Podcast appearances and mentions of Robert Altman

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cookie's Fortune - a 1999 American black comedy film directed by Robert Altman and starring Glenn Close, Julianne Moore, Liv Tyler, Patricia Neal, Charles S. Dutton, and Chris O'Donnell.Additional topics include:Jack Ferver: My TownKevin Spacey's homelessnessThe Pope's favorite moviesThe death of the Kessler TwinsJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

This week, I have a special treat, inspired by my house guest, Elliott the cat. Elliott has been with me for ten days, so in honor of his short stay, I am going to talk about The Long Goodbye starring Elliott Gould and his orange cat. The book on which it is based was first published in 1953 and was the 6th in Raymond Chandler's detective series featuring Philip Marlowe. It was adapted for the screen in 1973 by famed female fiction and screenwriter Leigh Brackett, whose credits also include the 1946 film noir The Big Sleep. Directed by Robert Altman and with cinematography by Vilmos Zsigmond, whose work is credited with crafting the look of the 1970s in film. The Long Goodbye was the height of Neo-noir and part of what I consider to be one of the best periods in American film. It is also a quintessentially Los Angeles story, primarily filmed in the city at landmark locations with symbolism aligned with the very heart of this town.

Nathan and Ryan ante up for Robert Altman's California Split, a drifting, character-driven dive into gambling addiction starring Elliott Gould and George Segal at their loosened-collar best. The hosts unpack Altman's signature overlapping dialogue, the film's lived-in hangout energy, and the bittersweet portrait of two men chasing wins they can never hold onto. From poker rooms to racetracks to late-night degenerate chaos, this episode explores why California Split stands apart as one of the great '70s character studies—and how its deceptively loose vibe hides a knockout emotional punch.

In today's episode we're going to have a look at a couple of films made several decades apart that look at the goings-on behind the scenes in ballet companies. In this half of the episode, we're reviewing THE RED SHOES (1948), directed by Michael Powell and Emeric Pressburger. We have impresario-type behavior, composers with big egos, love triangles, and all of it rather thinly overlaid on a Hans Christian Andersen story. But that's not a bad thing, even though there's at least one sticking point where Sean and I disagree. (It's minor, but we're each staying to our own side of the street on this one.) In Part 2 we jump into this century for a Robert Altman film.

Forrest, Kristina Oakes, and Josh Duggan talk about Robert Altman's The Long Goodbye Starring Elliot Gould, Nina Van Pallandt, Henry Gibson, Mark Rydell, and Sterling Hayden A 1970s Neo-Noir version of Raymond Chandler's iconic Phillip Marlowe novel. #TheLongGoodbye #RobertAltman #neonoir #gould #elliotgould #raymondchandler #phillipmarlowe #marlowe #noirvember #filmnoirvibes #noir #sterlinghayden #filmpodcast #moviepodcast #classiccinema #newhollywood #arnoldschwarzenegger #altman #shortcuts #theplayer #postmodern We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraLeslie Lee who has been a guest on this show multiple times including the last Oscars passed away from Long COVID.. his widow has a GoFundMe for expenses and for the Long COVID community: https://www.gofundme.com/f/lleeiiiConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

Send us a textWe close out our “Power of Music” theme with Robert Altman's 1980 musical extravaganza Popeye, starring Robin Williams as the titular sailor man who arrives in the town of Sweethaven searching for his long lost pappy. Karl had the added shakeup that his pick had to take place in a single location, and the aforementioned town of Sweethaven suits that perfectly. Joining Popeye on his adventure is Shelley Duvall as Olive Oyl and the large and mean Bluto, played by Paul Smith. We also discuss the history of Popeye, how effectively we feel comic strips translate to live action, and why Karl won't shut up about the greatness of Harry Nilsson. And of course spinach…we talk about spinach. 

It's Robert Altman season at QLH. We discussed his film Images a few seasons ago and it's about time we circle back to the other two films in his "woman-focused" trilogy: That Cold Day in the Park and 3 Women. We cover: dream states, women's madness, power dynamics, doubles, different dimensions and how our favorite Altman films are possibly the least Altman-esque of the bunch.

Barbara Muschietti (along with her brother Andy) has made her mark on Hollywood, especially in the horror realm (MAMA, IT, IT: CHAPTER TWO and now WELCOME TO DERRY). But regardless of what genre you're working in, the business of Hollywood takes tenacity, luck, and no small amount of delusion. That's what we've got for you today, through WORKING GIRL (1988) and Robert Altman's THE PLAYER (1992).Then, Jordan has one quick thing about the 25th anniversary of the CHARLIE'S ANGELS movie. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Nicholas Hytner's The Choral, a delightful drama set in 1916 Yorkshire, is in cinemas now, folks. It features costumes designed by the legendary Jenny Beavan, who is one of the best costume designers in the business. Nominated for 12 Oscars, winner of three, Beavan has worked with directors like Robert Altman, James Ivory, and George Miller across an astonishing forty-year career, and we were delighted when she popped into the podbooth recently to talk with our Chris Hewitt about that career and her approach to costume design. Enjoy.

In Part 2 of today's episode, we look at TRISTRAM SHANDY: A COCK AND BULL STORY, directed by Michael Winterbottom. Steve Coogan is an exaggerated version of himself (we hope), playing the title character in the film adaptation of The Life and Opinions of Tristram Shandy, Gentleman. He's constantly sparring with another actor in the film over the relative importance of their roles. The director doesn't appear to have a good handle on the source material, but oddly enough the two people who do are constantly ignored. If you've ever watched a film and wondered "How did this get made?", this might provide the answer. COMING ATTRACTIONS: Next time, we go to the ballet, starting with the 1948 film THE RED SHOES, written and directed by Michael Powell and Emeric Pressburger. Sean and Claude both enjoyed this film while having some rather different opinions about it. From there we move on to 2003's THE COMPANY, directed by Robert Altman. It follows a season of rehearsal and performances at the Joffrey Ballet. It stars Neve Campbell, James Franco, and Malcolm McDowell. As with any Altman film, it's a little hard to follow at first but once you relax into his rhythms, you'll have a great time. Join us, won't you? .

In this episode of Parenting Is a Joke, Andy Richter joins Ophira Eisenberg to talk about raising three kids across two generations—his 23-year-old son, 18-year-old daughter, and a four-year-old he's helping raise with his new wife. Andy reflects on how parenting feels different now that he's happier, newly remarried, and out of a long stretch of depression. He shares how his youngest daughter “runs the household,” including her silent-scream protest when he put her to bed, and how he navigates parenting alongside a Disney-obsessed extended family where his sister-in-law once played Jasmine at Disneyland. Andy contrasts his own self-reliant, latchkey childhood with the more protected upbringing of his older kids and admits he sometimes overcorrected by doing too much for them. He describes the uneasy balance of using personal material in comedy—recalling the “divorced dad” jokes he deleted from Twitter—and the line between honesty and oversharing, both online and in family life. Through it all, his warmth and humor shine, whether he's talking about his son's Uber Eats job, his daughter's bedtime negotiations, or his hope that one day his kids will want to work with him the way Robert Altman's children did—with love strong enough to last sixteen hours on set.

The Oscar-winning actor/director has a new play, “Topsy Turvy,” about a chorus that loses its ability to sing together after COVID isolation."Things that I had held sacred or had held as truths were challenged," Robbins says of the pandemic. He talks with Tonya Mosley about ‘Shawshank Redemption,' ‘Dead Man Walking,' and how working with Robert Altman changed the trajectory of his career. Also, David Bianculli reviews the new Netflix miniseries, ‘Death by Lightning.'Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Oscar-winning actor/director has a new play, “Topsy Turvy,” about a chorus that loses its ability to sing together after COVID isolation."Things that I had held sacred or had held as truths were challenged," Robbins says of the pandemic. He talks with Tonya Mosley about ‘Shawshank Redemption,' ‘Dead Man Walking,' and how working with Robert Altman changed the trajectory of his career. Also, David Bianculli reviews the new Netflix miniseries, ‘Death by Lightning.'Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Movies. You love 'em, right? Now more than ever? The romanticism of cinema. The elegance of the silver screen. The pretentiousness of simply making money in Tinseltown. Yes! We are here for THE PLAYER. Robert Altman crafts a piece of fine art with this twisty m**der mystery about Griffin Mill, a high-level movie executive, who gets embroiled in a vendetta with a writer whose idea he didn't greenlight. Genius, right? This one is one of the good ones.

The American New Wave, or New Hollywood, launched the careers of some of the United States' most iconic filmmakers, from Steven Spielberg and George Lucas to Francis Ford Coppola and Martin Scorsese. But what was this era, when studios granted directors unprecedented creative freedom, really about, and what did it reveal about 1970s America?Hosts Elliot Bloom and Tom Ooms dive into this transformative period, discussing the quintessential elements of the movement while spotlighting cult heroes like Robert Altman and John Cassavetes and overlooked filmmakers such as Barbara Loden and Elaine May. They also ask whether today's social and political climate in the United States could spark a new wave of radical cinema.Get tickets to ⁠New Hollywood: The Films of The American New Wave⁠ @ LAB111

In a surprising birthday TWIST, Sam has decided to make us cover not just one film for their birthday but FIVE! And guess what? They're all delightfully quirky and weird. We set our sights on Robert Altman's 1977-1980 period during which - thanks to Alan Ladd Jr.'s protective stewardship of 20th Century Fox - Altman was able to operate with complete freedom, churning out weird movie after weird movie. Sure, all of them utterly tanked at the box office, but they certainly do make for some interesting conversation! In this ep we discuss: 3 Women, A Wedding, Quintet, A Perfect Couple, and HealtH. Topics include: Elena's brief stint as a caterer, the music of Keepin' ‘Em Off The Streets, and whether or not the game of Quintet seems fun.

It's Robert Alt-month, a month celebrating Julia Robert's collaborations with director Robert Altman! It's something we decided to do when we were like 80% of the way through this episode! Join TV's Kevin, Dropout TV's Jessi Kat Scott, and Power Guests Yaari & Halley as we discuss Robert Altman's forgotten yet maligned fashion industry comedy murder mystery, Prêt-à-Porter! How does it depict a changing time in fashion? How does it juggle its cast of thousands? And does it deserve its bad reputation? Or any reputation at all? Listen to find out on Prêt-à-PODter! episodes early at www.patreon.com/tvskevin next time: The Player

Hey, Screamers, we have a special guest on today's episode! It's 'Rugby' Ryan Morris, and he's here to help us talk about three films: Lurker, Relay, and another one from Robert Altman, Brewster McCloud. We also chat about sumo, disposable income, movies we're looking forward to, and so much more. Enjoy! Check in with Ryan and keep tabs on what he's doing with the Aggie Arthouse Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Reel House screenings, and support the next generation of film lovers, at reelhousefoundation.org and on facebook/Instagram reelhousefoundation Artwork by @_mosla_

Quit your scratching and bleeding and put down the rosary, the cure of all your anxieties has arrived! At long last, the Mapping the Zone Review of Shadow Ticket, Spoilerful Edition, has been released, and it's packed with more hot takes and thrilling twists than any diehard fans of the storied Spoiler-free episode could have imagined. The hype is NOT TOO HIGH!If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Books: Moby-Dick by Herman Melville, Ulysses by James JoyceMusic: The Third Man (OST) by Anton Karas, Green Street, Grant's First Stand, Idle Moments, Nigeria by Grant GreenTV/Film: Brazil (dir. Terry Gilliam, 1985), The Third Man (dir. Carol Reed, 1949), The Long Goodbye (dir. Robert Altman, 1973)As always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram:https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com

Movie reviews #55Eight movies today, can you believe it.1 (Brewster Mcloud 1970) Very early Robert Altman film here where the amazing Margret Hamilton plays a racist jerk. Another early 70's offering that's quite trippy and political 2 (Three sisters 1970) A hard to watch production of an Anton Chekhov novel, I may have slept through this in high school. It is cool to me only because It stars the Grandma mechanic from (I love you to death),3 (Legend of Boggy Creek 1972) Tagline, Rated G Hick, Bigfoot movie, barely.4 (Man who fell to Earth 1976) Rip Torn, Buck Henry, and Candy Clark star in this sci if classic, that we should all see in the theater once. Almost forgot about the guy who wants the baby in Labyrinth, he's here too. JK fam Bowie's cool (rest in space).5 (Sammy 1977) These Jesus films crack me up as a recovering Catholic it always amuses me, among other things. This one got a theatrical release. please listen to hear how much money it made opening weekend, I believe it will put a smile on yer face. 6 (Soldier of Orange 1977) Our first Paul Verhoeven film. I remember this being very good, but not much else. the guy who wants “more life, fucker.” In Blade Runner is young and joins the Dutch resistance.7 (Yesterdays Child 1977) This made for tv movie is deliciously bizarre. Starring the mom of the Partridge family and the General from Planet of the Apes 5.8 (Dummy 1979) Worf's human brother, Geordie La'Forge, and the dip shit cop who goes after John Jay Rambo and doesn't bring a bunch O body bags, star in this rad film about tryin to fight Ableism in the halls of justice. Thanks for listening.

