Podcasts about Humphrey Bogart

Guest Seth Dillon, CEO of The Babylon Bee, discusses winning the Salvatori Prize for American Citizenship, the creation of its satires and parodies that expose corruption, and the censorship it faces over its work. Movie review of “Deadline – U.S.A,” the 1942 classic film noir starring Humphrey Bogart as a crusading newspaper editor who works […]

Guest Seth Dillon, CEO of The Babylon Bee, discusses winning the Salvatori Prize for American Citizenship, the creation of its satires and parodies that expose corruption, and the censorship it faces over its work. Movie review of “Deadline – U.S.A,” the 1942 classic film noir starring Humphrey Bogart as a crusading newspaper editor who works on a story exposing a gangster's crimes at the risk of his life.

Re-Imagined Radio presents a two-part tribute to Hollywood legends Humphrey Bogart and Lauren Bacall, featuring adaptations of “To Have and Have Not” and “Bold Venture.” Premieres air July 21 and Aug. 18 via KXRW and KXRY. https://www.clarkcountytoday.com/people/entertainment/re-imagined-radio-pays-tribute-to-bogart-and-bacall-in-two-part-series/ #ReImaginedRadio #BogartAndBacall #ClassicRadio #WSUVancouver #SoundStorytelling #VancouverWA #KXRW #KXRY #LuxRadioTheatre

Direction le sud…le Lavandou Pour se rafraichir non pas dans la verdure comme hier, mais les pieds dans l'eau. On part hôtel mythique posé sur les Roches à coté de la plage d'Aiguebelle ! son nom : les Roches, tout simplement : Après 10 ans de Travaux il rouvre enfin ce we ! Si je dis enfin c'est parce que c'est une institution dans le sud cet hôtel. Il ressemble à un navire, accroché aux calanques. Il a tellement rayonné que les hôtels des Roches Blanches à Cassis et des Roches Rouges à Saint-Raphaël lui doivent surement beaucoup. Mais il a aussi rayonné par son histoire. Tout a débuté dans les années 30 – a l'époque il s'appelait les “Roches fleuries”- c'est un lieu de villégiature estivale bien raffiné. Quelques noms ? Humphrey Bogart et Lauren Bacall, Jean Cocteau, Christian Dior, Winston Churchill. Le prix Nobel de littérature allemand Thomas Mann, Lui il s'y réfugie avec sa famille en 1933 pour fuir le nazisme. Et puis 2 décennies plus tard, en 57 c'est Françoise Sagan qui va y poser ses valises pendant le tournage de « Bonjour Tristesse » au Lavandou Vous dites que c'est un hôtel navire … c'est-à-dire ? Tout donne sur l'eau. D'où cette atmosphère un peu transatlantique : chacune des chambres, la terrasse, le bar, le restaurant de l'oursin. SI vous êtes de grands gastronomes, la cuisine d'Antoine Gras est essentiellement à base de poissons et de langouste mais la c'est sur le restaurant du rooftop « la Langouste sur le toit ». La vue sur les Iles d'or est juste époustouflante. D'ailleurs Je vous conseille de vous en approcher de ses iles en Ludik. C'est l'école de voile du Lavandou qui propose ca : un dériveur pour naviguer a 8… au ras de l'eau. Alors plusieurs options pour découvrir Les Roches ; vous pouvez y dormir- relais et châteaux-ou simplement y prendre un verre, diner sinon ils ont aussi sur la plage d'Aiguebelle un charmant petit hôtel- restaurant : les pieds dans le sable : l'hôtel de la plage, à 115 euros la nuit. Fiche Pratique L'Hôtel Relais et Châteaux : les Roches Restaurant l'oursin et Restaurant La langouste sur le toit d'Antoine Gras:  https://www.hotellesroches.com/ L'Hôtel de la plage : https://www.lhoteldelaplage.com/   LES VINS Avec l'été, nos envies changent : plus de fraîcheur, de la tonicité, moins d'alcool, plus de fruit. Évidemment, le rosé coche les cases, mais il y existe des alternatives, si vous voulez changer un peu. Tout d'abord, ne pas hésiter à mettre les vins, même rouges au frigo, on les sert souvent trop chauds. Et puisqu'on parle de vins rouges, voilà quelques idées :  - Gamay de Loire (cépage du Beaujolais), vinifiés sur le fruit, très croquant et juteux - Dans la Loire encore, le délicieux pineau d'Aunis, cépage local qui donne des vins poivrés et épicés/ Parfait pour les grillades. La tendance depuis quelques années : les rouges légers Des rouges qui assument de se boire comme des rosés, donc frais : on en trouve chez Chapoutier, Gérard Bertrand ou encore au château Malleret à Bordeaux J'aime leur côté digeste et canaille qui ne se prend pas la tête. C'est du fruit, du fruit et encore du fruit… plus structurés que la plupart des rosés. Ce ne sont pas des vins de garde, ils assument ce côté simple et immédiat.  Et puis, évidemment, les incontournables beaujolais, je parlais du gamay…un beaujolais-village bien vinifié, c'est délicieux aussi. Enfin, pour ces vins estivaux, n'hésitez pas à opter pour les « bib ». De nombreux bon vignerons s'y sont mis, d'un point de vue pratique et surtout environnemental, il n'y a pas photo !! Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week on The Shiver Show, we bring you romance and wartime intrigue with this 1946 Lux Radio Theater adaptation of To Have and Have Not, starring Humphrey Bogart and Lauren Bacall. This old time radio classic reimagines Ernest Hemingway's hard-edged novella with crackling dialogue, a new setting, and a romance between two strangers with nothing to lose.This production features Humphrey Bogart reprising his iconic role as Harry Morgan, a gruff boat captain, and Lauren Bacall as Marie “Slim” Browning. Sparks fly between Bogie and Bacall, and the live audience loves it.Mary and Greg talk about how Hemingway's original novella got made into a film, and why the setting of the film and radio drama was changed from Depression-era Cuba to war-time Martinique. So pour yourself a Ti' Punch, dim the lights, and let The Shiver Show take you to a time when romance was as sideways glance.Thank you for listening! If you like the show, please share us with your friends and family AND give us a review! If you have a suggestion for a show or a question, please drop it in the comments! Greg's Blog and his award-winning short story is here:https://gfflynn.blogspot.com/Watch us on YouTube:https://www.youtube.com/@shivershowpodcastFollow The Shiver Show https://www.facebook.com/theshivershowor check out our website at https://www.timewarpstudios.com Other podcast platforms: https://linktr.ee/theshivershow

Tựa đề chữ vàng in trên bìa sách toàn một màu đen. Chỉ cần liếc nhìn qua, giới độc giả ghiền truyện trinh thám đều nhận ra ngay bộ sưu tập « Série Noire » của nhà xuất bản Pháp Gallimard. Năm 2025 đánh dấu đúng 80 năm ngày ra đời của tủ sách nổi tiếng Série Noire, mà bạn đọc ở Pháp thường gọi nôm na là « tiểu thuyết đen ».   Tủ sách « Série Noire » ra đời vào mùa hè năm 1945, theo đề xuất của dịch giả Marcel Duhamel. Ngoài đời là bạn thân của nhà văn Jacques Prévert và thi hào Raymond Queneau, ông Duhamel đã thuyết phục nhà xuất bản Gallimard cho ra mắt một bộ sưu tập hoàn toàn mới thời hậu chiến, để giới thiệu với bạn đọc ở Pháp những tiểu thuyết trinh thám tiêu biểu của Anh-Mỹ qua việc dịch các tác giả trứ danh như Peter Cheyney, Raymond Chandler hay Don Tracy …  Mãi đến 3 năm sau (1948), theo sáng kiến của giám đốc điều hành nhà xuất bản Claude Gallimard, bộ sưu tập này mới bắt đầu phát triển mạnh, tăng số lượng bản in cũng như các tựa sách phát hành mỗi năm. Nhờ vào sự hưởng ứng của bạn đọc, tủ truyện « Série Noire » đã thành công nhanh chóng. Hơn một ngàn đầu sách được xuất bản trong 2 thập niên đầu tiên, mỗi năm sách đều bán được hơn cả triệu bản.  Thành công của thể loại văn học này lúc đầu luôn gắn liền với trào lưu phim trinh thám của Mỹ, còn được gọi là « film noir » chủ yếu nói về các vụ án và tội phạm, thế giới băng đảng và xã hội đen. Trong thời hậu chiến (1945-1952) các rạp chiếu phim Pháp chủ yếu khai thác phim trinh thám do Hollywood sản xuất từ những năm trước, nhưng vì đang có chiến tranh, khán giả Pháp chưa có dịp xem.  Kể từ năm 1953 trở đi, làng phim Pháp mới bắt đầu khai thác mạnh mẽ dòng phim này. Trả lời phỏng vấn RFI ban tiếng Pháp, nhà phê bình kiêm sử gia Alban Cerisier cho biết, ngay từ những năm 1950, tủ sách « Série Noire » đã gợi hứng cho các đạo diễn Pháp thực hiện nhiều bản phóng tác, đưa các bộ tiểu thuyết đen lên màn ảnh rộng, tạo ra một sự hợp tác chặt chẽ, vẫn còn tồn tại cho đến tận ngày nay : « Đúng vậy, đó là một mối quan hệ tuyệt vời, góp phần làm nên tên tuổi và uy tín của bộ sưu tập Série Noire. Mối quan hệ giữa tủ sách trinh thám và màn ảnh lớn đã tồn tại trong nhiều thập niên qua. Khi mới được thành lập, tủ sách này chủ yếu quảng bá các tiểu thuyết “đen” và dòng phim trinh thám theo kiểu Mỹ. Trong giai đoạn này, phải kể đến phim The Maltese Falcon (Chim ưng Malta) với Humphrey Bogart trong vai chính, This gun for hire (Kẻ giết mướn) với Alan Ladd và Veronica Lake. Những thập niên sau đó, có The Unseen (Sát thủ giấu mặt) và nhất là The Big Sleep (Giấc ngủ ngàn thu), dựa theo tiểu thuyết của nhà văn Raymond Chandler qua hai phiên bản, với Humphrey Bogart, cũng như Robert Mitchum trong vai chính.  Thời hậu chiến, làng phim Pháp chủ yếu khai thác phim Mỹ. Năm 1953 đánh dấu một cột mốc quan trọng, khi điện ảnh Pháp trở nên tự lập hơn, bắt đầu chuyển thể các bộ tiểu thuyết thành phim trinh thám. Đó là trường hợp của bộ phim "Touchez pas au grisbi" (tạm dịch Coi chừng chết … vì tiền) của đạo diễn Pháp Jacques Becker. Đây là phiên bản điện ảnh của quyển tiểu thuyết đen cùng tên của Albert Simonin. Bộ phim đánh dấu ngày trở lại của Jean Gabin sau nhiều năm vắng bóng và sự xuất hiện lần đầu tiên của Lino Ventura trên màn ảnh lớn. Trong mắt giới phê bình, "Touchez pas au grisbi” là tác phẩm khởi đầu cho trào lưu quay các bộ phim noir theo kiểu Pháp, hầu hết các tên tuổi lớn sau này đều tham gia như Jeanne Moreau, Jean-Paul Belmondo hay Alain Delon … »  Nhìn lại tủ truyện « Série Noire », trong số cả chục ngàn quyển tiểu thuyết được phát hành, đã có hơn 500 đầu sách đã được chuyển thể lên màn ảnh. Có thể nói là mỗi thập niên đều có những bộ phim ăn khách, phóng tác từ tiểu thuyết trinh thám. Theo sử gia Alban Cerisier, những thập niên sau 1950, đã cho ra đời nhiều tác phẩm quan trọng của những tên tuổi hàng đầu trong làng điện ảnh :  « Kể từ sau những năm 1950, dòng phim trinh thám hình sự đã có một số thay đổi về mặt đề tài để phán ánh những biến chuyển xã hội, nội dung phim cũng mang nhiều tính thời sự hơn. Một trong những gương mặt quan trọng trong giai đoạn này chính là ngôi sao màn bạc Pháp Alain Delon. Ông quan tâm nhiều đến thể loại hình sự cũng như dòng phim đen. Trong vai trò của một nhà sản xuất (nhiều hơn là diễn viên), Alain Delon đã giúp phổ biến thêm nhiều quyển tiểu thuyết qua phim ảnh. Trong giai đoạn này có thể nhắc đến “Mort d'un pourri” (Cái chết của một kẻ hám lợi), tiểu thuyết của Raf Vallet từng được Georges Lautner chuyển thể thành phim trinh thám với Alain Delon trong vai chính.  Thật ra, kể từ những năm 1965 trở đi, dòng phim noir không còn đơn thuần nói về thế giới của những kẻ lừa đảo, những tên côn đồ đâm thuê chém mướn … Những hình tượng ấy dần dần những chỗ lại cho những nhân vật phức tạp hơn về mặt tâm lý, qua tài viết kịch bản và dựng phim của làn sóng đạo diễn với phong cách mới như Truffaut, Godard, hay Melville. Đạo diễn François Truffaut đã tặng cho Jeanne Moreau một vai diễn để đời khi chuyển thể tiểu thuyết “The Bride wore black” (Áo tang ngày cưới) của William Irish, kể lại kế hoạch trả thù của một cô dâu, sau khi chứng kiến cảnh chồng mình bị sát hại ngay trong đám cưới.  Đạo diễn Melville tặng cho Jean Paul Belmondo một vai diễn xuất sắc trong phim "Le Doulos". Trong tiếng lóng, từ này hiểu theo nghĩa đen là cái mũ phớt, còn hiểu theo nghĩa bóng là kẻ chỉ điểm. Sự xuất hiện của Melville, Lautner, hay Truffaut (rất ngưỡng mộ đạo diễn Hitchcock) đã mang đến một luồng sinh khí mới cho thể loại phim trình thám, khi họ phản ánh các chủ đề mang tính thời sự xã hội, đi sâu hơn vào các đề tài tham nhũng, khi mọi giới, nhất là những người có quyền, càng dễ bị đồng tiền chi phối ».  Sau các đề tài chính trị xã hội, tủ truyện Série Noire cũng từng gặt hái khá nhiều thành công khi khai thác mạch truyện gián điệp. Trong một thời gian dài, nhà xuất bản Gallimard được quyền khai thác tủ sách James Bond (sau này mới đến phiên nhà xuất bản Robert Laffon), có lẽ cũng vì thế nhiều đầu sách của điệp viên 007 đã được đăng trong bộ sưu tập tiểu thuyết đen Série Noire. Nhà phê bình Alvan Cerisier giải thích về các trào lưu làm phim : « Các tác giả cũng như dịch giả của tủ truyện Série Noire sống với thời đại của họ. Dĩ nhiên là bộ truyện của Ian Fleming đã có nhiều bản phóng tác sang tiếng Pháp. Về mặt phiên bản điện ảnh, có hai tựa phim James Bond mà các bạn đọc tiếng Pháp tìm thấy trong tủ sách Série Noire. Đó là bộ phim « Diamonds are forever » (Điệp vụ kim cương) với Sean Connery, và sau đó là « Moonraker » (Căn cứ không gian) với Roger Moore. Có thể nói là thành công của James Bond đánh dấu thời kỳ huy hoàng của tiểu thuyết cũng như phim gián điệp. Ngoài ra, phim ảnh có tác động tích cực trong việc phổ biến sách truyện. Tính trung bình, một quyển tiểu thuyết trinh thám được xem là rất ăn khách khi bán được khoảng 100.000 bản. Đến khi được chuyển thể lên màn ảnh lớn, bộ phim có khả năng thu hút hàng triệu lượt người xem và trong số này sẽ có nhiều khán giả tìm đọc tiểu thuyết gốc. Mối quan hệ chặt chẽ ấy vẫn tồn tại cho đến ngày nay.  Việc chuyển thể sách thành kịch bản phim, nhiều hay ít, là tùy theo nhu cầu, chứ chưa bao giờ dừng lại. Chẳng hạn như phim « Zulu » với Orlando Bloom và Forest Whitaker trong vai chính, dựa theo tiểu thuyết của Caryl Férey. Đạo diễn Guillermo del Toro từng thử sức với phim trinh thám khi chuyển thể lên màn ảnh quyển tiểu thuyết đen « Nightmare Alley » (Con hẻm ác mộng) với Bradley Cooper trong vai chính. Ngoài ra, còn phải kể đến dòng truyện trinh thám đến từ vùng đất lạnh như trường hợp của nhà văn người Na Uy JoNesbo từng thành công với « The Snowman » (Sát nhân Người tuyết) với Michael Fassbender. Trong số các nhân vật nổi tiếng thích đọc Série Noire tại Pháp, có các nhà văn Jacques Prévert, Jean Giono, hay nghệ sĩ điêu khắc Giacometti. Có thể nói là chừng nào vẫn còn nhiều bạn đọc ghiền tiểu thuyết trinh thám, thì dòng phim hồi hộp hình sự vẫn còn nhiều kịch bản hay để dựng thành phim chiếu rạp cũng như phim truyền hình ».

