Podcast appearances and mentions of Robert Altman

Writer/Director Suzi Yoonessi (Unlovable, Daphne & Velma, The Dead Girls Detective Agency) joins Matt to discuss the 1975 Robert Altman film, Nashville. Thomas Hal Phillips plays the unseen Replacement Party candidate Hal Phillip Walker. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Suzi Yoonessi https://instagram.com/suziyoonessi Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

In today's episode we are looking at the work of two directors named Anderson, although they're not related to one another. We begin with Paul Thomas Anderson's MAGNOLIA, from 1999. This is a film that has the complexity of a Robert Altman film, in that we have many parallel stories in a few different spaces, and they do manage to bump into one another from time to time. PT Anderson sets us up for this in the opening scenes of the film, and it's a heckuva ride from one end to the other. Stay tuned for Part 2, when we look at a film by Wes Anderson.

This is an Encore Presentation of my July 2023 interview with Jeremy Swift, who shot to worldwide fame as Leslie Higgins - the Communications Director for the AFC Richmond football club - in the hit series “Ted Lasso”. He was nominated for an Emmy Award. Before Lasso he was in films such as “Mary Poppins Returns” along with Dick Van Dyke, “Oliver Twist” directed by Roman Polanski, and “Gosford Park” directed by Robert Altman. He's also worked with the National Theater and in the West End. And he was in “Downton Abbey”. My featured song is my reimagined version of “I'm So Glad” by Cream from the album “IT'S ALIVE!”. Spotify link.—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

GGACP celebrates Jewish American Heritage Month with this ENCORE of a memorable interview with Oscar- and Emmy-nominated producer, director and actor Bob Balaban. In this episode, Bob talks about his family's history in the movie theater business, his affection for horror films, his transition from acting to directing and his admiration for colleagues Wes Anderson, Christopher Guest and Steven Spielberg. Also, Orson Welles inspires fear, Robert Altman tackles a whodunit, Bill Murray perfects his short game and Bob “apprentices” for Sidney Lumet. PLUS: “Brewster McCloud'! The Marx Brothers on stage! The brilliance of Eugene Levy! Uncle Miltie meets an extraterrestrial! And Bob remembers the late, great Fred Willard! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Josh and Jamie and special guests Nate Fisher & Will Sennett discuss late-period Robert Altman with a double feature of his for-fire neo-noir adaptation of courtroom drama/legal thriller maestro John Grisham THE GINGERBREAD MAN (1998) and his completely absurd and loveable gynecologist satire/romantic comedy DR. T & THE WOMEN (2000). Next week's episode is a patron-exclusive bonus episode on FINAL DESTINATION (2000) and FINAL DESTINATION 2 (2003), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-08:33 GINGERBREAD MAN // 08:33-57:48 DR. T & THE WOMEN // 57:48-1:37:15 Outro // 1:37:15-1:41:42 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

In this episode, music legend Huey Lewis joins Tim and Troy Green for a wide-ranging conversation about life, loss, fame, and finding joy after adversity. Huey reflects on his early years—hitchhiking through Europe with a harmonica, busking on the streets, and discovering his voice in London's punk scene. He shares powerful memories of mentors like Phil Lynott, the lessons he learned from Robert Altman, and the unforgettable night recording We Are the World with Michael Jackson, Stevie Wonder, and others. Huey also opens up about his profound hearing loss and the spiritual peace he's found in nature, fishing, and family. With characteristic humility and humor, he talks about his Broadway-bound musical, the impact of Back to the Future, and why sometimes the setbacks are what set you free. This isn't just a trip through 80s nostalgia—it's a story about staying grounded when the world goes wild, and why the journey matters more than the spotlight. SPONSORS: ElevenLabs: Thanks to ElevenLabs (⁠https://elevenlabs.io⁠) for supporting this episode and powering Tim's voice. ALS Investment Fund: Thanks to ALS Investment Fund (⁠https://www.alsinvestmentfund.com⁠) for supporting this episode. SOCIAL: Website: ⁠https://tgnlu.com⁠   Twitter: ⁠https://twitter.com/nlutimgreen⁠   Facebook: ⁠https://www.facebook.com/NLUpod ⁠ Instagram: ⁠https://www.instagram.com/nlupod/⁠  AUDIO ONLY: Spotify: ⁠https://open.spotify.com/show/5fhcANt7CSnYvgBlgxpVVa⁠  Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/nothing-left-unsaid/id1734094890⁠   PERSONAL:  Tackle ALS: ⁠https://www.tackleals.com⁠   Tim Green Books: ⁠https://authortimgreen.com Learn more about your ad choices. Visit megaphone.fm/adchoices

For the finale of our miniseries on 60s and 70s Hollywood, we're talking about Robert Altman's cynical war comedy, M*A*S*H. Joining us for the discussion is writer, podcaster, friend of the show, and Altman skeptic Nick Newman. Then, we answer an email about Letterboxd and “irl”. 00:00 - M*A*S*H 1:09:46 - e-mail

"I hate L.A. All they do is snort coke and talk." For Episode 356, David and Brandon finish off their main Hyperlink series with SHORT CUTS. Listen as the two discuss Robert Altman's adaptation of the Raymond Carver short stories, how Altman ran his sets, and why the film is one of the most ambitious films we've covered in this series. Also, don't forget to join our Patreon for more exclusive content: Opening - Timecode and Digital Cinema -  (00:00:10) Recap of the Hyperlink Genre (00:06:06) Intro to Short Cuts (00:09:43) How Short Cuts Got to Production (00:14:52) Favorite Scenes (00:28:16) On Set Life - (01:11:12) Aftermath: Release and Legacy (01:19:01) What Worked and What Didn't (01:22:01) Film Facts (01:26:37) Awards (01:26:59) Final Questions on the Movie (01:33:49) Final Genre Questions (01:39:06) Wrapping Up the Episode (01:46:35) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

CINEMATIC OMNIVERSE is back, with one of our favourite leading ladies! How did Shelley Duvall first become an actor? Which 1930s starts inspired her performance as Olive Oyl? Why do Scott & Marty find the word "coerced" hilarious? You'll find the answers (such as they are) in this, the first of two Duvall retrospective episodes!We cover DuvALL the following:Brewster McCloud (1970, Dir. Robert Altman) at 3:17The Shining (1980, Dir. Stanley Kubrick) at 21:10Popeye (1980, Dir. Robert Altman) at 47:48Time Bandits (1981, Dir. Terry Gilliam) at 1:05:44Continuity Boulevard at 1:25:27Lightning Round at 1:35:57Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

Pourquoi ce film couronné à la section « Un certain regard » l'an dernier à Cannes impose des véritables images-choc inoubliables ? Comment l'actrice Anamaria Vartolomei , vue dans « L'évènement » et « Le comte de Monte-Cristo », s'impose une fois de plus dans le drame roumain « Traffic » ? Pourquoi le cinéma de Robert Altman, dont on célèbre les 100 ans de la naissance, mérite d'être redécouvert ? Les découvertes musicales : - Orlane - La fin du silence - Iliona - Ça n'existe pas (Colors session) -Purple Disco Machine, Alison Goldfrap - Dream Machine - Lana Del Rey- Bluebird -The Beaches - Last Girls At The Party Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In the spirit of 4/20 ending up on Easter Sunday we are rerunning the show with legendary comedian and weed smoker Tommy Chong from 2022 which was reported in Variety, Yahoo, Deadline and all over the internet news sites at the time Mark and Nicole welcomed back Tommy Chong who was apparently so high he forgot who they were but had a great conversation about breaking up and getting back together with Cheech, almost going broke while filming Up In Smoke, discovering Pee Wee Herman and Michael Winslow, how Robert Altman inspired Next Movie, what its like to smoke weed with Willie Nelson, Gary Busey, and a celebrity you would never expect, how he became the squirrel master in prison for real after playing one in Half Baked, how he is planning on adopting Dark Mark and many of his fans, how Matrix actor Marcus Chong adopted him,if he will be in That 70s Show's new reboot, how proud he is of Rae Dawn Chong's success and how much he met his wife and still loves her after all of these years and so much more... We talked about smoking weed too.... You can order Nicole's new poetry book "Slow Burn" on lulu.com This podcast is sponsored  by Eddie by Giddy FDA Class II medical device built to treat erectile dysfunction and performance unpredictability. Eddie is specifically engineered to promote firmer and longer-lasting erections by working with the body's physiology. Get rock hard erections the natural way again. Go to eddiebygiddy.com and use promo code DARKMARK20 for 20% your order Raze Energy Drinks Go to https://bit.ly/2VMoqkk and put in the coupon code DMS for 15% off the best energy drinks. Zero calories. Zero carbs. Zero crash. Renagade CBD Coming soon to www.renagadecbd.com

durée : 00:59:46 - Plan large - par : Antoine Guillot - Le 20 février dernier, Robert Altman aurait eu 100 ans. Nous vous proposons de célébrer son cinéma en réécoutant ce Plan Large de juin 2019, en compagnie des critiques Frédéric Albert Lévy et Charlotte Garson. - réalisation : Anne-Laure Chanel - invités : Frédéric Albert Lévy Critique de cinéma; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

durée : 00:59:46 - Plan large - par : Antoine Guillot - Le 20 février dernier, Robert Altman aurait eu 100 ans. Nous vous proposons de célébrer son cinéma en réécoutant ce Plan Large de juin 2019, en compagnie des critiques Frédéric Albert Lévy et Charlotte Garson. - réalisation : Anne-Laure Chanel - invités : Frédéric Albert Lévy Critique de cinéma; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

Pop open a can of spinach and set sail for the far-off year of 1980, when noted auteur Robert Altman had his crew build an entire functioning town so they could shoot a Popeye movie. This unassuming comic strip adaptation represents the collision of the New Hollywood movement and the old studio system, both in their waning days; neither would survive “Stalag Altman,” as star Robin Williams coined it. Paul and Arlo are delighted by the end result, an improvisational-seeming ensemble picture in the Altman vein that also features cartoon gags, characters bursting into songs penned by Harry Nilsson, and a giant octopus. The boys discuss why the movie is so much better than its reputation suggests, Robin Williams' and Shelly Duvall's underappreciated performances, the surprisingly moving throughline of fatherhood, and so much more. Plus, a whole bunch of trailers for Marvel's Thunderbolts*, the new season of animated sci-fi anthology Love Death + Robots, the animated Predator movie Killer of Killers, and Wes Anderson's The Phoenician Scheme; Paul stuns Arlo by singing the praises of the new Amazing Spider-Man #1; and Arlo is still reading old school Fantastic Four.   NEXT: just when you thought it was safe to go back in the water, it's another That Was Then, as Paul, Arlo, and Eric Sipple take a bite out of Steven Spielberg's Jaws on the eve of its 50th anniversary.     BREAKDOWN 00:00:46  -  Intro / Even MORE Banter! 00:48:43  -  Popeye 01:59:28  -  Outro / Next   LINKS Thunderbolts* Love Death + Robots, Volume 4 Predator: Killer of Killers The Phoenician Scheme Popeye Is the Best Movie Robin Williams Ever Made by Eric Spitznagel, Vanity Fair   MUSIC “I Yam What I Yam” by Robin Williams, Popeye (1980) “I'm Popeye the Sailor Man” by Robin Williams, Popeye (1980) GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

Here we go, here we go, here we go again: another Spider-Man adaptation? Don't get your webs in a tizzy, True Believers, because this one is really worth it. Your Friendly Neighborhood Spider-Man, the new animated series created by Jeff Trammell, imagines a branch of the Marvel Cinematic Universe where Peter Parker was never supposed to be bitten by that genetically altered spider–until he was. Cue wacky high school shenanigans, as a number of key changes from the comics and other shows/movies cause that butterfly effect to start flappin' its wings. Paul, Arlo, and forever guest Eric Sipple discuss how Trammell and company capture the spirit of the early Ditko/Lee comics, praise the vibrant animation, consider whether these iterations of the Osbornes are definitive, and much more. Plus, the gang pays tribute to Val Kilmer, there are new teasers for Star Wars: Tales of the Underworld and Superman, Arlo's been reading some more of the Kirby/Lee Fantastic Four, and Jonathan Hickman's Ultimate Spider-Man is the best Spidey book on the stands.   NEXT: we yare what we yare, and what we yare is discussing Robert Altman's 1980 take on Popeye for a new That Was Then.     BREAKDOWN 00:00:35  -  Intro / WAY TOO MUCH BANTER!!! 00:50:38  -  Your Friendly Neighborhood Spider-Man 02:04:30  -  Outro / Next   MUSIC “Neighbor Like Me” by The Math Club “Across 110th Street” by Bobby Womack, Across 110th Street (1973)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

To hear the rest of this episode, you can head over to our Patreon where for $5 a month you'll get access to two of these bonus episodes per month, AND all of our previous bonus episodes! -- SuperGOOD is the way we'd describe this episode!! Joined by our friend John (@fender_belly), we get into the first two episodes of Seth Rogen and Evan Goldberg's latest project THE STUDIO. We see if these rumors of it being a modern twist on Robert Altman's THE PLAYER are true, talk Thomas Pynchon's upcoming novel SHADOW TICKET, PTA/Vineland, the modern Hollywood landscape, TV comebacks, art and commerce, Sony email leaks, Frank Lloyd Wright buildings, Food Fight, and in general we beat the dead horse of why capitalism sucks...MUCH to consider...

There are not many opportunities like this one. Every month, we devour the latest Spectrum comic and then jump on the phone with creators Rick Quinn and Dave Chisholm. It's an intimate, super nerdy book club, and you're all invited. But you gotta bring your own wine. With issue four, we're more than halfway through the series, but we're just getting started regarding a thorough excavation into their creative process. Spectrum #4 is the most dense chapter in the series so far. Multiple threads weave the narrative, and several of those introduce new concepts and characters. We travel to "The Twilight of the Gods," witnessing a massive mythology dump while our heroes Melody and Ada traverse time through song. We witness the beginning of everything and must prepare for its end. This week's podcast starts with Rick Quinn and Dave Chisholm taking ownership of the Book Club, wrestling the reins from us, and guiding us to the discussion topics they want to tackle. We discuss how the series has swerved unexpectedly, resulting in radical issues like Spectrum #4. We got tangents and anecdotes, wild theories, and sidequests. But before all that, we must discuss our recent WonderCon excursion, offering a little recap on dollar bins and panels. The Anaheim convention rests in the shadow of Disneyland, offering a unique vibe from other comic cons. It was Lisa's first time. Will she return? Spectrum 1 - 4 are currently available from Mad Cave Studios, and the fifth issue will arrive in shops on April 23rd. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. You wake in a hospital bed. Your hand feels heavy, there's a ringing pain in your head. Machine parts have replaced what could not be repaired with flesh. Did the doctors save you, or strip you of your humanity? This is the question facing Adam in Futility Shapes, a one-shot comic live on Kickstarter now! Created by Edward Kane and Dave Fowler. Futility Shapes is a weird blend of The Terminator, The Machinist, and Mass Effect. What shapes you? Visit EdwardKane.net. We're also sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 4/13 at 5:00 PM for Robert Altman's Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Front Row Classics is celebrating the 100th birthday of Robert Altman by taking a look at one of his greatest works. Brandon is joined by Spencer Davis to discuss 1971's McCabe and Mrs, Miller. Brandon and Spencer discuss this classic anti-Western which features stellar performances from Warren Beatty and Julie Christie. The hosts also discuss the spectacular screenplay by Altman and Brian McKay as well as the tone-setting songs by Leonard Cohen.

The tension between art and commerce is a tale as old as time, and perhaps the most dramatic clashes in recent history have played out in Hollywood. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz explore how moviemaking and the business behind it have been depicted over the decades, from Lillian Ross's classic 1952 work of reportage, “Picture,” to Robert Altman's pitch-black 1992 satire “The Player.” In “The Studio,” a new Apple TV+ series, Seth Rogen plays a hapless exec who's convinced that art-house filmmaking and commercial success can go hand in hand. At a moment when theatregoing is on the decline and the industry is hyper-focussed on existing I.P., that sentiment feels more naïve than realistic. And yet the show's affection for the golden age of cinema is infectious—and perhaps even cause for optimism. “Early auteurs were people who knew Hollywood and could marshal its resources toward the benefit of their vision,” Cunningham says. “I wonder if now is the time for people who are seasoned in the way of Hollywood to really think about how it can be angled toward making art.” Read, watch, and listen with the critics:“The Studio” (2025–)“Veep” (2012-19)“The Player” (1992)“The Pat Hobby Stories,” by F. Scott Fitzgerald“Picture,” by Lillian Ross“Why Los Angeles Is Becoming a Production Graveyard,” by Winston Cho (The Hollywood Reporter)The New Yorker's Oscars Live BlogNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

McCabe and Mrs Miller Front Row Classics is celebrating the 100th birthday of Robert Altman by taking a look at one of his greatest works. Brandon is joined by Spencer Davis to discuss 1971’s McCabe and Mrs, Miller. Brandon and Spencer discuss this classic anti-Western which features stellar performances from Warren Beatty and Julie Christie. … Continue reading Ep. 297- McCabe and Mrs. Miller →

In this episode, we take a deep dive into The Long Goodbye, Robert Altman's sun-drenched, offbeat adaptation of Raymond Chandler's classic detective novel. Join us as we unpack Elliott Gould's mumbling, chain-smoking take on Philip Marlowe, explore how the film subverts traditional noir tropes, and examine its place in 1970s counterculture cinema.https://linktr.ee/silverscreenvideoThanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

This week's challenge: A film based on a comic strip! And Joe's love of director Robert Altman steers him towards the 1980 musical Popeye! Take a listen on your trip to Malta to visit Popeye Village!Find us on Instagram at @videodropboxpodcastJosh: @queerbaitmixtapeJoe: @something_of_borisTheme music by Jason Mitchell: @jasonlynnmitchell

We pivot away from George Lucas and back to Robert Altman to answer the age old question: what if a muttering guy with weird arms got handed a strange baby in a fucked up town that was all set to song? POPEYE is brave enough to answer.Mitch still has the theme song to Sweethaven stuck in his head.Art by Jade Dickinson: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jadesketches⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Instagram | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jadesketches⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on TikTokListen to Liam's Weezer podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Like the Weather,"⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the new EP from Liam's band Guest Room StatusFind the show on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Corey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Liam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on TwitterFind MK Podquest and Strat 2 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reach us via email: tmaopodcast@gmail.com"Eighties Action" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

In this episode, the random movie machine transports the misfits to 1950's Korea as they review the 1970 comedy MASH. This film was directed by Robert Altman and stars Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman and Rober Duvall. Ranking: AFI's 100 Years…100 Movies: 56th AFI's 100 Years…100 Movies – 10th Anniversary List: 54th All original content including sound effects, graphics, photos, and music is © Classic Movie Misfits.  Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #MASH #RobertAltman #DonaldSutherland #ElliottGould #TomSkerritt #SallyKellerman #RobertDuvall #ClassicMovies #AFI100 #ClassicMovieMisfits

Aside from being The King Bee's designated second-date movie, Robert Altman's "Popeye" is the film Robin Williams was born to carry.  A charming Shelley Duvall, an incredible set piece in the town of Sweethaven, terrifically off-tune songs and mutterings designed to be enjoyed on mushrooms power this 1980 movie based on a 1929 comic strip. But is it as good as commissioner Scott H. in Friendswood, Texas, thinks? Set sail and find out! Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

In this bonus episode, David and Patrick chat about Seth Rogen's hilarious new show on Apple TV+, The Studio. Then, Matt Goldberg from Commentary Track joins to discuss Robert Altman's 1992 films The Player and how it compares with how Hollywood sees itself today.Links:Check out Matt Goldberg's newsletter, Commentary TrackListen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplaySubscribe to this podcast on YouTubeFollow this podcast on InstagramFollow this podcast on TiktokSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

In 1973, Kurt Vonnegut releases his much awaited follow up to Slaughterhouse-Five. Just one year later, off the tails of Buffalo Bill and the Indians, Robert Altman tasks Alan Rudolph with writing him a script based on this book, Breakfast of Champions. His one direction being, "don't follow the book", advice that would be echoed by Kurt Vonnegut himself. The project slowly fizzles away into the dustbin... until 1999. This week we're talking Alan Rudolph's BREAKFAST OF CHAMPIONS, starring Bruce Willis as Dwayne Hoover. We take a trip to Alan-Town to talk about the new Choose Me 4K, this film's recent 4K restoration, then we get into Vonnegut talk, how this film and the book find common ground, car dealers in the Bush era, late capitalism and the "self-made" owner class, and also a lot of joking around! Write in to the mailbag for our finale episode! Follow Altmania: Linktree estebannoel.com Altman / Rudolph archive Support us on Patreon: patreon.com/altmania

Tom & Gav chat about a green drink, a 5000 dollar bill, and the great American novel This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

A year ago, Scott Morse found himself adrift, severed from a stable income and a defined creative path. Panic was an option. So was fear. Instead, he chose collaboration and creation. This Ink Runs Cold: Short Stories from the Space-Crime Continuum smashes two of his favorite genres between its pages. It's an anthology of one-page pulp stories written by 89 different writers, all drawn by Scott Morse and colored by José Villarrubia. Many of these writers are seasoned comic veterans, animators, and filmmakers. The table of contents includes Mike Allred, Brian Michael Bendis, Jorge Gutierrez, Derek Kirk Kim, Dave McKean, Fábio Moon, Scott Mosier, Eric Powell, Stan Sakai, and on and on and on. Even better, for our purposes anyway, This Ink Runs Cold includes numerous comic book newcomers, including us - Brad and Lisa Gullickson! As of this writing, This Ink Runs Cold has one week left on Kickstarter. Scott Morse and Allen Spiegel Fine Arts offer two editions: the Full-Color version featuring José Villarrubia's wizardry and the limited Black and White Noir version, showcasing Scott Morse's beautiful brushwork. Having knocked out some stretch goals, those backing the Bookplate and Noir/1-2 Punch tiers will get an extra book, The Brush-Offs. This is a 24-page bonus book featuring unused art, abandoned pages, scripts, an alternate prologue/epilogue, and an analysis of this unique writer/artist collaboration. We're beyond honored to contribute one page to This Ink Runs Cold; we're practically in disbelief. Today's podcast is the first time we have featured a story we helped create, and it's an incredibly emotional experience. We're grateful to Scott Morse for coming on the show, explaining how This Ink Runs Cold grew from a mini-devastation, and why this intense injection of collaboration reinvigorated him. We also had the opportunity to explain what our short story "The ADHD P.I." means to us and how it helped us process some anxiety and self-loathing. Working with one page was ridiculously challenging, and what's most exciting is seeing how 88 other writers tackled that challenge and used that finite space in infinite ways. We also start this week's episode with our recent trip to WonderCon and an LAX nightmare we will never forget. If you're here only for the Scott Morse chatter, we won't begrudge you for skipping ahead, but you'll miss out on another outlandish story. This Week's Sponsors: You wake in a hospital bed. Your hand feels heavy, there's a ringing pain in your head. Machine parts have replaced what could not be repaired with flesh. Did the doctors save you, or strip you of your humanity? This is the question facing Adam in Futility Shapes, a one-shot comic live on Kickstarter now! Created by Edward Kane and Dave Fowler. Futility Shapes is a weird blend of The Terminator, The Machinist, and Mass Effect. What shapes you? Visit EdwardKane.net (spell out the name for ease) We're also sponsored by the sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Plus, the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links: Patreon Exclusive: Read The ADHD PI Script Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 4/13 at 5:00 PM for Robert Altman's Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Joe, Kyle, and Rick review the musical comedy, Popeye. Directed for film by Robert Altman, written by Jules Feiffer based on the comic of the same name created by E.C. Segar, and with music by Harry Nilsson. The film stars Robin Williams, Shelley Duvall, Paul L. Smith, Ray Walston, and Wesley Ivan Hurt. We ranked 12 of the songs from the deluxe soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

Caroline Aaron is known to theatre, film and television audiences, as well as a published author and playwright.She made her Broadway debut in Robert Altman's "Come Back to the Five and Dime, Jimmy Dean,Jimmy Dean" and later appeared in the film. The following Broadway season, she starred in the revival of "The Iceman Cometh". She next starred in Mike Nichols's Broadway smash comedy "Social Security". She returned to Broadway starring in "I Hate Hamlet." She headlined the west coast premiere of Wendy Wasserstein's "The Sisters Rosensweig" and was acknowledged with both a Helen Hayes and Dramalogue Award. Next on Broadway she starred in Woody Allen's comedy "Honeymoon Hotel". She headlined Lincoln Center's award winning play "A Kid Like Jake." She played the title role in "All The Days" at the McCarter Theatre and was named best actress by several newspapers in the New York/New Jersey area. She headlined "Call Waiting" at The. Odyssey theatre which became a hit and was later made into a film available on Amazon Prime.On film Caroline has been in over a hundred films and is frequently in demand from top directors including Woody Allen, the late Mike Nichols, Nora Ephron, Paul Mazursky, and Robert Altman.Favorite film roles include “21 & 22 Jump Street”, “Just Like Heaven", "Nancy Drew", "Surveillance", "Love Comes Lately", "Edward Scissorhands", "Anywhere But Here", The Big Night", and "Bounce" among others. Later this year she will be seen in "Theatre Camp", "Between Two Temples", and "The Fourth Dementia".Television audiences are also familiar with her work as a guest star on hundreds of shows. She has recurred on Curb Your Enthusiasm, Ghosts, Episodes and Transparent. She is best known for her role as Shirley Maisel on the hit Amazon series "The Marvelous Mrs. Maisel." Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week consecrates a major turn in the 50-year career of Alan Rudolph, which began as an assistant to and screenwriter for Robert Altman before transitioning into decades writing and directing original, romantic, occasionally unnerving American cinema at a time parallel to (if never quite reaching the fame or acclaim of) Martin Scorsese, Steven Spielberg, Brian De Palma, Francis Ford Coppola, Terrence Malick, and David Lynch. The turn is not a new film, but Criterion anointing 1984's Choose Me, perhaps the best entry point into his corpus, with a 4K release that marks an astonishing restoration of both the film itself and its long-neglected reputation. For this release Nick Newman had the fortune of speaking with Rudolph in an hour-long conversation that detailed Choose Me's creation, how his films both before and after are now defined by it, and honest perspectives on a career just slightly outside the celebrity-auteur spotlight.

I was not a good son. A good son is one who visits his mother regularly and I was too busy to do that. I ran around a lot. Sometimes I traveled in fancy company. I was once in a movie directed by Robert Altman and financed, in part, by the Pohlad family. Carl Pohlad, the richest man in Minnesota, sat next to my mother at the premiere, and the two of them carried on an extensive conversation, which didn't faze her a bit. I was proud of her. My mother was one of thirteen children of William and Miriam on Longfellow Avenue South in Minneapolis and sometimes during the Depression she went door-to-door peddling peanut butter sandwiches she'd made. When Mr. Pohlad said, “You must be very proud of your son,” she replied, “I am very proud of all my children,” which is the correct answer. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

Joining us at our big, round podcast table for Alan Rudolph's dive into historical drama - from Pacino Pod, it's Jane Altoids! We talk about Rudolph reuniting with Robert Altman, the Algonquin roundtable, how Bob got two different studios to bankroll this, the copius research and method that went into creating this whole thing, and how that's maybe the least interesting part of what makes this a good film, and what Jennifer Jason Leigh brings to playing Dorothy Parker. Follow Jane Altoids: Pacino Pod https://www.patreon.com/pacinopod https://x.com/staticbluebat https://letterboxd.com/staticbluebat/ Follow Altmania: Linktree Este's Writing Altman/Rudolph Archive Support us on Patreon: patreon.com/altmania

Brandon, James, Britnee, and Hanna discuss the portrait of America stretched across Robert Altman's filmography, starting with his 1975 country-music industry drama Nashville https://swampflix.com/ 00:00 Pearl Jam 01:23 Striptease (1996) 05:06 Incendies (2010) 08:01 La Moustache (2005) 10:30 American Sniper (2014) 17:13 Rambo I - V (1982 - 2019) 25:20 Nashville (1975) 54:50 McCabe & Mrs. Miller (1971) 1:15:30 Come Back to the Five & Dime, Jimmy Dean, Jimmy Dean (1982) 1:36:05 Short Cuts (1993)

We're seeing triple on a new Geek Challenge featuring a duet of trios: first we've got John Landis' notorious flop Three Amigos from 1986, then Robert Altman's dreamy art film 3 Women from 1977. Paul and Arlo debate whether or not Three Amigos deserves its reputation, puzzle over the inscrutability of 3 Women, and compare the two films' respective turns into surrealism. Plus, Arlo's back in the Cage with a series of ‘90s action classics.   NEXT: three, two, one…who knows?     BREAKDOWN 00:00:30  -  Intro 00:21:43  -  Three Amigos! 00:48:39  -  3 Women 01:29:44  -  Outro / Next   LINKS ‘Three Amigos' Revisited: Still Charming and Singularly Strange at 30” by Vince Mancini, Uproxx “Altman Had a Dream…” by Roger Ebert, rogerebert.com   MUSIC “Three Is A Magic Number” by Bob Dorough, Schoolhouse Rock (1973) “The Magic Number” by De La Soul, 3 Feet High and Rising (1989)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

