Podcast appearances and mentions of Paul Thomas Anderson

This Week for your Daily Ratings Movie News: The Star Trek movie reboot is taking shape in a more intense way. Johnny Greenwood is already learning a new instrument for Paul Thomas Anderson's next film. Indie Navarrette's next film is a Waffle House movie, and Backrooms 2 looks to be in the near future for director Kane Parsons.    - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!

The Strangers are heading West for Paul Thomas Anderson's 2007 instant classic, "There Will Be Blood" starring Daniel Day Lewis, Paul Dano, and Ciaran Hinds. "There Will Be Blood" is available to stream on PlutoTV and Paramount Plus!A ruthless silver miner-turned-oil tycoon transforms a small California town during the petroleum boom, destroying his relationships and soul in a relentless pursuit of wealth and power.#period #film #reviews #commentary #movies #strangersinthealps #satellite12 #moviepodcast #therewillbeblood #danieldaylewis #paulthomasanderson #pauldano #ciaranhinds #milkshake #oilFollow all of our relevant links here: https://linktr.ee/satellite12

Blockbuster Blake Stubbs joins Bob Sirott to talk about the growing popularity of an Oasis documentary, the film that received at 14-minute standing ovation at the Venice Film Festival, and a collaboration between Paul Thomas Anderson and Jonny Greenwood. Jason Lesniewicz, senior director of cultural tourism at Choose Chicago, also joins Bob to share details about […]

On September 26, 2025, last year’s Best Picture Oscar winner, One Battle After Another, a loose adaptation of Thomas Pynchon’s novel Vineland, hit wide release in theaters. And then 11 days later, on October 7, Pynchon published what might be his final novel, Shadow Ticket. Not a bad year for an 89-year-old writer. This hour, a look at the (maybe) reclusive Pynchon and the novels and stories he’s published, from Gravity’s Rainbow to Mason & Dixon and more. Plus: a look at the two Paul Thomas Anderson movies that Pynchon’s work has inspired, Inherent Vice and One Battle After Another. GUESTS: David Cowart: Distinguished professor emeritus of English language and literature at the University of South Carolina and the author of a number of books, including Thomas Pynchon: The Art of Allusion and Thomas Pynchon and the Dark Passages of History Ana Gavrilovska: A writer; you can find her work in Current Affairs, Uncut Magazine, Maggot Brain, and her Substack, Sick Sad Motherslug Leonardo Goi: A journalist and film critic Brian Slattery: A writer and musician Music featured (in order): Don Giovanni, K. 527: Overture – W.A. Mozart as performed by Claudio Abbado and the Chamber Orchestra of Europe The most referenced piece of music in Pynchon’s catalogue. Gravity’s Angel – Laurie Anderson The Royal Scam – Steely Dan Mentioned in Bleeding Edge. Run Straight Down – Warren Zevon Zevon attributed this song to overdosing on Pynchon — the opening words are just carcinogenic chemicals. Bang Bang (My Baby Shot Me Down) – Bonzo Dog Band Pynchon put out his own playlist for Inherent Vice. This was on it. The Revolution Will Not Be Televised – Gil Scott-Heron The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show, which originally aired on April 15th, 2026.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Bonus Episode! Cameron and Juzo discuss Boogie Nights (1997). Starring Mark Wahlberg, Julianne Moore, Burt Reynolds, and an incredible supporting cast, the film follows the rise and fall of a young star in the adult film industry during the 1970s and '80s. Enjoy our final episode wrapping up the legacy of Paul Thomas Anderson. Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.  

To close out our series on the films of Paul Thomas Anderson, we take a look at Licorice Pizza (2021). Starring Alana Haim and Cooper Hoffman, the film follows two young people navigating their complicated relationship in 1970s Los Angeles. Join us as we discuss Anderson's return to the San Fernando Valley, the film's unconventional romance, and how Licorice Pizza stacks up against the rest of his filmography. Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

From Raiders of the Lost Ark to Spider-Man 2, Boogie Nights, Frida and Broadway, Alfred Molina has built one of Hollywood's most extraordinary and versatile careers. In this revealing conversation with Steve Kmetko, Molina looks back at making his movie debut for Steven Spielberg, and admits he was so inexperienced he didn't even understand the marks on the floor. He shares the story behind becoming Doctor Octopus, explains how Doc Ock's famous mechanical arms really worked, and reveals the nickname he and the puppeteers gave themselves. Molina also takes us behind the scenes of Boogie Nights, including the line he improvised that Paul Thomas Anderson kept in the film, and talks about Salma Hayek's extraordinary fight to get Frida made with the cast she wanted. Then the conversation gets personal. Molina discusses the times he considered giving up acting, being told he wasn't leading-man material, therapy, his unusual theory about what drives actors, his feelings about awards and the role he'd still love to play. After five decades on stage and screen, Alfred Molina is very much still here.   00:00 Alfred Molina: Still Here Hollywood01:01 His First Movie, Raiders of the Lost Ark02:17 Alfred Molina Was Completely New to Filmmaking04:52 Why Spielberg Told Him to Stop Watching Dailies07:18 Why Raiders Changed Adventure Movies08:43 Auditioning for Steven Spielberg10:22 Learning From Hollywood's Greatest Directors12:20 The One Director He Couldn't Understand14:33 Regretting Not Paying Attention in School15:08 Classical Acting Training at Guildhall17:08 Did Classical Training Help in Hollywood?19:01 Becoming Doctor Octopus20:00 The Secrets Behind Doc Ock's Tentacles23:10 The Movies Alfred Molina Loves25:34 Why Young Fans Know Him as Doc Ock27:04 Does He Take His Characters Home?29:52 Why He Keeps Returning to the Stage31:31 The Incredible Boogie Nights Firecracker Story34:40 Actors, Directors and Happy Accidents38:32 Film vs. Television vs. Theater40:38 The Roles He Still Wants to Play43:34 Playing Tevye and Diego Rivera44:53 Salma Hayek's Fight to Make Frida47:00 Alfred Molina Gets Candid About Awards50:09 Why He Doesn't Really Watch the Oscars51:24 The Best Acting Advice He Ever Received53:18 He Thought About Quitting Acting, A Lot55:42 Alfred Molina on Therapy56:04 His "Genetic Flaw" Theory About Actors58:00 The Role He Still Dreams About59:59 The Career Moment He'd Love to Relive1:02:06 Inside Hollywood's "CADS" Group1:04:09 Why Their Friendships Matter Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian Sanyshyn https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the latest episode of our Collabs podcast series, we are joined by guest Emily Lawler to discuss her choice of film that means a lot. This time, the film in question is Magnolia, from director Paul Thomas Anderson. Liked it? let us know! Hated it? No need to share! Apple Podcasts   Spotify   Amazon   YouTube Facebook   x (Twitter)   Bluesky   Instagram  Moviescramble website We love you all! (yes, even you at the back)

What movies have the greatest ensemble casts of all time? On this episode of The Next Reel, Lance Taylor and Tyler Johns take a listener suggestion and each reveal their Top 3 favorite ensemble movie casts — from legendary directors like Quentin Tarantino, Christopher Nolan, Paul Thomas Anderson and Peter Jackson to films packed with some of Hollywood's biggest stars. Before the rankings, Lance and Tyler catch up on everything they've been watching lately, including True Detective, Lethal Weapon, Sugar, Lanterns, The Murdochs: Dynasty of Power and a deep dive into several underrated post-apocalyptic movies. They discuss why True Detective Season 1 still holds up, Matthew McConaughey and Woody Harrelson's unforgettable chemistry, whether True Detective Season 2 deserves its bad reputation, the possibility of Mel Gibson bringing Lethal Weapon back, Colin Farrell in Sugar, HBO's weekly-release strategy for Lanterns, and much more. Then it's time for the main event: the best ensemble casts in movie history. Which movies make Lance and Tyler's lists? And what films did they leave out? Drop your Top 3 ensemble movie casts in the comments — and send us more movie, TV and pop-culture topics you want Lance and Tyler to tackle on future episodes of The Next Reel.

We are diving into the archives this week to bring back an absolute favorite classic episode of Everyone's a Critic!Comedian Emily Wilson stops by the studio to defend the 2011 Adam Sandler and Jennifer Aniston rom-com, Just Go With It. We break down why the critics were entirely wrong to give this film a 19% on Rotten Tomatoes, arguing that it is actually a sweet, character-driven comedy elevated by the incredible real-life chemistry of its leads. We dive deep into the bizarre but hilarious supporting cast, including Nicole Kidman playing a mean-spirited sorority bully, Dave Matthews playing a rude, wealthy husband, and an early movie appearance by Keegan-Michael Key. We also examine the genius of Adam Sandler's career, his tendency to cast his friends, and the shocking Rotten Tomatoes scores for classics like Click and Master of Disguise. Away from the movie, Emily talks about the success of her Edinburgh Fringe show, Fixed. She shares the wild true story behind the show: auditioning for the American X Factor at age 15 alongside her closeted best friend, getting ripped apart by the judges, and somehow still making it through to the live shows. We also chat about our favorite eras of Saturday Night Live, the magic of live UCB improv shows in New York, and why Emily absolutely hated the acclaimed Paul Thomas Anderson film Licorice Pizza. ⭐ Support the show on Patreon for: Episodes 24 hours earlyAd-Free listeningBonus ContentExclusive Polls and Updatespatreon.com/everyonesacriticpod

This week on Remainders we celebrate our 100th episode with Boogie Nights. An all-time classic and favorite from the Suncoast days, we revisit one of our most watched movies and PTA's breakthrough masterpiece. We talk the incredible ensemble cast, the transition from the party of the 70s to the chaos of the 80s, and one of the greatest film soundtracks ever. All things lead back to family in Boogie Nights.Other topics include reflections on 100 episodes of Remainders, the next 100 episodes and plans for the future, Darren's journey in L.A. since starting the podcast, new physical media, and the passing of Screaming Mad George and 80s horror practical effects.Songs of the WeekGod Only Knows by The Beach BoysStill In Hollywood by Concrete BlondeRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

We continue our journey through the films of Paul Thomas Anderson, first with the neo-noir dark comedy Inherent Vice, an adaptation of Thomas Pynchon's novel starring Joaquin Phoenix. And then onto the romantic drama (or comedy?) Phantom Thread, Anderson's reunion with Daniel Day-Lewis, also starring Vicky Krieps and featuring a beautiful score by Jonny Greenwood. Juzo and Cameron also briefly discuss the new film The End of Oak Street at the top of the episode. Inherent Vice discussion begins around 33:00 Phantom Thread discussion begins around 1:04:00   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Put on your platform shoes, slap that glitter lipgloss on, and get ready to groove with Keith and I as we visit the 1997 Paul Thomas Anderson masterpiece Boogie Nights! With our good friend James Huddleson along for the ride! Keep watching movies! Jay

This week on Movie Mistrial, we descend into the ruthless world of ambition, greed, and oil with Paul Thomas Anderson's modern masterpiece, There Will Be Blood.Anchored by Daniel Day-Lewis' towering, Oscar-winning performance as Daniel Plainview, There Will Be Blood is a haunting examination of capitalism, obsession, and the corrupting pursuit of power. Its stunning cinematography, unsettling score, and unforgettable dialogue have cemented it as one of the defining films of the 21st century.While widely regarded as a masterpiece, some viewers may find its deliberate pacing and sparse narrative challenging. The film's bleak outlook and emotionally distant characters can also make it a demanding experience.Join us as we drill deep into There Will Be Blood. Is it a profound character study of American ambition—or an exercise in cinematic excess?Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

Continuing our series on the films of Paul Thomas Anderson, we take a look at The Master (2012). Starring Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams, the film follows a troubled World War II veteran who becomes involved with a growing religious movement and its charismatic leader. The Master discussion begins at 44:20. Enjoy!   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Paul Thomas Anderson's 1997 Los Angeles porno epic, BOOGIE NIGHTS, is our feature presentation this week! We talk about Mark Whalberg's acting, Burt Reynolds being a pain in the ass on set, PTA getting it greenlit after his debut movie bombed, John C. Riley, the darkness of the film, and much more! We also pick our Top 7 1990s Defining Actors in this week's Silver Screen 7!   Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR! 

This week on the Talk Without Rhythm Podcast I have a double-feature of D-Day by way of PTA as I discuss Daniel Day-Lewis' collaborations with Paul Thomas Anderson in 2007's There Will Be Blood and 2017's Phantom Thread. [00:00] INTRO [02:00] Projection Booth Podcast Promo [03:10] RANDOM CONVERSATION [09:51] There Will Be Blood (2007) [51:45] Phantom Thread (2017) [01:21:28] FEEDBACK [01:24:24] ENDING MUSIC: Violin Concerto in D Major Op.77: 3. Vivace Non Troppo by Johannes Brahms Buy There Will Be Blood (2007) Buy Phantom Thread (2017) Support TWoRP Contact Us talkwithoutrhythm@gmail.com 

We're back with another Recommend or Refute conversation.  John finally decides to watch a good movie and is blown away by Paul Thomas Anderson's epic character piece The Master (2012), Ryan goes dumpster diving with Richard Pryor in The Toy (1982), and Dixon tackles one of cinema's all-time greats with Orson Welles' debut film Citizen Kane (1941).  Pull up a chair, grab a drink, and join us.

On this episode of Remainders we start our Paul Thomas Anderson double feature with Magnolia. PTA's early epic of intertwined lives and coincidences vs fate and the sins of the father. A pivotal movie during the Suncoast days, we check out how this ranks among PTA's career 25 years on.Other topics include ranking PTA, Tom Cruise and his auteur phase vs his movie star status, other PTA regulars as we get ready for Boogie Nights on our 100th episode, Christopher Nolan and The Odyssey, Bonnie Tyler and Holding Out for a Hero, and whether Short Circuit 2 has the best final chase scene ever.Songs of the WeekLetters by Eric VorelLa polizia sta a guardare by Stelvio CiprianiRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Continuing our series on the films of Paul Thomas Anderson, we take a look at There Will Be Blood (2007). Starring Daniel Day-Lewis in an Academy Award-winning performance, the film follows ambitious oilman Daniel Plainview as he builds his fortune in early 20th-century California. Enjoy our discussion of one of Paul Thomas Anderson's most acclaimed films and whether it deserves its reputation as a modern classic.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

There came a time in Paul Thomas Anderson's career when he decided he wanted to try to be funny again. So he called up Joaquin Phoenix, gave him Irish sideburns, and told him to do his version of The Dude from The Big Lebowski. And so INHERENT VICE was born, and it was branded with a fresh Tomatometer score, and PTA got to be silly again, forsaking narrative clarity in the process. Listen to Alex & Julio as they try to follow Doc Sportello's investigation and lament the waste of an interesting supporting cast!TIMELINE00:01:24 Inherent Vice00:12:08 Contrarians Corner- Wanna know how we really feel about INHERENT VICE? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

"Aim it at her tits, kid..." In the latest episode of AT THE MOVIES IN THE 90s, your host Mark McManus and brand new host Emma Arneil dig deep into Paul Thomas Anderson's sprawling 1997 exploration of the 70s porn industry, Boogie Nights. One of the most celebrated films of the decades, putting PTA and Mark Wahlberg on the map, plus revitalising the career of Burt Reynolds, this serves as a searing Altman-esque look at the dark side of an already seedy industry. Decades on, does it have the same power? And is that final moment still able to take your eye out? We find out! Host / Editor Mark McManus Co-Host Emma Arneil Producer A. J. Black Find the podcast on Linktr.ee: https://linktr.ee/atthemoviesinthe90s Support the Film Stories podcast network on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/simonbrew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: www.filmstories.co.uk Title music: 'I Am Changing' by Isaac Elliott (c) epidemicsound.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Revisiting the most lauded film of 2025, Paul Thomas Anderson's One Battle After Another (or for the too busy to say things fully: PTA's OBAA).Joe loved it, saw it twice. Adam was chillier… has he chilled? And what Christopher Nolan got to do with it? Expect to hear all about expectation and a run down of PTA's oeuvre (love that word.) This is the last in this current solo series, and it's the best one.Got a film you forgot you forgot? Join our growing Discord community and tell us all about it: https://discord.gg/b3CUUdPRf7Or send us an email at moviesyouforgotyouforgot@gmail.com with your thoughts, episode suggestions, or just some light praise.You can also follow Adam @errorofways on Letterboxd; he rates and reviews the films he watches. Also, be a pal: tell your chums, rate us, review us, shout our name into the void - whatever helps spread the word.

Continuing our series on the films of Paul Thomas Anderson, we take a look at Punch-Drunk Love (2002). Starring Adam Sandler, Emily Watson, and Philip Seymour Hoffman, the film follows a lonely businessman whose life changes after falling victim to a blackmailing scheme. Enjoy!   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

It's time for another Mike Makes Mike Watch! This time around, Mike D continues our run of episodes on the films of Roland Emmerich by making Smith watch THE PATRIOT. Meanwhile, Smith is making Mike D catch up with one of his favorite films from one of the best filmmakers alive, Paul Thomas Anderson's MAGNOLIA!

The Christopher Nolan celebration march rolls on through July as the lads gather to talk a little more temporal architecture, before the Short Short Film Film Review takes a turn for the pitch-black and deeply uncomfortable. This week, we're dissecting The Disappearance of Willie Bingham, a gruesome Australian short that takes a chilling, bureaucratic look at capital punishment. Will Andy, Ash, and Stu find a brilliant piece of speculative fiction, or will this escalating surgical nightmare leave them entirely squeamish?Then, the Cruise cruise drops anchor in the hyper-connected, emotionally raw valley of Paul Thomas Anderson's Magnolia. Tom steps into the leather vest of Frank T.J. Mackey—a toxic, leather-clad, respect-the-cock motivational guru that stands as arguably the most explosive, dick-obsessed role of his entire career. Your boys are diving deep into structural overlapping, torrential frogs, and whether Tom's devastating breakdown by his father's bedside earns him the ultimate praise.With the usual blend of silliness, seriousness, and a highly necessary Scientology Watch check-in, it's time once again to take Cruise Control.

Continuing our series on the films of Paul Thomas Anderson, we take a look at Magnolia (1999). Featuring an ensemble cast that includes Tom Cruise, Julianne Moore, Philip Seymour Hoffman, John C. Reilly, William H. Macy, and Jason Robards, the film weaves together multiple interconnected stories dealing with regret, family trauma and forgiveness. Enjoy our discussion of one of PTA's masterpieces! Our Magnolia discussion begins at about 47:22.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

Justin and Chuck dive into Paul Thomas Anderson's One Battle After Another, examining how the film evolves from its politically charged opening into a multifaceted blend of dark comedy, suspense, and heartfelt drama. They break down the standout performances, unforgettable set pieces, and the offbeat humor that make PTA's latest feel unlike anything else in his filmography. The conversation also explores the film's themes of family, loyalty, and identity, with a particular focus on its emotionally charged father-daughter relationship. Along the way, they discuss PTA's fearless tonal shifts, sharp satire, and why the film's surprising emotional payoff makes it one of the year's most rewarding cinematic experiences. Hosted by Justin Morgan Co-hosted by Charles Phillips Mixing and Music by Scratchin' Menace Follow us on Facebook and Bluesky for updates. Listen on Apple Podcasts, Spotify, YouTube, and all major platforms. Please subscribe, rate, and review. We appreciate the support!

This week, film scholar and author Mike Miley returns to the podcast to discuss one of his favorite directors, Jonathan Demme. Intriguingly, Mike opted to focus on Demme's earliest movies before his most successful era of SILENCE OF THE LAMBS and PHILADELPHIA. Although we touch on the unsung filmmaker's entire career, in this fast-paced, well-researched conversation, Mike and I cover Demme's background, recurring themes, collaborators (especially David Byrne), contemporaries, and those he influenced (most notably Paul Thomas Anderson), plus the films STOP MAKING SENSE, SOMETHING WILD, and MARRIED TO THE MOB. One of my favorite episodes of the season so far and perfect for the Fourth of July weekend given what Demme chooses to celebrate onscreen in America; it's also a must for cinephiles with access to the Criterion Channel, given that this month there's a spotlight on the filmmaker's work. Mike's Bio: Mike Miley is the author of David Lynch's American Dreamscape: Music, Literature, Cinema and Truth and Consequences: Game Shows in Fiction and Film. His writing on film has appeared in The Atlantic, Bright Lights Film Journal, Reactor, The Smart Set, and elsewhere. His next book, A Guide to Reading (and Finishing) David Foster Wallace's Infinite Jest, will be published next year. He's currently working on an oral history about an 80s cult classic. Originally Posted on Patreon (7/1/26) here: https://www.patreon.com/FilmIntuition/posts/162635425Donate to the Pod via Ko-fi & PayPal Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

This episode is our finale of the Paul Thomas Anderseason, since we already covered "One Battle After Another" earlier in the year. In this episode, we talk about "Licorice Pizza." We start with the origins of the project and the various movies that provided inspiration to this project. Next, we discuss the plot of the film, and describe all the scenes we love from this film. Finally, we each pair the film with another for a pair of double bills for your viewing enjoyment. Thank you so much for listening!Support us at Patreon at https://www.patreon.com/DoubleBillChillCreated by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Kicking off our new series on the films of Paul Thomas Anderson, we begin with his feature debut, Hard Eight (1996). Starring Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, and Samuel L. Jackson, the film follows a seasoned gambler who takes a down-on-his-luck stranger under his wing, setting off a quiet but compelling crime story built on strong performances and sharp dialogue. Join us as we discuss the beginnings of one of modern cinema's most acclaimed directors and the film that first showcased his distinctive voice.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive-produced by Darrin O'Neill and recorded and produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter @cinemaspectatorpodcast. Isaac and Cameron began recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in film at SFSU and collaborates on corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader with creative experience in brand, advertising, product, music, and film. Isaac is the casual. Juzo is a producer, director, and avid film enthusiast who knows everything about cinema. The podcast is a passion project by three longtime friends; we hope you enjoy it! Thank you for your time, generosity, and support.

This week we cover our penultimate episode of Paul Thomas Anderseason with "Phantom Thread." We discuss the development of this project and its production. We then dive into the film itself and describe everything we love about this film. Finally, we each pair the film with another for a pair of double bills.Thank you so much for listening!Support us at Patreon at https://www.patreon.com/DoubleBillChillCreated by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Chase Infiniti joins Backstage's In the Envelope: The Actor's Podcast to discuss her incredible year, including her breakout role across from Leonardo DiCaprio in Paul Thomas Anderson's "One Battle After Another" and leading "The Handmaid's Tale" sequel series, "The Testaments," as Agnes MacKenzie. Infiniti also dives deep into her self-tape setup, chemistry reads, the myth of the "overnight success," and much more. ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Jen Foreman - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

This week we cover Paul Thomas Anderson's smoky noir, "Inherent Vice." We discuss the long process of adapting Thomas Pynchon's work into a screenplay, and the funding of the film. We then make sense of the murky plot and discuss the scenes we love from this film. Finally, we each pair the film with another for a pair of double bills for your viewing pleasure. Thank you so much for listening!Support us at Patreon at https://www.patreon.com/DoubleBillChillCreated by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Your Christmas Adventure Club hosts talk about Paul Thomas Anderson’s newest movie ONE BATTLE AFTER ANOTHER (2025) with Leonardo DiCaprio, Sean Penn and Benecio Del Toro and Teyana Taylor.Col. Steven J Lockjaw: I believe she was a sperm thief.Sandy Irvine: A semen demon. LINKSPsycho Cinema YTWee Freekz FBUnsane Radio WebsiteTarr and Fether’s WebsitePsycho Cinema FBUnsane Radio FBUnsane Radio XHeavy Metal Horror Podcast FBHeavy Metal Horror Podcast YT MusicIntro/Outro: Monolock – I see ItBackground: Sneak Machine

This week we're back with Paul Thomas Anderson's excellent post-war drama, "The Master." We discuss the long road to getting this film made as well as the varied influences on the film's look and story. We, then, dive into the plot of the film and describe everything we love about it. Finally, we each pair the film with another for a pair of double bills for your viewing pleasure!Thank you so much for listening!Support us at Patreon at https://www.patreon.com/DoubleBillChillCreated by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Janek Ambros is a filmmaker, producer, writer, and founder of Assembly Line Entertainment whose work has screened in connection with major festivals including Sundance, Venice, SXSW, and TIFF. As both a producer and director, he has built a career balancing the creative and business sides of independent filmmaking while helping bring a wide range of projects to life. In this episode, we discuss Janek's unconventional path from studying economics and interning at Morgan Stanley to building his own production company and producing award-winning independent films. We talk about his documentaries IMMINENT THREAT and MONDO HOLLYWOODLAND, the importance of editing as a storytelling tool, and why producing other filmmakers' work helped shape his perspective as a director. We also dive into the collaborative spirit of the legendary "Film Brat" generation, the influence of filmmakers like Francis Ford Coppola, Martin Scorsese, Paul Thomas Anderson, and James Cameron, and the current state of independent cinema. Janek shares his thoughts on practical effects versus CGI, the future of moviegoing, why comedy films have become increasingly difficult to make, and the importance of building communities of filmmakers who support one another. As always, we close the conversation with Janek's two favorite movie scenes and the lessons filmmakers can learn from them.   Hosted by Zef Cota Produced by Cole Howard

The Take is now on Patreon: www.patreon.com/kermodeandmayo Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. It's Disclosure Day week! Yes, film buffs, that means it's time for a new Steven Spielberg film—and not just a new Spielberg, but a new Spielberg sci-fi. We can't wait to see the iconic director return to the genre he defined, and to hear Mark's verdict. Should we believe the hype that it's his best film in decades? As well as Mark's review, we'll hear Simon's interview with two of its stars, Emily Blunt and Colman Domingo. They talk Spielbergian on-set insights, space aliens, and, erm… Percy Pigs. Plus, yet more speculation as to whether Jaws is or is not about a shark. On top of that we've got two more reviews of two new movies who dared to release alongside this box office whopper. First up, quirky Scottish tragicomedy The Fall of Sir Douglas Weatherford, about a man desperate to keep his small town's true history alive when a Game-of-Thrones-style production circus arrives and threatens to redefine it. And it's reissue time for Paul Thomas Anderson's Boogie Nights, scrubbed up in glorious 4K, and back on the big screen to celebrate. How does this groovy and grimy modern classic stand up after nearly 30 years? Let's see what the Good Doctors say. All that plus the usual hilarity/hardship of the Laughter Lift, and of course your erudite and insightful correspondence to boot. Don't sleep on another top Take! You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo. EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Timecodes: 00:10:27 The Fall of Sir Douglas Weatherford review 00:20:03 Box Office Top 10 00:35:23 Colman Domingo and Emily Blunt interview 00:46:23 Disclosure Day review 01:12:10 Boogie Nights review 01:22:57 What's On? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sex, drugs, and rock n' roll.  These are the things that you come to Random Acts of Cinema for.  Paul Thomas Anderson almost manages to reach our podcastly levels of hedonism and vice in his late 90s indie apogee covering the late 70s porn apogee. *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Akira Kurosawa's Yojimbo (1961).

This week we’re talking waterbeds, pinball machines, hot dog stands, full desert sleds out on the eighth hole by the sand trap, and Paul Thomas Anderson’s 2021 film ‘Licorice Pizza.’ Become an All Access member and get ad-free listening by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

John C. Reilly talks to Ted Danson about bringing back empathy with his vaudeville-style music act Mister Romantic, how he met his wife on “Casualties of War,” hiding his acting dreams from his dad, his long relationship with Paul Thomas Anderson, why he tried talking Leonardo DiCaprio out of doing “Titanic,” and more.    Learn more about John's album, "What's Not to Love?”   Like watching your podcasts?  Visit http://youtube.com/teamcoco to see full episodes.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Munsons welcome back our favorite bald guest Munson, Chip Hessenflow, to dive into the strange, fascinating, and deeply anxious world of Giovanni Ribisi. From the jump, we're captivated by Ribisi's obsession with cinematography, vintage cameras, and filmmaking technology—so much so that he literally loans equipment out to legendary directors like Paul Thomas Anderson. Naturally, this leads us into discussing one of the more unusual distinctions in Munson's history: Giovanni becomes the first practicing Scientologist we've covered in 136 episodes. We spend a shocking amount of time talking about Boiler Room (seriously, keep count at home), while James takes a passionate detour into why the Avatar franchise actually rules and continues to hold up better than people want to admit. Along the way, we explore how Ribisi essentially cornered the market in Hollywood on playing “the weird guy,” weaponizing his nervous, twitchy, anxious energy into one of the most unique character actor careers of his era. We revisit his endless string of early television appearances, uncover just how many massive Friends fans are apparently on this podcast, and celebrate his memorable run on the series. The deeper we go, the more impressed we become by the absolutely loaded list of directors and co-stars Ribisi worked with throughout the late 90s and early 2000s—a résumé that quietly stacks up against almost anyone from that generation. How does he rank on the Munson Meter? Listen to find out.

At one time or another, every director was a no-name. Someone had to give them chance. Paul Thomas Anderson tested what works in Hard Eight (1996) and showcased what he could do in Boogie Nights (1997). You can see the growth of the filmmaker as well as some of the common actors used. Let us know what you think of these films. Also Play:Cinema Chain Game--------------------------------------------Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersYouTube: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter / X: @ourfilmfathersEmail: ourfilmfathers@gmail.com

A LATINO WRITER WHO WOULD LIKE EVERYTHING TO BE 10% WEIRDER, THANK YOU Alberto Roldán shares growing up Puerto Rican in rural central Pennsylvania, having his artistic world cracked open by Paul Thomas Anderson's Magnolia, detouring through Northwestern, NPR, and political work, navigating the long road to his first staff job, learning when to let the clown play before the professor takes over, and bringing his love of weird, thoughtful entertainment to Apple TV's Widow's Bay. Instagram - @lalistapodcast Music: Arriba Mami - Jingle Punks

"I want you flat on your back."70mm presents DANIEL MAY LEWIS with Paul Thomas Anderson's PHANTOM THREAD. We also get into THE BATMAN PART 2 news, the relaunch of our merch store, Proto watching PREDATOR BADLANDS and ALVIN, Danny watching PATHS OF GLORY, and slime watching WIDOWS BAY and BLOODSPORT. Anyone want mushrooms?Chapters:(00:00:00) Introductions (00:06:22) What we watched(00:18:11) PHANTOM THREAD(01:12:10) Next weekSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault which includes over 70 movies! Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a ⁠TAPEDECK⁠ podcast, along with our friends at ⁠BAT & SPIDER⁠,  ⁠The Letterboxd Show⁠, Austin Danger Pod, ⁠Escape Hatch⁠, ⁠Will Run For...⁠, ⁠Lost Light⁠, ⁠The Movie Mixtape⁠, and ⁠Twin Vipers⁠.(Gone but not forgotten; ⁠Cinenauts⁠ + ⁠FILM HAGS⁠.) ★ Support this podcast on Patreon ★

What are the best movies from six of the greatest directors ever? Lance Taylor and Tyler Johns go filmmaker by filmmaker through the careers of Quentin Tarantino, Martin Scorsese, David Fincher, Paul Thomas Anderson, Stanley Kubrick, and Christopher Nolan to choose the films that best define each director. From Tarantino's pop-culture-changing Pulp Fiction to Scorsese's gangster classic Goodfellas, Fincher's dark thriller Seven, PTA's powerhouse drama There Will Be Blood, Kubrick's horror landmark The Shining, and Nolan's massive historical epic Oppenheimer, this episode is a full movie-lover deep dive. The guys also discuss the difference between a director's “best” movie and their personal favorite, why some films age better than others, and how certain movies reshape an entire genre. Before the main topic, Lance and Tyler review recent viewings including Who Will Stop the Rain?, Marathon Man, Billy Idol Should Be Dead, Hooper, Widow's Bay, Mortal Kombat 2, and Batman Beyond. #BestFilms #BestMovies #LegendaryDirectors #QuentinTarantino #MartinScorsese #ChristopherNolan #StanleyKubrick #DavidFincher #PaulThomasAnderson #PulpFiction #Goodfellas #Oppenheimer #TheShining #TheNextReel #moviereview SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth takes a closer look at the Trump administration arguing that the war with Iran is over.Then, Maya Rudolph talks about making her Broadway debut in "Oh, Mary!," compares performing on a theater stage to her SNL days and reflects on attending the 2026 Oscars for a "Bridesmaids" reunion and to support her partner Paul Thomas Anderson.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Clint and longtime friend of MUYP Tom Kwei discuss everything from Metallica to Emily Dickinson. The Geese controversy, Ozzy and Sabbath, the best British guitar players, Getdown Services, the Oasis reunion, the Oscars, Paul Thomas Anderson, Metallica at The Sphere, Mark Knopfler and Bob Dylan, David Gilmour, landfill indie music, The Strokes, Witch Fever, Wolf Alice and a bunch of other stuff I can't remember. Enjoy!  Watch Punnit HERE. If you get value from Metal Up Your Podcast, the best way to support the show is to subscribe and leave a review on Apple Podcasts:https://podcasts.apple.com/us/podcast/metal-up-your-podcast-all-things-metallica/id1187775077Want more MUYP?You can support the show directly by becoming a Patron.Patrons at the $5 tier receive:Volumes 1–4 of our Cover Our World Blackened EPsInvitations to appear on the show to discuss Metallica concerts you've attended.The ability to submit questions to past guests including Ray Burton, Halestorm, Michael Wagener, Jay Weinberg, and members of Metallica's crew.Join us here:https://www.patreon.com/metalupyourpodcastJoin the MUYP Discord Server to continue the conversation:https://discord.gg/nBUSwR8tSupport Clint's music:Lunar Satan: https://distrokid.com/hyperfollow/lunarsatan/lunar-satanVAMPIRE: https://distrokid.com/hyperfollow/clintwells/vampireStream or purchase Cover Our World Blackened and Quarantine Covers:https://metalupyourpodcast.bandcamp.comFollow Metal Up Your Podcast on social media and write in anytime:metalupyourpodcastshow@gmail.com

It's Critical Darlings' biggest morning! After a marathon season, we react to this year's Academy Awards: the winners, losers, presenters, performances, and awkward play-offs. One Battle After Another and Sinners nearly split the ballot with One Battle and Paul Thomas Anderson taking the biggest prizes in Best Director and Best Picture, while Sinners took home Best Actor, Score, Adapted Screenplay, and Cinematography. But for as many questions as the ceremony answered, it raised more: Do Sinners and Amy Madigan's wins signal a shift in how the Academy sees horror? What exactly is the Best Casting Oscar tracking? Are we now doomed to see Timmy eat a raw elk in an Iñárritu film? As part of this special episode, we also check in with Critical Darlings fashion correspondent Ben “The Other Ben” Hosley on this year's Oscars fashion, review the best popcorn buckets of the year with Vulture's Rebecca Alter, and reveal the future of Critical Darlings.  ✨Subscribe to our new feed in your podcast player of choice, and join us next week for Project Hail Mary!✨ Apple Podcasts: https://podcasts.apple.com/us/podcast/critical-darlings/id1885681327Spotify: https://open.spotify.com/show/60n6Z9BUUMUR81CQoHbE8bPocket Casts: https://pca.st/1beh8dxuAmazon Music: https://music.amazon.com/podcasts/a3598b5c-6f4a-4819-9457-44082cfea1fc/critical-darlings Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This is one of those “who knows what's going to happen” years at the Oscars. And maybe the biggest question of the night is which movie will dominate: “Sinners,” with its record 16 nominations, or “One Battle After Another,” which is right behind with 13. One is a vampire movie set in the Jim Crow South, featuring not one but two Michael B. Jordans. The other imagines a leftist revolutionary outfit led by Black women — Teyana Taylor! — facing off against a racist, sexist, authoritarian government. No matter what, we're talking about a pretty exciting night — including for many Black people. But you know how it is with race and the Oscars. It is never that simple. Because there are some people who are not rooting for Paul Thomas Anderson's version of Black feminist-driven revolution. And a lot of those people are Black feminists themselves. Including Wesley's dear friend, the scholar Daphne A. Brooks. After leaving the theater, she sent him a text calling it “a Black feminist 911 emergency.” So before the biggest awards of the industry are handed out, Wesley invites Daphne on the show to ask her, “What's the 911 situation here?” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher.  Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.