Podcast appearances and mentions of Robert Altman

In this episode of our 2025 series where we talk about gems from 1975 and 1995 we decided to go whole hog and commit the entire month to Robert Altman by discussing his 1975 Nashville. Over the course of our conversation you will hear us debate this movie as a tapestry of American society, how it is timely and timeless in equal measures and how it interweaves personal vignette stories into a narrative-less stream of storytelling. We also talk about whether our relationship with this movie might be coloured by what we feel about country music, if Altman truly succeeds in imitating reality, whether celebrity critics of the time gave him a helping hand by offering their praise or simply acknowledged the greatness of this movie and if Nashville was indeed the pinnacle of New Hollywood cinema or rather the first of its final gasps. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Randy Perry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Dana and Tom with returning guest, Scott Cole (Twitter-X/IG (@colecommascott) movie commentator), discuss Nashville (1975) for its 50th Anniversary: directed by Robert Altman, written by Joan Tewkesbury, cinematography by Paul Lohmann, music by Richard Baskin, starring Keith Carradine, Ned Beatty, Scott Glenn, and Lily Tomlin.Plot Summary: A sprawling mosaic of American life, Nashville follows 24 characters over five days leading up to a political rally in the titular city. Set against the backdrop of country music and political ambition, the film weaves together intersecting stories of musicians, wannabe stars, politicians, and ordinary citizens. Through overlapping dialogue and naturalistic performances, Altman paints a satirical yet poignant portrait of fame, identity, and the uneasy state of the nation during the 1970s. The film crescendos into a shocking act of violence, underscoring its themes of disillusionment and the chaotic intersection of celebrity and politics.Guest:Scott ColeTwitter-X/IG (@colecommascott) movie commentator, and occasional writer/contributor for The Movie Friends podcast.com (@moviefriendspodcast)Chapters:00:00 Introduction and Welcome Back Scott03:54 Cast of Nashville05:32 Dana's First Time Seeing Nashville08:47 Did Dana Like Nashville?15:02 Background for Nashville17:26 What is Nashville About?23:18 Plot Summary for Nashville24:15 Did You Know?26:34 First Break28:30 What's Happening with Scott Cole?33:23 Best Performance(s)45:03 Best Scene(s)56:20 Second Break57:02 In Memoriam01:06:10 Best/Funniest Lines01:10:30 The Stanley Rubric - Legacy01:17:54 The Stanley Rubric - Impact/Significance01:21:39 The Stanley Rubric - Novelty01:27:09 The Stanley Rubric - Classicness01:32:44 The Stanley Rubric - Rewatchability01:39:25 The Stanley Rubric - Audience Score and Final Total01:46:52 Remaining Questions for Nashville01:51:35 Thank You to Scott and Remaining Thoughts01:57:11 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/nashville-1975-ft-scott-coleFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Nashville, Robert Altman, film analysis, character development, 1975 movies, Best Picture nominees, country music, cinematic themes, film performances, movie discussions, film, entertainment, legacy, humor,...

We stayed up for three consecutive days without sleep and kept at least one hand on a microphone at all times in order to test our mettle and discuss S.R. Bindler's 1997 "gawkumentary" Hands on a Hardbody, a story of 23 contenstants in Longview, Texas squaring off in a competition of stamina to win a Nissan hardbody truck. Over the course of three days, Bindler and his crew record the ecstasy of victory, the agony of defeat, and the enormity of - as one particularly philosophical contestant puts it - "the human drama thing."We begin with a discussion of commodity fetishism (in the Marxian sense) and how the film explores the mystification of value surrounding the titular hardbody truck and what it means within the lives of all the contestants. Then, we dig into the film's many "characters", how they fulfill or transcend archetype, and how they beguile us with the profundity of their small-town wisdom. Finally, we discuss the feat of Bindler and Co's filmmaking as well as its limits, and how the strain the competition's longevity begins to bleed into the acuity and perceptiveness of the movie itself.Watch Hands on a Hardbody on YouTube.Rent or Purchase Hands on a HardbodyRead Ethan Warren on Hands on a Hardbody at Bright Wall/Dark Room.The Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

As helicopters descend on the city it's time to cruise down to Johnie's Broiler the magical diner in Downey where Tom Waits abandons his tuna melt in SHORT CUTS (1993). What better place to enter Robert Altman's masterpiece mosaic of "untapped Los Angeles" and the Raymond Carver stories within, and what better guest to go with than the extraordinary Matthew Wilder, last seen with us at Bob's Big Boy in Burbank. Must book and movie and life always be at odds?   For double the episodes, plus regular "smoke break" mini eps and access to our upcoming live tour HIVE subscribe to the show at patreon.com/filthyarmenian   HIVE will be in LA on June 14, Austin June 17, NYC June 21, and London June 26...at some fabulous locations. DM us on patreon if you'd like to attend   X/insta @filthyarmenian 

Send us a text Episode 128: Today Is the First Day of the Rest of Your Life https://youtu.be/pv50YW4n6og "Fringe Psychology of the 1960s In Breakthrough/Momentus Training". Matt Novak (29 September 2014). "The Man Who Fought the Synanon Cult and Won"Her life with "One Big Brother", San Jose Mercury News, March 19, 1999, Michael D. ClarkMorgan, Fiona (30 March 1999). "One big dysfunctional family". Salon. "Synanon's Sober Utopia: How a Drug Rehab Program Became a Violent Cult". Kobler, John (February 8, 1969). "The second coming of Synanon".Janzen, Rod A. The Rise and Fall of Synanon: A California Utopia.Pollock, Dale (1999). Skywalking: The Life and Films of George Lucas. Reid, Max (October 1974). "The Making of California Split: An Interview with Robert Altman"https://www.sundance.org/blogs/the-rise-and-fall-of-the-synanon-fix-like-frogs-boiling-slowly-in-water/https://www.teenvogue.com/story/this-1970s-cult-inspired-abusive-teen-rehabilitation-methods-still-used-today"Nation: Life at Synanon Is Swinging". TIME Magazine. December 26, 1977D'Alessandro, Anthony; Patten, Dominic (December 6, 2023). "Sundance Unveils Packed 2024 Lineup That Includes A.I., Pedro Pascal, Kristen Stewart, Satan, Devo & Steven Yeun". Deadline Hollywood. Retrieved January 21, 2024. ^ "HBO Original Documentary Series THE SYNANON FIX Debuts April 1". Warner Bro "A Violent, Deadly Cult With Forced Abortions and Shades of Scientology". Roberts, Sam (November 1, 2023). "David Mitchell, Weekly Editor Who Exposed a Corrupt Cult, Dies at 79""The Man Who Fought the Synanon Cult and Won" https://youtu.be/SFtEkD0pGy8Patreon Supporter: Support the show

In this episode of the show we are continuing our June celebration of Robert Altman's centenary with a great discussion about The Long Goodbye. Over the course of our conversation you will hear us talk about how Altman chose to deconstruct film noir, chiefly by stripping it of its iconography and by treating his protagonist as a fish out of water. We dig into how this movie still tries to fulfil its own genre obligations and whether it might be a bit muddy for its own good. We also talk about the role of improv in the movie, the subtle acting genius of Morris the Cat and whether it is a good idea to cast Arnold Schwarzenegger as an extra and expect the viewer to stay interested in what's happening elsewhere in the frame.Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsIntro: Infraction - CassetteOutro: Infraction - DaydreamHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Neste episódio assistimos Assassinato em Gosford Park, filme clássico de Robert Altman. Com grande elenco (e põe grande nisso), e um assassinato que apesar de dar título ao filme pode nem ser tão relevante assim.

In this installment of our Female Psychopath Series, we dive into Robert Altman's 1972 psychological thriller Images, exploring the unraveling psyche of protagonist Cathryn. Is she experiencing a full psychotic break or something more nuanced? We offer a clinical lens on her symptoms and propose a specific psychological diagnosis, while also reacting to the film's surreal tone, eerie visuals, and narrative ambiguity.Blending psychological insight with our usual conversational flair, we untangle Altman's portrayal of dissociation, identity confusion, and trauma-induced hallucinations. We also offer up our personal reactions, theories, and questions about what's real vs. imagined, and why Images deserves a spot in any horror-psychology lover's watchlist.Listen now to explore the disturbing beauty of Images through a psychological lens!Follow Us:

This week we cover the obscure Robert Altman film - BUFFALO BILL AND THE INDIANS! By 1885, beloved cavalryman Buffalo Bill Cody (Paul Newman) has hired a publicist and producer to help shape and promote his traveling Wild West show, which presents historically inaccurate reenactments of conflicts between U.S. troops and Native Americans. Cody hires Chief Sitting Bull (Frank Kaquitts) to play himself, as a villain, in stagings of the Battle of the Little Bighorn. But, to Cody's dismay, star performer Annie Oakley (Geraldine Chaplin) and spectators both take to Sitting Bull. Hear our take on the film and on the review of SISKEL AND EBERT.Be sure to subscribe on your favorite pod platform and our YOUTUBE channel!Visit thecultworthy.comVisit https://www.themoviewire.comVideo: https://www.youtube.com/@back2thebalcony

Front Row Classics is celebrating the centennial of the great Robert Altman with one of this true masterpieces. Brandon and Emmett Stanton are taking a look at 1975's Nashville. We discuss the legendary ensemble cast featuring the likes of Lily Tomlin, Henry Gibson, Ned Beatty, Keith Carradine, Shelley Duvall, Ronee Blakley and Geraldine Chaplin. The hosts discuss the multiple meanings behind the film and how it resonated in a post-Watergate America. 

Nashville Front Row Classics is celebrating the centennial of the great Robert Altman with one of this true masterpieces. Brandon and Emmett Stanton are taking a look at 1975’s Nashville. We discuss the legendary ensemble cast featuring the likes of Lily Tomlin, Henry Gibson, Ned Beatty, Keith Carradine, Shelley Duvall, Ronee Blakley and Geraldine Chaplin. … Continue reading Ep. 312- Nashville →

Jordan Hill from Dawgs247 makes his annual post-spring meetings stop on the podcast to talk to Justin and Dan about what he learned from the SEC's power players in Destin. Topics in this episode include:* where the SEC stands in the College Football Playoff expansion debate* why coaches and ADs are split on the format moving forward* how Greg Sankey managed to make a lot of people mad last week* why Jordan thinks the SEC will go to a 9-game conference schedule soon* how Auburn-Georgia could continue if the league stays at eight games* the SEC vs. Big Ten scheduling idea* Justin's dumb idea for an outlaw college football (or basketball) team* Dan's question about the SEC teams that already play a power-conference rival* Jordan's outlook on Georgia football and Georgia basketball this offseason* revisiting a couple of baseball-themed Pick Fours* Jordan and Dan reviewing a Robert Altman movie, something we guarantee you won't hear on any other sports podcastNote: Later this week, Adam Cole of the Opelika-Auburn News will return to the podcast to preview Auburn baseball's first-ever Super Regional at Plainsman Park. That will be a subscribers-only episode, so sign up now if you want it Friday morning.If you're receiving this free podcast episode and would like to upgrade to a paid subscription that gives you access to all stories and premium podcast episodes, subscribe using the button below or clicking this link.Follow Jordan (@JordanDavisHill), Dan (@dnpck) and Justin (@JFergusonAU) on Twitter. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.auburnobserver.com/subscribe

In this episode of the show we are beginning, albeit a little bit prematurely, our June excursion into the cinema of Robert Altman who would be celebrating his 100th birthday if he was still with us. And we are starting off with his anti-western McCabe and Mrs Miller. Over the course of our conversation you will hear us talk about how Altman fits into the landscape of New Hollywood, how he set out to deconstruct the form and bury the star under his aesthetic and perhaps the reasons why he did so. We also talk about the chemistry (or, ironically, lack thereof) between Warren Beatty and Julie Christie, the idea of watching a movie through a t-shirt and hiding a cultural commentary in a sparse and meandering deconstructed western. Finally, we lose our wits trying to figure out how to pronounce Warren Beatty's last name and we also, if you stay tuned long enough, end up sharing our Jack Nicholson impressions... despite the fact he was not in the movie at all. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Hillary White & Jak-Luke SharpIntro: Infraction - CassetteOutro: Infraction - DaydreamHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Los estrenos no nos están convocando así que hablamos de The Damned (2025) de Thordur Palsson, una que teníamos en carpeta desde hace un tiempo. Nieve, desolación y una serie de eventos misteriosos y mortales en el siglo XIX. La coyuntura incluye algo de Popeye, Robert Altman y cocaína, la venta de garage de los herederos de David Lynch y una estimación de por qué nos va a llegar tan tarde la nueva película de los hermanos Philippou.Esto existe porque hay gente que entra en hoytrasnoche.com y entrega su dinero. Vos podés ser uno de ellos. Dichoso, bondadoso, magnánimo. Gracias.

Field recordings of chill lo-fi beats to study to, Youtube videos with the comments turned off, and a dynamite hot dog. Jess Sylvester (Marinero) Marinero - Taquero (Official Video)- https://www.youtube.com Marinero - Cruz (Official Visualizer)- https://www.youtube.com Marinero - Sea Changes (Official Video)- https://www.youtube.com Marinero - Dream Suite (Official Visualizer)- https://www.youtube.com "As Jess Sylvester finished his Hardly Art debut as Marinero in the fall of 2020, he realized it was time for a change. Sylvester grew up in Marin County, on the doorstep of San Francisco. It was a nurturing community for a high-school punk with a pompadour and, later, for a sober songwriter with a proclivity for moody psychedelia. But he wanted to be challenged and inspired by a new setting and scenario around strangers who prompted him to approach his music in unexpected ways. So in September 2020, as the world continued to reel in lockdown, Sylvester headed several hours south to Los Angeles, a city that, despite the relative proximity, the film buff knew largely from classic and cult films situated there. When he arrived, he kept digging into that cinematic past—Robert Altman's The Long Goodbye, with John Williams' classic theme, or classic 90s movies about East LA, many featuring Edward James Olmos. They shaped his understanding of his new town just as it began to open. This is one pillar of the multivalent and endlessly lush La La La, Marinero's new album about sobriety, identity, and fantasy that is playfully named both for the city that helped shape it and the sophisticated pop it contains. Sylvester wrote about characters outside of himself, whether considering the heroine reckoning with her own version of keeping clean or the screenwriters whose work was deemed communist simply as a political convenience. He linked those songs with motivational anthems about self-acceptance and playful numbers about flirting through food, shaping a 12-song set rich with humor, empathy, and encouragement." Excerpt from https://www.hardlyart.com/collections/marinero Marinero: Bandcamp: https://maringuero.bandcamp.com/album/la-la-la Instagram: @marin_guero Website: https://marinero.ffm.to/marinero_lalala Merch: https://www.hardlyart.com/collections/marinero The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Masz okazję ukarać swojego oprawcę. Nikt inny tego za ciebie nie zrobi. Ale czy to na pewno on? O tym dylemacie opowiada „Un simple accident”, zdobywca Złotej Palmy na 78. Festiwalu Filmowym w Cannes. Jego reżyser, Jafar Panahi, dołączył do elitarnego grona – przed nim dokonali tego jedynie Robert Altman i Michelangelo Antonioni – zdobywców głównych nagród trzech najważniejszych europejskich festiwali filmowych, Cannes, Wenecji i Berlina. Autorka: Anna Prodeus Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/krytykujacy-rezim-iranski-film-un-simple-accident-jafara-panahiego-ze-zlota-palme-na-78-festiwalu-filmowym-w-cannes

Writer/Director Suzi Yoonessi (Unlovable, Daphne & Velma, The Dead Girls Detective Agency) joins Matt to discuss the 1975 Robert Altman film, Nashville. Thomas Hal Phillips plays the unseen Replacement Party candidate Hal Phillip Walker. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Suzi Yoonessi https://instagram.com/suziyoonessi Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Writer/Director Suzi Yoonessi (Unlovable, Daphne & Velma, The Dead Girls Detective Agency) joins Matt to discuss the 1975 Robert Altman film, Nashville. Thomas Hal Phillips plays the unseen Replacement Party candidate Hal Phillip Walker. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Suzi Yoonessi https://instagram.com/suziyoonessi Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

In today's episode we are looking at the work of two directors named Anderson, although they're not related to one another. We begin with Paul Thomas Anderson's MAGNOLIA, from 1999. This is a film that has the complexity of a Robert Altman film, in that we have many parallel stories in a few different spaces, and they do manage to bump into one another from time to time. PT Anderson sets us up for this in the opening scenes of the film, and it's a heckuva ride from one end to the other. Stay tuned for Part 2, when we look at a film by Wes Anderson.

This is an Encore Presentation of my July 2023 interview with Jeremy Swift, who shot to worldwide fame as Leslie Higgins - the Communications Director for the AFC Richmond football club - in the hit series “Ted Lasso”. He was nominated for an Emmy Award. Before Lasso he was in films such as “Mary Poppins Returns” along with Dick Van Dyke, “Oliver Twist” directed by Roman Polanski, and “Gosford Park” directed by Robert Altman. He's also worked with the National Theater and in the West End. And he was in “Downton Abbey”. My featured song is my reimagined version of “I'm So Glad” by Cream from the album “IT'S ALIVE!”. Spotify link.—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

GGACP celebrates Jewish American Heritage Month with this ENCORE of a memorable interview with Oscar- and Emmy-nominated producer, director and actor Bob Balaban. In this episode, Bob talks about his family's history in the movie theater business, his affection for horror films, his transition from acting to directing and his admiration for colleagues Wes Anderson, Christopher Guest and Steven Spielberg. Also, Orson Welles inspires fear, Robert Altman tackles a whodunit, Bill Murray perfects his short game and Bob “apprentices” for Sidney Lumet. PLUS: “Brewster McCloud'! The Marx Brothers on stage! The brilliance of Eugene Levy! Uncle Miltie meets an extraterrestrial! And Bob remembers the late, great Fred Willard! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Josh and Jamie and special guests Nate Fisher & Will Sennett discuss late-period Robert Altman with a double feature of his for-fire neo-noir adaptation of courtroom drama/legal thriller maestro John Grisham THE GINGERBREAD MAN (1998) and his completely absurd and loveable gynecologist satire/romantic comedy DR. T & THE WOMEN (2000). Next week's episode is a patron-exclusive bonus episode on FINAL DESTINATION (2000) and FINAL DESTINATION 2 (2003), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-08:33 GINGERBREAD MAN // 08:33-57:48 DR. T & THE WOMEN // 57:48-1:37:15 Outro // 1:37:15-1:41:42 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

In this episode, music legend Huey Lewis joins Tim and Troy Green for a wide-ranging conversation about life, loss, fame, and finding joy after adversity. Huey reflects on his early years—hitchhiking through Europe with a harmonica, busking on the streets, and discovering his voice in London's punk scene. He shares powerful memories of mentors like Phil Lynott, the lessons he learned from Robert Altman, and the unforgettable night recording We Are the World with Michael Jackson, Stevie Wonder, and others. Huey also opens up about his profound hearing loss and the spiritual peace he's found in nature, fishing, and family. With characteristic humility and humor, he talks about his Broadway-bound musical, the impact of Back to the Future, and why sometimes the setbacks are what set you free. This isn't just a trip through 80s nostalgia—it's a story about staying grounded when the world goes wild, and why the journey matters more than the spotlight. SPONSORS: ElevenLabs: Thanks to ElevenLabs (⁠https://elevenlabs.io⁠) for supporting this episode and powering Tim's voice. ALS Investment Fund: Thanks to ALS Investment Fund (⁠https://www.alsinvestmentfund.com⁠) for supporting this episode. SOCIAL: Website: ⁠https://tgnlu.com⁠   Twitter: ⁠https://twitter.com/nlutimgreen⁠   Facebook: ⁠https://www.facebook.com/NLUpod ⁠ Instagram: ⁠https://www.instagram.com/nlupod/⁠  AUDIO ONLY: Spotify: ⁠https://open.spotify.com/show/5fhcANt7CSnYvgBlgxpVVa⁠  Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/nothing-left-unsaid/id1734094890⁠   PERSONAL:  Tackle ALS: ⁠https://www.tackleals.com⁠   Tim Green Books: ⁠https://authortimgreen.com Learn more about your ad choices. Visit megaphone.fm/adchoices

For the finale of our miniseries on 60s and 70s Hollywood, we're talking about Robert Altman's cynical war comedy, M*A*S*H. Joining us for the discussion is writer, podcaster, friend of the show, and Altman skeptic Nick Newman. Then, we answer an email about Letterboxd and “irl”. 00:00 - M*A*S*H 1:09:46 - e-mail

"I hate L.A. All they do is snort coke and talk." For Episode 356, David and Brandon finish off their main Hyperlink series with SHORT CUTS. Listen as the two discuss Robert Altman's adaptation of the Raymond Carver short stories, how Altman ran his sets, and why the film is one of the most ambitious films we've covered in this series. Also, don't forget to join our Patreon for more exclusive content: Opening - Timecode and Digital Cinema -  (00:00:10) Recap of the Hyperlink Genre (00:06:06) Intro to Short Cuts (00:09:43) How Short Cuts Got to Production (00:14:52) Favorite Scenes (00:28:16) On Set Life - (01:11:12) Aftermath: Release and Legacy (01:19:01) What Worked and What Didn't (01:22:01) Film Facts (01:26:37) Awards (01:26:59) Final Questions on the Movie (01:33:49) Final Genre Questions (01:39:06) Wrapping Up the Episode (01:46:35) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Pourquoi ce film couronné à la section « Un certain regard » l'an dernier à Cannes impose des véritables images-choc inoubliables ? Comment l'actrice Anamaria Vartolomei , vue dans « L'évènement » et « Le comte de Monte-Cristo », s'impose une fois de plus dans le drame roumain « Traffic » ? Pourquoi le cinéma de Robert Altman, dont on célèbre les 100 ans de la naissance, mérite d'être redécouvert ? Les découvertes musicales : - Orlane - La fin du silence - Iliona - Ça n'existe pas (Colors session) -Purple Disco Machine, Alison Goldfrap - Dream Machine - Lana Del Rey- Bluebird -The Beaches - Last Girls At The Party Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In the spirit of 4/20 ending up on Easter Sunday we are rerunning the show with legendary comedian and weed smoker Tommy Chong from 2022 which was reported in Variety, Yahoo, Deadline and all over the internet news sites at the time Mark and Nicole welcomed back Tommy Chong who was apparently so high he forgot who they were but had a great conversation about breaking up and getting back together with Cheech, almost going broke while filming Up In Smoke, discovering Pee Wee Herman and Michael Winslow, how Robert Altman inspired Next Movie, what its like to smoke weed with Willie Nelson, Gary Busey, and a celebrity you would never expect, how he became the squirrel master in prison for real after playing one in Half Baked, how he is planning on adopting Dark Mark and many of his fans, how Matrix actor Marcus Chong adopted him,if he will be in That 70s Show's new reboot, how proud he is of Rae Dawn Chong's success and how much he met his wife and still loves her after all of these years and so much more... We talked about smoking weed too.... You can order Nicole's new poetry book "Slow Burn" on lulu.com This podcast is sponsored  by Eddie by Giddy FDA Class II medical device built to treat erectile dysfunction and performance unpredictability. Eddie is specifically engineered to promote firmer and longer-lasting erections by working with the body's physiology. Get rock hard erections the natural way again. Go to eddiebygiddy.com and use promo code DARKMARK20 for 20% your order Raze Energy Drinks Go to https://bit.ly/2VMoqkk and put in the coupon code DMS for 15% off the best energy drinks. Zero calories. Zero carbs. Zero crash. Renagade CBD Coming soon to www.renagadecbd.com

durée : 00:59:46 - Plan large - par : Antoine Guillot - Le 20 février dernier, Robert Altman aurait eu 100 ans. Nous vous proposons de célébrer son cinéma en réécoutant ce Plan Large de juin 2019, en compagnie des critiques Frédéric Albert Lévy et Charlotte Garson. - réalisation : Anne-Laure Chanel - invités : Frédéric Albert Lévy Critique de cinéma; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

durée : 00:59:46 - Plan large - par : Antoine Guillot - Le 20 février dernier, Robert Altman aurait eu 100 ans. Nous vous proposons de célébrer son cinéma en réécoutant ce Plan Large de juin 2019, en compagnie des critiques Frédéric Albert Lévy et Charlotte Garson. - réalisation : Anne-Laure Chanel - invités : Frédéric Albert Lévy Critique de cinéma; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

Pop open a can of spinach and set sail for the far-off year of 1980, when noted auteur Robert Altman had his crew build an entire functioning town so they could shoot a Popeye movie. This unassuming comic strip adaptation represents the collision of the New Hollywood movement and the old studio system, both in their waning days; neither would survive “Stalag Altman,” as star Robin Williams coined it. Paul and Arlo are delighted by the end result, an improvisational-seeming ensemble picture in the Altman vein that also features cartoon gags, characters bursting into songs penned by Harry Nilsson, and a giant octopus. The boys discuss why the movie is so much better than its reputation suggests, Robin Williams' and Shelly Duvall's underappreciated performances, the surprisingly moving throughline of fatherhood, and so much more. Plus, a whole bunch of trailers for Marvel's Thunderbolts*, the new season of animated sci-fi anthology Love Death + Robots, the animated Predator movie Killer of Killers, and Wes Anderson's The Phoenician Scheme; Paul stuns Arlo by singing the praises of the new Amazing Spider-Man #1; and Arlo is still reading old school Fantastic Four.   NEXT: just when you thought it was safe to go back in the water, it's another That Was Then, as Paul, Arlo, and Eric Sipple take a bite out of Steven Spielberg's Jaws on the eve of its 50th anniversary.     BREAKDOWN 00:00:46  -  Intro / Even MORE Banter! 00:48:43  -  Popeye 01:59:28  -  Outro / Next   LINKS Thunderbolts* Love Death + Robots, Volume 4 Predator: Killer of Killers The Phoenician Scheme Popeye Is the Best Movie Robin Williams Ever Made by Eric Spitznagel, Vanity Fair   MUSIC “I Yam What I Yam” by Robin Williams, Popeye (1980) “I'm Popeye the Sailor Man” by Robin Williams, Popeye (1980) GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

Here we go, here we go, here we go again: another Spider-Man adaptation? Don't get your webs in a tizzy, True Believers, because this one is really worth it. Your Friendly Neighborhood Spider-Man, the new animated series created by Jeff Trammell, imagines a branch of the Marvel Cinematic Universe where Peter Parker was never supposed to be bitten by that genetically altered spider–until he was. Cue wacky high school shenanigans, as a number of key changes from the comics and other shows/movies cause that butterfly effect to start flappin' its wings. Paul, Arlo, and forever guest Eric Sipple discuss how Trammell and company capture the spirit of the early Ditko/Lee comics, praise the vibrant animation, consider whether these iterations of the Osbornes are definitive, and much more. Plus, the gang pays tribute to Val Kilmer, there are new teasers for Star Wars: Tales of the Underworld and Superman, Arlo's been reading some more of the Kirby/Lee Fantastic Four, and Jonathan Hickman's Ultimate Spider-Man is the best Spidey book on the stands.   NEXT: we yare what we yare, and what we yare is discussing Robert Altman's 1980 take on Popeye for a new That Was Then.     BREAKDOWN 00:00:35  -  Intro / WAY TOO MUCH BANTER!!! 00:50:38  -  Your Friendly Neighborhood Spider-Man 02:04:30  -  Outro / Next   MUSIC “Neighbor Like Me” by The Math Club “Across 110th Street” by Bobby Womack, Across 110th Street (1973)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

To hear the rest of this episode, you can head over to our Patreon where for $5 a month you'll get access to two of these bonus episodes per month, AND all of our previous bonus episodes! -- SuperGOOD is the way we'd describe this episode!! Joined by our friend John (@fender_belly), we get into the first two episodes of Seth Rogen and Evan Goldberg's latest project THE STUDIO. We see if these rumors of it being a modern twist on Robert Altman's THE PLAYER are true, talk Thomas Pynchon's upcoming novel SHADOW TICKET, PTA/Vineland, the modern Hollywood landscape, TV comebacks, art and commerce, Sony email leaks, Frank Lloyd Wright buildings, Food Fight, and in general we beat the dead horse of why capitalism sucks...MUCH to consider...

There are not many opportunities like this one. Every month, we devour the latest Spectrum comic and then jump on the phone with creators Rick Quinn and Dave Chisholm. It's an intimate, super nerdy book club, and you're all invited. But you gotta bring your own wine. With issue four, we're more than halfway through the series, but we're just getting started regarding a thorough excavation into their creative process. Spectrum #4 is the most dense chapter in the series so far. Multiple threads weave the narrative, and several of those introduce new concepts and characters. We travel to "The Twilight of the Gods," witnessing a massive mythology dump while our heroes Melody and Ada traverse time through song. We witness the beginning of everything and must prepare for its end. This week's podcast starts with Rick Quinn and Dave Chisholm taking ownership of the Book Club, wrestling the reins from us, and guiding us to the discussion topics they want to tackle. We discuss how the series has swerved unexpectedly, resulting in radical issues like Spectrum #4. We got tangents and anecdotes, wild theories, and sidequests. But before all that, we must discuss our recent WonderCon excursion, offering a little recap on dollar bins and panels. The Anaheim convention rests in the shadow of Disneyland, offering a unique vibe from other comic cons. It was Lisa's first time. Will she return? Spectrum 1 - 4 are currently available from Mad Cave Studios, and the fifth issue will arrive in shops on April 23rd. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. You wake in a hospital bed. Your hand feels heavy, there's a ringing pain in your head. Machine parts have replaced what could not be repaired with flesh. Did the doctors save you, or strip you of your humanity? This is the question facing Adam in Futility Shapes, a one-shot comic live on Kickstarter now! Created by Edward Kane and Dave Fowler. Futility Shapes is a weird blend of The Terminator, The Machinist, and Mass Effect. What shapes you? Visit EdwardKane.net. We're also sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 4/13 at 5:00 PM for Robert Altman's Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Front Row Classics is celebrating the 100th birthday of Robert Altman by taking a look at one of his greatest works. Brandon is joined by Spencer Davis to discuss 1971's McCabe and Mrs, Miller. Brandon and Spencer discuss this classic anti-Western which features stellar performances from Warren Beatty and Julie Christie. The hosts also discuss the spectacular screenplay by Altman and Brian McKay as well as the tone-setting songs by Leonard Cohen.

The tension between art and commerce is a tale as old as time, and perhaps the most dramatic clashes in recent history have played out in Hollywood. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz explore how moviemaking and the business behind it have been depicted over the decades, from Lillian Ross's classic 1952 work of reportage, “Picture,” to Robert Altman's pitch-black 1992 satire “The Player.” In “The Studio,” a new Apple TV+ series, Seth Rogen plays a hapless exec who's convinced that art-house filmmaking and commercial success can go hand in hand. At a moment when theatregoing is on the decline and the industry is hyper-focussed on existing I.P., that sentiment feels more naïve than realistic. And yet the show's affection for the golden age of cinema is infectious—and perhaps even cause for optimism. “Early auteurs were people who knew Hollywood and could marshal its resources toward the benefit of their vision,” Cunningham says. “I wonder if now is the time for people who are seasoned in the way of Hollywood to really think about how it can be angled toward making art.” Read, watch, and listen with the critics:“The Studio” (2025–)“Veep” (2012-19)“The Player” (1992)“The Pat Hobby Stories,” by F. Scott Fitzgerald“Picture,” by Lillian Ross“Why Los Angeles Is Becoming a Production Graveyard,” by Winston Cho (The Hollywood Reporter)The New Yorker's Oscars Live BlogNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

McCabe and Mrs Miller Front Row Classics is celebrating the 100th birthday of Robert Altman by taking a look at one of his greatest works. Brandon is joined by Spencer Davis to discuss 1971’s McCabe and Mrs, Miller. Brandon and Spencer discuss this classic anti-Western which features stellar performances from Warren Beatty and Julie Christie. … Continue reading Ep. 297- McCabe and Mrs. Miller →

In this episode, we take a deep dive into The Long Goodbye, Robert Altman's sun-drenched, offbeat adaptation of Raymond Chandler's classic detective novel. Join us as we unpack Elliott Gould's mumbling, chain-smoking take on Philip Marlowe, explore how the film subverts traditional noir tropes, and examine its place in 1970s counterculture cinema.https://linktr.ee/silverscreenvideoThanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

In this episode, the random movie machine transports the misfits to 1950's Korea as they review the 1970 comedy MASH. This film was directed by Robert Altman and stars Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman and Rober Duvall. Ranking: AFI's 100 Years…100 Movies: 56th AFI's 100 Years…100 Movies – 10th Anniversary List: 54th All original content including sound effects, graphics, photos, and music is © Classic Movie Misfits.  Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #MASH #RobertAltman #DonaldSutherland #ElliottGould #TomSkerritt #SallyKellerman #RobertDuvall #ClassicMovies #AFI100 #ClassicMovieMisfits

Aside from being The King Bee's designated second-date movie, Robert Altman's "Popeye" is the film Robin Williams was born to carry.  A charming Shelley Duvall, an incredible set piece in the town of Sweethaven, terrifically off-tune songs and mutterings designed to be enjoyed on mushrooms power this 1980 movie based on a 1929 comic strip. But is it as good as commissioner Scott H. in Friendswood, Texas, thinks? Set sail and find out! Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

In this bonus episode, David and Patrick chat about Seth Rogen's hilarious new show on Apple TV+, The Studio. Then, Matt Goldberg from Commentary Track joins to discuss Robert Altman's 1992 films The Player and how it compares with how Hollywood sees itself today.Links:Check out Matt Goldberg's newsletter, Commentary TrackListen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplaySubscribe to this podcast on YouTubeFollow this podcast on InstagramFollow this podcast on TiktokSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

In 1973, Kurt Vonnegut releases his much awaited follow up to Slaughterhouse-Five. Just one year later, off the tails of Buffalo Bill and the Indians, Robert Altman tasks Alan Rudolph with writing him a script based on this book, Breakfast of Champions. His one direction being, "don't follow the book", advice that would be echoed by Kurt Vonnegut himself. The project slowly fizzles away into the dustbin... until 1999. This week we're talking Alan Rudolph's BREAKFAST OF CHAMPIONS, starring Bruce Willis as Dwayne Hoover. We take a trip to Alan-Town to talk about the new Choose Me 4K, this film's recent 4K restoration, then we get into Vonnegut talk, how this film and the book find common ground, car dealers in the Bush era, late capitalism and the "self-made" owner class, and also a lot of joking around! Write in to the mailbag for our finale episode! Follow Altmania: Linktree estebannoel.com Altman / Rudolph archive Support us on Patreon: patreon.com/altmania

A year ago, Scott Morse found himself adrift, severed from a stable income and a defined creative path. Panic was an option. So was fear. Instead, he chose collaboration and creation. This Ink Runs Cold: Short Stories from the Space-Crime Continuum smashes two of his favorite genres between its pages. It's an anthology of one-page pulp stories written by 89 different writers, all drawn by Scott Morse and colored by José Villarrubia. Many of these writers are seasoned comic veterans, animators, and filmmakers. The table of contents includes Mike Allred, Brian Michael Bendis, Jorge Gutierrez, Derek Kirk Kim, Dave McKean, Fábio Moon, Scott Mosier, Eric Powell, Stan Sakai, and on and on and on. Even better, for our purposes anyway, This Ink Runs Cold includes numerous comic book newcomers, including us - Brad and Lisa Gullickson! As of this writing, This Ink Runs Cold has one week left on Kickstarter. Scott Morse and Allen Spiegel Fine Arts offer two editions: the Full-Color version featuring José Villarrubia's wizardry and the limited Black and White Noir version, showcasing Scott Morse's beautiful brushwork. Having knocked out some stretch goals, those backing the Bookplate and Noir/1-2 Punch tiers will get an extra book, The Brush-Offs. This is a 24-page bonus book featuring unused art, abandoned pages, scripts, an alternate prologue/epilogue, and an analysis of this unique writer/artist collaboration. We're beyond honored to contribute one page to This Ink Runs Cold; we're practically in disbelief. Today's podcast is the first time we have featured a story we helped create, and it's an incredibly emotional experience. We're grateful to Scott Morse for coming on the show, explaining how This Ink Runs Cold grew from a mini-devastation, and why this intense injection of collaboration reinvigorated him. We also had the opportunity to explain what our short story "The ADHD P.I." means to us and how it helped us process some anxiety and self-loathing. Working with one page was ridiculously challenging, and what's most exciting is seeing how 88 other writers tackled that challenge and used that finite space in infinite ways. We also start this week's episode with our recent trip to WonderCon and an LAX nightmare we will never forget. If you're here only for the Scott Morse chatter, we won't begrudge you for skipping ahead, but you'll miss out on another outlandish story. This Week's Sponsors: You wake in a hospital bed. Your hand feels heavy, there's a ringing pain in your head. Machine parts have replaced what could not be repaired with flesh. Did the doctors save you, or strip you of your humanity? This is the question facing Adam in Futility Shapes, a one-shot comic live on Kickstarter now! Created by Edward Kane and Dave Fowler. Futility Shapes is a weird blend of The Terminator, The Machinist, and Mass Effect. What shapes you? Visit EdwardKane.net (spell out the name for ease) We're also sponsored by the sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Plus, the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links: Patreon Exclusive: Read The ADHD PI Script Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 4/13 at 5:00 PM for Robert Altman's Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Joe, Kyle, and Rick review the musical comedy, Popeye. Directed for film by Robert Altman, written by Jules Feiffer based on the comic of the same name created by E.C. Segar, and with music by Harry Nilsson. The film stars Robin Williams, Shelley Duvall, Paul L. Smith, Ray Walston, and Wesley Ivan Hurt. We ranked 12 of the songs from the deluxe soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

Caroline Aaron is known to theatre, film and television audiences, as well as a published author and playwright.She made her Broadway debut in Robert Altman's "Come Back to the Five and Dime, Jimmy Dean,Jimmy Dean" and later appeared in the film. The following Broadway season, she starred in the revival of "The Iceman Cometh". She next starred in Mike Nichols's Broadway smash comedy "Social Security". She returned to Broadway starring in "I Hate Hamlet." She headlined the west coast premiere of Wendy Wasserstein's "The Sisters Rosensweig" and was acknowledged with both a Helen Hayes and Dramalogue Award. Next on Broadway she starred in Woody Allen's comedy "Honeymoon Hotel". She headlined Lincoln Center's award winning play "A Kid Like Jake." She played the title role in "All The Days" at the McCarter Theatre and was named best actress by several newspapers in the New York/New Jersey area. She headlined "Call Waiting" at The. Odyssey theatre which became a hit and was later made into a film available on Amazon Prime.On film Caroline has been in over a hundred films and is frequently in demand from top directors including Woody Allen, the late Mike Nichols, Nora Ephron, Paul Mazursky, and Robert Altman.Favorite film roles include “21 & 22 Jump Street”, “Just Like Heaven", "Nancy Drew", "Surveillance", "Love Comes Lately", "Edward Scissorhands", "Anywhere But Here", The Big Night", and "Bounce" among others. Later this year she will be seen in "Theatre Camp", "Between Two Temples", and "The Fourth Dementia".Television audiences are also familiar with her work as a guest star on hundreds of shows. She has recurred on Curb Your Enthusiasm, Ghosts, Episodes and Transparent. She is best known for her role as Shirley Maisel on the hit Amazon series "The Marvelous Mrs. Maisel." Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week consecrates a major turn in the 50-year career of Alan Rudolph, which began as an assistant to and screenwriter for Robert Altman before transitioning into decades writing and directing original, romantic, occasionally unnerving American cinema at a time parallel to (if never quite reaching the fame or acclaim of) Martin Scorsese, Steven Spielberg, Brian De Palma, Francis Ford Coppola, Terrence Malick, and David Lynch. The turn is not a new film, but Criterion anointing 1984's Choose Me, perhaps the best entry point into his corpus, with a 4K release that marks an astonishing restoration of both the film itself and its long-neglected reputation. For this release Nick Newman had the fortune of speaking with Rudolph in an hour-long conversation that detailed Choose Me's creation, how his films both before and after are now defined by it, and honest perspectives on a career just slightly outside the celebrity-auteur spotlight.

I was not a good son. A good son is one who visits his mother regularly and I was too busy to do that. I ran around a lot. Sometimes I traveled in fancy company. I was once in a movie directed by Robert Altman and financed, in part, by the Pohlad family. Carl Pohlad, the richest man in Minnesota, sat next to my mother at the premiere, and the two of them carried on an extensive conversation, which didn't faze her a bit. I was proud of her. My mother was one of thirteen children of William and Miriam on Longfellow Avenue South in Minneapolis and sometimes during the Depression she went door-to-door peddling peanut butter sandwiches she'd made. When Mr. Pohlad said, “You must be very proud of your son,” she replied, “I am very proud of all my children,” which is the correct answer. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

Brandon, James, Britnee, and Hanna discuss the portrait of America stretched across Robert Altman's filmography, starting with his 1975 country-music industry drama Nashville https://swampflix.com/ 00:00 Pearl Jam 01:23 Striptease (1996) 05:06 Incendies (2010) 08:01 La Moustache (2005) 10:30 American Sniper (2014) 17:13 Rambo I - V (1982 - 2019) 25:20 Nashville (1975) 54:50 McCabe & Mrs. Miller (1971) 1:15:30 Come Back to the Five & Dime, Jimmy Dean, Jimmy Dean (1982) 1:36:05 Short Cuts (1993)

We're seeing triple on a new Geek Challenge featuring a duet of trios: first we've got John Landis' notorious flop Three Amigos from 1986, then Robert Altman's dreamy art film 3 Women from 1977. Paul and Arlo debate whether or not Three Amigos deserves its reputation, puzzle over the inscrutability of 3 Women, and compare the two films' respective turns into surrealism. Plus, Arlo's back in the Cage with a series of ‘90s action classics.   NEXT: three, two, one…who knows?     BREAKDOWN 00:00:30  -  Intro 00:21:43  -  Three Amigos! 00:48:39  -  3 Women 01:29:44  -  Outro / Next   LINKS ‘Three Amigos' Revisited: Still Charming and Singularly Strange at 30” by Vince Mancini, Uproxx “Altman Had a Dream…” by Roger Ebert, rogerebert.com   MUSIC “Three Is A Magic Number” by Bob Dorough, Schoolhouse Rock (1973) “The Magic Number” by De La Soul, 3 Feet High and Rising (1989)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

With How to Train Your Dragon, Chris Sanders taught us about human-dragon friendship. And now, with The Wild Robot, he shows us what happens when technology becomes stranded in the wilderness: a robot named Rozz learns to have a mother's love for a gosling named Brightbill. Paul, Arlo, and forever-guest Eric Sipple discuss how the film merges its natural and sci-fi elements, Sanders' evolution as a filmmaker, the stunning voice performance of Lupita Nyong'o, and what the movie says about parenthood. Plus, Paul gets Born Again with Daredevil and all the celebrities are dying.   NEXT: three is the magic number in a Geek Challenge featuring John Landis' 1986 flop Three Amigos and Robert Altman's obscure 1977 head trip 3 Women.     BREAKDOWN 00:00:39  -  Intro / Guest 00:35:00  -  The Wild Robot 02:01:00  -  Outro / Next   MUSIC “Wild Wild Life” by Talking Heads, True Stories (1986) “Mr. Roboto” by Styx, Kilroy Was Here (1983)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/ Register to vote: https://vote.gov/