With How to Train Your Dragon, Chris Sanders taught us about human-dragon friendship. And now, with The Wild Robot, he shows us what happens when technology becomes stranded in the wilderness: a robot named Rozz learns to have a mother's love for a gosling named Brightbill. Paul, Arlo, and forever-guest Eric Sipple discuss how the film merges its natural and sci-fi elements, Sanders' evolution as a filmmaker, the stunning voice performance of Lupita Nyong'o, and what the movie says about parenthood. Plus, Paul gets Born Again with Daredevil and all the celebrities are dying.   NEXT: three is the magic number in a Geek Challenge featuring John Landis' 1986 flop Three Amigos and Robert Altman's obscure 1977 head trip 3 Women.     BREAKDOWN 00:00:39  -  Intro / Guest 00:35:00  -  The Wild Robot 02:01:00  -  Outro / Next   MUSIC “Wild Wild Life” by Talking Heads, True Stories (1986) “Mr. Roboto” by Styx, Kilroy Was Here (1983)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/ Register to vote: https://vote.gov/

durée : 00:49:19 - Certains l'aiment Fip - L'actrice au sourire légendaire de "Pretty Woman" qui a joué pour Jodie Foster, Robert Altman, Spielberg, Soderbergh, Mike Nichols ou Woody Allen, est à l'honneur.

Es una de las sagas de comedia más taquilleras de la historia del cine y esta semana ha llegado a nuestras carteleras su cuarta entrega. Nos referimos a la serie de películas de Bridget Jones, el personaje al que da vida Renée Zellweger. Os hemos preparado un reportaje resumiendo lo que ha dado de sí hasta ahora esta saga. También recordamos a uno de los directores más libres y eclécticos que ha conocido el cine como fue Robert Altman. El 20 de febrero se celebra el centenario de su nacimiento. Charlamos con el director Enrique Buleo que ha estrenado su película “Bodegón de fantasmas” y en la sección dedicada al cine del Oeste tenemos una película dirigida por el productor y magnate de la aviación Howard Hughes. Se trata de “El forastero”, un film que en su día causó un gran escándalo por la sensualidad que transmitía su protagonista femenina, la actriz Jane Russell.

durée : 00:59:03 - Les musiques du Nouvel Hollywood (2/4) - par : Thierry Jousse - La première moitié des années 1970 fut une période où les cinéastes américains revisitaient les grands genres hollywoodiens, film de guerre, film noir ou western. Le plus critique d'entre tous, Robert Altman nous servira de fil conducteur pour cette deuxième exploration du Nouvel Hollywood.

Wes & Erin continue their discussion the 1970 classic “M.A.S.H,” and whether irony ought always to be our anesthetic, when confronted with traumas that are otherwise unspeakable.

On this episode, we are joined by Justin Keane and Amy Young, the fantastic indie rock duo known as Canyons And Locusts.Canyons and Locusts is a melodic noise-rock duo from Boston and Phoenix, consisting of Justin Keane (vocals, guitar) from Boston and Amy Young (drums, backing vocals) from Phoenix. The band's sound is defined by edgy guitar riffs, pulsating drum beats, and emotionally charged vocals, blending indie rock influences with an experimental edge.Both Keane and Young honed their craft in previous bands before joining forces to create Canyons and Locusts. The duo's music evokes a raw, atmospheric energy, with each song exploring different emotional landscapes.The band's upcoming 2025 concept album, "The Goal Gigolo", is inspired by a vivid dream Keane had about a character of the same name. The album is described as a cinematic journey, drawing comparisons to Robert Altman's film "The Long Goodbye". Their 2024 EP, "The Red Angel", marked a significant step in their sonic evolution, featuring the singles "Buck Dharma's Eyes" and "To Art Bell." The track "Anna Save A Life" will appear on "The Goal Gigolo", adding to the anticipation for the full album's release. Canyons and Locusts continue to push boundaries with their unique blend of storytelling, sound, and emotion.MusicCanyons And Locusts "Anna Save A Life"Additional MusicThe Charms "So Pretty"The Dogmatics "I Love Rock N Roll"Produced and Hosted by Steev Riccardo

This week's podcast goes back in time in more ways than one. Gillian Gaar meets Neal Pollack in the pod-dome to discuss her terrific piece about the movies of 1975. Among the topics discussed: How 'The Godfather, Part II' is still incredibly watchable today, how the stars of Robert Altman's 'Nashville' wrote and performed their own songs, how 'Jaws' birthed the blockbuster movie but still featured long scenes of guys talking on a boat, and how Norman Jewison's 'Rollerball' managed to make a fake sport exciting and visceral while still providing a pointed critique of our cultural acceptance of violence. It was an important year from movies, the year the industry really started to pivot from one era to another.'Star Wars: Skeleton Crew', a TV show on Disney+, hearkens back to a time when new Star Wars content was fresh and exciting and filled kids with wonder. Scott Gold joins Neal to talk about the ultimate tween Star Wars pirate adventure, a fun, exciting romp through a fictional galaxy that doesn't take itself too seriously, and features Jude Law chewing every ounce of scenery imaginable. "Space Goonies," directed by leading Hollywood talent. No notes.Enjoy the podcast!

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 83 of the Director Watch Podcast, the boys are joined by Awards Connection writer Andrew Carden to discuss the next film in their Mike Nichols series, Carnal Knowledge (1971). After starting off on a hot streak with his first two films, Mike Nichols hit a bit of bad luck for his third film, with an adaptation of the renowned novel Catch-22. Considering it was released after the smash hit that was Robert Altman's M*A*S*H, audiences didn't respond to the film at all, but the following year, audience did discuss Nichols' fourth film, the controversial Carnal Knowledge. Focusing on the troubled relationship between two men who meet in college, become friends, and their journey through the sexual relationships they have and share along the way. Might sound like a simple summary but the film is far thornier with the way these men and their relationship with each other and others evolve as the film plays out; making for a fascinating film. Ryan, Jay, and Andrew break down their thoughts on the film, Nicholson's unhinged performance, the idea of an unlikeable protagonist, Ann-Margret's vulnerable work, the film's battle with censorship, the final, controversial scene of the movie, and more. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h45m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Silkwood. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

It begins with the “stupidest song ever written,” as Robert Altman called it, and ends with a self-referential jab at the very idea of finding comic relief in the tragedy of war. But it is equally unserious, the film “M.A.S.H” seem to suggest, to take seriously the authority of war-making institutions, and their pretense to putting violence in service of an ideal. And so morality succumbs to mockery, love to hedonism, and military rank to the form of authority immanent in the power to save lives. Yet suicide is not in fact painless, if it means robbing others of our presence, or ridding ourselves of the capacities for grief and earnestness. Wes & Erin discuss the 1970 classic “M.A.S.H,” and whether irony ought always to be our anesthetic, when confronted with traumas that are otherwise unspeakable.

Nick welcomes the incredible and legendary character actor Stephen Tobolowsky back to the podcast for another classic visit filled with unforgettable stories and engaging conversation. Tobo shares tales from his career, including a memorable moment with Robert Altman involving a bush, and talks about his latest projects, the joy of playing Romeo, and his upcoming trips to Woodstock and Chicago to celebrate Groundhog Day and honor the late, great Harold Ramis. Later, Esmeralda Leon joins Nick to chat about recent TV shows, taste some fascinating historical snacks, and dive into a discussion about how movies and TV sometimes intentionally troll fans and critics. It's a fun and lively episode with plenty of laughs and insights! [Ep317]

Robin's spiritual first film where he channels his inner cartoon character to portray THE cartoon character. That's right... POPEYE! Robin, Shelley Duvall, and many other characters fully commit to the animated style of this Robert Altman musical.

Introducing Julianne Moore at the New Yorker Festival, in October, the staff writer Michael Schulman recited “only a partial list” of the directors Moore has worked with, including Robert Altman, Louis Malle, Todd Haynes, Paul Thomas Anderson, Lisa Cholodenko, Steven Spielberg, the Coen brothers, and many more legends. It seems almost obvious that Moore co-stars (alongside Tilda Swinton) in Pedro Almodóvar's first feature in English, “The Room Next Door,” which comes out in December. Moore has a particular knack with unremarkable characters. “I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives,” she tells Schulman. “I've never been, like, I'm going to play an astronaut next. . . . A lot of these stories [are] domestic stories—well, that's the biggest story of our lives, right? How do we live? Who do we love? . . . Those are the things that we all know about.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

Dec. 27-Jan. 2: Picking our favorites of the year, plus Robert Altman gets fashionable, King George gets mad, Kevin Spacey sings and dances, Sean Penn plots, a ski trip goes downhill. All that and more from 30, 20, and 10 years ago!

Hosts Josh and Jamie and special guests Evan Laffer and Ian Grant (of the Jokermen podcast) discuss depressed 70s revisionist westerns about friendship being corroded by American capitalism that are serenaded by legendary 1960s folk singer-songwriters: Robert Altman's MCCABE AND MRS. MILLER (1971) featuring songs by Leonard Cohen and Sam Peckinpah's PAT GARRETT AND BILLY THE KID with a soundtrack by Bob Dylan. Next week's episode is a patron-exclusive bonus episode on NOSFERATU (1922) + NOSFERATU (1979), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-15:11 MCCABE AND MRS. MILLER // 15:11-1:40:07 PAT GARRETT AND BILLY THE KID // 1:40:07-2:45:06 Outro // 2:45:06-2:48:36 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller