American film director, screenwriter, and producer
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This week on Another Pass, Sam and Case are joined by Erin Callahan to dig into Paul Thomas Anderson's sprawling emotional epic, Magnolia. We talk about intersecting lives, the weight of coincidence, and whether a few small edits could make this frog-filled fever dream even more powerful. #AnotherPass #Magnolia #PTAnderson #MoviePodcast #FilmDiscussion Another Pass Full Episode Originally aired: November 14, 2025 Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Certain Point Of View is a podcast network brining you all sorts of nerdy goodness! From Star Wars role playing, to Disney day dreaming, to video game love, we've got the show for you! Learn more on our website: https://www.certainpov.com Support us on Patreon! patreon.com/CertainPOVMedia Join us on Discord: https://discord.gg/wcHHer4 PODCAST SHOWS: ▶ Another Pass - https://www.certainpov.com/another-pass-podcast Outline Introduction to Podcast and Guests (00:00 - 02:47) Introduction of podcast hosts Case Aiken and Sam Alicea alongside guest Erin Callahan, comedian and performer based in LA. Overview of the podcast's goal of analyzing fascinating but flawed movies and discussing 'Magnolia' by Paul Thomas Anderson. Film Reception and Initial Impressions (02:47 - 06:41) Discussion on the film's commercial performance (barely recouped budget). Observations on how the interconnected plotlines initially seem scattered but progressively reveal ties. Personal Reactions and Character Complexity (06:41 - 09:43) Sam expresses strong dislike for the film, citing an emotional aversion to nearly all characters except the frogs. Recognition of standout performances by William H. Macy and Philip Seymour Hoffman despite overall dislike. Overview of Film Narrative and Themes (09:43 - 19:46) Aaron explains the ensemble format, interconnected stories set in San Fernando Valley culminating in a biblical-style frog plague. Major theme identified: dysfunctional relationships between parents and children. Cops and Authority Portrayal (19:46 - 29:25) John C. Reilly's character depicted as a well-meaning but incompetent cop, demonstrating systemic failures in law enforcement. The film's critical stance towards police, contrasting with mainstream media depictions at the time. Character Analysis: Donnie and Stanley (29:25 - 39:23) William H. Macy's character as a former quiz boy who symbolizes a lost potential and relatability to gifted child experience. Debate on whether his storyline is essential or expendable in a trimmed-down version of the film. Entertainment Moguls and Their Families (39:23 - 49:49) Comparison of Earl Partridge and Jimmy Gator as similar figures of industry power who have harmed their children and spouses. Tom Cruise's Frank T.J. Mackey characterized as a 'manosphere' guru shaped by family trauma. Claudia and Themes of Control and Addiction (49:49 - 59:40) Claudia viewed as a victim of parental control, drug addiction, and neglect juxtaposed with her father's manipulative behavior. Biblical allusion of plague of frogs as symbolic of parental failure to 'let their children go.' Frank T.J. Mackey and Masculine Performance (59:41 - 01:09:41) Spotlight on Tom Cruise's versatile and immersive performance as Frank T.J. Mackey, exploring the emotional façade and trauma underlying his character. Mention of Cruise's Oscar nomination for the role and the improvisation he brought to the emotional father-son scenes. Julianne Moore's Character and Themes of Caregiving and Betrayal (01:09:41 - 01:20:56) Detailed discussion of Linda Partridge showing vulnerability, guilt, and emotional complexity amid caregiving for a dying Earl Partridge. Exploration of betrayal themes and intimate family dynamics. Film Length and Narrative Structure Discussion (01:20:56 - 01:32:27) Consensus on the film's excessive length complicating viewer engagement. Suggestions to streamline or reimagine — either cut characters and subplots or expand into a miniseries format. Potential Edits and Streamlining Approaches (01:32:27 - 01:43:10) Aaron recommends removing William H. Macy's character to focus tightly on key children and their relationships with their parents. Both emphasize retaining vital scenes such as the frog plague, quiz show elements, and key emotional arcs. Lighthearted Closing and Future Topics (01:43:10 - 01:53:43) Humorous tangent on frogs and Ninja Turtles. Promotion of next episode on 'Highlander 2: The Quickening.'
Woah did this Paul Thomas Anderson movie hype us up! We loved One Battle After Another. Hosted on Acast. See acast.com/privacy for more information.
“One Battle After Another” star Regina Hall discusses her role in Paul Thomas Anderson's film, her return as Brenda in "Scary Movie 6" and what's next. Also, writer/director Chloé Zhao discusses the spiritual dimensions of "Hamnet," working with child actors and why her upcoming "Buffy the Vampire Slayer" sequel pilot required an entirely different skill set. And the Awards Circuit Roundtable discusses the main contenders for Netflix, the winners of regional festivals and the dark horses in the Oscar race. Learn more about your ad choices. Visit megaphone.fm/adchoices
JUHLAPÄIVÄ! Vain 29-vuotias Paul Thomas Anderson ohjasi elokuvan, joka on kaikin puolin täydellinen, ja nyt Jutta ja Mikko viimein puhuvat siitä. Magnolia (1999) kertoo näennäisesti toisilleen vieraista ihmisistä, joiden kohtalot yhdistyvät. Tom Cruisen "Respect the Cock!", Julianne Mooren pilleripäissään kiljuva ökyrouva, Philip Seymour Hoffmanin herkkä yöhoitaja ja liikuttavan oikeamielinen John C. Reillyn esittämä poliisi ovat vain muutamia briljanteista hahmoista, joita yhdistää rakkauden nälkä ja outo, yöllinen sammakkosade. Magnolian lisäksi puhumme HBO:n uudesta minisarjasta Taskista, jota johtaa Mark Ruffalo ja joka on myös kaikin puolin täydellinen, sekä loppuun sweet chili dipit eli meidän kulttuurisuositukset teille. Tuu mukaan, nää on liikuttavat kemut!
Double review for Hereditary and Manchester by the Sea and a little Paul Thomas Anderson rant.PREPARE FOR YOUR BIG INTERVIEW with O'Hagan Career Coaching @www.ohagancareercoaching.comJoin Anytown Actors Lab @ www.anytownactorslab.com Have any questions or want to vent something? Leave an anonymous message on our new website @ www.youareherepodcast.net SUPPORT US ON PATREON @ patreon.com/youareherepodwww.youareherepodcast.net
Will, Jared, & Kourtney (!) sit down to discuss one of the hottest and most controversial films of the year, Paul Thomas Anderson's One Battle After Another.Does legendary auteur PTA deliver another ingenious adaptation of a Thomas Pynchon novel, or is this movie too radical for its own good? Do the hosts, inspired by the film, regret drinking Modelo during the podcast? Are the portrayals of people of color in this film offensive, and how uncomfortable are our hosts in even discussing that topic? Listen to find out!One Battle After Another is available on these streaming services.The Weather Underground documentary that Kourtney references which Perfidia's Letter is inspired by can be found here (letter is at 1:16:19).The article by "Black Girl Watching" that Kourtney references can be found here."Gymnopedie No. 3" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Our outro track is "Gymnopedie No. 1" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/You can listen to Reno Championship Wrestling & Spellbound and Gagged anywhere you get podcasts.Email the show at debaserpod@gmail.comFollow Debaser on Instagram, Bluesky, and Facebook.Follow Will on Instagram and Jared on Bluesky.Cover art by @DogBitesBackNY
Julian, Madeline, and Emilio are rejoined by Brendan McDonald, former producer of the iconic podcast WTF with Marc Maron, for a bonus episode about Paul Thomas Anderson's latest masterpiece, One Battle After Another. Kicking off with a check-in on Brendan's life following WTF's end this past October, the group roll through the many hills of PTA's new film, including its roots in Thomas Pynchon's novel Vineland, numerous thematic and aesthetic connections to his greater filmography, and its balancing of political commentary and the personal struggles that coincide. Much time is also spent praising of the film's phenomenal cast, be it Leonardo DiCaprio delivering comic and dramatic beats with equal prowess, Chase Infiniti commanding the screen with her evocative breakout performance, or Teyana Taylor using limited screentime to maximal effect, among other examples. Keeping track of the time and remembering the password, with or without format punch-cards, the group draw from their many combined viewings to highlight a film that truly shines like a beacon with its expansive worldview, sincerity, and attention to detail in the uncertainty-laden present of 2025. Listen to the WTF archives and look back on the podcast's legacy at wtfpod.com.If you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats
I denne episoden presenterer vi andre del av vår samtale med Joachim Trier om Affeksjonsverdi. I første del dykket vi ned i filmens tematikk, mens vi i denne avsluttende delen snakker mer om fortellingens mange meta-nivåer. Trier deler blant annet sine tanker om hva slags regissør Gustav Borg er, betydningen av manuset-i-filmen – pluss at han forteller om sitt vennskap med Paul Thomas Anderson og gleden over å se One Battle After Another. Etter verdenspremieren i Cannes i mai og påfølgende kinolansering denne høsten, har Affeksjonsverdi blitt årets suverent mest omtalte norske film. Hundretusenvis av publikummere har strømmet til kinosalene (også i utlandet), og langvarige diskusjoner om filmen har ledet til flere interessante debatter – inkludert kritikken i Morgenbladet og meningsutvekslingen som fulgte. Faste lyttere vil huske at Joachim Trier har vært gjest hos oss på Filmfrelst tidligere – først i episode #102 om tidenes 10 beste filmer og deretter i episode #473 om Verdens verste menneske. Deltagelsen her på Filmfrelst er Triers eneste (eksklusive) norske podkastopptreden i høst – denne samtalen begynte i forrige episode (#650, hør den her) og fortsetter altså her nedenfor. Triers store filminteresse kommer tydelig frem i dialog med Montages-redaktør Karsten Meinich, og i tillegg til at denne praten fokuserer på Trier og medmanusforfatter Eskil Vogts ideer rundt Gustav Borg som filmskaper, kommer denne episoden også inn på betydningen av bevegelse i film og på hvilken måte Yasujirō Ozus filmer har inspirert Trier. Til slutt er vi også kort innom hva som venter Affeksjonsverdi i den internasjonale lanseringen, og hva deltagelsen i årets Oscar-sesong kan bety. God lytting!
On this episode we dive into One Battle After Another, directed by Paul Thomas Anderson and starring Leonardo DiCaprio, Sean Penn, & Chase Infiniti! We share our thoughts on the movie and discussed what we liked and didn't like about the film. Also we talk about a lot of TV shows, books, The Louvre heist & more! Follow the show on social media!FacebookInstagramFollow our YouTube Channel:https://www.youtube.com/@PodcastSilverFollow us on LetterboxdJaredKatieBe sure to rate and review the show wherever you listen!
Dear, surviving, audient: how is it hanging?WeI sympathize.If you were looking to art as an answer, hoping for some revolutionary frameworks, or just plain ol' solace inside -- -- I'm afraid most of the pod's going to tell you to keep looking.In this one we watched 2 "political" movies released this year: Ari Aster's Eddington and Paul Thomas Anderson's One Battle After Another.More generally, the 2 movies raised the question of what it means to involve politics in a movie. Jake took this as an excuse to geek out on Grad school vibes and do a deep dive into Walter Benjamin's attempts to save aesthetics from the khaki schmattes of Communism.Who said Marx Grudge?Benjamin does brandish an interesting, rather Derridian, analytic tool in the distinction between allegory and the symbol; which I will anger Jake and summarize here as analogous (allegorical?!) to a movie whose special effects are shot on set with actual props, and the one where the effects are all programmed in (as CGI). Like shooting props, the allegory foregrounds its technicity, while the symbol will claim the harmony of form-function and content. Except the symbol doesn't work anymore. Like the pathetic attempt poor Andy had to suffer through, where the reinvented "Superman" is called-upon to white-wash the Gaza genocide (still a western debacle). The symbol rang so hollow it gave Andy bowel issues. (Editor's note:) We will NOT be getting into that.Of course, the allegory's very apparatus makes it susceptible to Capitalist manipulations. This is where we take a more specific tack on Anderson's film: shot and directed, deliberately, in my opinion, as a post-fascist account of how pathetic and hopeless revolutions are, how revolutionaries are either posers or self-deceiving cucks.And here is Anderson's genius, in recognizing the capitalist tentacles have already infiltrated all discourse -- which is a panicked, exhausted discourse these days (on "the left") -- "over-technicizing" allegory into social media reels and internet memes. His account gives the melancholia of a post-fascist winner looking back at history: disjointed, often accompanied by a (never happy or energetic or really calm) soundtrack, the characters are mostly isolated with superficial thoughts and relationships... it is the sad sigh of a fulfilled Sklavenmoral.There was more tossed around, of course. Fair warning.STARS: Marx Grudge (grudgingly); Beast & Sovereign... but really, all the Stars were there: the Il vaut mieux with differance; the Pervs R' Us with melancholy, the WWJD with 'Manifest Destiny'...P.S. We have an official email address (5startossers@gmail.com), for you, dear audient, to vent; a kind of a complaint/feedback box. We will collect the complaints (/corrections/disputes) to an episode where we address your mirror of our stupidities. 5ST
On episode 313 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade, Associate TV Editor Karen Peterson, and Contributor Josh Parham to discuss the Original Score and Original Song categories at the Oscars and to do a quick state-of-play on the Best Director and Best Picture categories. First, they share their predictions for the Original Score category, discussing how this branch may vote, the old favorites that might return, and which potential new composers they could see in the category. Will any of the top scores be ruled ineligible? They dig into all of that and more. Next, it's time to talk about Diane Warren, the "Golden" ticket to the Oscars, and the potential for double nominations for Sinners and Wicked: For Good in the Original Song category. Finally, the team does a brief check-in on the Best Picture and Best Director categories. They chat about the excitement surrounding a potential coronation year for Paul Thomas Anderson, Hamnet's audience prizes, and why One Battle After Another is the movie of the moment. What makes an awards season hero or villain? It's November, and the vultures are already circling. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more. This podcast runs 1h17m. We will be back soon with a brand new episode. Until then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
Wenn man heute die Nachrichten anmacht, die sozialen Netzwerke durchschollt oder einen Podcast hört wird man mit einem unheimlichen Bild konfrontiert: einer starken Polarisierung der politischen Lager. Rechts gegen links, konservativ gegen liberal. Und alle sind der Meinung, Anspruch auf absolute Wahrheit zu haben. Filme adressieren schon immer gesellschaftliche Stimmungen, kommentieren sie, überspitzen sie, parodieren sie. Manche vermeintliche Wahrheit wird dadurch verdaulicher, eine andere besonders hart zu schlucken. Und gerade deshalb bricht erneut eine Zeit der politischen Filme an. One Battle After Another ist schon lange, lange, lange in der Mache bei Paul Thomas Anderson. Er stellt die Fragen, was mit einem Aktivisten passiert, wenn er lange nicht für seine Sache einstehen kann. Und was geschieht, wenn man ihm den Grund für seinen ruhenden Aktivismus entreißen will und wieso es besonders wichtig ist, sich vereinbarte Code- und Passwörter zu merken.Eddington hat ebenfalls eine lange Entstehungsgeschichte hinter sich. Eigentlich als Ari Asters Regiedebut gedacht, musste das Script sich jedoch hinter Hereditary anstellen. Dann kam die Corona-Zeit und lieferte einen neuen Kontext: Was passiert, wenn es eine Pandemie gibt, die noch keinen Einzug in eine Keinstadt genommen hat aber dennoch bereits das ganze Leben der Bewohner durcheinander bringt? Ein etwas inkompetenter Sheriff und ein selbstgefälliger Bürgermeister treffen mit ihren unterschiedlichen Ideologien aufeinander und der Ego-Krieg beginnt. Die Fronten sind in beiden Filmen verhärtet und eskalieren in Gewalt. In so großem Ausmaß dass es fast übertrieben scheint… wenn es nicht mittlerweile so nah an der Realität liegen würde. Und als Zuschauer fragt man sich, ob man sich von diesen Themen eigentlich unbehelligt unterhalten lassen darf oder ebenfalls aktiv werden sollte um für seine Werte einzustehen.
Religion, greed, hatred, capitalism, hypocrisy, there's a lot to unpack in Paul Thomas Anderson's Magnum Opus. Is it his best, or is it flaunting style and obscurity over nuance and substance? Get your Bibles and milkshakes ready! Guest Info Jeff York is a member of the Chicago Indie Critics, whose work you can catch at https://theestablishingshot.org/ Follow him on X @JeffYorkWriter . BlueSky@jeffyorkwriter.bsky.social, Instagram @jeffyorkchicago, TikTok @jeffyorkchicago You can also find him on TikTok as @jeffyorkchicago where he reviews movies while drawing beautiful illustrations of the movies he's reviewing. Matt Fagerholm is a former Literary Editor at RogerEbert.com and Publisher at Indie-Outlook https://indie-outlook.comX @mattfagerholm and @IndieOutlook Instagram @mattfagerholm Subscribe to YPA Reviews for more content. https://www.youtube.com/channel/UCQrUmfPvYdxuBYuvkAREhxA?view_as=public Go to https://www.ypareviews.com/ to read my written reviews and stay up to date on all of my newest podcast and YouTube content. Subscribe on Apple Podcasts https://podcasts.apple.com/us/podcast/youll-probably-agree/id1453935603 Subscribe on Spotify https://open.spotify.com/show/6poDSN5vjKFFk5XVY7SHtq?si=979e81a7063f4005 Subscribe on SoundCloud https://soundcloud.com/user-114056851 Follow Me on X and Instagram @ypareviews My TikTok @ypareviewschicago
Projector Pod fave, the director Paul Thomas Anderson, returns to the cinema screen with his Pynchonesque epic of collapsing revolutionaries, One Battle After Another. With a plot too twisty to explain, characters too real and surreal to describe, and a tone that resists simple labels, it is remarkable that this film works so well. Yet, it also makes sense that it feels like just the right movie for the moment. If you think Projector Pod is the kind of thing you'd like to support, you can find our Patreon here.
"I want you to create a show, Pat. Okay? This is going to announce the motherfucking revolution. Make it good. Make it bright. Impress me.” Put on your bathrobe and climb down the tunnel—this week we're talking about One Battle After Another! We dedicate this week's episode to Paul Thomas Anderson's latest film that features revolutionaries, martial arts, and some small beers. We talk about the plot, the characters, and the action sequences, but we also make sure to cover the skateboard guys, underground tunnels, and Steely Dan songs that go into the movie. So charge your phone, remember what time it is, and join us for this week's pod! Support our show and become a member of Scott's Tots on Patreon! For only $5/month, Tots get ad-free episodes plus exclusive access to our monthly Mailbag episodes where we casually pick through every single message/question/comment we receive. We also have bonus series available to our Patrons, like our White Lotus Christmas Special, Party Down, Ted Lasso, Survivor, and unreleased episodes of this show. Oh, and Tots get access to exclusive channels on our Discord. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ocean waves, ocean waves. One of the best-loved movies of the fall has been Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER. The Better Than the Movie crew is joined by Rene Franco, the head of Skylight's Rabbit Hole Reading Club, to discuss the flick and also the novel which provided some inspiration, Thomas Pynchon's kooky and kaleidoscopic Vineland. Hosted by Justin Remer, Allan Traylor, and Tyler Austin. Produced by Justin Remer. Recorded at the LAPL Octavia Lab, with remote recording via Zencastr. Check out the "Better Than the Movie" audiobook playlist on Libro.FM - https://libro.fm/playlists/skylight-better-than-the-movie Opening music: "Optimism (Instrumental)" by Duck the Piano Wire. Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band.
In this episode of Welcome to the Poddy, Clay dives deep into Paul Thomas Anderson's explosive new film One Battle After Another, fresh from HOYTS. Starring Leonardo DiCaprio, Benicio Del Toro, Sean Penn, and Teyana Taylor, this politically charged action-drama has everyone talking — and Clay's breaking it down like only he can.From Sean Penn's wild racist-but-horny character to Leonardo DiCaprio's funniest performance yet, Clay gives his honest, hilarious, and unfiltered movie review. Expect sharp takes on Hollywood's obsession with politics, AI actresses like Tilly Norwood, and why Jared Leto might be the real villain of cinema.If you love movie reviews that mix stand-up comedy with real talk — this one's for you. Stream the full episode now for laughs, hot takes, and a few uncomfortable truths about race, Hollywood, and why escapism might be dead.
An emergency BAOLIT episode to chat about the latest (perhaps one of the greatest?) Paul Thomas Anderson releases, as is mandated by our "Two White Men In Their Thirties Hosting A Podcast" contract.
With Ali away, Damien and guest co-host Chris Lamberth get In The Conversation about the Uncism spectrum, the evil empire, and debate Paul Thomas Anderson's greatness. Twitter.com/dlemoncomedy // Twitter.com/mrmuhammad Keep up with the conversation on Facebook: Facebook.com/InTheConversation Keep up with the conversation on Instagram www.instagram.com/intheconversation Catch Damien LIVE on tour in a city near you: www.damienlemon.com/shows
If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more!My guests this week are New York-via-DC rapper billy woods and Queens rapper-producer E L U C I D, otherwise known as Armand Hammer. In their Take Two episode, we spoke about One Battle After Another, the relationship between Hollywood and the state, the Zambian dark comedy On Becoming A Guinea Fowl, the Anthony Hopkins-starring Magic, their recent LA release show, and the creative process behind their latest album Mercy. Come fuck with us. Mercy will be available wherever music is sold, streamed, or stolen on Friday, November 7. Pre-order the album via Bandcamp or the Backwoodz Studioz website now. Follow Armand Hammer on Instagram and Twitter: @ArmandHammerNYC. Follow E L U C I D on Instagram (@cobratoof) and Twitter (@elucidwho). Follow woods on Instagram (@backwoodzstudioz) and Twitter (@BackwoodzHipHop).Read my profile of Backwoodz, How billy woods's Backwoodz Studioz Became New York's Best Underground Rap Label, via Pitchfork.My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Support the show
In this A24 vibe discussion, these film reviewers discuss what many critics are calling "the film of the decade" in One Battle After Another. Paul Thomas Anderson directed this Thomas Pynchon adaptation while Leonardo Dicaprio, Teyana Taylor, Sean Penn, and Chase Infiniti star in it. It revolves around a revolutionary group named the French 75, and a love triangle that forms between two revolutionaries and an immigration detention center officer. On top of being a Best Picture favorite, One Battle After Another has garnered a lot of conversation around its portrayal of fascist America. Is it worth the hype? Caution: movie spoilers.Intro- 0:00 to 1:34.Film Discussion- 1:34 to 1:15:26.Film Ratings/Outro- 1:15:26 to End.Upcoming podcast release schedule-November 12th- The Kill Team.November 19th- We're All Going to the World's Fair.November 26th- Waves.December 3rd- Gummo.
After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari's Good Fortune. The topic then turns to Paul Thomas Anderson's 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the […]
Original Release Date: Monday 3 November 2025 Description: After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari's Good Fortune. The topic then turns to Paul Thomas Anderson's 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil's thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.
Having survived another Never Scream It series, it's time to do some catch-up. For the rest of the year, we are going to be covering movies from 2025 that are either getting Oscar buzz or are ones we just want to see. First up is the new Paul Thomas Anderson movie that people seem to really like. Join us for One Battle After Another!More Podcasts: https://patreon.com/neverseenitpodSocial Links: https://lnk.bio/neverseenitMovie Info: https://www.imdb.com/title/tt30144839/
Michael Lucchese, founder of Pipe Creek Consulting and associate editor at Law & Liberty, joins Scot Bertram for a fascinating conversation that bridges politics, culture, and philosophy. From the history and modern meaning of the filibuster to the intellectual legacy of William F. Buckley's Cold War conservatism, Lucchese examines how ideas shape governance and values today. They also dive into the unexpected connections between classic conservative thought and the cinematic storytelling of Paul Thomas Anderson, exploring what both teach us about human nature, power, and moral conviction.
Paul Thomas Anderson may be the best director working today. His career as a writer/director transcends genre and convention with unique stories and characters every time he steps behind...
Jason Dick and Sean Carswell discuss how Thomas Pynchon's novel “Vineland” led to Paul Thomas Anderson's movie “One Battle After Another,” the conversation those two works have about American culture and politics, as well as the 1960s left, the Nixonian right, Reaganism, the drug war, Trumpism and, for good measure, Emerson's concept of the level of divine justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jason Dick and Sean Carswell discuss how Thomas Pynchon's novel “Vineland” led to Paul Thomas Anderson's movie “One Battle After Another,” the conversation those two works have about American culture and politics, as well as the 1960s left, the Nixonian right, Reaganism, the drug war, Trumpism and, for good measure, Emerson's concept of the level of divine justice. Learn more about your ad choices. Visit megaphone.fm/adchoices
In episode 19 of (Pop) Cultural Marxism, Isi and Ajay are joined by fellow BISR faculty Joseph Earl Thomas to discuss Ghost of Yotei, Sucker Punch Productions' much-anticipated sequel to Ghost of Tsushima. To kick off the episode, Isi and Ajay chat about recent cultural news and highlights, from the Japanese government calling on OpenAI to refrain from using anime and manga as training data, to the #SwiftiesAgainstAI campaign, to Paul Thomas Anderson's One Battle After Another (2025). Turning to Ghost of Yotei, Isi, Ajay, and Joseph consider where the game succeeds (its strong start, visual beauty, sharp soundtrack, and the satisfying chunkiness and texture of its combat scenes) and where it doesn't (its loadout system, simplistic puzzles, dearth of opportunities for stealth mode, and social and political quandaries its narrative and design raise). They explore the films and television shows that influenced Yotei—from Lady Snowblood and Samurai Champloo to the films of Takashi Miike, Akira Kurosawa, and Sergio Leone) and ask whether and where the game successfully incorporates cinematic techniques and conventions into its storyline. Along the way, they discuss the game's dicey depiction of the Ainu and the colonization of Hokkaido, consider whether the pleasure of open-world gaming has diminished or transformed in the years between Yotei and Tsushima, and interrogate the shape of the game's revenge plot. (Pop) Cultural Marxism is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky. Show notes On Japan and OpenAI: https://www.ign.com/articles/japanese-government-calls-on-sora-2-maker-openai-to-refrain-from-copyright-infringement-says-characters-from-manga-and-anime-are-irreplaceable-treasures-that-japan-boasts-to-the-world One Battle After Another, directed by Paul Thomas Anderson (2025) Other Paul Thomas Anderson films mentioned: Phantom Thread (2017), Inherent Vice (2014), The Master (2012), There Will Be Blood (2007) Ghost of Yotei (Sucker Punch Productions, 2025) Ghost of Tsushima (Sucker Punch Productions, 2020) Way of the Samurai (Acquire, 2002) Tenchu (Acquire/K2/FromSoftware, 1998-2009) Samurai Champloo (2004) Forspoken (Luminous Productions, 2023) South of Midnight (Compulsion Games, 2025) Infamous (Sucker Punch Productions, 2009-2014) Blue Eye Samurai (2023) The Legend of Zelda: Ocarina of Time (Nintendo, 1998) Metal Gear Solid 3: Snake Eater (2004) Parul Sehgal, "The Case Against the Trauma Plot" (2021): https://www.newyorker.com/magazine/2022/01/03/the-case-against-the-trauma-plot Kuroneko, directed by Kaneto Shindo (1968) Lady Snowblood, directed by Toshiya Fujita (1973) Lady Snowblood: Love Song of Vengeance, directed by Toshiya Fujita (1974) The Samurai Trilogy, directed by Hiroshi Inagaki (1954-1956)
Welcome to Light On Light Through episode 415, in which I interview Brooklyn Demme about Paul Thomas Anderson's movie One Battle After Another, in which Brooklyn played a minor role. But in a movie this great, every role is important. Relevant links: my review of One Battle After Another Simon Vozick-Levinson's A Guide to the Revolutionary Music in 'One Battle After Another' in Rolling Stone, September 29, 2025 screening of That Kid (produced by Brooklyn Demme) in Nyack, NY November 1, 2025 at 12 Noon
We love an excuse to be relevant, and we also love an excuse to fill in gaps to our media consumption. This is both! Pete and Martha dig into the oeuvre of Paul Thomas Anderson, including a spoiler-filled discussion of his brand new film, One Battle After Another. Homework for the episode: Magnolia (1999), Punch-Drunk Love (2002), The Master (2012), One Battle After Another (2025) Next episode: our annual crossover episode with the folks at Catching Up David! We're talking FRANKENSTEIN, baby!
Which narrative will resonate most with voters — Paul Thomas Anderson is overdue or 'Wicked 2' is the new 'Lord of the Rings'? Learn more about your ad choices. Visit megaphone.fm/adchoices
If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more!My guests this week are New Orelans-via-Philadelphia producer Wino Willy and Philadelphia rapper FOHDH Matthew. We spoke about One Battle After Another, Fantastic Four: First Steps, Power Rangers, Bad Boys, Belly, their respective paths through hip-hop and Philly, mixing the fly with the thoughtful and Black liberation theology, working with Backwoodz, and the creative process behind their collaborative album Matthew Gets Sick Of Cheap Wine and Prefers Gruaud-Larose 1945. Come fuck with us.Matthew Gets Sick Of Cheap Wine and Prefers Gruaud-Larose 1945 is available wherever music is sold, streamed, or stolen. Consider copping it directly via the Grilchy Party Bandcamp. Follow Wino Willy on Instagram (@winowilly), Twitter (@winowilly_), and TikTok (@winovision). Follow Matthew on Instagram: @fohdhmatthew. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms. Support the show
In this episode we dive into the latest Paul Thomas Anderson movie. We explore the film's intricate layers, masterful performances, and unparalleled storytelling. We break down the film's standout scenes, including its tension-filled chase sequence and the complex interplay of its characters. We get into the captivating performances by Sean Penn and Chase Infinity and have a few Oscar predictions.
Ross Bolen and Barrett Dudley announce which show they'll be covering next, review Paul Thomas Anderson's “One Battle After Another” starring Leonardo DiCaprio, and discuss Foundation season 3, Slow Horses season 5, Weapons, Monster: The Ed Gein Story, IT: Welcome To Derry, The Chair Company, and more. Join us for coverage of "The Wire" season 2 exclusively on Patreon.com/OystersClamsCockles. Support Our Sponsors: BuyRaycon.com/Oysters for 20% OFF the Everyday Earbuds Classic Lucy.co/OCC (promo code "OCC" for 20% OFF first order) Video Produced by Kade Orris Subscribe on YouTube: YouTube.com/@OystersClamsCockles Presented by Bolen Media: BolenMedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
From Netflix's birth to Titanic mania, its safe to say that 1997 was a stacked year, but not before a 26-year-old Paul Thomas Anderson dropped Boogie Nights, turning taboo into pure cinema. On this episode, we revisit the film's intoxicating rise-and-fall arc, the found-family heartbeat, and the moment VHS killed the golden age of adult films. We also dig into the real-world inspirations (Dirk Diggler ⇄ John Holmes; the Wonderland murders), the deliriously tense Alfred Molina “Jessie's Girl” sequence, some wild what-ifs—like Leo DiCaprio passing on the lead—and the legend behind Dirk's big reveal at the end of the film.Chapters:00:00 PTA Was HOW OLD?!00:24 What You'll Get (Adult Themes)01:23 First Impressions03:30 From Valley Kid to Visionary04:24 What Could've Been06:33 Why Wahlberg Works07:31 Burt Reynolds vs PTA (…and the Oscar)08:38 The REAL Dirk Diggler11:25 Was that Real or Fake?12:52 This Opening One-Take SLAPS15:28 More PTA Flexing21:34 Tone Flip on NYE25:54 VHS Killed The Film Star29:39 Jessie's Girl: The Most Tense 8 Minutes33:06 Found Family… and Fallout42:16 Wrap-UpContent note: Heavy adult themes on this episode, so viewer discretion is advised. Follow us on Instagram:https://www.instagram.com/twopleasepod/
Finalmente este equipo se acercó al cine a ver One Battle After Another y cerramos el mes de Paul Thomas Anderson hablando de la película más comentada del último tiempo. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify
Programa #28 y cerramos el mes Paul Thomas Anderson. Charlamos de la nueva Primera Ministra de Japón, la bronca de la Alcaldía de Madrid con Rosalia, el enojo de Axl Rose en Buenos Aires y el juicio de Cards Against Humanity a Space X. Además fuimos al cine y te contamos nuestras conclusiones sobre Una Batalla Tras Otra. De yapa Mati nos trae un interesante Ballet Cósmico sobre Ceres uno vecinos de nuestro sistema solar. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify
Rich and Tracie have opposite opinions of Paul Thomas Anderson's One Battle After Another. Plus, Kamala Harris's new book, Natalia Grace got her hair did, and an update on the government shutdown from Woah Vicky. Plus, Rich wrote a new song!To access video episodes, bonus episodes and our premium series WAWU check out our Patreon.Pot Psych merch is available at Pipe Dreams, where there is a big sale on smoking accessories.Check out potential drama and our Diamond Girls on our Instagram. ★ Support this podcast on Patreon ★
John J. Lennon is a prison journalist who is currently serving a 25-year sentence in Sing Sing prison in New York. His work has been featured by such leading publications as New York Review of Books, The New York Times Magazine, The Atlantic, Esquire, Rolling Stone, and New York magazine. John's new book is The Tragedy of True Crime. John shares his surreal experience of being on a book tour while inside prison and reflects on his own personal experiences with the "true crime" genre. He also warns about the seductive nature -- and problematic relationship these shows have with reality -- of The First 48, Law and Order, Cops, and others in the reality TV show - crime entertainment genre. John explains how his new book goes beyond the sensationalistic headlines and explores the human side and complexity of four men who have been convicted of murder. Robert Chambers, the so-called “Preppy Killer” of 1980s tabloid fame Milton E. Jones, drawn from petty crime into tragedy as a teenager Michael Shane Hale, a gay man facing the death penalty after a crime of passion Lennon himself, who discovered his voice as a writer while serving time for murder Chauncey DeVega shares what it is like in Chicago as Trump's DHS/ICE immigration dragnet "Operation Midway Blitz" and threats of a National Guard "invasion” have created a climate that feels ripped from a bad dystopian movie. To better understand who would want to take a job working for DHS/ICE as one of its enforcers, Chauncey shares a very important news story from the Intercept where they interview people at a job fair for that government agency. And Chauncey DeVega goes to the local cineplex and reviews three new films: Tron: Ares, The Smashing Machine starring Dwayne "The Rock" Johnson, and Paul Thomas Anderson's essential document and cultural artifact of this era One Battle After Another. WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com: Patreon: https://www.patreon.com/thechaunceydevegashow https://www.patreon.com/TheTruthReportPodcast
Paul Thomas Anderson's One Battle After Another has been the talk of the town since its wide release last month—from critics to filmmakers to audiences, the reception has been nothing short of euphoric. Loosely inspired by Thomas Pynchon's novel Vineland, the film opens in an unspecified present, detailing the activities of a militant group led by a Black revolutionary (played by Teyana Taylor). Years after her disappearance, her partner (Leonardo DiCaprio) and their daughter (newcomer Chase Infiniti) are hunted down by an old enemy, Sean Penn's Colonel Steven J. Lockjaw. The chase takes them across California, with an assortment of other characters becoming embroiled along the way. The movie is an unabashedly fun, feel-good action flick—one that also calls back to films as disparate as The Searchers, Commando, and Running on Empty. But is it among the greatest of the decade, as some have claimed? Film Comment Editors Clinton Krute and Devika Girish invited critics and programmers Miriam Bale and Adam Piron on the Podcast to discuss the film's successes and failures, how it fits into PTA's larger body of work, and its engagement with American history and the present. If there's one thing the four agreed on, it's that One Battle After Another is indeed a “very rich text.”
Comedian and actor Frankie Quiñones joins Lone Lobos this week! Xolo Maridueña and Jacob Bertrand chat with Frankie about his comedy journey, from his favorite comedians and bombing on stage, to his new special “Damn, That's Crazy.” Frankie opens up about using comedy to express vulnerability, family, and love. He also shares advice for aspiring comedians and spotlights some of his favorite up-and-coming talent. Watch “Damn That's Crazy,” directed by Emmy-winner Ali Wong, exclusively on Hulu and Hulu on Disney+.Lobitos Exclusivos! Enjoy a bonus conversation with Xolo and Jacob as they discuss Jacob's business pitch and break down Paul Thomas Anderson's “One Battle After Another” and Bill Condon's “Kiss of the Spider Woman.” Available only on Supercast.Free Discord Access: https://discord.gg/KnDhbnBMCjJoin Supercast Today for the full episode: https://lonelobos.supercast.com/Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobosFollow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrandFollow Frankie Quiñones on Instagram: https://www.instagram.com/frankiequinonesFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram: https://www.instagram.com/officialmonicat_We want your feedback! Fill out survey to help us improve our podcast https://tinyurl.com/LLPodcastFeedbackhttp://www.heyxolo.com/Jacobs Channel: @ThreeFloating
This week on The Lonely Island and Seth Meyers Podcast, the guys discuss Laser Cats 5 from January 16th, 2010, Season 35, Episode 12. This installment of the Laser Cats franchise features not only Sigourney Weaver (who was definitely in the first Avatar) but legendary filmmaker James Cameron (creator of Avatar but not Avatar: The Last Airbender). Also, the guys are joined by special guest and Laser Cats co-star Bill Hader! It's a stacked and shaggy episode. So shaggy that you get a lesson in VistaVision for Akiva near the end when discussing Paul Thomas Anderson's new film, One Battle After Another. Plus, they talk about Seth's appearance on SNL two weeks ago and some of their favorite sketches from the Sigourney Weaver episode, including ESPN Classic and Larry the Goose on Weekend Update. Stacked! Laser Cats 5 | https://www.youtube.com/watch?v=2sy-V-8ZlT4 Larry King Late Night Wars Cold Opening | https://www.youtube.com/watch?v=Qlo05gYLhv0 Weekend Update Joke-Off | https://www.youtube.com/watch?v=XyMxQNmcpHM The Chair Company | Official Trailer | https://www.youtube.com/watch?v=b0lDMHAGDnU ESPN Classic: Ladies' Darts | https://www.youtube.com/watch?v=M_YO4lsGyW4 Weekend Update: Larry the Goose One Year Later | https://www.youtube.com/watch?v=I1dcBCkaqtE Not all the clips we mention are available online; some never even aired. Send us an email: thelonelyislandpod@gmail.com Send us a voice note: https://www.speakpipe.com/thelonelyisland Send us stuff: P.O. Box 4024 New York, NY 10185 Photos and everything else can be found by following us on Instagram @lonelymeyerspod Support our sponsors: AG1 Head to DRINKAG1.com/ISLAND to get a FREE Welcome Kit, including a bottle of Vitamin D and free AG1 Travel Packs, when you first subscribe! Fabric Join the thousands of parents who trust Fabric to help protect their family. Apply today in just minutes at meetfabric.com/island. Wonderful Pistachios Grab a bag today. www.wonderfulpistachios.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Emily Bazelon, John Dickerson, and David Plotz discuss the Gaza ceasefire and prospects for long-term peace with Rob Malley, Middle East policy expert and co-author (with Hussein Agha) of the new book Tomorrow is Yesterday: Life, Death, and the Pursuit of Peace in Israel/Palestine, which side is likely to fold first in the ongoing government shutdown, and who benefits as the Supreme Court hears arguments about whether the 14th Amendment clashes with the Voting Rights Act. For this week's Slate Plus bonus episode, Emily, John, and David discuss the new Paul Thomas Anderson movie “One Battle After Another” and its political and social themes. Is it a love letter to the revolutionary left and community connection, “apologia for radical left-wing terrorism,” or something else entirely? In the latest Gabfest Reads, Emily talks with author and Yale professor Judith Resnik about her new book, Impermissible Punishments: How Prison Became a Problem for Democracy. They discuss the history of the prison system's use of punishments like whipping, how the practice came to an end, and more. Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.) Podcast production by Nina Porzucki Research by Emily Ditto You can find the full Political Gabfest show pages here. Want more Political Gabfest? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Political Gabfest show page on Apple Podcasts and Spotify. Or visit slate.com/gabfestplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Emily Bazelon, John Dickerson, and David Plotz discuss the Gaza ceasefire and prospects for long-term peace with Rob Malley, Middle East policy expert and co-author (with Hussein Agha) of the new book Tomorrow is Yesterday: Life, Death, and the Pursuit of Peace in Israel/Palestine, which side is likely to fold first in the ongoing government shutdown, and who benefits as the Supreme Court hears arguments about whether the 14th Amendment clashes with the Voting Rights Act. For this week's Slate Plus bonus episode, Emily, John, and David discuss the new Paul Thomas Anderson movie “One Battle After Another” and its political and social themes. Is it a love letter to the revolutionary left and community connection, “apologia for radical left-wing terrorism,” or something else entirely? In the latest Gabfest Reads, Emily talks with author and Yale professor Judith Resnik about her new book, Impermissible Punishments: How Prison Became a Problem for Democracy. They discuss the history of the prison system's use of punishments like whipping, how the practice came to an end, and more. Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.) Podcast production by Nina Porzucki Research by Emily Ditto You can find the full Political Gabfest show pages here. Want more Political Gabfest? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Political Gabfest show page on Apple Podcasts and Spotify. Or visit slate.com/gabfestplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Italian candy expert, amateur filmmaker (and recipient of 11 Academy Awards) Paul Thomas Anderson joins us this week to dig into the businesstry and take a bite outta' life. Motto panukeiku! Hai?This episode was originally released on 3/7/2022. Subscribe to SiriusXM Podcasts+ to listen to new episodes of SmartLess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Ringer's Bill Simmons is joined by Ariel Helwani to discuss whether the Knicks could ever land Giannis Antetokounmpo, Alex Pereira's dominant win at UFC 320, the future of the UFC, and more! (5:22). Then, Wesley Morris joins to talk about people returning to the movie theaters, Sean Penn's career, and Paul Thomas Anderson's ‘One Battle After Another' (01:06:15). Host: Bill Simmons Guests: Ariel Helwani and Wesley Morris Producers: Chia Hao Tat and Eduardo Ocampo This episode is sponsored by State Farm®. Don't settle for just any insurance when there's State Farm. The Ringer is committed to responsible gaming. Please visit www.rg-help.com to learn more about the resources and helplines available. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Ben Shapiro reviews the new Paul Thomas Anderson film, “One Battle After Another.” - - - Today's Sponsor: ExpressVPN - Go to https://expressvpn.com/benYT and find out how you can get 4 months of ExpressVPN free! - - - Privacy Policy: https://www.dailywire.com/privacy Learn more about your ad choices. Visit megaphone.fm/adchoices