Robert Altman's "Nashville" holds the record for the most Golden Globe nominations received by a single film. How many nominations did it receive? Play. Share. Listen with "Dance Moms" alum, Melissa Gisoni. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's episode: three films that ask the question: yes, but at what cost? Albeit in very different ways. We're talking "Him," Spike Lee's Kurosawa re-imagining, "Highest 2 Lowest," and our first trip to the early Alts with Robert Altman's "Mash." At least one of these films was fun to watch. Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Reel House screenings, and support the next generation of film lovers, at reelhousefoundation.org and on facebook/Instagram reelhousefoundation Artwork by @_mosla_

Downton Abbey creator Julian Fellowes has a blockbuster finale in cinemas and now HBO’s renewed companion show The Gilded Age for season 4. What’s his secret formula for making history sexy? Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.

Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television.      Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand.    In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards.  The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble.  Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME.     Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar.     Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ!   She is also a member of Turbine Arts Collective  (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.

Talking cool, Bill and Ted on Broadway, life as a Robert Altman film, a great Guy, taking long-term parking to the extreme, some smart quotes, a great little film anchored by a solid Sean Young, and a visit to the recording studio. Stuff mentioned:  Bill and Ted's Excellent Adventure (1989), Samuel Beckett Waiting for Godot (1953), Waiting for Godot (Hudson Theatre, September 13, 2025-January 4, 2026), The Woman in Cabin 10 (2025), The Brutalist (2024), The Boost (1988), The Onion Field (1979), Vision Quest (1985), Malice (1993), Sea of Love (1989), Batman Returns (1992), Benjamin Stein Ludes: A Ballad of the of the Drug and the Dream (1982), Ferris Bueller's Day Off (1986), Days of Wine and Roses (1962), Cage the Elephant "Right Before My Eyes (2011), and Weezer "Do You Wanna Get High?" (2016).

This is an episode near and dear to Jason's heart, as Eric and he connect again to discuss three movies by Jason's favorite director, Robert Altman. Eric loves Altman's work too, and the guys love to tackle the complicated movies from the great directors, so this week the guys are talking Altman's great mysterious trio of complex female centered dramas: 3 Women, Images and That Cold Day in the Park. No matter how much thought you've given these films, we think you'll come to some new revelations about them (at least Jason and Eric did during the show), plus have a good time while digging deeper.

