Podcasts about lonely place

Season 2 Episode 769 Batman A Lonely Place of Dying Part 3 of 3: Sean and Jim are joined by longtime friend Brett Harris as we discuss the classic, Batman A Lonely Place of Dying. DC High Volume https://www.dc.com/highvolume Brett Harris https://comicbookevangelist.wordpress.com/ Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Upcoming: X-men Manhunt, Turtles of Grayskull Future Topics : Miles Morales, Conan, Spectacular Spider-Man, Miracleman, The Boys, Radiant Black, Heartpiercer, Emperor Joker, Hush II, Batman Long Halloween: The Last Halloween, One World Under Doom, Summer of Superman, Creature Commandos, Man-Thing, Secret Wars II, The Cross Time Caper, and much much more because we are in constant planning. Show Topic Request Form: https://docs.google.com/forms/d/e/1FAIpQLSe5l4gZgdGrNpLXAN4NdcAI0WF7fM7yhjHJ3upZ3azEc31zuw/viewform?usp=sharing Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   3:44 Lonely Place of Dying Part 3 1:37:04 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

Season 2 Episode 768 Batman A Lonely Place of Dying Part 2 of 3: Sean and Jim are joined by longtime friend Brett Harris as we discuss the classic, Batman A Lonely Place of Dying. DC High Volume https://www.dc.com/highvolume Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Upcoming: X-men Manhunt, Turtles of Grayskull Future Topics : Miles Morales, Conan, Spectacular Spider-Man, Miracleman, The Boys, Radiant Black, Heartpiercer, Emperor Joker, Hush II, Batman Long Halloween: The Last Halloween, One World Under Doom, Summer of Superman, Creature Commandos, Man-Thing, Secret Wars II, The Cross Time Caper, and much much more because we are in constant planning. Show Topic Request Form: https://docs.google.com/forms/d/e/1FAIpQLSe5l4gZgdGrNpLXAN4NdcAI0WF7fM7yhjHJ3upZ3azEc31zuw/viewform?usp=sharing Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   3:08 Lonely Place of Dying Part 2 1:32:33 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

Season 2 Episode 767 Batman A Lonely Place of Dying Part 1 of 3: Sean and Jim are joined by longtime friend Brett Harris as we discuss the classic, Batman A Lonely Place of Dying. DC High Volume https://www.dc.com/highvolume Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Upcoming: X-men Manhunt, Turtles of Grayskull Future Topics : Miles Morales, Conan, Spectacular Spider-Man, Miracleman, The Boys, Radiant Black, Heartpiercer, Emperor Joker, Hush II, Batman Long Halloween: The Last Halloween, One World Under Doom, Summer of Superman, Creature Commandos, Man-Thing, Secret Wars II, The Cross Time Caper, and much much more because we are in constant planning. Show Topic Request Form: https://docs.google.com/forms/d/e/1FAIpQLSe5l4gZgdGrNpLXAN4NdcAI0WF7fM7yhjHJ3upZ3azEc31zuw/viewform?usp=sharing Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   2:32 Lonely Place of Dying Part 1 1:12:59 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

     This week... Insurmountable obstacles, unfortunate events, and darker obsessions collide in four films about love that wounds and scars and ends unavoidably tragic.     When a young woman is found murdered after leaving his house, down on his luck and violently tempered screenwriter Dix finds himself squarely in the police's frame. Only the testimony of his beautiful neighbor keeps him from immediate arrest. As his prosecution drags out, a relationship between them blooms. Can the blossoming relationship withstand the suspicions and outside glances? Did Dix succumb to his rage fueled impulses and will he do it again? An existential noir masterpiece with a towering lead performance, In a Lonely Place.     In the summer of 1972, young Vada Sultenfuss lives with her widowed father. Vada has a tendency toward hypochondria and a fascination with death, likely from losing her mother at birth and growing up in the town funeral parlor. This summer, Vada begins growing into her own and suffers many of life's first times. Widely considered a classic of the 1990s with a pair of fantastic child lead performances and a final act that scared a generation, My Girl.     Young Douzi is abandoned by his mother at a Peking Opera troupe. His youth is spent training to play dan, female lead, roles while his best friend, Shitou, learns jing, heroic male roles. From the brutal violence of their training, the oppressive occupation of the Second Sino-Japanese War, and the crushing repression of the Cultural Revolution, Douzi and Shitou's relationship carries them through 50 years. Beautifully shot, delicately edited, and widely considered one of the best films produced in Mainland China, Farewell My Concubine.     Two households, both alike in dignity, in fair Verona Beach, where we lay our scene, from ancient grudge break new mutiny... the star-crossed lovers draw the conclusion of Baz Luhrmann's Red Curtain Trilogy of theatrical motif. Hyper stylized with an energy that has few equals and a cast that matches it beat for beat, The Bard's most well known work's third major film adaption that still brings tears of joy to long suffering High School English teachers everywhere... William Shakespeare's Romeo + Juliet.     All that and Dave loses a letter, Tyler feels new emotions in a fetal positions, and Kevin likes to watch... everything. Join us, won't you?   Episode 410- Love That Scars

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Welcome to Your Movie Rocks, an Alternate Ending podcast hosted by Mandy Albert.  For every episode, Mandy will watch a movie assigned by her guest host, followed by a lively discussion.  There's only one rule: no matter what the movie does to her, Mandy is only allowed to love it. For Episode 3, Mandy is joined by Zev Burrows for some quality time In a Lonely Place (1950) with Humphrey Bogart and Gloria Grahame.  Tune in to find out what it has in common with The Garbage Pail Kids Movie, why more movies should be made in the middle of their stars' messy divorces, and what Zev was thinking when he decided, like a weirdo, that it might be fun to watch a good movie for the podcast.

