Podcast appearances and mentions of Howard Hawks

La programación de la Filmoteca en el Parque de Fofó ofrece para este viernes un programa doble de comedia con entrada libre hasta completar aforo, proyectando la obra surrealista de José Luis Cuerda, 'Amanece que no es poco', a las 21:30 y el clásico de Howard Hawks, 'La fiera de mi niña', a las 23:15. Paralelamente, entre los estrenos comerciales destaca 'Spider-Man: Brand New Day', una entrega calificada como más madura y fiel a los cómics originales que explora la soledad de Peter Parker tras haber sido olvidado por todo su entorno. Finalmente, la cartelera se completa con la recomendación de 'Mother Mary', una singular pieza de terror psicológico dirigida por David Lowery y protagonizada por Anne Hathaway, quien interpreta a una cantante pop en medio de una relación compleja.

Story analyst Billy Mernit joins Michael Phillips to test one of Hollywood’s most enduring (and slippery) unofficial rules: Howard Hawks’ idea that a good movie is three good scenes and no bad ones.Mernit, an instructor and writer known as the “guru of rom-com,” brings nearly three decades of reading studio scripts and a working knowledge of how films get evaluated before they ever reach the screen. Together, they dig into what makes a “good scene” in the first place.Is Hawks’ dictum still useful? Or, like so many Hollywood rules, is it less a law of motion pictures than a reflection of how we choose to remember them?See omnystudio.com/listener for privacy information.

Francesco Baucia"William Faulkner. Il vortice dell'origine"Edizioni Areswww.edizioniares.it“Ascoltare, sentire, vedere. Questa la triade che si rinnova nella voce di Faulkner, nella sua capacità di generare voci… Non c'è sguardo che non sia anche un urlo.”Inarrestabile nella foga creativa così come nelle passioni autodistruttive, il premio Nobel William Faulkner (Mississippi, 1897-1962) raccoglie il soffio della storia della sua terra, un Sud orgoglioso e violento, e lo trasforma, attraverso la lezione del romanzo modernista, in un grande universo letterario. Cronista e visionario, Faulkner inquieta e commuove; in lui convivono nostalgia e gusto di vivere, disperazione e speranza. Lo spiega in questo vivacissimo profilo Francesco Baucia, che sonda anche il Faulkner sceneggiatore, “spalla” di Howard Hawks, uno dei grandi registi del suo tempo: la scrittura del romanziere statunitense è infatti eminentemente cinematografica, sempre magnetica, e percorsa da una tensione polarizzante che costringe il lettore a confrontarsi incessantemente con il segreto delle sue parole, le contraddizioni dell'America e del «teatro del Sud».William Faulkner nacque a New Albany, nel Mississippi, nel 1897, e crebbe a Oxford, la cittadina che sarebbe diventata il modello della sua immaginaria contea di Yoknapatawpha, ambientazione di gran parte della sua narrativa.Considerato uno dei massimi scrittori americani del Novecento, Faulkner rivoluzionò la tecnica narrativa attraverso l'uso del flusso di coscienza, la frammentazione temporale e la molteplicità dei punti di vista, elementi che caratterizzano capolavori come L'urlo e il furore (1929), Mentre morivo (1930), Luce d'agosto (1932) e Assalonne, Assalonne! (1936). La sua opera scava nella storia e nelle contraddizioni del Sud degli Stati Uniti, tra eredità della schiavitù, decadenza aristocratica e trasformazioni sociali.Nel 1949 gli fu conferito il Premio Nobel per la Letteratura, e nel corso della carriera vinse anche due Premi Pulitzer, per La città (1957) e I gonfaloni (1962). Lavorò inoltre come sceneggiatore a Hollywood, collaborando tra gli altri con Howard Hawks.Morì nel 1962 a Byhalia, nel Mississippi, lasciando un'eredità letteraria che ha profondamente influenzato la narrativa mondiale successiva, da Gabriel García Márquez a Toni Morrison.Francesco Baucia (Asti, 1984) è dottore di ricerca in Scienze linguistiche e letterarie all'Università Cattolica del Sacro Cuore di Milano. Ha pubblicato i romanzi L'ultima analisi (Sedizioni, 2013) e La notte negli occhi (Lindau, 2020), la raccolta di studi su Cormac McCarthy Luci dall'abisso (Vita e Pensiero, 2024, con F. Bellini) e il saggio narrativo Discipline occidentali (Castelvecchi, 2025). Collabora con il manifesto e doppiozero, ed è autore di sceneggiature televisive.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Science Fiction University returns at long last, with an extended deep dive into one of the oldest and most unsettling questions in the genre — who can you trust when the threat is wearing a human face? The episode traces the theme of trust through three very different versions of the same story: John W. Campbell's 1938 novella "Who Goes There?", Howard Hawks' 1951 Cold War-era adaptation "The Thing from Another World", and John Carpenter's 1982 masterpiece "The Thing" — showing how the same basic plot was transformed by the very different Americas that produced each version. Along the way there are detours through the nature of storytelling itself, the difference between trust and faith, the rise of the "mad scientist" trope, and why Carpenter's bleak, exhausted ending hits so differently than Campbell's optimistic one. If you've ever wondered why the 1982 version of The Thing feels so much more modern and unsettling than its predecessors, this episode will explain exactly why — and the answer has everything to do with Vietnam, Watergate, and the slow collapse of American institutional trust.  Links for this episode: John W. Campbell's book/novella "Who Goes There?" (1938) is available from major ebook retailers.  Also, many libraries offer a physical or digital borrowing option.  "The Thing from Another World" (1951) is currently streaming on Criterion Channel, Tubi, The Roku Channel, YouTube, Amazon, and Apple TV."The Thing" (1982) is currently streaming on Amazon Prime, Apple TV, and YouTube. Answers to our QUIZ!  Terminator 2: https://www.youtube.com/watch?v=OZ8nofcN1gI Dr. Who: https://www.youtube.com/watch?v=sQvn5sWNVtk Star Trek – Picard:  https://www.youtube.com/watch?v=WsDg01EuniQ Batman Audio: https://www.youtube.com/watch?v=a71VqHpza58 The Thing: https://www.youtube.com/watch?v=BmqVrB1TTGo Stay in Touch! Email: proleftpodcast@gmail.com Website: proleftpod.com Support via Patreon: patreon.com/proleftpod or Donate in the Venmo App @proleftpodMail: The Professional Left, PO Box 9133, Springfield, Illinois, 62791Support the show

