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Welcome to It's A Wonderful Podcast!For our hugely exciting NOIRVEMBER 2025 celebration, Morgan and Jeannine are taking a look at a selection of British Film Noir all month long, featuring some of the greatest stars and directors of the genre!A bleak struggle through the streets of Belfast after a heist gone wrong as Morgan and Jeannine continue the Brit Noir series with another Carol Reed movie; an intriguing blend of the styles of the two movies we've already covered in this series with a small, close knit criminal gang, using the city wonderfully, and leaning into the expressionism that Reed would dial up in The Third Man!With just a hint of Irish/British political tension, join us to talk ODD MAN OUT (1947) starring James Mason!Our YouTube Channel for all our video content: (17748) It's A Wonderful Podcast - YouTubeThe It's A Wonderful Podcast Theme by David B. Music.Donate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
⭐7 Men From Now (1956) - Western Film Noir Gunsmoke Meets Shadows Day 21 NOIRvember Celebration⭐
Ernest Hemingway's short story The Killers was memorably adapted and expanded for the big screen by director Robert Siodmak and an incredible cast. We'll hear the stars of that film - plus a radio recreation - as our "Noirvember" series continues. Ava Gardner slows down for a hitchhiker with murder on his mind in "Lady in Distress" (originally aired on CBS on May 1, 1947). Edmond O'Brien is a streetwise reporter out for the story of the year in "The Argyle Album" (originally aired on CBS on September 4, 1947). Burt Lancaster is in no hurry to get revenge for his brother in "The Long Wait" (originally aired on CBS on November 24, 1949). And the titular killers William Conrad and Charles McGraw reunite in "Two for the Road" (originally aired on CBS on November 9, 1958). Finally, Burt Lancaster reprises his role as The Screen Director's Playhouse presents "The Killers" (originally aired on NBC on June 5, 1949).
"The world is a fine place and worth fighting for." For Episode 384, Brandon and David continue their Noirvember series on Horror Noir with Se7en. Listen as they discuss how Andrew Kevin Walker wrote the script while working at Tower Records, what convinced David Fincher to do the movie, which A-List directors and actors turned down the movie because it was too dark, how they created the film's influential title credits, the fight over the film's controversial ending, and so much more! Get your tickets for CineNation's upcoming screening of THE NIGHT OF THE HUNTER: https://bit.ly/3K60vIZ Use the code cinenation10 on thecinevault.com to get a 10% discount on your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Scorsese Doc and Back-Up Directors - (00:00:10) Recap of Horror Noir (00:10:10) Intro to Se7en (00:14:41) How Se7en Got to Production (00:26:06) Favorite Scenes (00:43:28) On Set Life - (01:21:23) Aftermath: Release and Legacy (01:34:40) What Worked and What Didn't (01:46:16) Film Facts (01:48:14) Awards (01:50:29) Final Questions on the Movie (01:53:03) Wrapping Up the Episode (01:56:57) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast
⭐Bad Day at Black Rock (1955) - Western Film Noir Gunsmoke Meets Shadows Day 20 NOIRvember Celebration⭐
Noirvember 2025 keeps rolling as Mike teams up with author Dahlia Schweitzer and artist Rahne Alexander to crack open V.I. Warshawski (1991), Jeff Kanew's glossy, big-city take on Sara Paretsky's groundbreaking detective. Kathleen Turner commands the screen as V.I., whose night on the town swerves into murder, a dead former Blackhawks star, and a teenager who refuses to stay out of danger.This episode brings together an incredible lineup: Sara Paretsky, creator of the V.I. Warshawski novels; screenwriters David Aaron Cohen, Nick Thiel, and Warren Leight; and director Jeff Kanew. They share the inside story of adapting an iconic literary detective, shaping Turner's formidable on-screen persona, and navigating the film's winding path from page to screen.Along the way, we dig into Chicago's cinematic grit, the film's place in early-'90s studio genre filmmaking, and—yes—we spoil who killed Boom Boom and finally reveal what the initials V. I. actually stand for.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
⭐The Violent Men (1955) - Western Film Noir Gunsmoke Meets Shadows Day 19 NOIRvember Celebration⭐
