Podcast appearances and mentions of Richard Linklater

The Blue Moon star joins to talk about the big risk he and his old friend Richard Linklater took to make their film about Lorenz Hart, and why he always leaves the Sundance Film Festival eager to make his next movie. ⁠⁠⁠⁠Subscribe today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to Prestige Junkie After Party bonus episodes for just $5 a month. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 159 Sam is joined by filmmaker Richard Linklater, director of Before Sunrise, Before Sunset, School of Rock, and Blue Moon. His new movie, Nouvelle Vague, follows the shooting of Godard's Breathless [À Bout De Souffle].  Richard has chosen Breathless [À Bout De Souffle] (90 mins). Directed by Jean-Luc Godard and released in 1960, the classic French New Wave drama stars Jean-Paul Belmondo and Jean Seberg.  Sam and Richard discuss shooting his new film Nouvelle Vague on the same locations as Breathless, why the runtime of Breathless was revolutionary, and how Richard rarely makes films over two hours long.  Thank you for downloading. We'll be back in a couple of weeks! If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  Rate and review on Apple Podcasts and Spotify.  Show your support for the podcast and help us stay truly independent by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Richard Linklater. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey.  We are a proud member of the Stripped Media Network.

Sexy robot man Metallo gets a spunky girlfriend on the latest episode of Superman TAS! Join us as we discuss...The Bruce Springsteen movie, the Linklater/Hawke movie Blue Moon and the movie that ushered in the downfall of modern America, You've Got Mail!The future of the podcast once Superman ends!How does Metallo keep finding new Kryptonite to shove into his chest-plate?Lois wasn't given a magic Superman watch at some point?The X-Men TAS Podcast just opened a SECRET reddit group, join by clicking here! We are also on Twitch sometimes… click here to go to our page and follow and subscribe so you can join in on all the mysterious fun to be had! Also, make sure to subscribe to our podcast via Buzzsprout or iTunes and tell all your friends about it! Follow Willie Simpson on Bluesky and please join our Facebook Group! Last but not least, if you want to support the show, you can Buy Us a Coffee as well!

For this episode, which we'll call 278.5, co-host Myles Hughes is dealing with a family matter, so we had producer Steve Prusakowski grab some of my interviews this season with Oscar nominees. So, you'll hear my conversations with Ethan Hawke (along with Richard Linklater) for Blue Moon, Will Tracy for Bugonia, Michael Bauman and Andy Jurgensen for One Battle After Another, Geeta Gandbhir for The Perfect Neighbor, Inga Ibsdotter Lilleaas, Stellan Skarsgård, Joachim Trier, and Eskil Vogt for Sentimental Value, Delroy Lindo for Sinners, as well as Clint Bentley and Adolpho Veloso for Train Dreams. We'll be back with a new episode next week, but for this week, we appreciate you partaking in this placeholder...As always my friends and faithful listeners/readers, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our 278th and a half one to date (here's to many more). Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening! 

Ethan Hawke-ologist and Screen Drafts All-Star Marya E. Gates (Cinema Her Way) is joined by film critic and Screen Drafts rookie Robert Daniels to rank all 9 feature film collaborations between actor ETHAN HAWKE and director RICHARD LINKLATER! Visit www.patreon.com/screendrafts to join the Booster Club, and get ad-free Main Feed Drafts plus four bonus episodes every month!

Paul and Amy hop the train to Vienna to revisit Before Sunrise, Richard Linklater's ode to chance encounters and conversations that stretch until dawn. They unpack the film's naturalistic dialogue, roaming long takes, and the electric chemistry between Ethan Hawke and Julie Delpy, to explore how Jesse and Céline's fleeting connection feels both impossibly romantic and deeply real. Go to https://surfshark.com/unspooled or use code UNSPOOLED at checkout to get 4 extra months of Surfshark VPN! You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This bonus episode for our season on the awesome movie year of 2014 features Richard Linklater's Boyhood. Written and directed by Richard Linklater and starring Ellar Coltrane, Patricia Arquette, Ethan Hawke and Lorelei Linklater, Boyhood was filmed over the course of 12 years.The contemporary reviews quoted in this episode come from Manohla Dargis in The New York Times (https://www.nytimes.com/2014/07/11/movies/movie-review-linklaters-boyhood-is-a-model-of-cinematic-realism.html), Mick LaSalle in the San Francisco Chronicle (https://www.sfgate.com/movies/article/Boyhood-review-boundaries-of-cinema-pushed-5628295.php), and Marjorie Baumgarten in The Austin Chronicle (https://www.austinchronicle.com/events/film/2014-07-18/boyhood/).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen:

Mita was feeling continental and wanted "...options for romantic interracial-black cinema." Chat GPT suggested Mira Nair's "Misssissippi Masala" for the next movie review. RIchard Linklater is mentioned more often than usual. 

On the fifty- seventh episode of All the Film Things, I had the pleasure of interviewing Oscar- nominated writer Kim Krizan! Kim Krizan is a California- based Oscar- nominated writer whose work thirty years ago has remained popular and continued to resonate deeply amongst audiences across generations. Her master's thesis on Anaïs Nin piqued Richard Linklater's interest whilst she auditioned for his film Slacker (1992). After that, the two became frequent collaborators in the 90s and 2000s. Not only did Kim star in Dazed and Confused (1993), she co- wrote Before Sunrise (1995) with Linklater and co- created the story of Before Sunset (2004), which earned her an Oscar nomination. Her creative writing expands beyond film as she has also written a comic book and two books, including Original Sins: Trade Secrets of the Femme Fatale which you could purchase by clicking here. Aside from her work on and for the big screen, Kim has been teaching creative writing around the world and at California colleges.For the past five years, Kim has brought her creative writing lectures to Patreon through her channel “The Magic Hour”. “The Magic Hour” is a virtual writing class accessible to people around the world who want to gain the inspiration to write and tell original stories. Some of the collections offered include analyzing films, personal exploration, and solving writing problems. Go to Patreon.com/KimKrizan to subscribe to “The Magic Hour” and unlock lessons that will inspire and improve your creative writing as well as attend occasional live sessions to get advice in real time from Kim. Both monthly and annual subscriptions are offered or you can purchase specific collections at various prices.This is Kim's first time on ATFT! I reached out to her a few months ago and had been looking forward to this interview ever since! Both Before Sunrise and Before Sunset are two of my favorite films and, when I started preparing for the interview, the clearer it was how much of her voice is in the script. To have had the opportunity to chat with Kim will remain a true highlight and she was somehow even lovelier than I expected her to be! This episode was recorded on January 22, 2026. I wanted to ensure I could make this a good interview in the short amount of time we had so if I sound more nervous than usual, that is why. In this episode, Kim shares her passion for cinema from the silent era to foreign art films. Kim also talks about writing the Before Sunrise script with Richard Linklater in less than a month, how much the earrings she wore to the Oscars cost, and why she wasn't involved in the making of Before Midnight. All this and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

Yeni sezonda da her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş 06:15 | Hızlandırmadan İzleyenler 08:35 | Send Help 17:20 | Dangerous Animals21:00 | Hamnet34:38 | The Plague44:30 | A Knight of the Seven Kingdoms 4. Bölüm51:15 | 21.Yüzyılın En İyi 10 Aksiyon Filmi1:35:50 | Gus Van Sant'ın Yeni Filmi Geliyor1:37:35 | Sundance'te Öne Çıkan Filmler1:40:05 | Beef 2. Sezon Geliyor1:41:05 | Apple TV'nin Yeni Dizileri1:45:55 | Justine Triet'nin Yeni Filmi1:47:45 | Richard Linklater'in Yeni Projesi1:50:33 | The Beatles Filmlerinden İlk Görseller1:57:15 | Halle Berry'nin Oscar ve Hollywood Eleştirisi2:00:20 | Kim Bu Fotoğraftaki?2:02:15 | Spielberg EGOT'u Tamamladı2:03:20 | İki Yeniden Çevrim Haberi2:05:43 | Pluribus'la  İlgili Kötü Haber2:07:35 | Luca Guadagnino & Damon Albarn 2:09:48 | Damon Lindelof'un Yeni Dizisi Geliyor2:13:50 | David Lynch'in Eşyaları Satılıyor!2:18:30 | Chat'ten Haberler2:31:25 | Kutlukhan Kutlu ile Hayal Mahmuru Canlı Başlıyor

Mark and Joey Lewandowski discuss the 2016 sports comedy Everybody Wants Some!!. Directed by Richard Linklater and starring Glen Powell, Tyler Hoechlin, Wyatt Russell and a broken ping-pong paddle, the movie focuses on the goings-on of a college baseball team. In this episode, they also talk about hangout movies, refrigerator cats, and the excellence of Zoey Deutch. 

"Every now and then you bump up against a part that presses you to the wall of your ability," Hawke says of playing lyricist Lorenz Hart in ‘Blue Moon.' He's nominated for an Oscar for his performance. Hawke spoke with Terry Gross about collaborating with Richard Linklater, losing his friend River Phoenix, and his thoughts on aging. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

"Every now and then you bump up against a part that presses you to the wall of your ability," Hawke says of playing lyricist Lorenz Hart in ‘Blue Moon.' He's nominated for an Oscar for his performance. Hawke spoke with Terry Gross about collaborating with Richard Linklater, losing his friend River Phoenix, and his thoughts on aging. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Aprovechamos el homenaje de Richard Linklater a 'El final de la escapada' para hablar de Godard, Truffaut y otros genios que cambiaron la forma de hacer cine con la Nouvelle Vague. También hemos visto el documental sobre Mel Brooks: Un hombre de 99 años. Con Rubén Amón, Guillermo Altares, Isabel Vázquez, Sergio del Molino y Rosa Belmonte.

Nouvelle Vague is a 2025 comedy drama film directed by Richard Linklater. Starring Guillaume Marbeck as Jean-Luc Godard, Zoey Deutch as Jean Seberg, and Aubry Dullin as Jean-Paul Belmondo, it follows the shooting of Breathless (1960), one of the first feature films of the French New Wave of cinema.Nouvelle Vague had its premiere at the 2025 Cannes Film Festival on 17 May 2025. It was theatrically released in France by ARP Sélection on 8 October and received a limited theatrical release in the United States on 31 October, before streaming on Netflix on 14 November.Among its accolades, the film received ten nominations at the 51st César Awards, including Best Film and Best Director, alongside a nomination for Best Motion Picture – Musical or Comedy at the 83rd Golden Globe Awards, while Deutch was nominated for Best Supporting Performance at the 41st Independent Spirit Awards. Hosted on Acast. See acast.com/privacy for more information.

This week, we step behind the mic to review Bradley Cooper's IS THIS THING ON?, inspired by the life of comedian John Bishop (06:48); NOUVELLE VAGUE, Richard Linklater's behind-the-scenes look at the making of Jean-Luc Godard's Breathless (27:39); and SHELTER, the latest Jason Statham-fronted action thriller (43:08). Plus, in our HOT TAKE (56:51), all eight episodes of Marvel's WONDER MAN hit Disney+ this week, so we chat spoilers.If you would like to donate directly towards humanitarian aid in Gaza, please visit: ⁠MAP⁠Buy Clarisse's Wes Anderson book⁠ ⁠here⁠⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! The Fade To Black Podcast is part of the Stripped Media Network.AMON:⁠ ⁠@Amonwarmann ⁠⁠CLARISSE: ⁠ ⁠@clarisseloughrey⁠⁠HANNA:⁠ ⁠@hannainesflint⁠⁠Music by ⁠The Last Skeptik⁠. We are a Stripped Media podcast. 

This week's episode of the Empire Podcast sees Chris Hewitt sit down with Bradley Cooper and Will Arnett, director, co-writers, and stars of the new dramedy, Is This Thing On?, which takes inspiration from the real-life story of British comedian, John Bishop. It's an in-depth chat that we bring to you in full (although we did cut out a bit where someone poured a glass of water. Sorry to all you water completists out there), and it's well worth your time. It starts at 55:50 approx and runs until 1:20:14 approx. Either side of that, Chris is joined in the podbooth by Helen O'Hara, James Dyer, and Alex Godfrey for a fun episode in which they discuss the movie moments guaranteed to make them cry no matter how many times they've seen them; run their eyes over what passes for movie news (it was quite a slow week); review Is This Thing On?, action-comedy The Wrecking Crew, Jason Statham's Shelter, mad monkey movie Primate; and Richard Linklater's love letter to the French New Wave, Nouvelle Vague. Oh, and we make good on last week's promise, and bring you James, Helen, and Chris tackling their specialist subjects in a round that pays homage to classic BBC quiz show, Mastermind. It's pure chaos. Thanks to Magneto Magnetosson, for stepping in at short notice to host. Enjoy.

Moderator Annette Insdorf will interview Ethan Hawke after a screening of his new film, Blue Moon. The prolific actor, writer, director and musician offers a tour-de-force performance as the acerbic lyricist Lorenz Hart, whose songs include "My Funny Valentine," "The Lady Is a Tramp," and "Blue Moon." In addition to Hawke's Oscar-nominated performance opposite Denzel Washington in Training Day (2001), he is perhaps best known for indie collaborations with Richard Linklater on Boyhood (2014), Waking Life (2001), and the BEFORE trilogy (1995, 2004, 2013) – which he scripted with the director and co-star Julie Delpy. Among his other memorable films are First Reformed (2017), Born to Be Blue (2015), Good Kill (2014), Before the Devil Knows You're Dead (2007), Hamlet (2000), Gattaca (1997), and Dead Poets Society (1989). He has also directed both fiction and documentary, such as Wildcat (2023), The Last Movie Stars (2022), Blaze (2018), and Seymour: An Introduction (2006). From a brilliant screenplay by Robert Kaplow, Linklater elicits Hawke's greatest performance yet — incarnating the self-destructive Hart on the very night that his collaborator Richard Rodgers (Andrew Scott) has just opened Oklahoma! on Broadway with new partner Oscar Hammerstein II. Co-starring Bobby Cannavale and Margaret Qualley, Blue Moon is a revelation of Hawke's maturation as an artist.

