Podcast appearances and mentions of Jean Renoir

On Episode 219 of Floating Through Film, we're continuing our series picked by Dany, Jean Renoir! On this second week of the series, Dany starts the episode by speaking about the importance of depth of field in relation to Renoir's cinema (8:00). We then review his most popular film, the 1939 canon classic The Rules of the Game (35:50), followed by what some consider his American remake of The Rules of the Game, 1946's The Diary of a Chambermaid (2:09:31). We hope you enjoy!Sources mentioned: - "Montage" by Jacques Aumont - "Jean Renoir" by Raymond Durgnat - "Jean Renoir" by Andre Bazin - "Cracking Gilles Deleuze's Crystal: Narrative Space-time in the Films of Jean Renoir" by Barry Nevin - "Jean Renoir: The World of his Films" by Leo Braudy - "Montage" by Jean Narboni, Sylvie Pierre and Jacques Rivette (Cahiers du Cinéma, No. 210, March 1969) - Renoir Interview with Jacques Rivette and Francois Truffaut (Cahiers du Cinéma No. 34 + 35, April + May 1945)Episode Next Week: Jean Renoir Week 3 (The Woman on the Beach + The River)Music:- Intro: The Rules of the Game- Break: The Diary of a Chambermaid- Outro: The Rules of the Game Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm)Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Huh… Apparently Akira Kurosawa and Toshiro Mifune made a few movies together. Wonder if this one is any good? *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jean Renoir's Grand Illusion (1937).

On Episode 218 of Floating Through Film, we're starting our next series picked by Dany, Jean Renoir! On this opening week of the series, we start by giving our overall thoughts on the director, before Dany starts the episode with some background on Renoir, including some information on Renoir's philosophical beliefs. We then review the two films starting off our series, 1932's Boudu Saved from Drowning (57:45), followed by Renoir's "unfinished" A Day in the Country (2:07:12) that was officially released in 1946. We hope you enjoy!Sources mentioned: - "Boats on the Marne: Jean Renoir's Critique of Modernity" by Prakash Younger - "Jean Renoir" by Raymond Durgnat - "Jean Renoir" by Andre Bazin- "Looking Back on Boudu Saved From Drowning" by Eric Rohmer and Jean Douchet's (1969 French TV program on Criterion extras)Episode Next Week: Jean Renoir Week 2 (The Rules of the Game + The Diary of a Chambermaid)Music:- Intro: Boudu Saved from Drowning- Break: Boudu Saved from Drowning- Break 2: A Day in the Country- Outro: Boudu Saved from DrowningHosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm)Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Une CPE du lycée Jean-Renoir de Bondy accusée de racisme a été mise à pied, avant même qu'une enquête puisse rendre ses conclusions. Il est question d'une affaire de harcèlement qui implique des jeunes filles racisées, accusant leurs camarades blanches d'être responsables de l'esclavage. Selon Géraldine Woessner, cette affaire rappelle Samuel Paty. Le fameux sommet Choose France finit en apothéose. Il y aurait 93 milliards d'investissements à l'occasion de cette neuvième édition. Il s'agit au fait d'une com' de la première bourre à l'intention des entreprises multinationales. Mais dans le même, François Lenglet le stipule, le niveau des impôts sur le bénéfice est revenu à l'état auquel il était lorsque Emmanuel Macron est arrivé. Comme dans d'autres pays, un trumpiste est aux portes du pouvoir en Colombie, comme dans beaucoup d'autres pays. Abelardo de la Espriella, candidat de la gauche, est arrivé premier dans les sondages. Ce Trump colombien a fait toute sa campagne derrière une vitre blindée. Abnousse Shalmani se demande pourquoi cette contagion populiste de droite ? Du lundi au vendredi, à partir de 18h, David Pujadas apporte toute son expertise pour analyser l'actualité du jour avec pédagogie.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:31:36 - Les Nuits de France Culture - En 1936, au-delà d'une alternance politique, le Front populaire fait naître un nouvel imaginaire. Cinéma, chansons et récits accompagnent cet élan social et le désir de "changer la vie" : de Jean Renoir courtisé par le parti communiste à Jean Gabin et sa bonhommie tranquille dans "La Belle Équipe". - réalisation : Antoine Dhulster, Vincent Abouchar, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:59:00 - Toute une vie - par : Virginie Bloch-Lainé - Nous connaissons tous ou presque La Règle du jeu, l'un des chefs-d'œuvre du cinéma réaliste d'avant-guerre. Mais que pensent de ce monument national qu'est Jean Renoir, non pas des critiques ou des historiens du cinéma, mais des réalisateurs aujourd'hui quadragénaires ? - invités : Arthur Harari réalisateur, scénariste et acteur; Jean Denizot Réalisateur; Dominique Kalifa Historien, professeur d'histoire contemporaine à l'Université Paris 1 Panthéon-Sorbonne; Romain Harduin Artiste; Jérôme Bonnell Réalisateur

durée : 00:59:00 - Toute une vie - Nous connaissons tous ou presque La Règle du jeu, l'un des chefs-d'œuvre du cinéma réaliste d'avant-guerre. Mais que pensent de ce monument national qu'est Jean Renoir, non pas des critiques ou des historiens du cinéma, mais des réalisateurs aujourd'hui quadragénaires ? - réalisation : Irène Omélianenko, Claire Poinsignon, Virginie Bloch-Lainé - invités : Arthur Harari réalisateur, scénariste et acteur, Jean Denizot Réalisateur, Romain Harduin Artiste, Jérôme Bonnell Réalisateur, Dominique Kalifa Historien, professeur d'histoire contemporaine à l'Université Paris 1 Panthéon-Sorbonne Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:49:56 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Alain Defremont chroniqueur cinématographique de l'UFAL vous présente les films :« Boudu sauvé des eaux », « Le crime de Monsieur Lange », « La bête humaine », « La règle du jeu »Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

คอลัมน์ “สดแต่เช้า”ปีที่6(ตอนที่19)ฉันจึงมาหาความหมาย!“และยิ่งกว่านั้นอีก บุตรชายของข้าพเจ้าเอ๋ย จงรับคำตักเตือนเถิด ซึ่งจะทำหนังสือมากก็ไม่มีสิ้นสุด และเรียนมากก็เหนื่อยเนื้อหนัง”‭‭ ~ปัญญาจารย์‬ ‭12‬:‭12‬ ‭THSV11‬‬“Be warned, my son, of anything in addition to them. Of making many books there is no end, and much study wearies the body.”‭‭ ~Ecclesiastes‬ ‭12‬:‭12‬ ‭NIV‬‬ในสมัยที่ผมจะเข้าศึกษาในมหาวิทยาลัย มีบทกวีบทหนึ่งโด่งดังมาก เขียนว่า# “ฉันเยาว์ ฉันเขลา ฉันทึ่ง ฉันจึง มาหา ความหมายฉันหวัง เก็บอะไรไปมากมาย สุดท้ายให้กระดาษ ฉันแผ่นเดียว”-วิทยากร เชียงกูล-แต่เมื่อผมเข้าไปศึกษาในมหาวิทยาลัยจริงๆ ก็พบว่า มี~หลายอย่างที่เรียน ~หลายสิ่งที่พบ(ธรรมเนียมประเพณี) หรือ~หลายกิจกรรมที่ทำกลับไม่ได้ให้ความหมายอะไรต่อชีวิตมากเท่าไรนักสำหรับคนที่เข้ามหาวิทยาลัยนั้น ~บางคนเริ่มค้นพบความหมายสำหรับตนเองและกล้าว่ายทวนน้ำ และกล้าคิดออกนอกกรอบ แต่~บางคนกลับสาละวนหลงไปกับสิ่งที่เจอะเจอ(บางคนเจอแฟน บางคนเจอลัทธิความเชื่อทางการเมืองหรือ ศาสนา)กลายเป็นคนที่ไหลไปตามน้ำ ไม่คิดไม่ทำสิ่งใดที่ไม่คุ้นชิน และไม่กล้าถาม ไม่กล้าคิดอะไรออกนอกกรอบที่ถูกขีดไว้เป็นเหมือนกับที่ ฟินเลย์ ปีเตอร์ ดูนเน่ (Finley Peter Dunne) (1867-1936) นักหนังสือพิมพ์ นักเขียน ชาวอเมริกัน ที่เคยกล่าวว่า... “คุณสามารถนำคนไปที่มหาวิทยาลัยได้ แต่คุณไม่อาจทำให้เขาคิดได้!”(You can lead a man up to the university but ye can't make him think.)สิ่งหนึ่ง ที่กลายมาเป็นปัญหาและความขัดแย้งในภายหลังก็คือ การที่แต่ละคนต่างพอเรียนรู้นิดรู้หน่อย ก็คิดว่า ตัวเขาคิดถูกและคนอื่นคิดผิดโดยต่างก็มีเหตุผลสนับสนุน ความคิดและความเชื่อของตนเองและไม่ยอมให้แก่กันและกันเป็นเหมือนที่ Jean Renoir (จีน เรนัวร์,1894-1979) นักกำกับภาพยนตร์ฝรั่งเศสชื่อดัง กล่าวว่า…“ในโลกนี้มีสิ่งที่สามานย์อยู่อย่างหนึ่ง และนั่นก็คือการที่คนแต่ละคนต่างมีเหตุผลของตนเอง!”(In this world there is one terrible thing, and that is that everyone has his reasons.)ใช่ครับ น่าปวดหัวมาก เมื่อคุณอยู่ท่ามกลางกลุ่มคนที่ต่างก็คิดว่า ความคิดของตัวเขาเองเท่านั้นที่ถูกต้อง!ในเวลานี้ แม้เวลาจะผ่านมามากกว่า50ปีแล้ว แต่ ทุกอย่างก็คล้ายเดิมคือคนจำนวนมากไม่พบความหมายชีวิตทั้งก่อนและในตอนเข้ามหาวิทยาลัยและที่น่าเศร้ายิ่งขึ้นไปอีก ก็คือ หลายคนแม้จบการศึกษามาแล้ว ก็ยังไม่พบความหมายอยู่เหมือนเคยแต่กลับยึดติดกับความคิดของตนเองโดยไม่ยอมเปลี่ยนแปลงและพร้อมชนทุกคนที่คิดต่าง!พระธรรม ปัญญาจารย์ ตอนนี้ กำลังเตือนสติเราว่าอย่าให้เราเอาแต่เรียนเพื่อรู้มาก แต่ให้เรารับฟังคำเตือนเพื่อจะดำเนินชีวิตอย่าง~มีปัญญา ~มีความหมาย และ~มีประโยชน์ด้วยเพราะหากเราไม่มีความรู้ หรือ มีความรู้แต่ไม่รับการเตือนสติ เราก็อาจพาชีวิตให้หลงทางหรือหลงผิดไปได้แม้แต่ในปัจจุบันนี้ บางคนทั้งๆที่เรียนรู้พระคัมภีร์มาก แต่ก็ยังคงไม่เข้าใจความหมายของพระคัมภีร์ตอนที่อ่าน ที่เรียน หรือ แม้แต่ที่ตนเองสอนเหมือนกับที่พระเยซูคริสต์ทรงเตือนสตินักวิชาการศาสนาในสมัยของพระองค์ว่า“ท่านจงไปเรียนความหมายของคัมภีร์ข้อนี้ ที่ว่า ‘เราประสงค์ความเมตตา ไม่ประสงค์เครื่องสัตวบูชา' ด้วยว่าเราไม่ได้มาเพื่อเรียกคนชอบธรรม แต่มาเรียกคนบาป””‭‭ ~มัทธิว‬ ‭9‬:‭13‬ ‭THSV11‬‬ดังนั้น พี่น้องที่รัก ขอให้วันนี้ ไม่ว่าเราจะเรียนอะไร ก็​ขอให้เราแสวงหาความหมายของสิ่งที่เรียนรู้ โดยเฉพาะอย่างยิ่งความจริงของพระะเจ้า2.ขอให้เราพบและเข้าถึงความหมายของสิ่งที่เราเรียนนั้นตรงตามพระเจตนารมณ์ของพระเจ้าและ3.ขอให้เราลงมือทำและร่วมมือกันทำตามสิ่งที่เรียนรู้นัันด้วยสติปัญญาจากพระเจ้า 1).เพื่อจะไม่ให้สิ่งที่เราเรียนรู้มามากมาย ต้องเสียของหรือเหนื่อยไปเปล่าๆ2).เพื่อว่าสิ่งที่เราทำนััน จะเป็นคุณและเป็นพรแก่ทุกคนที่เราได้พบปะในสังคมของเรา…จะดีไหมครับ?………………………………ธงชัย ประดับชนานุรัตน์ 19เมษายน2026(ตอนที่19ปีที่6) #YoutubeCJCONNECT#คริสตจักรแห่งความรัก#Churchoflove #ShareTheLoveForward #ChurchOfJoy #คริสตจักรแห่งความสุข#NimitmaiChristianChurch #คริสตจักรนิมิตใหม่ #ฮักกัยประเทศไทย #อัลฟ่า #หนึ่งล้านความดี

Felicia is joined by Jason Christian to discuss the lasting impact of Jean Renoir's Grand Illusion (1937). We chat about how the film focuses on the relationships between these men from different sides and classes. Along with how he's less interested in the battles and more so in his characters mindsets. This is the final episode of the Renoir series, thanks for joining along and as always I hope my guests and I have inspired you to discover more of his work. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Jason here: Website: https://jasonchristianwrites.com/ Letterboxd: @exilemagic Twitter: @jasonachristian Cold War Cinema Podcast on Spotify: @coldwarcinema Cold War Cinema Podcast on Apple: @coldwarcinema Listen to our previous episodes here: Shoeshine (Vittorio De Sica 1946) Sources: Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi. Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press. https://www.criterion.com/current/posts/15-grand-illusion

Felicia is joined by Geoff Thomas to discuss Jean Renoir's first colour film as he ventures over to India in The River (1951). We discuss his treatment and adoration of the characters in his films, along with his natural instinct to collaborate with other artists. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Geoff here: IG: @cinema_gnt Letterboxd:@gnthomas Website:https://cinemamemry.wordpress.com/ Spotify: @cinematicmeoriespodcast Spotify: @dontdespisemepodcast Apple Podcasts: @cinematicmemoriespodcast Apple Podcasts: @dontdespisemepodcast Listen to our previous episodes here: Umberto D. (Vittorio De Sica 1952) Diary of a Chambermaid (Luis Buñuel 1964) The Silence (Ingmar Bergman 1963) Sources: Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi. Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press. https://www.sensesofcinema.com/2003/great-directors/renoir/#36 https://www.criterion.com/current/top-10-lists/214-martin-scorsese-s-top-10 https://www.criterion.com/current/posts/357-the-river-a-new-authenticity https://satyajitray.org/encounter-with-jean-renoir/ https://www.criterion.com/current/posts/924-the-river https://www.film-foundation.org/rsr-february-2023

The French filmmaker Jean Renoir said, "The only things that are important in life are the things you remember." But what do you remember and why? That's the subject of Why We Remember: Unlocking Memory's Power to Hold on to What Matters by pioneering neuroscientist Charan Ranganath. He explains why you still know the lyrics to the song you loved in eighth grade but can't remember the name of your kid's eighth-grade teacher, how memory shapes your identity, and what you can do right now to improve your recall. (This episode first aired in April 2024.) The Next Big Idea is now on YouTube! You can find our episodes ⁠⁠⁠here⁠⁠⁠. Follow Rufus on ⁠⁠LinkedIn⁠⁠, subscribe to our ⁠⁠Substack⁠⁠, or send us an email at ⁠podcast@nextbigideaclub.com⁠. The best way to support the show is by becoming a Next Big Idea Club member. Learn more at ⁠⁠nextbigideaclub.com⁠⁠, and use code PODCAST for a super secret discount (spoiler: it's 20% off). Sponsored By: Fabric — Join the thousands of parents who trust Fabric to help protect their family at ⁠⁠meetfabric.com/nbi⁠⁠ Factor — Head to ⁠⁠⁠factormeals.com/idea50off⁠⁠⁠ and use code idea50off to get 50% off your first box Granola — Get three months free at ⁠⁠granola.ai/idea⁠⁠ Shopify — Start your $1/month trial at ⁠⁠⁠⁠⁠shopify.com/nbi⁠⁠⁠

Felicia is joined by Ben Turnbull to discuss men behaving badly in Jean Renoir's Boudu Saved From Drowning (1932). We chat about how generous Renoir is as a director and artist, along with the empathy he has for members of varying social classes. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Ben here: Watch Ben in Cherub (Devin Shears 2025): https://www.cherubfilm.com/ IG: @The Franchisees Podcast on Spotify: @TheFranchisees Letterboxd: @ben_turnbull Twitter: @FartonFink IG: @benjamin.turnbull Listen to our previous episodes here: Written on the Wind (Douglas Sirk 1956) Sources: Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi. Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press. https://r-emmetsweeney.com/2020/02/28/the-tramp-boudu-saved-from-drowning-1932/ https://www.tcm.com/articles/101890/boudu-saved-from-drowning https://www.criterion.com/current/posts/380-boudu-saved-from-drowning-tramping-in-the-city https://www.sensesofcinema.com/2003/great-directors/renoir/#36

Felicia is joined by John Pennington to discuss how Jean Renoir controlled chaos on the heels of an impending world war in his film The Rules of the Game (1939). We chat about how the blocking and framing is incredibly important in this film, and how collaborating with his actors led to memorable interpretations of his script. This is the series opener and I'm very excited to share this episode with you as it's one of my all time favourite films and I think a perfectly encapsulation of his work. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find John here: Letterboxd: @jtothep83 IG: @jtothp83 Listen to our previous episodes here: The Brood (David Cronenberg 1979) Sources: Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi. Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press. https://www.criterion.com/current/top-10-lists/201-roger-corman-s-top-10 https://www.criterion.com/current/posts/308-the-rules-of-the-game-everyone-has-their-reasons https://www.criterion.com/current/posts/4613-staging-in-jean-renoir-s-the-rules-of-the-game https://www.criterion.com/current/posts/2069-the-rules-of-the-game-tributes https://unaffiliatedcritic.com/2021/01/the-rules-of-the-game-1939/ https://cinemafromthespectrum.com/2016/12/03/the-rules-of-the-game-review/ https://thecinephiliac.com/2015/03/04/rules-of-the-game-1939-and-its-inferiority-as-a-classic/ https://www.asharperfocus.com/rulesof.html https://offscreen.com/view/honor_humanism https://www.sensesofcinema.com/2003/great-directors/renoir/#36

Remontez le temps en compagnie de Franck Ferrand pour découvrir la fascinante vie de Jean Renoir, l'un des plus grands cinéastes français.

Au sommaire de cette spéciale cinéma classique : Chroniques de quelques-unes des dernières sorties de Rimini éditions, à savoir, La Règle du jeu (1939) de Jean Renoir, L'Aigle à deux têtes & Les Parents terribles (1948) de Jean Cocteau, Les Fuyards du Zahrain (1961) de Ronald Neame, Le Terroriste de Gianfranco De Bosio (1963) ; Retour sur deux éditions Carlotta Fims : Il Ferroviere (1956) de Pietro Germi & Les Derniers jours de Mussolini (1974) de Carlo Lizzani ; Évocation de quelques sorties BQHL telles que Moby Dick (1956) de John Huston & The Music Lovers (1971) de Ken Russell. Bonne écoute à toutes et tous !

Frequently named by filmmakers and critics as one of the greatest films ever made, Jean Renoir's classic tale of French soldiers in a World War I German POW camp and their daring escape is now almost 90 years old. Its importance to film history is certain — but is it still fun to watch?  While much of Grand Illusion is unique, especially its bittersweet farewell to the pre-WWI European aristocratic order, it has directly influenced countless movies, including The Great Escape and The Shawshank Redemption, does it offer any surprises or unexpected delights to a new generation? Get set for an impassioned discussion across generations where one thing becomes clear: this film's preoccupations are immensely relevant to our world today. Hosts: Mark Netter & David Tausik  Panelists:  Guy Lewis, Kylee LaRue, Cohlie Brocato An ElectraCast Production Trailer: https://youtu.be/vcO8rEjoG0c Wikipedia: https://en.wikipedia.org/wiki/La_Grande_Illusion IMDB: https://www.imdb.com/title/tt0028950/reference/ 97% on Rotten Tomatoes: https://www.rottentomatoes.com/m/la_grande_illusion Ebert Review: https://www.rogerebert.com/reviews/great-movie-grand-illusion-1937   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Sean and James explore Jean Renoir’s The Grand Illusion (1937), a World War I masterpiece that examines class, nationalism, and the bonds that form even among enemies. They discuss the film’s unforgettable characters—from working-class Maréchal and aristocratic Boeldieu to the dignified German officer Rauffenstein—and the ways their relationships reveal a fading old order. Finally, they reflect on the film’s themes of humanity, hope, and the futility of war, which still resonate powerfully nearly ninety years after its release.See omnystudio.com/listener for privacy information.

JEUDI 25 SEPTEMBRE 2025Olivier Barrot - Portrait d'ItkineGallimardLITTERATUREFigure du spectacle d'avant-garde, Sylvain Itkine était un proche de Prévert, des surréalistes et de Jean Renoir, avec qui il a tourné quatre films dont La Grande Illusion. Il a écrit du théâtre, joué dans les usines en grève pendant le Front populaire, s'est interrogé sur la fonction politique de son art. Valeur montante de la scène française, il fut un acteur reconnu. En 1940, il créa une coopérative ouvrière en zone libre ; entré en Résistance, il endossa d'amples responsabilités dans les services de renseignement du Mouvement de libération nationale. Mais il fut dénoncé et livré à Klaus Barbie. Itkine a été aimé, admiré, oublié. Dans ce tombeau où se mêlent grande et petite histoire, y compris la sienne propre, Olivier Barrot retrace le destin flamboyant et tragique d'un homme d'art et d'engagement.Olivier Barrot est journaliste. Depuis 1991, il produit et présente le magazine littéraire quotidien Un livre, un jour sur France 3 et TV5 Monde. En 2009, il crée Un livre toujours, émission hebdomadaire consacrée aux livres en format de poche. Passionné de voyages, il parcourt le monde et retranscrit ses émotions dans de nombreux livres et articles. Il est depuis 2008 maître de conférence à l'Institut d'études politiques de Paris, où il donne un cours intitulé « Culture, affaire d'État », puis « Lectures de Paris », enseigne le cinéma et le théâtre à l'Université de Montréal, et la littérature à l'Université de New York à "La maison Française" où il invite chaque mois un écrivain français.

In this episode of the podcast proper, Andy and Patrick talk about The River, a meandering and slow 1951 movie from "one of the greatest directors of all time" Jean Renoir.

On this episode of the podcast, host Dr Pasquale Iannone is joined by writer, critic and academic Hannah McGill to discuss Poetic Realism, a 1930s trend in French cinema which combined the earthy and the ethereal to often mesmerising effect.   Whether shot in real locations or on large-scale sets, whether set in France or elsewhere around the globe, these early sound pictures are moody and melancholy. They're fatalistic tales of immigrant labourers, train workers, tugboat captains, petty criminals, deserters, gangsters. Directors who made films in this style included Marcel Carné, Julien Duvivier and the three Jeans - Renoir, Vigo and Grémillon. Hannah and Pasquale discuss the socio-political backdrop, some of the major films, directors and actors as well as the trend's influence on Italian neorealism and American film noir.  Films discussed include L'Atalante (Jean Vigo, 1934), Toni (Jean Renoir, 1934), La grande illusion (Jean Renoir, 1937), La bête humaine (Jean Renoir, 1938), Le quai des brumes (Marcel Carné, 1938), Le jour se lève (Marcel Carné, 1939) and many more.

Paul and Erin share their impressions of Wes Anderson's capitalist caper THE PHOENICIAN SCHEME, Danny Boyle's postapocalyptic sequel 28 YEARS LATER, Celine Song's sophomore feature MATERIALISTS, David Cronenberg's grief-stricken drama THE SHROUDS and the Netflix hit KPOP DEMON HUNTERS before delving into older features such as MILLENNIUM MAMBO, STARS AT NOON and KHOON BHARI MAANG.

This week on Peanuts and Popcorn, the Detroit Tigers are the best team in baseball and the Chicago Cubs are (one of) the best teams in the National League. They meet in Detroit for a mid-season preview of a possible World Series matchup. We then pivot to Popcorn with critiques of two more moviesthat we think might be worth your time. The first is Tom's suggestion, The Rules of the Game (1939), directed by Jean Renoir.  Leo's choice is a Clint Eastwood project, The Outlaw Josey Wales (1976).Next Show's Films:Leo's Pick: The Birdcage (1996)Tom's Pick:  The Best Years of our Lives (1946).

Welcome to It's A Wonderful Podcast!A celebration of the best of French film all May long on the main show as Morgan and Jeannine explore a variety of some of the most revered and respected French movies of all time!A chaotic movie for chaotic times as Jean Renoir assembles an ensemble to poke fun at humanity's callousness & self-centredness in face the of imminent danger! High aristocracy, celebrities, and their servants all gather at a grand estate where infidelity is rife, rabbit hunting is sport, and everyone is far too interested in their own issues to ever realise anything serious has happened as Morgan and Jeannine discuss LA REGLE DU JEU (The Rules of The Game) (1939)!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

durée : 01:00:02 - Toute une vie - par : Perrine Kervran - « Ce qui est important dans les prises de vues Lumière, c'est l'esprit de Monsieur Lumière. » a dit Jean Renoir. Et si l'invention la plus formidable des Lumière n'avait pas été le cinématographe, mais la mise en scène… ?

There's a reading of this movie as Jean Renoir's exercise in delayed gratification. What's a cancan? Is that a cancan? Will they cancan? Oh no they can't cancan!! But maybe, just maybe… No they can't! And then just when you've given up all hope: they can cancan! And by god, they do. (Spoiler alert.) Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Federico Fellini's Amarcord (1973).

Director Brad Silberling's modern spiritual masterpiece dares to propose a world filled with unseen angels, who look upon humanity with a detached sense of whimsy.  Until a brash, brilliant, and beautiful heart surgeon dares to question a universe who steals the life of one of her patients, and one of these angels… falls for her.  In more ways than one. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jean Renoir's French Cancan (1954).

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Jean Renoir's Rules of the Game isn't just a classic film—it's a sharp critique of society, morality, and the masks we wear. In this episode, all three of the guys sit down to break down how the film exposes the illusions of class, love, and human nature, all under the guise of a lighthearted, bordering on flippant comedy that ends with a homicide. What does it say about the "rules" we still follow today? Listen in to find out!

On this episode we discuss Parental Guidance, an Xmas gift and the wonderful noir Scarlet Street! Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne (literally The Bitch) by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir. The principal actors Edward G. Robinson, Joan Bennett and Dan Duryea had earlier appeared together in The Woman in the Window (1944), also directed by Lang. Local authorities in New York, Milwaukee, and Atlanta banned Scarlet Street early in 1946 because of its dark plot and themes.

Behold the film that smashed its way into pop culture's radioactive kaiju heart, inspiring Godzilla and an entire genre! Not to mention putting Ray Harryhausen and Ray Bradbury on the map - two dino-nerds who changed science fiction forever. Plus, we discuss the Six Degrees of Beast, with its connections to Psycho, Jean Renoir, and the Man with No Name trilogy; then we get into a fight about The Valley of Gwangi. THEN, Peter Lorre returns with the premiere of "The Poverty Row Picture Show". THEN... whew, it's too much for the show notes.Enjoy this jampacked episode of monster movie goodness! We'll see you next week for Invasion of Astro-Monster (1965)!If you enjoy Camp Kaiju, please leave a rating and review. Subscribe to campkaijupodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or leave a comment at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠Instagram (@camp_kaiju)⁠; or call the Kaiju Hotline at ⁠⁠⁠(612) 470-2612⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠Patreon.com/campkaiju⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for perks and merchandise.TRAILERSThe Beast from 20,000 Fathoms (1953); The Black Scorpion (1957); Mighty Joe Young (1949); Gorgo (1961); The Valley of Gwangi (1969)SHOUT OUTS & SPONSORSSubstack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Criticism by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zack Linder & the Zack Pack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Harryhausen & Bradbury: An Unfathomable Friendship - DVD FeaturetteMaking the Beast - DVD FeaturetteHorror Homeroom: Environment and Race in the Beast from 20,000 FathomsCamp Kaiju: Monster Movie Podcast. The Beast from 20,000 Fathoms (1953) movie review. Hosted by Vincent Hannam, Matthew Cole Levine. Camp Kaiju: Monster Movie Podcast, produced by Vincent S. Hannam; © 2024 Vincent S. Hannam, All Rights Reserved

We continue Noirvember 2024 with a look at Jean Renoir's The Woman on the Beach.  Released in 1947, the film tells the tale of veteran Scott Burnett played by Robert Ryan.  He's plagued with nightmares caused by his PTSD and is assigned to the mounted division of the Coast Guard where he patrols the beach on his horse, meeting the comely Peggy Butler played by Joan Bennett.  She's married to blind painter Tod Butler played by Charles Bickford.  Otto Bruno and Robert Bellissimo join Mike to discuss this compromised film and what could have been.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

We continue Noirvember 2024 with a look at Jean Renoir's The Woman on the Beach.  Released in 1947, the film tells the tale of veteran Scott Burnett played by Robert Ryan.  He's plagued with nightmares caused by his PTSD and is assigned to the mounted division of the Coast Guard where he patrols the beach on his horse, meeting the comely Peggy Butler played by Joan Bennett.  She's married to blind painter Tod Butler played by Charles Bickford.  Otto Bruno and Robert Bellissimo join Mike to discuss this compromised film and what could have been.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

For the first episode in our new series David explores Jean Renoir's La Grande Illusion (1937), a great anti-war film that is also a melancholy meditation on friendship between enemies, love across borders, and the inevitability of loss. What, in the end, is the great illusion: war itself, or the belief that we can escape its baleful consequences?Our bonus episode with Chris Clark on how Europe's elites sleepwalked into war in 1914 is available on PPF+. Sign up now for just £5 per month or £50 a year to get 24 bonus episodes a year plus ad-free listening https://www.ppfideas.com/join-ppf-plusNext time: Mr Smith Goes to Washington Hosted on Acast. See acast.com/privacy for more information.

SEASON 3 EPISODE 23: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:00) TRUMP TO "BLOODY" IMMIGRANTS - AND ARREST YOU (and reveals the conspiracy theory he will launch against Kamala Harris in tomorrow night's debate). And next to none of this has been on front pages. Our nation is dying of an utter, consuming, fatal lack of courage. For eight years I have been talking and writing about Trump's desire not just to purge America of immigrants – documented or otherwise – also he gets to decide who's an immigrant and if you try to defend one of his targets you become his NEW target – but to purge them with violence, Concentration camps, swat team raids, informants, military weaponry, bloodshed. And now even HE is saying it, that bluntly. He promises, out loud, that "it will be a bloody story." If you are an American and you are asking any question about this besides “Is he an insane mass murderer, or a strategic mass murderer,” you are now a Trump enabler. Yet, Congressman Ro Khanna actually said yesterday that he's upset his fellow Democrats are calling the Republicans “weird.” “We should lead with respect and make our case through persuasion of having a better vision for the nation.” Fine, Congressman, and when we do that and Trump regains power and he decides that all immigrants are illegal immigrants and anybody whose parents were not born in this country are immigrants, I'll do what I can when Trump sends the National Guard to imprison you but by then I might already be in prison because of the OTHER thing Trump did over the weekend that nobody is taking seriously even though after Judge Merchan gutted the rule of law Friday here in New York, Trump has decided he can get away with - promising to threaten "lawyers, political operatives, donors, illegal voters, corrupt election officials" and anybody else who opposes him in this election. And where is our courage? The New York Times' publisher thinks he's being impartial by not acting against Trump. The most vulnerable voting bloc - young women - will have the lowest turnout. George W. Bush won't endorse Harris because he's "retired." And worst of all, Judge Merchan folds in New York and pretends he's avoiding election interference by making sure the electorate doesn't know whether or not one of the candidates is going to be sentenced to prison. Thus all of this falls to Kamala Harris to prosecute, tomorrow night.  See omnystudio.com/listener for privacy information.

What a gift and a blessing it was to sit by Judy's side, (at least that what it felt like during our Zoom interview) and have a conversation with this grace-filled creative! To say that she is a storyteller would be the understatement of the century...and there was SO MUCH GOODNESS in our conversation that this episode is longer than most-but I figure you won't mind because the SWEETNESS and COZINESS that Judy brings is worth every second of your day! (and mine, obvs). DON'T MISS THE EASTER EGG AT THE END OF THE EPISODE-WE DISCUSS MORE WONDERFULNESS THERE!! Judy is so many things, like all of us, right? But it is her art and her artist's life that we focus on...(don't even get me started that she studied with the famous painter Pierre-Auguste Renoir's grandson, as well as famous director Jean Renoir's son!!) Her work emerges through many different mediums, and each evokes deep emotion. To read up a bit more about this incredible human and the BEAUTY she is bringing into the world, head on over to her website here. Truth be told I had to be urged to reach out to Judy to be on the show-she simply gobsmacked me when I took her class, and so had to be prompted to have the guts! Thanks Barb! ;-) THANKS TO EVERYONE FOR LISTENING TO THE PODCAST! Please do consider writing a review or leaving a little rating! Those ratings and reviews are ever so important for small creators like moi! Your bit of beauty this week? This excerpt from the film Judy refers to in the interview, "Fiddler on the Roof!" I dare you to not get up and dance!! See you next week for the very next episode of the pod! Until then, make sure to slide into this favorite season of mine, fall, with all the gentleness and sweetness autumn provides!

What a gift and a blessing it was to sit by Judy's side, (at least that what it felt like during our Zoom interview) and have a conversation with this grace-filled creative! To say that she is a storyteller would be the understatement of the century...and there was SO MUCH GOODNESS in our conversation that this byte-sized episode is longer than most-but I figure you won't mind because the SWEETNESS and COZINESS that Judy brings is worth every second of your day! (and mine, obvs). Judy is so many things, like all of us, right? But it is her art and her artist's life that we focus on...(don't even get me started that she studied with the famous painter Pierre-Auguste Renoir's grandson, as well as famous director Jean Renoir's son!!) Her work emerges through many different mediums, and each evokes deep emotion. To read up a bit more about this incredible human and the BEAUTY she is bringing into the world, head on over to her website here. Truth be told I had to be urged to reach out to Judy to be on the show-she simply gobsmacked me when I took her class, and so had to be prompted to have the guts! Thanks Barb! ;-) THANKS TO EVERYONE FOR LISTENING TO THE PODCAST! Please do consider writing a review or leaving a little rating! Those ratings and reviews are ever so important for small creators like moi! Your bit of beauty this week? This excerpt from the film Judy refers to in the interview, "Fiddler on the Roof!" I dare you to not get up and dance!! See you next week for the very next episode of the pod! Until then, make sure to slide into this favorite season of mine, fall, with all the gentleness and sweetness autumn provides!

durée : 03:00:49 - Les Nuits de France Culture - par : Albane Penaranda - Par Véra Feyder - Avec Henri Cartier-Bresson (photographe, peintre, dessinateur), René Dumont (agronome, homme politique), Claude Lefranc (son compagnon de captivité), Célia Bertin (romancière), Cathy (ex-détenue à Fleury-Mérogis), Eric Hubert (qui a écrit à Henri Cartier-Bresson pour le rencontrer), Vincent Dulau (élève de l'E.S.A.G.), Yahne Le Toumelin (peintre, nonne bouddhiste) et le Dalaï-Lama - Avec en archives, les voix d'Alberto Giacometti, Tériade, Jean Renoir, Ezra Pound, Carson McCullers, Raymond Devos. Textes de Louis Aragon, Arthur Koestler, Victor Hugo, Paul Nizan, Georges Braque, Saint-Simon, Gustave Flaubert, Joseph Conrad et James Joyce - Avec des extraits des films "La règle du jeu" ; "La grande illusion" de Jean Renoir et "Une nuit à l'opéra" des Marx Brothers - Réalisation Nicole Vuillaume

Ellis and Corbin talk about "THE RULES OF THE GAME," and are kind of bowled over by how much there is in it. Topics include: farce in collapse, the movie's technical achivements, and how it functions as a frustrated, bordering on nihlistic flipside to Renoir's other prewar masterpiece.  Corbin reccomends "Link's Awakening," available on your Nintendo Switch or your Nintendo Game Boy. Matt reccomends a bar in Portland. Next week's episode is NOT about 'All that Jazz,' because it was hard to find on the internet and Matt got annoyed while watching it. Instead we talked about Alfie Hitchie's "NORTH BY NORTHWEST," which you can watch on Tubi. 

durée : 00:44:28 - Les Nuits de France Culture - Telle une entrée dans l'univers de Jean Renoir, cet entretien intime de 1954 fait appel aux souvenirs d'enfance du cinéaste. Du guignol des Tuileries au théâtre Montmartre, des soldats de plomb à l'ombre d'Alexandre Dumas, autant d'images qui ont fait naître en lui une vocation de metteur en scène. - invités : Jean Renoir Cinéaste (1894 - 1979)

durée : 00:39:59 - Les Nuits de France Culture - par : Philippe Garbit - L'inconnu qui est en vous - Jean Renoir (1ère diffusion : 08/01/1956 Chaîne Nationale)

durée : 01:19:56 - Les Nuits de France Culture - par : Philippe Garbit - Janine Bazin est la productrice de la mythique émission de cinéma "Cinéastes de notre temps". En 1997, elle se confie au micro des "Nuits Magnétiques" dans un portrait illustré d'archives de Michel Simon, Jean Renoir, Franju, Pasolini, Josef Von Sternberg, des personnalités qu'elle a bien connues. - invités : Janine Bazin Productrice française de cinéma et de télévision (1923-2003); André S. Labarthe Critique de cinéma, documentariste et producteur français; Michel Simon; Georges Franju; Jean Renoir Cinéaste (1894 - 1979); Jacques Rivette Réalisateur de cinéma français; Luis Buñuel Réalisateur et scénariste espagnol naturalisé mexicain; Josef Von Sternberg

"The only things that are important in life," declared the French filmmaker Jean Renoir, "are the things you remember." But what do we remember and why? That's the subject of a new book, "Why We Remember: Unlocking Memory's Power to Hold on to What Matters," by pioneering neuroscientist Charan Ranganath. He joins us today to explain why you still know the lyrics to the song you loved in eighth grade but can't remember the name of your kid's eighth-grade teacher, how memory shapes your identity, and what you can do right now to improve your recall. THE NEXT BIG IDEA CLUB We all know that reading is the best investment we can make in ourselves, but figuring out what to read — well, that's another matter. Which is why we started the Next Big Idea Club. We get the best new books (as chosen by our friends Malcolm Gladwell, Adam Grant, Susan Cain, and Daniel Pink) into the hands of curious people. Like you! Join us today at nextbigideaclub.com

SERIES 2 EPISODE 162: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: Stochastic threat number one million. Trump returns to his propaganda channel to insist that his thugs should be, quoting his online post, “allowed to protest at the front steps of Courthouses, all over the country” rather than be “rudely and systematically shut down and ushered off to far away ‘holding areas' essentially denying them their constitutional rights.” He tells them “Rally behind MAGA. Save our country. The only thing you have to fear is fear itself.” When THAT stochastic call to lay siege to federal buildings didn't work (why does that sound SO familiar?) Trump tried what he thinks is smooth and subtle. “The Palestinian Protests at Columbia University have closed the college down. But the area surrounding the Courthouse in Downtown Manhattan, is closed up like a drum, with New York City's Finest (Police) all over the place. Why not send some to Columbia… Republicans want the right to protest in front of the courthouse like everyone else.” Again. Seems oddly familiar. Reduce law enforcement around an area Trump wants to see sacked by gangs and militias and morons ready to spring him or hang a Vice President or, who knows, kill a judge. He forgot to note “will be wild.” Justice Juan Merchan  There is little for Justice Juan Merchan to DO about this latest threat other than to encourage the city and the state of New York to have tanks ready because frankly if Trump terrorist gangs again rise up against the government as he had them do on January 6th the only way the point is going to be made clear is if it ends with the New York Department of Sanitation having to clean them up with brooms and hoses and garbage trucks. But with Trump following yesterday's half-day in court ending with more violations of the gag order, Merchan can at least regain control of this mess by - if not jailing Trump at today's gag order hearing - at least saying: if you do it again I will revoke your jail and send you to Rikers Island. We have to grasp this nettle eventually, let's do it now. In the long term, the ACTUAL Trump Legal headline may have come not from New York but Florida where witness exhibits in the Trump Espionage case reveal that the feds have a small coterie of witnesses close to Trump including an unidentified Person 16, clearly a senior Trump aide but not in the innermost circle, who revealed nothing less than the fact that Trump's “people” told his valet and co-defendant Walt Nauta not to worry about the stolen documents case, that it's not going anywhere, yet even if he were to, say, get charged with lying to the FBI, Trump will pardon him after he regains power. B-Block (26:33) THE WORST PERSONS IN THE WORLD: The man Nate Silver once thought was a top-five candidate to be the next Democratic presidential nominee, Eric Adams, is down to 16% support for re-election as mayor of New York. Kevin McCarthy is surprised to learn his claim Hillary Clinton never conceded is a lie. And ESPN's policy - no, you can't be a sportscaster on one station and an advocate for a presidential candidate on another - was right. I know: I helped to author it because the day when you (or I) could is long gone. So why is today's ESPN letting Stephen A. Smith do it? Why is he campaigning for Trump on Fox News? ESPN must silence him - or fire him. C-Block (37:32) THINGS I PROMISED NOT TO TELL: So I once had an agent named Art Kaminsky who at the same time he was negotiating to extend my deal at KCBS in Los Angeles was also sending his other clients in for the job. And he ordered his partner Lou Oppenheim to NOT tell me as he literally walked out of the meeting at which KCBS told him whether or not I was staying. This all ends with them serving me with papers hours before my first SportsCenter, 32 years ago this month!See omnystudio.com/listener for privacy information.

Nous sommes le 15 septembre 1894, à Montmartre. Le peintre Pierre-Auguste Renoir écrit à son amie Berthe Morisot: "J'ai à vous annoncer une chose complètement ridicule : l'arrivée d'un second fils qui s'appelle Jean. Mère et enfant se portent à merveille." La naissance, en effet, s'est déroulée sans problème, au 13 de la rue Girardon. Un peu après minuit, Aline Renoir a mis au monde un gros garçon que tout le monde s'accorde à reconnaitre … très laid. Le père se serait exclamé : " Quelle bouche ! C'est un four ! Ce sera un goinfre ! » Dans ses souvenirs, Jean rapportera qu'un célèbre caricaturiste de l'époque, Abel Faivre, déclara que « le bébé serait un excellent modèle pour lui ! » Jean Renoir ne sera finalement pas trop gêné par cette disgrâce : né un an avant le cinématographe, il deviendra un réalisateur majeur du 7e art. La grande illusion, La règle du jeu, Boudu sauvé des eaux, Le Crime de monsieur Lange, Le Caporal épinglé, entre autres, lui apporteront une renommée internationale. Le cinéaste est mort il y a 45 ans, le 12 février 1979, à Beverly Hills. Retrouvons-le au travers des archives de la Sonuma. Sujets traités : Pierre-Auguste Renoir, Berthe Morisot, Jean Renoir, La grande illusion, La règle du jeu, Boudu sauvé des eaux, Le Crime de monsieur Lange, Le Caporal, Jean Gabin, Jean-Pierre Cassel, Claude Brasseur Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

The eighth episode of our season on the awesome movie year of 1939 features our foreign film pick, Jean Renoir's The Rules of the Game. Directed and co-written by Jean Renoir and starring Nora Gregor, Paulette Dubost, Mila Parély, Marcel Dalio, Julien Carette, Roland Toutain, Gaston Modot and Jean Renoir, The Rules of the Game was considered a failure until its restoration and rediscovery in the 1950s.The contemporary reviews quoted in this episode come from Variety (https://variety.com/1938/film/reviews/the-rules-of-the-game-2-1200411957/), Bosley Crowther in The New York Times (https://www.nytimes.com/1950/04/10/archives/the-screen-four-films-bow-over-weekend-golden-twenties-chronicle-of.html), and Virginia Graham in The Spectator (http://archive.spectator.co.uk/article/2nd-february-1951/14/cinema).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1939 installment, featuring Jason's personal pick, Howard Hawks' Only Angels Have Wings.

The seventh episode of our season on the awesome movie year of 1939 features a special Valentine's Day pick, Leo McCarey's Love Affair. Directed and co-written by Leo McCarey and starring Charles Boyer, Irene Dunne, Maria Ouspenskaya and Lee Bowman, Love Affair was nominated for six Oscars, including Best Picture.The contemporary reviews quoted in this episode come from Frank S. Nugent in The New York Times (https://www.nytimes.com/1939/03/17/archives/the-screen-love-affair-a-bittersweet-romance-opens-at-the-music.html), Variety (https://variety.com/1938/film/reviews/love-affair-1200412039/), and Box Office Digest.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1939 installment, featuring our foreign film pick, Jean Renoir's The Rules of the Game.

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SEASON 2 EPISODE 71: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: We are so goddamned afraid of OFFENDING somebody by DEFENDING democracy. The Minnesota State Supreme Court, whose Chief Justice is a pioneer and the daughter of a pioneer (the first African-American football coach at a predominantly white college in modern times) managed to find a way to NOT rule for OR against the bid to disqualify Trump from the ballot there via the 14th Amendment. The 14th Amendment IS self-executing. You ARE presumed guilty until you are proven innocent. It was designed by Americans who had survived the Civil War and didn't want us to have to go through that. If there are extenuating circumstances, there's an override mechanism: Congress can vote by 2/3 to waive application of the clause. Otherwise - you're out. Yet the Minnesota court has chosen the escape route, the way to shirk responsibility for fear of blowback or appeal or who knows what. Everybody placed in the position in which they can risk a little to defend freedom and the constitution rather than waiting until freedom and the constitution are DEAD and millions have to risk everything to restore them, seems to want to get out of it. Kristen Welker got out of it last night. That buffoon Vivek Ramaswamy, so loathsome that even Nikki Haley called him "scum" during the debate, pointed at Welker and demanded that she explain NBC's coverage of the Trump-Russia conspiracy. "Was that real or was that Hilary Clinton made-up misinformation." And instead of realizing he had just gifted her the chance to DO something for democracy - to speak to an audience consuming its first "mainstream media" in a decade and tell them the truth, whether they accepted it or not - she just smiled moronically at him.  There's an extraordinary French film, La Regle du Jeu, The Rules Of The Game. It premiered on July 7th, 1939…354 days before France fell to the Nazis. It was written and directed by Jean Renoir and in it he plays the hero's buddy Octave and at one point Octave says something about the corruption and lack of morals and just plain lack of effort to stand up for what's right, and it's a quote that has come to symbolize the France that folded like a card table to the Hitler onslaught and the Vichy France full of more collaborators than the Germans believed possible. “You see, in this world, there is one awful thing,” Octave says, seemingly fighting back, and then gives up with a shrug, “and that is… that everyone has his REASONS.” We may be the 21st Century version of Pre-Hitler France. We all have our reasons to just shrug, or smile idiotically at hallucinating psychopaths who seem to believe more in (and are willing to fight more for) their delusions than we do about our reality. B-Block (24:42) THE WORST PERSONS IN THE WORLD: Lauren Boebert discovers that being in Congress means if it's a spending bill you have to talk about spending in the bill, courtesy Professor Steny Hoyer. I'm sure she'll eventually get a grip on it. For a day, Twitter's "NY Times Pitchbot" predicted it and finally Nate Cohn did it: the story explaining why Tuesday's Democratic ass-kicking of MAGA was bad news for Joe Biden. And remember Cygnal? The right wing pollster I praised here yesterday for reporting, though it defied their side's narrative, that Biden's "image" had jumped five points in just one month and voters ranking inflation as the key issue had dropped six points in just two months? They've responded by attacking me. For...quoting their press release hyping their own poll. When you are strangled by slavery to your own ideology... C-Block (34:00) THINGS I PROMISED NOT TO TELL: Amazon billionaire Jeff Bezos is moving to Florida to be closer to his partner Lauren Sanchez. And as I've mentioned before, I used to work with her and she has now achieved her life goal. Just as I used to work with the guy who would eventually try to blackmail David Letterman and yeah, I think that might've been HIS life goal too.  See omnystudio.com/listener for privacy information.