Noirvember 2025 keeps rolling as Mike teams up with author Dahlia Schweitzer and artist Rahne Alexander to crack open V.I. Warshawski (1991), Jeff Kanew's glossy, big-city take on Sara Paretsky's groundbreaking detective. Kathleen Turner commands the screen as V.I., whose night on the town swerves into murder, a dead former Blackhawks star, and a teenager who refuses to stay out of danger.This episode brings together an incredible lineup: Sara Paretsky, creator of the V.I. Warshawski novels; screenwriters David Aaron Cohen, Nick Thiel, and Warren Leight; and director Jeff Kanew. They share the inside story of adapting an iconic literary detective, shaping Turner's formidable on-screen persona, and navigating the film's winding path from page to screen.Along the way, we dig into Chicago's cinematic grit, the film's place in early-'90s studio genre filmmaking, and—yes—we spoil who killed Boom Boom and finally reveal what the initials V. I. actually stand for.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
This week we grapple with the problematics of Chinatown (1974), arguably one of the greatest neo-noirs, with a fraught and complicated history thanks to its director, Roman Polanski. Starring Jack Nicholson and Faye Dunaway, Chinatown represents the bleakness of noir amid the sunniness of LA, with a hefty dose of political and sexual corruption. Oof. TW for discussions of sexual assault and incest. Next week, we conclude Noirvember with a far happier entry: Who Framed Roger Rabbit?
Happy Noirvember! On the fifty- third episode of ATFT, the Director of Communications for the Film Noir Foundation, Anne Hockens, joins me in analyzing Billy Wilder's 1944 film noir classic, Double Indemnity! This episode is spoiler- filled. Double Indemnity, according to Anne's friend and the president of the Film Noir Foundation Eddie Muller, marked the beginning of the film noir movement. The film revolves around Walter Neff (Fred MacMurray), an insurance salesman, who one day meets Mrs. Phyllis Dietrichson (Barbara Stanwyck), the wife of a customer, in attempt to renew a policy. Their attraction is clear from the moment they first lay eyes on each other and grows stronger with each meeting. When Phyllis suggests she would like her husband dead, they plan “the perfect murder” with the intention of collecting as much money as possible through the "double indemnity" clause in Mr. Dietrichson's insurance policy, unbeknownst to him, but they have to get past Neff's intuitive and deeply analytical boss Barton Keyes (Edward G. Robinson) to pull it off. Double Indemnity is regarded by many still to this day as one of, if not the best film, within the noir genre. The Film Noir Foundation's 23rd annual Noir City Film Festival will take place in Oakland, California from January 16- 25. Over this week, 24 films will be screened but those titles won't be announced until the night of Noir Christmas which will take place in Oakland on December 17. Get your Noir Christmas tickets by clicking here! Individual tickets for the Noir City festival go on sale that night but you can get your Noir City pass by going to NoirCity.com. We talk extensively about the Film Noir Foundation towards the end of the episode so be sure to listen to the episode all the way through to learn more about all that's going on with the foundation from upcoming Noir City film festivals to their monthly magazine to their biweekly podcast Ask Eddie, with Anne and Eddie Muller, by going to their Facebook page, YouTube channel, and FilmNoirFoundation.org. In this episode, Anne and I talk about the techniques and noir tropes Double Indemnity introduces to the noir genre and cinema that continue to be utilized today, if Walter and Phyllis really loved each other, and why “tell” rather than “show” works to this film's advantage! Since this conversation marked the first time Anne and I have conversed, this episode does contain several tangents on topics such as other noir films, the danger of nitrate prints, and film sites Anne sees on a daily basis living in San Francisco. All this and more on the new episode of All the Film Things!Interested in listening to more film noir- focused episodes to celebrate Noirvember? Check out:Episode 2: The Wrong Man with Emmy- winning photojournalist Cole Echevarria Episode 8: Elevator to the Gallows with podcaster Cristina SantiagoEpisode 22: Chinatown with film historian/ author/ lecturer Max Alvarez Episode 31 : Le Samouraï with movie critic Matthieu CôtéMusic credit: Noire #1 by Music By Pedro https://goo.gl/sJT2e8 Promoted by MrSnooze • Film Noir Background Music for Videos...