Tựa đề chữ vàng in trên bìa sách toàn một màu đen. Chỉ cần liếc nhìn qua, giới độc giả ghiền truyện trinh thám đều nhận ra ngay bộ sưu tập « Série Noire » của nhà xuất bản Pháp Gallimard. Năm 2025 đánh dấu đúng 80 năm ngày ra đời của tủ sách nổi tiếng Série Noire, mà bạn đọc ở Pháp thường gọi nôm na là « tiểu thuyết đen ».   Tủ sách « Série Noire » ra đời vào mùa hè năm 1945, theo đề xuất của dịch giả Marcel Duhamel. Ngoài đời là bạn thân của nhà văn Jacques Prévert và thi hào Raymond Queneau, ông Duhamel đã thuyết phục nhà xuất bản Gallimard cho ra mắt một bộ sưu tập hoàn toàn mới thời hậu chiến, để giới thiệu với bạn đọc ở Pháp những tiểu thuyết trinh thám tiêu biểu của Anh-Mỹ qua việc dịch các tác giả trứ danh như Peter Cheyney, Raymond Chandler hay Don Tracy …  Mãi đến 3 năm sau (1948), theo sáng kiến của giám đốc điều hành nhà xuất bản Claude Gallimard, bộ sưu tập này mới bắt đầu phát triển mạnh, tăng số lượng bản in cũng như các tựa sách phát hành mỗi năm. Nhờ vào sự hưởng ứng của bạn đọc, tủ truyện « Série Noire » đã thành công nhanh chóng. Hơn một ngàn đầu sách được xuất bản trong 2 thập niên đầu tiên, mỗi năm sách đều bán được hơn cả triệu bản.  Thành công của thể loại văn học này lúc đầu luôn gắn liền với trào lưu phim trinh thám của Mỹ, còn được gọi là « film noir » chủ yếu nói về các vụ án và tội phạm, thế giới băng đảng và xã hội đen. Trong thời hậu chiến (1945-1952) các rạp chiếu phim Pháp chủ yếu khai thác phim trinh thám do Hollywood sản xuất từ những năm trước, nhưng vì đang có chiến tranh, khán giả Pháp chưa có dịp xem.  Kể từ năm 1953 trở đi, làng phim Pháp mới bắt đầu khai thác mạnh mẽ dòng phim này. Trả lời phỏng vấn RFI ban tiếng Pháp, nhà phê bình kiêm sử gia Alban Cerisier cho biết, ngay từ những năm 1950, tủ sách « Série Noire » đã gợi hứng cho các đạo diễn Pháp thực hiện nhiều bản phóng tác, đưa các bộ tiểu thuyết đen lên màn ảnh rộng, tạo ra một sự hợp tác chặt chẽ, vẫn còn tồn tại cho đến tận ngày nay : « Đúng vậy, đó là một mối quan hệ tuyệt vời, góp phần làm nên tên tuổi và uy tín của bộ sưu tập Série Noire. Mối quan hệ giữa tủ sách trinh thám và màn ảnh lớn đã tồn tại trong nhiều thập niên qua. Khi mới được thành lập, tủ sách này chủ yếu quảng bá các tiểu thuyết “đen” và dòng phim trinh thám theo kiểu Mỹ. Trong giai đoạn này, phải kể đến phim The Maltese Falcon (Chim ưng Malta) với Humphrey Bogart trong vai chính, This gun for hire (Kẻ giết mướn) với Alan Ladd và Veronica Lake. Những thập niên sau đó, có The Unseen (Sát thủ giấu mặt) và nhất là The Big Sleep (Giấc ngủ ngàn thu), dựa theo tiểu thuyết của nhà văn Raymond Chandler qua hai phiên bản, với Humphrey Bogart, cũng như Robert Mitchum trong vai chính.  Thời hậu chiến, làng phim Pháp chủ yếu khai thác phim Mỹ. Năm 1953 đánh dấu một cột mốc quan trọng, khi điện ảnh Pháp trở nên tự lập hơn, bắt đầu chuyển thể các bộ tiểu thuyết thành phim trinh thám. Đó là trường hợp của bộ phim "Touchez pas au grisbi" (tạm dịch Coi chừng chết … vì tiền) của đạo diễn Pháp Jacques Becker. Đây là phiên bản điện ảnh của quyển tiểu thuyết đen cùng tên của Albert Simonin. Bộ phim đánh dấu ngày trở lại của Jean Gabin sau nhiều năm vắng bóng và sự xuất hiện lần đầu tiên của Lino Ventura trên màn ảnh lớn. Trong mắt giới phê bình, "Touchez pas au grisbi” là tác phẩm khởi đầu cho trào lưu quay các bộ phim noir theo kiểu Pháp, hầu hết các tên tuổi lớn sau này đều tham gia như Jeanne Moreau, Jean-Paul Belmondo hay Alain Delon … »  Nhìn lại tủ truyện « Série Noire », trong số cả chục ngàn quyển tiểu thuyết được phát hành, đã có hơn 500 đầu sách đã được chuyển thể lên màn ảnh. Có thể nói là mỗi thập niên đều có những bộ phim ăn khách, phóng tác từ tiểu thuyết trinh thám. Theo sử gia Alban Cerisier, những thập niên sau 1950, đã cho ra đời nhiều tác phẩm quan trọng của những tên tuổi hàng đầu trong làng điện ảnh :  « Kể từ sau những năm 1950, dòng phim trinh thám hình sự đã có một số thay đổi về mặt đề tài để phán ánh những biến chuyển xã hội, nội dung phim cũng mang nhiều tính thời sự hơn. Một trong những gương mặt quan trọng trong giai đoạn này chính là ngôi sao màn bạc Pháp Alain Delon. Ông quan tâm nhiều đến thể loại hình sự cũng như dòng phim đen. Trong vai trò của một nhà sản xuất (nhiều hơn là diễn viên), Alain Delon đã giúp phổ biến thêm nhiều quyển tiểu thuyết qua phim ảnh. Trong giai đoạn này có thể nhắc đến “Mort d'un pourri” (Cái chết của một kẻ hám lợi), tiểu thuyết của Raf Vallet từng được Georges Lautner chuyển thể thành phim trinh thám với Alain Delon trong vai chính.  Thật ra, kể từ những năm 1965 trở đi, dòng phim noir không còn đơn thuần nói về thế giới của những kẻ lừa đảo, những tên côn đồ đâm thuê chém mướn … Những hình tượng ấy dần dần những chỗ lại cho những nhân vật phức tạp hơn về mặt tâm lý, qua tài viết kịch bản và dựng phim của làn sóng đạo diễn với phong cách mới như Truffaut, Godard, hay Melville. Đạo diễn François Truffaut đã tặng cho Jeanne Moreau một vai diễn để đời khi chuyển thể tiểu thuyết “The Bride wore black” (Áo tang ngày cưới) của William Irish, kể lại kế hoạch trả thù của một cô dâu, sau khi chứng kiến cảnh chồng mình bị sát hại ngay trong đám cưới.  Đạo diễn Melville tặng cho Jean Paul Belmondo một vai diễn xuất sắc trong phim "Le Doulos". Trong tiếng lóng, từ này hiểu theo nghĩa đen là cái mũ phớt, còn hiểu theo nghĩa bóng là kẻ chỉ điểm. Sự xuất hiện của Melville, Lautner, hay Truffaut (rất ngưỡng mộ đạo diễn Hitchcock) đã mang đến một luồng sinh khí mới cho thể loại phim trình thám, khi họ phản ánh các chủ đề mang tính thời sự xã hội, đi sâu hơn vào các đề tài tham nhũng, khi mọi giới, nhất là những người có quyền, càng dễ bị đồng tiền chi phối ».  Sau các đề tài chính trị xã hội, tủ truyện Série Noire cũng từng gặt hái khá nhiều thành công khi khai thác mạch truyện gián điệp. Trong một thời gian dài, nhà xuất bản Gallimard được quyền khai thác tủ sách James Bond (sau này mới đến phiên nhà xuất bản Robert Laffon), có lẽ cũng vì thế nhiều đầu sách của điệp viên 007 đã được đăng trong bộ sưu tập tiểu thuyết đen Série Noire. Nhà phê bình Alvan Cerisier giải thích về các trào lưu làm phim : « Các tác giả cũng như dịch giả của tủ truyện Série Noire sống với thời đại của họ. Dĩ nhiên là bộ truyện của Ian Fleming đã có nhiều bản phóng tác sang tiếng Pháp. Về mặt phiên bản điện ảnh, có hai tựa phim James Bond mà các bạn đọc tiếng Pháp tìm thấy trong tủ sách Série Noire. Đó là bộ phim « Diamonds are forever » (Điệp vụ kim cương) với Sean Connery, và sau đó là « Moonraker » (Căn cứ không gian) với Roger Moore. Có thể nói là thành công của James Bond đánh dấu thời kỳ huy hoàng của tiểu thuyết cũng như phim gián điệp. Ngoài ra, phim ảnh có tác động tích cực trong việc phổ biến sách truyện. Tính trung bình, một quyển tiểu thuyết trinh thám được xem là rất ăn khách khi bán được khoảng 100.000 bản. Đến khi được chuyển thể lên màn ảnh lớn, bộ phim có khả năng thu hút hàng triệu lượt người xem và trong số này sẽ có nhiều khán giả tìm đọc tiểu thuyết gốc. Mối quan hệ chặt chẽ ấy vẫn tồn tại cho đến ngày nay.  Việc chuyển thể sách thành kịch bản phim, nhiều hay ít, là tùy theo nhu cầu, chứ chưa bao giờ dừng lại. Chẳng hạn như phim « Zulu » với Orlando Bloom và Forest Whitaker trong vai chính, dựa theo tiểu thuyết của Caryl Férey. Đạo diễn Guillermo del Toro từng thử sức với phim trinh thám khi chuyển thể lên màn ảnh quyển tiểu thuyết đen « Nightmare Alley » (Con hẻm ác mộng) với Bradley Cooper trong vai chính. Ngoài ra, còn phải kể đến dòng truyện trinh thám đến từ vùng đất lạnh như trường hợp của nhà văn người Na Uy JoNesbo từng thành công với « The Snowman » (Sát nhân Người tuyết) với Michael Fassbender. Trong số các nhân vật nổi tiếng thích đọc Série Noire tại Pháp, có các nhà văn Jacques Prévert, Jean Giono, hay nghệ sĩ điêu khắc Giacometti. Có thể nói là chừng nào vẫn còn nhiều bạn đọc ghiền tiểu thuyết trinh thám, thì dòng phim hồi hộp hình sự vẫn còn nhiều kịch bản hay để dựng thành phim chiếu rạp cũng như phim truyền hình ».

