Podcast appearances and mentions of Richard Linklater

In this episode of Words on a Wire, host Will Rose speaks with writer Andrew Bertaina about his book-length essay, Ethan Hawke and Me, which was inspired by Richard Linklater's acclaimed Before trilogy. Blending memoir, literary criticism, and cultural reflection, Bertaina explores how the films shaped his understanding of romance, relationships, marriage, divorce, and the often complicated journey into adulthood.Their conversation ranges from the enduring appeal of Before Sunrise, Before Sunset, and Before Midnight to the role art plays in helping us make sense of our lives. They also discuss writing, memory, creative ambition, and the ways books and films can become companions through different stages of life.Andrew Bertaina is the author of One Person Away From You, The Body Is A Temporary Gathering Place, and The Way We Find Each Other.

"I guess when you're young, you just believe there'll be many people with whom you'll connect with." For Episode 407, Brandon and Thomas continue their trilogy breakdown of Richard Linklater's BEFORE series with BEFORE SUNSET. Listen to learn more about what reunited the trio of Linklater, Julie Delpy, and Ethan Hawke. But also learn about the conflicts that occurred regarding screenwriting credit, some of the original ideas Linklater had for a sequel, what difficulties they had filming in Paris, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Memorial Day Marathon (00:00:10) Recap of the Before Trilogy Genre (00:07:15) Intro to Before Sunset (00:12:11) How Before Sunset Got to Production (00:24:28) Favorite Scenes (00:36:02) On Set Life - (01:09:35) Aftermath: Release and Legacy (01:13:35) What Worked and What Didn't (01:17:48) Film Facts (01:24:47) Awards (01:25:42) Final Questions on the Movie (01:30:01) Wrapping Up the Episode (01:33:56) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

This week, the boys grab some beers and head to post-WWII America to watch nobody give AF about our war heroes in William Wyler's “The Best Years of Our Lives”. The highest-grossing movie since “Gone With The Wind”, this moving account follows several soldiers re-acclimating to civilian life in a world that has moved on without them. Thankless bastards. This movie rules. It's long, but it's awesome. John also talks about “Backrooms”. Grab a beer and join us!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 7:15 “Backrooms” mini-review; 16:39 1946 Year in Review; 36:06 “The Best Years of Our Lives”: Films of 1946; 01:24:42 What You Been Watching?; 1:40:49 Next Week's Episode Teaser Additional Cast/Crew: Robert E Sherwood, MacKinlay Kantor, Hugo Friedhofer, Dana Andrews, Gregg Toland, Sharaff, Fredric March, Myrna Loy, Teresa Wright, Virginia Mayo, Cathy O'Donnell, Hoagy Carmichael, Harold Rossell, Gladys George, Roman Bohnen, Kan Parsons, Chiwetel Ejiofor, Will Soodik, Renate Reinsve, Mark Duplass. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Widow's Bay, The Lord of The Flies, The Boroughss, The Cloverfield Paradox, Spider Noir, Everybody Wants Some, Bernie, Last Flags Flying, The Worst Person In The World, Oslo October 31st, Out of the Past, Is This Thing On, Song Sung Blue, John Adams Mini Series, NY Knicks, Casablanca,  Additional Tags: Bryan Cranston, Kate Hudson, Bradley Cooper, Will Arnett, Jack /black, Joachim Trier, Richard Linklater, The Duffer Brothers, Focus Features, A24, Curry Barker, Robert Duvall, Sports Documentary, Bowling, Bette Davis, SZA, Keke Palmer, Amazon Studios, Warner Discovery, Paramount Skydance, Conan O'Brien, Weapons, Sinners, One Battle After Another, Frankenstein, Annapurna Films, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars 2026, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.       

Ko je francoski novi val, umetniško gibanje iz sredine prejšnjega stoletja, zarezal v dotedanjo filmsko tradicijo, ustvarjalno omejeno z brezhibno izpiljenimi scenariji in okostenelo produkcijo, ki ni dopuščala nobenega odmika, je film definiral popolnoma na novo. Nenadoma se je v njem znašlo vse, kar je še do včeraj veljalo za nesprejemljivo – na primer snemanje kadrov s kamero kar iz roke – in kar se nam danes zdi popolnoma samoumevno, to pa seveda le še dodatno potrjuje revolucionarno daljnovidnost zagnanih ustvarjalcev. Prav posebej pa novi val, ki je filmski svet pretresel kot pravi cunami, zaznamuje še nekaj: izredna povezanost in sodelovanje takrat še zelo mladih filmskih ustvarjalcev, ki so v iskanju novega filmskega izraza zmogli stopiti skupaj in ustvariti resnično navdihujoče ustvarjalno okolje. In prav to neverjetno in enkratno filmsko vzdušje konca petdesetih let v Parizu je poskušal oživiti ameriški režiser Richard Linklater v filmu Novi val ter se tako pokloniti svojim stanovskim predhodnikom, predvsem Jeanu-Lucu Godardu, čigar film Do zadnjega diha si je vzel za izhodišče. Linklater – širšo prepoznavnost mu je zagotovil romantični film Pred sončnim vzhodom iz leta 1995 – je resnični mojster ustvarjanja atmosfere, ki gledalca tako posrka v dogajanje, da vsaj tu in tam kar pozabi na svojo pozicijo opazovalca, in prav to je najbrž tudi največja odlika njegovega najnovejšega celovečernega filma. Kot sam pravi, se namreč zgodbe o nastajanju enega najbolj prelomnih filmov v zgodovini ni nameraval lotiti biografsko ali preveč dokumentaristično, ampak se je s svojo kamero želel »potopiti v leto 1959 ter oživiti čas, ljudi, vzdušje«, pri tem pa je seveda ostal močno zavezan resničnim dogodkom in poročilom o njih. Posebej srečno roko je imel pri izbiri igralcev, sploh pri zasedbi Guillauma Marbecka, saj je bila upodobitev Jeana-Luca Godarda zanj prva glavna filmska vloga, nalogo pa je, kot pravi sam, ob pomoči sončnih očal, kakršne je nosil Godard sam, opravil zares izvrstno. V nasprotju s filmom, s katerim je Godard spremenil filmsko zgodovino in ga na producentovo precejšnjo grozo posnel popolnoma brez vnaprejšnjega scenarija, po trenutnem navdihu in s sproti improviziranimi dialogi, je Linklater s svojo ustvarjalno ekipo kar nekaj časa namenil pripravam, med snemanjem pa vendarle ohranil tisti pristni novovalovski občutek spontanosti in igrivosti ter ga uspešno prenesel na veliko platno. Novi val, ki ga je bilo moč videti že na lanskem Ljubljanskem filmskem festivalu, pred dnevi pa so z njim v Kinodvoru odprli letošnje Kinodvorišče, se v filmsko zgodovino gotovo ne bo vpisal tako močno, kot se je Godardov prvenec, vseeno pa gre za enega boljših filmskih poklonov, ki s svojim živahnim magnetizmom ni privlačen le za ozek krog filmofilov, ampak tudi za širše, dobrega filma željno občinstvo. Piše: Gaja Pöschl Bere: Maja Moll

"But isn't everything we do in life a way to be loved a little more?" For Episode 406, we're back with Trilogy Month! For this year's Trilogy Month, we're tackling a much smaller trilogy than usual with Richard Linklater's BEFORE series. First up, listen to Thomas and Brandon discuss how Linklater's disappointment with DAZED AND CONFUSED inspired the movie, how a real-life encounter for Linklater was the basis of the film, how Linklater and team found Julie Delpy and Ethan Hawke in the casting process, why they made the movie in Vienna, how Gen X audiences weren't big fans but Boomer critics were, how the movie has become massively popular over the years, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Being Evil Nerds and Peter Weirdos (00:00:10) Recap of the Trilogy Genre (00:07:47) Intro to Before Sunrise (00:16:56) How Before Sunrise Got to Production (00:24:43) Favorite Scenes (00:45:32) On Set Life - (01:23:22) Aftermath: Release and Legacy (01:32:44) What Worked and What Didn't (01:45:24) Film Facts (01:50:29) Awards (01:52:14) Final Questions on the Movie (01:57:24) Wrapping Up the Episode (02:02:09) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Richard Linklater's Dazed & Confused (70s Soundtrack) This week Mr. Chavez & I return to Richard Linklater's 1993 "Hang-Out" Masterpiece, Dazed & Confused, focusing on the importance and use of its soundtrack. Featuring Aerosmith, KISS, Alice Cooper, Ted Nugent, WAR, ZZ Top, Edgar Winter Group, and Deep Purple, among others, Linklater's "Cinematic Soundtrack" would establish nostalgia, youth, freedom, aimless wandering, and a musical foundation inspired by previous films and inspiring others to come. Take a listen as we retrun to a great film and unwrap the music that would ground it in its time and establish a mood rarely equaled. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Neste programa falamos sobre o cineasta estadunidense Richard Linklater, responsável por obras como Antes do Amanhecer (1995), Escola de Rock (2013), Boyhood (2016) dentre outros.Portanto pegue seu fone de ouvido, prepare o café e nos acompanhe nesta jornada, pois a partir de agora você está em um plano-sequência!Ficha Técnica: Neste programa, Fernando Machado, Leandro Luz e Pedro Tobias recebem o editor, roteirista e diretor Gabriel Ritter para falarem sobre o cinema de Richard Linklater | Duração: 02h33min. | Pauta: Fernando Machado | Arte da Capa: Fernando Machado | Edição: Pedro Tobias | Mixagem de Som e Trilha Sonora: Fernando Machado.Caso você queira ouvir os comentários apenas sobre um dos filmes, confira a minutagem em que cada um entra:00:23:41 – Jovens, Loucos e Rebeldes (1993)00:41:35 – Trilogia do Antes (Amanhecer 1995, Por-do-Sol 2004 e Meia-Noite 2013)01:12:48 – Waking Life (2001)01:28:00 – Escola de Rock (2003)01:50:26 – Boyhood: Da Infância à Juventude (2014)02:11:37 – Top 3, Considerações Finais, etcDúvidas, sugestões, críticas ou feedbacks podem ser enviados para o e-mail contato@plano-sequencia.com ou através de nossas redes sociais. Estamos no Twitter @planoseqcast, no Instagram @planoseqcast e no Facebook/planosequenciapodcast. Não deixe de avaliar o podcast no iTunes para que possamos ter mais visibilidade dentro da plataforma.

Robert Kaplow is the author of numerous novels. In 2008, director Richard Linklater filmed an adaptation of Robert's novel ME AND ORSON WELLES. In the past, Robert has taught English and Creative Writing, and for over a decade, he and his band (“Moe Moskowitz and the Punsters”) wrote, produced, and performed satirical sketches for NPR's Morning Edition. BLUE MOON is his first original screenplay. BLUE MOON tells the story of Lorenz Hart's struggles with alcoholism and mental health as he tries to save face during the opening of "Oklahoma!". The film stars Ethan Hawke, Margaret Qualley, and Andrew Scott. In this interview, we talk about the film adaptation of his novel ME AND ORSON WELLES, the development of the screenplay for BLUE MOON with Richard Linklater and Ethan Hawke, the creative process of writing a plausible voice for Lorenz Hart, plus advice for writers on patience, persistence, and keeping the faith when facing rejection. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend, as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Adaptation is a tricky thing no matter the source in cinema. Novels, life stories, historical events, original ideas, short stories. Adapting live theater plays is an especially tricky business. Something written to be performed live, often in 1 location/set, with concentrated poetic dialogue, plays different as a movie. Secret Movie Club founder.programmer Craig Hammill takes a look at everything from Sidney Lumet's adaptations of 12 Angry Men and Long Day's Journey into Night to all the various Shakespeare adaptations to experimental one location minimalist adaptations like Richard Linklater's 2001 Tape. His conclusion? It might help moviemakers to direct some plays to be better prepared to adapt them to the big screen.

As the road to 100 episodes continues, we're back once again with Will's pick for the week: Richard Linklater's Boyhood. Listen up as the podcast duo examines the hype and subsequent backlash of this audacious experiment, its connection to other notable films in the Linklater filmography, and much more!

Lucy and Sean RETVRN to the airwaves and to the year 1994 of 1977/2006 by way of the interminable, kaleidoscopic present to talk about Richard Linklater's (literally) dizzying digitally rotoscoped adaptation of Philip K Dick's A Scanner Darkly.

Chicago-based director Jared Isaac recently directed his debut feature film AN AUTUMN SUMMER, which releases next month. A great conversation about the joys of shooting an indie film in the hidden cinematic gem of Northern Michigan. We spoke about the personal nature of this film and how it's based on some of his closest friends...and the fascinating story of how he was able to, against-all-odds, cast Tony Horton as the father. Horton is the founder of the ground breaking, immensely popular, workout program P90X. We also spoke of a couple of his favorite movie scenes from Ridley Scott's GLADIATOR as well as Matthew Mcconaughey's  as Wooderson in Richard Linklater's DAZED & CONFUSED. Follow AN AUTUMN SUMMER on Instagram @anautumnsummerfilm Hosted by Zef Cota

In this episode, we kick off May with the groundbreaking indie film from director Richard Linklater, "Slacker", starring a wide cast of characters from Austin, Texas! Listen now!

Party Films Month rolls on with Richard Linklater's endlessly cool coming-of-age classic Dazed and Confused.Set over the course of one unforgettable night in 1976, the film captures the freedom, awkwardness, rebellion, and pure hangout energy of being young and having nowhere important to be. We dive into Linklater's laid-back storytelling style, the stacked cast before they became stars, and why this film continues to feel timeless decades later.From cruising around town to chasing parties and dodging paddles, Dazed and Confused perfectly captures that fleeting moment between adolescence and adulthood.Funny, nostalgic, and impossibly chill — this is the ultimate “last day of school” movie.#WatchTowerFilmPodcast #PartyFilmsMonth #DazedAndConfused #RichardLinklater #ComingOfAge #MatthewMcConaughey #FilmPodcast #CultClassic #CinephileTalk #AlrightAlrightAlright

Richard Linklater's Dazed & Confused  On this week's episode we explore 1976 through the eyes of 1993, with Richard Linklater's slacker/high-school masterpiece, Dazed & Confused. Linklater's love letter to high school coming-of-age films is one of the stand-out productions of early 90s independent cinema; a film that blends aimless storytelling with a pounding and nostalgic 70s soundtrack, to reminisce on the good, bad, boring, and character forming experiences of growing up. Juniors becoming Seniors, Middle-Schoolers transitioning to High School, Dazed & Confused is much more than a re-creation of Texas in 1976. Linklater's film is a funny, touching, and - surprisingly - heart-warming story of finding ones' way, selling out, peaking in high school, and imagining the future and ones' place in it. It's about the friendships we make and how so much of that plays a part in building our individual characters. Dazed & Confused is a cult classic which began the careers of Jason London, Adam Goldberg, Joey Lauren Adams, Cole Hauser, Nicky Katt, Parker Posey, and Matthew McConaughey. It's a thrill for Mr. Chavez & I to return to this classic and examine how so much of it mirrors our own lives. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards. 

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En este nuevo NO LIMITS, abrimos la puerta a uno de esos temas que el cine ha convertido en ritual, tragedia, comedia romántica, campo de minas y deporte de riesgo emocional: las citas. Primeros encuentros, expectativas imposibles, silencios que duran una vida, frases que no deberían haberse dicho nunca y esa maravillosa sensación de no saber si estás viviendo una escena de Richard Linklater o el prólogo de una catástrofe. Un episodio para suscriptores, sin freno, sin mapa y con la elegancia justa para fingir que sabemos comportarnos. Nakatomi Radio — No Limits.Escucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

We sit down with award-winning filmmaker Tatti Ribeiro to discuss her feature debut, Valentina. Fresh off winning a Special Jury Award at the Florida Film Festival, Tatti dives deep into the unique hybrid construction of her film, a poignant comedy that blurs the lines between narrative fiction and documentary reality.Tatti explains the process of casting Keyla Monterroso Mejia (The Studio, Curb Your Enthusiasm) as the only professional actor in a world populated by real El Paso citizens, local officials, and even Keyla's own family. Tatti discusses her desire to showcase the humor, hustle, and heart of the city she spent years reporting on as a journalist.About the Movie:Valentina follows a young woman navigating a series of bureaucratic mishaps at the El Paso-Juárez border. While the people, locations, and conversations are real, Valentina is not. Executive produced by Jessica Alba, this narrative feature debut is a rare, complex look at the systems that keep poor Americans poor, delivered with the vibe of a Richard Linklater slacker comedy.Guest: Tatti Ribeiro (Filmmaker & Founder of franknews.us)Follow the Film: @valentinamovie on Instagram for distribution updates.

In 1936, cannabis was portrayed as a menace to society. By 1993, it was simply part of the furniture.Episode Two of Helping or Hurting? revisits Dazed and Confused, Richard Linklater's cult classic set on the last day of school in 1976. Far removed from the hysteria of Reefer Madness, this film presents cannabis not as a threat, but as a quiet and unremarkable presence in the lives of American teenagers. But was this shift a step forward?Hosted by Paul O'Donoghue of Give & Toke, alongside Joel and Bash of Exotican, this episode explores whether Dazed and Confused helped normalise cannabis through relatability, or reinforced stereotypes that continue to shape public perception today.Part cultural time capsule, part social commentary, this conversation examines the intersection of cinema, stigma, and progress.This four-part series from Give & Toke and Exotican examines how cannabis has been portrayed on screen, and whether those portrayals have helped or hindered reform.Give & Toke: https://giveandtoke.comExotican: https://exotican.com.au

Sinema kulübümüzün 30'uncu buluşmasında yönetmenliğini Richard Linklater'ın yaptığı, başrollerinde Ethan Hawke ve Julie Delpy'nin oynadığı 1995 yılı yapımı Before Sunrise (Gün Doğmadan) adlı filmini konuştuk.Film, Budapeşte'den Paris'e giden bir trende karşılaşan Amerikalı Jesse ile Fransız Céline'in tesadüfi bir kararla Viyana'da inip bir geceyi birlikte geçirmesini anlatıyor. Bir daha karşılaşıp karşılaşmayacaklarını bilmeden, bütün bir gece boyunca şehirde dolaşıyor; aşk, ölüm, inanç, aile, zaman üzerine konuşuyorlar. Senaryo, Linklater'ın 1989'da Philadelphia'da bir oyuncakçıda tanıştığı ve onunla bir geceyi şehirde yürüyerek geçirdiği bir kadından ilham almış; ama asıl yürek burkan detay ise yönetmenin yıllar sonra o kadının daha film gösterime girmeden bir trafik kazasında hayatını kaybettiğini öğrenmesi. Before Sunrise, ardından gelen Before Sunset (2004) ve Before Midnight (2013) ile birlikte, sinemanın en sevilen üçlemelerinden birinin de ilk halkası.Film, kulübümüzde geneli itibarıyla beğeniyle karşılandı. En çok dikkat çeken yönü, diyalogların doğallığı ve iki yabancının birbirine bu kadar açılabilmesinin yarattığı saf, masalsı duyguydu. Bazılarımız için film, hayatta yaşanmış benzer karşılaşmaları, bir yolculukta kurulan beklenmedik dostlukları hatırlattı. Trenin ve yabancı bir şehrin yarattığı o "kendi rutinden çıkma" hissinin, böyle bir yakınlığın oluşmasında nasıl bir alan açtığını uzun uzun konuştuk; yeni bir yere gitmenin, tanıdık olmayan bir ortamda kendini daha rahat ifade etmenin getirdiği özgürlüğü.Filmde bize en çok etki eden detaylardan biri de 1995 yapımı olmasının getirdiği "internet öncesi" yavaşlığın bugünden bakınca ne kadar değerli göründüğü oldu; herkesin telefonuna gömüldüğü bir çağda, iki insanın birbirinin gözlerinin içine bakarak saatlerce konuşabilmesinin bizzat bir özlem konusu haline geldiğini paylaştık.Filmin diğer bir düşündürücü yanı ise, hayatımızdaki "kırılma anlarının" ne kadar küçük kararların ürünü olabildiğiydi. Trenden inmek ya da inmemek gibi bir an, koca bir hayatın seyrini değiştirebiliyor. Rutinin dışına çıkmak, her zamankinden farklı bir yol seçmek ve daha başka küçük yenilikleri, çeşitlemeleri kendimize hatırlatmak gerektiğine inancımı pekiştirdi.Bu bölümde görüşlerine yer verebildiğim arkadaşlarım sırasıyla (02:52) Mürsel Çavuş, (04:38) Mete Yurtsever, (05:38) Suat Soy, (07:27) Ebru Vural, (11:19) Uğur İyidoğan ve (13:57) Burcu Yılmaz.Support the show

Isn't it great being a young adult in the 90's? From the king of “coming of age” Richard Linklater, we're covering the film adaptation of the Eric Bogosian play SUBURBIA about a bunch of white suburban teenagers figuring out their futures while hanging outside a corner-store gas station. Starring Giovanni Ribisi, Amie Carey, Steve Zahn, Parker Posey, Nicky Katt, and Jayce Bartok. A darkly comic drama depicting a slice of American culture through the perspective of a bunch of dysfunctional teens dealing with the baggage that has crept into their lives and their constant observations about the world around them. There's tragedy. There are $2.79 6-pack PBR's. And oh, but plenty of tragedy, let's not forget. In short, try to be more like Steve Zahn!

Hannah Cruz currently stars opposite Aaron Tveit, Lea Michele, and Nicholas Christopher in Chess on Broadway, directed by Michael Mayer. Her other credits include her Broadway debut in Suffs, standout roles in Only Gold and The Connector, the Peacock TV series The Copenhagen Test, and Richard Linklater's upcoming film, Merrily We Roll Along. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forgive us our slight post-Oscar delay, dear listeners, but here we are for our eighth annual year-end review show, which we call 2025: Juke Joints and a Few Small Beers in honor of two of the year's (and perhaps the decade's or even the century's) most unforgettable films. This episode represents an exciting step for us as, for the first time, we welcome a guest: the redoubtable Kerry Cowan, brilliant teacher, lifelong film fan, and an old old friend of mine. Looking back at the year in film that was 2025, we noted that this was the first year since we started back in 2018 that we all really had trouble narrowing the field to a top ten. In the past, we've often had to stretch for the last couple, ending up with Top 7 or Top 8 lists. This year, as you shall see below and hear within, our problem was what to leave off. In a year of triumphs from sources both expected and unexpected, perhaps the best thing about the year was the return to form of some of our favorite directors: Coogler with "Sinners", PTA with "One Battle", our beloved Chloe with "Hamnet", Aronofsky with the underseen "Caught Stealing", Del Toro with "Frankenstein", Aster with "Eddington", Bigelow with "House of Dynamite" and the astonishing Richard Linklater with not one but two wonderful films. As always, we considered the eternal question of which of these films will be watched by anyone in 25 years, let alone show up the Sight and Sound poll in 2032. No doubt whatsoever about "Sinners" and "One Battle". I would throw "Eddington" on that list, as uneven as it is, since it points to a vivid moment in the American pageant, reminding us exactly when it was that we lost our minds. "Hamnet" will surely be there, and we suspect that the luminous "Train Dreams" might have some legs down the road. With Michael in the lead, we all loved "Sentimental Value" (besides the facial morph montage). None of us cared much for "Bugonia", though I actually came within 10 minutes of liking a Lanthimos film before that ending. We also ended up underwhelmed by "Marty Supreme", which personally killed me with its 50's setting clashing with 80's synth-pop throughout. Yes, we would have gotten the idea that the go-go Wall Street/American Psycho 80's had its roots in figures from the 50's like Marty without being hit over the head with it musically. Trust your audience, filmmakers! As for the Oscars themselves, it was another great party this year, only slightly spoiled by the fact that Michael won the pool by a landslide again this year. It's now 98 years and running with no black person winning for Best Director, but it's hard to complain about Paul Thomas Anderson finally winning after 14 nominations in almost 30 years of work. And the Cinematography award going to Autumn Durald Arkapaw, the first woman and black person to win that one, indicates that we may in fact be making progress. And they got it right with Michael B (finally), the lit-from-within Jessie Buckley (best acceptance speech), and "Sentimental Value"'s win for Foreign Language Film. As for the show itself, Conan was fine, though the bits were hit and miss as usual. We loved the "Bridesmaids" reunion, the "Moulin Rouge!" one not so much, and loved the painfully accurate "Casablanca" bit with Sterling K. Brown where plot elements have to be restated every couple of minutes or so to accommodate declining attention spans. And they finally got the necrology right, though we wish we had more time to see who came onstage for Rob Reiner; Rachel McAdams' tribute to Diane Keaton was lovely, but it did turn out that Babs' singing voice was not exactly like butter. So kick back, relax, and enjoy Kerry's star turn as our D'Artagnan, our Fourth Musketeer, as Team Vintage Sand reflects and reports on what was perhaps the best year in film since we started this lunacy some eight years ago, in the Before Time.

Screenwriters Hannah Bos (HBO's Somebody Somewhere), Kim Krizan (Before Sunrise, Before Sunset) and Selina Lim (Sex Education, Hanna) on building writing partnerships, developing characters from the inside out, and finding your way into a writers' room.   You'll learn Why a writing partnership only works when you can separate your ego from your ideas. How seven years of making weird theatre in Brooklyn quietly set the stage for an HBO show. What it takes to write a quiet, character-driven show in a TV landscape built for plot. How a master's thesis on a diarist turned into one of the most beloved screenplays of the nineties. How Before Sunrise was built from index cards on a living room floor. Why thinking about the product kills the work, and what to focus on instead. The case for starting with character before plot, and letting the story follow. What breaking into TV actually looks like. How to set the tone in a writers' room so the ridiculous ideas can surface. A practical approach to dialogue. Episode Links #070: Hannah Bos — Writing TV From The Heart, HBO's Somebody Somewhere, Artistic Partnerships, Writing Friendships For The Screen #99: Kim Krizan — Writing 'Before Sunrise' series, Crafting Memorable Characters For Ethan Hawke & Julie Delpy & Other Screenwriting Tips #013: Selina Lim — Writing Authentic Dialogue for TV, Writing about Sex, Love & Drama, and A Peek Into a Writers' Room About the Guests Hannah Bos is a Brooklyn based writer who, along with her writing partner Paul Thureen, is the creator and showrunner of HBO's Somebody Somewhere. The first season received an AFI Award and Peabody nomination, and Hannah and Paul were nominated for a 2022 Humanitas Prize for Comedy Teleplay for the pilot episode. Together they have also written for HBO's High Maintenance and Amazon's Mozart in the Jungle, and received an Independent Spirit Award nomination for Best First Screenplay for their feature Driveways (dir. Andrew Ahn), which premiered at the Berlin Film Festival. Along with Oliver Butler, Hannah and Paul were founders and co-Artistic Directors of The Debate Society, a multiple-Obie award-winning, Brooklyn-based theatre company. As an actor, Hannah has received a Drama Desk Award and Lortel Nomination. Contact: www.hannahbos.com Kim Krizan is the Academy Award-nominated writer of the films Before Sunrise and Before Sunset. Her book Original Sins: Trade Secrets of the Femme Fatale is a tongue-in-cheek examination of history's dangerous women. She is also the author of Spy in the House of Anaïs Nin, an analysis of the life of the 20th-century rule-bending diarist. Krizan's work has been hailed as insightful, penetrating, and profound. She lives and writes in Los Angeles, California. You can find her on Instagram and Patreon. Contact: www.instagram.com/kimkrizan Selina Lim is a BAFTA and BIFA-nominated screenwriter, with credits on Sex Education (Eleven/Netflix) and Hanna (Amazon/NBC). Her short films include Painkiller (BBC/B3 Media) starring Benedict Wong, Keeping Up with the Joneses (BFI/Lighthouse) with Maxine Peake and Adeel Akhtar, and BBC Studios/Green Door's Five By Five starring Ruth Madeley. Selina has also written for Hollyoaks (Lime Pictures/Channel 4) and was in the writers' room for The Night Manager Series 2 (The Ink Factory/AMC). Contact: www.curtisbrown.co.uk/client/selina-lim For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

T Lo take a deep dive into director Richard Linklater's slavish love letter to the French New Wave, "Nouvelle Vague," about the making of Jean-Luc Godard's "Breathless" in 1959. After unpacking the homages and references, as well as the importance of Godard's boundary-shattering work, they settle on a single question: Is it even possible to pay homage to an act of reckless artistry by meticulously recreating it? 

Adam Rifkin's 1999 rock 'n roll road trip adventure comedy, DETROIT ROCK CITY, is our feature presentation this week! We discuss Gene Simmons' overbearing control of the film, Richard Linklater being sought to direct, KISS culture, if the movie could've worked as a PG-13 film, Stretch Armstrong, and much more! We also pick our Top 7 New Line Cinema Movies in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

EPISODE #480-- We follow up our celebration of African-American film with what might be one of the whitest movies of all time, Richard Linklater's epochal anthology film SLACKER from 1989, 1990, or 1991, depending on who you ask. We also briefly chat about the two Oscar-nominated films, Chloe Zhao's HAMNET (2025) and Kleber Mendonça Filho's THE SECRET AGENT (2025), as well as the Pixar film HOPPERS (2026, dir. Daniel Chong), and the two Munich-based thrillers 21 HOURS AT MUNICH (1976, dir. William Graham) and Spielberg's MUNICH (2005). LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Puntata a cura di UntimoteoHouston, 1969. Il piccolo Stan gioca tranquillo nel cortile della scuola quando viene avvicinato da due loschi figuri, che in realtà si rivelano essere agenti della NASA. I due lo mettono a parte di una imbarazzante verità. A causa di un errore di calcolo la navicella che deve far atterrare i primi cosmonauti sulla luna è troppo piccola. Per pilotarla serve un bambino.Tutto in Apollo 10 e mezzo (Netflix) sembra pronto per una storiella avventurosa e fanciullesca… quando i ricordi e le fantasie di Stan si mescolano. E la voce del protagonista adulto apre un varco nello scintillante mondo dell'America di fine anni ‘60.Ancora una volta il regista Richard Linklater spiazza il suo pubblico. “Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana.Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

Wellinski, Patrick www.deutschlandfunk.de, Kultur heute

fWotD Episode 3244: Ethan Hawke Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 23 March 2026, is Ethan Hawke.Ethan Green Hawke (born November 6, 1970) is an American actor, author, and filmmaker whose career on both stage and screen has spanned four decades. Known for his versatility across a wide range of roles and acclaimed collaborations with director Richard Linklater, he is prolific in both independent films and blockbusters. His accolades include a Daytime Emmy Award, in addition to nominations for five Academy Awards, three Golden Globe Awards, two British Academy Film Awards, and a Tony Award.Hawke made his film debut at age fourteen in Explorers (1985) and gained recognition for starring in Dead Poets Society (1989). He established himself as a leading man with the films Reality Bites (1994), Gattaca (1997), and Great Expectations (1998). He received nominations for the Academy Award for Best Supporting Actor for his roles in the crime thriller Training Day (2001) and Linklater's coming-of-age drama Boyhood (2014); the latter garnered him BAFTA and Golden Globe nominations in the same category. Hawke was Oscar-nominated twice for screenwriting two films from Linklater's Before trilogy (1995–2013), in which he also starred. He earned Best Actor nominations at the Oscars, BAFTAs, and Golden Globes for portraying lyricist Lorenz Hart in the biopic Blue Moon (2025).Hawke garnered commercial success with Sinister (2012), The Purge (2013), The Magnificent Seven (2016), and the Black Phone films (2021–2025), and was praised for Maudie (2016) and First Reformed (2017). He directed the films Chelsea Walls (2001), The Hottest State (2006), Blaze (2018), and Wildcat (2023), as well as the documentaries Seymour: An Introduction (2014), The Last Movie Stars (2022), and Highway 99: A Double Album (2025). He portrayed abolitionist John Brown in the miniseries The Good Lord Bird (2020), for which he received a Golden Globe nomination, and appeared as Arthur Harrow in the Marvel miniseries Moon Knight (2022).Hawke has appeared in many theater productions. He made his Broadway debut in 1992 in Anton Chekhov's The Seagull and was nominated for a Tony Award for Best Featured Actor in a Play in 2007 for his performance in Tom Stoppard's The Coast of Utopia. In 2010, he was nominated for the Drama Desk Award for Outstanding Director of a Play for directing Sam Shepard's A Lie of the Mind. Divorced from actress Uma Thurman, he has been married to Ryan Shawhughes since 2008; he has two children from each marriage, including actors Maya and Levon Hawke.This recording reflects the Wikipedia text as of 01:05 UTC on Monday, 23 March 2026.For the full current version of the article, see Ethan Hawke on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Amy.

In "The Testament Of Ann Lee" folgt die Regisseurin Mona Fastvold den Spuren der Shaker-Bewegung aus dem Ende des 18. Jahrhunderts. Zwischen ekstatischem Tanz und Zölibat erzählt der Film von der Gründerin dieser Freikirche, gespielt von einer entgrenzten Amanda Seyfried. Auch in "Nouvelle Vague" von Richard Linklater geht es um eine sektenhafte Gruppe Gleichgesinnter mit höheren Zielen. Ende der 1960er Jahre wollten einige französische Filmverrückte das Kino neu erfinden. Linklater zeigt die Dreharbeiten zum Klassiker "Außer Atem" von Jean-Luc Godard als Initialzündung einer Neuen Welle. Zwei Filme in einer Episode, die Pia Reiser und Christian Fuchs auf unterschiedliche Weise euphorisierten. Als Bonus am Anfang: Kurzbesprechungen von Bradley Coopers Ehedrama "Is This Thing On?" und Kristen Stewarts Regiedebüt "The Chronology of Water". Sendungshinweis: FM4 Film Podcast, 23.03.2026, 0 Uhr

In this episode of “Half Hour”, we examine Blue Moon, the Richard Linklater film profiling lyricist Lorenz Hart on the night Oklahoma! opens without him. Ethan Hawke leads as the troubled Hart, alongside Margaret Qualley, Bobby Cannavale, and Andrew Scott as Rodgers, capturing a pivotal moment in musical theater history. Our discussion covers the screenplay's blend of fact and reflection, Rodgers and Hart's fraught collaboration, the cast's working dynamics, the direction that evokes the authenticity of 1940s Sardi's, and the film's design elements. We wrap with the Half-Minute, highlighting personal favorite beats. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

[REBROADCAST FROM Oct. 23, 2025] In the new Richard Linklater film "Blue Moon," Ethan Hawke stars as songwriter Lorenz Hart, who is struggling on the opening night of "Oklahoma!" written by his former partner Richard Rogers. Hawke discusses his role, which earned him a 'Best Actor' nomination at this year's Academy Awards. Image courtesy of Sony Pictures

Dean and Phil discuss the fallout from Paramount supposedly closing the deal to acquire Warner Bros. and its assets. They celebrate the feat that Richard Linklater became the first-ever American filmmaker to achieve this week. They review three new genre films: a horror sequel (28 Days Later: The Bone Temple), an homage/deconstruction of 1960s Eurospy […]

Richard Linklater's latest movie, Blue Moon hits Netflix. Connor then talks about some TV- Fallout Season 2 & the new Game of Thrones spinoff show, A Knight of the Seven Kingdoms.Joey's video game, "Detective Instinct, Farewell, My Beloved", is out on Steam and Nintendo Switch! Check it out!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://store.steampowered.com/app/2689930/Detective_Instinct_Farewell_My_Beloved/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen LIVE every Wednesday at 8:30am on 91.3 WVUD, or online at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.wvud.org/

Forrest. Conan Neutron, Kristina Oakes and Scott Interrante talk about Richard Linklater's Blue MoonPaired with Nouvelle Vague, Linklater's biopic about Jean Luc Godard and the making of Breathless in 1960. This is another non-standard biopic, this time about Lorenz Hart, the former partner of Richard Rogers, on the opening night of Oklahoma. Starring Ethan Hawke, in a totally transformed role, that's gotten him Oscar buzz and critical praise as Lorenz Hart Also starring Margaret Qualley, Bobby Cannavale, Andrew Scott, and Simon Delaney. Scott Interrante can be found both on the podcasts "This is the Greatest Song I've Ever Heard In My Entire Life" https://www.iheart.com/podcast/269-this-is-the-greatest-song-92782914As well as Big White Elephants https://bigwhiteelephants.podbean.com/It's our Oscars Month, we got a bunch of 2025's biggest movies (that we haven't covered already) up on deck, culminating with our Oscars LIVE Coverage in March #richardlinklater #bluemoon #nouvellevague #linklater #academyawards #academyawards2025 #academyawards2026 #andrewscott #bestactor #bestoriginalscreenplay #filmpodcast #podcast #margaretqualley #godard #breathless #podcast #margaretqualley #godard #breathless We are also streaming on @thisspacetv throw them a follow!!Join our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

The Blue Moon star joins to talk about the big risk he and his old friend Richard Linklater took to make their film about Lorenz Hart, and why he always leaves the Sundance Film Festival eager to make his next movie. ⁠⁠⁠⁠Subscribe today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to Prestige Junkie After Party bonus episodes for just $5 a month. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 159 Sam is joined by filmmaker Richard Linklater, director of Before Sunrise, Before Sunset, School of Rock, and Blue Moon. His new movie, Nouvelle Vague, follows the shooting of Godard's Breathless [À Bout De Souffle].  Richard has chosen Breathless [À Bout De Souffle] (90 mins). Directed by Jean-Luc Godard and released in 1960, the classic French New Wave drama stars Jean-Paul Belmondo and Jean Seberg.  Sam and Richard discuss shooting his new film Nouvelle Vague on the same locations as Breathless, why the runtime of Breathless was revolutionary, and how Richard rarely makes films over two hours long.  Thank you for downloading. We'll be back in a couple of weeks! If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  Rate and review on Apple Podcasts and Spotify.  Show your support for the podcast and help us stay truly independent by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Richard Linklater. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey.  We are a proud member of the Stripped Media Network.

Sexy robot man Metallo gets a spunky girlfriend on the latest episode of Superman TAS! Join us as we discuss...The Bruce Springsteen movie, the Linklater/Hawke movie Blue Moon and the movie that ushered in the downfall of modern America, You've Got Mail!The future of the podcast once Superman ends!How does Metallo keep finding new Kryptonite to shove into his chest-plate?Lois wasn't given a magic Superman watch at some point?The X-Men TAS Podcast just opened a SECRET reddit group, join by clicking here! We are also on Twitch sometimes… click here to go to our page and follow and subscribe so you can join in on all the mysterious fun to be had! Also, make sure to subscribe to our podcast via Buzzsprout or iTunes and tell all your friends about it! Follow Willie Simpson on Bluesky and please join our Facebook Group! Last but not least, if you want to support the show, you can Buy Us a Coffee as well!

For this episode, which we'll call 278.5, co-host Myles Hughes is dealing with a family matter, so we had producer Steve Prusakowski grab some of my interviews this season with Oscar nominees. So, you'll hear my conversations with Ethan Hawke (along with Richard Linklater) for Blue Moon, Will Tracy for Bugonia, Michael Bauman and Andy Jurgensen for One Battle After Another, Geeta Gandbhir for The Perfect Neighbor, Inga Ibsdotter Lilleaas, Stellan Skarsgård, Joachim Trier, and Eskil Vogt for Sentimental Value, Delroy Lindo for Sinners, as well as Clint Bentley and Adolpho Veloso for Train Dreams. We'll be back with a new episode next week, but for this week, we appreciate you partaking in this placeholder...As always my friends and faithful listeners/readers, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our 278th and a half one to date (here's to many more). Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening! 

Ethan Hawke-ologist and Screen Drafts All-Star Marya E. Gates (Cinema Her Way) is joined by film critic and Screen Drafts rookie Robert Daniels to rank all 9 feature film collaborations between actor ETHAN HAWKE and director RICHARD LINKLATER! Visit www.patreon.com/screendrafts to join the Booster Club, and get ad-free Main Feed Drafts plus four bonus episodes every month!

Paul and Amy hop the train to Vienna to revisit Before Sunrise, Richard Linklater's ode to chance encounters and conversations that stretch until dawn. They unpack the film's naturalistic dialogue, roaming long takes, and the electric chemistry between Ethan Hawke and Julie Delpy, to explore how Jesse and Céline's fleeting connection feels both impossibly romantic and deeply real. Go to https://surfshark.com/unspooled or use code UNSPOOLED at checkout to get 4 extra months of Surfshark VPN! You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This bonus episode for our season on the awesome movie year of 2014 features Richard Linklater's Boyhood. Written and directed by Richard Linklater and starring Ellar Coltrane, Patricia Arquette, Ethan Hawke and Lorelei Linklater, Boyhood was filmed over the course of 12 years.The contemporary reviews quoted in this episode come from Manohla Dargis in The New York Times (https://www.nytimes.com/2014/07/11/movies/movie-review-linklaters-boyhood-is-a-model-of-cinematic-realism.html), Mick LaSalle in the San Francisco Chronicle (https://www.sfgate.com/movies/article/Boyhood-review-boundaries-of-cinema-pushed-5628295.php), and Marjorie Baumgarten in The Austin Chronicle (https://www.austinchronicle.com/events/film/2014-07-18/boyhood/).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen:

Mark and Joey Lewandowski discuss the 2016 sports comedy Everybody Wants Some!!. Directed by Richard Linklater and starring Glen Powell, Tyler Hoechlin, Wyatt Russell and a broken ping-pong paddle, the movie focuses on the goings-on of a college baseball team. In this episode, they also talk about hangout movies, refrigerator cats, and the excellence of Zoey Deutch. 

"Every now and then you bump up against a part that presses you to the wall of your ability," Hawke says of playing lyricist Lorenz Hart in ‘Blue Moon.' He's nominated for an Oscar for his performance. Hawke spoke with Terry Gross about collaborating with Richard Linklater, losing his friend River Phoenix, and his thoughts on aging. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week's episode of the Empire Podcast sees Chris Hewitt sit down with Bradley Cooper and Will Arnett, director, co-writers, and stars of the new dramedy, Is This Thing On?, which takes inspiration from the real-life story of British comedian, John Bishop. It's an in-depth chat that we bring to you in full (although we did cut out a bit where someone poured a glass of water. Sorry to all you water completists out there), and it's well worth your time. It starts at 55:50 approx and runs until 1:20:14 approx. Either side of that, Chris is joined in the podbooth by Helen O'Hara, James Dyer, and Alex Godfrey for a fun episode in which they discuss the movie moments guaranteed to make them cry no matter how many times they've seen them; run their eyes over what passes for movie news (it was quite a slow week); review Is This Thing On?, action-comedy The Wrecking Crew, Jason Statham's Shelter, mad monkey movie Primate; and Richard Linklater's love letter to the French New Wave, Nouvelle Vague. Oh, and we make good on last week's promise, and bring you James, Helen, and Chris tackling their specialist subjects in a round that pays homage to classic BBC quiz show, Mastermind. It's pure chaos. Thanks to Magneto Magnetosson, for stepping in at short notice to host. Enjoy.

Moderator Annette Insdorf will interview Ethan Hawke after a screening of his new film, Blue Moon. The prolific actor, writer, director and musician offers a tour-de-force performance as the acerbic lyricist Lorenz Hart, whose songs include "My Funny Valentine," "The Lady Is a Tramp," and "Blue Moon." In addition to Hawke's Oscar-nominated performance opposite Denzel Washington in Training Day (2001), he is perhaps best known for indie collaborations with Richard Linklater on Boyhood (2014), Waking Life (2001), and the BEFORE trilogy (1995, 2004, 2013) – which he scripted with the director and co-star Julie Delpy. Among his other memorable films are First Reformed (2017), Born to Be Blue (2015), Good Kill (2014), Before the Devil Knows You're Dead (2007), Hamlet (2000), Gattaca (1997), and Dead Poets Society (1989). He has also directed both fiction and documentary, such as Wildcat (2023), The Last Movie Stars (2022), Blaze (2018), and Seymour: An Introduction (2006). From a brilliant screenplay by Robert Kaplow, Linklater elicits Hawke's greatest performance yet — incarnating the self-destructive Hart on the very night that his collaborator Richard Rodgers (Andrew Scott) has just opened Oklahoma! on Broadway with new partner Oscar Hammerstein II. Co-starring Bobby Cannavale and Margaret Qualley, Blue Moon is a revelation of Hawke's maturation as an artist.

Ethan Hawke stars in the new movie ‘Blue Moon,' about lyricist Lorenz Hart, half of the Broadway duo Rodgers and Hart. It's his ninth collaboration with director Richard Linklater. He's also in the new noir-inspired streaming series ‘The Lowdown.' He tells Terry Gross while playing Hart pushed him to the edge of his ability, he totally related to his character in ‘The Lowdown.' Also, we hear from actor and director Tim Robbins. He reflects on 30 years of making films and why he believes live theater can sometimes speak to us in more profound ways than film can. He spoke with Tonya Mosley.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"Every now and then you bump up against a part that presses you to the wall of your ability," Hawke says of playing lyricist Lorenz Hart in ‘Blue Moon.' Hawke spoke with Terry Gross about collaborating with Richard Linklater, 'The Lowdown,' and his thoughts on aging. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague' focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.' "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.' It's about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy