Podcast appearances and mentions of Mike Nichols

GGACP celebrates the birthday of Emmy-winning actress Carol Kane (b. June 18) with this ENCORE presentation of an interview from 2020. In this episode, Carol talks about the cinema of the 1970s, Oscar acceptance speeches, the generosity of Jack Nicholson, the inventiveness of Andy Kaufman and her admiration for (and friendship with) the legendary Bette Davis. Also, Bill Murray takes a beating, Mike Nichols performs a magic trick, Gilbert kibitzes with Charles Durning and Carol takes a (career-changing) call from Gene Wilder. PLUS: Fritz Feld! Defending “Ishtar”! Saluting Hal Ashby! “Harry and Walter Go to New York”! And Carol Kane fills in for…Carole King? Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ringer's Bill Simmons, Amanda Dobbins, and Joanna Robinson hop on the Staten Island Ferry and pop on their tennis shoes to revisit Mike Nichols's 1988 classic, ‘Working Girl,' starring Melanie Griffith, Harrison Ford, and Sigourney Weaver. Podcast Manager: Craig Horlbeck Video Producers: Ronak Nair and Marcelino Ortiz Shopping. Streaming. Savings. It's on Prime Visit Amazon.com/prime to get more out of whatever you're into. Learn more about your ad choices. Visit podcastchoices.com/adchoices

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week, we're sinking into the beautifully awkward and emotionally layered world of The Graduate (1967), a landmark in American cinema that captured the confusion and alienation of a generation—and still resonates today.Directed by Mike Nichols and based on Charles Webb's novel, The Graduate stars a breakout Dustin Hoffman as Benjamin Braddock, a recent college graduate adrift in a sea of expectations, ennui, and passive-aggressive dinner parties. Returning home to California, Ben finds himself stuck in a well-off suburban limbo, unsure of what to do with his future and utterly disconnected from the adults around him.Enter Mrs. Robinson (Anne Bancroft), the wife of his father's business partner and one of the most iconic seductresses in film history. Their affair is sultry, weirdly funny, and shot through with a tragic edge that gives the film its unique tone—equal parts satire, drama, and coming-of-age fable. Complications multiply when Ben falls for Mrs. Robinson's daughter Elaine (Katharine Ross), throwing everyone's lives into romantic chaos and sparking a messy, impulsive pursuit that culminates in one of the most famous closing shots in cinema history.Visually, The Graduate is striking—Nichols' inventive use of framing, reflections, and slow dissolves elevates the emotional subtext, and Simon & Garfunkel's folk-heavy soundtrack ("The Sound of Silence", "Mrs. Robinson") lingers in your head long after the credits roll. The music doesn't just underscore the scenes—it becomes a character in itself, echoing Benjamin's alienation and longing.But what really makes The Graduate endure is its tonal complexity. It's satirical, yes, but also melancholic. Benjamin isn't a traditional hero; he's self-absorbed, indecisive, and often unlikeable. Yet in that uncertainty lies the film's power—it taps into that restless moment between adolescence and adulthood where everything feels hollow, and rebellion can look like love, lust, or simply running away.Is the ending romantic or despairing? Is Benjamin a rebel or just another aimless rich kid? The Graduate leaves space for interpretation, and that ambiguity is what keeps it feeling alive, even decades later.So whether you're watching for the sharp dialogue, the iconic performances, or just to see Dustin Hoffman awkwardly floating in a pool of existential dread—this one's a classic for a reason.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Joseph Heller (1923-1999) Joseph Heller, author of Catch-22 and its sequel, Closing Time, in conversation with Richard Wolinsky and Richard A. Lupoff, recorded in San Francisco on October 17, 1994. Since its original publication in 1961, Catch-22 by Joseph Heller has become a classic of anti-war literature, gaining fame during the Vietnam era for its dark and satirical look at American military life. Filmed to middling results by Mike Nichols in 1970, a new miniseries on Hulu has brought the novel back into the spotlight, where its focus on circular reasoning and insanity seems a propos to life during the current American regime. Catch-22 was Joseph Heller's first novel. In the 1970s he wrote the novels Something Happened and Good as Gold, and in the 1980s God Knows and Picture This, and the non-fiction No Laughing Matter about his struggle with Guillan-Barre Syndrome In 1994, Joseph Heller came out with a sequel to Catch-22, titled Closing Time, which deals with what happened to Yossarian and other characters after the end of World War II. This interview was recorded during that book tour and deals with both books, as well as other aspects of his career, along with comparisons to the works of Kurt Vonnegut. Despite respectful reviews and a good reputation, Closing Time is mostly forgotten today, though it is easily available on-line in both paper and e-book. Joseph Heller published a memoir, Now and Then, in 1998, and another novel, Portrait of the Artist as an Old Man, an autobiographical work about an author who is unable to shake the success of his very first novel, was published posthumously in 2000. This is the first airing of the entire interview. .   Review of “Parade” at BroadwaySF Orpheum Theatre through June 8, 2025. Review of “Pacific Overtures” at Brava Theater Center (Brava Center for the Arts) through June 15, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Co-Founders. a world premiere hip-hop musical May 29 – July 6, Strand. Kim's Convenience by Ins Choi, Sept 18 – Oct 19, Toni Rembe Theatre. Aurora Theatre  The Search for Signs of Intelligent Life in the Universe by Jane Wagner, with Marga Gomez, July 12 – August 10.  Awesome Theatre Company. See website for information. Berkeley Rep. The Aves by Jihae Park, through June 8, 2025, Peets Theatre. The Big Reveal Live Show written and performed by Sasha Velour, June 4 – 15, Roda Theatre. Who's With Me. written and performed by W. Kamau Bell, June 17-22, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre. Brava Theatre Center: Pacific Overtures, through June 15, 2025. BroadwaySF: Parade,  May 20 – June 8, Orpheum. A Beautiful Noise: The Neil Diamond Musical, June 3-22, Golden Gate. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Moulin Rouge!, The Musical. July 8-13. See website for other events. Center Rep: Happy Pleasant Valley, June 1- 29. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. Golden Thread  Oriental, or 1001 Ways to Tie Yourself In Knots by Evren Odcikin June 7-8, Potrero Stage. See website for other events. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for specific workshops and events. Los Altos Stage Company. Twelfth Night by William Shakespeare, May 29 – June 22. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: A Midsummer Night's Dream by William Shakespeare, June 13 – July 13, Forest Meadows Amphitheatre. See website for other events. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) To My Girls by JC Lee, through June 8. Pride Cabaret, June 6-21.  Ride the Cyclone, the musical, July 11 – August 15. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Les Blancs (The Whites) by Lorraine Hansberry, July 11 – 27. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Pear Slices, May 23 – June 8. Constellations by Nick Payne, June 27 – July 20.See website for staged readings and other events. Playful People Productions. See web page for information on summer camps. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will  by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: Sweet Charity,  June 4 – 29.. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 14. South Bay Musical Theatre:  Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming events and producctions. Theatre Rhino  Doodler by John Fisher, May 31 – July 6, The Marsh, San Francisco. The Laramie Project, June 19-29.. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Come Back to the 5 & Dime, Jimmy Dean  Jimmy Dean, A New Musical, June  18 – July 13. Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post June 5, 2025: Joseph Heller: The Man Who Gave Us “Catch-22” appeared first on KPFA.

In this instalment of our ongoing Mike Nichols Marathon we are setting sights on The Fortune, a movie that nearly ended its director's career. Over the course of our conversation you will hear us talk about how this movie came together as a package deal with Warren Beatty's passion project Shampoo, how it carried an immense promise because of the talent attached to it, and how it all came apart in the end. We also talk about the difficulty to get over an unfunny comedy, how some filmmakers cite it as inspirational, how Mike Nichols should have made better decisions on set instead of avoiding conflict and how Dick Sylbert might have been right when he said that it's impossible to make a funny movie out of two guys trying to kill a woman. Tune in and enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy Burrows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Joseph Heller, author of Catch-22 and its sequel, Closing Time, in conversation with Richard Wolinsky and Richard A. Lupoff, recorded in San Francisco on October 17, 1994. Since its original publication in 1961, Catch-22 by Joseph Heller has become a classic of anti-war literature, gaining fame during the Vietnam era for its dark and satirical look at American military life. Filmed to middling results by Mike Nichols in 1970, a new miniseries on Hulu has brought the novel back into the spotlight, where its focus on circular reasoning and insanity seems a propos to life during the current American regime. Catch-22 was Joseph Heller's first novel. In the 1970s he wrote the novels Something Happened and Good as Gold, and in the 1980s God Knows and Picture This, and the non-fiction No Laughing Matter about his struggle with Guillan-Barre Syndrome In 1994, Joseph Heller came out with a sequel to Catch-22, titled Closing Time, which deals with what happened to Yossarian and other characters after the end of World War II. This interview was recorded during that book tour and deals with both books, as well as other aspects of his career, along with comparisons to the works of Kurt Vonnegut. Despite respectful reviews and a good reputation, Closing Time is mostly forgotten today, though it is easily available on-line in both paper and e-book. Joseph Heller published a memoir, Now and Then, in 1998, and another novel, Portrait of the Artist as an Old Man, an autobiographical work about an author who is unable to shake the success of his very first novel, was published posthumously in 2000. This podcast was originally digitized and posted on May 21, 2019. The post From the Archive: Joseph Heller (1923-1999) appeared first on KPFA.

Today, I'm thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.

This is a 3 part mini Casting Director series, sponsored by Casting Networks.PAUL SCHNEE is originally from Wilmington, Delaware and is a graduate of Kenyon College. After graduating, Paul worked at ICM for agent Sam Cohn, then as assistant to director Mike Nichols. He and Kerry formed Barden / Schnee Casting in 2008. Paul is a member of The Academy of Motion Picture Arts and Sciences, The Academy of Television Arts and Sciences, The British Film and Television Academy, and The Society of Stage Directors and Choreographers. He lives in Brooklyn NY with his wife and daughters.In this episode, we talk about all things ACTORS including:• How he chooses to bring actors for roles• How many actors does he request self tapes from• Does he go through submissions himself or is it someone from his team• How actors can stay on his radar• What projects he's casting now• If he watches actor reels• Directing a project that's premiering at TribecaGuest:⁠IMDb WebsiteMother, May I have a Kidney? - TribecaCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit https://www.castingnetworks.com/promo-codes/ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

Are you ready for some 90's fun? It's time to break down the selection from Travis this week called the The Birdcage (1996). Does this Mike Nichols directed film starring Robin Williams & Gene Hackman hold up? Press play to find out! Please sub our YouTube where you can watch all of our episodes instead of just listen. We post the video version of each episode over there nearly every week. Also, you can give us a 5 star review on your podcast platform of choice. Do it right now! It takes 30 seconds. Thank you! If anything from this episode strikes you, email the show cinema9pod@gmail.com

In this episode, SAG Award-winning actress Caroline Aaron shares what it was like growing up Jewish in the South, dining out gratis, thanks to her father's work as a restaurant supplier before his untimely death, and the subsequent Southern meals lovingly prepared by her family's African-American housekeeper—including fried chicken and a distinctive red/orange matzoh ball soup at Passover. She reflects on her activist single mother's influence, dinner table conversations centered on social justice, and the values that shaped her. Caroline also discusses her work with legendary directors like Mike Nichols, Woody Allen, and Tim Burton, and recalls Uta Hagen's unforgettable advice about food and acting. Join me for a vibrant, funny, and heartfelt conversation with one of the most prolific and versatile actresses of stage, screen, and television.Don't forget to follow all of the social media!  @Sarandon_Chris on Twitter @TheOfficialChrisSarandon on Instagram Chris Sarandon on Facebook  www.chrissarandon.com linktr.ee/theofficialchrissarandonSubscribe on Youtube at https://youtube.com/shorts/-vGUyj0TK-Q

The Ford Fiesta is rolling agin as we move through the wide variety of films that featured Harrison Ford in the '90s, starting with Regarding Henry. A Mike Nichols film, a J.J. Abrams script, Annette Bening, and Ford up to his more risky ways, taking on another against-type character. Paul and Adam get to the bottom of this unusual Ford vehicle right before he goes action city with Jack Ryan and The Fugitive. Like good movie talk? Please subscribe! Website: www.themovieguys.net The Ford Fiesta: https://apple.co/3s3Om9l The TMG Interview: https://apple.co/3c21SEI The Movie Showcast: https://apple.co/3eXSrrW Countdown: https://bit.ly/38XVDzS YouTube (The Movie Guys): https://www.youtube.com/TheMovieGuys YouTube (The Movie Guys LIVE): Youtube.com/user/TheMovieGuysLIVE Vimeo: https://vimeo.com/themovieguys   Facebook: https://www.facebook.com/TheMovieGuys Instagram: https://www.instagram.com/themovieguys/ BlueSky: https://bsky.app/profile/themovieguysonline.bsky.social X: https://x.com/TheMovieGuys

Friends and familiars, grab your boas because it is time to ruffle some feathers! This week, we are joined by the wonderful Daniel Bokemper to discuss a Robin Williams and Gene Hackman classic, The Birdcage. Launching Nathan Lane to a new level, this Mike Nichols piece feels as relevant today as it was 30 years ago. But, does it have much to say? Join us, as we take The Birdcage to the analysis table!

In this episode of our Mike Nichols Marathon we are moving onto the 1973 The Day of the Dolphin. Over the course of our conversation we will attempt to understand how a movie about George C. Scott talking to dolphins fits in the catalogue of someone who brought Hollywood into the new age with Who's Afraid of Virginia Woolf? and The Graduate, whether this movie had a chance of succeeding in the first place and if it should be taken seriously at all. We also talk about the magic of emoting in a scene where a dolphin's voice is produced by Buck Henry, the ultimate failure of political plotting in an otherwise family movie and much more!Tune in and enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy Burrows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Mike Nichols, CEO of PMOPA, sits down with Joe to talk about his journey from growing up in Allentown, PA, to becoming a pilot and leading a nonprofit in the aviation world. They chat about why community matters, how volunteers make a big difference, and the importance of making aviation more welcoming to everyone. They also dig into safety—why it's a top priority, how programs like the Master Aviator help pilots improve, and why training instructors the right way matters. It's an honest, down-to-earth conversation about what's working, what needs work, and what's ahead for the PA46 community. Join PMOPA: https://www.mmopa.com

In this episode, we wrap up our April selections with the 1996 comedy from director Mike Nichols, "The Birdcage", starring Robin Williams, Nathan Lane, Gene Hackman, Diane Wiest and Hank Azaria! Listen now!

We are taking on the heaven-sent HBO television event of 2003, “Angels in America” and specifically the first two episodes this week. Not only is it a Big Important Gay Story, it's directed by Mike Nichols and stars Meryl Streep, Mary Louise Parker, Emma Thompson and a series of straight men playing impeccably gay, especially Jeffrey Wright. And then there's Al Pacino as Roy Cohn, in one of the biggest performances we've ever gotten to queen out on. Plus Thomas Newman's score, the scope of Tony Kushner's storytelling, that prosthetic work on Meryl as the rabbi and a lightning fast pace for a six hour miniseries. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

NewsBusters' Tim Graham, Dane County Supervisor Jeff Weigand, Pioneer Institute's Steve Wilson, Americans for Energy Dominance's Marc Ang, State Senator Andre Jacque, Badger Insitute's Mike Nichols

GGACP celebrates National Couples Appreciation Month with this ENCORE of the first of a 2-part interview featuring celebrated actors and longtime Hollywood couple Richard Benjamin and Paula Prentiss. In this episode, Richard and Paula talk about their seven-decade careers in front of (and behind) the camera, co-starring in a groundbreaking sitcom, co-hosting “Saturday Night Live,” meeting Stan Laurel and Buster Keaton and working with legendary directors Howard Hawks, Mike Nichols and Billy Wilder. Also, Jack Cassidy plays a superhero, Jack Benny exits “The Sunshine Boys,” Paula shares the stage with Hope and Crosby and Richard teams Burt Reynolds and Clint Eastwood. PLUS: Uncle Goopy! “Goodbye, Columbus”! Remembering Jim Hutton! Walter Matthau plays the ponies! And Richard and Paula gush over Gilbert's James Mason impression! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 95 of the Director Watch Podcast, the boys discuss the final film in their Elaine May series, Ishtar (1987). It had been a few years since Elaine May had been behind the camera, and her return to the big screen was likely her most talked about film, as Ishtar was considered by many at the time to be one of the worst films of all time, and a financial calamity. Following two down on their luck singers who take a gig in the Middle East and get caught up in international espionage, on paper, these films had two big movie stars in a what could be comedy gold. But the behind-the-scenes turmoil mixed with studio interference caused the film to be a disaster, and thus became the final film the director has ever directed. But is it as bad as history made it out to be? Ryan and Jay give their thoughts on the film, the music sung throughout the runtime, Dustin Hoffman and Warren Beatty's careers, why May hasn't been able to make another film, and give out their rankings of her films within the series and how they rank against her pal, Mike Nichols. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h. The guys will be back next week to begin their series on the films of Peter Jackson with a review of his film, Braindead. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Whoopi Goldberg has had a life. And then some. Long before she became a Hollywood icon (and the first Black woman to achieve EGOT status), she struggles with substance abuse, trouble at school, and teenage pregnancy. And then she becomes a mom at just 17. But her unique comedy voice captures the attention of legendary writer/director Mike Nichols who sees something special in her. He brings her to Broadway, where she becomes the toast of the town, and the trajectory of her life is completely altered. What follows next for Whoopi is a career that breaks boundaries and records, and even gets her blacklisted in Hollywood.You can follow Brooke and Aricia on socials at @brookesiffrinn and @ariciaskidmorewilliamss. And check out the brand new Even the Rich merch store at www.eventherich.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Even The Rich on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial today by visiting wondery.com/links/even-the-rich/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Movie of the Year: 1996The Birdcage (feat. Andrea Thompson from A Reel Of One's Own!)The Movie of the Year podcast takes a deep dive into The Birdcage (1996), a groundbreaking comedy that blends family dynamics, farce, and fearless LGBTQ+ representation. In this episode, the hosts explore how The Birdcage helped shift mainstream perceptions of queerness in the '90s, all while delivering standout performances from Robin Williams, Nathan Lane, and showcasing the directorial mastery of Mike Nichols. Whether you're watching the film for the first time or revisiting it, this episode offers a thoughtful and engaging look at why The Birdcage continues to matter.Listen to the episode now:[Podcast Player Embed Here]Gender, Sexuality, and Queer Representation in The BirdcageThe podcast opens with an in-depth discussion of how The Birdcage portrays gender and sexuality with both humor and dignity. At a time when LGBTQ+ characters were often relegated to the margins of pop culture, The Birdcage celebrated queer life, drag culture, and same-sex relationships. The hosts explore the film's role in pushing boundaries and normalizing visibility, particularly in a cultural moment still defined by Don't Ask, Don't Tell and lingering AIDS-era stigma.Robin Williams in One of His Most Subtle, Heartfelt RolesKnown for his exuberant performances, Robin Williams delivers one of his most emotionally restrained roles as Armand Goldman. The podcast explores how Williams balances warmth, wit, and gravitas, crafting a character who is both deeply human and quietly revolutionary. The hosts compare this performance to Williams' other work from the '90s and consider how his presence lends the film emotional credibility and depth.Mike Nichols' Directing BrillianceDirector Mike Nichols adapts the French farce La Cage aux Folles into a uniquely American satire, using timing, character dynamics, and visual composition to heighten both comedy and emotional impact. The hosts break down Nichols' directing choices, from rapid-fire dialogue to carefully choreographed scenes, showing how his vision shapes the film's tone and political commentary.Is The Birdcage Greater Than the Sum of Its Parts?One of the most spirited conversations in the episode centers on whether The Birdcage works because of its individual elements—such as the writing, performances, and production design—or because those elements merge into something greater. The hosts highlight iconic scenes like the chaotic dinner party and the nightclub sequences to show how the film achieves synergy between script, performance, and direction.Identity and the Meaning of LifeBeyond its sharp humor, The Birdcage asks deep questions about identity, authenticity, and acceptance. The hosts analyze the tension between performance and reality, especially in the context of Armand and Val's relationship, and explore how characters navigate the pressures of conformity and family expectations. This section connects the film to broader philosophical ideas about the meaning of life, love, and self-expression.Special Guest: Andrea Thompson from A Reel Of Our OwnJoining the discussion is film critic Andrea Thompson, founder of A Reel Of Our Own, a platform dedicated to amplifying marginalized voices in film. Andrea brings a fresh critical perspective to the episode, exploring how The Birdcage portrays queer identity with compassion, nuance, and humor. She also discusses the film's lasting influence on LGBTQ+ media and its place in queer film history.How The Birdcage Holds Up in 2024The podcast team revisits The Birdcage...

THIS EPISODE OF OUR PATREON-ONLY MARATHON SERIES IS AVAILABLE TO LISTEN IN FULL HERE! MORE EPISODES ON PATREON.COM/UNCUTGEMSPOD!!In this episode of our Mike Nichols Marathon we are joined by a very special guest, Neil LaBute, who is here with us to talk about the fourth movie in this filmmaker's catalogue, namely the 1971 Carnal Knowledge. Over the course of our conversation you will hear us talk about how Nichols bounced back after Catch-22 was poorly received by going back to basics, how the genius of this movie lies somewhere between casting, writing direction and singular performances from the entire cast and how this movie holds immense value today. We also touch on the ways in which Carnal Knowledge informed Neil LaBute's own work in In the Company of Men and Your Friends & Neighbors, how Nichols sneaks in elements of humor into an otherwise a terrifying set of scenarios and who would have been the next best cast if the foursome Nichols cast hadn't been available at the time.Tune in and enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Neil LaBute⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 93 of the Director Watch Podcast, the boys are joined by film critic Jake Tropila to discuss the next film in their Elaine May series, The Heartbreak Kid (1972). It didn't take long for Elaine May to make her second feature, as she released The Heartbreak Kid just a year after A New Leaf was released. But much like her longtime friend and collaborator Mike Nichols, May elevated just about every aspect of her skills from behind the camera to make one of the greatest comedies of all time; a film that follows a newly married salesman who falls in love on his honeymoon with another woman, and will do whatever it takes to fix the “mistake” he has made. Written by great Neil Simon, May's sophomore feature is a great mirror to Nichol's The Graduate, and represents the same determination but ultimate sadness found within the decisions of the heart found within the younger generation of the 1970s. Ryan, Jay, and Jake break down their feelings on this masterpiece, how they were able to few this film given its copyright issues, the hilarious dialogue, the performance from Charles Grodin, the film's ending, the 2007 remake feature Ben Stiller, who would Hollywood cast as Lenny if The Heartbreak Kid was made today, and the importance of pecan pie. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h2m. The guys will be back next week to continue their series on the films of Elaine May with a review of her film, 1976's Mikey and Nicky. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this episode, Anna and Derek discuss whether rom needed to be part of this com, if Cyn was actually a good friend to Tess or not, and much more during their chat of Mike Nichols' Oscar-lauded flick Working Girl (1988).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Jordan and Brooke are rejoined by film critic Laura Venning for this harrowing drama where the corruption – gasp – goes all the way to the top. We discuss shirtless Kurt Russell chopping wood (good), Meryl's mullet (good), Cher saying the word "dyke" in a Southern accent (GOOD), and our favorite pro-union films. Plus the messed up things that happen in blue-collar America and why Nora Ephron really is the best to ever do it!Follow us on Twitter, Bluesky, and IG! (And Jordan's Letterboxd / Brooke's Letterboxd)Follow Laura on Bluesky and vist lauravenning.com for more!

This week we have a look at the 1994 horror film WOLF.  This is Episode #457!  Wolf is a 1994 American romantic horror film directed by Mike Nichols and starring Jack Nicholson, Michelle Pfeiffer, James Spader, Kate Nelligan, Richard Jenkins, Christopher Plummer, Eileen Atkins, David Hyde Pierce, and Om Puri. It was written by Jim Harrison and Wesley Strick, and an uncredited Elaine May. The music was composed by Ennio Morricone and the cinematography was done by Giuseppe Rotunno.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Caroline Aaron is known to theatre, film and television audiences, as well as a published author and playwright.She made her Broadway debut in Robert Altman's "Come Back to the Five and Dime, Jimmy Dean,Jimmy Dean" and later appeared in the film. The following Broadway season, she starred in the revival of "The Iceman Cometh". She next starred in Mike Nichols's Broadway smash comedy "Social Security". She returned to Broadway starring in "I Hate Hamlet." She headlined the west coast premiere of Wendy Wasserstein's "The Sisters Rosensweig" and was acknowledged with both a Helen Hayes and Dramalogue Award. Next on Broadway she starred in Woody Allen's comedy "Honeymoon Hotel". She headlined Lincoln Center's award winning play "A Kid Like Jake." She played the title role in "All The Days" at the McCarter Theatre and was named best actress by several newspapers in the New York/New Jersey area. She headlined "Call Waiting" at The. Odyssey theatre which became a hit and was later made into a film available on Amazon Prime.On film Caroline has been in over a hundred films and is frequently in demand from top directors including Woody Allen, the late Mike Nichols, Nora Ephron, Paul Mazursky, and Robert Altman.Favorite film roles include “21 & 22 Jump Street”, “Just Like Heaven", "Nancy Drew", "Surveillance", "Love Comes Lately", "Edward Scissorhands", "Anywhere But Here", The Big Night", and "Bounce" among others. Later this year she will be seen in "Theatre Camp", "Between Two Temples", and "The Fourth Dementia".Television audiences are also familiar with her work as a guest star on hundreds of shows. She has recurred on Curb Your Enthusiasm, Ghosts, Episodes and Transparent. She is best known for her role as Shirley Maisel on the hit Amazon series "The Marvelous Mrs. Maisel." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 91 of the Director Watch Podcast, the boys discuss a miniseries event for their Mike Nichols series, the multi-Emmy winning Angels in America (2003). There were a lot of films and stage productions that made Mike Nichols the household name that he was in Hollywood, but when HBO's Angels in America came out in the early 2000s, he introduced himself to a brand new audience with one of the most important pieces of television to ever be created. Following the lives of multiple individuals as they navigate life in 1980s New York City during the AIDS epidemic, Nichols examined the social, sexual, and religious implications of the deadly illness, and delivered a profound piece of art that remains just as vital today as it was back in 2003. Led by an all-star Emmy-winning cast of Al Pacino, Meryl Streep, Jeffrey Wright and Mary-Louise Parker, who swept all four main acting wins, Angels in America is a definitive achievement found within Nichols' career and there was no way the boys were going to pass up the chance to talk about it. Ryan and Jay break down their thoughts on the six-hour television event, who they think gave the best performance, Nichols direction, what the show is trying to say about humans, AIDS, and forgiveness, and tease their upcoming series on the films of Elaine May. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h21m. The guys will be back next week with to begin their next movie series covering the films of Elaine May with a review of her first film, A New Leaf. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

“Hung Up” writer and “Lemme Say This” co-host Hunter Harris joins us to discuss Mike Nichols's scathing 1971 chronicle of the battle of the sexes. We dig in on the picture's emotional brutality, theatrical structure, and complicated characters (the women, at least), as well as Hunter's reason for connection to Art Garfunkel.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 90 of the Director Watch Podcast, the boys are joined by film critic Tom O'Brien to discuss the final film in their Mike Nichols series, Charlie Wilson's War (2007). For the last film in Mike Nichols' filmography, he attempts again to try and make a political commentary that will stand out as one of best to ever get made. As someone who has tackled the human condition so well throughout his films, Nichols has also chased the idea of making a political film from his films of the 70s, to even a film on this series in Primary Colors. This time working with a script from Aaron Sorkin, Nichols does his best to tell the story of a Texas congressman and the CIA who worked together on a covert operation to support the Afghan mujahideen during the Soviet–Afghan War. Led by Tom Hanks, Julia Roberts, and Philip Seymour Hoffman's stellar performances, Charlie Wilson's War is mostly the best political film Nichols made; you just wonder if he ever needed to chase this whale in the first place considering this film is still a lesser script from the acclaimed screenwriter behind it. Ryan, Jay, and Tom break down their thoughts on the film, Sorkin as a figure in Hollywood, how uneventful the film feels, Hanks wanting Nichols for this film, the greatness of Hoffman, as well as the guys final rankings of Nichols' filmography, and a reminder of the next film series the guys will be covering after their upcoming bonus episode for Nichols' Angels in America. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h. The guys will be back next week with a bonus episode for the Mike Nichols' series with a review of his acclaimed miniseries, Angels in America. You can rent it via iTunes and Amazon Prime rental or stream on Max in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Norman Buckley is a prolific director whose work spans various networks, genres, and styles. Most recently, he executive produced and edited the short film STORAGE FEES. He is currently the co-executive producer/producing director on the Netflix show SWEET MAGNOLIAS. His previous credits include NCIS: HAWAII, PRETTY LITTLE LIARS, CHARMED, IN THE DARK, ZOO, QUANTICO, RIZZOLI AND ISLES, CHUCK, GOSSIP GIRL, AND THE OC. He was co-executive producer/producing director on PRETTY LITTLE LIARS: THE PERFECTIONISTS.After editing the pilot episode of THE OC in 2003, he began his directing career by helming six episodes of that series. He has gone on to direct over 140 episodes of television since then. His television movie THE PREGNANCY PROJECT won Best Primetime Program (Special or Movie of the Week) and Best Actress (Alexa Vega) at the 2012 Imagen Awards. His episode of THE OC “The Metamorphosis” was chosen by Entertainment Weekly magazine as one of the five best episodes of the series. His episode of GOSSIP GIRL “The Handmaiden's Tale” was chosen by Newsweek Magazine as one of the top ten television episodes of 2007.Buckley began working in the industry as an assistant editor on the Oscar-nominated films TENDER MERCIES, SILKWOOD, and PLACES IN THE HEART. He continued editing for a number of years on many films, television series, and TV movies. He worked with many outstanding directors, including Bruce Beresford, Robert Benton, Mike Nichols, Rob Reiner, Michael Lindsay-Hogg, Richard Donner, J.S. Cardone, McG, Doug Liman, and Robert M. Young. He also learned the editing craft from some of the best film editors in the business, including Carol Littleton, Sam O'Steen, William Anderson, and Bob Leighton.He worked as an editor on many independent films at the Sundance, Toronto, and Telluride film festivals, including HAPPY, TEXAS, which he also associate-produced. Beginning in 2000, Buckley edited several television pilots, all of which were picked up to series, which led to his regular work in television.He has been nominated twice for an American Cinema Editors award: in 2003 for JOE AND MAX, for best-edited motion picture for non-commercial television, and he won the award in 2008 for the pilot of CHUCK, for best-edited one-hour series for commercial television.Buckley grew up in Fort Worth, Texas and studied history at the University of Texas at Arlington, before moving to Los Angeles where he would later graduate from the University of Southern California with a degree in Cinema/Television.He was an adjunct professor at the University of California Los Angeles film school, teaching both graduates and undergraduates.Norman Buckley was married to the late artist Davyd Whaley and he established The Davyd Whaley Foundation (davydwhaleyfoundation.org) to carry on Davyd's legacy by supporting emerging artists with annual grants. Most recently the Foundation has funded scholarships at the Art Students League in New York and the film school at UCLA, as well as providing funding for Art Division, Art of Elysium, and the Brentwood Art Center in Los Angeles. 

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 89 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Josh Parham to discuss the next film in their Mike Nichols series, Closer (2004). Things got a little rough for Mike Nichols at the start of the 2000s, with one of the worst films of his career and the decade with What Planet Are You From?; an horrendous idea of a film from the mind of comedian Garry Shandling. Just a few short years later though, Nichols returned to the big screen with a film adaptation of the popular play Closer, about four people entangled in a romance in rather sadistic ways. A controversial piece of work, this is a call back for Nichols, who much like earlier in his career, was fascinated by relationship dynamics and the idea of sex, as covered in films previously in this series, i.e. Who's Afraid of Virginia Woolf? and Carnal Knowledge. Led by an excellent ensemble, Closer feels somewhat like the culmination of filmmaker, though no everyone on this episode will agree with that statement. Ryan, Jay, and Josh break down their thoughts on the film, if it has aged well, which of the four actors gives the best performance, the dated needle drops to throughout the film, and how Closer uses the idea of time passing throughout the film. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h28m. The guys will be back next week to conclude their series on the films of Mike Nichols with a review of his last film, Charlie Wilson's War. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 88 of the Director Watch Podcast, the boys are joined by film critic Ben Miller to discuss the next film in their Mike Nichols series, Primary Colors (1998). Released shortly before one of the biggest political scandals in American history, director Mike Nichols reteamed with writer Elaine May to release their latest film, Primary Colors, based on the best-selling novel about of the same name about a southern governor's rise to becoming President of the United States. Though the book was deemed a work of fiction, it was based around Bill Clinton and his run to the White House, which made for a topical, fascinating subject to dissect, so much so Nichols paid a million dollars for the rights of the book to make it into a film. But as we all know, while Nichols was a hardcore member of the Democratic party and engrossed himself into politics, he struggled in his filmography to land a film that landed a punch when talking about the issues facing our country, and Primary Colors is another mixed bag. Ryan, Jay, and Ben break down their thoughts on the film, the behind the scenes of making the film, if Henry (Adrian Lester) is written poorly, John Travolta's over the top performance, the greatness of Kathy Bates and Billy Bob Thornton, if the film was made too soon during the Clinton administration's time in the White House, if the scandal's in the film are a walk in the park compared to today, and how each of the guys navigate talking politics and making the turkey at Thanksgiving. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h05m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Closer. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this month's instalment of our Mike Nichols marathon, we are putting our thinking caps on as we discuss his first official box office disappointment, which is the adaptation of Joseph Heller's irreverent post-war novel Catch-22. You will hear us talk about how this movie came together with its lavish production, editing woes and having to deal with Orson Welles on set, how it was a truly Herculean attempt at filming the unfilmable and how despite all the script changes and diversions from the novel the author still liked the output. We also talk about how Altman's MASH beat Nichols to the punch and how Kubrick's Dr Strangelove and 2001 gave him permission to think big, how the movie might be a dream and how it is equally funny as it is frightening. Tune in and enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy Burrows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 87 of the Director Watch Podcast, the boys are joined by our Editor-In-Chief Erik Anderson to discuss the next film in their Mike Nichols series, The Birdcage (1996). For the better part of two decades, Mike Nichols was chasing the idea of directing some version of the iconic play, La Cage aux Folles. Nichols called the play “one of the greatest comedy structures” of all time, and knew he to be involved with it somehow. So in the mid-1990s, he was able to convince the studios and producers to let him make an American remake of the play and have his longtime, iconic stage collaborator, Elaine May, to write the script; and thus The Birdcage was born. Centering around a gay Miami couple whose son is set to marry the daughter of a conservative U.S. senator, The Birdcage is a groundbreaking, iconic comedy that remains hilarious and timely to this day thanks to the incredible ensemble cast, May's sharp script, and Nichols steady direction bringing it all together. Ryan, Jay, and Erik discuss their thoughts on the film, what their favorite performance is in the movie, how Nichols was able to wrangle Robin Williams' persona in, the dozens of iconic lines, the entire third act of the film, and tangents, tangents, tangents. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h55m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Primary Colors. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

This week, the great Nathan Lane returns to Working it Out. Nathan recounts moments from his legendary career — discussing what it was like to work with Mike Nichols, Elaine May, and Robin Williams. He shares what he likes most in a director, who he's jealous of, and what he remembers of twenty-something year old Mike. Plus, an incredible story about working with Joaquin Phoenix on the film Beau is Afraid. Nathan's new highly-anticipated series, Mid-Century Modern, drops March 28 on Hulu.Please consider donating to: Broadway Cares/Equity Fights Aids

durée : 00:49:19 - Certains l'aiment Fip - L'actrice au sourire légendaire de "Pretty Woman" qui a joué pour Jodie Foster, Robert Altman, Spielberg, Soderbergh, Mike Nichols ou Woody Allen, est à l'honneur.

Patrick Wilson wears many show-business hats. Fans of his Tony-nominated work on Broadway may not know of his involvement in the spooky Insidious and The Conjuring  movies. (He even made his directorial debut on Insidious: The Red Door.) And horror/supernatural fans might have missed his star performances in the celebrated arthouse hit Little Children and the Mike Nichols-directed miniseries version of Tony Kushner's Angels in America for HBO. Leonard and Jessie are longtime fans of his—even more so after this congenial conversation.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 86 of the Director Watch Podcast, the boys are joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the next film in their Mike Nichols series, Postcards from the Edge (1990). As we enter the 1990s, Mike Nichols is coming off one of the most successful films of his career, and with his follow-up to Working Girl, he brings to life the deeply honest, humorous, personal story of Carrie Fisher's autobiographical novel, Postcards from the Edge. Based on Fisher's novel inspired by real life events from her childhood, relationship with her mother Debbie Reynolds, her acting career post Star Wars, and her battle with substance abuse, Nichols is expertly able to bring every element of Fisher's life together with a brilliant performance by Meryl Streep, and the excellent work by Shirley MacLaine playing her version of Reynolds, and the tragic yet relatable bond the real mother-daughter had while going through the Hollywood machine. Ryan, Jay, and Christina break down their thoughts on the film, their connection to Fisher and Reynold's careers, how different a role like this is for both Streep and MacLaine, the perfect use of Gene Hackman, the film's depiction of substance abuse and if it goes deep enough on the matter, and the what might possibly be the funniest moment in the history of the show with the discovery of the plot of a Disney Channel original movie from 2004 and how it all ties to the career of Debbie Reynolds. And no, we aren't talking about Halloween Town. You will have to listen to find out, and trust us, it's worth it. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h48m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, The Birdcage. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 85 of the Director Watch Podcast, the boys are joined by Associate Editor Sophia Ciminello to discuss the next film in their Mike Nichols series, Working Girl (1988). By the late 1980s, Mike Nichols was back to being a steady force in the industry. After the moderate success of Heartburn, and while filming his other 1988 feature film, Biloxi Blues, he found the script for the next big hit of his career, Working Girl. In finding a tale of an ambitious secretary from Staten Island working her way up the corporate ladder, pretending to be in her boss's role and proving herself valuable while also falling in love with the man she partners with on a big deal for both of their companies. Working Girl is not only a staple within Nichols' filmography, but it is a defining film of the 1980s led by extraordinary performances, zippy dialogue, and just the right amount of earnestness to make it a classic. Ryan, Jay, and Sophia talk about their thoughts on the film, Melanie Griffith's career best performance, just how complex the story is, the hotness of Harrison Ford, the elegance of Sigourney Weaver, which beer brand is the king of cheap beer, discussions on modern popstars, and over a dozen fun tangents that make this episode so long, yet so great. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h44m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Postcards from the Edge. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Join Gaius and Jackson in the return of the Deep Dive spinoff as we also celebrate the 20th anniversary of the critically acclaimed film "Closer." Dive deep into the intricate relationships and raw emotions that define this intense drama, exploring the brilliant direction of Mike Nichols and the powerful script by Patrick Marber. We'll dissect the stellar performances of Julia Roberts, Jude Law, Natalie Portman, and Clive Owen, examining how their portrayals brought the complex characters to life. From the film's unforgettable moments to its themes of love, deceit, and intimacy, we'll give you an insider's perspective on what makes "Closer" a timeless piece of cinema.Where To Watch Closer

Understanding "Forced Stock" InventoryDefining "Forced Stock""Forced stock" refers to parts that did not qualify for any phase-in criteria. These parts accumulate for various reasons.Causes of "Forced Stock" InventoryFirstly, Chuck identified overordering by technicians. Often, technicians order multiple parts to fix a problem. When only one part is used, the rest become instant idle inventory. This scenario not only clutters the parts department but also creates inefficiencies.Secondly, returns from body shops significantly contribute to "forced stock" inventory. Body shops often demand massive discounts and unlimited returns. Consequently, this leads to a significant volume of parts returning to the dealer.Thirdly, unclaimed special orders contribute to this issue. Parts initially ordered for repairs that customers never return to collect sit idle. This common scenario can be mitigated by improving communication and follow-up processes.Lastly, some parts are approved by manufacturers Auto Stock Replenishment programs but end up not being used. According to Chuck, around 40% of ASR-approved parts become idle, taking up valuable shelf space.What is Technical Obsolescence?Technical obsolescence occurs when a part hasn't sold within a set timeframe. Mike Nichols introduced the concept of "technical obsolescence" parts aging between seven to twelve months.Understanding the TimelineA part reaching its seventh month unsold has an 85% chance of becoming obsolete by the thirteenth month. This likelihood increases as time progresses. Thus, managing parts within the seven-to-twelve-month window is crucial.——————————————–SPONSORThis show is powered by PartsEdge: Your go-to solution for transforming dealership parts inventory into a powerhouse of profitability. Their strategies are proven to amp up parts sales by a whopping 20%, all while cutting down on idle inventory. If you're looking to optimize your parts management, visit

Our feature Friday guest, Mike Nichols, gives an inside look to what could have happened behind the D.C. crash. See omnystudio.com/listener for privacy information.

Every two years, members of the Owner-Operator Independent Drivers Association choose who will fill positions on the Association's Board of Directors. As part of that process, here on the show, we bring you interviews with each one of those candidates so you have the information you need to vote. Today, we'll have interviews with Mike Nichols, Grover Nelson, Aaron Treece and Casey Mulder. Also, Daimler has resumed sales of diesel trucks in Oregon, but the state's truck emission rule could still wreak havoc on the trucking industry. 0:00 – Clearing up confusion about Oregon emission rulesss 09:46 – OOIDA Board of Directors election: Mike Nichols 24:24 – OOIDA Board of Directors election: Grover Nelson and Aaron Treece 39:23 – OOIDA Board of Directors election: Casey Mulder

This week the legendary Stephen Colbert returns to the podcast. Mike and Stephen discuss the behind-the-scenes of Stephen's Late Night job as well as his Chicago improv days. Stephen talks wisdom passed down to him by David Letterman, Del Close, and Mike Nichols, and shares what makes him cry most easily. Plus, Stephen's thoughts on meeting George Lucas and the Pope.Please consider donating to: World Central Kitchen or Radio Lollipop

SEASON 3 EPISODE 84: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:50) SPECIAL COMMENT: Happy Insurrection Day, when Republicans will certify the election of a “president” who is constitutionally ineligible to hold the office according to the 3rd clause of the 14th Amendment and the Electoral Count Reform Act of 2022 and who himself fomented the assault four years ago that ended our conceit about the peaceful transfer of power. The illegitimate president’s Republican whores and servants may in fact trudge to the capitol through a blizzard to make this prostitution of democracy official The Democrats? They won’t say anything because this didn’t TEST well as a campaign ad and their flaccid willingness to risk anything in our defense is further deflated by their perception that this is a fait accompli and since it is a fait accompli ESPECIALLY because of their own cowardice they now have to do their best to compromise, and obey in advance, a group of bandits and pirates posing as a presidential administration, whose only desire TO compromise is to compromise Democrats and the Free Press and Reality and democracy itself. These are some of those Republicans: Freshman Congressman Riley Moore – “My constituents have sent me here to this town not to work with Democrats but to destroy their agenda." “We asked everyone not to leak. Please for god’s sake do not give inside information to the enemy” that's from the LEAD Republican in the House, the CREEPIEST Republican in the House since Denny Hastert, Mike Johnson and I don’t know if by “the enemy” he means the Democrats or the media or both or the temptations of his anti-porn app, and I no longer care. This is Insurrection Day and we all KNOW what the Republicans would be doing today in the mirror version of this grim reality; if they were in charge and Trump were in office and had presidential immunity and a new president was about to sign off on putting him in jail and it would be what they actually did four years ago today only they wouldn’t bother to try to be subtle or legal about it (they’d be gassing up the tanks). AND NO, JUDGE JUAN MERCHAN IS NO HERO. He too is obeying in advance. Along with the Washington Post, squeezing out cartoonist Ann Telnaes. And Brian Stelter, covering up for Fox News. And the media soft-pedaling the Vegas bomber's hopes to see all Democrats murdered, and Congressman Tom Suozzi, and soon-to-disappear Senator Kyrsten Sinema. B-Block (29:30) THE WORST PERSONS IN THE WORLD: Those memorializing Aaron Brown without including the incident about his refusal to cover The Challenger explosion; Congresswoman Nancy Mace and "Gunther Eagleman" who only read the headline; and the meticulous Oliver Darcy who only gets mentioned here because he asked a question that really traumatized me: What will Olivia Nuzzi do in 2025? (42:14) POSTSCRIPTS TO THE NEWS: Remember dear Flaco? The majestic owl liberated from the Central Park Zoo? There is an extraordinary new book about him. And from an old book: remember the Ash Heaps in "The Great Gatsby"? They were real and you'll never believe what was built were they used to sit. C-Block (52:00) EVERY DOG HAS ITS DAY: Young Tippy needs the same surgery my new pup Kitt just got, and we need your help to pay for it. (55:30) THINGS I PROMISED NOT TO TELL: It's an actors' story that invokes Trump, Orson Welles, The Odd Couple, Mike Nichols - and me? See omnystudio.com/listener for privacy information.

Jude Law (The Order, Skeleton Crew, Sherlock Holmes) is an actor. Jude joins the Armchair Expert to discuss why he feels like he cries more than he used to, how he has become an unapologetic enthusiast, and having to tap into different parts of your personality for different roles. Jude and Dax talk about him finding his confidence when he joined theater, what it's like to work with great directors, and how important Mike Nichols was to him. Jude explains the chemistry with RDJ on set of Sherlock Holmes, what having a behavioral psychologist for a wife is like, and how traumatic it was to have his phone hacked. Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Comedian Eric Idle feels horny about being Conan O'Brien's friend. Eric returns to sit down with Conan once more to discuss his new book The Spamalot Diaries, lessons learned from Mike Nichols and Robin Williams, and cherishing failure as a wonderful prospect. Later, Conan continues his investigation into his grandmother's namesake. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

Will we find life alive in our very own solar system? Neil deGrasse Tyson dives into the ocean worlds beyond Earth, exploring the Europa Clipper, and the search for life in our own backyard with astrobiologist and planetary scientist Kevin Hand. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here:https://startalkmedia.com/show/europa-clippers-search-for-life-with-kevin-hand/Thanks to our Patrons Krista Vilate, Kevin Anderson, Nipsey Hussle, lauralee kruta, Richard Lewis, Mike Nichols, Sofie ela, Amila Silva, SALS GAMING, Kathleen chiras, Juni Figueroa, Joey Medici, Godfrey DiGiorgi, Damian Smith, Amanda Lyninger, Matthew Jones, Samuel Jones, Andrea Priest, Daemonhat, Timothy Folks, and Kronas De Se for supporting us this week.Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to new episodes ad-free and a whole week early. Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to new episodes ad-free and a whole week early.