French film director and screenwriter
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42 episodes with Jean Renoir
3 episodes with Jean Renoir
5 episodes with Jean Renoir
3 episodes with Jean Renoir
3 episodes with Jean Renoir
3 episodes with Jean Renoir
3 episodes with Jean Renoir
3 episodes with Jean Renoir
2 episodes with Jean Renoir
This week on Peanuts and Popcorn, the Detroit Tigers are the best team in baseball and the Chicago Cubs are (one of) the best teams in the National League. They meet in Detroit for a mid-season preview of a possible World Series matchup. We then pivot to Popcorn with critiques of two more moviesthat we think might be worth your time. The first is Tom's suggestion, The Rules of the Game (1939), directed by Jean Renoir. Leo's choice is a Clint Eastwood project, The Outlaw Josey Wales (1976).Next Show's Films:Leo's Pick: The Birdcage (1996)Tom's Pick: The Best Years of our Lives (1946).
Welcome to It's A Wonderful Podcast!A celebration of the best of French film all May long on the main show as Morgan and Jeannine explore a variety of some of the most revered and respected French movies of all time!A chaotic movie for chaotic times as Jean Renoir assembles an ensemble to poke fun at humanity's callousness & self-centredness in face the of imminent danger! High aristocracy, celebrities, and their servants all gather at a grand estate where infidelity is rife, rabbit hunting is sport, and everyone is far too interested in their own issues to ever realise anything serious has happened as Morgan and Jeannine discuss LA REGLE DU JEU (The Rules of The Game) (1939)!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & Morehttps://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowThe It's A Wonderful Podcast Theme by David B. Music.Donate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
durée : 01:00:02 - Toute une vie - par : Perrine Kervran - « Ce qui est important dans les prises de vues Lumière, c'est l'esprit de Monsieur Lumière. » a dit Jean Renoir. Et si l'invention la plus formidable des Lumière n'avait pas été le cinématographe, mais la mise en scène… ?
There's a reading of this movie as Jean Renoir's exercise in delayed gratification. What's a cancan? Is that a cancan? Will they cancan? Oh no they can't cancan!! But maybe, just maybe… No they can't! And then just when you've given up all hope: they can cancan! And by god, they do. (Spoiler alert.) Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Federico Fellini's Amarcord (1973).
Director Brad Silberling's modern spiritual masterpiece dares to propose a world filled with unseen angels, who look upon humanity with a detached sense of whimsy. Until a brash, brilliant, and beautiful heart surgeon dares to question a universe who steals the life of one of her patients, and one of these angels… falls for her. In more ways than one. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jean Renoir's French Cancan (1954).
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Jean Renoir's Rules of the Game isn't just a classic film—it's a sharp critique of society, morality, and the masks we wear. In this episode, all three of the guys sit down to break down how the film exposes the illusions of class, love, and human nature, all under the guise of a lighthearted, bordering on flippant comedy that ends with a homicide. What does it say about the "rules" we still follow today? Listen in to find out!
On this episode we discuss Parental Guidance, an Xmas gift and the wonderful noir Scarlet Street! Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne (literally The Bitch) by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir. The principal actors Edward G. Robinson, Joan Bennett and Dan Duryea had earlier appeared together in The Woman in the Window (1944), also directed by Lang. Local authorities in New York, Milwaukee, and Atlanta banned Scarlet Street early in 1946 because of its dark plot and themes.
Programa conducido por Darío Lavia y Chucho Fernández. Ilustraciones: Louis-Léopold Boilly, Christian de Marco, Enzo Sciotti, Joseph Swan, Ignaz Gaugengigl.. Fotogramas: "Toni" (1935) de Jean Renoir; "Paganini" (1923) de Heinz Goldberg Acto I: El símbolo de Goblin por Darío Lavia 0:02:56 Acto II: "La música como protagonista" de Béla Balázs por Darío Lavia 0:08:31 Acto III: "El violín con cuerdas humanas" de Antonio Ghislanzoni por Chucho Fernández y Natán Solans 0:15:43 Fuentes de los textos: "Prog Rock, the Horror Film and Sonic Excess: Dario Argento, Morricone and Goblin", Tony Mitchell en "Terror Tracks: Music, Sounds and Horror Cinema", coordinado por Philip Hayward (Equinox Publishing, 2009) "Der Film", Béla Bálazs, traducido como "El film" (Ediciones Losange, 1957) "Il violino di corde umane", Antonio Ghislanzoni en "Racconti" (1884), recopilado en "L'orrore della musica" (Fanucci Editore, 1991) Imdb https://www.imdb.com/title/tt35657570/ Web de Cineficción http://www.cinefania.com/cineficcion/ Fan Page de Cineficción https://www.facebook.com/revista.cineficcion/