⭐The Man From Laramie (1955) - Western Film Noir Gunsmoke Meets Shadows Day 18 NOIRvember Celebration⭐
Send us a textExit Scary Season, hello Noirvember and back to film noir in earnest! We're leaving behind the subgenre of crazy kids on the run and into more established noir territory --- the private detective story. And do we have a great one for our entrance! Among the first pre-wave of classic film noir released in the US after WWII, it's 1946's The Big Sleep. Packed with talent in front of and behind the camera, packed with confusion by one of the hallmark authors of the hard – boiled writing style, packed with intrigue beyond the simple telling of a story --- it's a signal event of the genre. It's packed. It started, as do many of the early noir films, with a master of the pulp magazine story, the estimable Raymond Chandler. Chandler had an extremely round-about path to artistic success. He was a son of the Midwest, born in Chicago and raised in Nebraska, but due to family connections, well educated at Dulwich College in London. He became a British citizen and entered the civil service, which he found stifling. He moved on to newspaper work, had a stop in Canadian military service during WWI, then returned to the US, beginning an executive career in the Southern California oil industry. The Depression put paid to his work there, as well as contributed to his growing alcoholism. Short on funds, Chandler took a flyer and picked up on the paid – by – the – word pulp fiction magazines of the day, his first story in 1933 winning him instant success. He never looked back. He became more ambitious, his slow writing more fitted to novels than paid – by – the – word, publishing his first, The Big Sleep, in 1939. Website and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark
⭐Man With the Gun (1955) - Western Film Noir Gunsmoke Meets Shadows Day 17 NOIRvember Celebration⭐
It's beginning to look a lot like Noirvember! This week we're getting steamy with the Wachowski's debut film, BOUND from 1996.Before getting into the film we're discussing the Wachowskis at large, their graphic novel and Hong Kong cinema influences, and how Bound was their Hollywood guarantor. This unique noir takes the Billy Wilder and Hitchcock influences and makes it the Wachowskis' own - we're breaking down the how's and why's, and how this feeds perfectly into the Matrix.Gina Gershon, Jennifer Tilly, and Joe Pantoliano are in the finest forms of their career, with Gershon and Tilly fighting over casting, and Joey Pants fighting to be nude on screen. Plus we learn how the crew became fluent in Wachowski as Susie Bright's proto-intimacy coordinating, Bill Pope's visuals, Zach Staenberg's editing, and Don Davis' music bring the sisters' style to the screen.Plus: sex, sex, SEX!
Hosts Josh and Jamie and special returning guest Jayson Buford continue Noirvember with a pair of LA blaxploitation neo-noirs/crime-thrillers about black women in desperate sociopolitical situations taking matters into their own outlaw action hero hands: Jack Hill's COFFY (1973) starring Pam Grier and F. Gary Gray's SET IT OFF (1996) with Jada Pinkett-Smith, Queen Latifah, Vivica A. Fox and Kimberly Elise. Next week's episode is a patron-exclusive bonus episode on Kafka noirs: THE TRIAL (1962) + DARK CITY (1998), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-13:46 COFFY // 13:46-1:02:42 SET IT OFF // 1:10:46-2:14:13 Outro // 2:14:13-2:16:28 All things Jayson can be found at: https://jaysonbuford.substack.com/ NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller
Grab your trench coats and fedoras, because it's Noirvember! Shawn, Joey, and Todd gather in the Chop Shop Garage to celebrate by discussing Foreign Language Noir.
⭐Johnny Guitar (1954) - Western Film Noir Gunsmoke Meets Shadows Day 16 NOIRvember Celebration⭐
This week on the Talk Without Rhythm Podcast I'm continuing NoirVember with a Robert Mitchum double-feature of 1947's Out of the Past and 1948's Blood on the Moon. [00:00] INTRO [01:57] The Good, the Bad, and the Odd Promo [02:40] RANDOM CONVERSATION [14:13] Out of the Past (1947) [42:09] Blood on the Moon (1948) [01:06:41] FEEDBACK [01:14:35] ENDING MUSIC: From a Logical Point of View by Robert Mitchum Buy Out of the Past (1947) Buy Blood on the Moon (1948) Support TWoRP Contact Us talkwithoutrhythm@gmail.com
⭐Track of the Cat (1954) - Western Film Noir Gunsmoke Meets Shadows Day 15 NOIRvember Celebration⭐
Noirvember rolls on and things are getting pulpier, louder, and a whole lot more yellow! This week we're diving into Dick Tracy (1990), the comic-book-meets-gangster-noir explosion directed by and starring Warren Beatty. We're talking wild makeup, even wilder villains, Madonna's breathy noir energy, and one of the most stylized crime worlds ever put on film. Joining us for Episode 206 is returning guest Graeme Pass so get ready for bright colors, big guns, and even bigger performances.Please remember to like, comment, subscribe and click that notification bell for all our updates! It really helps us out!Starring: Warren BeattyDirected By: Warren BeattySynopsis: Hard-boiled detective Dick Tracy (Warren Beatty) is searching for evidence that proves Alphonse Big Boy Caprice is the city's most dangerous crime boss. He may have found the key to unraveling the crimelord's illegal empire in Breathless Mahoney (Madonna), an enigmatic barroom singer who has witnessed some of Caprice's crimes firsthand. However, she seems more set on stealing Dick away from his girlfriend, Tess (Glenne Headly), than helping him solve the case of his career.Watch LIVE on Twitch (https://www.twitch.tv/heydidyouseethisone) and YouTube (https://www.youtube.com/@HeyDidYouSeeThisOne/videos) every Thursday at 8 PM ESTWE HAVE MERCH - https://www.redbubble.com/people/HDYSTMerch/shop?asc=u & http://tee.pub/lic/GdSYxr8bhtYWe use White Bat Audio – a user that creates DMCA free music for podcasters and YouTubers. Please follow at: https://www.youtube.com/@WhiteBatAudioAudio version of the show: Spotify - https://podcasters.spotify.com/pod/show/heydidyouseethisone Apple Podcasts - https://podcasts.apple.com/us/podcast/hey-did-you-see-this-one/id1712934175YouTube Audio Podcast - https://youtube.com/playlist?list=PLD6BOSx2RcKuP4TogMPKXRMCxqfh5k9IU&si=umIaVrghJdJEu2ARA MEMBER OF THE UNITED FEDERATION OF PODCASTSCheck us out online at: https://www.ufpodcasts.com/Main Intro and Outro Themes created by Josh Howard - remixes by Jacob Hiltz & Jake ThurgoodLogo created by Jeff RobinsonChapters:00:00 - Intro03:50 - A BRIEF Synopsis07:15 - Brief Histories 20:15 - Production Talk49:18 - The BODY Of The Episode02:51:33 - Home Alone Of It All, Final Thoughts & Ratings03:06:11 - Plugs03:16:52 - Outro#heyDidYouSeeThisOne #DickTracy #Noirvember #FilmNoir #MoviePodcast
Welcome to It's A Wonderful Podcast!For our hugely exciting NOIRVEMBER 2025 celebration, Morgan and Jeannine are taking a look at a selection of British Film Noir all month long, featuring some of the greatest stars and directors of the genre!British Noir may hit its peak with this week's movie as Morgan and Jeannine take a mysterious journey around the rubble filled streets of post-war Vienna with Joseph Cotten's pulp writer as he tries to uncover the truth around his friend's death. Filled to the brim with expressionism, cover-ups, doomed romance, and a sense of entrapment, this really is one of the most gripping Noir's of all time! Join them to celebrate Carol Reed's THE THIRD MAN (1949) co-starring Orson Welles, Alida Valli & Trevor Howard!Our YouTube Channel for all our video content: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowThe It's A Wonderful Podcast Theme by David B. Music.Donate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
⭐The Naked Spur (1953) - Western Film Noir Gunsmoke Meets Shadows Day 14 NOIRvember Celebration⭐
Think film noir is all detectives and femme fatales? Think again. Kristy and Jeff trade daylight for streetlights as they slip into the smoky, shadowy world of Noirvember — a month-long celebration of crime, cynicism, and cinematic style. From doomed lovers to desperate antiheroes, this episode proves that in film noir, everyone's guilty of something.
Our celebration of "Noirvember" continues with the cast of The Maltese Falcon - the classic adaptation of Dashiell Hammett's celebrated novel. Peter Lorre plays a husband with a plot to dispose of his wife and her lover in "Till Death Do Us Part" (originally aired on CBS on December 15, 1942). Mary Astor is on the other side of the equation, as she plans to kill her husband and his girlfriend before they bump her off in "In Fear and Trembling" (originally aired on February 16, 1943). Humphrey Bogart stars in an adaptation of James M. Cain's gangland drama "Love's Lovely Counterfeit" (originally aired on CBS on March 8, 1945). And Sydney Greenstreet portrays John Dickson Carr's master sleuth Dr. Gideon Fell in the surviving half of "The Hangman Won't Wait" (originally aired on CBS on February 9, 1943)...and since only fifteen minutes of Mr. Greenstreet just won't do, we'll also hear him as Rex Stout's Nero Wolfe in "The Case of the Careworn Cuff" (originally aired on NBC on October 27, 1950). Then, all four stars recreate their film roles for The Screen Guild Theatre (originally aired on CBS on September 20, 1943).
⭐Bend of the River (1952) - Western Film Noir Gunsmoke Meets Shadows Day 13 NOIRvember Celebration⭐
Noirvember is here and the Czar of Noir Eddie Muller is back on the podcast to talk about his new book, DARK CITY DAMES: THE WOMEN WHO DEFINED FILM NOIR along with two crime classics featuring FOUR of those Dark City Dames! First, Jane Greer uses her seductive wiles to pit private eye Robert Mitchum against domineering gangster Kirk Douglas in OUT OF THE PAST (1947), from director Jacques Tourneur (CAT PEOPLE). This movie is a stone cold classic, and not only of the best noirs, but one of the best movies ever. Rhonda Fleming is a bonus Dark City Dame in this one. OUT OF THE PAST is streaming on HBOMax. Then, our B picture takes us to "one of the worst waterfronts in the world" where John Payne is an ex-boxer-turned-cabbie caught between good girl Evelyn Keyes and femme fatale Peggie Castle during a night of frame-jobs, jewel heists and murder in 99 RIVER STREET (1953), a totally bonkers noir from director Phil Karlson (WALKING TALL). 99 RIVER STREET is streaming on Amazon Prime. In talking about his new book, Eddie regales us with tales of how Jane Greer's parrots imitated Vin Scully's homerun call, and Greer had some impressions of her own + his encounters with the other women he profiles such as Ann Savage (DETOUR) and Marie Windsor (THE KILLING). And if that wasn't enough, Eddie fills us in on the upcoming Noir City fest in Oakland and gives his thoughts on the new Vince Gilligan series PLURIBUS! Plus, this episode itself also has a bonus dark city dame with three-time Ms. Noir City Audra Wolfman joining us to make this the best Noirvember ever! Eddie's new book, DARK CITY DAMES, is available at Alibi Bookshop in Vallejo, Calif. and wherever you buy books. You can find more on Eddie at https://eddiemuller.com/ Hosts: Bob Calhoun, Cory Sklar, Greg Franklin, and Audra Wolfman Philena Franklin is on assignment OMFYS Theme and "Christmas Funk" by Chaki the Funk Wizard, used with permission. "City Walk" by John Patitucci courtesy of YouTube Audio Library Trailer audio via Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com
Noirvember keeps rolling with Helmut Käutner's Black Gravel (1961), a scalding portrait of postwar Germany buried under guilt, corruption, and American occupation. Mike is joined by Andrew Nette and Samm Deighan to dig into this bleak anti-Heimatfilm, where gravel trucker Robert Neidhardt (Helmut Wildt) scrapes by on the black market and rekindles an affair with Inge (Ingmar Zeisberg), now married to a U.S. officer. When an accident turns deadly, their secret unearths a moral wasteland of complicity and denial. Once condemned by the Oberhausen critics as “the worst achievement by an established director,” Käutner's film now stands as a bold, unflinching noir that dared to confront the rot beneath Germany's economic miracle.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
⭐High Noon (1952) - Western Film Noir Gunsmoke Meets Shadows Day 12 NOIRvember Celebration⭐
Noirvember keeps rolling with Helmut Käutner's Black Gravel (1961), a scalding portrait of postwar Germany buried under guilt, corruption, and American occupation. Mike is joined by Andrew Nette and Samm Deighan to dig into this bleak anti-Heimatfilm, where gravel trucker Robert Neidhardt (Helmut Wildt) scrapes by on the black market and rekindles an affair with Inge (Ingmar Zeisberg), now married to a U.S. officer. When an accident turns deadly, their secret unearths a moral wasteland of complicity and denial. Once condemned by the Oberhausen critics as “the worst achievement by an established director,” Käutner's film now stands as a bold, unflinching noir that dared to confront the rot beneath Germany's economic miracle.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
⭐The Violent Men (1955) - Western Film Noir Gunsmoke Meets Shadows Day 19 NOIRvember Celebration⭐
⭐Rancho Notorious (1952) - Western Film Noir Gunsmoke Meets Shadows Day 11 NOIRvember Celebration⭐
Winchester '73 (1950) - Western Film Noir Gunsmoke Meets Shadows Day 10 NOIRvember Celebration⭐
⭐The Furies (1950) - Western Film Noir Gunsmoke Meets Shadows Day 09 NOIRvember Celebration⭐
This week on the Talk Without Rhythm Podcast I'm continuing NoirVember as I'm joined by Mike White of the Projection Booth Podcast for a Burt Lancaster double-feature of 1947's Brute Force and 1957's Sweet Smell of Success. [00:00] INTRO [01:48] Chin Stroker vs Punter Promo [02:56] RANDOM CONVERSATION [18:59] Brute Force (1947) [01:03:31] Sweet Smell of Success (1957) [01:59:17] FEEDBACK [02:23:59] ENDING MUSIC: Brute Force by The Haunted Buy Brute Force (1947) Buy Sweet Smell of Success (1957) Support TWoRP Contact Us talkwithoutrhythm@gmail.com
⭐I Shot Jessie James (1949) - Western Film Noir Gunsmoke Meets Shadows Day 08 NOIRvember Celebration⭐
On this episode, I'm kicking off Noirvember with Cast a Deadly Spell (1991). This HBO original film combines film noir, horror, fantasy, comedy and the eldritch tales of the Cthulu mythos. In this timeline of 1948 Los Angeles, magic and mythological creatures are common. Phillip Lovecraft is the detective on a case to find a stolen rare book, the Necronomicon. Dames, vampires, demons and Old Ones are in this one. Spoiler free and filled with a whole lot of magic. The artist on my podcast playlist is Nina Simone . Game Over! tee in profile pic by Dethink Tees. https://dethink.bigcartel.com/product/game-over-man-game-over
This week, we celebrate the 75th anniversary of Sunset Boulevard (1950), the classic film noir that showcased the darker side of the Hollywood lifestyle. The film has inspired many movies that have followed and probably would have been made as a horror film today. Let us know what your thoughts about the film are in the comments.Also Play:Cinema Chain Game--------------------------------------------Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersYouTube: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter / X: @ourfilmfathersEmail: ourfilmfathers@gmail.com
Welcome to It's A Wonderful Podcast!For our hugely exciting NOIRVEMBER 2025 celebration, Morgan and Jeannine are taking a look at a selection of British Film Noir all month long, featuring some of the greatest stars and directors of the genre!To start things off in the most British fashion of them all, they're getting into the dark romantic manipulation, downward spiral of cover ups and double crosses, and a despicably devilish young Richard Attenborough in John Boulting's adaptation of Graham Greene's BRIGHTON ROCK (1947) co-starring Hermione Baddeley, William Hartnell & Carol Marsh!Our YouTube Channel for all our video content: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowThe It's A Wonderful Podcast Theme by David B. Music.Donate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
⭐Lust For Gold (1949) - Western Film Noir Gunsmoke Meets Shadows Day 07 NOIRvember Celebration⭐
"You're the ghost who needs to wake up." It's time to celebrate Noirvember! For Episode 382, Thomas and Brandon kick-off CineNation's series on Horror Noir with PERFECT BLUE. Listen as they discuss Satoshi Kon's early career, why he was hesitant to make a horror film, how much he wanted to change from the original novel, how the film gained popularity over the years, and much more! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Recap of Spooktoberfest - (00:00:10) Intro to Horror Noir (00:08:40) Intro to Perfect Blue (00:19:39) How Perfect Blue Got to Production (00:22:28) Favorite Scenes (00:36:11) On Set Life - (01:09:21) Aftermath: Release and Legacy (01:12:56) What Worked and What Didn't (01:31:54) Film Facts (01:38:07) Awards (01:38:45) Final Questions on the Movie (01:42:27) Wrapping Up the Episode (01:53:47) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast
⭐Station West (1948) - Western Film Noir Gunsmoke Meets Shadows Day 06 NOIRvember Celebration⭐
Forrest, Conan Neutron, and Kristina Oakes talk about Michael Curtiz's 1945 psychological drama Mildred Pierce. Starring Joan Crawford, Jack Carson, and Zachary Scott Based on James M. Cain's 1941 novel, a story of “social inequity and opportunity in America" set during the Great Depression.The 1945 Michael Curtiz's film turns the novel into a story of murder. money, and a mother's obsessive love for her spoiled ungrateful daughter. Movie Night Extravaganza is doing another month of Noir movies for Noirvember. #MildredPierce #joancrawford #michaelcurtiz #casablanca #1945 #noir #filmnoirvibes #filmnoir #warnerbros #warnerbrosentertainment #jamesmcain #hardboiled #moviepodcast #filmpodcast We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra
Noirvember 2025 roars to life with Walter Hill's sleek, existential chase film The Driver (1978). Ryan O'Neal plays the nameless getaway specialist who moves through Los Angeles like a ghost, pursued by Bruce Dern's manic lawman hell-bent on taking him down. It's a lean, hypnotic duel between predator and prey where style is substance and silence is power. Mike rides shotgun with Beth Accomando and Walter Chaw to unpack Hill's minimalist approach, his homage to Melville's Le Samouraï, and the cold precision that makes The Driver a high-octane hymn to professionalism and control.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
⭐The Walking Hills (1949) - Western Film Noir Gunsmoke Meets Shadows Day 05 NOIRvember Celebration⭐
Noirvember 2025 roars to life with Walter Hill's sleek, existential chase film The Driver (1978). Ryan O'Neal plays the nameless getaway specialist who moves through Los Angeles like a ghost, pursued by Bruce Dern's manic lawman hell-bent on taking him down. It's a lean, hypnotic duel between predator and prey where style is substance and silence is power. Mike rides shotgun with Beth Accomando and Walter Chaw to unpack Hill's minimalist approach, his homage to Melville's Le Samouraï, and the cold precision that makes The Driver a high-octane hymn to professionalism and control.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
The Dames are back with Halloween hangovers and the start of Noirvember! This month, we're looking at neo-noirs set in 40s/50s LA. We begin with Devil in a Blue Dress, starring peak Denzel Washington as Easy Rawlins, an out-of-work machinist who gets caught up in the search for a missing woman, leading him into the seedy underworld and racist high society of the City of Angels. Next week, we'll go into even more sun-soaked political corruption and police brutality with LA Confidential!
This week we start Noirvember proper with "The Third Man." We discuss the history of the film, and it's dual American/British super producers. After we discuss the history of the film, we dive into the plot of the film and praise the film's distinctive style along the way. Finally, we get to our pairings, and pair the film with another for a duo of double bills.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44
⭐Blood on the Moon (1948) - Western Film Noir Gunsmoke Meets Shadows Day 04 NOIRvember Celebration⭐
⭐Ramrod (1947) - Western Film Noir Gunsmoke Meets Shadows Day 03 NOIRvember Celebration⭐
Hosts Josh and Jamie and special guest author Megan Abbott kick off Noirvember with two dreamlike, expressionist and nihilistic 1940s B-noirs: Edgar G. Ulmer's dirty, depressed, intensely psychologically subjective murderous hitchhiking noir DETOUR (1945) and Mark Robson's bleak, satanic Gothic-horror conspiracy-mystery noir THE SEVENTH VICTIM (1943). Next week's episode is a patron-exclusive bonus episode on our buddy Robert Mitchum: OUT OF THE PAST (1947) + THE FRIENDS OF EDDIE COYLE (1973), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-14:30 DETOUR // 14:30-1:10:46 THE 7th VICTIM // 1:10:46-2:08:04 Outro // 2:08:04-2:10:50 All things Megan can be found at: https://www.meganabbott.com/ NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller
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