James is new to Classic Noir movies, so he watched two very different but equally iconic adaptations of Raymond Chandler's detective stories: First, The Big Sleep (1946) and then The Long Goodbye (1973). In this episode, he and Dan explore the shadowy world of hard-boiled detectives, sharp dialogue, and morally cloudy endings. They discuss Humphrey Bogart and Lauren Bacall's legendary chemistry and the famously tangled plot of The Big Sleep, before diving into Robert Altman's sun-soaked, disillusioned take on The Long Goodbye, with Elliott Gould as a mumbling, out-of-step Marlowe for the 1970s. Stay Connected:X: @talkinfilmBluesky: @talkinfilm.bsky.socialTikTok: @talkin_filmFacebook: You Talkin' to Me? Film PodcastSubscribe: Available on all major podcast platformsEnjoy our podcast? Share it with friends and leave a review on Apple Podcasts or Spotify

America is turning 250. And we're throwing a yearlong celebration of the greatest country on Earth. The greatest? Yes. The greatest. We realize that's not a popular thing to say these days. Americans have a way of taking this country for granted: a Gallup poll released earlier this week shows that American pride has reached a new low. And the world at large, which is wealthier and freer than it has ever been in history thanks to American power and largesse, often resents us. We get it. As journalists, we spend most of our time finding problems and exposing them. It's what the job calls for. But if you only focus on the negatives, you get a distorted view of reality. As America hits this milestone birthday, it's worthwhile to take a moment to step back and look closely at where we actually are—and the reality of life in America today compared to other times and places. That reality is pretty spectacular. Could Thomas Jefferson and the men gathered in Philadelphia who wrote down the words that made our world—“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness”—ever have imagined what their Declaration of Independence would bring? The Constitution. The end of slavery—and the defeat of Hitler. Astonishing wealth and medical breakthroughs. Silicon Valley. The most powerful military in the world. The moon landing. Hollywood. The Hoover Dam. The Statue of Liberty (a gift from France). Actual liberation (a thing we gave France). Humphrey Bogart and Tom Hanks. Josephine Baker and Beyoncé. Hot dogs. Corn dogs. American Chinese food. American Italian food. The Roosevelts and the Kennedys. The Barrymores and the Fondas. Winston Churchill (his mom was from Brooklyn). The Marshall Plan and Thurgood Marshall. Star Wars. Missile-defense shields. Baseball. Football. The military-industrial complex. Freedom of religion. UFO cults. Television. The internet. The Pill. The Pope. The automobile, the airplane, and AI. Jazz and the blues. The polio vaccine and GLP-1s, the UFC and Dolly Parton. The list goes on because it's really, truly endless. Ours is a country where you can hear 800 languages spoken in Queens, drive two hours and end up among the Amish in Pennsylvania. We are 330 million people, from California to New York Island, gathered together as one. Each of those 330 million will tell you that ours is not a perfect country. But we suspect most of them would agree that their lives would not be possible without it. So for the next 12 months, we're going to toast to our freedoms on the page, on this podcast and in real life. And we're doing it the Free Press way: by delving into all of it—the bad and the good and the great, the strange and the wonderful and the wild. And today—on America's 249th birthday—we're kicking off this yearlong event with none other than Akhil Reed Amar. Akhil has a unique understanding of this country—and our Constitution. Akhil is a Democrat who testified on behalf of Brett Kavanaugh, is a member of The Federalist Society, who is pro-choice but also anti-Roe—and these seeming contradictions make him perfectly suited to answer questions about the political and legal polarization we find ourselves in today. Akhil is a constitutional law professor at Yale and the author of the brilliant book The Words That Made Us: America's Constitutional Conversation, 1760–1840. He also hosts the podcast Amarica's Constitution, and you might recognize his name from his work in The Atlantic. I ask him about the unique history that created our founding document, the state of the country, our political polarization, the American legal system, and what this country means to him. The Free Press earns a commission from any purchases made through all book links in this article. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the boys go treasure hunting with John Huston's 1948 masterpiece “The Treasure of the Sierra Madre”. Dave and Jeff hadn't seen it before, John has seen it several times because he's a fancy film school nerd bro, so we grab a few whiskeys and beers and talk about it! We also catch up on the California tax credit news for film and entertainment, John gives some spoiler-free mini-reviews of “28 Years Later” and “F1”, and we fill you in on all the happenings of 1948 to add context to our feature conversation, which may help you understand why the movie was not a financial hit… at first. Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 10:02 John's mini-reviews of “28 Years Later” and “F1”; 16:14 Gripes; 17:30 1948 Year in Review; 35:28 Films of 1948: “The Treasure of the Sierra Madre”; 1:13:13 What You Been Watching?; 1:20:27 Next Week's Episode Teaser Additional Cast/Crew: John Huston, Walter Huston, Humphrey Bogart, Tim Holt, B. Travern, Brube Bennett, Alfonso Bedoya, Jose Torvay, Barton MacLane, Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, Cillian Murphy, Danny Boyle, Alex Garland, Anthony Dodd Mantle, Joseph Kosinski, Ehren Kruger, Brad Pitt, Damson Idris, Javier Bardem, Kerry Condon, Tobias Menzies, Lewis Hamilton. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Bogie, Gold, California Tax Incentive, Italy, Tuscany, Cheese, Bread, Wine Tasting, Chianti, Rosé, There Will Be Blood, Paul Thomas Anderson, Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Your Friends and Neighbors, The Canadian Grand Prix.  

Neste episódio do PFC, Alexandre e Fred convidaram o cinéfilo e ouvinte Felipe Pecci para um bate papo sobre Nicholas Ray e um de seus melhores filmes, o clássico noir "No Silêncio da Noite" (In a Lonely Place, 1950). Produzido e estrelado por Humphrey Bogart, a história gira em torno do roteirista Dixon Steele, suspeito de ter cometido um crime capital, papel que até hoje é considerado como um dos melhores do ator. Contracenando com ele, Gloria Grahame, então esposa de Nicholas Ray, em uma das interpretações mais memoráveis de sua carreira.----------------------Acesse nosso site: ⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠Acesse nosso perfil no Instagram : ⁠⁠⁠@podcastfc⁠⁠⁠Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Polish immigrant Hershel Geguzin fled to the U.S. from the faltering Russian Empire at the turn of the 20th century. And like many scammers around this time, he adopts a fabulous new identity: as Prince Michael Romanoff, the last living member of the former Russian ruling family. Everyone knows the new prince is lying about his royal heritage, but he's such a good hang, he floats from party to party across the U.S. and Europe for decades. In the end, Prince Michael sets up shop in Hollywood, hosting mega-stars from Humphrey Bogart to Frank Sinatra. Prince Michael's story is the ultimate lesson in faking it until you make it.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Academy Award | (15) The Maltese Falcon || July 3, 1946Plot: Sponsored by: Squibb. Starring Humphrey Bogart in the lead role as Detective Sam Spade along with Mary Astor, Sydney Greenstreet and Peter Lorre all of whom appeared in the 1941 Warner Brothers movie.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

Join us for a spine-tingling journey through one of cinema's most memorable actors as filmmaker Jed Brian Zooms into the Plastic Microphone Studios to chat about our favorite Peter Lorre performances! Known for his haunting voice and unforgettable screen presence, Peter Lorre captivated audiences from his breakout role in "M" through his Hollywood classics and beyond.In this special episode, Jed Brian - writer, director, and star of the 2013 found footage thriller "Unlisted Owner" - brings his filmmaker's perspective to analyzing what made Lorre such a compelling and enduring screen presence. From psychological thrillers to film noir mysteries to comedies, we'll explore the roles that showcased Lorre's range beyond the sinister characters he's most remembered for.Whether you know him from his chilling early German films, his scene-stealing turns alongside Humphrey Bogart, or his later character work, this countdown celebrates an actor who could convey menace, vulnerability, and dark humor often within the same performance. Be a part of the fun as we banter about the performances that made Peter Lorre a legend, with insights from a fellow filmmaker who understands the craft behind those iconic moments. It's going to be a deliciously dark dive into cinema history!Find out more about Jed Brian by visiting his IMDB page: .imdb.com/name/nm6278344, Instagram: @mr.jed_brian, Twitter/X: @mrjed_brian, Facebook: UnlistedOwnerMovie, and on YouTube @ACMofficial.Links are on our profile page and at www.linktr.ee/hulkboy. Visit & interact on Instagram (www.instagram.com/favefivefromfans), Twitter/X (www.twitter.com/Fave5FromFans), Facebook (www.facebook.com/FaveFiveFromFans), & our website (www.FaveFiveFromFans.com). Also, check out Plastic Microphone Studios Twitter for more fun! #FaveFiveFromFans #FFFF #podcast #podcasts #podcasting #PeterLorre #ClassicCinema #FilmHistory #TerrorByNight #TheBoogieManWillGetYou #BorisKarloff #Bela Lugosi #VincentPrice #HumphreyBogart #ClassicHorror #VintageHorror #MonsterKid #Casablanca #Svengoolie #LooneyTunes

Morocco has beautiful landscapes and movie sets from around the world. My favorite is Casablanca, which stars Humphrey Bogart and Ingrid Bergman. Thank you, everyone in Morocco, for listening. Our impossible need:To understand prayer, we need to understand being humanity.We cry before we are able to talk, but the reasons we cry and talk are the same. We are sinners. The natural state of our sons is selfishness and self-centeredness. We are complicated and bigger on the inside. We are built Biblically upside down. We look to what is best for us as an individual.The results: Estrangement from God, and isolation from one another. Our So What?We long to know others and be fully known by others, beginning with the God-shaped void in our souls.Our impossible solution, next time. Brethren, let's pray for one another."What a man is on his knees before God, that he is and nothing more." Robert Murray M'Cheynee Donation link:https://www.paypal.com/donate/?hosted_button_id=G9JGGR5W97D64Or go to www.freerangepreacheronprayer.com and use the Donations tab.Assistant Editor: Seven Jefferson Gossard.www.freerangepreacheronprayer.comfreerangeprayer@gmail.comFacebook - Free Range Preacher MinistriesInstagram: freerangeministriesAll our Scripture quotes are drawn from the NASB 1977 edition.For access to the Voice Over services of Richard Durrington, please visit RichardDurrington.com or email him at Durringtonr@gmail.comOur podcast art was designed by @sammmmmmmmm23 InstagramSeason 007Episode 054

This week Harrison will review "The African Queen (1951)" starring Humphrey Bogart, and Katharine Hepburn and directed by John Huston #theafricanqueen #humphreybogart #katharinehepburn #johnhuston #reelyoldmovies Join my Discord!: https://discord.gg/VWcP6ge2 Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tip Social Media Links: https://linktr.ee/reelyoldmovies

We discuss two classic movies starring Humphrey Bogart

In this episode, Sam Spade embarks on a mysterious case known as the Crab Louie Caper. Set against the backdrop of San Francisco's Fisherman's Wharf, Spade navigates through a web of deceit, love, and murder as he investigates the death of Louis Majore. The story unfolds with twists and turns, revealing the complexities of human relationships and the quest for truth. As Spade delves deeper, he uncovers the dark secrets surrounding Louis's death and the motivations of those involved, ultimately leading to a dramatic conclusion where justice is served.TakeawaysThe Crab Louie Caper is a classic detective story.Sam Spade is portrayed as a clever and resourceful detective.The setting of Fisherman's Wharf adds to the story's atmosphere.Themes of love, betrayal, and revenge are prevalent.The investigation reveals the complexities of human relationships.The character dynamics are rich and engaging.The narrative is filled with suspense and intrigue.The use of Italian phrases adds authenticity to the dialogue.The story highlights the moral dilemmas faced by the characters.Justice is ultimately served in a dramatic fashion."The Adventures of Sam Spade" primarily refers to a radio show that aired from 1946 to 1951, based on the private detective character Sam Spade created by Dashiell Hammett. Key details about the radio show:Based on the character from "The Maltese Falcon": The radio series took the character from Hammett's iconic novel, "The Maltese Falcon," and presented new adventures.Airs and networks: It aired on ABC in 1946 (13 episodes), then CBS from 1946-1949 (157 episodes), and finally on NBC from 1949-1951 (51 episodes).Starring Actors:Howard Duff played Sam Spade for most of the run.Steve Dunne took over the role in the final season on NBC.Lurene Tuttle played Effie Perrine, Sam's loyal secretary.Tone: The radio show had a more lighthearted and "tongue-in-cheek" approach compared to the original novel and film adaptations.Format: Each episode typically involved Sam Spade recounting his latest case to Effie, who would type it up, using a mix of past-tense narration and present dialogue to immerse listeners in the story.Popularity: The show was popular and received positive reviews during its run.Edgar Award: Scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama in 1947. It's important to note:Dashiell Hammett's name was removed from the show in the late 1940s due to investigations into his political involvement.Howard Duff was later blacklisted, contributing to the show's end. Beyond the radio show, "The Adventures of Sam Spade" can also refer to:A collection of short stories: Dashiell Hammett wrote three short stories featuring Sam Spade: "A Man Called Spade," "Too Many Have Lived," and "They Can Only Hang You Once." These were collected in a book titled "The Adventures of Sam Spade and Other Stories".Sam Spade himself: The character is widely remembered, particularly due to Humphrey Bogart's portrayal in the classic film "The Maltese Falcon". Spade is considered a foundational figure in hard-boiled detective fiction. Sam Spade, detective, Crab Louie Caper, mystery, investigation, San Francisco, noir, crime, storytelling, radio drama

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

A Funny TuesdayFirst a look at the events of the dayThen Our Miss Brooks starring Eve Arden, originally broadcast June 3, 1951, 74 years ago, Miss Brooks takes over the First Aid Course.   Miss Brooks has to take over teaching Madison High's first aid course. But first, a test of her abilities.  Followed by the news from 74 years ago, followed by The Jack Benny Show, originally broadcast June 3, 1951, 74 years ago, The Cast sings the Commercial.  The last show of the season. Jack reads one of Mary's lines and cracks up the cast. Mahlon Merrick is introduced as the writer of all the singing commercials and music director of the program. The Sportsmen do not appear, so the rest of the cast sings the very clever commercial. Artie Auerbach is introduced as "Mr. Kitzel." Joseph Kearns is introduced as the vault keeper and one of the men from the Internal Revenue Department. Will Wright is the other tax man. Sheldon Leonard is introduced as the race track tout. Then Bob Hope, originally broadcast June 3, 1941, 84 years ago with guest Humphrey Bogart.  Bob and guest Humphrey Bogart do a prison drama. Followed by The Old Gold Comedy Theater hosted by Harold Lloyd, originally broadcast June 3, 1945, 80 years ago, Having a Wonderful Crime. A lawyer and two honeymooning friends are on the lam from a murder rap. The script is based on the RKO film of the same nameFinally, The Couple Next Door, originally broadcast June 3, 1960, 65 years ago, Is Bobby a Genius?Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Get your Badass Fest VII Tickets Here! Humphrey Bogart stars as Sam Spade, a quick-talking and trouble-seeking Private Investigator hunting down thieves and treasure in San Francisco. In The Maltese Falcon (1941), directed by John Huston, Bogart gives one of his most famous performances, solidifying him as an unconventional yet beloved star of the silver screen. Join Talitha and A.Ron as they trail Spade on his hunt for the truth about a mysterious Falcon.  Talitha's short films! (they are very short and quite “twee”) Baldly Go - A Star Trek: The Original Series Podcast Andor Podcast: Tribe of Two Bald Move Pulp Bald Move Prestige Have Lunch with Jim & A.Ron Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts   Learn more about your ad choices. Visit megaphone.fm/adchoices