Hemos ido a ver 'Hamnet', la adaptación de la aclamada novela de Maggie O'Farrell, que se coloca en la intersección entre ficción y realidad para contar la historia familiar de William Shakespeare y la génesis de su aclamada obra 'Hamlet'. ¿Es una buena adaptación? ¿Es sensible o sensiblera? ¿Y logra transmitir los méritos del libro, su concepción del duelo, su sutileza y riqueza expresiva? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, recomendamos la ópera 'Ariadna y Barbazul', el libro 'El nombre del muro' (Hervé Le Tellier) y la película 'Nouvelle Vague', de Richard Linklater.

On Truth & Movies this week, we discuss Bradley Cooper's stand-up comedy drama Is This Thing On. We then take a look at Richard Linklater's French New Wave homage Nouvelle Vague, and finally, for film club, we revisit Éric Rohmer's My Night at Maud's.Joining host Leila Latif are David Jenkins and Laura Venning.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Hemos ido a ver 'Hamnet', la adaptación de la aclamada novela de Maggie O'Farrell, que se coloca en la intersección entre ficción y realidad para contar la historia familiar de William Shakespeare y la génesis de su aclamada obra 'Hamlet'. ¿Es una buena adaptación? ¿Es sensible o sensiblera? ¿Y logra transmitir los méritos del libro, su concepción del duelo, su sutileza y riqueza expresiva? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, recomendamos la ópera 'Ariadna y Barbazul', el libro 'El nombre del muro' (Hervé Le Tellier) y la película 'Nouvelle Vague', de Richard Linklater.

Sam Clements talks to director Richard Linkalter about his new film, Nouvelle Vague. In cinemas now.  Richard Linklater's playful, poignant love letter to cinema reimagines the making of Jean-Luc Godard's revolutionary New Wave classic Breathless, told in the style and spirit in which Godard made it.   After writing for Cahiers du cinéma, a young Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple.  Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. Our guests this week are two comedy giants: star of Arrested Development, 30 Rock and BoJack Horseman, Will Arnett—and mega-successful scouse standup John Bishop. It's Bishop's unlikely comedy origin story that inspired Is This Thing On?, the new Hollywood feelgood blockbuster directed by Bradley Cooper. In it, Arnett plays a divorced dad who puts his name down for an open mic at a bar just to save the entry fee—then accidentally catches the comedy bug. As he secretly follows his new standup dreams, can comedy save his sanity—and maybe even his marriage? Find out what Mark makes of it, plus two more of this week's big screen releases. First up its Nouvelle Vague, Richard Linklater's homage to the French new wave film movement of the 1960s. Linklater's film dramatises the making of one of its essential movies, Jean Luc Godard's Breathless. And from uber-cool Parisians murderous monkey's, we'll be reviewing Primate too: a tongue in cheek horror where a pet chimp goes bad. The boys are here in the studio IRL this week, so you'll be getting all of this, plus the box office top 10 and the banterous heights of the laughter lift, beamed right at you from the room where movie-reviewing magic happens. Keep it real, Vanguardistas and all-comers! Timecodes with YT clip codes (for Vanguardistas listening ad-free) Nouvelle Vague review - 10:32 Box Office Top 10 - 23:51 Will Arnett and John Bishop interview - 39:19 Is This Thing On? review 56:11 Laughter Lift - 01:03:04 Primate review - 01:07:20 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hello, Hello, Hello!This third and final (for the time being) English-Language Features Round-Up is mainly focused on covering films featuring ensemble casts (look we needed a category for the remaining films we had to cover, okay). This includes fairly in-depth discussions on James Cameron's "Avatar: Fire and Ash," Rian Johnson's "Wake Up Dead Man: A Knives Out Mystery," Jared Bush and Byron Howard's "Zootopia 2," Kathryn Bigelow's "A House of Dynamite," Luca Guadagnino's "After the Hunt," and Richard Linklater's "Nouvelle Vague."Listen to the full episode to hear more about (only) Ashwin's love for "Avatar," our thoughts on prayer and power in "Wake Up Dead Man," the dynamite of discourse that is "After the Hunt," the (un)remarkable undertaking that is "Nouvelle Vague," and more!TIME CODESIntroduction – [00:00 - 06:47]“Avatar: Fire and Ash” – [06:47 - 33:15]“Wake Up Dead Man” – [33:15 - 01:04:20]“Zootopia 2” – [01:04:20 - 01:27:07]“A House of Dynamite” – [01:27:07 - 01:49:55]“After the Hunt” – [01:49:55 - 02:31:14]"Nouvelle Vague" – [02:31:14 - 03:16:02]Outro (aka More Recommendations!) - [03:16:02 - 03:24:48]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcastSupport this podcast: https://anchor.fm/queenisdead/supportYou can also follow us on Letterboxd at -CRIS: https://letterboxd.com/crislim/.ASHWIN: https://letterboxd.com/ashwindev/.VARUN: https://letterboxd.com/varunoakbhakay/. Audio Excerpts are taken from the respective trailers (promotional material) of Avatar: Fire and Ash, Wake Up Dead Man, Zootopia 2, A House of Dynamite, After the Hunt, and Nouvelle Vague.

Emma Jones takes us through the nominations for France's upcoming "Césars" cinema awards, with American filmmaker Richard Linklater picking up 10 nods for "Nouvelle Vague". In this week's film releases, Emma tells us why the Russell Crowe-led Nazi courtroom drama "Nuremberg" is worth checking out. Emma also reviews Kelly Reichardt's offbeat drama "The Mastermind", in which Josh O'Connor shines as a clueless art thief in the 1970s.

In this star‑studded episode, Ethan Hawke talks Blue Moon, Richard Linklater's acclaimed biographical drama that premiered at Berlin and earned a Silver Bear for Andrew Scott, plus Golden Globe and Oscar nominations for Hawke himself. Chris Pratt and Mercy director Timur Bekmambetov unpack their high‑stakes sci‑fi thriller, where Pratt is in the lead as a detective battling an unforgiving AI justice system. Iranian auteur Jafar Panahi discusses It Was Just an Accident, which took home the Palme d'Or at Cannes and is now an Oscar contender...a politically charged thriller born from his own lived resistance, and Adelaide born Hollywood actor Teresa Palmer in the studio and in conversation about her life, career, and latest role in the Australian film Addition, a charming, numbers‑driven rom-com based on Toni Jordan's bestseller.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Carey DellArts editor, Rhiannon Brown

Richard Linklater speaks to Samira Ahmed about his new film Nouvelle Vague.Robbie Williams has beaten the Beatles' record for the most UK album chart number ones - we ask former Spotify exec Will Page how he's done it.Daughters of Donbas is a musical project, created by Ukrainian musicians to bring the world's attention to the kidnapping by Russian authorities of Ukrainian children. Samira speaks with two of its members - Marichka and Liza – about what they hope it could achieveWhy is there a wave of children's authors turning to writing fiction for adults? We talk to Francesca Simon MBE - bestselling author of the Horrid Henry Books and now the Welsh-myth inspired Salka - as well as Liz Flanagan who has written her first historical novel for older readers, When We Were Divided.Presenter Samira Ahmed Producer Harry Graham

For this Out Takes, we were excited to introduce you to ‘From All Sides’, a new Australian feature film that is having a special Q&A screening at the Sun Theatre in Yarraville on Friday January 30 that is described as a subversive, sexually frank drama about a seemingly average suburban middle-class, multiracial family that features a strikingly original fusion of steamy bisexual orgies, extramarital hookups, and dazzling classical Indian dance sequences. We wanted to know more about this exciting local queer film so we went straight to the source and spoke to its writer and director Bina Bhattacharya. This wonderful interview covered many important topics including her journey as a filmmaker, her passion for Western Sydney and importance of using it as a backdrop to tell modern Australian stories, the impact of racism on her storytelling and more. We concluded the show by looking at ‘Blue Moon’, the latest from award-winning director Richard Linklater that stars Ethan Hawke, Margaret Qualley, Bobby Cannavale and Andrew Scott and is set in New York City in 1943. It follows the gay and closeted musical genius Lorenz Hart as he reflects on himself on the opening night of Oklahoma!, a new musical by his former colleague Richard Rodgers. We thoroughly enjoyed watching Ethan Hawke in this transformative role which has seen him nominated for a Golden Globe and Academy Award. The post ‘From All Sides’ featuring special guest Bina Bhattacharya, plus ‘Blue Moon’ review appeared first on Out Takes.

Conversamos con Yayo Cáceres y Cira Ascanio, director y actriz de Tebanas, un viaje al origen de las tragedias clásicas que se representa estos días en el Teatro de la Abadía. Más tarde, conectamos con Yolanda Flores, directora de De película en RNE, que nos resume los mejores momentos de los Premios Feroz. Terminamos con Guillermo Busutil hablando sobre la Nouvelle Vague francesa a la que rinde homenaje una película en cartelera, con ese mismo título, dirigida por Richard Linklater.Escuchar audio

Velkommen til 'Cinemajour 85'! Det er første gang i godt og vel 2½ år, vi kaster os over en Cinemajour, så vi skal lige banke rusten af i starten. Men bare rolig. Som episoden skrider frem, finder vi tilbage i et nogenlunde velkendt gear, og det hele begynder at føles "normalt" igen. Vi har til denne optagelse slået lejr på Kim Foss' kontor i Grand Teatret. Kim er både ejer af Grand og en god ven af podcasten, så der skal lyde et kæmpe tak for, at vi må sidde midt i biografens hjerte og tale om film. Vi har en seriøs stak titler med i tasken. Vi ser nærmere på det næste store zombie-kapitel, hvor Danny Boyle har givet stafetten videre til Nia DaCosta. Med '28 Years Later - The Bone Temple' åbner hun endnu en dør i sagaen, der gav os sidste års bedste film (tm), så forventningerne kommer til at spille en rolle. Vi skal også forbi det danske drama 'Begyndelser', der går tæt på et brud, hvor Trine Dyrholm og David Dencik er tvunget til at blive i det, de egentlig var på vej væk fra. Videre til Tokyo, hvor man åbenbart kan lease menneskelige relationer i 'Rental Family', en film der spidder vores moderne behov for nærvær. Med thriller-drama-komedien 'No Other Choice' vender Park Chan-wooks endnu engang tilbage til de danske biografer. En mand mister jobbet og beslutter sig for metodisk at rydde konkurrenterne af vejen i stedet for at opdatere sit CV. Derudover vender vi Lynne Ramsays 'Die My Love', hvor Jennifer Lawrence balancerer på kanten af et sammenbrud, og den rystende 'The Voice of Hind Rajab', der med enkle greb og virkelighedens stemmer sætter sig i kroppen længe efter rulleteksterne. Vi skal også omkring 'The Secret Agent', der byder på 70'er-stemning og brazuca-paranoia. Og så nyder vi virkelig at suse gennem gaderne i Paris i slut-50'erne, mens højrøvede filmskabere diskuterer filmkunstens essens på hvert gadehjørne og kun trækker vejret gennem smøger. Filmen er 'Nouvelle Vague' og vores tourguide er Richard Linklater. Til sidst hopper vi i seriehjørnet med 'A Knight of the Seven Kingdoms', der kort sagt er en slags "buddy cop"-version af 'Game of Thrones' med Dunk og Egg. Og så tager vi pulsen på 'The Pitt', der netop er landet med sin anden sæson og leverer hospitalsdrama uden filter. Rigtig god fornøjelse! Med venlig hilsen,  Jannik & Casper  Premieredatoer (fundet via Kino.dk, Grand Teatret & HBO/Max) I biografen: 15. januar: 'Begyndelser' (Dansk premiere) 15. januar: 'Rental Family' 15. januar: '28 Years Later - The Bone Temple' (Rammer biograferne ugen efter forgængeren) 15. januar: 'No Other Choice' (Park Chan-wook) 22. januar: 'Nouvelle Vague' (Vises bl.a. i Grand Teatret) 29. januar: 'The Voice of Hind Rajab' 29. januar: 'Die My Love' 5. februar: 'The Secret Agent' (Dansk biografpremiere) Streaming: 8. januar: 'The Pitt' (Sæson 2 på Max) 18. januar: 'A Knight of the Seven Kingdoms' (Premiere på Max)  

En el programa de hoy nos hacemos eco de una propuesta que surge desde Aragón y que nos lleva hasta Senegal. Coincidiendo con la festividad de San Valero unos zaragozanos se han propuesto realizar, un año más, una carrera con niños en el país africano con fines solidarios. Hablamos con Sergio del Barrero, uno de los responsables de esta iniciativa. Dani Calavera nos habla de “Nouvelle Vague” la nueva película de Richard Linklater y analizamos las nominaciones a los Óscar.

En el programa de hoy nos hacemos eco de una propuesta que surge desde Aragón y que nos lleva hasta Senegal. Coincidiendo con la festividad de San Valero unos zaragozanos se han propuesto realizar, un año más, una carrera con niños en el país africano con fines solidarios. Hablamos con Sergio del Barrero, uno de los responsables de esta iniciativa. Dani Calavera nos habla de “Nouvelle Vague” la nueva película de Richard Linklater y analizamos las nominaciones a los Óscar.

Dani Calavera analiza los estrenos de Nouvelle Vague de Richard Linklater, Si pudiera te daría una patada y Hamnet. Repasamos con él las candidaturas a los Óscar que se han conocido esta semana

En el programa de hoy nos hacemos eco de una propuesta que surge desde Aragón y que nos lleva hasta Senegal. Coincidiendo con la festividad de San Valero unos zaragozanos se han propuesto realizar, un año más, una carrera con niños en el país africano con fines solidarios. Hablamos con Sergio del Barrero, uno de los responsables de esta iniciativa. Dani Calavera nos habla de “Nouvelle Vague” la nueva película de Richard Linklater y analizamos las nominaciones a los Óscar.

En el programa de hoy nos hacemos eco de una propuesta que surge desde Aragón y que nos lleva hasta Senegal. Coincidiendo con la festividad de San Valero unos zaragozanos se han propuesto realizar, un año más, una carrera con niños en el país africano con fines solidarios. Hablamos con Sergio del Barrero, uno de los responsables de esta iniciativa. Dani Calavera nos habla de “Nouvelle Vague” la nueva película de Richard Linklater y analizamos las nominaciones a los Óscar.

It's that time of year again. We're counting down Derek, Jeff, and Amir's favorite movies of last year. 2025 was a year of great movies but also a year of crushing disappointments: many films we were looking forward to the most fizzled out. Fortunately that makes room for plenty of big surprises and dark horses in our top ten lists. What made the cut? What were some of the honorable mentions? Tune in and find out!

Hosts Laura Gommans and Hugo Emmerzael explore Chloé Zhao's Hamnet (yes, a movie about Shakespeare and his family), alongside a range of movies that are, in one way or another, really just adaptations of Shakespeare's plays.Laura and Hugo also discuss Richard Linklater's Blue Moon, a film that may have slipped under the radar this awards season, though Ethan Hawke's magnetic performance is not to be missed, as well as the endearing documentary Tale of Sylian.Get tickets to Hamnet @ LAB111Get tickets to Diaspora Diarires @ LAB111Get tickets to Fight The Power: Goodbye Julia @ LAB111

Hello, Hello, Hello!This episode is courtesy of PPC (Purush Pradhan Committee), a QID initiative. This second (of three) English-Language Features Round-Up is mainly focused on covering films about men, for(?) men, by* men (except when it is not). This includes fairly in-depth discussions on Clint Bentley's "Train Dreams," Richard Linklater's "Blue Moon," Derek Cianfrance's "Roofman," Kelly Reichardt's "The Mastermind," Guillermo del Toro's "Frankenstein," and Edgar Wright's "The Running Man."Listen to the full episode to hear more about our bafflement at the popularity of "Train Dreams," surprise at the pleasantness of "Roofman," utter despondence at the quality of "The Running Man," and more!TIME CODESIntro (and Misc Thoughts) – [00:00 - 13:20]“Train Dreams” – [13:20 - 38:50]“Blue Moon” – [38:50 - 01:15:08]“Roofman” – [01:15:08 - 01:38:32]“The Mastermind” – [01:38:32 - 01:53:46]“Frankenstein” – [01:53:46 - 02:13:04]"Jay Kelly" – [02:13:04 - 02:25:02]"The Running Man" – [02:25:02 - 02:44:00]Outro (aka More Recommendations!) - [02:44:00 - 02:57:08]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcastSupport this podcast: https://anchor.fm/queenisdead/supportYou can also follow us on Letterboxd at -AMARTYA: https://letterboxd.com/amartya/VARUN: https://letterboxd.com/varunoakbhakay/ARJUN: https://letterboxd.com/arjun_skumar1/DHRUV: https://letterboxd.com/aterminalcinema/ Audio Excerpts are taken from the respective trailers (promotional material) of Train Dreams, Blue Moon, Roofman, The Mastermind, Frankenstein, Jay Kelly, and The Running Man.

Presented here for your listening convenience is the entirety of Conclave 20, wherein the Cinemania Society analyzes Richard Linklater's 2006 adaptation of the 1977 Philip K. Dick novel, "A Scanner Darkly." Written, produced, and performed by: Andrea Palladino Ethan Ireland Daniel Scribner Andy Slack Zacharia Berks and Hope Bravo   Sound design & editing by Ethan Ireland Caricature art by Andy Slack Comics Music by Karl Casey at White Bat Audio Incidental music and sound effects courtesy of Epidemic Sound This is a work of fiction. Any persons, places, brands, or other identities appearing in this audioplay, living, dead, or otherwise, are either a product of the authors' (wild) imaginations or are used in a fictitious manner, or both. This is also a work of parody and/or satire and should not be construed as making statements or allegations of actual fact.

Listen as we explore Richard Linklater's latest film about the making of Jean-Luc Godard's radical masterpiece Breathless. 

Joey and Mark ring in the new year to briefly recap the Golden Globes, Joey talks about Columbo, and Mark gives quick reviews of some of the movies he's been watching: Repo Man, Beyond the Infinite Two Minutes, and Richard Linklater's Before Midnight.Joey's video game, "Detective Instinct, Farewell, My Beloved", is out on Steam and Nintendo Switch! Check it out!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://store.steampowered.com/app/2689930/Detective_Instinct_Farewell_My_Beloved/⁠⁠⁠⁠⁠⁠⁠⁠Listen LIVE every Wednesday at 8:30am on 91.3 WVUD, or online at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.wvud.org/

The guys surf the new wave while criticizing Nouvelle Vague, the new Richard Linklater film that tells the story of the production of Jean-Luc Godard's 1960 classic Breathless. WATCH: https://youtu.be/KPdlovSvSd0 Follow Cinereelists: Facebook – Twitter – Instagram – TikTok Follow James: Letterboxd – BlueSky Follow Zach: Letterboxd – Twitter Follow Kyle: Letterboxd Support the show on Patreon. Subscribe: iTunes / RSS Have a film suggestion you think we've never seen and want us to discuss on the show? Send your pick to heyguys@cinereelists.com and one of us WILL watch it and discuss it on a future next show… or send...

Terminadas las Navidades y después de dos especiales de “Sucedió una noche Colección”, regresamos al programa habitual que esta semana tiene como protagonista a Agatha Christie, una escritora que ha dado mucho juego en el cine y de la que se cumplen 50 años de su fallecimiento. El estreno en cines de “Nouvelle Vague”, una película de Richard Linklater que gira en torno al rodaje de “Al final de la escapada” de Jean Luc Godard, nos ha animado a nosotros también a recordar la revolucionaria película del cineasta suizo, estrenada en 1960. Charlamos sobre el cine de Eloy de la Iglesia con el director Gaizka Urresti que estrena un documental sobre la vida y la obra del realizador de “Navajeros” o “La estanquera de Vallecas”. Y esta semana en nuestra sección “En pos de la aventura” tenemos una película de aventuras marineras: “El mundo en sus manos” de Raoul Walsh, con Gregory Peck haciendo de capitán de barco en Alaska.

Richard Linklater ha logrado colar dos de sus películas en los Globos de Oro. Tras volver a trabajar con Ethan Hawke en 'Blue Moon', el director de clásicos como 'Boyhood' o 'Antes del amanecer' estrena ahora 'Nouvelle Vague', una fantástica comedia en blanco y negro de aquella revolución artística y el rodaje de 'Al final de la escapada' de Godard. En este episodio lo analizamos y comentamos otros estrenos como 'Song Sung Blue', 'Rentan Family' o el debut de Kristen Stewart con 'La cronología del agua'. En 30 minutos os ponemos al día de todo el cine y las series.

Vimos Nouvelle Vague (2025), la segunda de Richard Linklater en bastante poco tiempo. ¿Nos gustó? ¿La usamos de exucusa para convertir este epsiodio en un Intrusos de Cahiers du cinéma? Vas a tener que escuchar para averiguarlo.Lo que bien podrías hacer es meterte en hoytrasnoche.com y ponerla toda, pero bueh, ya ni sabemos para qué te lo pedimos porque es como hablarle a la pared.

La cartelera se anima con propuestas comerciales y de autor que no han cuajado del todo en la temporada de premios, pero que merecen la pena. Hugh Jackman y Kate Hudson protagonizan 'Song Sung Blue', un drama musical de una banda tributo a Neil Diamond, y Brendan Fraser se va a Japón para ser un actor de familias de alquiler. Además, llega el debut en la dirección de Kristen Stewart con 'La cronología del agua' y, por supuesto, una de las películas más disfrutables para los cinéfilos, el homenaje de Richard Linklater a la Nouvelle Vague. En televisión, ordenamos los estrenos para empezar el año con la vuelta de la serie de moda, el drama médico 'The Pitt'.

De Película ofrece un abanico de propuestas que van del drama musical con Song Sung Blue: Canción para dos al cine de autor más arriesgado, la ópera prima de la actriz estadounidense Kristen Stewart, su título, La cronología del agua.Dos de las películas más destacadas de la cartelera y de Película son, Nouvelle Vague, dirigida por Richard Linklater, con la que viaja en el tiempo para llevarnos a 1959 cuando Jean-Luc Godard rodó ‘Al final de la escapada’. Toda una carta de amor que Linlklater rinde a los orígenes del movimiento francés, que cambió el lenguaje del cine. La otra película es Familia de alquiler, de la directora y guionista Hikari, no es ficción, es realidad, es el retrato de un negocio muy popular en Japón: el de las "familias de alquiler yes el ganador del Óscar Brendan Fraser quien da vida al protagonista y al que podemos escuchar en el programa.Una película que no encontramos todavía en cartelera y nos adelantamos a su estreno es Belén. Dolores Fonzi se pone detrás y delante de la cámara para dar vida a Belén, su segundo largometraje que lleva el nombre de la mujer que fue encarcelada tras sufrir un aborto espontáneo. Su caso, seguido muy de cerca por organizaciones como Amnistía Internacional, se convirtió en símbolo de la lucha de miles de mujeres argentinas por el derecho a decidir, Es Dolores Fonzi quien pasa por nuestros micrófonos para contarnos este caso real.Todo esto además de las series con Pedro Calvo, Ana Vega Toscano nos lleva al mundo de la dama del crimen y la reina del suspense, la gran Agatha Christie, medio siglo se cumple de su muerte el próximo 12 de enero, y las secciones habituales.Escuchar audio

Ethan Hawke stars in the new movie ‘Blue Moon,' about lyricist Lorenz Hart, half of the Broadway duo Rodgers and Hart. It's his ninth collaboration with director Richard Linklater. He's also in the new noir-inspired streaming series ‘The Lowdown.' He tells Terry Gross while playing Hart pushed him to the edge of his ability, he totally related to his character in ‘The Lowdown.' Also, we hear from actor and director Tim Robbins. He reflects on 30 years of making films and why he believes live theater can sometimes speak to us in more profound ways than film can. He spoke with Tonya Mosley.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy