Podcast appearances and mentions of Robert Altman

1975 war einer der Höhepunkt des New Hollywood. Die Filme von Altmeistern wie Stanley Kubrick, Sidney Lumet, John Huston oder Akira Kurosawa trafen auf Werke von Newcomern wie Steven Spielberg, Robert Altman, Milos Forman, Peter Weir oder Dario Argento. 1975 war das Jahr, das uns den ersten modernen Blockbuster brachte und eines der hochkarätigsten Oscar-Felder aller Zeiten - und dazu noch zahlreiche europäische und asiatische Geheimtipps. Michael und Rüdiger versuchen aus diesem reichen Fundus die 16 besten Titel herauszufinden und wenden dabei schmutzige spielstrategische Veto-Tricks an, um den jeweils anderen zu übertrumpfen.

Welcome to the final Spoilerpiece of 2025! We take turns talking about our favorite films of the year. Dave (3:02), Megan (19:35), and Evan (39:30) each have a couple surprising choices sprinkled in. We hope you had a great year, and we'll see you in 2026. Don't forget to check out our Patreon! This week we talk about the 1979 Robert Altman sci-fi flick QUINTET, starring Paul Newman.

Time to play some catch up! In this episode, we get to meet award-winning filmmaker of His Three Daughters, Azazel Jacobs. Full disclosure: this chat (and the one that will constitute my next episode too..shh!!) was actually recorded back in the spring, but life things and other deadlines kept pushing it, and now here I am embarrassingly in early winter only publishing it now. But, as it happens, I was already playing catch up with Azazel, who had released the magnificent His Three Daughters - starring Carrie Coon, Elizabeth Olsen, and Natasha Lyonne - about the year prior, which had come off a nice run of awards notice, including the prestigious Robert Altman award at the 2025 Independent Spirit Awards. So it was great fun to look back on his eventful year, which felt like a bit of a breakthrough into a new echelon of visibility and acclaim for him. We talk a lot about that film, including what it was like to work with this cast, and with such a deeply heartfelt and personal story. We talk about his early foundational films he found as he was discovering his voice, his love of cinema, and how he comes at the art of moviemaking. It was a great chat, and even though it's coming out a bit late, I think you'll still find a lot to love about this deep talk with a talented filmmaker. Thanks for listening. 

‘The Last Frontier' star Alfre Woodard joins the show. Over oysters, we talk about her extraordinary career—from her early days in Tulsa to the groundbreaking roles that made her one of the most respected actors of her generation. Alfre reflects on working with icons like Robert Altman and Maya Angelou, the confidence she carried into Hollywood, and why she's never once waited for permission to be herself. We also talk about ‘The Last Frontier,' her gripping new Apple TV+ series and she shares how they shot epic scenes. This episode was recorded at Saltie Girl in West Hollywood, California.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a text about your favourite films relating to the episode.For our last episode of the year, as the worlds greatest detective in back, no not Batman, Benoit Blanc is at it again in another Knives Out movie. This time with a twist, he's grown his hair out in, Wake Up Dead Man now available on Netflix. As Wake Up Dead Man is a detective mystery story, we are going to focus the episode on the Whodunnit genre. Discussing all things Whodunnits, is a debutant guest Heather J Stewart a film reviewer and now the European correspondent for the Revisionist Almanac. Warning we will be talking SPOILERS.Martins turn to go first and is going for the Robert Altman classic, Gosford Park with every British actor known to man involved. On this one we talk about how on earth Robert Altman directs this massive cast beautifully. We talk about how tonally this works so well with so many storylines going on. We talk about why the film doesn't feel like a whodunnit and why it almost feels a parody and then hits you with an emotional gut punch at the end. Plus we talk about dodgy accents. IMDB page Heather J Stewarts Instagram page FVF Social linkstwitterinstagramTikTokAs ever please enjoy.                  Support the show

Forrest, Conan Neutron, Kristina Oakes and Ian Miller of Kowloon Walled City talk about Robert Altman's the PlayerAfter a decade in the wilderness, Robert Altman returned to Hollywood in 1992 to lacerate it with a satirical look at the Holywood Studio system of the 1980s and 1990s. The Player is the story of Griffin Mill (Tim Robbins) a sleazy Hollywood Executive whose life spirals out of control after he murders a writer David Kahane (Vincent D'Onfrio)Featuring an array of cameo appearances Anjelica Huston, Jeff Goldbum, Bruce Willis, John Cusack, Julia Roberts, Burt Renyolds, Susan Sarandon, Rod Steiger, Elliot Gould, Nick Nolte, Andi McDowell, Robert Wagner, Terri Garr, Peter Falk, Malcolm McDowell, Joel Grey, Sally Kirkland, Cher, Robert Carradine and Harry BelafonteStarring Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg, Peter Gallagher, Brion James, Cynthia Stevenson, Richard Grant, Gina Gershon, Sydney Pollack, Lyle Lovett, and Dean Stockwell #altman #theplayer #robertaltman #jeffgoldblum #goldblum #timrobbins #susansarandon #harrybelafonte #hollywood #1992 #screenwriters #hollywoodmovies #hollywoodstudios #warnerbros #theplayers #kowloonwalledcity #kowlooncity #movieanalysis #podcast #moviepodcast #filmpodcast #cher #whoopigoldberg Forrest and Kristina are starting a new YouTube channel/show The Absurdity Space!! https://www.youtube.com/@UCa3LavkP9F_NxOnl0A2soXQ We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

Just a few weeks until Christmas and there is plenty of physical media to fit under the tree as Erik Childress and Peter Sobczynski's roundup this week's selections. They include a little Powell and Pressburger and some Oscar nominees from Penny Marshall and Mira Nair. There is some more from Dan Curtis, a giant snake and one of Robert Altman's more obscure oddities. Lionsgate alone has one of the great making of documentaries of all time, Kevin Smith's hilarious riff on religion and faith plus the film that makes Tarantino lash out on The Hunger Games. There are grandiose collections from the Shaw Brothers and the first name of mainstreamed erotica. Plus of pair of upgrade for Steven Spielberg from one of his glorious double-film years.1:45 - Criterion (I Know Where I'm Going! (4K), Salaam Bombay! (4K))9:34 - Film Masters (Lady of Burlesque)12:24 - Kino (Dead of Night (4K), Dan Curtis' Gothic Tales)18:33 - Arrow (Shawscope (Volume Four))26:47 - Radiance (O.C. and Stiggs)39:41 - Sony (Awakenings (4K), Anaconda (4K Steelbook))56:07 - Lionsgate (Hearts of Darkness (4K), Dogma (25th Anniversary) (4K), Battle Royale 4K)1:25:17 - Paramount (Minority Report (4K), Catch Me If You Can (4K))1:45:06 - Severin (Saga Erotica: The Emmanuelle Collection 4K)2:06:52 - New Theatrical Titles On Blu-ray (Good Fortune (4K), I'm Still Here, The Strangers: Chapter 2, Beast of War, Dead of Winter (2025), Rabbit Trap, A Savage Art, London Calling)2:09:33 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTSIGN UP FOR AUDIBLEBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

We're back with a double feature of Good Boys: Good Boy (2022) and Good Boy (2025). And we also continue our journey into the early-Alts with Robert Altman's McCabe and Mrs. Miller. Brock's dog, Marcy, asks the question: what about good girls? And was Ed Burns too good looking?    Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Reel House screenings, and support the next generation of film lovers, at reelhousefoundation.org and on facebook/Instagram reelhousefoundation Artwork by @_mosla_

Legendary film critic Armond White joins the continuing story of The Perfume Nationalist for a wide-ranging conversation about the tragic state of cinema in 2025, modern film criticism as fake news, the greatness of Robert Altman and D.W. Griffith, and memories of Jade East and English Leather. 12/2/25 S7E85 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon.

The co-commish, Mr. Ryan Marker, has been asking for a Draft of the films of great American auteur Robert Altman since the very beginning of Screen Drafts. Today, he's finally getting his wish. In PART ONE of the four part, 35-title ROBERT ALTMAN SUPER DRAFT, Ryan and Clay are joined by guest GM Mitchell Beaupre (Letterboxd) and guest commish Alonso Duralde (Have Yourself a Movie Little Christmas) to place picks 35-29 on what will be the longest list in the history of the show! The ROBERT ALTMAN SUPER DRAFT will continue with PART TWO in February 2026! Join the Booster Club to access ad-free Main Feed Drafts and four bonus episodes a month! Sign up at www.patreon.com/screendrafts 

Movie of the Year: 1971McCabe and Mrs. MillerMcCabe and Mrs Miller and the Birth of the Revisionist WesternIn this episode of Movie of the Year, Ryan, Greg, and Mike dive into McCabe and Mrs Miller, one of the most enduring and atmospheric films of the 1970s. Hailed as a defining entry in The Revisionist Western, Robert Altman's subversive frontier tale reshaped the genre with its melancholy tone, snowy landscapes, and the unforgettable chemistry of Beatty and Christie.More than 50 years later, McCabe and Mrs Miller still captivates audiences with its blending of realism, capitalism, romance, and tragedy. The Taste Buds explore how the film dismantles the myth of the cowboy and replaces it with something far more human — and far more haunting.McCabe and Mrs Miller and the Evolution of The Revisionist WesternAs one of the foundational films of The Revisionist Western, McCabe and Mrs Miller stands in opposition to classic Hollywood frontier mythology. Instead of rugged heroes conquering the wilderness, Altman gives us a world where power is fragile, capitalism is violent, and survival depends less on grit and more on negotiation, luck, and vulnerability.The Taste Buds analyze how the film:challenges Western tropes through vulnerability instead of bravadoreplaces heroic gunfights with corporate brutalityforegrounds community, compromise, and human frailtyuses McCabe's tragic arc to critique capitalist expansionThis isn't the West as legend — it's the West as lived experience.Robert Altman and Gordon Willis: Sound, Snow, and Cinematic SubversionMcCabe and Mrs Miller bears the unmistakable imprint of Robert Altman, whose improvisational direction and overlapping soundscape helped reinvent American cinema in the 1970s. Working with cinematographer Gordon Willis, known for his moody, shadow-rich images, Altman transforms the Western into a dreamlike, fog-drenched meditation.The Taste Buds highlight how Altman and Willis shape the film's signature aesthetic:Overlapping dialogue and naturalistic sound that create a bustling, lived-in communityDiffused, foggy lighting and filters that give the film its iconic “sepia snowdream” lookLong, drifting shots that emphasize the vulnerability of characters lost in a harsh landscapeLeonard Cohen's mournful soundtrack, underscoring the film's quiet despairAltman and Willis built not just a Western — but a world.Beatty and Christie: The Heart of McCabe and Mrs MillerAt the emotional center of the film are Warren Beatty and Julie Christie, whose complex, understated dynamic elevates McCabe and Mrs Miller into something approaching tragic romance.The Taste Buds explore:Beatty's portrayal of McCabe as a man confused by his own legendChristie's luminous, grounded performance as Mrs. Miller — the true brains of the operationThe subversion of the “cowboy and madam” tropeTheir crackling chemistry and the off-screen relationship that deepened their on-screen connectionTogether, Beatty and Christie redefine intimacy within the Western genre, offering partnership instead of power fantasy.Themes of McCabe and Mrs Miller: Capitalism, Community, and ControlRyan, Greg, and Mike unpack the themes that give McCabe and Mrs Miller its enduring...

Backstabbing, faux-sincerity, clawing one's way to the top, class division, those at the top thumbing their noses at those further down the ladder....all political concepts, right? Actually, all of this is in reference to the 1975 Robert Altman film “Nashville” about the country music scene....which in itself serves as a political allegory. Welcome to episode 132 of See Hear. In the early seventies, Robert Altman was becoming known as a director of ensemble pieces without the usual approach to narrative. He could be seen as being part of the New Hollywood that emerged in the late 60s, but truth is, he was a film maker unto himself....as different from everything else that was going on as other directors that emerged in this period were to what came before. He already had some hugely important films like M*A*S*H and The Long Goodbye, but to many, Nashville is considered his masterpiece. It featured multiple storylines surrounding musicians, hangers on, lovers, and political strategists. The film takes place over 5 days leading up to a concert supporting a presidential candidate. In between, we musical performances that reflect the political era – some in bars, some in the Grand Ol' Opry, some in hotel rooms. The film shows many of these people in a poor light – some are greedy, some are deluded, all are desperate. Many of the songs in this film were composed by the actors, leaving the Nashville music fraternity annoyed that they weren't consulted, and that these pesky Northerner actors thought they could understand what country music was about. Altman must have been forgiven as his final film many years later was A Prairie Home Companion (a very early See Hear podcast focus). Tim is taking a few shows off, so wasn't available, but Kerry and I were thrilled to be joined by co-host of the Stinking Pause Podcast (and occasionally Reel Britannia) Charlie Mahoney. He's a confessed Altman fan and brought some wonderful conversation and insight. We look forward to welcoming him back to future shows. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Backstabbing, faux-sincerity, clawing one's way to the top, class division, those at the top thumbing their noses at those further down the ladder....all political concepts, right? Actually, all of this is in reference to the 1975 Robert Altman film “Nashville” about the country music scene....which in itself serves as a political allegory. Welcome to episode 132 of See Hear. In the early seventies, Robert Altman was becoming known as a director of ensemble pieces without the usual approach to narrative. He could be seen as being part of the New Hollywood that emerged in the late 60s, but truth is, he was a film maker unto himself....as different from everything else that was going on as other directors that emerged in this period were to what came before. He already had some hugely important films like M*A*S*H and The Long Goodbye, but to many, Nashville is considered his masterpiece. It featured multiple storylines surrounding musicians, hangers on, lovers, and political strategists. The film takes place over 5 days leading up to a concert supporting a presidential candidate. In between, we musical performances that reflect the political era – some in bars, some in the Grand Ol' Opry, some in hotel rooms. The film shows many of these people in a poor light – some are greedy, some are deluded, all are desperate. Many of the songs in this film were composed by the actors, leaving the Nashville music fraternity annoyed that they weren't consulted, and that these pesky Northerner actors thought they could understand what country music was about. Altman must have been forgiven as his final film many years later was A Prairie Home Companion (a very early See Hear podcast focus). Tim is taking a few shows off, so wasn't available, but Kerry and I were thrilled to be joined by co-host of the Stinking Pause Podcast (and occasionally Reel Britannia) Charlie Mahoney. He's a confessed Altman fan and brought some wonderful conversation and insight. We look forward to welcoming him back to future shows. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cookie's Fortune - a 1999 American black comedy film directed by Robert Altman and starring Glenn Close, Julianne Moore, Liv Tyler, Patricia Neal, Charles S. Dutton, and Chris O'Donnell.Additional topics include:Jack Ferver: My TownKevin Spacey's homelessnessThe Pope's favorite moviesThe death of the Kessler TwinsJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

This week, I have a special treat, inspired by my house guest, Elliott the cat. Elliott has been with me for ten days, so in honor of his short stay, I am going to talk about The Long Goodbye starring Elliott Gould and his orange cat. The book on which it is based was first published in 1953 and was the 6th in Raymond Chandler's detective series featuring Philip Marlowe. It was adapted for the screen in 1973 by famed female fiction and screenwriter Leigh Brackett, whose credits also include the 1946 film noir The Big Sleep. Directed by Robert Altman and with cinematography by Vilmos Zsigmond, whose work is credited with crafting the look of the 1970s in film. The Long Goodbye was the height of Neo-noir and part of what I consider to be one of the best periods in American film. It is also a quintessentially Los Angeles story, primarily filmed in the city at landmark locations with symbolism aligned with the very heart of this town.

Nathan and Ryan ante up for Robert Altman's California Split, a drifting, character-driven dive into gambling addiction starring Elliott Gould and George Segal at their loosened-collar best. The hosts unpack Altman's signature overlapping dialogue, the film's lived-in hangout energy, and the bittersweet portrait of two men chasing wins they can never hold onto. From poker rooms to racetracks to late-night degenerate chaos, this episode explores why California Split stands apart as one of the great '70s character studies—and how its deceptively loose vibe hides a knockout emotional punch.

In today's episode we're going to have a look at a couple of films made several decades apart that look at the goings-on behind the scenes in ballet companies. In this half of the episode, we're reviewing THE RED SHOES (1948), directed by Michael Powell and Emeric Pressburger. We have impresario-type behavior, composers with big egos, love triangles, and all of it rather thinly overlaid on a Hans Christian Andersen story. But that's not a bad thing, even though there's at least one sticking point where Sean and I disagree. (It's minor, but we're each staying to our own side of the street on this one.) In Part 2 we jump into this century for a Robert Altman film.

Forrest, Kristina Oakes, and Josh Duggan talk about Robert Altman's The Long Goodbye Starring Elliot Gould, Nina Van Pallandt, Henry Gibson, Mark Rydell, and Sterling Hayden A 1970s Neo-Noir version of Raymond Chandler's iconic Phillip Marlowe novel. #TheLongGoodbye #RobertAltman #neonoir #gould #elliotgould #raymondchandler #phillipmarlowe #marlowe #noirvember #filmnoirvibes #noir #sterlinghayden #filmpodcast #moviepodcast #classiccinema #newhollywood #arnoldschwarzenegger #altman #shortcuts #theplayer #postmodern We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraLeslie Lee who has been a guest on this show multiple times including the last Oscars passed away from Long COVID.. his widow has a GoFundMe for expenses and for the Long COVID community: https://www.gofundme.com/f/lleeiiiConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

Send us a textWe close out our “Power of Music” theme with Robert Altman's 1980 musical extravaganza Popeye, starring Robin Williams as the titular sailor man who arrives in the town of Sweethaven searching for his long lost pappy. Karl had the added shakeup that his pick had to take place in a single location, and the aforementioned town of Sweethaven suits that perfectly. Joining Popeye on his adventure is Shelley Duvall as Olive Oyl and the large and mean Bluto, played by Paul Smith. We also discuss the history of Popeye, how effectively we feel comic strips translate to live action, and why Karl won't shut up about the greatness of Harry Nilsson. And of course spinach…we talk about spinach. 

It's Robert Altman season at QLH. We discussed his film Images a few seasons ago and it's about time we circle back to the other two films in his "woman-focused" trilogy: That Cold Day in the Park and 3 Women. We cover: dream states, women's madness, power dynamics, doubles, different dimensions and how our favorite Altman films are possibly the least Altman-esque of the bunch.

Barbara Muschietti (along with her brother Andy) has made her mark on Hollywood, especially in the horror realm (MAMA, IT, IT: CHAPTER TWO and now WELCOME TO DERRY). But regardless of what genre you're working in, the business of Hollywood takes tenacity, luck, and no small amount of delusion. That's what we've got for you today, through WORKING GIRL (1988) and Robert Altman's THE PLAYER (1992).Then, Jordan has one quick thing about the 25th anniversary of the CHARLIE'S ANGELS movie. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Nicholas Hytner's The Choral, a delightful drama set in 1916 Yorkshire, is in cinemas now, folks. It features costumes designed by the legendary Jenny Beavan, who is one of the best costume designers in the business. Nominated for 12 Oscars, winner of three, Beavan has worked with directors like Robert Altman, James Ivory, and George Miller across an astonishing forty-year career, and we were delighted when she popped into the podbooth recently to talk with our Chris Hewitt about that career and her approach to costume design. Enjoy.

In Part 2 of today's episode, we look at TRISTRAM SHANDY: A COCK AND BULL STORY, directed by Michael Winterbottom. Steve Coogan is an exaggerated version of himself (we hope), playing the title character in the film adaptation of The Life and Opinions of Tristram Shandy, Gentleman. He's constantly sparring with another actor in the film over the relative importance of their roles. The director doesn't appear to have a good handle on the source material, but oddly enough the two people who do are constantly ignored. If you've ever watched a film and wondered "How did this get made?", this might provide the answer. COMING ATTRACTIONS: Next time, we go to the ballet, starting with the 1948 film THE RED SHOES, written and directed by Michael Powell and Emeric Pressburger. Sean and Claude both enjoyed this film while having some rather different opinions about it. From there we move on to 2003's THE COMPANY, directed by Robert Altman. It follows a season of rehearsal and performances at the Joffrey Ballet. It stars Neve Campbell, James Franco, and Malcolm McDowell. As with any Altman film, it's a little hard to follow at first but once you relax into his rhythms, you'll have a great time. Join us, won't you? .

In this episode of Parenting Is a Joke, Andy Richter joins Ophira Eisenberg to talk about raising three kids across two generations—his 23-year-old son, 18-year-old daughter, and a four-year-old he's helping raise with his new wife. Andy reflects on how parenting feels different now that he's happier, newly remarried, and out of a long stretch of depression. He shares how his youngest daughter “runs the household,” including her silent-scream protest when he put her to bed, and how he navigates parenting alongside a Disney-obsessed extended family where his sister-in-law once played Jasmine at Disneyland. Andy contrasts his own self-reliant, latchkey childhood with the more protected upbringing of his older kids and admits he sometimes overcorrected by doing too much for them. He describes the uneasy balance of using personal material in comedy—recalling the “divorced dad” jokes he deleted from Twitter—and the line between honesty and oversharing, both online and in family life. Through it all, his warmth and humor shine, whether he's talking about his son's Uber Eats job, his daughter's bedtime negotiations, or his hope that one day his kids will want to work with him the way Robert Altman's children did—with love strong enough to last sixteen hours on set.

The Oscar-winning actor/director has a new play, “Topsy Turvy,” about a chorus that loses its ability to sing together after COVID isolation."Things that I had held sacred or had held as truths were challenged," Robbins says of the pandemic. He talks with Tonya Mosley about ‘Shawshank Redemption,' ‘Dead Man Walking,' and how working with Robert Altman changed the trajectory of his career. Also, David Bianculli reviews the new Netflix miniseries, ‘Death by Lightning.'Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Oscar-winning actor/director has a new play, “Topsy Turvy,” about a chorus that loses its ability to sing together after COVID isolation."Things that I had held sacred or had held as truths were challenged," Robbins says of the pandemic. He talks with Tonya Mosley about ‘Shawshank Redemption,' ‘Dead Man Walking,' and how working with Robert Altman changed the trajectory of his career. Also, David Bianculli reviews the new Netflix miniseries, ‘Death by Lightning.'Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Movies. You love 'em, right? Now more than ever? The romanticism of cinema. The elegance of the silver screen. The pretentiousness of simply making money in Tinseltown. Yes! We are here for THE PLAYER. Robert Altman crafts a piece of fine art with this twisty m**der mystery about Griffin Mill, a high-level movie executive, who gets embroiled in a vendetta with a writer whose idea he didn't greenlight. Genius, right? This one is one of the good ones.

The American New Wave, or New Hollywood, launched the careers of some of the United States' most iconic filmmakers, from Steven Spielberg and George Lucas to Francis Ford Coppola and Martin Scorsese. But what was this era, when studios granted directors unprecedented creative freedom, really about, and what did it reveal about 1970s America?Hosts Elliot Bloom and Tom Ooms dive into this transformative period, discussing the quintessential elements of the movement while spotlighting cult heroes like Robert Altman and John Cassavetes and overlooked filmmakers such as Barbara Loden and Elaine May. They also ask whether today's social and political climate in the United States could spark a new wave of radical cinema.Get tickets to ⁠New Hollywood: The Films of The American New Wave⁠ @ LAB111

In a surprising birthday TWIST, Sam has decided to make us cover not just one film for their birthday but FIVE! And guess what? They're all delightfully quirky and weird. We set our sights on Robert Altman's 1977-1980 period during which - thanks to Alan Ladd Jr.'s protective stewardship of 20th Century Fox - Altman was able to operate with complete freedom, churning out weird movie after weird movie. Sure, all of them utterly tanked at the box office, but they certainly do make for some interesting conversation! In this ep we discuss: 3 Women, A Wedding, Quintet, A Perfect Couple, and HealtH. Topics include: Elena's brief stint as a caterer, the music of Keepin' ‘Em Off The Streets, and whether or not the game of Quintet seems fun.

It's Robert Alt-month, a month celebrating Julia Robert's collaborations with director Robert Altman! It's something we decided to do when we were like 80% of the way through this episode! Join TV's Kevin, Dropout TV's Jessi Kat Scott, and Power Guests Yaari & Halley as we discuss Robert Altman's forgotten yet maligned fashion industry comedy murder mystery, Prêt-à-Porter! How does it depict a changing time in fashion? How does it juggle its cast of thousands? And does it deserve its bad reputation? Or any reputation at all? Listen to find out on Prêt-à-PODter! episodes early at www.patreon.com/tvskevin next time: The Player

Hey, Screamers, we have a special guest on today's episode! It's 'Rugby' Ryan Morris, and he's here to help us talk about three films: Lurker, Relay, and another one from Robert Altman, Brewster McCloud. We also chat about sumo, disposable income, movies we're looking forward to, and so much more. Enjoy! Check in with Ryan and keep tabs on what he's doing with the Aggie Arthouse Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Reel House screenings, and support the next generation of film lovers, at reelhousefoundation.org and on facebook/Instagram reelhousefoundation Artwork by @_mosla_

Quit your scratching and bleeding and put down the rosary, the cure of all your anxieties has arrived! At long last, the Mapping the Zone Review of Shadow Ticket, Spoilerful Edition, has been released, and it's packed with more hot takes and thrilling twists than any diehard fans of the storied Spoiler-free episode could have imagined. The hype is NOT TOO HIGH!If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Books: Moby-Dick by Herman Melville, Ulysses by James JoyceMusic: The Third Man (OST) by Anton Karas, Green Street, Grant's First Stand, Idle Moments, Nigeria by Grant GreenTV/Film: Brazil (dir. Terry Gilliam, 1985), The Third Man (dir. Carol Reed, 1949), The Long Goodbye (dir. Robert Altman, 1973)As always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram:https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com

Movie reviews #55Eight movies today, can you believe it.1 (Brewster Mcloud 1970) Very early Robert Altman film here where the amazing Margret Hamilton plays a racist jerk. Another early 70's offering that's quite trippy and political 2 (Three sisters 1970) A hard to watch production of an Anton Chekhov novel, I may have slept through this in high school. It is cool to me only because It stars the Grandma mechanic from (I love you to death),3 (Legend of Boggy Creek 1972) Tagline, Rated G Hick, Bigfoot movie, barely.4 (Man who fell to Earth 1976) Rip Torn, Buck Henry, and Candy Clark star in this sci if classic, that we should all see in the theater once. Almost forgot about the guy who wants the baby in Labyrinth, he's here too. JK fam Bowie's cool (rest in space).5 (Sammy 1977) These Jesus films crack me up as a recovering Catholic it always amuses me, among other things. This one got a theatrical release. please listen to hear how much money it made opening weekend, I believe it will put a smile on yer face. 6 (Soldier of Orange 1977) Our first Paul Verhoeven film. I remember this being very good, but not much else. the guy who wants “more life, fucker.” In Blade Runner is young and joins the Dutch resistance.7 (Yesterdays Child 1977) This made for tv movie is deliciously bizarre. Starring the mom of the Partridge family and the General from Planet of the Apes 5.8 (Dummy 1979) Worf's human brother, Geordie La'Forge, and the dip shit cop who goes after John Jay Rambo and doesn't bring a bunch O body bags, star in this rad film about tryin to fight Ableism in the halls of justice. Thanks for listening.

Robert Altman's "Nashville" holds the record for the most Golden Globe nominations received by a single film. How many nominations did it receive? Play. Share. Listen with "Dance Moms" alum, Melissa Gisoni. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's episode: three films that ask the question: yes, but at what cost? Albeit in very different ways. We're talking "Him," Spike Lee's Kurosawa re-imagining, "Highest 2 Lowest," and our first trip to the early Alts with Robert Altman's "Mash." At least one of these films was fun to watch. Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Reel House screenings, and support the next generation of film lovers, at reelhousefoundation.org and on facebook/Instagram reelhousefoundation Artwork by @_mosla_

Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television.      Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand.    In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards.  The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble.  Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME.     Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar.     Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ!   She is also a member of Turbine Arts Collective  (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.

Talking cool, Bill and Ted on Broadway, life as a Robert Altman film, a great Guy, taking long-term parking to the extreme, some smart quotes, a great little film anchored by a solid Sean Young, and a visit to the recording studio. Stuff mentioned:  Bill and Ted's Excellent Adventure (1989), Samuel Beckett Waiting for Godot (1953), Waiting for Godot (Hudson Theatre, September 13, 2025-January 4, 2026), The Woman in Cabin 10 (2025), The Brutalist (2024), The Boost (1988), The Onion Field (1979), Vision Quest (1985), Malice (1993), Sea of Love (1989), Batman Returns (1992), Benjamin Stein Ludes: A Ballad of the of the Drug and the Dream (1982), Ferris Bueller's Day Off (1986), Days of Wine and Roses (1962), Cage the Elephant "Right Before My Eyes (2011), and Weezer "Do You Wanna Get High?" (2016).

This is an episode near and dear to Jason's heart, as Eric and he connect again to discuss three movies by Jason's favorite director, Robert Altman. Eric loves Altman's work too, and the guys love to tackle the complicated movies from the great directors, so this week the guys are talking Altman's great mysterious trio of complex female centered dramas: 3 Women, Images and That Cold Day in the Park. No matter how much thought you've given these films, we think you'll come to some new revelations about them (at least Jason and Eric did during the show), plus have a good time while digging deeper.

A NEW RECIPE FOR FOOD MAGAZINES—You may think a magazine called Famous for My Dinner Parties would be about food or entertaining—and I wouldn't blame you if you did. You wouldn't be wrong, but you also wouldn't be right.Taking its name from Robert Altman's film, 3 Women, Famous for My Dinner Parties started as a pandemic-inspired digital project among three friends (Junshen Wu, Sandra von Mayer-Myrtenheim and Yannic Moeken) in Berlin and has evolved into a proper magazine and media brand, and along the way has won an engaged and broad audience far beyond Berlin. Something that continues to surprise the founders.The magazine is slightly odd, if I'm being honest, idiosyncratic, thoroughly compelling, and undeniably beautiful. It's also almost entirely done in house, including all the design, photography and writing. And despite this, or maybe because of it, the thing works. Whether or not this method—or lack of one—is sustainable is another question.And just to be clear, there is not a single recipe in the magazine. Just a whole lot of ideas. This is a magazine then, editorially and conceptually, built around vibes. Fuel for a discussion, perhaps, at your next really great dinner party. Whether or not you aspire to any sort of fame.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Today on the Rarified Heir Podcast, we are talking to Nikki Nash, daughter of musician, trombonist Dick Nash. Now, you may not know the face or the name, Dick Nash but you certainly know his work with Henry Mancini, or should we say Hank Mancini with some of his best known work. Before the Wrecking Crew, Dick and a small group of side-men WERE the Wrecking Crew, playing on hundreds of studio dates for film, TV and major label albums in the 50s and 60s. But as we learn, Dick Nash didn't take every date offered for a very specific reason. Our conversation with Nikki centered around her new book, Collateral Stardust: Chasing Warren Beatty and Other Foolish Things, an autobiography about her life in and around show business that is one hell of a read. Some of the things we talk about in our conversation with Nikki include notable run-ins with everyone from the aforementioned Warren Beatty, as well as Dennis Miller, Louise Lasser, Don Cornelius, Robert Hays, the Black Panthers, Robert Altman and many others. We also discuss long-lost LA restaurants like The Old World and The Luau, the best toast, the job of an A.D. behind the camera, addiction, painting, depression, growing up in the San Fernando Valley of Los Angeles and much more. Nikki was open, honest, funny, matter-of-fact, attentive and gave us all we could handle in discussing her life and her book. And like her book, our interview was breezy and also had a lot of depth below the surface. But don't take my word for it, take a listen to this episode of the Rarified Heir Podcast and see for yourself. Everyone has a story.    

Diving into the Atman cinematic universe with Nashville, Popeye, McCabe & Mrs. Miller, and Brewster McCloud.INTRO 00:00Altman Collection 26:41https://www.cinebums.comWrite to us: cinebumspod@gmail.comFollow us:@cinebums on InstagramLetterboxd:https://letterboxd.com/cinebums/

On this week's dispatch, Dana is joined by comrades in arms Sam Adams and Isaac Butler to take on Paul Thomas Anderson's thrilling and incendiary new film One Battle After Another. Starring Leonard DiCaprio, the action epic depicts an America one notch away from our own fractured republic. Does the target of its revolutionary fantasia hit too close? They discuss. Next, they kvell about Long Story Short, the new, time-jumping family comedy from the creators of BoJack Horseman. Finally, they turn to the Great White Way to assess the dire state of the business of Broadway musicals as written about in a recent piece by Michael Paulson in the New York Times. There was so much to say about One Battle After Another, the gang kept gabbing for an exclusive Slate Plus bonus episode. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Sam: If possible, seeing One Battle After Another in its native format VistaVision. Isaac: The Criterion Channel's Robert Altman collection and for a great date night movie Splitsville. Dana: The writing of the late Kaleb Horton, particularly his essay "walking through los angeles when the crows are screaming and going through your garbage." Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's dispatch, Dana is joined by comrades in arms Sam Adams and Isaac Butler to take on Paul Thomas Anderson's thrilling and incendiary new film One Battle After Another. Starring Leonard DiCaprio, the action epic depicts an America one notch away from our own fractured republic. Does the target of its revolutionary fantasia hit too close? They discuss. Next, they kvell about Long Story Short, the new, time-jumping family comedy from the creators of BoJack Horseman. Finally, they turn to the Great White Way to assess the dire state of the business of Broadway musicals as written about in a recent piece by Michael Paulson in the New York Times. There was so much to say about One Battle After Another, the gang kept gabbing for an exclusive Slate Plus bonus episode. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Sam: If possible, seeing One Battle After Another in its native format VistaVision. Isaac: The Criterion Channel's Robert Altman collection and for a great date night movie Splitsville. Dana: The writing of the late Kaleb Horton, particularly his essay "walking through los angeles when the crows are screaming and going through your garbage." Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt and Corbin are joined by the famous music writer NATALIE WEINER (Don't Rock the Inbox, other famous publications) to discuss NASHVILLE, Robert Altman's sprawling sociological survey of the city of Nashville, home of the Country Music Industry, and also America. Is it a convincing portrait of either? We discuss.  Natalie wrote about the movie's use of country music as metaphor here. Natalie's rec. Matt's. Corbin's. Next week's episode is about HAPPY-GO-LUCKY. Watch it here. 

SUBSCRIBE TO IMPOSSIBLE WAY OF LIFE ON PATREON TO ACCESS FULL EPISODE https://www.patreon.com/animpossiblewayoflifeThe Vancouver Canucks, The Byrds, Gene Clark, 70s sun baked cinema, Robert Altman, Doucette, Loverboy, Aerosmith, Motley Crue, Bruce Fairbairn, Bob Rock etc...Anything can, and will, happen when Stranglehold comes on the show. One of our fave episodes in a while. 

100 years ago this year, celebrated director Robert Altman was born. To celebrate his legacy and influence on film, the Criterion Channel has launched a new September series, Directed by Robert Altman. The series includes films like "The Player," "The Long Goodbye," and "MASH." Sean Fennessey, co-host of "The Big Picture" and curator of the Criterion series, joins to discuss. Plus, callers share their favorite Robert Altman movies.

Sean and Amanda celebrate legendary filmmaker Robert Altman, who would have turned 100 this year, by breaking down his illustrious career. But first, they cover the awards distributed at the Venice Film Festival and recap Amanda's legendary weekend, which included seeing Oasis perform live and watching Paul Thomas Anderson's new film, ‘One Battle After Another' (1:20). Then, they construct Altman's shrine and build his Hall of Fame (14:39). Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Use code "TheBigPicture20" for a 20 percent discount on an annual Criterion Channel subscription.  This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's Wrap Party, Zeth is talking about a Robert Altman retrospective, controversial Martin Scorsese Top 5 lists, Jack Nicholson, ABBA, and much more. Join the party and get in touch with your recs, your reviews, and any insane story from Hollywood history that you want to tell us! Call or text (617) 906-6638, email disgracelandpod@gmail.com, or reach out on socials @disgracelandpod. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The incomparable Kristin Scott Thomas—star of “The English Patient,” “Slow Horses,” and now writer-director-star of the deeply personal film “My Mother's Wedding” – joins the show. Over mushroomy eggs and quiche, we cover her extraordinary career in both English and French -- from her baptism-by-fire debut opposite Prince in “Under the Cherry Moon” to her viral “Fleabag” monologue. Kristin also tells me about reuniting with Scarlett Johansson as her on-screen daughter for the third time, and why Robert Altman's “Gosford Park” set was both thrilling and intimidating. This episode was recorded at La Mercerie in SoHo, New York City. Want next week's episode now? Subscribe to Dinner's on Me PLUS. As a subscriber, not only do you get access to new episodes one week early, but you'll also be able to listen completely ad-free! Just click “Try Free” at the top of the Dinner's on Me show page on Apple Podcasts to start your free trial today. A Sony Music Entertainment & A Kid Named Beckett production. Get 15% off your Saily plan with the code ⁠⁠⁠⁠⁠dinnersonme⁠⁠⁠⁠⁠. Just download the Saily app or head to ⁠⁠⁠⁠⁠https://saily.com/dinnersonme⁠⁠⁠⁠⁠. Stay connected — and don't miss your dinner reservation. Stay connected — and don't miss your dinner reservation. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Recorded November 17, 2024 at Mississippi Studios - Portland, OR “He's a man-monster, I'm sorry!” - Steve on Sloth On this week's Summer Live episode, it's our wild show from last year in the great city of Portland, Oregon where we were talking about local favorite and Dick Donner classic, The Goonies! How cool is that jailbreak sequence with all the fire and what-not? Was there an old lady more terrifying than Anne Ramsey? What is Martha Plimpton's character doing at the beginning of this movie, bobbing for crabs? Is all this over-talking what it would be like if Robert Altman made a film with child protagonists? And why did they leave in that Sean Astin name flub take? PLUS: Move over Truffle Shuffle, it's the Bologna Bounce! The Goonies stars Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Ke Huy Quan, Robert Davi, Joe Pantoliano, Anne Ramsey, Lupe Ontiveros, Mary Ellen Trainor, and John Matuszak as Sloth; directed by the late, great Richard Donner. Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.