Podcasts about yasujir ozu

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 318: Tokyo Story Released 28 May 2025 For this episode, we watched the 1953 Japanese classic Tokyo Story, directed by Yasujirō Ozu from a screenplay by Ozu and his frequent collaborator Kogo Noda. This film came in at number 4 on the most recent Sight & Sound critics poll and has often featured in the poll's upper reaches as well as making strong showings in many other greatest-films-of-all-time lists. It has a 100% rating on Rotten Tomatoes and 100/100 on Metacritic. Influential Storytelling thesis https://gensoken.toyo.ac.jp/japanese-society-and-culture/vol3/iss1/2/ 16 Postcodes https://museumofcomedy.ticketsolve.com/ticketbooth/shows/873655309 https://variety.com/2025/film/awards/oscars-viewing-requirement-loopholes-1236380799/ BEST PICK – the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month, but please be aware that future releases will continue to be sporadic.  

En la Filmoteca se podrán ver las siguientes películas:Viernes 9 de mayo / 21:30 horasRufufú (I soliti ignoti; Mario Monicelli, 1958). Italia. 100'. VOSEUn grupo de ladronzuelos, aconsejados por un ladrón ya retirado, decide preparar un gran robo en las oficinas romanas del Monte de Piedad, con la esperanza de que les saque de la miseria en la que viven. Domingo 11 de mayo / 20:00 horasHistoria de un vecindario (Nagaya shinshiroku; Yasujirô Ozu, 1947). Japón. 72'. VOSEEn el Japón de la postguerra, un hombre encuentra en la calle a un niño perdido y lo lleva a su casa, pero nadie quiere acogerlo, ni siquiera por una noche. Finalmente, lo hace una viuda de agrio carácter. Al día siguiente, la mujer lleva al niño a su barrio y averigua que el padre se ha marchado a Tokyo y lo ha abandonando. Lunes 12 de mayo / 18:30 horasOcho y medio (Otto e mezzo; Federico Fellinii, 1963). Italia. 140'. VOSEDespués de obtener un éxito rotundo, un director de cine atraviesa una crisis de creatividad e intenta inútilmente hacer una nueva película. En esta situación, empieza a pasar revista a los hechos más importantes de su vida y a recordar a todas las mujeres a las que ha amado. Estos son los estrenos de esta semana:Una quinta portuguesa (Dir. y guión de Avelina Prat, 114 min)Música: Vicent Barriere con Manolo Solo, María de MedeirosLa desaparición de su mujer deja a Fernando, un tranquilo profesor de geografía, completamente devastado. Sin rumbo, suplanta la identidad de otro hombre como jardinero de una quinta portuguesa, donde establece una inesperada amistad con la dueña, adentrándose en una nueva vida que no le pertenece.Tierras perdidas (Paul WS Anderson, 101 min)con Mila Jovovich, Dave Bautista, Arly JoverBasada en el relato de George R. R. Martin. Una reina (Amara Okereke), desesperada por encontrar la felicidad en el amor, envía a la poderosa bruja Gray Alys (Milla Jovovich) a las Tierras Perdidas, en busca de un poder mágico que permite a una persona transformarse en un hombre lobo. Con el misterioso cazador Boyce (Dave Bautista), que la apoya en la lucha contra criaturas oscuras y despiadadas, Gray deambula por un mundo inquietante y peligroso. Pero solo ella sabe que, cada deseo que se concede, tiene consecuencias inimaginables.Presunción de inocencia (Daniel Auteuil)con Daniel Auteuil, Gregory Gadebois, Sidse Babette KnudssenDesde que logró la absolución de un asesino reincidente, el abogado Jean Monier no acepta más casos criminales. Sin embargo, al conocer a Nicolas Milik, un padre de familia acusado de asesinar a su esposa, Monier se siente conmovido y sus certezas se tambalean. Convencido de la inocencia de su cliente, está dispuesto a hacer todo lo posible para ganar el juicio. Lo que en principio era un caso ordinario acabará poniéndole a prueba.

Made in the rubble of postwar Japan, RECORD OF A TENEMENT GENTLEMAN (1947) finds Yasujirō Ozu exploring his familiar preoccupations of family and modernity through a different kind of setting. PLUS: Is the Canadian election a done deal? Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Minimale Ästhetik, universelle Themen, pillow shots und schwierige Familiengefüge. Ozu ist ein Monolith des Kinos. Wer als Regisseur*in was auf sich hält, sieht sich entweder als sein Nachkomme oder Feind. Und wie finden wir ihn so? Darüber sprechen Christian und Lucas mit David Wesemann im neuen Special. Das ist aber nur der Teaser, wenn ihr die ganze Folge hören wollt, dann unterstützt uns bitte auf https://steadyhq.com/cuts

Gabriele Pedullà"Il trascendente nel cinema"Paul SchraderMarietti1820www.mariettieditore.itLa domanda che sta all'origine di questo libro è molto semplice: in che modo è possibile (ammesso che lo sia) portare sullo schermo il completamente altro, il divino? A distanza di oltre mezzo secolo dalla sua prima pubblicazione, l'acclamato regista e sceneggiatore Paul Schrader rivisita e aggiorna la sua riflessione sul cinema lento degli ultimi cinquant'anni. L'analisi dello stile cinematografico di tre grandi registi – Yasujirō Ozu, Robert Bresson e Carl Dreyer – si arricchisce di un nuovo quadro teorico, offerto dal pensiero di Gilles Deleuze sul cinema e sulla fenomenologia della percezione attraverso il tempo, espandendo la teoria alle opere, tra gli altri, di Andrej Tarkovskij e Béla Tarr. Con una prosa chiara, l'autore insegna a lettori e spettatori a guardare con occhi nuovi alla cinematografia d'autore, in un'opera che - come sostiene Gabriele Pedullà - non è soltanto «un acuto studio critico» dei capolavori del passato, ma un vero e proprio «manifesto per un cinema diverso»: «un grande classico che continua a tracciare strade, aprire porte, scavare gallerie, costruire ponti che aiutano tutti a pensare più liberamente».Prefazione "Il trascendente nel cinema" a cura di Gabriele Pedullà.Paul Schrader (Grand Rapids - Michigan 1946), critico cinematografico, sceneggiatore di capolavori come Taxi Driver, Toro scatenato e L'ultima tentazione di Cristo, ha diretto film indimenticabili come American Gigolò e First Reformed. Ritenuto uno dei protagonisti della New Hollywood, nel 2022 ha ricevuto il Leone d'oro alla carriera. Il 16 gennaio 2025 è uscito nei cinema italiani il film da lui scritto e diretto Oh Canada - I tradimenti, con Uma Thurman e Richard Gere.Gabriele Pedullà (Roma 1972) insegna Letteratura italiana presso l'università di Roma Tre e scrive per «Il Sole 24 Ore». Autore di diversi libri di saggistica, tra cui il recente On Niccolò Machiavelli: The Bonds of Politics (Columbia University Press, 2023, in corso di traduzione per Einaudi), con Sergio Luzzatto ha curato l'Atlante della letteratura italiana (Einaudi 2010-12). Presso Einaudi ha inoltre pubblicato le raccolte di racconti Lo spagnolo senza sforzo (2009, Premio Mondello Opera Prima; Premio Verga; Premio Frontino), Biscotti della fortuna (2020, Premio Super Flaiano) e Certe sere Pablo (2024), e il romanzo Lame (2017, Premio Carlo Levi; Premio Martoglio). Le sue opere sono tradotte, o in corso di traduzione, in otto lingue.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

This February, the New Beverly Cinema proudly presents a feast of film in glorious 35mm, including rarely screened films directed by Frank Capra, a double bill of Peter Bogdanovich comedies, screwball sidesplitters starring Jean Arthur, crime films scored by Quincy Jones, ‘80s creature features, the LA premiere of The Dead Thing, an international masterpiece directed by Yasujirô Ozu, rare I.B. Technicolor prints, and much more! Elric, Brian and Phil discuss all of it on this months calendar episode. Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

DESCRIPTIONAdam waffles with British journalist Marina HydePlus, more uplifting movie picks from friends of the podcast.Conversation recorded face-to-face in London on 9th April, 2024CONTAINS STRONG LANGUAGEThanks to Séamus Murphy-Mitchell for production support and conversation editing Podcast illustration by Helen GreenRELATED LINKS'HOW COLUMNIST MARINA HYDE BECAME BRITAIN'S CHRONICLER-IN-CHIEF'- 2022 (VOGUE)UPLIFTING MOVIESADAM'S PICKSCRIP CAMP (TRAILER) Directed by Nicole Newnham and Jim LeBrecht - 2020 (YOUTUBE)MIDNIGHT RUN (TRAILER) Directed by Martin Brest - 1988 (YOUTUBE)BENGA AND RAVI ADELEKAN'S PICKSTRANSFORMERS (FULL MOVIE) Directed by Nelson Shin - 1986 (YOUTUBE)TROLLS WORLD TOUR (TRAILER) Directed by Walt Dohrn - 2020 (YOUTUBE)INSIDE OUT 2 (TRAILER) Directed by Kelsey Mann - 2024 (YOUTUBE)RAVI'S STORYLIANNA LA HAVAS' PICKSSISTER ACT 2: BACK IN THE HABIT (TRAILER) Directed by Bill Duke - 1993 (YOUTUBE)RICHARD DAWSON'STHE INTERN (TRAILER) Directed by Nancy Meyers - 2015 (YOUTUBE)GOOD MORNING (TRAILER) Directed by Yasujirô Ozu - 1959 (YOUTUBE)BUENA VISTA SOCIAL CLUB (TRAILER) Directed by Wim Wenders - 1999 (YOUTUBE)HAPPY GILMORE (TRAILER) Directed by Dennis Dugan - 1996 (YOUTUBE Hosted on Acast. See acast.com/privacy for more information.

In this solo episode on the film 'Early Summer', I complete the ERRP coverage of Yasujirō Ozu's 'Noriko trilogy'. And there is much to talk about with this movie: how it compares/ differs from the director's earlier work 'Late Spring', visual metaphors the filmmaker uses and how I personally relate to this story.

In this episode, Joe revisits the life and works of Yasujirō Ozu to give a more holistic view of the Japanese director.--------The whole RSS feed is available here > https://rss.com/podcasts/thereelthingThe Reel Thing on Social Media:Instagram > https://www.instagram.com/thereelthingpod---------All music by Wise John. https://wisejohn.com/Follow them on Instagram > https://www.instagram.com/wisejohnofficial/---------Bergen Filmklubb > https://bergenfilmklubb.no/---------Sources: Kantoku Ozu by Shiguehiko HasumiKantozu Yasujiro by Chris Fujiwara in Frames Cinema JournalTranscending Life on This Planet: The Films of Yasujirō Ozu by Wael Khairy On Yasujiro Ozu by Paul SchraderGrave of Yasujiro Ozu from Atlas Obscurahttps://en.wikipedia.org/wiki/Yasujir%C5%8D_OzuBFI article Ozu Yasujiro: the master of time by Thom AndersonJapan House article Ozu Yasujiro life and films by Jasper SharpHarvard Film Archive Ozu 120: The Complete Ozu Yasujiro by Kelley DongNippon.com article Ozu Yasujiro: A Director's Time in Tateshina by Carmen Grau Villa

After learning about non-attachment after revisiting Wim Wenders's visit in Tokyo-Ga to the gravesite of famous director Yasujirō Ozu (who left his body only eight months after Jon Katz was born), whose headstone was marked solely with the character 無 Mu (translatable as nothingness), Fairfax Virginia criminal and DUI defense lawyer Jonathan Katz learned more clearly and deeply about nonduality / non-attachment, and began more intentionally pursuing this life path, through his continued practice of the taijiquan martial art, additional mindfulness practice, and lessons from such great teachers as Baba Ram Das (born Richard Alpert) about our interconnectedness.Jon learned about the lawyers mindfulness movement, ultimately attended a great partially silent long weekend law professionals' retreat at the Blue Cliff Monastery, for a year became coordinator of the then-named Contemplative Lawyers group of the national capital area, and finally was willing to spend a long weekend in heavy silence and meditation -- other than during group discussion and question and answer sessions -- at the 2015 Mindful Lawyering long weekend at the Garrison Institute.While Zoketsu Norman Fischer -- a former abbot at the San Francisco Zen Center, which Shunryu Suzuki Roshi founded -- was the biggest draw for Jon among the teachers at this Mindful Lawyering retreat, the remaining lineup of teachers was also great. Nikki Mirghafori stood out for Jon among the retreats' teachers for her apparent particularly practical approach to applying mindfulness, together with her profession as an artificial intelligence scientist. Nikki also brings us front and center to the mindfulness of death, seeing that we all have only one exit from this world. Nikki's social media links are at www.facebook.com/dr.nikki.mirghafori; www.facebook.com/nikki.mirghafori; linkedin.com/in/nmirghafori; www.instagram.com/nikki.mirghafori; x.com/NikkiMirghaforiIn this Beat the Prosecution podcast conversation between Nikki and Jon, they both learn that their early meditation practices involved applying Herbert Benson's Relaxation Response, and moved forward. Nikki's early mindfulness practice took place during very substantial personal challenges. Jon asks Nikki for ideas for lawyers, criminal defendants and others to deal with their suffering, addiction, and suicidal thoughts, as well as how to beat the prosecution. Nikki's lessons include being mindful and compassionate, engaging in restorative justice, and being ready to interact with prosecutors and others on a human level.  Visit Nikki's website for a treasure trove of discussion, meditations, and daily happy hours of guided meditation, talks and discussion.  This podcast with Fairfax, Virginia criminal / DUI lawyer Jon Katz is playable on all devices at podcast.BeatTheProsecution.com. For more information, visit https://BeatTheProsecution.com or contact us at info@BeatTheProsecution.com, 703-383-1100 (calling), or 571-406-7268 (text). Hear our prior podcasts, at https://podcast.BeatTheProsecution.com/If you like what you hear on our Beat the Prosecution podcast, please take a moment to post a review at our Apple podcasts page (with stars only, or else also with a comment) at https://podcasts.apple.com/us/podcast/beat-the-prosecution/id1721413675

On this episode of What a Picture, Bryan and Hannah are taken for granted by their children while discussing Tokyo Story, the 1953 movie directed by Yasujirō Ozu that ranks #4 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Our guest this week is Zach Dennis from the Cinematary podcast. Cinematary website: https://www.cinematary.com/ Cinematary Social Media: Youtube | Twitter | Letterboxd Chibi Maruko Chan episode about new year's card: https://www.youtube.com/watch?v=hdUYOBh3bGE Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

Today, on The Goggler Podcast, Bahir and Uma watch and review Wim Wenders' Yasujirō Ozu inspired, Oscar nominated masterpiece, Perfect Days.

On this episode of Cinema Dual, Dan Morris returns to talk with Jon and Chris about Yasujirō Ozu. Movies Discussed: Tokyo Story, Good Morning, Floating Weeds Recommendations : 35 Shots of Rum, Perfect Days (Dan), I Saw the TV Glow, Ferrari (Chris), The Adventures of Buckaroo Banzai Across the 8th Dimension (Jon) For more of our movie thoughts, including our series on the films of Akira Kurosawa, you can check them out at www.cinemadual.com.  You can read more of Dan's writing over at The Beat. Cinema Duals' Mountain of Gloriousness The Films of Cinema Dual Follow us on Blue Sky: @joncinemadual @belownirvana  Follow us on Spotify: Cinema Dual

How should we relate to past generations? To what extent should we embrace novelty? Is there a way to redeem ourselves without completely self-destructing? By focusing on films depicting the dynamic transformation of postwar Japan, this week's episode examines the nature of rapidly ascending societies. Email us at contact@jimmybernasconi.com

Ellis and Corbin talk about "GOOD MORNING," Ozu's little fable about two brave little boys and their quest to acquire the most forbidden of all fruits... a television. It's also about adults running their mouths.  Matt and Corbin both reccomended books. Corbin also reccomends "Hit Man," the new Richard Linklatter movie, which you can watch on Netflix (Ugh). Next week's episode is about Frank Capra's 'Lost Horizon,' which you can watch on the Internet Archive. Ellis send my this with the file: 'Song at the end, if you want to put it into notes, is "Go Mad and Mark" off of Envy's A Dead Sinking Story. I think you should put it in the notes its one of my favorite albums of all time and I will admit I put it on this episode because they are from Japan lmao.'

In this episode- recorded last summer- I finally return to the wonderful world of 1940s cinema and- in particular- to the work of Yasujirō Ozu (the director of 'Tokyo Story') with a solo conversation about his 1949 film, 'Late Spring' (a film well worth watching, if you get the chance). And even though it's a short episode I find time to talk about a number of things but- in particualr- I look at this film from a queer perspective. I also have things to say about The Game of Life.

He created the iconic Simputer, and has lived a life that married science and its applications. V Vinay joins Amit Varma in episode 381 of The Seen and the Unseen to talk about his journey and what it taught him. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. V Vinay on Twitter, LinkedIn, IISC and Google Scholar. 2. The UNIX Episode -- Episode 32 of Everything is Everything. 3. Calculus Made Simple -- H Mulholland. 4. India vs West Indies, 1st Test, Bengaluru, November 22 – 27, 1974. 5. Ram Guha Writes a Letter to a Friend -- Episode 371 of The Seen and the Unseen. 6. A Text-book Of Inorganic Chemistry -- JR Partington. 7. Perkin and Kipping's Organic Chemistry -- Stanley F Kipping and Barry Kipping. 8. There's no speed limit — Derek Sivers. 9. The Botany of Desire -- Michael Pollan. 10. Vishwa Bandhu Gupta on cloud computing & more! 11. Design & Analysis of Computer Algorithms -- Alfred V Aho, John E Hopcroft and Jeffrey D Ullman. 12. A Circuit-Based Proof of Toda′ s Theorem -- Ravi Kannan, H Venkateswaran, V Vinay and Andrew C Yao. 13. Ramesh Hariharan's website. 14. The Little Prince -- Antoine de Saint-Exupéry. 15. Bruce Sterling on the Simputer in the New York Times. 16. Rahul Matthan Seeks the Protocol — Episode 360 of The Seen and the Unseen. 17. James Hadley Chase, Alistair Maclean, Desmond Bagley and Agatha Christie on Amazon. 18. Illusions -- Richard Bach. 19. Jonathan Livingston Seagull -- Richard Bach. 20. Lila -- Robert M Pirsig. 21. The True Believer -- Eric Hoffer. 22. Crime and Punishment -- Fyodor Dostoyevsky. 23. The Idiot -- Fyodor Dostoyevsky. 24. Leo Tolstoy's short stories. 25. Essays -- Ralh Waldo Emerson. 26. The Journals of Ralph Waldo Emerson. 27. Self-Reliance -- Ralph Waldo Emerson. 28. Walden --  Henry David Thoreau. 29. Vinaya Pitaka. 30. Isha Upanishad. 31. Atoms in Motion -- Richard Feynman. 32. Mandukya Upanishad. 33. Brihadaranyaka Upanishad. 34. The Matrix -- The Wachowskis. 35. Chanakya -- Chandraprakash Dwivedi. 36. Chomana Dudi -- BV Karanth. 37. Akira Kurosawa and Yasujirō Ozu. 38. Tokyo Story -- Yasujirō Ozu. 39. Departures -- Yôjirô Takita. 40. The Silence of the Lambs -- Jonathan Demme. 41. Notorious -- Alfred Hitchcock. 42. Mr Smith Goes to Washington -- Frank Capra. 43. The Philadelphia Story -- George Cukor. 44. Bringing Up Baby -- Howard Hawks. 45. Casablanca -- Michael Curtiz. 46. Gandhi -- Richard Attenborough. 47. Spring, Summer, Fall, Winter... and Spring -- Kim Ki-duk. 48. Bicycle Thieves -- Vittorio De Sica. 49. Ilaiyaraaja, TM Krishna and MS Subbulakshmi on Spotify. 50. Twenty-Five Twenty-One -- Jung Ji-hyun. 51. Misaeng --  Kim Won-seok. 52. My Ahjusshi -- Kim Won-seok. 53. Succession, Breaking Bad, Game of Thrones and House. Amit's newsletter is explosively active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘Searching for Truth' by Simahina.

I Was a Male War Bride (1949) / Late Autumn (1960) This week we'll do anything for love as we crossdress with Howard Hawks and try to arrange a marriage with Yasujirō Ozu

Felicia is joined by Peter Merriman to discuss Yasujirō Ozu's tale about aging parents and their relationships with their older children, in Tokyo Story (1953). We chat about why Japan original didn't think they could market this film in North America, and how it eventually became one of the most universal film texts that audiences continue to relate to. This mark's the end of the Ozu series, it was an honour and beautiful experience revisiting and watching some of his films for the first time in preparation. There is an Ozu film out there for everyone, and I hope you find it and it changes your life. Send us your thoughts on the episode - do you prefer Ozu's colour or black and white film era? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Sources: https://www.criterion.com/current/posts/301-tokyo-story-compassionate-detachment https://www.criterion.com/current/top-10-lists/371-rashaad-ernesto-green-s-top-10 https://www.theguardian.com/film/2023/aug/31/tokyo-story-review-yasujiro-ozu https://www.sensesofcinema.com/2003/great-directors/ozu/ https://www.ucpress.edu/book/9780520396722/directed-by-yasujiro-ozu https://www.ucpress.edu/book/9780520296817/transcendental-style-in-film https://www.enotes.com/topics/yasujiro-ozu/critical-essays/lindsay-anderson OUTRO SONG: Tokyo Story Theme by Takanobu Saitô FILMS MENTIONED: The American Friend (Wim Wenders 1977) The Holdovers (Alexander Payne 2023) Anatomy of a Fall (Justine Triet 2023) Barbie (Greta Gerwig 2023) Oppenheimer (Christopher Nolan 2023) Tenet (Christopher Nolan 2020) Dune: Part 2 (Denis Villeneuve 2024) Bring Me the Head of Tim Horton (Guy Maddin 2015) Justice League (Zack Snyder 2021) Dawn of the Dead (Zack Snyder 2004) An Autumn Aftenoon (Yasujirō Ozu 1964) Late Spring (Yasujirō Ozu 1949) Make Way For Tomorrow (Leo McCarey 1937) Tokyo Twilight (Yasujirō Ozu 1957) I Was Born, But… (Yasujirō Ozu 1932) Tokyo-ga (Wim Wenders 1985) Sans Soleil (Chris Marker 1983) A Man Escaped (Robert Bresson 1957) Mommie Dearest (Frank Perry 1981) Toni Erdmann (Maren Ade 2016) Paris, Texas (Wim Wenders 1984) Wild Strawberries (Ingmar Bergman 1957)

Felicia is joined by Bryan Loomis (from What a Picture Podcast) to discuss Yasujirō Ozu's silent comedy about two brothers who begin to see their father in a new light. Send us your thoughts on the episode - do you prefer Ozu's silent or talkies era? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episode: All The President's Men (D.O.P. Gordon Willis 1976) Follow Bryan here: Website: PODCAST | What a Picture (whatapicturepod.com) What a Picture Podcast: https://anchor.fm/what-a-picture Sources: https://www.highonfilms.com/i-was-born-but-1932-ozu/ http://www.midnighteye.com/reviews/i-was-born-but/ https://blogs.iu.edu/establishingshot/2020/02/17/sublime-tragicomedy-i-was-born-but-1932/ https://www.slantmagazine.com/film/i-was-born-but/ https://harvardfilmarchive.org/calendar/i-was-born-but-2023-06 https://www.nytimes.com/2010/06/25/movies/25iwas.html OUTRO SONG: Birthday by The Sugarcubes FILMS MENTIONED: All The President's Men (Alan J. Pakula 1976) Perfect Days (Wim Wenders 2023) Pather Panchali (Satyajit Ray 1955) Horse Money (Pedro Costa 2014) Trust (Hal Hartley 1990) Late Spring (Yasujirô Ozu 1949) Tokyo Story (Yasujirô Ozu 1953) Walk Cheerfully (Yasujirô Ozu 1930) Good Morning (Yasujirô Ozu 1959) Early Summer (Yasujirô Ozu 1951) Autumn Afternoon (Yasujirô Ozu 1962) Trouble in Paradise (Ernst Lubitsch 1932) Lady Bird (Greta Gerwig 2017) Miracle in Milan (Vittorio De Sica 1951) Housekeeping (Bill Forsyth 1987)

Felicia is joined by Malik Nelson to discuss Yasujirō Ozu's overlooked film about two sisters grappling with the return of their mother who abandoned them in Tokyo Twilight (1957). Send us your thoughts on the episode - do you prefer Ozu's black and white or in colour films? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Malik here: Letterboxd: @atelopusfarci IG:@malachimalik_ Sources: https://nyunews.com/arts/film/2019/10/28/tokyo-twilight-4k-film-restoration-review/ https://www.criterion.com/current/posts/634-eclipse-series-3-late-ozu https://www.sensesofcinema.com/2019/cteq/tender-restraint-tokyo-twilight-yasujiro-ozu-1957/OUTRO SONG: Tokyo Twilight Theme by Takanobu Saitô FILMS MENTIONED: Late Spring (Yasujirō Ozu 1949) Tokyo Story (Yasujirō Ozu 1953) Written on the Wind (Douglas Sirk 1956) Dead Man (Jim Jarmusch 1996) Good Morning (Yasujirō Ozu 1959) 20th Century Women (Mike Mills 2016) Frances Ha (Noah Baumbach 2013) Stella Dallas (King Vidor 1937)

Felicia is joined by Seth Vargas to discuss one of the most touching and heartbreaking story of a father and daughter dynamic, in Yasujirō Ozu's Late Spring (1949). We chat about how Ozu perfected the genre of family dramas, by keeping the visuals simple yet effective. We also how the characters in this film bridge old and new world Japan. Send us your thoughts on the episode - which is Ozu's ‘season' films is your favourite? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Seth here: Movie Friends Podcast (website) Twitter: @moviefriendspod IG: @moviefriendspodcast YouTube: @moviefriendspodcast Listen to our previous episodes: Le bonheur (Agnès Varda 1965) Woman in the Dunes (Hiroshi Teshigahara 1964) Sources: https://www.criterion.com/current/top-10-lists/294-andrew-ahn-s-top-10 https://www.criterion.com/current/posts/421-late-spring-home-with-ozu https://www.rogerebert.com/reviews/great-movie-late-spring-1972 https://www.sensesofcinema.com/2003/great-directors/ozu/ OUTRO SONG: Late Spring by Senji Itô FILMS MENTIONED: Le bonheur (Agnès Varda 1965) Woman in the Dunes (Hiroshi Teshigahara 1964) Ghostwatch (Lesley Manning 1992) Dune 2 (Denis Villeneuve 2024) The Rage: Carrie 2 (Katt Shea 1999) Cannibal Holocaust (Ruggero Deodato 1985) Set It Off (F. Gary Gray 1996) I Was Born, But… (Yasujirō Ozu 1932) Flirt (Hal Hartley 1995) Pride of the Yankees (Sam Wood 1942) Good Morning (Yasujirō Ozu 1959) Tokyo Story (Yasujirō Ozu 1953) Me and You and Everyone We Know (Miranda July 2005) The Heiress (William Wyler 1949) Paper Moon (Peter Bogdonavich 1973)

We're in a contemplative mood on this episode, and there's no filmmaker better suited for such a mood than Yasujirō Ozu. We discuss his final film, AN AUTUMN AFTERNOON (1962), and how Ozu's seemingly narrow thematic and stylistic palette encompasses so much of the human condition. PATREON-EXLUSIVE EPISODE - https://www.patreon.com/posts/496-autumn-97874507

Isaac, Juzo, and Cameron Explore the poignant depths of familial drama and human tragedy in "Tokyo Twilight," directed by the legendary Yasujirō Ozu. This timeless Japanese classic stars Ineko Arima, Setsuko Hara, and Chishū Ryū. It weaves a narrative of emotional complexity amidst a broken family living in bustling Tokyo. Can unravel the intricacies of life, love, and loss translate to a modern audience, or has Ozu gone too dark with this heartbreaking tale? Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer majoring in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

Isaac and Cameron explore the profound simplicity of Yasujirō Ozu's timeless masterpiece, Tokyo Story. Directed by Ozu and featuring iconic performances by Chishū Ryū and Chieko Higashiyama, this Japanese classic beautifully captures the delicate and tragic nuances of family dynamics and the fleeting nature of life in post-war Tokyo. Join us as we judge this classic's emotional richness from the modern perspective.  Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer majoring in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

This week we continue to dive into the wonderful world of Yasujirô Ozu with his 1949 film Late Spring about young Noriko gets societal pressure to marry but battles with her desire to continue to take care of her ailing father. Amazing Ozu and great conversation! Enjoy!

Isaac, Cameron, and Juzo explore the timeless beauty of Yasujirō Ozu's masterpiece, "Late Spring," a poignant Japanese film that delves into the complexities of familial relationships. Directed by Ozu and featuring stellar performances by Chishū Ryū and Setsuko Hara, this classic captures the essence of familial change, tradition, and societal expectations in post-war Japan. Join us as we unravel the emotional depth and modern relevance of "Late Spring" in this podcast episode.   Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer majoring in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

Isacc, Cameron, and Juzo are back in 2024, ready to dive into the iconic Japanese director Yasujirō Ozu. The boys discuss the media they have recently watched over the holiday break, from 2023's Iron Claw to Survivor, the TV series. For the podcast, The Only Son begins Ozu's directorial catalog, as Isaac brings a casual perspective, and Juzo represents a critical review.  Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer majoring in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends. We hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

This week we continue our our Yasujirô Ozu festival with our second installment, his 1951 film, Early Summer. The story of a mid 30's Japanese women who is still unmarried as her family begins to immense pressure on her to follow the cultural and societal norms. Enjoy the conversation!

Good Morning (1959): Movie Review from the Ray Taylor ShowShow topic: Step into the charming world of Yasujirō Ozu's 1959 Japanese comedy, 'Good Morning' (お早よう, Ohayō), as Ray Taylor offers an insightful review of this classic film. A loose remake of Ozu's own 1932 silent film 'I Was Born, But...,' and his second color film, 'Good Morning' delightfully depicts life in suburban Tokyo through a blend of humor and societal observation. The film's narrative revolves around the Hayashi family and the local women's club, entwining a humorous subplot about misplaced monthly dues with the story of young boys enamored with their neighbor's television. Ray Taylor delves into Ozu's masterful storytelling and the film's commentary on communication, modernization, and the generational gap in post-war Japan. Discover the charm and subtlety of Ozu's work in this episode, which sheds light on why 'Good Morning' remains a celebrated piece in the world of cinema.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links Genres: Drama - Comedy - Family

Good Morning (1959): Movie Review from the Ray Taylor ShowShow topic: Step into the charming world of Yasujirō Ozu's 1959 Japanese comedy, 'Good Morning' (お早よう, Ohayō), as Ray Taylor offers an insightful review of this classic film. A loose remake of Ozu's own 1932 silent film 'I Was Born, But...,' and his second color film, 'Good Morning' delightfully depicts life in suburban Tokyo through a blend of humor and societal observation. The film's narrative revolves around the Hayashi family and the local women's club, entwining a humorous subplot about misplaced monthly dues with the story of young boys enamored with their neighbor's television. Ray Taylor delves into Ozu's masterful storytelling and the film's commentary on communication, modernization, and the generational gap in post-war Japan. Discover the charm and subtlety of Ozu's work in this episode, which sheds light on why 'Good Morning' remains a celebrated piece in the world of cinema.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links Genres: Drama - Comedy - Family

Good Morning (1959): Movie Review from the Ray Taylor ShowShow topic: Step into the charming world of Yasujirō Ozu's 1959 Japanese comedy, 'Good Morning' (お早よう, Ohayō), as Ray Taylor offers an insightful review of this classic film. A loose remake of Ozu's own 1932 silent film 'I Was Born, But...,' and his second color film, 'Good Morning' delightfully depicts life in suburban Tokyo through a blend of humor and societal observation. The film's narrative revolves around the Hayashi family and the local women's club, entwining a humorous subplot about misplaced monthly dues with the story of young boys enamored with their neighbor's television. Ray Taylor delves into Ozu's masterful storytelling and the film's commentary on communication, modernization, and the generational gap in post-war Japan. Discover the charm and subtlety of Ozu's work in this episode, which sheds light on why 'Good Morning' remains a celebrated piece in the world of cinema.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links Genres: Drama - Comedy - Family

This week we dive into first episode of the inspiring Japanese filmmaker, Yasujirô Ozu. We discuss his 1959 film Floating Weeds about a traveling actor of a famous kabuki show tries to re-kindle a life with his son who doesn't know who he really is. Fascinating director and conversation. Enjoy!

This week, episode 10 of Scott and Matt chatting about some of our biggest blind spots in the BFI Sight and Sound top 100 films list. Up this week, Scott's final pick: The Yasujirō Ozu film Tokyo Story! Then they chat about the results of the Canon vote on Big Fish and briefly chat about what changes are coming to streaming in the next year Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com! Show Notes: 1:47 - Tokyo Story 1:05:08 -  Big Fish results 1:16:27 - BUNDLES  

For our Ozu Noir-vember Special Subject, we look at three silent films by Yasujirō Ozu, Walk Cheerfully (1930), That Night's Wife (1930), and Dragnet Girl (1933), that not only bear a fascinating relationship to each other but also seemingly inaugurate the gangster film in Japan and anticipate (we argue) American film noir more closely even than French poetic realism, as well as the Nouvelle Vague. Join us as we marvel at Ozu's rapid evolution as a stylist and storyteller in the space of three years, and stick around to listen to our Fear and Moviegoing in Toronto segment on Scorsese's Killers of the Flower Moon.  Time Codes: 0h 00m 45s:      WALK CHEERFULLY (1930) [dir. Yasujiro Ozu] 0h 23m 49s:      THAT NIGHT'S WIFE (1930) [dir. Yasujiro Ozu] 0h 37m 54s:      DRAGNET GIRL (1934) [dir. Yasujiro Ozu] 1h 01m 53s:      Fear & Moviegoing in Toronto – Martin Scorsese's Killers of the Flower Moon (2023)  +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In Cineversary podcast episode #64, host Erik Martin is joined by David Desser, emeritus professor of cinema studies at the University of Illinois and one of the world's foremost experts on Asian cinema, to celebrate the 70th anniversary of Tokyo Story, directed by Yasujirō Ozu. They discuss why and how this film remains a masterwork, Tokyo Story's prominent themes , Ozu's unique style, and much more. Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/cineversary/support

Guess what - it's a Kawaii-Fi Extra this time around celebrating the phenomenal Millenium Actress film landing on RetroCrush!If you've not seen this incredible movie, now is the perfect time to load it up and experience a journey through Japans golden age of cinema, with a journey through the eyes of two of it's stars rolled into one!This is not a sponsored episode - and we can't legally watch RetroCrush in Australia - but we love their work in maintaining classic anime series for *hopefully* generations to come.If you're in North America, you can check them out here: https://www.retrocrush.tv/VIDEOS!Kawaii-Fi YouTube: https://www.youtube.com/KawaiiFiTifa's YouTube: https://www.youtube.com/thetkennedyKyle's YouTube: https://www.youtube.com/@KyleinOrbit SUPPORT USPatreon: Patreon.com/KawaiiFiBuy us a Coffee: Ko-fi.com/kawaiifi JOIN THE KAWAII-FI COMMUNITYInstagram: https://www.instagram.com/kawaiifianime/Facebook: https://www.facebook.com/KawaiiFiAnime/Twitter: https://twitter.com/kawaiifianimeTikTok: https://www.tiktok.com/@kawaiifianimeDiscord: https://discord.gg/p9ccFx8vTQ LISTEN ELSEWHERE?Smart Link: https://link.chtbl.com/KawaiiFiSpotify: https://bit.ly/Kawaii-FiSpotifyApple: https://bit.ly/Kawaii-FiAppleGoogle: https://bit.ly/Kawaii-FiGoogle EPISODE SEGMENTS00:00:00 – ShowOpener00:00:55 – The MilleniumActress00:34:37 – Wrap-Upand Next Time!TAGSAnime,Manga,AnimeRecommnedations,top 10 anime,new anime,best anime,Millenium Actress,SennenJoyuu,MadHouse,Chiyoko Fujiwara,Setsuko Hara,Hideko Takamine,Yasujirō Ozu,Shoshimin eiga

In lieu of a full episode this week, we bring you the ninth in our series of bonus episodes, ⁠Better Know a Contributor⁠, where we ask frequent guests of the show 10 Contra Zoom Pod movie questions so you can learn more about your favourite voices. On this show is Bil Antoniou, the host of the Bad Gay Movies Podcast and authoring of the monthly Criterion Shelf column (a column Dakota often contributes to as well). Dakota and Bil talk about the legacy of Yasujirō Ozu and Tokyo Story, whether or not to feel bad about having never seen Man With a Movie Camera and the greatness of Pedro Almodóvar. Check out previous Better Know a Contributor shows focusing on ⁠⁠Dakota⁠⁠, ⁠⁠Rachel⁠⁠, ⁠Pierre⁠ and ⁠⁠Jeff⁠⁠ to learn more about the extended CZP family. Follow Bil on ⁠⁠Twitter⁠⁠ and ⁠⁠Instagram⁠⁠ and read his latest Criterion Shelf blog post covering movies dealing with AI (including Dakota's write ups on 2046 and Dark Star). Support the show on ⁠⁠⁠⁠Ko-fi by sending us a tip⁠⁠⁠⁠! Check out more great Contra Zoom content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠That Shelf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Listen to Contra Zoom on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Play⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RadioPublic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Podcast Addict and more! Please ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rate and review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the show on Apple Podcasts or Spotify. Send a screenshot with your 5-star rating and review to contrazoompod@gmail.com and we will send you free stickers! For more information, visit ⁠⁠⁠contrazoompod.com⁠⁠⁠. Thank you Eric and Kevin Smale for the original theme songs, Jimere for the interlude music and Stephanie Prior for designing the logo. --- Send in a voice message: https://podcasters.spotify.com/pod/show/contrazoompod/message

Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Surprise! Here's a bonus episode in which we speak to the talented, prolific, and dynamic director Wayne Wang. Our main B-Side is Dim Sum: A Little Bit of Heart, whose Director-Approved Special Edition Blu-ray is now available from Criterion. Additional B-Sides include Eat a Bowl of Tea, Life Is Cheap... But Toilet Paper Is Expensive (also on Criterion Channel), Smoke (and its own B-Side Blue in the Face), Chinese Box, and A Thousand Years of Good Prayers. We talk to Wang about making films efficiently, his career-long ambition to make a different kind of film every time, how to construct the perfect “pillow shot” (an homage to filmmaker Yasujirō Ozu), combating boredom on set with ambition, and some smaller films he hopes more people discover. There's also talk on his faltered first step into Hollywood (Slam Dance), what he could've bought with the production budget on Maid in Manhattan (a pink elephant!), and the fear that drove him while making Dim Sum. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.

Family has been an inexhaustible source of conflict for writers from the ancient to modern worlds – maybe even more inexhaustible than war. From Greek dramatists Aeschylus and Sophocles to Confucius, family is a source of both self-destruction and self-actualization. In this episode, we explore how family dynamics have changed over the centuries but have surprisingly universal characteristics across time and space. We are joined by Krishnan Venkatesh, host of the “Continuing the Conversation” podcast. We being with a journey deep into the heart of Thebes—where King Laius has died at the hands of his own son Oedipus, and Oedipus has unwittingly married his mother Jocasta—and a subtler journey into the world of 20th century Japanese filmmaker Yasujirō Ozu, where a happily domiciled father and daughter, Somiya and Noriko, will be ripped apart by the norms and expectations of tradition. This is an exploration of the nature of family, the tension between the safety and anxiety that family creates, and the rich and multiple ways that different societies express these insights.

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Good Morning, es una película de comedia japonesa de 1959 coescrita y dirigida por Yasujirō Ozu. Es una nueva versión de su propia película muda de 1932 I Was Born, But... Plot: Dos niños empiezan una huelga de silencio para presionar a sus padres a que les compren un televisor. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod

In a part two of a series started in January, this Funky Friday at Five continues your host, Mitch Hampton's discussion of the many styles of representing two characters in art with the example of Yasujirō Ozu - one of the greatest filmmakers of the 20th century. More on this very special livestream event with podcast host Mitch Hampton, here: "In a part two of a series started in January, this Funky Friday at Five" continues the discussion of the many styles of representing two characters in art with the example of Yasujiro Ozu- one of the greatest filmmakers of the 2oth century. Wonderful link to Criterion's collection of the films of Yasujiro Ozu: https://www.criterion.com/current/ posts/3836-the-sigmature-style-of-yasujiro-ozu --- Send in a voice message: https://podcasters.spotify.com/pod/show/mitch-hampton/message Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

In this episode of What a Picture, Bryan and Hannah watch Late Spring, the 1949 movie directed by Yasujirō Ozu that ranks #21 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Music is "Phaser" by Static in Verona.

He's a guitarist, a composer, a producer, an audio engineer and a teacher. Gaurav Chintamani joins Amit Varma in episode 316 of The Seen and the Unseen to share his reflections on music and life. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Gaurav Chintamani at Instagram, Twitter, LinkedIn, SACAC and his own website. 2. Advaita on YouTube Music, YouTube, Spotify, Instagram and Twitter. 3. Raman Negi on YouTube Music, YouTube, Spotify, Instagram and Twitter. 4. The Dirt Machine on YouTube Music, YouTube and Spotify. 5. Grounded in Space -- Advaita. 6. The Silent Sea -- Advaita. 7. Shaksiyat -- Raman Negi. 8.  Mehroom -- Raman Negi. 9. Lullaby for the Anxious Bones -- Raman Negi. 10. It's About Time -- The Dirt Machine. 11. Kleptocrat -- The Dirt Machine + Amartya Ghosh (The song that started with dripping water). 12. Carol of the Bells -- Ishaan Chintamani. 13. Gaurav Chintamani on the School of Bass Podcast. 14. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 15. Hard work vs. Long work -- Seth Godin. 16. Warren Mendonsa Plays the Universal Pentatonic — Episode 273 of The Seen and the Unseen. 17. The Beatles on YouTube Music, Spotify and Wikipedia. 18. Bob Dylan on YouTube Music, Spotify and Wikipedia. 19. Choo Lo -- The Local Train. 20. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 21. Four Thousand Weeks -- Oliver Burkeman. 22. Redemption Song -- Bob Marley. 23. The Beach (book) -- Alex Garland. 24. The Beach (film) -- Danny Boyle. 25. John Cage on YouTube Music, Spotify and Wikipedia. 26. A Scientist in the Kitchen — Episode 204 of The Seen and the Unseen (w Krish Ashok). 27. Over the Hills and Far Away -- Led Zeppelin. 28. Amit Varma's favourite lofi playlists on YouTube and Spotify. 29. Music for Airports -- Brian Eno. 30. The Formula Behind Every Perfect Pop Song — Seeker. 31. The Double ‘Thank-You' Moment — John Stossel. 32. Deezer -- The French streaming service that Gaurav mentions. This is how they pay their artists. 33. Entry and Exit in Agriculture -- Episode 1 of The Seen and the Unseen (w Pavan Srinath and Karthik Shashidhar). 34. Altitude -- Advaita on The Dewarists. 35. A Hard Day's Night -- The Beatles. 36. Thriller -- Michael Jackson. 37. Guns N' Roses, Pantera and The Doors. 38. The Sky is Crying -- Stevie Ray Vaughan. 39. Jai Arjun Singh Lost It at the Movies — Episode 230 of The Seen and the Unseen. 40. Lou Majaw on YouTube Music and Spotify. 41. Acquired Senses (a demo version) -- HFT. 42. Natasha Badhwar Lives the Examined Life — Episode 301 of The Seen and the Unseen. 43. Suyash Rai Embraces India's Complexity -- Episode 307 of The Seen and the Unseen. 44. Jeff Beck on YouTube Music, Spotify and Wikipedia. 45. Jimi Hendrix on YouTube Music, Spotify and Wikipedia. 46. Imposter Syndrome. 47. Aakar Patel on Twitter. 48. A Meditation on Form — Amit Varma. 49. Wanting — Luke Burgis. 50. René Girard on Amazon and Wikipedia. 51. Lifespan: Why We Age – and Why We Don't Have To — David Sinclair. 52. Waking Up - A New Operating System for Your Mind -- Sam Harris. 53. The Adda at the End of the Universe — Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). 54. Dirty Mind -- Jeff Beck. 55. The Haas Effect. 56. The Advaita jam in the Kolkata hotel room. 57. Here, There and Everywhere -- Geoff Emerick. 58. Paul McCartney listens to John Lennon's Beautiful Boy. 59. Watching the Wheels -- John Lennon. 60. Chris Cornell's covers of Watching the Wheels, Redemption Song, Long As I Can See The Light, Nothing Compares 2 U, I Will Always Love You and Thunder Road. 61. Penny Lane -- The Beatles. 62. Strawberry Fields Forever -- The Beatles. 63. The Bends -- Radiohead. 64. The White Album -- The Beatles. 65. Sticky Fingers, Exile on Main Street and Goat's Head Soup -- The Rolling Stones. 66. Time out of Mind -- Bob Dylan. 67. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 68. A Day in the Life -- The Beatles. 69. Stevie Wonder on YouTube Music, Spotify and Wikipedia. 70. Friends, Crime, & The Cosmos -- Abhishek Upmanyu. 71. This Be The Verse — Philip Larkin. 72. Somebody That I Used To Know -- Mike Dawes. 73. Happy -- Pharrell Williams. 74. Blow by Blow -- Jeff Beck. 75. Cause We've Ended as Lovers -- Jeff Beck. 76. Miles Davis on YouTube Music, Spotify and Wikipedia. 77. Bitches Brew -- MIles Davis. 78. Pat Metheny on YouTube Music, Spotify and Wikipedia. 79. John Scofield on YouTube Music, Spotify and Wikipedia. 80. I Can See Your House from Here -- Pat Metheny and John Scofield. 81. SD Burman on YouTube Music, Spotify and Wikipedia. 82. John Williams on YouTube Music, Spotify and Wikipedia. 83. The Study of Orchestration -- Samuel Adler. 84. Maurice Ravel on YouTube Music, Spotify and Wikipedia. 85. Claude Debussy on YouTube Music, Spotify and Wikipedia. 86. Johann Sebastian Bach on YouTube Music, Spotify and Wikipedia. 87. Cello Suite No. 1 in G Major -- Johann Sebastian Bach, played by Yo Yo Ma. 88. Thomas Dybdahl on YouTube Music, Spotify and Wikipedia. 89. The Old Man and the Sea -- Ernest Hemingway. 90. The Great Gatsby -- F Scott Fitzgerald. 91. Crime and Punishment — Fyodor Dostoevsky. 92. Atomic Habits — James Clear. 93. Stanley Kubrick on IMDb and Wikipedia. 94. Martin Scorsese on IMDb and Wikipedia. 95. Goodfellas -- Martin Scorsese. 96. Raging Bull -- Martin Scorsese. 97. Bernard Herrmann. 98. Psycho -- Alfred Hitchcock. 99. The Sopranos, Breaking Bad and Better Call Saul. 100. Seven Samurai -- Akira Kurosawa.. 101. The Girl From Kashmir — Episode 295 of The Seen and the Unseen (w Farah Bashir). 102. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 103. Akira Kurosawa and Yasujirō Ozu. 104. Mulholland Drive and Twin Peaks -- David Lynch. 105. Taxi Driver, New York Stories, Casino, Kundun and Silence -- Martin Scorsese. 106. A Whiter Shade of Pale -- Procul Harum. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Pieces of Me' by Simahina.

Ranking No. 4 on the British Film Institute's recently released Greatest Films of All Time poll was director Yasujirō Ozu's "Tokyo Story" (1953), which plays as a meditation on time and generational divides, set during a parents' trip to Tokyo to visit their adult children. In this episode, Mike and Brian discuss Ozu's visual approach and whether or not a film can be shot "objectively;" they talk pre- and post-war sensibilities; growing apart; trauma-bonding; and the disapointments that come with being stuck in transitional periods of familial or cultural change. Want to choose an movie for a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.

Poet, novelist, translator, journalist, crime fiction writer, children's book author, teacher, math tutor: now here is a man who contains multitudes. Jerry Pinto joins Amit Varma in episode 314 of The Seen and the Unseen to talk about his life and learnings. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Jerry Pinto on Instagram, Amazon and his own website. 2. Em and the Big Hoom -- Jerry Pinto. 3. The Education of Yuri -- Jerry Pinto. 4. Murder in Mahim -- Jerry Pinto. 5. A Book of Light -- Edited by Jerry Pinto. 6. Baluta -- Daya Pawar (translated by Jerry Pinto). 7. I Have Not Seen Mandu -- Swadesh Deepak (translated by Jerry Pinto). 8. Cobalt Blue -- Sachin Kundalkar (translated by Jerry Pinto). 9. The Life and Times of Shanta Gokhale -- Episode 311 of The Seen and the Unseen. 10. ‘Sometimes I feel I have to be completely invisible as a poet' -- Jerry Pinto's interview of Adil Jussawalla. 11. A Godless Congregation — Amit Varma. 12. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 13. The Big Questions — Steven E Landsburg. 14. Unlikely is Inevitable — Amit Varma. 15. The Law of Truly Large Numbers. 16. The Gentle Wisdom of Pratap Bhanu Mehta — Episode 300 of The Seen and the Unseen. 17. Young India — Episode 83 of The Seen and the Unseen (w Snigdha Poonam). 18. Dreamers — Snigdha Poonam. 19. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 20. The History Boys -- Alan Bennett. 21. The Connell Guide to How to Write Well -- Tim de Lisle. 22. Thinking Better: The Art of the Shortcut -- Marcus Du Sautoy. 23. Dead Poet's Society -- Peter Weir. 24. A Mathematician's Apology -- GH Hardy. 25. The Man Who Knew Infinity -- Robert Kanigel. 26. David Berlinski and Martin Gardner on Amazon, and Mukul Sharma on Wikipedia.. 27. Range Rover -- The archives of Amit Varma's column on poker for The Economic Times. 28. Luck is All Around -- Amit Varma. 29. Stoicism on Wikipedia, Stanford Encyclopedia of Philosophy and Britannica. 30. House of the Dead —  Fyodor Dostoevsky. 31. Black Beauty -- Anna Sewell. 32. Lady Chatterley's Lover -- DH Lawrence. 33. Mr Norris Changes Trains -- Chistopher Isherwood. 34. Sigrid Undset on Amazon and Wikipedia. 35. Some Prefer Nettles -- Junichiro Tanizaki. 36. Things Fall Apart — Chinua Achebe. 37. Jane Austen and Thomas Hardy on Amazon. 38. Orientalism -- Edward Said. 39. Edgar Allan Poe, Nathaniel Hawthorne and Kurt Vonnegut on Amazon. 40. Johnny Got His Gun -- Dalton Trumbo. 41. Selected Poems -- Kamala Das. 42. Collected Poems -- Kamala Das. 43. In Which Annie Gives It Those Ones — Pradip Krishen. 44. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 45. Tosca -- Giacomo Puccini. 46. Civilisation by Kenneth Clark on YouTube and Wikipedia. 47. Archives of The World This Week. 48. Dardi Rab Rab Kardi -- Daler Mehndi. 49. Is Old Music Killing New Music? — Ted Gioia. 50. Mother India (Mehboob Khan) and Mughal-E-Azam (K Asif). 51. A Meditation on Form — Amit Varma. 52. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 53. Collected Poems — Mark Strand. 54. Forgive Me, Mother -- Eunice de Souza. 55. Porphyria's Lover -- Robert Browning. 56. Island -- Nissim Ezekiel. 57. Paper Menagerie — Ken Liu. 58. Jhumpa Lahiri on Writing, Translation, and Crossing Between Cultures — Episode 17 of Conversations With Tyler. 59. The Notebook Trilogy — Agota Kristof. 60. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 61. The Blue Book: A Writer's Journal — Amitava Kumar. 62. Nissim Ezekiel on Amazon, Wikipedia and All Poetry. 63. Adil Jussawalla on Amazon, Wikipedia and Poetry International. 64. Eunice de Souza on Amazon, Wikipedia and Poetry International. 65. Dom Moraes on Amazon, Wikipedia and Poem Hunter. 66. WH Auden and Stephen Spender on Amazon. 67. Pilloo Pochkhanawala on Wikipedia and JNAF. 68. Arvind Krishna Mehrotra on Amazon, Wikipedia and Poetry Foundation. 69. Amar Akbar Anthony -- Manmohan Desai. 67. Ranjit Hoskote on Amazon, Instagram, Twitter, Wikipedia and Poetry International. 71. Arundhathi Subramaniam on Amazon, Instagram, Wikipedia, Poetry International and her own website. 72. The Red Wheelbarrow -- William Carlos Williams. 73. Mary Oliver's analysis of The Red Wheelbarrow. 74. A Poetry Handbook — Mary Oliver. 75. The War Against Cliche -- Martin Amis. 76. Seamus Heaney on Amazon, Wikipedia and Poetry Foundation. 77. The world behind 'Em and the Big Hoom' -- Jerry Pinto interviewed by Swetha Amit. 78. Jerry Pinto interviewed for the New York Times by Max Bearak. 79. Salman Rushdie, Amitav Ghosh and GV Desani on Amazon. 80. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 81. Graham Greene, W Somerset Maugham and Aldous Huxley on Amazon. 82. Surviving Men -- Shobhaa De. 83. Surviving Men -- Jerry Pinto. 84. The Essays of GK Chesterton. 85. The Life and Times of Nilanjana Roy — Episode 284 of The Seen and the Unseen. 86. City Improbable: Writings on Delhi -- Edited by Khushwant Singh. 87. Bombay, Meri Jaan -- Edited by Jerry Pinto and Naresh Fernandes. 88. The Life and Times of Urvashi Butalia — Episode 287 of The Seen and the Unseen. 89. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 90. Wanting -- Luke Burgis. 91. Kalpish Ratna and Sjowall & Wahloo on Amazon. 92. Memories and Things — Episode 195 of The Seen and the Unseen (w Aanchal Malhotra). 93. Ashad ka Ek Din -- Mohan Rakesh. 94. Anna Karenina -- Leo Tolstoy (translated by Constance Garnett). 95. Gordon Lish: ‘Had I not revised Carver, would he be paid the attention given him? Baloney!' -- Christian Lorentzen.. 96. Sooraj Barjatya and Yash Chopra. 97. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 98. Don't think too much of yourself. You're an accident — Amit Varma. 99. Phineas Gage. 100. Georges Simenon on Amazon and Wikipedia.. 101. The Interpreter -- Amit Varma on Michael Gazzaniga's iconic neuroscience experiment. 102. The Life and Times of Abhinandan Sekhri — Episode 254 of The Seen and the Unseen.. 103. Madame Bovary -- Gustave Flaubert. 104. Self-Portrait — AK Ramanujan. 105. Ivan Turgenev, Ryu Murakami and Patricia Highsmith on Amazon. 106. A Clockwork Orange -- Anthony Burgess. 107. On Exactitude in Science — Jorge Luis Borges. 110. Playwright at the Centre: Marathi Drama from 1843 to the Present — Shanta Gokhale. 111. Kubla Khan -- Samuel Taylor Coleridge. 112. Girish Shahane, Naresh Fernandes, Suketu Mehta, David Godwin and Kiran Desai. 113. The Count of Monte Cristo -- Alexandre Dumas. 114. Pedro Almodóvar and Yasujirō Ozu. 115. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 116. The Lives of the Poets -- Samuel Johnson. 117. Lives of the Women -- Various authors, edited by Jerry Pinto. 118. Lessons from an Ankhon Dekhi Prime Minister — Amit Varma. 119. On Bullshit — Harry Frankfurt. 120. The Facts Do Not Matter — Amit Varma. 121. Beware of the Useful Idiots — Amit Varma. 122. Modi's Lost Opportunity — Episode 119 of The Seen and the Unseen (w Salman Soz). 123. Kesavananda Bharati v. State of Kerala. 124. The Importance of Data Journalism — Episode 196 of The Seen and the Unseen (w Rukmini S). 125. Rukmini Sees India's Multitudes — Episode 261 of The Seen and the Unseen (w Rukmini S). 126. Pramit Bhattacharya Believes in Just One Ism — Episode 256 of The Seen and the Unseen. 127. Listen, The Internet Has SPACE -- Amit Varma.. 128. Fixing Indian Education — Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 129. The Reflections of Samarth Bansal — Episode 299 of The Seen and the Unseen. 130. The Saturdays -- Elizabeth Enwright. 131. Summer of My German Soldier -- Bette Greene. 132. I am David -- Anne Holm. 133. Tove Jannson and Beatrix Potter on Amazon. 134. The Hobbit and The Lord of the Rings -- JRR Tolkien. 135. Darkness Visible: A Memoir of Madness -- William Styron. 136. An Unquiet Mind: A Memoir of Moods and Madness -- Kay Redfield Jamison. 137. Searching for Swadesh -- Nirupama Dutt.. 138. Parsai Rachanawali -- Harishankar Parsai. 139. Not Dark Yet (official) (newly released outtake) -- Bob Dylan.. 140. How This Nobel Has Redefined Literature -- Amit Varma on Dylan winning the Nobel Prize.. 141. The New World Upon Us — Amit Varma. 142. PG Wodehouse on Amazon and Wikipedia. 143. I Heard the Owl Call My Name -- Margaret Craven. 144. 84, Charing Cross Road -- Helen Hanff. 145. Great Expectations, Little Dorrit and Bleak House -- Charles Dickens. 146. Middlemarch -- George Eliot. 147. The Pillow Book -- Sei Shonagon. 148. The Diary of Lady Murasaki -- Murasaki Shikibu. 149. My Experiments With Truth -- Mohandas Gandhi. 150. Ariel -- Sylvia Plath. 151. Jejuri -- Arun Kolatkar. 152. Missing Person -- Adil Jussawalla. 153. All About H Hatterr -- GV Desani. 154. The Ground Beneath Her Feet -- Salman Rushdie. 155. A Fine Balance -- Rohinton Mistry. 156. Tales from Firozsha Baag -- Rohinton Mistry. 157. Amores Perros -- Alejandro G Iñárritu. 158. Samira Makhmalbaf on Wikipedia and IMDb. 159. Ingmar Bergman on Wikipedia and IMDb. 160. The Silence, Autumn Sonata and Wild Strawberries - Ingmar Bergman. 161. The Mahabharata. 162. Yuganta — Irawati Karve. 163. Kalyug -- Shyam Benegal. 164. The Hungry Tide -- Amitav Ghosh. 165. On Hinduism and The Hindus -- Wendy Doniger. 166. I, Lalla: The Poems of Lal Dĕd — Lal Dĕd (translated by Ranjit Hoskote). 167. The Essential Kabir -- Arvind Krishna Mehrotra. 168. The Absent Traveller -- Arvind Krishna Mehrotra. 169. These My Words: The Penguin Book of Indian Poetry -- Edited by Eunice de Souza and Melanie Silgardo. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘He is Reading' by Simahina.

Family is an inexhaustible source of conflict for dramatists, novelists, and filmmakers—perhaps more inexhaustible than war. From Greek dramatists Aeschylus and Sophocles to Confucius, Vyasa, and Ozu, family is a problem, a question, and a source of both self-destruction and self-actualization. In this episode,  Santa Fe host Krishnan Venkatesh is joined by tutor Aparna Ravilochan for a journey deep into the heart of Thebes—where King Laius has died at the hands of his own son Oedipus, and Oedipus has unwittingly married his mother Jocasta—and a subtler journey into the world of famed Japanese filmmaker Yasujirō Ozu, where a happily domiciled father and daughter, Somiya and Noriko, will be ripped apart by the norms and expectations of tradition. This episode searches for insights into the nature of family, the tension between the safety and anxiety that family creates, and the rich and multiple ways that different artists, works, cultures, and mediums express these insights. 

Hosts Rosalie Lewis, a writer for FThisMovie.com, and Tim Rosenberger -- a film writer for Film Obsessive, a blogger, and YouTuber -- discuss three more films from famed Japenese director Yasujirō Ozu. This time it's two family comedy-dramas and one crime drama: I Was Born But... (1932), Dragnet Girl (1933), and Passing Fancy (1933). The first and the last are available on Criterion's Eclipse Series 10: Silent Ozu —Three Family Comedies and the second film is available through Criterion's Eclipse Series 42: Silent Ozu —Three Crime Dramas.

Welcome Snobbies to CHEER-UP films #3 with Jared's pick featuring two late 50's Japanese children going on a speaking strike until they get a brand new television in their home. This hilarious and well made film comes from director Yasujirô Ozu and is called, “Good Morning.” The film takes place almost entirely in a small Japaense village while we follow the daily goings on of people and tune in to their conversations and daily dramas that happen. This film was delightful and fun to watch and was such a joy to talk about. We hope you enjoy it too. Film Discussed: Good Morning (1959) Letterboxd: Eric Peterson: letterboxd.com/EricLPeterson/ Jared Klopfenstein: letterboxd.com/kidchimp/ Ethan Jasso: letterboxd.com/e_unit7/ Caleb Zehr: letterboxd.com/cjzehr/ Ricky Wickham: letterboxd.com/octopuswizard/ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/ Five star reviews left on the pod get read out loud!

Yasujirō Ozu's "Tokyo Story" is considered one of the best--IF NOT--the best film of all time. THE BEST FILM OF ALL TIME. Like, if Stranger Things went on 20 more seasons, "Tokyo Story" would be still probably the best film of all time and I don't explain that but I explain what it does to the human psyche. It asks ourselves very important questions that every human in society goes through and if it hasn't, it's gonna come and it comes hard. A film so simple but so beautiful at the same time. I explain the cinematography, the slow pacing and how the film reflects on family life and what's crazy is that this film came out in 1953 and its subject matter STILL resonates to this very day in our modern society. That's the power of cinema, that it can affect us in a deep way.