Author Mallory O'Meara (Reading Smut) joins Chelsea to break down silent film legend Louise Brooks' scorched-earth essay collection “Lulu in Hollywood.” Louise floods the book with tea from the Golden Age of Hollywood, dragging Humphrey Bogart and torching the studio system that abandoned her. Chelsea and Mallory also spill bonus tea, calling out Charlie Chaplin. Plus, they explore why Louise's era wasn't so golden, and why her rage still hits hard in 2025. Trigger warning: This episode discusses sensitive topics, including suicide. Take care while listening, and find helpful resources here. Join the cookie community: Become a member of the Patreon Follow Chelsea: Instagram @chelseadevantez Show Notes: Chelsea's episode of Reading Smut (about the door knob) Lauren Bacall Memoir episode (with West Perry) Louise Brooks Interview Films mentioned: Pandora's Box (1929) Diary of a Lost Girl (1929) Desert Hearts (1985) Where to find our guest Mallory O'Meara: Reading Smut Podcast Reading Glasses Podcast Order “Daughter of Daring” today Mallory's Instagram Website *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Thrive Causemetics - Get 20% off your first order at thrivecausemetics.com/glamorous Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Humphrey Bogart in The Big Sleephttps://archive.org/download/the-big-sleep_202407/THE%20BIG%20SLEEP.mp4Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

EPISODE 87 -  “2025 TCM FILM FESTIVAL WRAP UP” - 5/12/2025 For the second year in a row, Steve and Nan were honored to be invited to cover the Turner Classic Movies Film Festival as part of the press corp. After four glorious days of non-stop film action, this episode is dedicated to the Festival and the fantastic movies shown this year. Steve and Nan will be discussing their favorite films, as well as giving a behind-the-scenes look at the festival and all the movie lovers who come annually to bow at the altar of Eddie Muller, Ben Mankiewicz and the TCM gang.   SHOW NOTES:  AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Suddenly Last Summer (1959), starring Elizabeth Taylor, Katharine Hepburn, Montgomery Clift, Mercedes McCambridge, & Albert Dekker; The Divorcée (1930), starring Norma Shearer, Chester Morris, Robert Montgomery, & Conrad Nagel; Heaven Knows, Mr. Allison (1957), starring Robert Mitchum & Deborah Kerr; The Enchanted Cottage (1945), starring Dorothy McGuire, Robert Young, Herbert Marshall, Mildred Natwick, Spring Byington, & Richard Gaines; Daisy Kenyon (1947), starring Joan Crawford, Dana Andrews, & Henry Fonda; Rhapsody in Blue (1945), starring Robert Alda, Joan Leslie, Alexis Smith, Oscar Levant, Morris Carnovsky, Rosemary DeCamp & Charles Coburn; Gunman's Walk (1958), starring Van Heflin, Tab Hunter, James Darren, Kathryn Grant, Burt Convy & Edward Platt; We're No Angels (1955), starring Humphrey Bogart, Joan Bennett, Peter Ustinov, Aldo Ray, Leo G,. Carroll, Gloria Talbot, & Basil Rathbone; The Big Combo (1955), starring Cornel Wilde, Jean Wallace, Richard Conti, Helen Walker, Brain Donlevy, Lee Van Cleef, Earl Holliman,  All This and Heaven Too (1940), starring Bette Davis, Charles Boyer, Barbara O'Neil, Virginia Weidler, Jeffry Lynn, Harry Davenport, & June Lockhart; Diamond Jim (1935), starring Edward Arnold, Jean Arthur, Binnie Barnes, Ceasar Romero, William Demarest, and Eric Blore;  The Talk of the Town (1942), starring Jean Arthur, Cary Grant, Ronald Colman, Edgar Buchanan, Glenda Farrell, Emma Dunn, Rex Ingram, & Charles Dingle; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Big Show. November 12, 1950. NBC net. Sponsored by: Anacin, RCA Victor. The second show of the series. Baby Snooks gets an acting lesson from Tallulah, Groucho holds his quiz on the show and teaches Pinza how to sing "Some Enchanted Evening." Tallulah does a Dorothy Parker monologue called "Sentiment.". Jimmy Wallington (announcer); Meredith Willson and His Orchestra; Frank Lovejoy; Groucho Marx; Dorothy Parker (author); Hanley Stafford; Ezio Pinza; Jane Powell ; John Agar; David Brian; Fanny Brice; Tallulah Bankhead; Dee Englebach (producer, director).  Space Patrol. November 15, 1952. ABC net. "The Queen Of Space". Sponsored by: Ralston cereals ("Space-O-Phones" premium). Jelna Fenton is the owner of Trans-Orbit Lines, a freight line to the outer planets, with big plans!. Dick Tufeld (announcer), Ed Kemmer, Larry Robertson (producer, director), Lou Huston (writer), Lyn Osborn, Mike Moser (creator), Nina Bara, Norman Jolley, Virginia Hewitt. 29:24,  Bold Venture. 1951. Program #4. ZIV Syndication. "A Bullet For Shannon". Sponsored by: Commercials added locally. Tough Johnny Rice gets what he wants, including the death of Slate Shannon!. Humphrey Bogart, Lauren Bacall, Howard McNear, Nestor Paiva, Henry Hayward (director), Morton Fine (writer), David Friedkin (writer), David Rose (composer, conductor).  DEVIL'S SCRAPBOOK. November 28, 1938, "The Conquest Of David Ring"TOTAL TIME: 2:55:31.289SOURCES: Wikipedia and The RadioGoldindex.com

Classique du film noir, du film de détective, "Le Grand sommeil", est un film dʹHoward Hawks, sorti en 1946. Une histoire policière alambiquée, l'adaptation du best-seller de Raymond Chandler, et dans laquelle on ne sait jamais vraiment qui a tué qui. Mais cʹest aussi: Humphrey Bogart endossant le costume du détective Philip Marlowe, Lauren Bacall en manipulatrice, des averses photogéniques, des brouillards décadents, un vieux général qui hait les orchidées. Cʹest un chef-dʹœuvre parmi les plus insolite de lʹhistoire du cinéma.

We're turning the clock way back, and Amy and Paul are exploring the 1946 classic The Big Sleep. They discuss the electric chemistry between Humphrey Bogart and Lauren Bacall, the film's influence on The Big Lebowski, and how the writers sidestepped the old Hollywood production code. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/  https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kevin Shinick — the host and time-traveling detective of the Emmy-winning series Where In Time Is Carmen Sandiego?, Emmy-winning writer behind Robot Chicken, and celebrated author — is writing and starring in HOST MORTEM. Shinick is joined by artist Damien Torres (Marvel Crisis Protocol), colorist Pippa Bowland (Judge Dredd, Project Cryptid), and letterer Taylor Esposito (Red Hood and The Outlaws). The 180+ page graphic novel is coming soon to Kickstarter from Clover Press, the publisher behind countless acclaimed graphic novels, art books and novels including The Marvel Art Of line of books, Ricardo Delgado's Dracula, Spawn Till You Die: The Fin Art of Ray Troll, and Craig Yoe's Woman & Man+.    HOST MORTEM follows TV hosts, Kevin Shinick (Where In Time Is Carmen Sandiego?) and Greg Lee (Where In The World Is Carmen Sandiego?) who are transported to the year 1947 by a time portal at comic con. They soon find themselves enmeshed in a murder mystery involving Humphrey Bogart's legendary noir film The Big Sleep. When one of the stars winds up dead, Kevin and Greg's knowledge of random trivia might be the key to solving this Hollywood caper.    Shinick says, “Between the two of us, Greg and I have hosted a number of game shows. As a result, we have a lot of random trivia floating around in our heads and I always wished I could put that knowledge to better use other than just, “Hey, did you know the singular of spaghetti it spaghetto?” And since we both played fake detectives on Carmen Sandiego (me a time traveling detective and Greg a classic gumshoe detective) I got to wondering how we might fare with an actual murder? The ultimate question being, “Are hosts really smart? Or do they just have the answers?” Lee adds, “The premise of two fake detective game show hosts from the 1990's having to solve a series of real murders in the 1940's seemed like a novel idea so we thought we might be onto something. Now, thanks to Kevin's amazing talent writing comic books and our combined experience with game show shenanigans I get to star alongside my pal in Host Mortem! Which involves time travel, film noir, game show trivia and lots of comedy because, spoiler alert, we're not as good at solving murders as we think.   Jace is joined by Kevin to talk about the project, his love of film noir and the impetus of the project with Greg Lee. Plus Kevin mentions coming up with the perfect title.