Behold the film that smashed its way into pop culture's radioactive kaiju heart, inspiring Godzilla and an entire genre! Not to mention putting Ray Harryhausen and Ray Bradbury on the map - two dino-nerds who changed science fiction forever. Plus, we discuss the Six Degrees of Beast, with its connections to Psycho, Jean Renoir, and the Man with No Name trilogy; then we get into a fight about The Valley of Gwangi. THEN, Peter Lorre returns with the premiere of "The Poverty Row Picture Show". THEN... whew, it's too much for the show notes.Enjoy this jampacked episode of monster movie goodness! We'll see you next week for Invasion of Astro-Monster (1965)!If you enjoy Camp Kaiju, please leave a rating and review. Subscribe to campkaijupodcast.com or leave a comment at campkaiju@gmail.com, Letterboxd, or Instagram (@camp_kaiju); or call the Kaiju Hotline at (612) 470-2612.Visit Patreon.com/campkaiju and campkaiju.threadless.com for perks and merchandise.TRAILERSThe Beast from 20,000 Fathoms (1953); The Black Scorpion (1957); Mighty Joe Young (1949); Gorgo (1961); The Valley of Gwangi (1969)SHOUT OUTS & SPONSORSSubstack Film Criticism by Matthew Cole LevineZack Linder & the Zack Pack Harryhausen & Bradbury: An Unfathomable Friendship - DVD FeaturetteMaking the Beast - DVD FeaturetteHorror Homeroom: Environment and Race in the Beast from 20,000 FathomsCamp Kaiju: Monster Movie Podcast. The Beast from 20,000 Fathoms (1953) movie review. Hosted by Vincent Hannam, Matthew Cole Levine. Camp Kaiju: Monster Movie Podcast, produced by Vincent S. Hannam; © 2024 Vincent S. Hannam, All Rights Reserved
We continue Noirvember 2024 with a look at Jean Renoir's The Woman on the Beach. Released in 1947, the film tells the tale of veteran Scott Burnett played by Robert Ryan. He's plagued with nightmares caused by his PTSD and is assigned to the mounted division of the Coast Guard where he patrols the beach on his horse, meeting the comely Peggy Butler played by Joan Bennett. She's married to blind painter Tod Butler played by Charles Bickford. Otto Bruno and Robert Bellissimo join Mike to discuss this compromised film and what could have been.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
We continue Noirvember 2024 with a look at Jean Renoir's The Woman on the Beach. Released in 1947, the film tells the tale of veteran Scott Burnett played by Robert Ryan. He's plagued with nightmares caused by his PTSD and is assigned to the mounted division of the Coast Guard where he patrols the beach on his horse, meeting the comely Peggy Butler played by Joan Bennett. She's married to blind painter Tod Butler played by Charles Bickford. Otto Bruno and Robert Bellissimo join Mike to discuss this compromised film and what could have been.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Allá por 1886, el escritor Robert Louis Stevenson tuvo una pesadilla. Un hombre que se transformaba en una especie de doble maligno. Impresionado por la imagen, un Stevenson gravemente enfermo se encerró a escribir sin descanso. Tres días después, había terminado la primera versión de «El extraño caso del Dr. Jekyll y Mr. Hyde». Tras las críticas de su esposa, arrojó al fuego el manuscrito y volvió a escribir la historia. Tardó solo tres días más. Y en poco más de dos meses, el libro estaba revisado, corregido y publicado. De forma casi inmediata, causó sensación en todo el mundo angloparlante. Stevenson consiguió por fin el éxito que tanto se le había resistido. De esta fascinación arrebatada por una imagen de la dualidad humana nació uno de los mayores mitos literarios del siglo XIX... y del XX. Y es que la historia nunca ha cesado de ser reinterpretada. Entre el teatro y el cine cuenta con más de 120 adaptaciones. La primera sobre las tablas apenas dos años después de su publicación, y la primera para la gran pantalla en 1908. Los creadores no se cansan de explorar, desde perspectivas muy diversas, esta lucha (o complementariedad) entre el bien y el mal dentro del ser humano. Para este podcast, hemos seleccionado tres de esas adaptaciones. El clásico absoluto «El hombre y el monstruo», dirigida por Rouben Mamoulian en 1931; la fiel versión que Jean Renoir realizó para la TV en 1959, «El testamento del Doctor Cordelier»; y «Las dos caras del Dr. Jekyll», la inversión a la que Terence Fisher sometió a la novela en 1960. Además, traemos leído y analizado el libro de Stevenson. Con ello, analizamos ocho de los cientos de caras que el Dr. Jekyll ha tenido en su larga estirpe de dobles. Tras los micros, Miguel Muñoz Garnica, José Luis Forte, Lourdes Esqueda... y puede que algún doble inesperado. Música: Messer Chups - Dracula Hates Killer Icicles
For the first episode in our new series David explores Jean Renoir's La Grande Illusion (1937), a great anti-war film that is also a melancholy meditation on friendship between enemies, love across borders, and the inevitability of loss. What, in the end, is the great illusion: war itself, or the belief that we can escape its baleful consequences?Our bonus episode with Chris Clark on how Europe's elites sleepwalked into war in 1914 is available on PPF+. Sign up now for just £5 per month or £50 a year to get 24 bonus episodes a year plus ad-free listening https://www.ppfideas.com/join-ppf-plusNext time: Mr Smith Goes to Washington Hosted on Acast. See acast.com/privacy for more information.
Rumer Godden fue una escritora entre dos mundos. Aunque nació en Inglaterra, pasó la mitad de su vida en el subcontinente indio. Entre idas y vueltas al Reino Unido, se crio en Bengala, prosperó en Calcuta y pasó una temporada en Cachemira. La mayoría de su obra versa sobre esta dualidad. En «Narciso negro», unas monjas destinadas al Himalaya chocan con la cultura local, incapaces de comprenderla o alterarla. En «El río», una chiquilla británica —alter ego de la propia Godden— descubre el amor, la muerte y la complejidad de la vida en Bengala, lugar que habita pero al que no pertenece del todo. Godden no es demasiado conocida en el ámbito hispánico. Pero sus obras han dado lugar a dos clásicos absolutos del cine. Michael Powell y Emeric Pressburger adaptaron fielmente «Narciso negro» en 1947. Cuatro años después, Jean Renoir reescribió —con Godden como coguionista— la historia de «El río» y firmó una de sus películas más recordadas. En EAM podcast, nos acercamos al universo creativo de Godden comentando tanto los dos libros los dos filmes que inspiraron. Tras los micros, Miguel Muñoz Garnica, José Luis Forte y Lourdes Esqueda.