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textBill and Dave discuss Detective Comics #624 & New Titans #60 and continue "A Walk Thru Knightfall" with Batman #49200:00 Intro07:53 Detective Comics #62418:15 Podcast Promo: Comic Book Road Show18:46  New Titans #6028:50 Batman #49238:51 What We Learned Email: thepodcast@thebatpod.comFacebook BlueskyTwitterThreadsThe Bat-Pod was created with Bill Bere & Nate CampbellSupport the show

"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter;  Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage;  Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A dramatic ThursdayFirst a look at this day in History.Then Suspense, originally broadcast March 6, 1948, 77 years ago, In a Lonely Place starring Robert Montgomery.  A one-hour presentation.  A horror tale about a strangler on the loose, who kills once a month.Followed by Nightbeat starring Frank Lovejoy, originally broadcast March 6, 1950, 75 years ago, Number 13.  Randy Stone is held up and shot by a seventy-year-old man! It's Professor Benson, who has a sure-fire roulette system. Then Mr. President starring Edward Arnold, originally broadcast March 6, 1949, 76 years ago, The Tall Target.  The President is on his way to Washington to celebrate his birthday amid fears of his possible assassination prior to his inauguration.Finally Superman, originally broadcast March 6, 1942, 83 years ago, A Mystery for Superman.   Lois Lane accuses Clark Kent of being Superman! Clark returns to 407 South Street to talk with Mrs. Walsh, only to find a psychiatrist living there, who has never heard of Mrs. Walsh! Is Clark going crazy? Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Bill and Dave discuss Batman #357 & Batman #440 and continue "A Walk Thru Knightfall" with Batman #49100:00 Intro05:43 Podcast Promo: JSApril07:53 Batman #35719:38  Batman #44035:19 Podcast Promo: Justice League Legacies36:09 Batman #49147:38 What We Learned Email: thepodcast@thebatpod.comThe Bat-Pod was created with Bill Bere & Nate CampbellSupport the show

Disclaimer: This episode is for entertainment purposes only.

Remember those top ten lists you sent us?  Dan and Ian have decided to take another look and watch some of your movies that they have not seen yet.  And so we dedicate this episode to you, thelisteners!In a Lonely Place –  7:00Ivan the Terrible Part 1 – 17:30Portrait of a Lady on Fire – 30:00Fallen Angels  – 39:30A Brighter Summer Day – 49:00Little Shop of Horrors – 59:30

James and Thomas discuss Nicholas Ray's thrilling 1950 film noir In a Lonely Place. In an outstanding, nuanced performance, Humphrey Bogart plays quick-tempered screenwriter Dixon Steele, who enters into a fast-moving relationship with Laurel Gray (Gloria Grahame) just as he is under suspicion for the murder of another young woman. The investigation puts a strain on their romance, revealing the problems of relationships without the requisite mutual trust. SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to keep this podcast going: https://www.catholicculture.org/donate/audio Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

On Episode 146 of Floating Through Film, we begin our new series picked by Luke, Nicholas Ray! Luke starts off the episode introducing by introducing Nicholas Ray and telling us why he picked him for this series, before reviewing two of Ray's early classics, his debut film in 1948, They Live by Night (31:45), and his 1950 noir, In a Lonely Place (1:41:09). We hope you enjoy! Episode Next Week: On Dangerous Ground + The Lusty Men Music: - Intro: They Live by Night (https://www.youtube.com/watch?v=tfAvFXg1N1Q&ab_channel=MovieTitles) - Break: They Live by Night - Outro: In a Lonely Place (https://www.youtube.com/watch?v=aOM0xiwi4rg&ab_channel=GeorgeAntheil-Topic) Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

Choice Classic Radio presents Suspense, which aired from 1940 to 1962. Today we bring to you the episode titled “In a Lonely Place.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

On Wednesdays, we share our thoughts on a newer entertainment property. Currently, that's season 2 of Shrinking, and an episode that gave us quite a lot of parenting and therapizing and dads trying to overcome daddy issues (plus Gabby trying to manage her complicated family, too). Good on the dads and surrogate dad figures! But at least one other storyline is going someplace we'd rather not follow.​Next week, we'll watch season 2, episode 7, "Get in the Sea.” (Yes, we're watching this a few weeks behind its initial drops. That's parenting for you!) We'll be back tomorrow with our weekly roundup.

Chapters 00:00 Introduction to Film Noir 03:16 Podcast Updates and Merchandise 06:15 Personal Updates and Recent Activities 09:19 TV Show Discussions: Industry and Star Trek 12:18 Strange New Worlds: A Deep Dive 15:18 Penguin and Recent Film Reviews 21:07 The Challenge of Adaptations 22:30 Coming of Age Films: A Deep Dive 28:16 Exploring the Horror Genre 30:23 Nostalgia in Film: A Look Back at 2008 33:27 The Girl with the Dragon Tattoo: A Noir Masterpiece 49:52 Character Development and Casting Choices 54:27 Thematic Depth and Cinematic Techniques 58:42 Financial Success and Franchise Potential 01:05:54 Exploring Violence and Gender Dynamics 01:13:50 Character Relationships and Narrative Structure 01:18:41 Unraveling the Mystery: The House and the Killer 01:21:39 The Power of Music in Tension 01:24:40 Societal Themes and Character Dynamics 01:28:32 The Final Confrontation: A Shift in Power 01:38:33 Comparing Adaptations: Fincher's Vision vs. Original 01:43:23 Film Preferences and Production Quality 01:44:34 Exploring Classic Films: A Deep Dive 01:45:46 Nicholas Ray's 'In a Lonely Place' 01:46:37 The Appeal of Black and White Films 01:49:02 Understanding the Art of Black and White Cinematography 01:51:10 Barriers to Enjoying Classic Cinema 01:54:20 The Importance of Storytelling in Film 01:55:48 Character Analysis: Dixon Steele 02:00:40 The Dark Themes of Noir Cinema 02:07:23 Nicholas Ray's Directorial Choices 02:08:21 Closing Thoughts and Recommendations

Here's what we're reading, recommending, and revisiting this week.Catherine's library find is an instructional picture book for kids called How to Pee Your Pants* (*the Right Way) by Rachel Michelle Wilson. It's cute and relatable (and Terri thinks it could have applications beyond the preschool crowd).​Terri's random recommendation is back, and this week she has a simple way to reflect on the holiday season: The Pray More Advent retreat from Pray More Novenas.​​In the archives, we checked out an episode from 2020 on the joy of flying solo (otherwise known as alone time for mom).Next week's lineup: Lost S1 E23, "Exodus: Part 1," on Tuesday, December 10Shrinking S2 E6, "In a Lonely Place," on Wednesday, December 11Weekly roundup on Thursday, December 12Until then (and anytime you're in need), the archives are available.

On Wednesdays, we share our thoughts on a newer entertainment property. Currently, that's season 2 of Shrinking. And TBH the honesty in this episode caused a lot more problems than it solved, and that's not really why we're here. Bring back the jokes and the friends hanging out!Next week, we'll watch season 2, episode 6, "In a Lonely Place.” (Yes, we're watching this a few weeks behind its initial drops. That's parenting for you!) We'll be back tomorrow with our weekly roundup.

Kirt & Mr. Sal discuss Season 2 Episode 6 of Shrinking in which Derek votes grilled cheese. Shoe Hammer some Show Hoppers into your day! Youtube: https://www.youtube.com/channel/UCJb6TAVe_sYmo4G7lAfEYtg Website: showhoppers.com Show Hoppers Twitter: @ShowHoppers Mr. Sal Twitter: @ShowHoppersSal e-mail: showhopperspodcast@gmail.co

Kirt & Mr. Sal discuss Season 2 Episode 6 of Shrinking in which Derek makes a sandwich better than he breaks news. Shoe Hammer some Show Hoppers into your day! Youtube: https://www.youtube.com/channel/UCJb6TAVe_sYmo4G7lAfEYtg Website: showhoppers.com Show Hoppers Twitter: @ShowHoppers Mr. Sal Twitter: @ShowHoppersSal e-mail: showhopperspodcast@gmail.com

Hey Lasso and Shrinking fans! It's go time as we're breaking down season 2 of episode 6: In A Lonely Place. Sean finds himself in the hospital after letting the construction workers beat him up which prompts Jimmy and Paul to find his father to help them both move forward and finally deal with their emotions. Gabby and her sister come to a better understanding after their mom's surgery. Alice learns of Brian talking with Louis and forces Brian to arrange a meet that leads to emotional and unexpected revelations from everyone. FEATURING: Jeremy Goeckner & Craig McFarland BUY OUR TEA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.whimsytea.shop/product/breakfast-with-the-boss/535?cp=true&sa=true&sbp=false&q=false⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ BUY SOME MERCH! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reverieapparel.shop/frn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠frontrowlasso@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow on Twitter at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/PBBFRN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the Facebook group at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/3161086474176010 --- Support this podcast: https://podcasters.spotify.com/pod/show/pbbfrn/support

AP Mike from THE BEST SHOW joins us once again for our #Noirvember episode and he's bringing Humphrey Bogart with him. Mike has chosen two wildly different takes on the Bogart persona from two of Hollywood greatest directors. First, it's the classic mystery that made Bogie a star with THE MALTESE FALCON from first-time director John Huston in 1941. Bogart is San Francisco private dick Sam Spade in this veritable blueprint for all the detective noir that followed it. Bogie is backed by an amazing cast with Mary Astor as femme fatale Brigid O'Shaughnessy; Petter Lorre as Joel Cairo; Sydney Greenstreet making his film debut at 62 years old as Kaspar Guttman; and Elisha Cook, Jr. playing shifty thug Wilmer Cook. All of these characters are on an existential quest the big, black bird--the stuff that dreams are made of--and several of them will do anything to get it. Then, Bogart goes grim dark in Nicholas Ray's IN A LONELY PLACE (1950). Bogie plays Dixon "Dix" Steele, a hasbeen Hollywood script writer with severe anger management issues. Dix is dragged in for questioning after Mildred, the hat-check girl he took back to his apartment, turns up murdered, and Bogie's wise-cracking ways take on an air of extreme menace as he jokes his way through the police interrogation. His neighbor, Laurel Gray played by Noir princess Gloria Grahame, falls for him despite the allegations because she saw that he didn't leave with the victim. But as Dix grows more violent and domineering, she, and the audience, start to question all that we've seen. Mike details the differences between the movie and the novel that it's based on. Eddie Muller's favorite film of all time. In our opening segment, we attempt to sort out the wreckage of our society, and our world, post-election before the conversation devolves into more recent movie recommendations. Cory really wants everyone to see CONCLAVE, while Bob says to get really high and watch HUNDREDS OF BEAVERS on Fandor or tubi. Meanwhile, Philena is plotting her escape to Ireland. With Robert Eggers' remake of NOSFERATU hitting theaters next month,OMFYS will be back next month for NOSFERATU CHRISTMAS. Movie critic Matt Zoller Seitz of MZS.press will join us to pair weed with FW Murray's original expressionist vampire epic from 1922 and Werner Herzog's 1979 remake with Klaus Kinski. Please subscribe so you don't miss it. Hosts: Cory Sklar, Philena Franklin and Bob Calhoun Greg Franklin is on assignment Old Movies for Young Stoners and TikTok Report themes by Chaki the Funk Wizard "Hard Times" by Mike Lisk & Chaki the Funk Wizard with additional dialog by George C. Scott "Smoke Jacket Blues" by TrackTribe and "The Black Cat" by Aaron Kenny courtesy of YouTube Audio Library Trailer audio courtesy of Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com

In a rare MONDAY episode, so we aren't cross-streaming with Election Coverage Forrest, Conan Neutron, Kristina Oakes, and Kt Baldassaro are joined by Harry Marks of Let's All Go To The Lobby @lobbyintros and @freemometu to talk about Nicholas Ray's 1950 Noir 'In A Lonely Place' starring Humphrey Bogart and Gloria Grahame. Harry Marks is an Author and Film Historian from New Jersey who created the Tik Tok Channel Let's All Go To The Lobby (@lobbyintros) and hosts classic film introductions on the new streaming app Mometu. In "In A Lonely Place," Bogey plays a down on his luck screenwriter Dix Steele who becomes a suspect in a murder. Although she clears his name, Dix new fiance Laurel Gray begins to have doubts about whether he is truly innocent. #humphreybogart #noir #filmnoir #moviepodcast #filmpodcast #goldenageofhollywood #ray #nicholasray #jamesdean #gloriagrahame #hollywood #sunsetboulevard #allabouteve #1950s #santana #bogart #rko #classichollywood #classiccinema Harry Marks can be found on TT at tiktok.com/@lobbyintros Watch KT Baldassaro & Jared Skolnick's Girl in the Basement: https://www.youtube.com/watch?v=mcn2Q57VXEQ Join our discord: https://discord.gg/jhvuexTJ The Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra Conan Neutron has music available from Conan Neutron & The Secret Friends https://neutronfriends.bandcamp.com OR if you want to become a Protonic Reversal patron: https://patreon.com/protonicreversal

The 1947 Dorothy Hughes novel In a Lonely Place is considered a hallmark of the noir genre, and also something of a feminist reimagining of those genre's tropes. We're joined by Isaac Butler (author of The Method: How the 20th Century Learned to Act) to talk about some of the book's narrative tricks, including an unreliable third-person narrator, and how it subverts the genre's "femme fatale" trope, among others. Plus: What made Dorothy Hughes think that 'Brub' was a good name for a character? In the second half of the show, we learn about Isaac's relationship to Halloween costumes, which Muppet could play a hardboiled cop, and why Isaac thinks he's too old to read Slaughterhoue Five for the first time. If you like the podcast, consider joining our Patreon. For $5 a month, you get two bonus episodes, plus access to our entire back catalog of bonus content. During our current season, we're watching and discussing noir films, both classics and newer entries to the canon. https://www.patreon.com/c/BookFight Find Isaac on Instagram: https://www.instagram.com/theisaacbutler/ Or on Blue Sky: https://bsky.app/profile/isaacbutler.bsky.social You can subscribe to Mike's Substack (for free): https://mikeingram.substack.com/ Anc check out the newly revamped Barrelhouse newsletter, which now features an original monthly essay (writers writing about their non-writing obsessions): https://www.barrelhousemag.com/ (scroll down to the bottom of the page) Thanks, as always, for listening! Note: This is the second episode in our Noir season. But there's no reason you have to listen to the episodes in order.

Thank you very much to Renate for commissioning this episode! This is the episode where Kovacs goes to a party that folks in the chat describe as "what the Capitol parties in The Hunger Games should have been more like" and i could not agree more. Also, our guy gets gripped up and I don't know what is happening. Thank you so much to you all for listening, and I will see you soon with a new episode!Wanna talk spoilers? Join the Discord! https://discord.gg/rEF2KfZxfVIf you'd like to support the show, please go to https://www.patreon.com/unspoiled and become a patron or just follow us for updates!

Kasey Chambers is a beloved singer, songwriter, producer, author, mum and the youngest woman to be inducted into the ARIA Hall of Fame. Hailed as bringing Australian Country music into the mainstream, her heart felt lyrics and distinctive voice have earned her the rightful position of one of the most popular and acclaimed artists of her generation. In this episode Kasey opens up about the importance of connection to herself, and the wisdom she's found from listening to her inner voice, her ‘foghorn' as she calls it. Jess and Kasey also dig deep on the importance of setting boundaries and being comfortable with saying no. With a career spanning over 25 years, Kasey shares the impact that public scrutiny had on her self perception in the early days, and how she now sees only strength and beauty in her imperfections. Know someone who'd enjoy this episode?  Why not share it with them by tapping the 3 dots above ⬆︎ and passing it on LINKS: Kasey's new album 'Backbone', and book 'Just don't be a dickhead' are available here as well as tickets for Kasey's Backbone Tour in 2025 If you loved this chat with Kasey,  we think you'll love Jess's conversation with Keith Urban here  If you love what we do, why not follow the show, and rate and review on Apple or Spotify Is there someone you'd like to hear on the podcast? Send Jess your guest ideas here CREDITS:Host: Jessica RoweGuest: Kasey Chambers Executive Producer: Nic McClureAudio Producer: Chris Marsh Digital Content Producer: Zoe Panaretos The Jess Rowe Big Talk Show acknowledges the Gadigal people, Traditional Custodians of the land on which we recorded this podcast, and pay our respects to their Elders past, present and extend that respect to all Aboriginal and Torres Strait Islanders peoples here today.See omnystudio.com/listener for privacy information.

Sermon By: Brother Jaaziel

In a Lonely Place (1950; Dir.: Nicholas Ray) Canon Fodder Episode 22 This week, Daniel and Corky are In a Lonely Place, a fine enough place to visit but you wouldn't want to have an existential crisis there. The jaded and cynical flipside to the lovingly ecstatic portrait of […] The post In a Lonely Place – Canon Fodder Episode 22 appeared first on Dare Daniel & Canon Fodder Podcasts.

Power Man, Iron Fist and Misty Knight head to Seagate Prison to rescue Claire Temple and Doctor Burstein. When Luke Cage confronts Bushmaster, the results are explosive! Issue Covered: Power Man Volume 1, #49.

Nick Riewoldt and Joey Montagna discuss the rolling saga at Melbourne with Christian Petracca reportedly unhappy with training standards and his welfare at the club, Rooey believes the 2021 Norm Smith Medallist has the most "trade capital" in the history of the game.  Sam Darcy looks like he belongs at AFL level and is set to tear the finals series to shreds, Dan Houston fronts the AFL tribunal tonight with Rooey saying it's 5-weeks or he gets off as the "only 2 options" available to him, plus the clubs need to wrestle back some of the power from the players and player agents.  -------- Add the show to your favourites on LiSTNR: https://listnr.com/podcasts/footy-talk-australian-rules-podcast  Listen on Apple: https://podcasts.apple.com/au/podcast/footy-talk-daily-australian-rules-podcast/id1673652644  Listen on Spotify: https://open.spotify.com/show/1q5RUW2KTONUoP8KF3ZZHY?si=6798bf7f4a1540be See omnystudio.com/listener for privacy information.

Remember when Josie's dad showed up to be a huge buzzkill? Remember when Veronica snuck she and 3 of her friends into a club? Relive it with our #RiverdaleRewatchAF ! Episodes 106 & 107 of #Riverdale starts now! If you like what we do here, please consider donating at: Patreon.com/theafictionados SUPPORT YOUR AFICTIONADOS by shopping from our small businesses! Brittany: www.visitbiniland.com Robyn: www.hibyrdi.com Casey: www.lostandfoundcandleco.com BUY SOME AF STICKERS: https://hibyrdi.com/products/afictionados-postcard-stickers Intro: 00:00:00 Faster, Pussycats: 00:05:50 In a Lonely Place: 00:41:40 Find us on the internet: The Afictionados: @theafictionados on Twitter, Facebook, Tumblr, Instagram (but mostly Twitter) Email us at: afictionadospodcast (@) gmail .com Robyn: @RobynEJeffrey on Twitter, Instagram, Redbubble, TikTok @ffaraday on Tumblr @hibyrdi on Instagram, Twitter, TikTok www.hibyrdi.com Blanche: @serpentlady on Letterboxd, Serializd

A bitter screenwriter (Humphrey Bogart) is a murder suspect of a young woman and later becomes romantically involved with his new neighbor (Gloria Grahame).  Co-starring Frank Lovejoy.  Directed by Nicolas Ray.

Raising three boys at a time of heightened scrutiny with ever changing definitions of masculinity has led author and culture critic Ruth Whipmann to one conclusion. Modern boyhood is recipe for loneliness. She says we've thrown out the norms of manhood in an effort to help boys be more emotionally open, but instead they are shutting down even more. She seeks guidance from experts and looks at the latest science to help her understand where we are going wrong with raising boys and how we can do better. Her new book is called Boymom: Reimagining Boyhood in the Age of Impossible Masculinity.

In this message, Pastor David Lindell shares about the power of spending daily time in the presence of the Lord. Our prayer is that this message encourages you to make space for the one thing that has the power to change everything in your life.

David discusses the movies he's been watching lately, including Wicked Little Letters, Occupied City, Birth/Rebirth, One from the Heart, BlackBerry, Our Body, Boudica, Coonskin, Heavy Traffic, One Hand Don't Clap, First Time Female Director, Close to Vermeer, La région centrale, The Tuba Thieves, Delicate Arch, Immaculate, We Grown Now, Summer Vacation 1999, Housekeeping for Beginners, The Song of Styrene, Civil War, Igualada, On the Waterfront, The Wild One, Not a Pretty Picture, Paul Gauguin, Guernica, Bumpkin Soup, The Crazy Family, The People's Joker, All the World's Memory, Slam, In a Lonely Place, The Big Heat, Van Gogh, Air Force One and In the Line of Fire.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Fellowship is pleased to present our discussion of the Batman classic story A Lonely Place of Dying (1989). This is the introduction of Tim Drake, and yet another shift in the Batman mystique. Plus our usual crazy talk, geek news, and tangents

In this episode we talk to journalist, broadcaster and crime writer, Stig Abell, about his new novel Death in a Lonely Place, working at the Press Complaints Commission, and the phenomenon of bits falling off satellites and back to Earth.

The idea of the Great American Novel is controversial, passé, hubristic, and . . . always fascinating to talk about. This week, inspired by a recent list of potential candidates for the Great American Novel published in The Atlantic, we dive in and talk about the concept, the history, the list, and our votes for other contenders. What book(s) would get your vote?ShownotesBooks* The MANIAC, by Benjamin Labatut* Lesser Ruins, by Mark Haber* Border: A Journey to the Edge of Europe, by Kapka Kassabova* Elixir: In the Valley at the End of Time, by Kapka Kassabova* To the River: A Balkan Journey of War and Peace, by Kapka Kassabova* Anima: A Wild Pastoral, by Kapka Kassabova* Dante: The Inferno, translated by Robert Hollander and Jean Hollander* Phineas Finn, by Anthony Trollope* The Eustace Diamonds, by Anthony Trollope* Phineas Reduce, by Anthony Trollope* Mortal Leap, by MacDonald Harris* Moby-Dick, by Herman Melville* Uncle Tom's Cabin, by Harriet Beecher Stowe* James, by Percival Everett* The Adventures of Huckleberry Finn, by Mark Twain* Augustus, by John Williams* Butcher's Crossing, by John Williams* Absalom, Absalom!, by William Faulkner* Passing, by Nella Larsen* The Great Gatsby, by F. Scott Fitzgerald* So We Read On: How The Great Gatsby Came to Be and Why It Endures, by Maureen Corrigan* The Making of Americans, by Gertrude Stein* An American Tragedy, by Theodore Dreiser* Light in August, by William Faulkner* The Sound and the Fury, by William Faulkner* Nightwood, by Djuna Barnes* I Am Alien to Life: Selected Stories, by Djuna Barnes* Their Eyes Were Watching God, by Zora Neale Hurston* The Big Sleep, by Raymond Chandler* Ask the Dust, by John Fante* Wait Until Spring, Bandini, by John Fante* U.S.A., by John Dos Passos* The Grapes of Wrath, by John Steinbeck* In a Lonely Place, by Dorothy B. Hughes* All the King's Men, by Robert Penn Warren* The Heart Is a Lonely Hunter, by Carson McCullers* The Street, by Ann Petry* The Mountain Lion, by Jean Stafford* A Time to Be Born, by Dawn Powell* The Catcher in the Rye, by J.D. Salinger* Fahrenheit 451, by Raymond Bradbury* Invisible Man, by Ralph Ellison* Charlotte's Web, by E.B. White* The Adventures of Augie March, by Saul Bellow* Lolita, by Vladimir Nabokov* The Bookshop, by Penelope Fitzgerald* Giovanni's Room, by James Baldwin* The Haunting of Hill House, by Shirley Jackson* No-No Boy, by John Okada* Peyton Place, by Grace Metalious* Pale Fire, by Vladimir Nabokov* Another Country, by James Baldwin* Catch-22, by Joseph Heller* One Flew Over the Cuckoo's Nest, by Ken Kesey* A Wrinkle in Time, by Madeleine L'Engle* The Zebra-Striped Hearse, by Ross MacDonald* The Group, by Mary McCarthy* The Bell Jar, by Sylvia Plath* The Crying of Lot 49, by Thomas Pynchon* A Sport and a Pastime, by James Salter* Couples, by John Updike* Portnoy's Complaint, by Philip Roth* Sabbath's Theater, by Philip Roth* American Pastoral, by Philip Roth* The Human Stain, by Philip Roth* The Great American Novel, by Philip Roth* Divorcing, by Susan Taubes* Slaughterhouse-Five, by Kurt Vonnegut* Play It As It Lays, by Joan Didion* Sula, by Toni Morrison* Song of Solomon, by Toni Morrison* Beloved, by Toni Morrison* Are You There God, It's Me, Margaret, by Judy Blume* Desperate Characters, by Paula Fox* Log of the S.S. Mrs Unguentine, by Stanley Crawford* The Revolt of the Cockroach People, by Oscar Zeta Acosta* Oreo, by Fran Ross* The Dispossessed, by Ursula K. Le Guin* Winter in the Blood, by James Welch* Corregidora, by Gayl Jones* Speedboat, by Renata Adler* Dancer from the Dance, by Andrew Hollerman* The Stand, by Stephen King* Ceremony, by Leslie Marmon Silko* Housekeeping, by Marilynne Robinson* Machine Dreams, by Jayne Anne Phillips* Lark & Termite, by Jayne Anne Phillips* Shelter, by Jayne Anne Phillips* Little, Big: Or, the Fairies' Parliament, by John Crowley* Blood Meridian, by Cormac McCarthy* Dawn, by Octavia Butler* Geek Love, by Kathryn Dunn* Watchmen, by Alan Moore and Dave Gibbons* American Psycho, by Brett Easton Ellis* House of Leaves, by Mark C. Danielewski* The Amazing Adventures of Kavalier & Clay, by Michael Chabon* The Last Samurai, by Helen DeWitt* The Quick and the Dead, by Joy Williams* Erasure, by Percival Everett* The Corrections, by Jonathan Franzen* The Russian Debutante's Handbook, by Gary Shteyngart * The Namesake, by Jhumpa Lahiri* The Brief Wondrous Life of Oscar Wao, by Junot Díaz* Nevada, by Imogen Binnie* Open City, by Teju Cole* The Fifth Season, by N.K. Jemisin* Lincoln in the Bardo, by George Saunders* Sabrina, by Nick Drnaso* Lost Children Archive, by Valeria Luiselli* Nothing to See Here, by Kevin Wilson* The Old Drift, by Namwali Serpell* No One Is Talking About This, by Patricia Lockwood* The Love Song of W.E.B. Du Bois, by Honorée Fanonne Jeffers* Biography of X, by Catherine Lacey* Miss MacIntosh, My Darling, by Marguerite Young* The Age of Innocence, by Edith Wharton* The House of Mirth, by Edith Wharton* Americanah, by Chimamanda Ngozie Adiche* Lonesome Dove, by Larry McMurtry* The Savage Detectives, by Roberto Bolaño, translated by Natasha WimmerLinks* The Great American Novel from The Atlantic* John William DeForest's original article about The Great American Novel* A.O. Scott “Tracking the ever-elusive Great American Novel* Episode 37: Hotel NovelsThe Mookse and the Gripes Podcast is a book chat podcast. Every other week Paul and Trevor get together to talk about some bookish topic or another. We hope you'll continue to join us!Many thanks to those who helped make this possible! If you'd like to donate as well, you can do so on Substack or on our Patreon page. These subscribers get periodic bonus episode and early access to all episodes! Every supporter has their own feed that he or she can use in their podcast app of choice to download our episodes a few days early. Please go check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

In this episode, Phil and Janelle talk about camping, storms, hot Cheetos, forks, Alfred Hitchcock, Dune 2, Jake Burt, Sideways Stories, In a Lonely Place, Keith, and more!

Jane risks being caught by the paparazzi in a vulgar display of commonalty, while Fi asks: why bother with colonic irrigation when you can just drink vodka?They're joined by Times Radio presenter Stig Abel to talk about his second crime novel 'Death in a Lonely Place'.Our next book club pick has been announced - A Dutiful Boy by Mohsin Zaidi.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiAssistant Producer: Kate LeeTimes Radio Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage. But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits. This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.) To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name. Many of the hour-long "Suspense" shows were movie adaptations in the "Lux Radio Theater" mold, including “Deadline at Dawn,” “Crossfire” and “Nightmare” -- the last of which was filmed in 1947 as “Fear in the Night”. There were even two productions that, it could be said, acted as previews of coming attractions: the series' 1948 productions of “In a Lonely Place” and “The House by the River” were brought to the silver screen in 1950. Several of "Suspense's" celebrated classics were also repeated during the hour-long experiment, having been lengthened to fit the new format. "Suspense's" hour-long experiment closed up shop on May 15, 1948 and, close to two months later, the show moved back to its cozy Thursday night berth in its familiar half-hour form through September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = “The Burning Court” (June 17, 1942)00:31:24.029 = The Devil In The Summer House (November 03, 1942)01:00:53.552 = The Bride Vanishes (December 01, 1942)01:30:31.934 = Till Death Do Us Part (December 15, 1942)02:00:00.615 = Nothing Up My Sleeve (January 05, 1943)02:29:24.419 = The Devil's Saint (January 19, 1943)02:58:52.578 = Last Night (March 06, 1943)03:28:25.102 = Uncle Henry's Rose Bush (June 29, 1943)03:57:52.047 = The White Rose Murders (July 06, 1943)04:27:08.240 = The Fountain Plays (August 10, 1943)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-007

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage.But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits.This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.)To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name.Many of the hour-long "Suspense" shows were movie adaptations in the "Lux Radio Theater" mold, including “Deadline at Dawn,” “Crossfire” and “Nightmare” -- the last of which was filmed in 1947 as “Fear in the Night”. There were even two productions that, it could be said, acted as previews of coming attractions: the series' 1948 productions of “In a Lonely Place” and “The House by the River” were brought to the silver screen in 1950. Several of "Suspense's" celebrated classics were also repeated during the hour-long experiment, having been lengthened to fit the new format. They included such audience favorites as “The Lodger,” “Donovan's Brain,” and “Love's Lovely Counterfeit.”"Suspense's" hour-long experiment closed up shop on May 15, 1948 and, close to two months later, the show moved back to its cozy Thursday night berth in its familiar half-hour form with a new sponsor, Autolite. The show experienced a re-emergence in popularity and, while the merits of the hour-long broadcasts must ultimately be decided upon by the listener, the decision by CBS to keep the series in production certainly seems in retrospect to have been the right call; "Suspense" would continue to be heard on the network for the next fourteen years, closing the curtain for the last time in September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = The ABC Murders (May 18, 1943)00:31:23.679 = Banquo's Chair (June 01, 1943)01:00:04.798 = Five Canaries in the Room (June 08, 1943)01:27:43.968 = Lazarus Walks (October 19, 1943)01:57:13.761 = Cabin B13 (November 09, 1943)02:26:43.972 = The Black Curtain (December 02, 1943)02:56:12.566 = The Night Reveals (December 09, 1943)03:25:40.443 = Wet Saturday (December 16, 1943)03:55:02.322 = Back For Christmas (December 23, 1943)04:23:52.863 = Finishing School (December 30, 1943)04:53:12.480 = The Sisters (February 03, 1944)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-006

In A Lonely Place (1950) by Bob Sham & Friends

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage.But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits.This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.)To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name.Many of the hour-long "Suspense" shows were movie adaptations in the "Lux Radio Theater" mold, including “Deadline at Dawn,” “Crossfire” and “Nightmare” -- the last of which was filmed in 1947 as “Fear in the Night”. There were even two productions that, it could be said, acted as previews of coming attractions: the series' 1948 productions of “In a Lonely Place” and “The House by the River” were brought to the silver screen in 1950. Several of "Suspense's" celebrated classics were also repeated during the hour-long experiment, having been lengthened to fit the new format. They included such audience favorites as “The Lodger,” “Donovan's Brain,” and “Love's Lovely Counterfeit.”"Suspense's" hour-long experiment closed up shop on May 15, 1948 and, close to two months later, the show moved back to its cozy Thursday night berth in its familiar half-hour form with a new sponsor, Autolite. The show experienced a re-emergence in popularity and, while the merits of the hour-long broadcasts must ultimately be decided upon by the listener, the decision by CBS to keep the series in production certainly seems in retrospect to have been the right call; "Suspense" would continue to be heard on the network for the next fourteen years, closing the curtain for the last time in September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = Fire Burn And Cauldron Bubble (April 06, 1943)00:31:20.444 = Two Sharp Knives (December 22, 1942)01:00:31.904 = The Pit And The Pendulum (January 12, 1943)01:30:01.398 = The Customers Like Murder (March 23, 1943)02:29:01.530 = Fear Paints a Picture (April 13, 1943)02:58:26.411 = The Moment of Darkness (April 20, 1943)03:27:50.753 = The Diary of Saphronia Winters (April 27, 1943)03:57:19.454 = Death Flies Blind (May 04, 1943)04:26:46.300 = Mr Markheim, Antique Dealer (May 11, 1943)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. 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Mary arrives at Jamaica Inn and meets her Aunt Patience and Uncle Joss.

#10MinuteswithJesus ** Put yourself in the presence of God. Try talking to Him. ** 10 minutes are 10 minutes. Even if you can get distracted, reach the end. ** Be constant. The Holy Spirit acts "on low heat" and requires perseverance. 10-Minute audio to help you pray. Daily sparks to ignite prayer: a passage from the gospel, an idea, an anecdote and a priest who speaks with you and the Lord, inviting you to share your intimacy with God. Find your moment, consider you are in His presence and click play.

Are you lonely? Although the world has never been more connected because of social media, texting, and other technology, it seems like many people are lonely. Fr. Josh Johnson is joined by Sr. Josephine Garrett to discuss why social media is not fulfilling and can negatively impact us. They also share who it is that will satisfy the longing of our hearts to be known and loved. Snippet From the Show If we don't seek to encounter the love of God daily, we look for it elsewhere. Text “askfrjosh” to 33-777 to subscribe to Fr. Josh's shownotes or go to www.AscensionPress.com/askfatherjosh Submit your questions and feedback to Fr.Josh by filling out a form at www.ascensionpress.com/askfatherjosh