we reviewed All Happy Families, Sing Sing, Widow Clicquot,Green Border, Merchant Ivory, and the Chicago Movie Festival and more.

David discusses the movies he's been watching, including Merchant Ivory.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

David discusses the movies he's been watching, including Merchant Ivory, The Becomers and Super Troopers.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's a big week! Tim Burton's long-awaited BEETLEJUICE BEETLEJUICE (2:08) finally arrives after its thirty-six-year gestation — Michael Keaton, Winona Ryder, Catherine O'Hara reprise their roles, and Jenna Ortega co-stars — and does it live up to the praise being heaped upon it? Megan lets you know! Next, we all saw HIS THREE DAUGHTERS (18:42), Azazel Jacobs' family drama about three sisters (Carrie Coon, Elizabeth Olsen, and Natasha Lyonne) grappling with their father's imminent demise. This flick is getting raves, but not from us. Finally, Megan and Dave watched MERCHANT IVORY (39:31), Stephen Soucy's documentary about the legendary director-producer team of James Ivory, Ismail Merchant, partners in filmmaking and life, and all the people who moved in and out of Merchant/Ivory family in front of the camera (Emma Thompson and Hugh Grant, for two) and behind it (in particular, novelist and screenwriter Ruth Prawer Jhabvala). We liked it, with reservations (some of them big). And over on Patreon, we Spoilerpiece a movie that needs a spoiler warning: The 1987 Kevin Costner thriller NO WAY OUT!

As the summer ends with a bit of a whimper, Erik Childress and Steve Prokopy delve into eight films and try to find something worth your time. The director of Backcountry goes back into the woods with Missy Peregrym to face a different threat (Out Come the Wolves) while the filmmakers behind Howards End and The Remains of the Day get a documentary in their honor (Merchant Ivory). Tyrese Gibson gets caught up in a heist during the Rodney King riots (1992) and Lee Daniels takes Andra Day through an exorcism (The Deliverance). Naomie Harris and Natalie Dormer plot a murder (The Wasp) and Casey Affleck tries to keep his sanity in space (Slingshot). Finally, John Cho discovers a new AI is dangerous (AfrAId) and Dennis Quaid and the director of 3 Ninjas: High Noon At Mega Mountain give Republicans a greatest hits tale about their God (Reagan). 0:00 - Intro 1:18 - Out Come the Wolves 13:10 - Merchant Ivory 21:01 - 1992 32:49 – The Deliverance 43:06 – The Wasp 54:05 - Slingshot 1:07:20 - Afraid 1:16:53 – Reagan 1:34:27 - Outro

This week Jeremy and Reid are discussing Pop Star Academy and Merchant Ivory. Other topics include chickens and fake crab. Pop Star Academy The Bostonians Peach Upside-Down Cake ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠⁠➩ WEBSITE⁠⁠ ◦ ⁠⁠YOUTUBE ⁠⁠◦⁠⁠ ⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠ ⁠⁠ ⁠➩ SUPPORT ◦ ⁠✨VIA VENMO!⁠⁠✨ ◦ ⁠⁠PATREON⁠⁠ ◦ ⁠⁠THE MERCH⁠⁠ ⁠⁠➩ REID⁠⁠ ◦ ⁠⁠JEREMY⁠⁠ ◦ ⁠⁠JACK⁠⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠⁠➩ withdanceandstuff@gmail.com⁠

Larry Mantle and LAist film critics Wade Major and Claudia Puig  review this weekend's new movie releases on streaming and on demand platforms— in three minutes or less!  

Matthew Socey reviews the sci-fi film Slingshot and the documentary Merchant Ivory.

“Don't you agree that, on one's first visit to Florence, one must have a room with a view?” We watched the Merchant Ivory 1985 classic "A Room with a View" with our friend Rufino Cabang and excuse us as we faint in the arms of Julian Sands. Breaking American audiences to actors like Helena Bonham Carter, Julian Sands, Daniel Day Lewis, and  Rupert Graves this movie was a huge cross over success in American that was nominated for eight Academy Awards, and won for its adaptation for the screen by Ruth Prater Jhabvala. 20 year-old Helena looks like a porcelain doll,  swoon worthy men, and Maggie Smith is also here to talk some hot goss with Judi Dench. What more could you want in a costume drama! Also, the perfect cover for a movie to rent for young gay boys across the world, that features a famous skinny dipping scene with Julian Sands, Rupert Graves, and Simon Callow stripping down to their birthday suits for a dip. "A Room with a View" helped usher in the success of movies like Maurice, Remains of the Day, and Howard's End much to excitement of English Lit nerds, and all the boys who were "a joy to have in class."  Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Twitter: @MTMUGPod Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

LGBTQ Filmmakers at the 26th annual Provincetown International Film Festival talk with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ in this exclusive audio montage that took place at the Boatslip Resort & Beach Club in Provincetown, MA. First we talked to director Stephen Soucy about his documentary “Merchant Ivory” that pulls back the curtain on the fascinating lives of filmmakers Ismail Merchant and James Ivory. Their unique partnership on and off the camera produced 43 groundbreaking films over 4 decades that left an indelible mark on the LGBTQ and arthouse cinema. The documentary features interviews with Vanessa Redgrave, Emma Thompson, Hugh Grant, Helena Bonham Carter and many others who were lucky enough to move in the orbit of Merchant and Ivory's fabulous filmmaking. Next we chatted with director Fawzia Mirza and producer Andria Wilson Mirza about their feature film “The Queen of My Dreams”. The film is about a Pakistani Canadian woman who has had a strained relationship with her parents since coming out as lesbian and undergoes an emotional journey after the sudden unexpected death of her father. Her grief plunges her into a Bollywood-style examination of her family's past and present. Then we talked with director Taylor James, actor Kanoa Goo and producer Katie White about their short film “ILY, BYE” about when an unemployed, down on her luck woman (Megan Stalter) gets a life-changing job opportunity but she can't seem to get her foot out of her mouth long enough to get her foot in the door.    Next we talked to Tyler C. Peterson about his short film “Stan Behavior” about a drag queen (Ginger Minj) embarking on a quest for better workplace rights but finds herself in a dicey situation when her new lawyer (Yvonne Zima) a tone-deaf straight woman is revealed to be a drag super stan. Then we talked with director Sarah McCarron and music producer Rascal Miles about their short film “The Bend” about a trans man migrating from Tennessee to Minneapolis who gets stranded in rural Wisconsin and encounters a fisherman. We then chatted with director Marco Calvani about his feature film “High Tide” that was shot in Provincetown about an undocumented Brazilian immigrant searching for purpose when he encounters Maurice creating a memorable tribute to love and loss. We concluded our conversation with veteran producer Christine Vachon who produced the 2023 Oscar nominated film “Past Lives” about what films she has coming down the pike. We also talked with all the filmmakers about their spin on our LGBTQ issues as we approach the crucial 2024 presidential election.    The Provincetown Film Society, Inc. (PFS) is a non-profit year-round organization and home of the Provincetown International Film Festival. PIFF creates a unique international platform for the west and east coast entertainment industry to experience the diversity and community of Provincetown. PFS is also dedicated to showcasing the work of acclaimed and emerging directors, producers and actors.  For Info… LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES

The Berkshire International Film Festival in Great Barrington, Massachusetts gets underway May 30 and on Saturday, June 1 it will feature a special tribute event for the documentary "Merchant Ivory" and the filmmaker James Ivory in conversation with documentary director Steven Soucy and WAMC's Joe Donahue.

Today on The Literary Life Podcast, Angelina Stanford and Thomas Banks are joined by Atlee Northmore to explore the various screen adaptations based on Howards End by E. M. Forster. They begin the discussion with the question of what is the good of translating one art form, in this case a book, into another art form, such as a screen play. They talk about the beauty of the Merchant Ivory film adaptation, while critiquing the casting and chemistry of the cast, sharing their favorite and least favorite scenes. In contrast, they praise the BBC-Starz series for its excellent adaptation, although it missed some important things that the 1992 film did include. Atlee also highlights some of the ways in which the screen adaptations serve as subtle visual cues for ideas from the story. In the end, Angelina, Thomas, and Atlee share thoughts on enjoying a film as a stand-alone work of art versus judging it as an adaptation of a novel. There are still spots open in many of the classes at House of Humane Letters, so if you or your student are interested in taking something, head over to houseofhumaneletters.com to register today! We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” You can visit the HHL Facebook page or Instagram to find the post to share and enter our giveaway for a $20 discount code! During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Commonplace Quotes: Every poet, in his kind, is bit by him that comes behind. Jonathan Swift, from “Critics” Narrative prose, especially the novel, has taken, in modern societies, the place occupied by the recitation of myths and fairy tales in traditional and popular societies. Furthermore, the ‘mythic' structure of certain modern novels can be discerned, demonstrating the literary survival of major mythological themes and characters. Mircea Eliade Now, doesn't it seem absurd to you? What is the good of the ear if it tells you the same as the eye? Helen's one aim is to translate tunes into the language of painting and pictures into the language of music. It's very ingenious, and she says several pretty things in the process, but what's gained, I'd like to know? E. M. Forster, from Howards End Cargoes By John Masefield Quinquireme of Nineveh from distant Ophir, Rowing home to haven in sunny Palestine, With a cargo of ivory, And apes and peacocks, Sandalwood, cedarwood, and sweet white wine. Stately Spanish galleon coming from the Isthmus, Dipping through the tropics by the palm-green shores, With a cargo of diamonds, Emeralds, amythysts, Topazes, and cinnamon, and gold moidores. Dirty British coaster with a salt-caked smoke stack, Butting through the channel in the mad March days, With a cargo of Tyne coal, Road-rails, pig-lead, Firewood, iron-ware, and cheap tin trays. Book and Link List: From Pharos from Pharillon by E. M. Forster Howards End (1992) Howards End (BBC-Starz) Howards End Episode 1 The Remains of the Day The English Patient Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

In this episode, Ralph and Owen journey into the spectral wastes of British film, asking: what went wrong, and what is to be done? Through kitchen sink realism, folk-horror spooks, socially-engaged documentarians, materially-inclined avant-gardism, and more than a handful of oddballs, the situation seems as underwhelming as it was in 1927, when Kenneth Macpherson opined that “it is no good pretending one has any feeling of hope about it”. Ninety-seven years later, is the landscape still as dispiriting – and why did ‘we' never get our own New Wave – and why are we still stuck in the kitchen sink? Through cash, ‘character', class, and capital, there's a lot to unpick. Regardless, the boys do their best to keep the aspidistra flying. Who do they discuss? Who don't they! Anderson, Macpherson, Grierson, Hogg, Keillor, Reisz, Clark, Watkins, Jarman, Brook, Greenaway, Powell & Pressburger, Reed, Lean, Hitchcock, Loach, Leigh. The lot. 00:00:00:00 Intro 00:04:20:04 Early Silent British film 00:05:27:03 Talent leaving Britain for America 00:06:52:14 British documentaries and municipal filmmaking 00:09:09:17 The Studios of the interwar years 00:12:01:16 Powell and Pressburger 00:15:22:14 Class and politics in film 00:17:56:16 Free Cinema movement 00:24:30:13 Woodfall 00:28:15:05 The Third Man 00:30:37:10 60s-70s studio films/Merchant Ivory 00:31:54:13 60s counterculture 00:35:12:00 Folk horror 00:37:04:09 London Filmmakers Coop 00:48:04:15 Playwrights 00:55:27:00 The Paternalism of Social Realism 01:00:11:03 Pedro Costa as a counterpoint to social realism 01:04:16:13 Peter Watkins 01:09:47:05 Lindsay Anderson making an arse of himself 01:10:55:10 Peter Wollen's 1963 essay on the British New Wave 01:13:10:09 Kenneth MacPherson's 1927 article about British film 01:19:02:16 TV's influence in the 70s-80s 01:19:16:09 Alan Clarke 01:23:05:18 Sally Potter 01:30:10:24 Peter Brook 01:31:47:19 90s 01:32:34:21 British art film/essay films 01:37:09:20 00s and 10s 01:40:06:10 Joanna Hogg 01:43:08:18 Borderline (Kenneth Macpherson) 01:48:13:19 Peter Greenaway 01:55:09:09 Top 5 worst tendencies 01:57:31:14 Alternative Top 5 British films 01:59:59:23 Conclusion Listen on Spotify: https://open.spotify.com/show/6hdAjXtGPpeQTCcuJ3KNmH?si=Ud_f__90TOSa28tzYPA5GQ Listen on Apple: https://podcasts.apple.com/gb/podcast/muub-tube/id1515030490 Watch on Youtube: https://www.youtube.com/@returntoformpod

Merchant-Ivory's lush adaptation of E.M. Forster's novel of romantic struggle against Edwardian repression is the best possible version of those PBS dramas your mom likes to watch--better, even, because this one has full frontal male nudity.   Starring Helena Bonham Carter, Julian Sands, Maggie Smith, Denholm Elliott, Daniel Day-Lewis, Judi Dench, and Simon Callow. Written by Ruth Prawer Jhabvala, and directed by James Ivory.

James Baldwin in Paris. On the rain-soaked boulevards, the novelist Caryl Phillips discusses Baldwin's exquisite same-sex love story, drinking in the Cafe de Flore and exploring Saint Germain des Prés. Phillips, who knew James Baldwin, wrote the introduction to the Penguin Modern Classics edition of Giovanni's Room and an unfilmed screenplay of the novel for Merchant Ivory productions.2024 marks 100 years since Baldwin was born Giovanni's Room by James Baldwin (Penguin Modern Classics edition)https://www.penguin.co.uk/books/57368/giovannis-room-by-james-baldwin-introduction-by-caryl-phillips/9780141186351https://apple.co/3HnscrzPenguin Audio edition of Giovanni's Room – available April 4th 2024https://www.penguin.co.uk/books/56260/giovannis-room-by-baldwin-james/9781802067224Calliope Author Readings – James Baldwinhttp://calliopeauthorreadings.com/james-baldwin/https://apple.co/4aTk0go Caryl Phillipshttps://www.carylphillips.com/ The European Tribe by Caryl Phillipshttps://www.penguinrandomhouse.com/books/130570/the-european-tribe-by-caryl-phillips/ Presenter – Henry Eliot: https://www.henryeliot.co.uk/Producer – Andrea Rangecroft: https://www.andrearangecroft.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

In 2023’s “Godzilla Minus One,” the classic monster doesn’t just represent nuclear disaster, but crushing guilt on personal and societal levels. What if someone built a deeply emotional human drama that was also a movie where Godzilla destroys a whole lot of stuff? We’ve got the answer! Jason Snell with Monty Ashley and Moisés Chiullán.

In 2023’s “Godzilla Minus One,” the classic monster doesn’t just represent nuclear disaster, but crushing guilt on personal and societal levels. What if someone built a deeply emotional human drama that was also a movie where Godzilla destroys a whole lot of stuff? We’ve got the answer! Jason Snell with Monty Ashley and Moisés Chiullán.

This week on Just Jack & Will: Wait. Sorry, that should say “waiter,” this week on Just Jack & Will: Sean & Eric talk waiters and adult videos (not the Merchant-Ivory kind) as they review “To Serve And Disinfect.” They talk about ballet service, smashed noses, and that feeling you get when food or drink on TV looks really, really good. Then, production staple from the start to the end of Will & Grace, Steve “Ball” Sandoval joins them to explain exactly what a production coordinator does, how he got his nickname, and also helps get to the bottom of a Will & Grace mystery: was Karen's video actually filmed or not? Letting me keep this tux means never having to say you're sorry.Have a question about Will & Grace, especially Season 2? We want to hear them! Email us at JustJackAndWill@gmail.com, call or text to 818-308-4012, maybe the guys will answer your question on the show!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome. You're listening to Reel Charlie Speaks, an LGBTQ podcast spin-off of the film and television review blog, Reel Charlie looking at movies and TV from a gay male perspective since 2009. I'm your host, Philip Bahr. Each month I select a classic queer film, television series, or creator. I talk about how the subject spoke to me when I first discovered it years ago, and how its stood the test of time. Spoilers possible. Alerts always. In episode 18 I explore Merchant Ivory's film, Maurice. ⁠Discover more of Merchant Ivory on Reel Charlie. ⁠Follow Reel Charlie the blog for film and television reviews from a gay male gaze. Learn more about Reel Charlie creator Philip Bahr. --- Send in a voice message: https://podcasters.spotify.com/pod/show/reel-charlie-speaks/message

On this episode of Podcast Like It's 1992, Tom Mison joins Phil & Emily to discuss Howard's End.‌We talk about James Ivory directed performances, the parallels to Call Me By Your Name, and why Tom is our go-to for Merchant Ivory and all things British!Patreon: Patreon‌Twitter: twitter.com/podcastlikeits‌Instagram: Instagram (@podcastlikeits)‌Reddit: Reddit - Dive into anything Hosted on Acast. See acast.com/privacy for more information.

The Woodstock Film Festival is about to honor a living legend. Director and screenwriter James Ivory of the Merchant Ivory partnership created dozens of award-winning films including “Howards End,” “The Remains of the Day,” and “Mr. and Mrs. Bridge,” to name just a few.

Acclaimed costume designer Jenny Beavan (MAD MAX: FURY ROAD, CURELLA, A ROOM WITH A VIEW) joins us for a conversation about her craft on this episode of the Team Deakins Podcast. Hailing from England, Jenny shares how she fell in with the famed Merchant Ivory troupe, and she describes spending her early formative professional years traveling around the world and working alongside the legendary filmmakers. We later consider how, just as with real people, characters reuse clothing and how some costume pieces take on a life of their own. Jenny also reflects on how she adapts after having the wool pulled over her eyes on a project and how designing costumes is never about the clothes themselves but about the stories they tell. At the end, Jenny is generous enough to offer salient advice to budding costume designers. - This episode is sponsored by Dallas Film Commission  Instagram: @dallasfilmcommission

On Truth & Movies this week, DC launches a new superhero in the form of Blue Beetle. Host Leila Latif spoke to the team behind the Edinburgh Film Festival about their incredible line-up that runs from the 18th-23rd of August, and bringing the festival back after events in 2022 put its in jeopardy. We'll also be reviewing French literary adaptation, Lie With Me and for Film Club, revisiting Merchant Ivory's Maurice.Joining host Leila Latif are LWLies Editor David Jenkins and film critic Monica Castillo.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Filmmaker Simon O'Neill returns for a Merchant Ivory double bill where we discuss 'Howards End' (1992), 'The Remains of the Day' (1993), and the novels upon which they are based.  #Sponsored Sign Up for Free Trial of Audible: https://www.audibletrial.com/wrongreel Follow Simon O'Neill on Twitter: https://twitter.com/Sim_ONeill Simon O'Neill's Official Site: https://simononeill.net/ Follow James Hancock on Twitter: https://twitter.com/WrongReel Wrong Reel Merchandise: https://teespring.com/stores/wrong-reel

It's spring, and romance is in the air. Sarah and Kevin each fall for Celine Song's debut feature Past Lives, about two childhood sweethearts reconnecting decades later. For the Watchlist segment, Sarah introduces Kevin to the Merchant/Ivory adaptation of Edith Wharton's A Room with a View. Have thoughts about the movies we reviewed? Send us an email! Follow us on Twitter @SeeBelievePOD Follow us on Letterboxd Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Guy Branum (Platonic on Apple+) earns the title of "Screen Drafts All-Star" as he returns to the draft table to competitive/collaboratively rank the films of James Ivory and Ismail Merchant with/against his longtime friend, and Screen Drafts Hall of Famer, Drea Clark (Maximum Film)!

Pod Thomas Anderson is a nine-part miniseries on the films of Paul Thomas Anderson. The series is written by the author of The Cinema of Paul Thomas Anderson: American Apocrypha, Ethan Warren and produced by Blake Howard.Episode eight explores PTA's unexpectedly boundless Merchant Ivory riff - PHANTOM THREAD.Featuring the contributions of:FILMMAKER - JESSIE BARRPULITZER PRIZE FINALIST, FILM CRITIC - TY BURRFILM CRITIC, JOURNALIST, HOST OF THE MIAMI NICE PODCAST AND MODERATOR - KATIE WALSHAll excerpts from The Cinema of Paul Thomas Anderson: American Apocrypha are used with the permission of Columbia University Press.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Screen Drafts Presents The Marathon, the podcast where rival arthouse cinema operators Clay and Ryan program competing movie marathons on a common theme, drawing titles from a classic Screen Drafts list. In the pilot episode, Darren Franich joins us as we figure out the rules of the game, name our nascent cinemas, and create our very first competing movie marathons, using the infamous Screen Drafts TIME TRAVEL list! After the episode, Screen Drafts Patrons can go to patreon.com/screendrafts to vote for which marathon they would rather attend! Next week we return to our regular programming with the MERCHANT / IVORY draft.

Jenny Beavan has won three Oscars for her costumes for the films Room with a View, Mad Max: Fury Road and Cruella, and has received nine further Academy Award nominations. She was born in London, and her parents were both professional musicians who encouraged her to paint, draw and learn a musical instrument. After studying theatre design, she was invited at the age of just 21 to create the sets for a production of Carmen at the Royal Opera House, conducted by Sir Georg Solti. She also worked on the costumes, which eventually led to her current career. Her credits now include more than 60 films and television series, including a long collaboration with the Merchant Ivory team, on titles such as Howards End and Remains of the Day, as well as Room with a View. Her costumes range from precise period recreations, in films such as The King's Speech, to the post-apocalyptic world of Mad Max and the extravagant 1970s-inspired gowns for Emma Stone and Emma Thompson in Cruella. Along with her Oscars, Jenny has also won four Baftas and two Primetime Emmy awards. She was appointed a OBE in 2017. DISC ONE: Endure from Bach's St Matthew Passion. Performed by Hans Peter Blochwitz and the Chapelle Royale Orchestra, conducted by Philippe Herreweghe DISC TWO: The Stately Homes of England - Noël Coward DISC THREE: Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée" (The flower you threw at me) Performed by Plácido Domingo and London Philharmonic Orchestra, conducted by Sir Georg Solti DISC FOUR: O Mio Babbino Caro. Composed by Giacomo Puccini and performed by Kiri Te Kanawa and The London Philharmonic Orchestra DISC FIVE: Scream - Caitlin Albery Beavan and Jim Bell DISC SIX: Parking Fines - Joe Lycett from his That's the Way, A-Ha, A-Ha tour DISC SEVEN: I Will Survive - Gloria Gaynor DISC EIGHT: Radamisto, HWV 12, Act 2: "Ombra cara di mia sposa" (Radamisto) (Beloved shadow of my bride) Composed by George Frideric Handel, performed by Emöke Baráth and Ensemble Artaserse, conducted by Philippe Jaroussky BOOK CHOICE: The Complete Novels of Jane Austen LUXURY ITEM: A cello CASTAWAY'S FAVOURITE: Endure from Bach's St Matthew Passion. Performed by Hans Peter Blochwitz and the Chapelle Royale Orchestra, conducted by Philippe Herreweghe Presenter Lauren Laverne Producer Sarah Taylor

Aasif Mandvi is a British-American actor, comedian, playwright and author, whose diverse career traverses Broadway, Merchant-Ivory, Marvel, television and comedy. His theater work includes Oklahoma! on Broadway, the Pulitzer-Prize winning play Disgraced and Mandvi's off-Broadway, one man show, Sakina's Restaurant, which explored the South Asian immigrant experience and won an Obie. He also created the Islamaphobia-tackling digital series Halal in the Family, which earned a Peabody.  The former The Daily Show correspondent is currently starring in the CBS psychological drama Evil and Would I Lie to You?, the CW panel show. Alec Baldwin and Mandvi talk about Mandvi's upbringing and how it contributed to his adaptability,  the serendipitous events that changed the course of his career and becoming a father later in life. See omnystudio.com/listener for privacy information.