SEASON 3 EPISODE 23: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:00) TRUMP TO "BLOODY" IMMIGRANTS - AND ARREST YOU (and reveals the conspiracy theory he will launch against Kamala Harris in tomorrow night's debate). And next to none of this has been on front pages. Our nation is dying of an utter, consuming, fatal lack of courage. For eight years I have been talking and writing about Trump's desire not just to purge America of immigrants – documented or otherwise – also he gets to decide who's an immigrant and if you try to defend one of his targets you become his NEW target – but to purge them with violence, Concentration camps, swat team raids, informants, military weaponry, bloodshed. And now even HE is saying it, that bluntly. He promises, out loud, that "it will be a bloody story." If you are an American and you are asking any question about this besides “Is he an insane mass murderer, or a strategic mass murderer,” you are now a Trump enabler. Yet, Congressman Ro Khanna actually said yesterday that he's upset his fellow Democrats are calling the Republicans “weird.” “We should lead with respect and make our case through persuasion of having a better vision for the nation.” Fine, Congressman, and when we do that and Trump regains power and he decides that all immigrants are illegal immigrants and anybody whose parents were not born in this country are immigrants, I'll do what I can when Trump sends the National Guard to imprison you but by then I might already be in prison because of the OTHER thing Trump did over the weekend that nobody is taking seriously even though after Judge Merchan gutted the rule of law Friday here in New York, Trump has decided he can get away with - promising to threaten "lawyers, political operatives, donors, illegal voters, corrupt election officials" and anybody else who opposes him in this election. And where is our courage? The New York Times' publisher thinks he's being impartial by not acting against Trump. The most vulnerable voting bloc - young women - will have the lowest turnout. George W. Bush won't endorse Harris because he's "retired." And worst of all, Judge Merchan folds in New York and pretends he's avoiding election interference by making sure the electorate doesn't know whether or not one of the candidates is going to be sentenced to prison. Thus all of this falls to Kamala Harris to prosecute, tomorrow night. See omnystudio.com/listener for privacy information.
What a gift and a blessing it was to sit by Judy's side, (at least that what it felt like during our Zoom interview) and have a conversation with this grace-filled creative! To say that she is a storyteller would be the understatement of the century...and there was SO MUCH GOODNESS in our conversation that this byte-sized episode is longer than most-but I figure you won't mind because the SWEETNESS and COZINESS that Judy brings is worth every second of your day! (and mine, obvs). Judy is so many things, like all of us, right? But it is her art and her artist's life that we focus on...(don't even get me started that she studied with the famous painter Pierre-Auguste Renoir's grandson, as well as famous director Jean Renoir's son!!) Her work emerges through many different mediums, and each evokes deep emotion. To read up a bit more about this incredible human and the BEAUTY she is bringing into the world, head on over to her website here. Truth be told I had to be urged to reach out to Judy to be on the show-she simply gobsmacked me when I took her class, and so had to be prompted to have the guts! Thanks Barb! ;-) THANKS TO EVERYONE FOR LISTENING TO THE PODCAST! Please do consider writing a review or leaving a little rating! Those ratings and reviews are ever so important for small creators like moi! Your bit of beauty this week? This excerpt from the film Judy refers to in the interview, "Fiddler on the Roof!" I dare you to not get up and dance!! See you next week for the very next episode of the pod! Until then, make sure to slide into this favorite season of mine, fall, with all the gentleness and sweetness autumn provides!
What a gift and a blessing it was to sit by Judy's side, (at least that what it felt like during our Zoom interview) and have a conversation with this grace-filled creative! To say that she is a storyteller would be the understatement of the century...and there was SO MUCH GOODNESS in our conversation that this episode is longer than most-but I figure you won't mind because the SWEETNESS and COZINESS that Judy brings is worth every second of your day! (and mine, obvs). DON'T MISS THE EASTER EGG AT THE END OF THE EPISODE-WE DISCUSS MORE WONDERFULNESS THERE!! Judy is so many things, like all of us, right? But it is her art and her artist's life that we focus on...(don't even get me started that she studied with the famous painter Pierre-Auguste Renoir's grandson, as well as famous director Jean Renoir's son!!) Her work emerges through many different mediums, and each evokes deep emotion. To read up a bit more about this incredible human and the BEAUTY she is bringing into the world, head on over to her website here. Truth be told I had to be urged to reach out to Judy to be on the show-she simply gobsmacked me when I took her class, and so had to be prompted to have the guts! Thanks Barb! ;-) THANKS TO EVERYONE FOR LISTENING TO THE PODCAST! Please do consider writing a review or leaving a little rating! Those ratings and reviews are ever so important for small creators like moi! Your bit of beauty this week? This excerpt from the film Judy refers to in the interview, "Fiddler on the Roof!" I dare you to not get up and dance!! See you next week for the very next episode of the pod! Until then, make sure to slide into this favorite season of mine, fall, with all the gentleness and sweetness autumn provides!
durée : 03:00:49 - Les Nuits de France Culture - par : Albane Penaranda - Par Véra Feyder - Avec Henri Cartier-Bresson (photographe, peintre, dessinateur), René Dumont (agronome, homme politique), Claude Lefranc (son compagnon de captivité), Célia Bertin (romancière), Cathy (ex-détenue à Fleury-Mérogis), Eric Hubert (qui a écrit à Henri Cartier-Bresson pour le rencontrer), Vincent Dulau (élève de l'E.S.A.G.), Yahne Le Toumelin (peintre, nonne bouddhiste) et le Dalaï-Lama - Avec en archives, les voix d'Alberto Giacometti, Tériade, Jean Renoir, Ezra Pound, Carson McCullers, Raymond Devos. Textes de Louis Aragon, Arthur Koestler, Victor Hugo, Paul Nizan, Georges Braque, Saint-Simon, Gustave Flaubert, Joseph Conrad et James Joyce - Avec des extraits des films "La règle du jeu" ; "La grande illusion" de Jean Renoir et "Une nuit à l'opéra" des Marx Brothers - Réalisation Nicole Vuillaume
The Pacific Northwest Insurance Corporation Moviefilm Podcast
Ellis and Corbin talk about "THE RULES OF THE GAME," and are kind of bowled over by how much there is in it. Topics include: farce in collapse, the movie's technical achivements, and how it functions as a frustrated, bordering on nihlistic flipside to Renoir's other prewar masterpiece. Corbin reccomends "Link's Awakening," available on your Nintendo Switch or your Nintendo Game Boy. Matt reccomends a bar in Portland. Next week's episode is NOT about 'All that Jazz,' because it was hard to find on the internet and Matt got annoyed while watching it. Instead we talked about Alfie Hitchie's "NORTH BY NORTHWEST," which you can watch on Tubi.
durée : 00:44:28 - Les Nuits de France Culture - Telle une entrée dans l'univers de Jean Renoir, cet entretien intime de 1954 fait appel aux souvenirs d'enfance du cinéaste. Du guignol des Tuileries au théâtre Montmartre, des soldats de plomb à l'ombre d'Alexandre Dumas, autant d'images qui ont fait naître en lui une vocation de metteur en scène. - invités : Jean Renoir Cinéaste (1894 - 1979)
Maurice Samuels "Le droit à la différence; l'universalisme et les juifs" (La Découverte)Et "Alfred Dreyfus: The Man at the Center of the Affair" (Yale University Press)Le débat public français charrie une singulière conception de l'universalisme, généralement perçu comme incompatible avec les particularismes : les communautés religieuses ou ethniques, dit-on, doivent renoncer à leurs différences pour entrer dans la communauté nationale. Ce livre important montre que cette conception étroite et rigide est bien plus récente qu'on ne le croit.Grâce à une lecture attentive de la manière dont les responsables politiques, les romanciers, les philosophes ou les cinéastes français ont abordé la question de l'intégration des juifs entre le XVIIIe et le XXe siècle, Maurice Samuels explique que différentes conceptions de l'universalisme n'ont cessé de s'affronter. Et que certaines d'entre elles, parfaitement républicaines, ne cherchaient aucunement à éradiquer les particularités prêtées aux minorités juives.Au contraire, c'est dans l'interaction avec ce particularisme, réel ou imaginaire, que s'est construit l'idéal universaliste français. D'où la tentation, dans certains cas, d'accentuer cette prétendue différence pour montrer la force de l'universalisme français : si la France est capable de faire des juifs des citoyens, n'est-ce pas la preuve de son exceptionnel pouvoir inclusif ?Analysant avec une grande finesse le rapport ambigu que les élites intellectuelles et culturelles françaises ont longtemps entretenu avec les minorités juives, depuis l'abbé Grégoire jusqu'à Jean-Paul Sartre, en passant par Émile Zola ou Jean Renoir, ce livre ouvre des perspectives essentielles, qui éclairent de façon inédite les débats actuels sur le " communautarisme " et le " séparatisme "."Alfred Dreyfus: The Man at the Center of the Affair" (Yale University Press) En Anglais est une nouvelle biographie passionnante de Dreyfus : L'homme au centre de l'Affaire.Musique : "Dreyfus" de Yves Duteil et Ella Fitzgerald « I love Paris »Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
durée : 00:39:59 - Les Nuits de France Culture - par : Philippe Garbit - L'inconnu qui est en vous - Jean Renoir (1ère diffusion : 08/01/1956 Chaîne Nationale)
durée : 01:19:56 - Les Nuits de France Culture - par : Philippe Garbit - Janine Bazin est la productrice de la mythique émission de cinéma "Cinéastes de notre temps". En 1997, elle se confie au micro des "Nuits Magnétiques" dans un portrait illustré d'archives de Michel Simon, Jean Renoir, Franju, Pasolini, Josef Von Sternberg, des personnalités qu'elle a bien connues. - invités : Janine Bazin Productrice française de cinéma et de télévision (1923-2003); André S. Labarthe Critique de cinéma, documentariste et producteur français; Michel Simon; Georges Franju; Jean Renoir Cinéaste (1894 - 1979); Jacques Rivette Réalisateur de cinéma français; Luis Buñuel Réalisateur et scénariste espagnol naturalisé mexicain; Josef Von Sternberg
Au programme : Y aura-t-il bientôt une défense européenne du nucléaire ? / Pourquoi la France a-t-elle perdu de l'influence en Afrique ? / Le cinéma Jean Renoir de Trappes rebaptisé Omar Sy. / Nouveau drame à Châteauroux : une ado meurt tuée par un mineur Afghan en situation régulière. / Et si les concours de Miss étaient remplacés par l'intelligence artificielle ? / Main basse sur la pensée : explications avec Bertrand Vergely.
"The only things that are important in life," declared the French filmmaker Jean Renoir, "are the things you remember." But what do we remember and why? That's the subject of a new book, "Why We Remember: Unlocking Memory's Power to Hold on to What Matters," by pioneering neuroscientist Charan Ranganath. He joins us today to explain why you still know the lyrics to the song you loved in eighth grade but can't remember the name of your kid's eighth-grade teacher, how memory shapes your identity, and what you can do right now to improve your recall. THE NEXT BIG IDEA CLUB We all know that reading is the best investment we can make in ourselves, but figuring out what to read — well, that's another matter. Which is why we started the Next Big Idea Club. We get the best new books (as chosen by our friends Malcolm Gladwell, Adam Grant, Susan Cain, and Daniel Pink) into the hands of curious people. Like you! Join us today at nextbigideaclub.com
SERIES 2 EPISODE 162: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: Stochastic threat number one million. Trump returns to his propaganda channel to insist that his thugs should be, quoting his online post, “allowed to protest at the front steps of Courthouses, all over the country” rather than be “rudely and systematically shut down and ushered off to far away ‘holding areas' essentially denying them their constitutional rights.” He tells them “Rally behind MAGA. Save our country. The only thing you have to fear is fear itself.” When THAT stochastic call to lay siege to federal buildings didn't work (why does that sound SO familiar?) Trump tried what he thinks is smooth and subtle. “The Palestinian Protests at Columbia University have closed the college down. But the area surrounding the Courthouse in Downtown Manhattan, is closed up like a drum, with New York City's Finest (Police) all over the place. Why not send some to Columbia… Republicans want the right to protest in front of the courthouse like everyone else.” Again. Seems oddly familiar. Reduce law enforcement around an area Trump wants to see sacked by gangs and militias and morons ready to spring him or hang a Vice President or, who knows, kill a judge. He forgot to note “will be wild.” Justice Juan Merchan There is little for Justice Juan Merchan to DO about this latest threat other than to encourage the city and the state of New York to have tanks ready because frankly if Trump terrorist gangs again rise up against the government as he had them do on January 6th the only way the point is going to be made clear is if it ends with the New York Department of Sanitation having to clean them up with brooms and hoses and garbage trucks. But with Trump following yesterday's half-day in court ending with more violations of the gag order, Merchan can at least regain control of this mess by - if not jailing Trump at today's gag order hearing - at least saying: if you do it again I will revoke your jail and send you to Rikers Island. We have to grasp this nettle eventually, let's do it now. In the long term, the ACTUAL Trump Legal headline may have come not from New York but Florida where witness exhibits in the Trump Espionage case reveal that the feds have a small coterie of witnesses close to Trump including an unidentified Person 16, clearly a senior Trump aide but not in the innermost circle, who revealed nothing less than the fact that Trump's “people” told his valet and co-defendant Walt Nauta not to worry about the stolen documents case, that it's not going anywhere, yet even if he were to, say, get charged with lying to the FBI, Trump will pardon him after he regains power. B-Block (26:33) THE WORST PERSONS IN THE WORLD: The man Nate Silver once thought was a top-five candidate to be the next Democratic presidential nominee, Eric Adams, is down to 16% support for re-election as mayor of New York. Kevin McCarthy is surprised to learn his claim Hillary Clinton never conceded is a lie. And ESPN's policy - no, you can't be a sportscaster on one station and an advocate for a presidential candidate on another - was right. I know: I helped to author it because the day when you (or I) could is long gone. So why is today's ESPN letting Stephen A. Smith do it? Why is he campaigning for Trump on Fox News? ESPN must silence him - or fire him. C-Block (37:32) THINGS I PROMISED NOT TO TELL: So I once had an agent named Art Kaminsky who at the same time he was negotiating to extend my deal at KCBS in Los Angeles was also sending his other clients in for the job. And he ordered his partner Lou Oppenheim to NOT tell me as he literally walked out of the meeting at which KCBS told him whether or not I was staying. This all ends with them serving me with papers hours before my first SportsCenter, 32 years ago this month!See omnystudio.com/listener for privacy information.
Nous sommes le 15 septembre 1894, à Montmartre. Le peintre Pierre-Auguste Renoir écrit à son amie Berthe Morisot: "J'ai à vous annoncer une chose complètement ridicule : l'arrivée d'un second fils qui s'appelle Jean. Mère et enfant se portent à merveille." La naissance, en effet, s'est déroulée sans problème, au 13 de la rue Girardon. Un peu après minuit, Aline Renoir a mis au monde un gros garçon que tout le monde s'accorde à reconnaitre … très laid. Le père se serait exclamé : " Quelle bouche ! C'est un four ! Ce sera un goinfre ! » Dans ses souvenirs, Jean rapportera qu'un célèbre caricaturiste de l'époque, Abel Faivre, déclara que « le bébé serait un excellent modèle pour lui ! » Jean Renoir ne sera finalement pas trop gêné par cette disgrâce : né un an avant le cinématographe, il deviendra un réalisateur majeur du 7e art. La grande illusion, La règle du jeu, Boudu sauvé des eaux, Le Crime de monsieur Lange, Le Caporal épinglé, entre autres, lui apporteront une renommée internationale. Le cinéaste est mort il y a 45 ans, le 12 février 1979, à Beverly Hills. Retrouvons-le au travers des archives de la Sonuma. Sujets traités : Pierre-Auguste Renoir, Berthe Morisot, Jean Renoir, La grande illusion, La règle du jeu, Boudu sauvé des eaux, Le Crime de monsieur Lange, Le Caporal, Jean Gabin, Jean-Pierre Cassel, Claude Brasseur Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
The eighth episode of our season on the awesome movie year of 1939 features our foreign film pick, Jean Renoir's The Rules of the Game. Directed and co-written by Jean Renoir and starring Nora Gregor, Paulette Dubost, Mila Parély, Marcel Dalio, Julien Carette, Roland Toutain, Gaston Modot and Jean Renoir, The Rules of the Game was considered a failure until its restoration and rediscovery in the 1950s.The contemporary reviews quoted in this episode come from Variety (https://variety.com/1938/film/reviews/the-rules-of-the-game-2-1200411957/), Bosley Crowther in The New York Times (https://www.nytimes.com/1950/04/10/archives/the-screen-four-films-bow-over-weekend-golden-twenties-chronicle-of.html), and Virginia Graham in The Spectator (http://archive.spectator.co.uk/article/2nd-february-1951/14/cinema).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1939 installment, featuring Jason's personal pick, Howard Hawks' Only Angels Have Wings.
Film is such a wonderful art form --- in some instances, almost the entirety of the world may be encompassed. Or the artist makes the attempt to capture the world. And thereby capture timeless subjects that are repeated down the years. Imagine developing a film that looks at the humanity of man. Classism. Racism. Antisemitism. War. The rise of fascism. Nationalism. Accomplished nearly one hundred years ago now --- and the ugly elements portrayed in the film are still around to plague us. Still relevant today.The masterstroke was to expose all of this in a story elegantly simple and straightforward. It was done in 1937 by Jean Renoir --- the film, Grand Illusion. Here --- I'll give you the plot. Two French pilots are captured during WWI. They're sent to a prison camp and try to escape. They almost make it out, but at the last moment, they're sent to a different camp, supposedly inescapable. The German commandant of the POW camp admires them. They hatch another plan to escape, involving a third prisoner. Two of the prisoners escape, due to the sacrifice of the third, shot by the German commandant. There. That's it. You can stop the pod now if you like.Website and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark
The seventh episode of our season on the awesome movie year of 1939 features a special Valentine's Day pick, Leo McCarey's Love Affair. Directed and co-written by Leo McCarey and starring Charles Boyer, Irene Dunne, Maria Ouspenskaya and Lee Bowman, Love Affair was nominated for six Oscars, including Best Picture.The contemporary reviews quoted in this episode come from Frank S. Nugent in The New York Times (https://www.nytimes.com/1939/03/17/archives/the-screen-love-affair-a-bittersweet-romance-opens-at-the-music.html), Variety (https://variety.com/1938/film/reviews/love-affair-1200412039/), and Box Office Digest.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1939 installment, featuring our foreign film pick, Jean Renoir's The Rules of the Game.
durée : 00:59:59 - Les Nuits de France Culture - par : Philippe Garbit - En 1969, à l'occasion des 80 ans de Chaplin, Jean Cocteau, Pierre Etaix, Germaine Tailleferre et Jean Renoir évoquent leurs souvenirs de ce pionnier du cinéma et analysent son œuvre. L'émission "Connaître le cinéma", qui propose ces témoignages précieux est produite par Philippe Esnault. - invités : Pierre Etaix; Jean Renoir Cinéaste (1894 - 1979); Jean Cocteau Poète, écrivain, peintre, cinéaste, dramaturge; Germaine Tailleferre Compositrice française ; Philippe Soupault Poète, journaliste
durée : 01:00:01 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - En 1969, à l'occasion des 80 ans de Chaplin, Jean Cocteau, Pierre Etaix, Germaine Tailleferre et Jean Renoir évoquent leurs souvenirs de ce pionnier du cinéma et analysent son œuvre. L'émission "Connaître le cinéma", qui propose ces témoignages précieux est produite par Philippe Esnault. - réalisation : Virginie Mourthé - invités : Pierre Etaix; Jean Renoir Cinéaste (1894 - 1979); Jean Cocteau Poète, écrivain, peintre, cinéaste, dramaturge; Germaine Tailleferre Compositrice française ; Philippe Soupault Poète, journaliste
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durée : 00:21:02 - Les Nuits de France Culture - par : Philippe Garbit - Par Jean Serge - Avec Jean Renoir
Une vie d'exilé en Ukraine. Gaston, titi parisien né en 1920, a vécu près de 50 ans sous l'emprise de la Russie soviétique, sans jamais pouvoir rentrer en France. Pour « La Story », le podcast d'actualité des « Echos », Pierrick Fay Pierrick Fay reçoit quatre auteurs pour évoquer des tranches de vie et des destins parfois extraordinaires.La Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en décembre 2023. Rédaction en chef : Clémence Lemaistre. Invité : Yves Gauthier (écrivain, auteur de « Gaston, l'impossible retour »). Réalisation : Nicolas Jean. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Paulsen. Sons : « Hôtel du Nord » de Marcel Carné 1938, « L'auberge espagnole » de Cédric Klapisch 2002, Les cœurs de l'armée rouge, « Le prisonnier » 1967, Maurice Chevalier – « Dans la vie faut pas s'en faire », Jean-Baptiste Clément – « La semaine sanglante », « La vie est à nous » de Jean Renoir 1936, INA. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
durée : 01:35:00 - Les Nuits de France Culture - par : Philippe Garbit - Par Francesca Piolot - Avec Michel Estève, Jean-Antoine Gili et Gérard Rancinan - Avec en archives, les voix de Jean Renoir et Bernardo Bertolucci - Réalisation Claude Giovannetti
SEASON 2 EPISODE 71: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: We are so goddamned afraid of OFFENDING somebody by DEFENDING democracy. The Minnesota State Supreme Court, whose Chief Justice is a pioneer and the daughter of a pioneer (the first African-American football coach at a predominantly white college in modern times) managed to find a way to NOT rule for OR against the bid to disqualify Trump from the ballot there via the 14th Amendment. The 14th Amendment IS self-executing. You ARE presumed guilty until you are proven innocent. It was designed by Americans who had survived the Civil War and didn't want us to have to go through that. If there are extenuating circumstances, there's an override mechanism: Congress can vote by 2/3 to waive application of the clause. Otherwise - you're out. Yet the Minnesota court has chosen the escape route, the way to shirk responsibility for fear of blowback or appeal or who knows what. Everybody placed in the position in which they can risk a little to defend freedom and the constitution rather than waiting until freedom and the constitution are DEAD and millions have to risk everything to restore them, seems to want to get out of it. Kristen Welker got out of it last night. That buffoon Vivek Ramaswamy, so loathsome that even Nikki Haley called him "scum" during the debate, pointed at Welker and demanded that she explain NBC's coverage of the Trump-Russia conspiracy. "Was that real or was that Hilary Clinton made-up misinformation." And instead of realizing he had just gifted her the chance to DO something for democracy - to speak to an audience consuming its first "mainstream media" in a decade and tell them the truth, whether they accepted it or not - she just smiled moronically at him. There's an extraordinary French film, La Regle du Jeu, The Rules Of The Game. It premiered on July 7th, 1939…354 days before France fell to the Nazis. It was written and directed by Jean Renoir and in it he plays the hero's buddy Octave and at one point Octave says something about the corruption and lack of morals and just plain lack of effort to stand up for what's right, and it's a quote that has come to symbolize the France that folded like a card table to the Hitler onslaught and the Vichy France full of more collaborators than the Germans believed possible. “You see, in this world, there is one awful thing,” Octave says, seemingly fighting back, and then gives up with a shrug, “and that is… that everyone has his REASONS.” We may be the 21st Century version of Pre-Hitler France. We all have our reasons to just shrug, or smile idiotically at hallucinating psychopaths who seem to believe more in (and are willing to fight more for) their delusions than we do about our reality. B-Block (24:42) THE WORST PERSONS IN THE WORLD: Lauren Boebert discovers that being in Congress means if it's a spending bill you have to talk about spending in the bill, courtesy Professor Steny Hoyer. I'm sure she'll eventually get a grip on it. For a day, Twitter's "NY Times Pitchbot" predicted it and finally Nate Cohn did it: the story explaining why Tuesday's Democratic ass-kicking of MAGA was bad news for Joe Biden. And remember Cygnal? The right wing pollster I praised here yesterday for reporting, though it defied their side's narrative, that Biden's "image" had jumped five points in just one month and voters ranking inflation as the key issue had dropped six points in just two months? They've responded by attacking me. For...quoting their press release hyping their own poll. When you are strangled by slavery to your own ideology... C-Block (34:00) THINGS I PROMISED NOT TO TELL: Amazon billionaire Jeff Bezos is moving to Florida to be closer to his partner Lauren Sanchez. And as I've mentioned before, I used to work with her and she has now achieved her life goal. Just as I used to work with the guy who would eventually try to blackmail David Letterman and yeah, I think that might've been HIS life goal too. See omnystudio.com/listener for privacy information.
It's our 100th episode, so we're bringing the whole gang back together. Join Connor, Jon, and Riley as they discuss Jean Renoir's masterpiece, the namesake of the show, The Rules of the Game. Connor adores the camera movements and staging, Jon tries to dissect the cultural elements, and Riley asks THE question "what makes a movie good?"WARNING: Major spoilers for The Rules of the Game Follow us:Facebook: https://www.facebook.com/rulesoftheframe/ Instagram: https://www.instagram.com/rulesoftheframe Twitter: https://twitter.com/RulesOfTheFrame YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featured Films mentioned in this episode:--------------------------------The Rules of the Game (1939) | Dir. Jean RenoirLa Chienne (1931) | Dir. Jean RenoirThe Human Beast (1938) | Dir. Jean RenoirThe Grand Illusion (1937 ) | Dir. Jean RenoirThe Wizard of Oz (1939) | Dir. Victor Fleming & King VidorCitizen Kane (1941) | Dir. Orson WellesGone with the Wind (1939) | Dir. Victor Fleming, George Cukor, & Sam WoodCasablanca (1942) | Dir. Michael CurtizThe Matrix (1999) | Dir. Lily & Lana WachowskiPicnic at Hanging Rock (1975) | Dir. Peter WeirThe Sixth Sense (1999) | Dir. M. Night Shyamalan
durée : 01:19:59 - Les Nuits de France Culture - par : Philippe Garbit - "Nuits magnétiques - Janine Bazin : sous le signe du lion" l'émission propose un portrait de la productrice et des archives de Michel Simon, Jean Renoir, Georges Franju, Pier Paolo Pasolini, Luis Buñuel et Josef Von Sternberg, des hommes de cinéma que Janine Bazin connaissait bien. - invités : Janine Bazin Productrice française de cinéma et de télévision (1923-2003); André S. Labarthe; Michel Simon; Georges Franju; Jean Renoir Cinéaste (1894 - 1979); Jacques Rivette Réalisateur de cinéma français; Luis Buñuel Réalisateur et scénariste espagnol naturalisé mexicain; Josef Von Sternberg
In the sixteenth episode of Season 9 (Keep It Musical!) Kyle is joined by screenwriter Gio Maldonado and filmmaker Daniel Lopez to discuss the riotous and celebratory period piece about the creative spirit, the progress of moral provocation, and the unity of talent collaboration in Jean Renoir's ode to both the bohemian artists of France and the colorful and grand MGM musicals of America in French Cancan (1955).
This week's film is the Jean Renoir (yes, the son of the famous painter) film La Grande Illusion. Brendan and Jason talk about the film's breakdown of the fall of the aristocracy as exemplified by Boldieu and Rauffenstein, the use of subtitles and lack thereof which figure significantly into the narrative, Renoir using the contemporary world of World War II to comment on World War I as portrayed in the film and much more. Next week: American Sniper. Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) La Grande Illusion stars Jean Gabin, Marcel Dalio, Pierre Fresnay, Dita Parlo, Julien Carette and Erich Von Stroheim; directed by Jean Renoir. Is It Streaming? USA: Criterion Channel and available to rent. Canada: Criterion Channel and available to rent on Apple TV. UK: ITVX, Studio Canal Amazon Channel and available to rent. Learn more about your ad choices. Visit megaphone.fm/adchoices
Since we started Criteria: The Catholic Film Podcast in May 2020, we've been hosting in-depth discussions of movies from the Vatican's 1995 list of important films. Now, after three years, we've finished discussing all 45 films - and in this episode, together with Catholic filmmaker Nathan Douglas, we're taking a look back at the list as a whole. After discussing how and why the Vatican film list (actually titled "Some Important Films") was made, and putting it in the context of several decades of concern from the highest levels of the Vatican about the social and moral influence of cinema, we talk about our favorite and least favorite films on the Vatican's list, as well as the movies we think should be added in a hypothetical future update of the list. Ultimately, watching through the entire Vatican film list is not only an education in the classics of world cinema, but also gives important perspective on the strengths and weaknesses of past cinematic engagement with religion, allowing us to see both the potential fruit that could be borne and the dead ends that should be avoided in the Catholic cinema of the future. 0:00 Introduction 11:31 History behind the Vatican film list 43:34 What films should be removed from the list? 1:24:10 Our favorite films on the list 1:55:30 What films should have been included that weren't? 2:34:09 What post-1995 films would we add? 3:00:19 The most Catholic/edifying films on the list Links Pope St. John Paul II's address on the 100th birthday of cinema https://www.vatican.va/content/john-paul-ii/en/speeches/1995/march/documents/hf_jp-ii_spe_19950317_plen-pccs.html "100 Years of Cinema" document from the Pontifical Council of Social Communications with model curriculum https://www.vatican.va/roman_curia/pontifical_councils/pccs/documents/rc_pc_pccs_doc_19960101_100-cinema_en.html Below is the 1995 list by the Pontifical Council for Social Communications, "Some Important Films" (with links to our episode on each film): Religion Andrei Rublev, Andrei Tarkovsky (1969, USSR) The Mission, Roland Joffé (1986, UK) The Passion of Joan of Arc, Carl T. Dreyer (1928, France) Vie et passion du Christ (Life and Passion of Christ), Ferdinand Zecca and Lucien Nonguet (1905, France) The Flowers of St. Francis, Roberto Rossellini (1950, Italy) The Gospel According to Matthew, Pier Paolo Pasolini (1964, France/Italy) Thérèse, Alain Cavalier (1986, France) Ordet (The Word), Carl T. Dreyer (1955, Denmark) The Sacrifice, Andrei Tarkowsky (1986, Sweden/UK/France) Francesco, Liliana Cavani (1989, Italy/Germany) Ben-Hur, William Wyler (1959, USA) Babette's Feast, Gabriel Axel (1987, Denmark) Nazarín, Luis Buñuel (1958, Mexico) Monsieur Vincent, Maurice Cloche (1947, France) A Man for All Seasons, Fred Zinnemann (1966, UK) Values Gandhi, Richard Attenborough (1982, UK/USA/India) Intolerance, D. W. Griffith (1916, USA) Dekalog (The Decalogue), Krzysztof Kieslowski (1987, Poland) Au Revoir, Les Enfants (Goodbye, Children), Louis Malle (1987, France) Dersu Uzala, Akira Kurosawa (1974, Japan) The Tree of Wooden Clogs, Ermanno Olmi (1978, Italy/France) Rome, Open City, Roberto Rossellini (1946, Italy) Wild Strawberries, Ingmar Bergman (1957, Sweden) The Seventh Seal, Ingmar Bergman (1957, Sweden) Chariots of Fire, Hugh Hudson (1981, UK) Bicycle Thieves, Vittorio de Sica (1948, Italy) It's a Wonderful Life, Frank Capra (1946, USA) Schindler's List, Steven Spielberg (1993, USA) On the Waterfront, Elia Kazan (1954, USA) The Burmese Harp, Kon Ichikawa (1956, Japan) Art 2001: A Space Odyssey, Stanley Kubrick (1968, UK/USA) La Strada, Federico Fellini (1954, Italy) Citizen Kane, Orson Welles (1941, USA) Metropolis, Fritz Lang (1927, Germany) Modern Times, Charlie Chaplin (1936, USA) Napoléon, Abel Gance (1927, Italy) 8½, Federico Fellini (1963, Italy) La Grande Illusion, Jean Renoir (1937, France) Nosferatu, F. W. Murnau (1922, Germany) Stagecoach, John Ford (1939, USA) The Leopard, Luchino Visconti (1963, Italy/France) Fantasia (1940, USA) The Wizard of Oz, Victor Fleming (1939, USA) The Lavender Hill Mob, Charles Crichton (1951, UK) Little Women, George Cukor (1933, USA)
durée : 00:52:49 - L'Heure bleue - En ouverture de la Quinzaine des cinéastes, Souleymane Cissé recevait le Carrosse d'or 2023. Ce prix, qui emprunte son nom à l'œuvre célèbre de Jean Renoir est décerné par la société des réalisatrices et réalisateurs de films. Rencontre dans l'Heure Bleue.
Pour vous abonner à nos 300 émissions hebdomadaires d'une heure sans publicité pour seulement 2€ par mois, avec une nouvelle émission chaque jeudi rien de plus simple, cliquez ici : https://m.audiomeans.fr/s/S-tavkjvmo Pour Xpresso, lors du Salon du Livre d'Histoire de Versailles, Frédéric Mitterrand nous parle de son ouvrage . 1938, c'est la veille de la guerre, les Français espèrent encore. Après le « lâche soulagement » des accords de Munich, Hitler envoie son ministre des Affaires étrangères, Joachim von Ribbentrop, à Paris, le 6 décembre, pour signer une déclaration de bon voisinage. Il est reçu avec tous les honneurs de la République. S'agit-il d'une nouvelle ruse du Führer ? Faut-il continuer à réarmer la France à marches forcées ? Pourtant, le pogrom de la Nuit de Cristal, quelques semaines plus tôt, le déchaînement des persécutions antijuives dans toute l'Allemagne… Frédéric Mitterrand retrace avec verve cet épisode méconnu d'une histoire qui s'avérera tragique. Et dont l'écho résonne encore fortement dans la France d'aujourd'hui.
French Month continues with a look at Jean Renoir's Rules of the Game. Released originally in 1939, the film was based on Alfred de Musset's Les Caprices de Marianne and skewers French nobility in a comedy of manners. Released on the eve of World War II, the film was not a hit cut down to a mere 86 minute running time. It would later be expanded another 20 minutes in a version that not even Renoir had ever seen.Robert Bellissimo and Otto Bruno join Mike to discuss this beloved film. Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement
French Month continues with a look at Jean Renoir's Rules of the Game. Released originally in 1939, the film was based on Alfred de Musset's Les Caprices de Marianne and skewers French nobility in a comedy of manners. Released on the eve of World War II, the film was not a hit cut down to a mere 86 minute running time. It would later be expanded another 20 minutes in a version that not even Renoir had ever seen.Robert Bellissimo and Otto Bruno join Mike to discuss this beloved film.
Dr. Klapper talks about the subtle abilities of the hand using examples of Jean Renoir in art and Mariano Rivera in sports. Dr. Steven Shin, world renown hand surgeon joins Doc to tell his journey on becoming a hand surgeon and his mentors. Doc and Dr. Shin take calls from the Weekend Warriors.
This week, the guys take another trip down to the silver screen to analyze Jean Renoir's 1937 movie, The Grand Illusion. Hidden underneath the POW escape plot of the movie are deep and serious themes about the role of what was at the time Europe's dying aristocracy, among others. The guys break it all down.
Jackie and Greg arrive at the third Jean Renoir on the list, GRAND ILLUSION (LA GRANDE ILLUSION) from 1937. Topics of discussion include the film's gentle satire, Erich von Stroheim as the Tin Man, Renoir's obsession with race and class, and why Strauss waltzes are the most romantic.#73 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#146 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list. bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comJoin our weekly film club: instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe
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