Stephen G. Eoannou grew up in Buffalo, New York reading Hardy Boy Books and watching old Humphrey Bogart movies on The Late Show. His love of history and writing led him to SUNY Buffalo (BA), Miami University (MA), and The Queens University of Charlotte (MFA). He is the author of the short story collection Muscle Cars and the historical novels After Pearl, Yesteryear, and Rook. Yesteryear was awarded the 2021 International Eyelands Award for Best Historical Novel, The Firebird Book Award for Biographical Fiction, and Shelf Unbound's Notable Indy Books of 2023. After Pearl is the first in The Nicholas Bishop Mystery Series. Eoannou lives in Buffalo, New York with his two children and one-eyed dog. When not writing, Eoannou can be found restoring his 1865 Second Empire Victorian home and hunting for antiques to furnish it. He still stays up late watching Bogart flicks.Facebook Page: https://www.facebook.com/steve.eoannouOther Social Media: https://x.com/StephenGEoannouWebsite: www.sgeoannou.comMentioned in the Podcast:Fran Striker: https://en.wikipedia.org/wiki/Fran_StrikerWrite Screenplays That Sell - The Ackerman Way by Hal Ackerman*****************About SinCSisters in Crime (SinC) was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgInstagram: https://www.instagram.com/sincnational/Bluesky: https://bsky.app/profile/sincnational.bsky.socialThreads: https://www.threads.net/@sincnationalFacebook: https://www.facebook.com/sistersincrimeTikTok:: https://www.tiktok.com/@sincnationalLinkedIn: https://www.linkedin.com/company/sisters-in-crime/The SinC Writers' Podcast is produced by Julian Crocamo https://www.juliancrocamo.com/

Morocco has beautiful landscapes and movie sets from around the world. My favorite is Casablanca, which stars Humphrey Bogart and Ingrid Bergman. Thank you, everyone in Morocco, for listening. Our impossible need:To understand prayer, we need to understand being humanity.We cry before we are able to talk, but the reasons we cry and talk are the same. We are sinners. The natural state of our sons is selfishness and self-centeredness. We are complicated and bigger on the inside. We are built Biblically upside down. We look to what is best for us as an individual.The results: Estrangement from God, and isolation from one another. Our So What?We long to know others and be fully known by others, beginning with the God-shaped void in our souls.Our impossible solution, next time. Brethren, let's pray for one another."What a man is on his knees before God, that he is and nothing more." Robert Murray M'Cheynee Donation link:https://www.paypal.com/donate/?hosted_button_id=G9JGGR5W97D64Or go to www.freerangepreacheronprayer.com and use the Donations tab.Assistant Editor: Seven Jefferson Gossard.www.freerangepreacheronprayer.comfreerangeprayer@gmail.comFacebook - Free Range Preacher MinistriesInstagram: freerangeministriesAll our Scripture quotes are drawn from the NASB 1977 edition.For access to the Voice Over services of Richard Durrington, please visit RichardDurrington.com or email him at Durringtonr@gmail.comOur podcast art was designed by @sammmmmmmmm23 InstagramSeason 007Episode 040

Rosie and Nicola Dempsey are otherwise known as the comedy music double act Flo and Joan. The two previous times they've been on this show, Nicola's pieces of trivia were both about Andrew Lloyd Webber - and there was even a question related to Lloyd Webber in last year's episode - at the time, the depth of their knowledge about the man was somewhat surprising. But now we understand why, since they were writing their show One Man Musical which is about Andrew Lloyd Webber. They've just been performing the show for the last month, garnering a nomination for Most Outstanding Show at The Melbourne International Comedy Festival awards, which will be announced after this episode is uploaded. Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

EPISODE 83 - “TCM FILM FESTIVAL 2025 PREVIEW” - 4/14/2025 It's that time of years again. Time for the 2025 Turner Classic Movies Film Festival, which takes place April 24-27 in Hollywood California. This year, the theme is “Grand Illusions: Fantastic Worlds on Film.” This week, Steve and Nan offer a fun preview of the highlights of the upcoming festival and they discuss the films they are most excited to see, including great titles such as BEN HUR, SUDDENLY LAST SUMMER, GUNFI*GHT AT THE OKAY CORRAL and A GUY NAMED JOE.  SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Empire Strikes Back (1980), starring Mark Hamill, Carrie Fisher, & Harrison Ford; The Fabulous Baker Boys (1989), starring Jeff Bridges, Michelle Pfeiffer, & Beau Brides; Cooley High (1975), starring Lawrence Hilton Jacobs & Glenn Turman; Car Wash (1976), starring Richard Pryor, Bill Duke, & George Carlin; Greased Lightning (1977), starring Richard Pryor, Pam Grier, & Beau Bridges; Which Way is Up (1977), starring Richard Pryor & Lonette McKee; Bustin' Loose (1981), starring Richard Pryor & Cicely Tyson; Sgt. Pepper's Lonely Hearts Club Band (1978), starring Peter Frampton & The Bee Gees; The Last Dragon (1985), starring Taimak & Vanity; Krush Groove (1985), starring Russell Simmons & LL Cool J; Beau Geste (1926), starring Ronald Colman; The Freshman (1925), starring Harold Lloyd; Misery (1990), starring Kathy Bates & James Caan; The Rocky Horror Picture Show (1975), starring Tim Curry, Susan Sarandon, & Barry Bostwick; Babe (1995), starring James Cromwell; The Enchanted Cottage (1945), starring Robert Young & Dorothy McGuire; Jaws (1975), starring Richard Dreyfuss, Robert Shaw, & Roy Scheider; Blue Velvet (1986),starring Kyle McLaughlin, Laura Dern, Dennis Hopper, & Isabella Rossellini; We're No Angels (1955), starring Humphrey Bogart & Joan Bennett; Gunfight At The Okay Corral (1957), starring Burt Lancaster & Kirk Douglas; Cape Fear (1962), starring Robert Mitchum, Gregory Peck and Polly Bergen; The Ritz (1976), starring Rita Moreno & Treat Williams; Gunman's Walk (1958), starring Van Heflin, James Darren, & Tab Hunter; Heaven Knows, Mr. Allison (1957), starring Robert Mitchum & Deborah Kerr; The Divorcée (1930), starring Norma Shearer & Robert Montgomery; Talk of The Town (1942), starring Cary Grant, Jean Arthur, & Ronald Colman; Moonlight & Pretzels (1933), starring Leo Carrillo & Mary Brian; A Guy Named Joe (1943) starring Spencer Tracy, Irene Dunne, & Van Johnson; Ben Hur (1959), starring Charlton Heston & Stephen Boyd; Suddenly Last Summer (1959), starring Elizabeth Taylor, Katharine Hepburn, & Montgomery Cliff; Brigadoon (1954), starring Gene Kelly & Syd Charisse; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Projection Booth wraps up another month of Patreon picks with what might be the most obscure film ever discussed on the show—Casablanca (1942), that little-known wartime romance directed by Michael Curtiz. Big thanks to Brian Tessitore for this hidden gem.Mike is joined by Bill Ackerman and Federico Bertolini to unpack the fog, flashbacks, and unforgettable lines of this cinematic unicorn. Humphrey Bogart stars as Rick Blaine, the brooding American expat running a nightclub in Vichy-controlled Morocco, where refugees gather in hopes of escaping the tightening grip of the Nazi regime. Things get complicated when Ilsa Lund (Ingrid Bergman) strolls in—out of all the gin joints, etc.--alongside her resistance-leader husband, Victor Laszlo (Paul Henried).We're thrilled to be joined by two heavy-hitting guests: film historian Noah Isenberg, author of We'll Always Have Casablanca, and biographer Alan K. Rode, author of Michael Curtiz, A Life in Film which sheds light on the director's layered legacy. Together, we explore the myth, the making, and the magic of one of Hollywood's most enduring classics.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

The Projection Booth wraps up another month of Patreon picks with what might be the most obscure film ever discussed on the show—Casablanca (1942), that little-known wartime romance directed by Michael Curtiz. Big thanks to Brian Tessitore for this hidden gem.Mike is joined by Bill Ackerman and Federico Bertolini to unpack the fog, flashbacks, and unforgettable lines of this cinematic unicorn. Humphrey Bogart stars as Rick Blaine, the brooding American expat running a nightclub in Vichy-controlled Morocco, where refugees gather in hopes of escaping the tightening grip of the Nazi regime. Things get complicated when Ilsa Lund (Ingrid Bergman) strolls in—out of all the gin joints, etc.--alongside her resistance-leader husband, Victor Laszlo (Paul Henried).We're thrilled to be joined by two heavy-hitting guests: film historian Noah Isenberg, author of We'll Always Have Casablanca, and biographer Alan K. Rode, author of Michael Curtiz, A Life in Film which sheds light on the director's layered legacy. Together, we explore the myth, the making, and the magic of one of Hollywood's most enduring classics.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Welcome to Your Movie Rocks, an Alternate Ending podcast hosted by Mandy Albert.  For every episode, Mandy will watch a movie assigned by her guest host, followed by a lively discussion.  There's only one rule: no matter what the movie does to her, Mandy is only allowed to love it. For Episode 3, Mandy is joined by Zev Burrows for some quality time In a Lonely Place (1950) with Humphrey Bogart and Gloria Grahame.  Tune in to find out what it has in common with The Garbage Pail Kids Movie, why more movies should be made in the middle of their stars' messy divorces, and what Zev was thinking when he decided, like a weirdo, that it might be fun to watch a good movie for the podcast.

Bette Davis brings the melodrama, right here in the imperial phase of her Warner Brothers career. She’s rich, she’s spoiled. Oopsie. She has a health crisis! Will she become a better person? Will she find love? Will she out-act Humphrey Bogart, George Brent (yeah she will) and Geraldine Fitzgerald? Will your host have a take almost none of the reviews she’s read have? Let’s find out together. Shelly Brisbin with Annette Wierstra, Nathan Alderman and Micheline Maynard.

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter;  Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage;  Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Columbia University graduate who led protests last year has been detained by I.C.E. Even though he is a green card holder. On this week's On the Media, hear why the case has conjured comparisons to the Red Scare of the forties and fifties. Plus, a look at the years-long campaign to dismantle press freedoms in the United States.[01:00] Host Brooke Gladstone speaks with Corey Robin, distinguished professor of political science at Brooklyn College, on the arrest of Columbia University graduate student Mahmoud Khalil, and the parallels between now and the Red Scare of the forties and fifties. [16:49] Brooke continues her conversation with Corey Robin, author of Fear: The History of a Political Idea. Robin explains how free speech crackdowns can change our political culture and tear at the fabric of the soul. Plus, how Humphrey Bogart betrayed the ideals of his most celebrated film.[27:00] Host Micah Loewinger speaks with David Enrich, business investigations editor for The New York Times and author of the new book, Murder the Truth: Fear, the First Amendment, and a Secret Campaign to Protect the Powerful, on why a Supreme Court case that's protected press freedoms for over half a century may now be in danger.Further reading:“Two Paths for Jewish Politics,” by Corey Robin“Muskism and McCarthyism,” by Alan Dean, Charles Petersen, and Corey Robin“There Are No Good Reasons Not to Fight,” by Corey Robin“Can the Media's Right to Pursue the Powerful Survive Trump's Second Term?” by David Enrich On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

This episode was originally released on September 9, 2014. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. Humphrey Bogart is perhaps the most enduring icon of grown-up masculine cool to come out of Hollywood's first century. But much of what we think of when we think of Bogart — the persona of the tough guy with the secret soft heart, his pairing on-screen and off with Lauren Bacall — coalesced late in Bogart's life. Today we take a look at how Humphrey Bogart became Bogey, tracing his journey from blue blood beginnings through years of undistinguished work and outright failure (both in the movies and in love), to his emergence in the early 1940s as a symbol of wartime perseverance who could make sacrifice seem sexy. Finally, we'll look at what it took to get him to take the leap into a fourth marriage that seemed to saved his life … until the world's most glamorous stoic was faced with cancer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Before Freddy Krueger haunted dreams on Elm Street, a real-life nightmare plagued Hmong refugees—young men mysteriously dying in their sleep, a terrifying phenomenon that remains unexplained to this day.Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamInfo on the next WEIRDO WATCH PARTY event. https://weirddarkness.com/TVIN THIS EPISODE: Children dying in their sleep while having terrible nightmares. It's not just a movie plot from a Wes Craven film – it really happened, and inspired the Nightmare on Elm Street franchise. (The Terrifying True Syndrome That Inspired A Nightmare on Elm Street) *** We're used to seeing someone on television or in movies die from a gunshot or stabbing, knowing they were just pretending – that the gun was using blanks, or the knife was using a retractable blade. But what we don't often hear are the times that those prop weapons end up killing someone for real. (Death By Movie Prop) *** How can a little girl disappear in a big crowd of people with no one seeing anything? Was it a case of stranger danger or did someone she know betray her trust? We'll look at the case of Beverly Rose Potts who went missing in 1951, never to be seen again. (Peril in the Park for Beverly Potts) *** Part medicine, part honey, part cannibalism… who or what was the mellified man? (The Mellified Man) *** They say that tragedy can change a person forever… and that couldn't be more true for one man who went from being considered lucky, to becoming deranged after a horrible accident, (The Hidden Wounds of Mr. Schultz) *** Famous last words. Humphrey Bogart said, “I should have never switched from Scotch to martinis.” Winston Churchill's last words were simply, “I'm bored with it all.” But sometimes what a person says on their deathbed can be shocking or outlandish – even if they aren't a celebrity. We'll look at a few unexpected deathbed moments. (Deathbed Moments)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Disclaimer and Lead-In00:00:57.978 = Show Open00:03:35.464 = The Terrifying True Syndrome That Inspired The Creation of Freddy Krueger00:11:44.934 = Death By Movie Prop00:18:05.927 = Peril In The Park For Beverly Potts00:33:09.271 = The Mellified Man00:40:10.025 = The Hidden Wounds of Mr. Schultz00:45:26.081 = Deathbed Moments00:55:36.657 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…Episode Page at WeirdDarkness.com: https://weirddarkness.com/NightmareOnElmStreet“The Terrifying True Syndrome That Inspired The Creation of Freddy Krueger” by Thad Morgan for History.com:https://weirddarkness.tiny.us/37xp3v22 (“1..2..Freddy's Coming For You” by Remix Maniacs:https://www.youtube.com/watch?v=uhKRXHnYqN4)“Peril in the Park for Beverly Potts” by Crystal Dawn for LostNFoundBlogs.com: https://weirddarkness.tiny.us/x7yuy3kh“Death By Movie Prop” written by Juliet Bennet Rylah for Graveyard Shift: https://weirddarkness.tiny.us/59rx9j2z“The Mellified Man” by Bipin Dimri for Historic Mysteries: https://weirddarkness.tiny.us/yz2k5kw5“The Hidden Wounds of Mr. Schultz” by Kathi Kresol for Haunted Rockford: https://weirddarkness.tiny.us/3m8mnpy2“Deathbed Moments” by Mike Lawrence for ListVerse: https://weirddarkness.tiny.us/24rppfx5=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September 27, 2021TRANSCRIPT: https://weirddarkness.tiny.us/45hj3enr

This episode was originally released on March 1, 2016. Listen to help prep for the next episode of our new season,The Old Man is Still Alive. In the late 1940s, as the country was moving to the right and there was pressure on Hollywood to do the same, Katharine Hepburn, Humphrey Bogart and John Huston all protested HUAC in ways that damaged their public personas and their ability to work in Hollywood. Hepburn's outspokenness resulted in headlines branding her a "Red" and, allegedly, audiences stoning her films. Bogart and Huston were prominent members of the Committee For the First Amendment, a group of Hollywood stars who came to Washington to support the Hollywood Ten -- and lived to regret it. With their career futures uncertain, the trio collaborated on the most difficult film any of them would ever make, The African Queen. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices