Podcast appearances and mentions of Howard Hawks

Un luogo in cui le parole possono essere letali quanto le pallottole, il progresso una minaccia e la Morte una garanzia. Uno scenario di atti crudeli ma anche di nobili gesti. Questo e molto di più è il Western cinematografico. Godiamocelo!Il mito della frontiera! Cowboy, duelli e vacche (intese come mucche) a profusione!Ma che cosa c'è per davvero dietro questa incredibile mitologia che ha formato il cinema americano come lo conosciamo oggi?Kevin Costner se lo è chiesto diverse volte nella sua carriera da regista, dal suo esordio "Balla coi lupi" al più recente "Horizon: An American Saga". Ma nel mezzo c'è stato anche il troppo sottovalutato "Open Range", sentito omaggio a Howard Hawks e tentativo riuscitissimo di KEVIN di voler raccontare la verità dietro le pallottole e il romanticismo (presunto o tale) che ha reso grande il mito della frontiera!

This Valentine's Day, Ian and Jeff explore the darker side of a comedy classic, His Girl Friday!Howard Hawks' uproarious and influential rom-com centers on Hildy Johnson (Rosalind Russell), a former newspaper reporter who clashes with her ex-publisher/ex-husband, Walter Burns (Cary Grant) over a breaking story. She's supposed to marry an insurance salesman (Ralph Bellamy), but gets tempted into covering a political conflict involving the pending execution of a cop killer (John Qualen).His Girl Friday takes place over a rapid-talking, action-packed 12 hours, during which Hildy and Walter re-evaluate their rocky relationship. The question is: should they be together?In this unusual look at a beloved, iconic film, the guys dig beneath the laughs to get at the heart of two characters who may not have one--caught in a business and a system too corrupt for anyone's good.They also compare His Girl Friday to Lewis Milestone's The Front Page, which came out in 1931 and was the inspiration for Hawks' gender-swapped comedy!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the His Girl Friday (1940) trailer.Pick up Criterion's recent 4K release of His Girl Friday (which includes a newly restored version of 1931's The Front Page!).Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

Marcelle Ratafia – Touchez pas au Whisky ! Comment une jeune guide argotique de Paris devient une des figures les plus en vue et les plus attachantes de la foodsphère ? C'est cette question que tente d'élucider ce nouvel épisode. A renfort de films de la Continental et autres littératures enlevées, la chroniqueuse du Figaro Vin & Fooding nous transmet son amour du ciné et du vin. On y croise le podcast « les bobines », le Sobrelier Benoit d'Onofrio et les couverts du restaurant Epopée Charonne ! Marcelle Ratafia en littérature : ABC de l'Argot sans se fader le dico - Editions du Chêne, Parlons Vin, Parlons bien - Robert – Prix Curnonsky 2023 StreetFood -Editions Marabout. Podcast Les Bobines : https://shows.acast.com/les-bobines BINGE WATCHING : Sins of man de Otto Brower - 1936, le film où le personnage résout « tout ses problèmes à coup de Champagne et de Martini » Ball of fire- Howard Hawks – 1941 : Le Sobrelier (Benoît d'Onofrio) propose de faire un cocktail en hommage à Ball of fire. Hotel du Nord - Marcel Carmé - 1938 - scène de la communion - Dialogues Jacques Prévert. Coeur de Lila - Anatole Litvak - 1932, avec Marcelle Romée & Fernandel Battement de Coeur - Henri Decoin -1940 Lectures de Marcelle : L'argot du bistrot - Robert Giraud - Edition de la table Ronde. Touchez pas au grisbi - Albert Simonin - 1953 - Série Noire, Gallimard, Prix des Deux magots) Nestor Burma - Léo Malet (crée en 1942) Les Hauts Murs - Auguste Le Breton - 1954 - Editions Denoël (première édition) Classes laborieuses et classes dangereuses - Louis Chevalier - Editeur Perrin Adaptation cinématographique de Nestor Burma avec René Dary : 120, rue de la Gare - Jacques Daniel Norman - 1946 Les films de la Continental : Le dernier des six - Georges Lacombe - 1941 (scénario par H.G Clouzot) L'assassin habite au 21 - Henri-Georges Clouzot - 1942 L'assassinat du Père-Noël - Christian Jaque - 1941 La Main du diable - Maurice Tourneur - 1942 La symphonie fantastique - Christian Jaque - 1942 Le corbeau - Henri-Georges Clouzot - 1943 Au sujet de l'occupation : Laisser-Passer - Bertrand Tavernier - 2002 Voyage à travers le cinéma français - Bertrand Tavernier - 2016 Continental Films, Cinéma français sous contrôle allemand - Christine Leteux - 2017 - La tour verte Les Films de Marcelle : Le diable par la queue - Philippe de Broca - 1969 Avignon - Johann Dionnet - 2025 Mon oncle Benjamin - Edouard Molinaro – 1969 (extrait) Les belles de nuit - René Clair - 1952 Le festin de Babette - Gabriel Axel - 1987 Les Barbouzes - Georges Lautner – 1964 (extrait « les paupiettes ») A Propos de StreetFood : Gastronomia - série franceTV - 2025 The Bear - Série Disney + - 2022 New-York Miami - Frank Capra - 1934 (scène du donut) Tampopo - Jûzô Itami - 1987 (film *** sur la bouffe et street-food) 3 films de Mikhaïl Kalatozov : Quand passent les cigognes - Mikhaïl Kalatozov - 1957 Soy Cuba - Mikhaïl Kalatozov - 1964 Le sel de Svanétie - Mikhaïl Kalatozov - 1930 VINS Maison Vonville - Rouge d'Ottrott - Pinot Noir Pinot noir Vieilles Vignes – Côteaux Bourguignons Prise de son, interview et montage : Nicolas Reyboubet Diffusion : février 2025

Marcelle Ratafia – Touchez pas au Whisky ! Comment une jeune guide argotique de Paris devient une des figures les plus en vue et les plus attachantes de la foodsphère ? C'est cette question que tente d'élucider ce nouvel épisode. A renfort de films de la Continental et autres littératures enlevées, la chroniqueuse du Figaro Vin & Fooding nous transmet son amour du ciné et du vin. On y croise le podcast « les bobines », le Sobrelier Benoit d'Onofrio et les couverts du restaurant Epopée Charonne ! Marcelle Ratafia en littérature : ABC de l'Argot sans se fader le dico - Editions du Chêne, Parlons Vin, Parlons bien - Robert – Prix Curnonsky 2023 StreetFood -Editions Marabout. Podcast Les Bobines : https://shows.acast.com/les-bobines BINGE WATCHING : Sins of man de Otto Brower - 1936, le film où le personnage résout « tout ses problèmes à coup de Champagne et de Martini » Ball of fire- Howard Hawks – 1941 : Le Sobrelier (Benoît d'Onofrio) propose de faire un cocktail en hommage à Ball of fire. Hotel du Nord - Marcel Carmé - 1938 - scène de la communion - Dialogues Jacques Prévert. Coeur de Lila - Anatole Litvak - 1932, avec Marcelle Romée & Fernandel Battement de Coeur - Henri Decoin -1940 Lectures de Marcelle : L'argot du bistrot - Robert Giraud - Edition de la table Ronde. Touchez pas au grisbi - Albert Simonin - 1953 - Série Noire, Gallimard, Prix des Deux magots) Nestor Burma - Léo Malet (crée en 1942) Les Hauts Murs - Auguste Le Breton - 1954 - Editions Denoël (première édition) Classes laborieuses et classes dangereuses - Louis Chevalier - Editeur Perrin Adaptation cinématographique de Nestor Burma avec René Dary : 120, rue de la Gare - Jacques Daniel Norman - 1946 Les films de la Continental : Le dernier des six - Georges Lacombe - 1941 (scénario par H.G Clouzot) L'assassin habite au 21 - Henri-Georges Clouzot - 1942 L'assassinat du Père-Noël - Christian Jaque - 1941 La Main du diable - Maurice Tourneur - 1942 La symphonie fantastique - Christian Jaque - 1942 Le corbeau - Henri-Georges Clouzot - 1943 Au sujet de l'occupation : Laisser-Passer - Bertrand Tavernier - 2002 Voyage à travers le cinéma français - Bertrand Tavernier - 2016 Continental Films, Cinéma français sous contrôle allemand - Christine Leteux - 2017 - La tour verte Les Films de Marcelle : Le diable par la queue - Philippe de Broca - 1969 Avignon - Johann Dionnet - 2025 Mon oncle Benjamin - Edouard Molinaro – 1969 (extrait) Les belles de nuit - René Clair - 1952 Le festin de Babette - Gabriel Axel - 1987 Les Barbouzes - Georges Lautner – 1964 (extrait « les paupiettes ») A Propos de StreetFood : Gastronomia - série franceTV - 2025 The Bear - Série Disney + - 2022 New-York Miami - Frank Capra - 1934 (scène du donut) Tampopo - Jûzô Itami - 1987 (film *** sur la bouffe et street-food) 3 films de Mikhaïl Kalatozov : Quand passent les cigognes - Mikhaïl Kalatozov - 1957 Soy Cuba - Mikhaïl Kalatozov - 1964 Le sel de Svanétie - Mikhaïl Kalatozov - 1930 VINS Maison Vonville - Rouge d'Ottrott - Pinot Noir Pinot noir Vieilles Vignes – Côteaux Bourguignons Prise de son, interview et montage : Nicolas Reyboubet Diffusion : février 2025

Esta primera Huella Sonora sobresale por dos títulos opuestos; Slade In Flame, a pleno lucimiento de la banda británica Slade y Bola de fuego, comedia negra dirigida por Howard Hawks, a principios de los años 40, con dos monumentos de la gran pantalla, Gary Cooper y Barbara Stanwyck y un cameo inolvidable de un icono de la era del swing, el batería Gene Krupa y su orquesta. Presenta Jose M Corrales. t.me/EnfoqueCritico (https://t.me/EnfoqueCritico) debateafondo@gmail.com @EnfoqueCritico_ facebook.com/DebateAFondo facebook.com/josemanuel.corrales.750/ / @enfoquecritico Instagram enfoquecritico Mastodon @EnfoqueCritico@masto.es Patreon http://patreon.com/EnfoqueCritico Bluesky @enfoquecritico.bsky.social

A month of classic Hollywood romances kicks off with Cary Grant and Rosalind Russell trading quips at a mile a minute in His Girl Friday. Howard Hawks' adaptation of the newspaper comedy The Front Page changes the two battling newspaper men into a divorced husband and wife - an editor and his star reporter he doesn't want to let go off to a life of domestic bliss with a dud of a new husband. We'll hear Grant in "The Black Curtain" (originally aired on CBS on December 2, 1943) and Ms. Russell in "Consideration" (originally aired on CBS on February 3, 1950). Then, they recreate their film roles on The Gulf Screen Guild Theatre (AFRS rebroadcast from March 30, 1941).

Book Vs. Movie: “Bringing Up Baby” The 1938 Howard Hawks Film Vs the 1937 Short Story by Hagar Wilde. Today, we are joined by special guest co-host, Kerala Hubbard of The On Purpose Home. We discuss the differences and key similarities between the 1937 short story, "Bringing Up Baby," by Hagar Wilde (Beverly Violet Bidwell), and the groundbreaking Howard Hawks adaptation from 1938. In this episode, we discuss:Negative but brief impact of the film on Hepburn's careerThe differences between the book and the movie.The unsung, non-human stars of the filmHagar Wilde's source material and contributions to the productionFollow us on the socials!Mother Hubbard MugsMontana Meditations Youtube ChannelThe On Purpose Home PodcastYou can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomama

[REDIFFUSION] Bienvenue dans Les Fabuleux Destins ! Dans cet épisode, Andréa Brusque raconte l'histoire de l'une des icônes les plus légendaires d'Hollywood. Cette actrice a captivé des millions de fans à travers le monde. Véritable star, elle est l'une des femmes les plus emblématiques de l'histoire du cinéma. Au cours de sa carrière, elle a remporté plusieurs récompenses, mais derrière ce succès se cache un destin tragique. Son nom : Marilyn Monroe. De ses débuts modestes à sa montée vers la gloire, en passant par ses moments les plus sombres, découvrez son Fabuleux destin. Hollywood, 1953, un tapis rouge se déploie sur des dizaines de mètres bordés de projecteurs étincelants. Tout est prêt pour la grande première du film "Les hommes préfèrent les blondes" de Howard Hawks. C'est alors que la limousine arrive, ralentissant progressivement pour permettre à l'actrice de sortir. Elle tente de garder son calme, de paraître sereine, mais au fond d'elle-même, elle se sent nerveuse. Un podcast Bababam Originals Ecriture : Clémence Setti Voix : Andréa Brusque Learn more about your ad choices. Visit megaphone.fm/adchoices

Book Vs. Movie: “Bringing Up Baby” The 1938 Howard Hawks Film Vs the 1937 Short Story by Hagar Wilde. Today, we are joined by special guest co-host, Kerala Hubbard of The On Purpose Home. We discuss the differences and key similarities between the 1937 short story, "Bringing Up Baby," by Hagar Wilde (Beverly Violet Bidwell), and the groundbreaking Howard Hawks adaptation from 1938. In this episode, we discuss:Negative but brief impact of the film on Hepburn's careerThe differences between the book and the movie.The unsung, non-human stars of the filmHagar Wilde's source material and contributions to the productionFollow us on the socials!Mother Hubbard MugsMontana Meditations Youtube ChannelThe On Purpose Home PodcastYou can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomama

We continue this episode with To Have and Have Not, a 1944 production directed by Howard Hawks. In this film, Bogart plays a sport tourism fisherman who's asked to use his boat to assist the French Resistance in Martinique. He meets up with Marie "Slim" Browning (Lauren Bacall) and that's where the fireworks started, both on and off screen. If you don't know how to whistle, Bacall offers up a fine lesson for you. COMING ATTRACTIONS: Next time, we take our first foray into silent films, with DW Griffith's Intolerance, from 1916, and Liberty Heights, from 1999, directed by Barry Levinson. These films were made in response to criticisms of earlier films from those directors. Join us, won't you?

Casablanca is a film that Sean and I have wanted to cover for a long time, but there was a little bit of a struggle to find a good film to pair it with. Not because there were so few, but because there were so MANY. Finally we came up with focusing on Humphrey Bogart himself rather than on the overall theme of the film. And then there was the realization that Bogart had a couple of films where he was a reluctant hero in a World War Two setting, with the key word being "reluctant." So we open with Casablanca, from 1942, directed by Michael Curtiz. Hal Wallis got the rights to the play just a few weeks after Pearl Harbor, so it wound up having a much bigger impact than it might have had before we entered the war. In Part Two, we see how Howard Hawks would handle a reluctant hero.

Vi skal tilbage i tiden - helt tilbage til det sagnomspundne år 1966. Der fik vi John Wayne, Robert Mitchum og James Caan i filmen El Dorado, den minder meget om Rio Bravo, men det kommer vi ind på. Filmen er instrueret af Howard Hawks som er også instruerede Rio Bravo, Red River mm. God mandag til alle.Filmfædre Smid en besked :)

⭐Rio Lobo (1970) Review: Hawks, Wayne, and a Fading Western Era⭐

"Discovered" at 19, Betty Joan Perske became one of the brightest (and most durable!) stars of Hollywood's Golden Age. She also became Lauren Bacall! In this episode, Scott and Marty learn how to whistle by blowing through Bacall's first two decades onscreen.Jump around a bit, why don't you?To Have and Have Not (1944, Dir. Howard Hawks) at 2:14Key Largo (1948, Dir. John Huston) at 19:45How to Marry a Millionaire (1953, Dir. Jean Negulesco) at 35:36Written on the Wind (1956, Dir. Douglas Sirk) at 49:26Continuity Boulevard at 1:04:33Lightning Round at 1:12:37Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

Dieses Jahr war schwierig, nicht zuletzt auch für das Kino. Es gab 2020 einfach zu wenige Filme zu sehen, auch die Streaming-Plattformen haben zwar für ein paar Hypes gesorgt, doch wirkliche Glanzlichter waren rar gesät. Gewiss, Filme wie „Tenet“ und „1917“ werden bleiben – und Werke wie die #Disney-Realverfilmung von „Mulan“ oder die misslungene Satire „Jojo Rabbit“ sind hoffentlich sehr bald vergessen. Doch lassen wir das Klagen, begreifen wir die Zeit ohne Kinos und ohne aktuelle Filme eher als Chance, um sich mit dem Wahren, Schönen und Guten der #Filmgeschichte zu befassen. In diesem Video soll es um zehn Meisterwerke gehen, die uns zeigen, was filmisch alles möglich ist, wie berührend, körperlich und augenöffnend Filme sein können. Von Dsiga Wertow bis Howard Hawks, von Jean-Luc #Godard bis Tom Ford und Sofia Coppola – all diese großen Filmemacher eint, dass sie uns neu über den Film nachdenken lassen, dass sie neue Wege beschritten haben und zeitlose Werke schufen, die die Qualität vieler aktueller Werke relativieren. Mehr dazu von Wolfgang M. Schmitt im Podcast!Die Filmanalyse PLUS gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutApple-Podcast:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Patreon (jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft):https://www.patreon.com/c/wolfgangmschmitt/home 

Jaume Segalés y su equipo comentan asuntos de la actualidad y traen las mejores recomendaciones culturales. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Los Miserables Tenemos en la cartelera madrileña uno de los musicales más aclamados de la historia: "Los Miserables", en el Teatro Apolo (Plaza de Tirso de Molina, 1) hasta el 8 de marzo de 2026, de martes a domingos, coincidiendo con la celebración del 40º aniversario de su estreno en Londres. Tercera vez que se representa en Madrid. Vuelve, tras 15 años de ausencia, al mismo escenario en el que se representó por primera vez en España, en 1992. Un espectáculo grandioso en todos los aspectos. Se trata musical completamente cantado, basado en la novela homónima que el escritor francés Victor Hugo publicó en 1862, en la que plasma el París de la revolución de 1830. Una de las obras más importantes de la Literatura del siglo XIX. Con una puesta en escena impecable y espectacular, ATG Entertainment trae a la capital esta producción de Cameron Mackintosh con música de Claude-Michel Schönberg y letras y libreto del propio compositor y de Alain Boublil. Música orquestal, solistas y coros en directo al nivel de las óperas clásicas; escenografía y efectos cuidados al detalle; y una de las historias más célebres del romanticismo literario francés. Todo ello consigue que este musical haya ganado más de 180 premios internacionales, que cuente con el mayor tiempo de permanencia en cartelera a nivel mundial; que haya sido representado en 53 países, en 22 idiomas y visto por más de 130 millones de personas. Entrevistamos al protagonista, Adrián Salzedo, que interpreta al célebre Jean Valjean. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre "Nace una canción" (A Song Is Born). Película musical de 1948, con guión de Billy Wildery dirección de Howard Hawks. Protagonizada por Danny Kaye y Virginia Mayo. Fue producida por Samuel Goldwyn y liberada por RKO Cuadros Radiofónicos. El film es un remake de la cinta de 1941 no musical Bola de Fuego con Gary Cooper y Barbara Stanwyck, Rodada en Technicolor, presenta un reparto estelar de leyendas musicales, incluyendo Tommy Dorsey, Benny Goodman (con Al Hendrickson), Louis Armstrong, Lionel Hampton, y Benny Carter. Otros músicos notables presentes en el reparto incluyen a Charlie Barnet (con Harry Babasin), Mel Powell, Louis Bellson, El Cuarteto de Puerta Dorado, Russo y el Samba King, La Página Cavanaugh Trío, y Buck y Burbujas. Otros actores de la película Steve Cochran y Hugh Herbert. Argumento. El tímido profesor Hobart Frisbee (Danny Kaye) y sus amigos académicos, entre los que figura el profesor Magenbruch (Benny Goodman), están escribiendo una enciclopedia musical. A lo largo del proceso, descubren que existe toda una nueva música popular (el jazz, el swing, el boogie-woogie o el bebop) que desconocen. Mientras tanto, la cantante de cabaret Honey Swanson (Virginia Mayo) necesita un sitio para esconderse de la policía, que quiere interrogarla acerca de su novio el mafioso Tony Crow (Steve Cochran), así que se refugia en casa de los académicos y les enseña lo que es el jazz, dando a la película una excusa para presentar a muchos de los mejores músicos de la época.

Cette semaine: nous vibons au rhythme de Rio Bravo de Howard Hawks et visitons un St-Tite inquiétant dans Mustang de Marcel Lefebvre en plus de se ratrapper sur des sorties récents avec Wake Up, Dead Man et The Smashing Machine!

In this episode, Austin and Tim travel back in time to 1952 to watch 7 movies: William Wyler's Carrie, Bob Hope in My Favorite Spy, Native Son, Cecil B. Demille's The Greatest Show on Earth, The Miracle, She's Working Her Way Through College, and Howard Hawks' The Big Sky.

Howard Hawks desarrolló un estilo cinematográfico sobrio y directo, en el que la narración fluía con naturalidad y sin artificios. Trabajaba minuciosamente los guiones junto a excelentes escritores, lo que le permitió construir películas de una claridad narrativa excepcional. Su cine está poblado por héroes íntegros, con pocos villanos, y por mujeres independientes, valientes y seductoras que no renuncian a su femineidad. Bajo esta aparente sencillez, Hawks articuló un lenguaje fílmico de profunda inteligencia narrativa y notable riqueza emocional. En la segunda conferencia del ciclo “Howard Hawks: Un artista americano”, el crítico de cine y jurista Eduardo Torres-Dulce profundiza en el universo cinematográfico del director, subrayando la coherencia estilística y la hondura temática que definen su obra.Más información de este acto

Twenty five dollars a pod and expenses   The Becks are back to talk about the epitome of the hard-boiled detective story: Raymond Chandler's The Big Sleep and its 1946 adaptation by Howard Hawks. In this episode, they discuss the dentist, a possibly broken foot, and even [REDACTED]! Enjoy!   linktr.ee/soonmajorpod   ko-fi.com/soonmajorpod   Next episode homework: The Detective (1968)

The gang calls in the big guns this week as they (Pete) reviews our first entry for Pre-Code November, the OG Scarface starring Paul Muni. Joining Pete on his journey is crowd favorite, Aunt Linda, to drop some knowledge on the class about the short era between the inception of talkies, and the Hays Code being enacted. It's a fascinating time in film history, and Scarface is a fascinating movie to go along with it. Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/LK2UiziMTyQhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

Nacido en Indiana en una familia acomodada, Howard Hawks fue un cineasta profundamente estadounidense. Aunque inició su carrera en la era del cine mudo, fue con la llegada del sonoro cuando consolidó su estilo y versatilidad. Su independencia creativa le permitió dirigir obras maestras en casi todos los géneros, con títulos como Scarface, Tener y no tener, Los caballeros las prefieren rubias y Río Rojo, entre muchas otras. En la primera conferencia del ciclo “Howard Hawks: Un artista americano”, el crítico de cine y jurista, Eduardo Torres-Dulce, repasa la biografía de uno de los cineastas más icónicos del Hollywood clásico. Más información de este acto

durée : 00:24:41 - " Les Hommes préfèrent les blondes " le film de 1953 avec Marilyn Monroe - Les hommes préfèrent les blondes (Gentlemen Prefer Blondes) est un film musical américain de Howard Hawks sorti en 1953, adapté de la comédie musicale du même nom jouée à Broadway en 1949. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Muchos la recuerdan sobre todo por su papel de señora Fletcher en la serie de televisión “Se ha escrito un crimen” pero lo cierto es que Angela Lansbury tuvo también una notable carrera en el cine y en el teatro. Este 16 de octubre se ha cumplido el centenario de su nacimiento y nosotros lo celebramos dándole un repaso a su carrera. El estreno de la película “La hermanastra fea” nos sirve de excusa para buscar en nuestra “Enciclopedia curiosa del cine” el capítulo dedicado a Cenicienta y el cine. Charlamos con el director Miguel Ángel Vivas que acaba de estrenar su última película, “La tregua”, y en la sección de Jack Bourbon tenemos esta semana una película de cazadores en África protagonizada por John Wayne: “Hatari” de Howard Hawks.

On the first night of our #CountdownToHalloween the Mister joins me in reviewing THE THING FROM ANOTHER WORLD (1951), from John W Campbell Jr's novella "Who Goes There?", the film was directed by Christian Nyby and Howard Hawks (uncredited).  The screenplay is credited to Charles Lederer; although production records and later sources note rewrites and contributions (uncredited) from Howard Hawks and Ben Hecht.  The film tells the story of a U.S. Air Force crew and a team of scientists at a remote Arctic research outpost discover a crashed alien flying saucer and a large, humanoid creature frozen in a block of ice.  When a careless mistake thaws the eight-foot-tall, plant-like alien, the group must fend off the murderous "Thing" that feeds on blood and exhibits frightening intelligence.  As the military personnel and the lead scientist clash over whether to destroy or attempt to communicate with the creature, the survivors must devise a plan to electrocute the alien menace before it can breed and escape the isolated base.  The film clocks in at 1 h and 27 m, is rated Approved.  We caught the film on Internet Archives but it is streaming on Tubi, Roku Channel, Fawesome but also to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#TheThingFromAnotherWorld #JohnWCampbellJr #ChristianNyby #CharlesLederer #BenHecht #HowardHawks #KennethTobey #CaptainPatrickHendry #MargaretSheridan #Nikki #RobertCornthwaite #DrCarrington #DouglasSpence #Scotty #JamesYoung #LtEddieDykes #DeweyMartin #CrewChief #RobertNichols #LtKenErickson #WilliamSelf #CorporalBarnes #EduardFranz #DrStern #SallyCreighton #MrsChapman #JamesArness #TheThing #AlienInvasion #MonsterHorror #SupernaturalHorror #Horror #SciFi   @internetarchive_  ⁠@PrimeVideo ⁠ ⁠@Tubi  @TheRokuChannel  @Fawesome⁠TV  #31DaysToHalloween #SpookySeason #Day1  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Cary Grant month continues as we discuss THE quintessential screwball comedy, Bringing Up Baby. Howard Hawks directed the 1938 film which stars Cary Grant as engaged paleontologist David Huxley, who is trying to score a one million dollar grant for his museum when he crosses paths with Susan Vance (Katharine Hepburn), a wonderfully chaotic disruption to his plans. From a missing intercostal clavicle to a leopard named Baby (played by a charming cat named Neissa), Grant and Hepburn are delightful in this very funny classic. To read more about Neissa the leopard and her handler Olga Celeste, click here.

Today on Episode 223, the guys continue their trek through the filmography of Cary Grant with His Girl Friday. Directed by Howard Hawks, as was the previous film, Bringing Up Baby, which of the two worked more for the hosts? Find out on this episode of the Cinema Geeks!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!!

"The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay!" Bella Zaydenberg returns to the show to talk about the beloved Howard Hawks screwball comedy, His Girl Friday (1940). We'll talk about journalism, rom-coms, and weddngs. Wait, weddings? Why weddings? Listen to find the worst kept secret in the history of our show! Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Send us a textStep back into the pre-Code chaos with the original Scarface—before the cocaine and neon came the Tommy guns and tabloid frenzy. We dissect Howard Hawks' gritty gangster epic, explore how it scandalized America, and debate whether Paul Muni's Tony Camonte still holds cinematic swagger. Bonus: the wild story behind the film's censorship battle.Actress Karissa Lee Staples Oh Brother Podcast: Support the Show! (get early access) Listen on all podcast platforms Subscribe on YouTube Follow us on Instagram

Only Angels Have Wings (1939; Dir.: Howard Hawks) Canon Fodder Episode 42 Your hosts continue their cinematic world tour by jetting to the fictional South American port town of Barranca. Only Angels Have Wings is one of the most revered movies by Howard Hawks. But were your hosts rapt-or with […] The post Only Angels Have Wings – Episode 42 appeared first on Dare Daniel & Canon Fodder Podcasts.

This week Harrison will review "Scarface (1932)" starring Paul Muni and directed by Howard Hawks#scarface #paulmuni #howardhawks #reelyoldmoviesBinbuster Links:YT: https://www.youtube.com/c/BinbusterInstagram: https://www.instagram.com/thebinbuster/Letterboxd: https://letterboxd.com/binbuster/Twitter/X: https://x.com/thebinbusterJoin my Discord!: https://discord.gg/VWcP6ge2Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tipSocial Media Links: https://linktr.ee/reelyoldmovies

Send us a textToday's episode is my conversation about the 1929 film The Valiant. I'm joined by Matthew Carlson from the "What Am I Making" newsletter and we talk about an unexpected prison jazz band, how the limitations of the film technology of the time impacted how stories were told on film, and how a very short play was adapted into a substantially longer film for this story.You can watch The Valiant on YouTube and be sure to check out Matthew's newsletter.Other films mentioned in this episode include:The Cocoanuts directed by Joseph Santley and Robert FloreyUnaccustomed As We Are directed by Lewis R. Foster and Hal RoachThe Blue Angel directed by Josef von SternbergThe Way of All Flesh directed by Victor Fleming (lost film)Once Upon a Time... in Hollywood directed by Quentin TarantinoThere Will Be Blood directed by Paul Thomas AndersonThe Last Command directed by Josef von SternbergInherit the Wind directed by Stanley KramerJudgment at Nuremberg directed by Stanley KramerScarface directed by Howard Hawks"The Only Girl in the Orchestra" directed by Molly O'BrienThe Man Who Wouldn't Talk directed by David Burton"The Arrival of a Train" directed by Auguste and Louis Lumière"Workers Leaving The Lumiere Factory" directed by Auguste and Louis LumièreThe Birth of a Nation directed by D. W. GriffithIn Old Arizona directed by Irving Cummings and Raoul WalshThe Passion of Joan of Arc directed by Carl Th. DreyerPickpocket directed by Robert BressonOther referenced topics:The Valiant (play) by Holworthy Hall and Robert MiddlemassSupport the show

Submit your film or screenplay to the WILDsound Festival today: https://filmfreeway.com/WILDsoundFilmandWritingFestival What is a Screwball Comedy? A comedy that is characterized by fast-paced, witty dialogue, farcical situations, and romantic storylines that often involve a battle of the sexes. They emerged in the 1930s and became popular in the 1940s. How is it different than a straight up romantic comedy? Screwball is a genre that focuses less the romantic courtship between two people, and more on the battle of the sexes. It always has a strong female protagonist, and usually a male protagonist trying to keep up with her. It puts the emphasis on the spoofing of love, rather than the "will they get together" plot. Where did the term "screwball" come from? It gets its name from the baseball pitch "the screwball". For those unfamiliar with baseball, it's a pitch a pitcher throws to a batter that moves in the opposite direction than a typical baseball pitch like a fastball, curveball, or slider. A screwball is an oddball pitch, like the female leads in the 1930s comedy films where they played the "opposite" of your typical female stereotype that were back in the day. Instead of wanting to find a husband, birth a few babies and be a homemaker - the female leads in the "screwball comedy" are strong, independent from men, and want to focus their life on their passions. They are attracted to men, but will only begin a courtship of any kind if it was on their terms - not the mans. Famous screwball comedy films? It Happened One Night (1934) Directed by Frank Capra. Starred Clark Gable & Claudette Colbert Bringing Up Baby (1938) Directed by Howard Hawks. Starred Katharine Hepburn & Cary Grant The Philadelphia Story (1940). Directed by George Cukor. Also Starred Katharine Hepburn, Cary Grant. With James Stewart added to the mix. The brand declined in popularity through the years, but it still shows up in its style. The Coen Brothers have made a few with "Intolerable Cruelty", "The Hudsucker Proxy", and "Hail Caeser" Bridesmaids (2011), written and starring Kristen Wiig is considered a screwball comedy. Is any one a fan of Amy Sherman-Palladino TV shows?: Gilmore Girls. The Marvelous Mr. Maisel. Étoile. Those television shows are more definitely classic Screwball Comedies. From the characters. plot points. fast paced dialogue. Even the way the shows are directed - are classic screwball! Enjoy the past, present, and future of the Screwball Comedy!

On this week's Video episode Phillip is joined by Cayley Landsberg from Once Over With Cayley on YouTube https://www.youtube.com/@OnceOverwithCayley The two of them discuss the GREAT film noir The Big Sleep directed by Howard Hawks. Phillip starts by reading the general information on the movie with some facts thrown in. It's then time for Listener Opinions from Twitter, Instagram, and Facebook. Phillip and Cayley then discuss all things The Big Sleep and Bogart and Bacall. If you don't like old movies Lauren Bacall said, "It's not an old movie if you haven't seen it yet." So everyone check this movie out. It was a very fun discussion. Then it's time to answer whether they noticed anything Tarantino might have liked or used in a film. They then individually rate the movie. Phillip and Cayley talk about whether they would buy this movie, rent it, or find it for free. It's then time for Phil's Film Favorite of the Week; The Big Trail (1930) (4 stars). Cayley gives some recommendations that she has watched; Thanksgiving (2023), Juror #2 (2024), and Vulcanizadora (2024). Phillip then promotes next week's show, when he will be by himself for 1978's Game of Death. Thanks for listening.

In their very first black and white episode, Andrew and Scotty travel up to the Antarctic to investigate a flying saucer buried in the ice as they discuss "The Thing from Another World". They also read another Spotify comment, and stay tuned until the end of the episode to hear what Andrew has chosen for their next movie!"The Thing from Another World" was directed by Christian Nyby and Howard Hawks. It stars James Arness as a large humanoid creature from outer space that is found frozen in ice near the North Pole.Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

Classique du film noir, du film de détective, "Le Grand sommeil", est un film dʹHoward Hawks, sorti en 1946. Une histoire policière alambiquée, l'adaptation du best-seller de Raymond Chandler, et dans laquelle on ne sait jamais vraiment qui a tué qui. Mais cʹest aussi: Humphrey Bogart endossant le costume du détective Philip Marlowe, Lauren Bacall en manipulatrice, des averses photogéniques, des brouillards décadents, un vieux général qui hait les orchidées. Cʹest un chef-dʹœuvre parmi les plus insolite de lʹhistoire du cinéma.

GGACP celebrates National Couples Appreciation Month with this ENCORE of the first of a 2-part interview featuring celebrated actors and longtime Hollywood couple Richard Benjamin and Paula Prentiss. In this episode, Richard and Paula talk about their seven-decade careers in front of (and behind) the camera, co-starring in a groundbreaking sitcom, co-hosting “Saturday Night Live,” meeting Stan Laurel and Buster Keaton and working with legendary directors Howard Hawks, Mike Nichols and Billy Wilder. Also, Jack Cassidy plays a superhero, Jack Benny exits “The Sunshine Boys,” Paula shares the stage with Hope and Crosby and Richard teams Burt Reynolds and Clint Eastwood. PLUS: Uncle Goopy! “Goodbye, Columbus”! Remembering Jim Hutton! Walter Matthau plays the ponies! And Richard and Paula gush over Gilbert's James Mason impression! Learn more about your ad choices. Visit megaphone.fm/adchoices

This month, we're talking about 60s and 70s Hollywood; the old masters giving their last efforts for a dying system, and the new filmmakers who changed everything. We start with Howard Hawks' slow and steady reworking of his greatest screwball works from decades before, Man's Favorite Sport? A Late Style Object if there ever was one. We got into Hawks' undying instincts for the essentials of great cinema, like when a bear rides a dirt bike. Also, did Howard Hawks invent the wet t-shirt contest? Then, on everybody's favorite segment, MITM, we got into Party Girl, The Day the Earth Blew Up: A Looney Tunes Movie, Letterboxd, and Kundun. 00:00 - Man's Favorite Sport? 54:17 - Malcolm in the Middle Join us on patreon and get an extra episode every week for $5/month. Write to us at extendedclippodcast@gmail.com

Boomer & Brandon discuss the classic Howard Hawks noir The Big Sleep (1946), starring Humphrey Bogart & Lauren Bacall https://swampflix.com/ 00:00 Welcome 01:52 The Murder of Mr. Devil (1970) 06:58 Teeth (2007) 13:48 Citizen Ruth (1996) 20:48 Wander to Wonder (2025) 23:44 No Other Land (2025) 27:33 The Monkey (2025) 35:19 Heart Eyes (2025) 41:03 Armand (2025) 45:08 Grand Theft Hamlet (2025) 50:44 Mickey 17 (2025) 53:48 Universal Language (2025) 58:27 The Big Sleep (1946)

The first episode of our season on the awesome movie year of 1941 features the box-office champion, Howard Hawks' Sergeant York. Directed by Howard Hawks and starring Gary Cooper, Joan Leslie, Walter Brennan, Margaret Wycherly and George Tobias, Sergeant York is based on the diaries of real-life World War I veteran Alvin York.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1941/07/03/archives/sergeant-york-a-sincere-biography-of-the-world-war-hero-makes-its-a.html), Time Magazine, and Herbert Cohn in the Brooklyn Eagle.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at

⭐The Thing from Another World (1951) - The Chilling Sci-Fi Horror Classic You Need to See!⭐

In the 1960s, many American directors saw their fortunes turn after they notched massive hits. In the case of Howard Hawks – a director who had thrived in virtually every Hollywood genre since the late silent era– the undisputed masterpiece of Rio Bravo gave way to four poorly-received efforts, each of which bared the marks of a dying studio system, if they weren't compromised by the literal dying off of the previous generation of stars. In the middle of this run, Hawks made Red Line 7000, a car racing drama which was at once familiar and personal to Hawks, and also totally foreign in that it was a movie set in the 1960s, infused with ‘60s sexual politics, and built around future New Hollywood star James Caan.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. On this special bonus episode, I'm introducing you the wonder that is Karina Longworth's You Must Remember This. With an introductory episode to her new season, "The Old Man is Still Alive,"  which covers the late careers of Alfred Hitchcock, John Ford, Howard Hawks, Vincente Minnelli and ten other directors who began their careers in the silent or early sound eras, and were still making movies in the 1960s, ‘70s and ‘80s, in spite of the challenges posed by massive cultural changes and their advanced age. In this mini-episode we'll discuss the parallels between this history and today, from the tech industry takeover of Hollywood to the late work of Coppola and Scorsese; the interview with George Cukor that inspired the title of this season; the Orson Welles-Peter Bogdanovich-Quentin Tarantino connection that informs the way we think about “old man” movies, and much more. Learn about your ad choices: dovetail.prx.org/ad-choices

The show returns to begin 2025 with a look at a pair of films that, on their surface, couldn't possibly be more different from one another--but in fact they have more in common than you'd think. Both of them owe some debt to Howard Hawks, whether in visual style or dialogue patterns, or something else. And we start with 1994's Speed, directed by Jan de Bont in his American directorial debut. Quick wit combined with action sequences make this a tight thriller with a light rom-com overlay. In Part 2, we'll jump to 2015...and beyond!

In Part 2 of our triumphant return (shrug), we look at 2015's The Martian, directed by Ridley Scott. This film is set on two different planets: one of them has billions of people on it, and the other has...one. And we manage to jump back and forth between the two with tension and humor, and it's a fun ride the entire way. Does it make awesome scientific sense? Mostly, and the places where it doesn't, even the author (whose work is rather faithfully reproduced for this film) concedes that he needed to pull a couple of fast ones to get the story to work out. COMING ATTRACTIONS: We hope you like Denzel Washington, because we'll be seeing a bunch of him. First up is The Mighty Quinn, where he's fresh out of St. Elsewhere (but this isn't his film debut by a long shot). From there we check out The Inside Man, a movie with an ending you probably didn't see coming.

We're back with a look at Howard Hawks' 1941 screwball comedy, Ball of Fire starring Gary Cooper and Barbara Stanwyck. How does it compare to other classic comedies of the era? Tune in to find out. We also chat about Kneecap, Snack Shack and A Real Pain. marriedwithclickers@gmail.com

A small-town sheriff (John Wayne) tries to keep a convict imprisoned for the U.S. Marshals before the convict's brother and his gang attempt a jailbreak.  Co-starring Dean Martin, Walter Brennan, Angie Dickinson and Ricky Nelson.  Directed by Howard Hawks.

Do you love excessively complicated mystery plots that are still somehow entertaining and fun? Do you love it when real-life couples co-star in movies and have insane chemistry? Do you know who killed Owen Taylor? Then The Big Sleep (1946) is the movie for you! Check out this quick-witted Howard Hawks directed noir and watch the sparks fly between Humphrey Bogart and Lauren Bacall; featuring a strong supporting cast that includes Martha Vickers, Dorothy Malone, and John Ridgely. Host Sara Greenfield and her guest, Steven C. Smith, (author of Music By Max Steiner: The Epic Life of Hollywood's Most Influential Composer), chat about all this and more on this week's episode of Talk Classic To Me. ----------------------------------------------------------------- Steven C. Smith https://mediasteven.com/ Music By Max Steiner: The Epic Life of Hollywood's Most Influential Composer https://www.larryedmunds.com/product-page/music-by-max-steiner-the-epic-life-of-hollywood-s-most-influential-composer

A preview of the new season of You Must Remember This, which covers the late careers of Alfred Hitchcock, John Ford, Howard Hawks, Vincente Minnelli and ten other directors who began their careers in the silent or early sound eras, and were still making movies in the 1960s, ‘70s and ‘80s, in spite of the challenges posed by massive cultural changes and their advanced age. In this mini-episode we'll discuss the parallels between this history and today, from the tech industry takeover of Hollywood to the late work of Coppola and Scorsese; the interview with George Cukor that inspired the title of this season; the Orson Welles-Peter Bogdanovich-Quentin Tarantino connection that informs the way we think about “old man” movies, and much more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Cissy Wellman is an actress, director, dancer, and author.  She is the daughter of the revered Classic Hollywood director, William Wellman, who directed such films as Wings (1927) and the original A Star is Born (1937).  Cissy had the rare opportunity to grow up among the biggest names from the Golden Age, and formed personal relationships with such legends as director Howard Hawks and John Wayne.  Cissy's own career includes television roles on Charlie's Angels, The Waltons, and Hart to Hart.  Her film credits include roles in Clint Eastwood's The Outlaw Josey Wales (1976), Made Men (1999), and, most recently, in the 2024 film, Little Death, opposite David Schwimmer.  Listen as Cissy shares behind the scenes stories from her career, invaluable insights on the Classic Hollywood legends she knew, and what makes the Golden Age exceptional.