A NEW RECIPE FOR FOOD MAGAZINES—You may think a magazine called Famous for My Dinner Parties would be about food or entertaining—and I wouldn't blame you if you did. You wouldn't be wrong, but you also wouldn't be right.Taking its name from Robert Altman's film, 3 Women, Famous for My Dinner Parties started as a pandemic-inspired digital project among three friends (Junshen Wu, Sandra von Mayer-Myrtenheim and Yannic Moeken) in Berlin and has evolved into a proper magazine and media brand, and along the way has won an engaged and broad audience far beyond Berlin. Something that continues to surprise the founders.The magazine is slightly odd, if I'm being honest, idiosyncratic, thoroughly compelling, and undeniably beautiful. It's also almost entirely done in house, including all the design, photography and writing. And despite this, or maybe because of it, the thing works. Whether or not this method—or lack of one—is sustainable is another question.And just to be clear, there is not a single recipe in the magazine. Just a whole lot of ideas. This is a magazine then, editorially and conceptually, built around vibes. Fuel for a discussion, perhaps, at your next really great dinner party. Whether or not you aspire to any sort of fame.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Today on the Rarified Heir Podcast, we are talking to Nikki Nash, daughter of musician, trombonist Dick Nash. Now, you may not know the face or the name, Dick Nash but you certainly know his work with Henry Mancini, or should we say Hank Mancini with some of his best known work. Before the Wrecking Crew, Dick and a small group of side-men WERE the Wrecking Crew, playing on hundreds of studio dates for film, TV and major label albums in the 50s and 60s. But as we learn, Dick Nash didn't take every date offered for a very specific reason. Our conversation with Nikki centered around her new book, Collateral Stardust: Chasing Warren Beatty and Other Foolish Things, an autobiography about her life in and around show business that is one hell of a read. Some of the things we talk about in our conversation with Nikki include notable run-ins with everyone from the aforementioned Warren Beatty, as well as Dennis Miller, Louise Lasser, Don Cornelius, Robert Hays, the Black Panthers, Robert Altman and many others. We also discuss long-lost LA restaurants like The Old World and The Luau, the best toast, the job of an A.D. behind the camera, addiction, painting, depression, growing up in the San Fernando Valley of Los Angeles and much more. Nikki was open, honest, funny, matter-of-fact, attentive and gave us all we could handle in discussing her life and her book. And like her book, our interview was breezy and also had a lot of depth below the surface. But don't take my word for it, take a listen to this episode of the Rarified Heir Podcast and see for yourself. Everyone has a story.    

Diving into the Atman cinematic universe with Nashville, Popeye, McCabe & Mrs. Miller, and Brewster McCloud.INTRO 00:00Altman Collection 26:41https://www.cinebums.comWrite to us: cinebumspod@gmail.comFollow us:@cinebums on InstagramLetterboxd:https://letterboxd.com/cinebums/

On this week's dispatch, Dana is joined by comrades in arms Sam Adams and Isaac Butler to take on Paul Thomas Anderson's thrilling and incendiary new film One Battle After Another. Starring Leonard DiCaprio, the action epic depicts an America one notch away from our own fractured republic. Does the target of its revolutionary fantasia hit too close? They discuss. Next, they kvell about Long Story Short, the new, time-jumping family comedy from the creators of BoJack Horseman. Finally, they turn to the Great White Way to assess the dire state of the business of Broadway musicals as written about in a recent piece by Michael Paulson in the New York Times. There was so much to say about One Battle After Another, the gang kept gabbing for an exclusive Slate Plus bonus episode. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Sam: If possible, seeing One Battle After Another in its native format VistaVision. Isaac: The Criterion Channel's Robert Altman collection and for a great date night movie Splitsville. Dana: The writing of the late Kaleb Horton, particularly his essay "walking through los angeles when the crows are screaming and going through your garbage." Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's dispatch, Dana is joined by comrades in arms Sam Adams and Isaac Butler to take on Paul Thomas Anderson's thrilling and incendiary new film One Battle After Another. Starring Leonard DiCaprio, the action epic depicts an America one notch away from our own fractured republic. Does the target of its revolutionary fantasia hit too close? They discuss. Next, they kvell about Long Story Short, the new, time-jumping family comedy from the creators of BoJack Horseman. Finally, they turn to the Great White Way to assess the dire state of the business of Broadway musicals as written about in a recent piece by Michael Paulson in the New York Times. There was so much to say about One Battle After Another, the gang kept gabbing for an exclusive Slate Plus bonus episode. Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Sam: If possible, seeing One Battle After Another in its native format VistaVision. Isaac: The Criterion Channel's Robert Altman collection and for a great date night movie Splitsville. Dana: The writing of the late Kaleb Horton, particularly his essay "walking through los angeles when the crows are screaming and going through your garbage." Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt and Corbin are joined by the famous music writer NATALIE WEINER (Don't Rock the Inbox, other famous publications) to discuss NASHVILLE, Robert Altman's sprawling sociological survey of the city of Nashville, home of the Country Music Industry, and also America. Is it a convincing portrait of either? We discuss.  Natalie wrote about the movie's use of country music as metaphor here. Natalie's rec. Matt's. Corbin's. Next week's episode is about HAPPY-GO-LUCKY. Watch it here. 

SUBSCRIBE TO IMPOSSIBLE WAY OF LIFE ON PATREON TO ACCESS FULL EPISODE https://www.patreon.com/animpossiblewayoflifeThe Vancouver Canucks, The Byrds, Gene Clark, 70s sun baked cinema, Robert Altman, Doucette, Loverboy, Aerosmith, Motley Crue, Bruce Fairbairn, Bob Rock etc...Anything can, and will, happen when Stranglehold comes on the show. One of our fave episodes in a while. 

This week on Peanuts and Popcorn, we start with Peanuts, the last week has been an eventful one for the Chicago Cubs, starting with Anthony Rizzo Day at Wrigley followed by a playoff clinching win. Detroit's AL Central lead is inperil.In Popcorn, we'll start with Leo's choice, A Matter of Life and Death (1946) from, Michael Powell and Emeric Pressburger. Tommy opted for Nashville (1975), directed by the great Robert Altman.  Next Show's Films:Leo's Pick: Bride & Prejudice (2004)Tom's Pick:  Elevator to the Gallows (1958) 

We are very excited to welcome Prof. Lisa Dombrowski to our podcast! She is a Professor of Film Studies and East Asian Studies at Wesleyan University. She's the author of the books: The Films of Samuel Fuller: If You Die, I'll Kill You! (2008), the editor of Kazan Revisited (2011), and co-editor of ReFocus: The Later Works and Legacy of Robert Altman (2022). (Ben worked on that last one!) We took Lisa's fantastic film classes and she's a big reason this podcast exists, and why we talk about movies the way we do. (You can read more about the podcast's origin story on Patreon!) Together, we preview a newly restored film showing at the upcoming New York Film Festival and M+ Restored programmes, T'ang Shushuen's The Arch, which Lisa teaches in her classes. Lisa shares with us the film's unconventional transnational production context, and we have an in-depth discussion about the film's groundbreaking use of film form to portray female subjectivity. Eli highlights the film's use of deep staging, Wilson compares the film with Ann Hui's A Simple Life (2011), and Ben explains what he means by an “oyako-don” pantheon.Links:Read more about and get tickets for the M+ Restored programmeScreening in NYC for NYFF at Film at Lincoln CenterObey your ancestors at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:01:36 Introducing Prof. Lisa Dombrowski00:06:48 M+ Restored00:09:39 Context on director Tang Shu-shuen and The Arch00:11:16 Lisa's relationship with The Arch00:17:16 General reactions00:23:30 Adaptation and subjectivity00:26:06 Subtitles00:28:06 Female gaze and melodramatic situation00:30:28 The opening setup00:33:28 Cinematography context00:40:28 Love triangle and deep staging00:43:34 Plum scene00:52:37 Source material00:55:28 Cultural context and societal norms01:00:04 River scene and Mid-Autumn Festival01:03:39 A Simple Life (2011) sidebar, subjective realism01:07:25 Confucianism and social conditioning01:10:29 Loom scene01:13:04 Editing for meaning01:16:32 The arch, the ending, the takeaway01:24:57 Fractured images and liminal spaces01:30:15 Lisa Lu and casting01:31:32 The film's reception01:33:56 Tang's approach01:39:03 Cultural identity, transnational cinema, aesthetic expectations01:43:32 Tang's career post The Arch01:46:05 Outro

100 years ago this year, celebrated director Robert Altman was born. To celebrate his legacy and influence on film, the Criterion Channel has launched a new September series, Directed by Robert Altman. The series includes films like "The Player," "The Long Goodbye," and "MASH." Sean Fennessey, co-host of "The Big Picture" and curator of the Criterion series, joins to discuss. Plus, callers share their favorite Robert Altman movies.

We're plowing ahead five years from last month's pod subject but staying in the low – rent, “B” picture roots of film noir, with just a bit more polish, a little more class (because of a slightly larger budget). While last month's Detour sticks with you, it's because of its rough edges and the kick-in-the-gut noirness of the fated fall of the protagonist (as well as the hyper – meanness of the femme fatale --- Ann Savage indeed!). This month, we look at a film that has an incredible behind-the-camera crew, a great cast with many nice surprises, but also some tendrils that tie it to Detour --- it's 1950's Gun Crazy. The film also ushers in (or joins, depending on your view) the sub – genre of “youngstas on the run” noir, as also exemplified by Nicholas Ray's 1948 work They Live By Night, 1949's Knock On Any Door, Tomorrow Is Another Day in 1951, and continuing the sub-genre into neonoir with Badlands and the remake of They Live By Night, Robert Altman's Thieves Like Us. We're privileged to see sharp writing, wonderful direction, a fabulous ten – minute bit of direct cinema, fine acting, but an inevitable, aching drive down the tracks to a waiting and remorseless fate.Detour came out of Poverty Row Hollywood --- Gun Crazy was hard on its run – down heels. PRC barely fronted the money for Detour, and the King Brothers, Frank and Maurice, were only slightly more generous in working up Gun Crazy's budget (courtesy of the aptly named King Brothers Productions --- which we'll shorten to KBP). This was another Hollywood “B” picture with no delusions of grandeur --- it was going to play on the bottom of the bill or in the sticks. But for the money, KBP floated a film that was packed with talent --- talent admittedly somewhat over a monetary barrel, but talent, nonetheless. What did KBP get for their $400K and thirty days of shooting? Website and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark

M*A*S*H was a Robert Altman directed 1970 Oscar nominee for Best Picture. What war was depicted in the move M*A*S*H? Play. Share. Listen with actor Fred Grandy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sean and Amanda celebrate legendary filmmaker Robert Altman, who would have turned 100 this year, by breaking down his illustrious career. But first, they cover the awards distributed at the Venice Film Festival and recap Amanda's legendary weekend, which included seeing Oasis perform live and watching Paul Thomas Anderson's new film, ‘One Battle After Another' (1:20). Then, they construct Altman's shrine and build his Hall of Fame (14:39). Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Use code "TheBigPicture20" for a 20 percent discount on an annual Criterion Channel subscription.  This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's Wrap Party, Zeth is talking about a Robert Altman retrospective, controversial Martin Scorsese Top 5 lists, Jack Nicholson, ABBA, and much more. Join the party and get in touch with your recs, your reviews, and any insane story from Hollywood history that you want to tell us! Call or text (617) 906-6638, email disgracelandpod@gmail.com, or reach out on socials @disgracelandpod. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

durée : 00:59:44 - Toute une vie - par : Matthieu Garrigou-Lagrange - "Ce n'est pas un haïku ...". C'est l'acteur Henry Gibson qui disait cela du cinéaste. Qu'est-ce qu'on y entend ? Que le réalisateur était "un sacré morceau", aussi bien physiquement que psychiquement ; "une force" qui ne faisait rien à moitié, charmant ou animé d'un souffle furieux selon les heures. - invités : Daniel Wührmann; Guylène Péan; Gilles Jacob Critique de cinéma et documentariste français; Michel Ciment Critique de cinéma, écrivain, producteur de radio; Brigitte Fossey Comédienne; Cédric Klapisch Réalisateur, scénariste, metteur en scène et producteur français

The good doctor has returned. Ahead of the 2nd edition of the Golden Geres, we revisited the film that started it all, Robert Altman's Dr. T & The Women.

This week Megan and Evan took in director Rachel Abigail Holder's romantic drama LOVE, BROOKLYN (2:00), starring André Holland, Nicole Beharie, and DeWanda Wise. Short version: They liked it, with Megan revisiting it after seeing it at Sundance earlier this year. Next, Dave joins them for A LITTLE PRAYER (28:09), a quiet and understated Southern family drama from writer-director Angus MacLachlan, starring David Strathairn, Jane Lavy, and Celia Weston. Two of the three of us thought it was really well done, and one of us had hoped to like it more than they did. Such is life. Over on Patreon, we talk about Robert Altman's M*A*S*H, which turns 55 this year.

The Spocklight crew are joined by Sean Wilson from the Frame to Frame podcast, to discuss Robert Altman's Images, starring Rene Auberjonois.   As usual you can find SPOCKLIGHT on: X - @spocklightpod INSTAGRAM – @spocklightpod BLUESKY - @spocklightpod.bsky.social FACEBOOK – https://www.facebook.com/spocklightpod/ EMAIL - spocklightpod@gmail.com Please Follow, like, share and all that good stuff.   You can Sean @seano22 on X Credit for our wonderful theme music goes to the incredibly talented, Adam Johnston's, you can find more of his work at - https://adamjohnstonuk.bandcamp.com/ Our beautiful artwork was created by Stephen Trumble, see more at http://www.stephentrumble.com 

The incomparable Kristin Scott Thomas—star of “The English Patient,” “Slow Horses,” and now writer-director-star of the deeply personal film “My Mother's Wedding” – joins the show. Over mushroomy eggs and quiche, we cover her extraordinary career in both English and French -- from her baptism-by-fire debut opposite Prince in “Under the Cherry Moon” to her viral “Fleabag” monologue. Kristin also tells me about reuniting with Scarlett Johansson as her on-screen daughter for the third time, and why Robert Altman's “Gosford Park” set was both thrilling and intimidating. This episode was recorded at La Mercerie in SoHo, New York City. Want next week's episode now? Subscribe to Dinner's on Me PLUS. As a subscriber, not only do you get access to new episodes one week early, but you'll also be able to listen completely ad-free! Just click “Try Free” at the top of the Dinner's on Me show page on Apple Podcasts to start your free trial today. A Sony Music Entertainment & A Kid Named Beckett production. Get 15% off your Saily plan with the code ⁠⁠⁠⁠⁠dinnersonme⁠⁠⁠⁠⁠. Just download the Saily app or head to ⁠⁠⁠⁠⁠https://saily.com/dinnersonme⁠⁠⁠⁠⁠. Stay connected — and don't miss your dinner reservation. Stay connected — and don't miss your dinner reservation. Learn more about your ad choices. Visit podcastchoices.com/adchoices

'AnotherLook' is delving into the satirical, spontaneous sensibility of Robert Altman with Corey's pick for the week: The Long Goodbye (1973). Listen up as we discuss this adaptation of Raymond Chandler, its moody and dreamy flow-state filmmaking, the fabulous ensemble, and much more! Light a cigarette and press play.

Electra, My Love (1974) / Fool for Love (1985) This week we're putting plays on screen as we stage a mythic rebellion with Miklós Jancsó and crash out at a desert motel with Robert Altman and Sam Shephard

Recorded November 17, 2024 at Mississippi Studios - Portland, OR “He's a man-monster, I'm sorry!” - Steve on Sloth On this week's Summer Live episode, it's our wild show from last year in the great city of Portland, Oregon where we were talking about local favorite and Dick Donner classic, The Goonies! How cool is that jailbreak sequence with all the fire and what-not? Was there an old lady more terrifying than Anne Ramsey? What is Martha Plimpton's character doing at the beginning of this movie, bobbing for crabs? Is all this over-talking what it would be like if Robert Altman made a film with child protagonists? And why did they leave in that Sean Astin name flub take? PLUS: Move over Truffle Shuffle, it's the Bologna Bounce! The Goonies stars Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Ke Huy Quan, Robert Davi, Joe Pantoliano, Anne Ramsey, Lupe Ontiveros, Mary Ellen Trainor, and John Matuszak as Sloth; directed by the late, great Richard Donner. Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Jason Fraley interviews four-time Grammy winner Lyle Lovett, who performs live tonight at Wolf Trap in Vienna, Virginia. He called in to preview the show and reflect on the best songs of his career from “Cowboy Man” to “If I Had a Boat," as well as working with filmmakers like Robert Redford, Robert Altman and Terry Gilliam. (Theme Music: Scott Buckley's "Clarion")

GGACP celebrates the 50th anniversary of Robert Altman's musical comedy-drama "Nashville" (released in June, 1975) with this ENCORE of an interview with one of the film's stars, Oscar-winner Keith Carradine. On this episode Keith joins the boys for a fond look back at his frequent collaborations with the legendary director, his friendships with co-stars Lee Marvin, Ernest Borgnine and Robert Mitchum, and the life and career of his dad, horror legend John Carradine. Also, Harvey Keitel loosens up, Jerry Lewis shoots hoops, Rod Steiger pays a surprise visit and Jessica Tandy lights up the stage. PLUS: “Love American Style”! Deconstructing "The Aristocrats"! Sam Fuller eats a stogie! And Kwai Chang Caine hosts SNL!  Learn more about your ad choices. Visit megaphone.fm/adchoices