Send Kevin a Text MessageBob Bookman, one of Hollywood's most respected literary agents, managers, and producers, joins host Kevin Goetz for a masterclass on the art of discovering stories that successfully make the leap from page to screen. Over a remarkable career, Bookman has represented authors and filmmakers including Michael Crichton, John Irving, Thomas Harris, Jonathan Demme, Cameron Crowe, and Tom Stoppard, helping bring to the screen films like Jurassic Park, The Silence of the Lambs, Hannibal, The Cider House Rules, A Beautiful Mind, and Jerry Maguire. In recent years he's brought that same eye for material to producing, including the Best Picture nominee A Complete Unknown.Running the Yale Law School Film Society (06:54): Bookman recalls building an underground film education out of 16mm prints borrowed from historian Bill Everson, bringing legends like Frank Capra, Fritz Lang, and Miloš Forman to campus for free screenings.Landing the Job, and Skipping the Mailroom (18:26): Bookman shares how a chance introduction from agent Jack Gilardi led to interviews with legends like Abe Lastfogel and David Begelman, before he landed at IFA and bypassed the mailroom.Becoming "The Book Guy" (23:24): Bookman describes how agency head Marvin Josephson handed him ICM's entire literary publications franchise,launching his decades-long reputation as Hollywood's go-to book agent.What Makes a Book Cinematic (27:09): Bookman breaks down why great novels rarely make great films, and what he actually looks for: three-act structure, character conflict, and a story that takes audiences somewhere new.The Secret to a Great Adaptation (29:15): Using John Irving's Oscar-winning adaptation of his own novel The Cider House Rules as the gold standard, Bookman explains why most authors shouldn't adapt their own books, and why Irving was the exception.The Best Adaptations, and a Hawks-Hemingway Bet (33:00): Bookman names The Silence of the Lambs and A Beautiful Mind among the best adaptations he's seen, then tells the story of how Howard Hawks turned Ernest Hemingway's self-described worst book into To Have and Have Not.Rapid-Fire on the Legends (37:43): Bookman gives quick, candid impressions of the writers and directors he's worked with — Michael Crichton, Jonathan Demme (including his own cameo in The Silence of the Lambs), Cameron Crowe, Tom Stoppard, and Paul Greengrass.Originality, AI, and What's Next (40:24): Bookman argues that algorithms can imitate stories but not replicate the human heart, and discusses his new venture producing low-budget original films.Host: Kevin GoetzGuest: Bob BookmanProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Bob Bookman:IMDb: https://www.imdb.com/name/nm1023283/Website: https://www.bobbookman.com/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Juanma González y Dani Palacios conversan en esRadio sobre la relación de Howard Hawks con Faulkner y la influencia del filme 'El Crack'. En esta nueva entrega de Par Impar, el programa de cine de esRadio, los presentadores Juanma González y Dani Palacios conversan con Martín Torres, médico de urgencias y escritor que presenta la segunda edición de su aclamada novela negra, La Enfermera. Durante la charla sobre la mítica película de cine negro El Sueño Eterno, de Howard Hawks, se analiza cómo el autor ha logrado plasmar su experiencia profesional en un relato trepidante, ambientado en una ciudad que evoca la atmósfera del cine negro clásico: San Sebastián. Los tertulianos comparan la capital guipuzcoana con Los Ángeles por su capacidad para acoger intrigas oscuras bajo una fachada de sofisticación. Martín Torres explica que San Sebastián posee una dualidad idónea para el suspense, ya que combina el glamour de su festival de cine con el ambiente sombrío de sus días lluviosos, siendo la capital de provincia con más jornadas de precipitaciones al año. Esta atmósfera sirve de telón de fondo para La Enfermera, donde el entorno hospitalario de urgencias se convierte en el epicentro de una compleja trama criminal. El autor destaca que la medicina de urgencias aporta un dinamismo y una constante toma de decisiones extremas que encajan a la perfección con el ritmo que exige el thriller contemporáneo. El debate se traslada rápidamente a los grandes referentes del género, prestando especial atención a El Sueño Eterno, la mítica película dirigida por Howard Hawks y basada en la novela de Raymond Chandler. Martín confiesa su admiración por este clásico y destaca la colaboración del Nobel William Faulkner en el guión junto a Leigh Brackett. Entre las anécdotas del rodaje, recuerdan el famoso telegrama que Hawks envió a Chandler preguntándole quién había matado al chófer de la historia, a lo que el novelista respondió que tampoco lo sabía, un claro ejemplo de cómo la atmósfera y el magnetismo de los personajes superan a la propia coherencia de la trama. Otro aspecto de gran interés que se analiza de El Sueño Eterno es la inigualable química entre Humphrey Bogart y Lauren Bacall, cuya relación traspasó la pantalla y dio origen al famoso término Rat Pack, acuñado por la propia Bacall. Los presentadores de esRadio recuerdan cómo el estudio decidió añadir nuevas escenas para aprovechar el tirón publicitario del romance real, lo que dio pie a secuencias tan recordadas como la de los caballos, cargada de dobles sentidos de carácter sexual que lograron sortear la férrea censura de la época. Centrándose en el proceso de escritura de La Enfermera, Martín Torres revela que su prioridad ha sido construir diálogos ágiles y de gran realismo, inspirándose en el habla de la gente joven con la que trabaja a diario en el hospital. Asimismo, el autor confiesa que evita realizar descripciones físicas minuciosas de los personajes o de las localizaciones para estimular la imaginación del lector. Esta técnica permite que cada persona proyecte su propia imagen de los protagonistas, lo que agiliza notablemente la lectura y sumerge al público directamente en la acción. Por último, el programa de esRadio aborda una de las conexiones más fascinantes del cine español con Hollywood, detallando la supuesta influencia de El Crack, la obra maestra de José Luis Garci protagonizada por Alfredo Landa, en el cine de Quentin Tarantino. Los tertulianos rememoran una anécdota según la cual se le preguntó directamente a Tarantino en un festival si había copiado una escena para Pulp Fiction, a lo que el director estadounidense admitió conocer y admirar el filme de Garci. El broche de oro de la emisión lo pone la música de Fleetwood Mac con clásicos como Lies y Everywhere, que ponen ritmo a esta enriquecedora conversación sobre literatura, medicina y celuloide.

Felicia is joined by Will Gaydos to discuss the long lasting importance of practical effects in John Carpenter's The Thing (1982). We chat about Carpenter's ties to Howard Hawks' work, along with his working relationship with the great Dean Cundey. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Will here: IG: @ragewilliams IG: @roadtripvintage Sources: https://mubi.com/en/notebook/posts/notebook-primer-john-carpenter https://mubi.com/en/notebook/posts/john-carpenters-deep-cuts https://www.bfi.org.uk/sight-and-sound/interviews/john-carpenter-dark-star-assault-precinct-13 https://maddrey.blogspot.com/2017/06/john-carpenter-revisited-assault-on.html https://cinephiliabeyond.org/assault-on-precinct-13/

MONSTER ATTACK! celebrates its 10th Season Anniversary and Jim discusses the first time he saw the 1951 Sci-Fi Classic "The Thing From Another World," starring Kenneth Tobey, Margaret Sheridan, Douglas Spencer, Robert Cornwate, Dewey Martin, Robert Nichols, William Self, Eduard Franz, Paul Frees, George Fenneman, and James Arness. Produced by Howard Hawks and directed by Christian Nyby, this film has stood the test of time since its release 75 years ago. Find out more on this very special episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

MONSTER ATTACK! celebrates its 10th Season Anniversary and Jim discusses the first time he saw the 1951 Sci-Fi Classic “The Thing From Another World,” starring Kenneth Tobey, Margaret Sheridan, Douglas Spencer, Robert Cornwate, Dewey Martin, Robert Nichols, William Self, Eduard Franz, Paul Frees, George Fenneman, and James Arness. Produced by Howard Hawks and directed by […] The post The Thing From Another World| Episode 520 appeared first on The ESO Network.

Välkomna till det fjärde avsnittet av Screwball Comedy-podden med Henke och Carl.Under säsongen kommer vi snacka om två klassiska Screwball Comedy-filmer per avsnitt. I dagens avsnitt blir det två filmer av mästaren Howard Hawks. Båda filmerna har Cary Grant i den manliga huvudrollen och mot honom två starka kvinnliga skådespelare med Katharine Hepburn i Bringing Up Baby (1938) och Rosalind Russell i His Girl Friday (1940).Mycket nöje.Kommentera avsnittet på Fripps Filmrevyer.

In this episode of the show our trip through John Landis comedies of the 1980s continues with Trading Places. Over the course of our conversation you will hear us talk about this movie as less an example of the 80s-native edgy sketch comedy but rather an evocation of the spirit of classic screwball comedies in the style of Frank Capra and Howard Hawks. We talk about the chemistry between Dan Aykroyd and Eddie Murphy, Hollywood slowly waking up to a possibility that a black star could carry a movie (but still only in an ensemble or a buddy setup) and where John Landis and his edge fits in all this. Finally, we discuss the infamous blackface scene and the gorilla gag, while also wondering about how exactly trading worked in the pre-digital era. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod

Cent'anni fa nasceva una stella che il mondo non ha mai dimenticato: Marilyn Monroe. Per ricordarla, Betty Senatore consiglia uno dei suoi film più famosi, la commedia musicale “Gli uomini preferiscono le bionde”, in cui è protagonista accanto a Jane Russell e diretta da Howard Hawks. Nella pellicola, Marilyn veste i panni di una ballerina pronta a sposare un ricco ereditiero. Se non fosse per il suocero, che decide di farla pedinare da un investigatore privato nel suo viaggio verso l'Europa.See omnystudio.com/listener for privacy information.

Cent'anni fa nasceva una stella che il mondo non ha mai dimenticato: Marilyn Monroe. Per ricordarla, Betty Senatore consiglia uno dei suoi film più famosi, la commedia musicale “Gli uomini preferiscono le bionde”, in cui è protagonista accanto a Jane Russell e diretta da Howard Hawks. Nella pellicola, Marilyn veste i panni di una ballerina pronta a sposare un ricco ereditiero. Se non fosse per il suocero, che decide di farla pedinare da un investigatore privato nel suo viaggio verso l'Europa.See omnystudio.com/listener for privacy information.

“You know how to whistle, don't you, Steve? You just put your lips together and... blow.” To Have and Have Not (1944) directed by Howard Hawks and starring Humphrey Bogart and Lauren Bacall. Next Time: How To Marry A Millionaire (1953)

Send us Fan MailToday's episode is my discussion of the 1930 film The Dawn Patrol. I don't have a guest today, but you can hear me discuss the comparisons between this and earlier WWI war films, the feud between Howard Hawks and Howard Hughes, and Hollywood's first nepo baby.You can watch The Dawn Patrol on YouTube, or Tubi or pick up a physical copy for your collection.Other films mentioned in this episode include:Hell's Angels directed by Howard HughesThe Air Circus directed by Howard Hawks (lost film)The Road to Glory directd by Howard Hawks (lost film)The Criminal Code directed by Howard HawksWings directed by William A. Wellman and Harry d'Abbadie d'ArrastThe Patent Leather Kid directed by Alfred SantellThe Noose directed by John Francis Dillon (lost film)Little Caesar directed by Mervyn LeroyBulldog Drummond directed by F. Richard JonesThe Dawn Patrol (1938) directed by Edmund GouldingThe Doorway to Hell directed by Archie MayoLaughter directed by Harry d'Abbadie d'ArrastOther referenced topics:Batman (series)The New Yorker reviewDanny Reid on pre-code.comSupport the show

For our second Isabelle Huppert Acteurist Spotlight we have another first encounter with an auteur, Claude Chabrol, with the unfortunately translated Story of Women (1988), and take on Huppert's iconic performance in the also inaccurately translated The Piano Teacher (2001). Be prepared for harrowing subject matter and enigmatic behaviour as we discuss the inescapability of moral complicity, sexual aberration, and anti-romance. Then things get slightly lighter in Fear and Moviegoing in Toronto with our discussion of a 4K restoration of Howard Hawks' comedy masterpiece His Girl Friday. Time Codes: 0h 00m 25s:    UNE AFFAIRE DE FEMME aka STORY OF WOMEN (1988) [dir. Claude Chabrol] 0h 27m 11s:    LA PIANISTE (2001) aka THE PIANO TEACHER [dir. Michael Haneke] 0h 56m 19s:    Fear and Moviegoing in Toronto – Howard Hawks' His Girl Friday (1940) at The Revue Cinema (Designing the Movies series) +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Today Matt, Todd, and would‑be companion Mike travel through spacetime and land in the Antarctic for the 6th serial of the 13th season of the classic BBC series Doctor Who.“Seeds of Doom” originally aired from January 31 to March 6, 1976, and if you're a fan of John Carpenter's The Thing, Howard Hawks' The Thing From Another World, or classic sci‑fi horror in general, you're going to feel right at home. This is one of the earliest and most effective examples of British TV doing icy paranoia and creeping body‑horror on a shoestring.Even if you only know Doctor Who from its 21st‑century resurgence starting with Christopher Eccleston, this story is anchored by perhaps the most iconic Doctor of all time: Tom Baker. His mix of alien aloofness and manic energy are as legend as his scarf is iconic.The adventure begins at a remote Antarctic research base where a mysterious seed pod is unearthed; one that quickly draws the attention of Harrison Chase, a criminally unhinged botanist / eco‑terrorist / millionaire played with comic‑villain perfection by Tony Beckley. And every great villain needs a henchman: John Challis delivers a Whit BIssell-winning performance clean sweep as Scorby; a man who looks like he was born to menace people in cold climates.Whether you're a longtime fan, a newcomer, or just someone who loves classic sci‑fi horror with a dash of British eccentricity, Seeds of Doom is one of the high points of the Tom Baker era. It's atmospheric, creepy, funny, and surprisingly intense, definitely one of our highest recommendations.

« Je peux être intelligente quand c'est important, mais la plupart des hommes n'aiment pas ça. » La célèbre réplique des hommes préfèrent les blondes de Howard Hawks (1953) pourrait, dans un sens, bien résumer les choses : Marilyn Monroe affronte l'impitoyable système des studios pendant sa courte carrière d'actrice à Hollywood (1946-1962) et reste aujourd'hui autant déconsidérée, comme interprète, qu'adulée en tant que star. Du fait de ses possibilités scénographiques, l'exposition est particulièrement appropriée à l'opulence visuelle que Monroe cristallise dans les années 50. Sa trajectoire à l'heure du Technicolor et de l'écran large s'illustre par le matériel publicitaire glamour, la garde-robe sexy, les portraits d'artistes de renom (Eve Arnold, Richard Avedon, Andy Warhol...) mais aussi les actualités analysant chaque décision de la célébrité. Ou commentant sa disparition qui ouvre, à l'âge de 36 ans, le spectaculaire chapitre de « sa vie » post mortem. Cet héritage est célébré dans une installation inspirée de la culture ballroom que Madonna – incarnation de la pop culture dans sa capacité à s'approprier les tendances pour les faire rayonner – popularise bien avant Drag Race. Avec nous pour en parler : - Florence Tissot, commissaire de l'exposition « Marilyn Monroe » - Ginette Vincendeau, historienne du cinéma.

While America is yet again fighting a war in the Middle East, I end Oscar Month by getting into the doin's of a legit WWI hero in Howard Hawks' Sergeant York. Gary Cooper plays the real-life hero, a dirt-poor man from the Tennessee mountains who's forced the join the army (mother), even though he's ag'in killin'. But when the chips are down, he's courageous and talented enough to kill a lot of Germans! America's entry into WWII helped make this the #1 hit of 1941. It also led to an Oscar for Super Duper Cooper, even though he often comes across as fake when talking like the real Alvin no doubt talked. But Mr. Stiff's conversion from no-goodnik to Bible lover to German killer (and his romance with a very young Joan Leslie) IS heartfelt. Plus, the great Hawks was almost incapable of making an unwatchable movie. So whet your sights when they force you to be a doughboy while you also cue up the 729th episode of Have You Ever Seen. Subscribe to this channel in your podcast app. Review it, rate it...and hunt me down on Letterboxd too (RyanHYES). Contact options are: haveyoueverseenpodcast@gmail.com via email, ryan-ellis on Bluesky and @moviefiend51 on the tweet machine.

One of the all-time great crowd-pleasing Hollywood directors, Howard "The Tropinator" Hawks gave us classics in nearly every genre. Scott and Marty tackle four of them. Also featuring: our first feline guest host; an intimate peek at Marty's Spotify playlists; and the return of Bogie and Bacall, after, what, seven episodes?? Welcome back, Steve & Slim!My Timestamps, My Pony, and Me:Scarface (1935) at 4:46Bringing Up Baby (1938) at 18:37The Big Sleep (1946) at 31:09Rio Bravo (1959) at 42:56Plus Continuity Boulevard (58:37) and the Lightning Round (1:07:08)!Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

We've been breaking down Oscar Worthy Rom Coms for several weeks now, but what about movies that didn't get nominations or wins but absolutely should have?  This week, Madeline, Julian and Emilio, along with their guests from our latest cycle, share their picks for romantic comedies that never got the Oscar love they deserved.   These selections range from obvious snubs to cult classics misunderstood upon initial release to unapologetic personal picks from the heart.  A huge thanks to our guests this cycle who shared their picks: writer/director Anu Valia, Anna Stone of the film podcast Stone's Top Tens, writer and film programmer David Schwartz, and filmmaker/editor James Codoyannis.   If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on YouTube, IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian @julian_barthold and Madeline @patronessofcats

This Valentine's Day, Ian and Jeff explore the darker side of a comedy classic, His Girl Friday!Howard Hawks' uproarious and influential rom-com centers on Hildy Johnson (Rosalind Russell), a former newspaper reporter who clashes with her ex-publisher/ex-husband, Walter Burns (Cary Grant) over a breaking story. She's supposed to marry an insurance salesman (Ralph Bellamy), but gets tempted into covering a political conflict involving the pending execution of a cop killer (John Qualen).His Girl Friday takes place over a rapid-talking, action-packed 12 hours, during which Hildy and Walter re-evaluate their rocky relationship. The question is: should they be together?In this unusual look at a beloved, iconic film, the guys dig beneath the laughs to get at the heart of two characters who may not have one--caught in a business and a system too corrupt for anyone's good.They also compare His Girl Friday to Lewis Milestone's The Front Page, which came out in 1931 and was the inspiration for Hawks' gender-swapped comedy!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the His Girl Friday (1940) trailer.Pick up Criterion's recent 4K release of His Girl Friday (which includes a newly restored version of 1931's The Front Page!).Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

A month of classic Hollywood romances kicks off with Cary Grant and Rosalind Russell trading quips at a mile a minute in His Girl Friday. Howard Hawks' adaptation of the newspaper comedy The Front Page changes the two battling newspaper men into a divorced husband and wife - an editor and his star reporter he doesn't want to let go off to a life of domestic bliss with a dud of a new husband. We'll hear Grant in "The Black Curtain" (originally aired on CBS on December 2, 1943) and Ms. Russell in "Consideration" (originally aired on CBS on February 3, 1950). Then, they recreate their film roles on The Gulf Screen Guild Theatre (AFRS rebroadcast from March 30, 1941).

Book Vs. Movie: “Bringing Up Baby” The 1938 Howard Hawks Film Vs the 1937 Short Story by Hagar Wilde. Today, we are joined by special guest co-host, Kerala Hubbard of The On Purpose Home. We discuss the differences and key similarities between the 1937 short story, "Bringing Up Baby," by Hagar Wilde (Beverly Violet Bidwell), and the groundbreaking Howard Hawks adaptation from 1938. In this episode, we discuss:Negative but brief impact of the film on Hepburn's careerThe differences between the book and the movie.The unsung, non-human stars of the filmHagar Wilde's source material and contributions to the productionFollow us on the socials!Mother Hubbard MugsMontana Meditations Youtube ChannelThe On Purpose Home PodcastYou can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomama

[REDIFFUSION] Bienvenue dans Les Fabuleux Destins ! Dans cet épisode, Andréa Brusque raconte l'histoire de l'une des icônes les plus légendaires d'Hollywood. Cette actrice a captivé des millions de fans à travers le monde. Véritable star, elle est l'une des femmes les plus emblématiques de l'histoire du cinéma. Au cours de sa carrière, elle a remporté plusieurs récompenses, mais derrière ce succès se cache un destin tragique. Son nom : Marilyn Monroe. De ses débuts modestes à sa montée vers la gloire, en passant par ses moments les plus sombres, découvrez son Fabuleux destin. Hollywood, 1953, un tapis rouge se déploie sur des dizaines de mètres bordés de projecteurs étincelants. Tout est prêt pour la grande première du film "Les hommes préfèrent les blondes" de Howard Hawks. C'est alors que la limousine arrive, ralentissant progressivement pour permettre à l'actrice de sortir. Elle tente de garder son calme, de paraître sereine, mais au fond d'elle-même, elle se sent nerveuse. Un podcast Bababam Originals Ecriture : Clémence Setti Voix : Andréa Brusque Learn more about your ad choices. Visit megaphone.fm/adchoices

Book Vs. Movie: “Bringing Up Baby” The 1938 Howard Hawks Film Vs the 1937 Short Story by Hagar Wilde. Today, we are joined by special guest co-host, Kerala Hubbard of The On Purpose Home. We discuss the differences and key similarities between the 1937 short story, "Bringing Up Baby," by Hagar Wilde (Beverly Violet Bidwell), and the groundbreaking Howard Hawks adaptation from 1938. In this episode, we discuss:Negative but brief impact of the film on Hepburn's careerThe differences between the book and the movie.The unsung, non-human stars of the filmHagar Wilde's source material and contributions to the productionFollow us on the socials!Mother Hubbard MugsMontana Meditations Youtube ChannelThe On Purpose Home PodcastYou can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomama

Casablanca is a film that Sean and I have wanted to cover for a long time, but there was a little bit of a struggle to find a good film to pair it with. Not because there were so few, but because there were so MANY. Finally we came up with focusing on Humphrey Bogart himself rather than on the overall theme of the film. And then there was the realization that Bogart had a couple of films where he was a reluctant hero in a World War Two setting, with the key word being "reluctant." So we open with Casablanca, from 1942, directed by Michael Curtiz. Hal Wallis got the rights to the play just a few weeks after Pearl Harbor, so it wound up having a much bigger impact than it might have had before we entered the war. In Part Two, we see how Howard Hawks would handle a reluctant hero.

We continue this episode with To Have and Have Not, a 1944 production directed by Howard Hawks. In this film, Bogart plays a sport tourism fisherman who's asked to use his boat to assist the French Resistance in Martinique. He meets up with Marie "Slim" Browning (Lauren Bacall) and that's where the fireworks started, both on and off screen. If you don't know how to whistle, Bacall offers up a fine lesson for you. COMING ATTRACTIONS: Next time, we take our first foray into silent films, with DW Griffith's Intolerance, from 1916, and Liberty Heights, from 1999, directed by Barry Levinson. These films were made in response to criticisms of earlier films from those directors. Join us, won't you?

⭐Rio Lobo (1970) Review: Hawks, Wayne, and a Fading Western Era⭐

In this episode, Austin and Tim travel back in time to 1952 to watch 7 movies: William Wyler's Carrie, Bob Hope in My Favorite Spy, Native Son, Cecil B. Demille's The Greatest Show on Earth, The Miracle, She's Working Her Way Through College, and Howard Hawks' The Big Sky.

Howard Hawks desarrolló un estilo cinematográfico sobrio y directo, en el que la narración fluía con naturalidad y sin artificios. Trabajaba minuciosamente los guiones junto a excelentes escritores, lo que le permitió construir películas de una claridad narrativa excepcional. Su cine está poblado por héroes íntegros, con pocos villanos, y por mujeres independientes, valientes y seductoras que no renuncian a su femineidad. Bajo esta aparente sencillez, Hawks articuló un lenguaje fílmico de profunda inteligencia narrativa y notable riqueza emocional. En la segunda conferencia del ciclo “Howard Hawks: Un artista americano”, el crítico de cine y jurista Eduardo Torres-Dulce profundiza en el universo cinematográfico del director, subrayando la coherencia estilística y la hondura temática que definen su obra.Más información de este acto

Twenty five dollars a pod and expenses   The Becks are back to talk about the epitome of the hard-boiled detective story: Raymond Chandler's The Big Sleep and its 1946 adaptation by Howard Hawks. In this episode, they discuss the dentist, a possibly broken foot, and even [REDACTED]! Enjoy!   linktr.ee/soonmajorpod   ko-fi.com/soonmajorpod   Next episode homework: The Detective (1968)

The gang calls in the big guns this week as they (Pete) reviews our first entry for Pre-Code November, the OG Scarface starring Paul Muni. Joining Pete on his journey is crowd favorite, Aunt Linda, to drop some knowledge on the class about the short era between the inception of talkies, and the Hays Code being enacted. It's a fascinating time in film history, and Scarface is a fascinating movie to go along with it. Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/LK2UiziMTyQhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

Nacido en Indiana en una familia acomodada, Howard Hawks fue un cineasta profundamente estadounidense. Aunque inició su carrera en la era del cine mudo, fue con la llegada del sonoro cuando consolidó su estilo y versatilidad. Su independencia creativa le permitió dirigir obras maestras en casi todos los géneros, con títulos como Scarface, Tener y no tener, Los caballeros las prefieren rubias y Río Rojo, entre muchas otras. En la primera conferencia del ciclo “Howard Hawks: Un artista americano”, el crítico de cine y jurista, Eduardo Torres-Dulce, repasa la biografía de uno de los cineastas más icónicos del Hollywood clásico. Más información de este acto

On this week's Wrap Party, Zeth is talking about Al Capone and Howard Hawks, James Caan and the Colombo crime family, and the mob's long history in Hollywood. Plus Springsteen: Deliver Me from Nowhere, Santana's “Winning,” the 90-minute epic Days of Heaven, going into brain overdrive with Underworld, and more. And tell us: what is the most underrated mob movie of all time? Call or text (617) 906-6638, email disgracelandpod@gmail.com, or reach out on socials @disgracelandpod. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

durée : 00:24:41 - " Les Hommes préfèrent les blondes " le film de 1953 avec Marilyn Monroe - Les hommes préfèrent les blondes (Gentlemen Prefer Blondes) est un film musical américain de Howard Hawks sorti en 1953, adapté de la comédie musicale du même nom jouée à Broadway en 1949. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Muchos la recuerdan sobre todo por su papel de señora Fletcher en la serie de televisión “Se ha escrito un crimen” pero lo cierto es que Angela Lansbury tuvo también una notable carrera en el cine y en el teatro. Este 16 de octubre se ha cumplido el centenario de su nacimiento y nosotros lo celebramos dándole un repaso a su carrera. El estreno de la película “La hermanastra fea” nos sirve de excusa para buscar en nuestra “Enciclopedia curiosa del cine” el capítulo dedicado a Cenicienta y el cine. Charlamos con el director Miguel Ángel Vivas que acaba de estrenar su última película, “La tregua”, y en la sección de Jack Bourbon tenemos esta semana una película de cazadores en África protagonizada por John Wayne: “Hatari” de Howard Hawks.

On the first night of our #CountdownToHalloween the Mister joins me in reviewing THE THING FROM ANOTHER WORLD (1951), from John W Campbell Jr's novella "Who Goes There?", the film was directed by Christian Nyby and Howard Hawks (uncredited).  The screenplay is credited to Charles Lederer; although production records and later sources note rewrites and contributions (uncredited) from Howard Hawks and Ben Hecht.  The film tells the story of a U.S. Air Force crew and a team of scientists at a remote Arctic research outpost discover a crashed alien flying saucer and a large, humanoid creature frozen in a block of ice.  When a careless mistake thaws the eight-foot-tall, plant-like alien, the group must fend off the murderous "Thing" that feeds on blood and exhibits frightening intelligence.  As the military personnel and the lead scientist clash over whether to destroy or attempt to communicate with the creature, the survivors must devise a plan to electrocute the alien menace before it can breed and escape the isolated base.  The film clocks in at 1 h and 27 m, is rated Approved.  We caught the film on Internet Archives but it is streaming on Tubi, Roku Channel, Fawesome but also to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#TheThingFromAnotherWorld #JohnWCampbellJr #ChristianNyby #CharlesLederer #BenHecht #HowardHawks #KennethTobey #CaptainPatrickHendry #MargaretSheridan #Nikki #RobertCornthwaite #DrCarrington #DouglasSpence #Scotty #JamesYoung #LtEddieDykes #DeweyMartin #CrewChief #RobertNichols #LtKenErickson #WilliamSelf #CorporalBarnes #EduardFranz #DrStern #SallyCreighton #MrsChapman #JamesArness #TheThing #AlienInvasion #MonsterHorror #SupernaturalHorror #Horror #SciFi   @internetarchive_  ⁠@PrimeVideo ⁠ ⁠@Tubi  @TheRokuChannel  @Fawesome⁠TV  #31DaysToHalloween #SpookySeason #Day1  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Cary Grant month continues as we discuss THE quintessential screwball comedy, Bringing Up Baby. Howard Hawks directed the 1938 film which stars Cary Grant as engaged paleontologist David Huxley, who is trying to score a one million dollar grant for his museum when he crosses paths with Susan Vance (Katharine Hepburn), a wonderfully chaotic disruption to his plans. From a missing intercostal clavicle to a leopard named Baby (played by a charming cat named Neissa), Grant and Hepburn are delightful in this very funny classic. To read more about Neissa the leopard and her handler Olga Celeste, click here.

Today on Episode 223, the guys continue their trek through the filmography of Cary Grant with His Girl Friday. Directed by Howard Hawks, as was the previous film, Bringing Up Baby, which of the two worked more for the hosts? Find out on this episode of the Cinema Geeks!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!!

"The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay!" Bella Zaydenberg returns to the show to talk about the beloved Howard Hawks screwball comedy, His Girl Friday (1940). We'll talk about journalism, rom-coms, and weddngs. Wait, weddings? Why weddings? Listen to find the worst kept secret in the history of our show! Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Send us a textStep back into the pre-Code chaos with the original Scarface—before the cocaine and neon came the Tommy guns and tabloid frenzy. We dissect Howard Hawks' gritty gangster epic, explore how it scandalized America, and debate whether Paul Muni's Tony Camonte still holds cinematic swagger. Bonus: the wild story behind the film's censorship battle.Actress Karissa Lee Staples Oh Brother Podcast: Support the Show! (get early access) Listen on all podcast platforms Subscribe on YouTube Follow us on Instagram

Only Angels Have Wings (1939; Dir.: Howard Hawks) Canon Fodder Episode 42 Your hosts continue their cinematic world tour by jetting to the fictional South American port town of Barranca. Only Angels Have Wings is one of the most revered movies by Howard Hawks. But were your hosts rapt-or with […] The post Only Angels Have Wings – Episode 42 appeared first on Dare Daniel & Canon Fodder Podcasts.

Submit your film or screenplay to the WILDsound Festival today: https://filmfreeway.com/WILDsoundFilmandWritingFestival What is a Screwball Comedy? A comedy that is characterized by fast-paced, witty dialogue, farcical situations, and romantic storylines that often involve a battle of the sexes. They emerged in the 1930s and became popular in the 1940s. How is it different than a straight up romantic comedy? Screwball is a genre that focuses less the romantic courtship between two people, and more on the battle of the sexes. It always has a strong female protagonist, and usually a male protagonist trying to keep up with her. It puts the emphasis on the spoofing of love, rather than the "will they get together" plot. Where did the term "screwball" come from? It gets its name from the baseball pitch "the screwball". For those unfamiliar with baseball, it's a pitch a pitcher throws to a batter that moves in the opposite direction than a typical baseball pitch like a fastball, curveball, or slider. A screwball is an oddball pitch, like the female leads in the 1930s comedy films where they played the "opposite" of your typical female stereotype that were back in the day. Instead of wanting to find a husband, birth a few babies and be a homemaker - the female leads in the "screwball comedy" are strong, independent from men, and want to focus their life on their passions. They are attracted to men, but will only begin a courtship of any kind if it was on their terms - not the mans. Famous screwball comedy films? It Happened One Night (1934) Directed by Frank Capra. Starred Clark Gable & Claudette Colbert Bringing Up Baby (1938) Directed by Howard Hawks. Starred Katharine Hepburn & Cary Grant The Philadelphia Story (1940). Directed by George Cukor. Also Starred Katharine Hepburn, Cary Grant. With James Stewart added to the mix. The brand declined in popularity through the years, but it still shows up in its style. The Coen Brothers have made a few with "Intolerable Cruelty", "The Hudsucker Proxy", and "Hail Caeser" Bridesmaids (2011), written and starring Kristen Wiig is considered a screwball comedy. Is any one a fan of Amy Sherman-Palladino TV shows?: Gilmore Girls. The Marvelous Mr. Maisel. Étoile. Those television shows are more definitely classic Screwball Comedies. From the characters. plot points. fast paced dialogue. Even the way the shows are directed - are classic screwball! Enjoy the past, present, and future of the Screwball Comedy!

In their very first black and white episode, Andrew and Scotty travel up to the Antarctic to investigate a flying saucer buried in the ice as they discuss "The Thing from Another World". They also read another Spotify comment, and stay tuned until the end of the episode to hear what Andrew has chosen for their next movie!"The Thing from Another World" was directed by Christian Nyby and Howard Hawks. It stars James Arness as a large humanoid creature from outer space that is found frozen in ice near the North Pole.Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

GGACP celebrates National Couples Appreciation Month with this ENCORE of the first of a 2-part interview featuring celebrated actors and longtime Hollywood couple Richard Benjamin and Paula Prentiss. In this episode, Richard and Paula talk about their seven-decade careers in front of (and behind) the camera, co-starring in a groundbreaking sitcom, co-hosting “Saturday Night Live,” meeting Stan Laurel and Buster Keaton and working with legendary directors Howard Hawks, Mike Nichols and Billy Wilder. Also, Jack Cassidy plays a superhero, Jack Benny exits “The Sunshine Boys,” Paula shares the stage with Hope and Crosby and Richard teams Burt Reynolds and Clint Eastwood. PLUS: Uncle Goopy! “Goodbye, Columbus”! Remembering Jim Hutton! Walter Matthau plays the ponies! And Richard and Paula gush over Gilbert's James Mason impression! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1960s, many American directors saw their fortunes turn after they notched massive hits. In the case of Howard Hawks – a director who had thrived in virtually every Hollywood genre since the late silent era– the undisputed masterpiece of Rio Bravo gave way to four poorly-received efforts, each of which bared the marks of a dying studio system, if they weren't compromised by the literal dying off of the previous generation of stars. In the middle of this run, Hawks made Red Line 7000, a car racing drama which was at once familiar and personal to Hawks, and also totally foreign in that it was a movie set in the 1960s, infused with ‘60s sexual politics, and built around future New Hollywood star James Caan.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. On this special bonus episode, I'm introducing you the wonder that is Karina Longworth's You Must Remember This. With an introductory episode to her new season, "The Old Man is Still Alive,"  which covers the late careers of Alfred Hitchcock, John Ford, Howard Hawks, Vincente Minnelli and ten other directors who began their careers in the silent or early sound eras, and were still making movies in the 1960s, ‘70s and ‘80s, in spite of the challenges posed by massive cultural changes and their advanced age. In this mini-episode we'll discuss the parallels between this history and today, from the tech industry takeover of Hollywood to the late work of Coppola and Scorsese; the interview with George Cukor that inspired the title of this season; the Orson Welles-Peter Bogdanovich-Quentin Tarantino connection that informs the way we think about “old man” movies, and much more. Learn about your ad choices: dovetail.prx.org/ad-choices

A preview of the new season of You Must Remember This, which covers the late careers of Alfred Hitchcock, John Ford, Howard Hawks, Vincente Minnelli and ten other directors who began their careers in the silent or early sound eras, and were still making movies in the 1960s, ‘70s and ‘80s, in spite of the challenges posed by massive cultural changes and their advanced age. In this mini-episode we'll discuss the parallels between this history and today, from the tech industry takeover of Hollywood to the late work of Coppola and Scorsese; the interview with George Cukor that inspired the title of this season; the Orson Welles-Peter Bogdanovich-Quentin Tarantino connection that informs the way we think about “old man” movies, and much more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices