Podcasts about Illustrator

How to Instantly Upgrade Your Apparel Tech Sketches Using Adobe Illustrator If you want manufacturers to take you seriously from the very first sketch, your tech drawings have to speak their language. In this episode of the Business of Apparel Podcast, Rachel breaks down one of the most overlooked professional upgrades in apparel design...using stitch and symbol libraries in Adobe Illustrator. This is a live, step-by-step demo that shows how the best designers save time, reduce costly sample mistakes, and instantly elevate how their tech packs are received. You'll learn why manually drawing stitches is one of the biggest red flags manufacturers see, how stitch codes translate visually on garments, and how using the right tools can drastically reduce revisions, sampling costs, and production delays. Rachel also demonstrates how to download, install, and permanently save Illustrator libraries so they're always accessible, making your workflow faster and more professional every time you design. This episode is ideal for brand owners, designers, and technical designers who want their sketches to communicate clearly and confidently to factories. Download the Adobe Illustrator Sketch Libraries here: https://www.thebusinessofapparel.com/shop Chapters: 00:00 Introduction to Professional Tech Sketches 01:19 The Importance of Using Brush and Symbols Libraries 02:31 Creating Professional Tech Sketches with Adobe Illustrator 04:06 Exploring the Digital Tools and Libraries 07:50 Masterclass and Additional Resources 09:37 Demo: Importing and Using Brush and Symbols Libraries 14:30 Conclusion   Sign up for the Secrets Behind Billion Dollar Apparel Brands Masterclass here: https://www.thebusinessofapparel.com/secrets Join The Board here: https://www.thebusinessofapparel.com/the-board We can't wait to hear what you think of this episode! Purchase the Business of Apparel Online Course: https://www.thebusinessofapparel.com/course To connect with Rachel, you can join her LinkedIn community here: LinkedIn. To visit her website, go to: www.unmarkedstreet.com.   

Pre-order Drawing is Important: https://geni.us/DrawingisImportantWhat does it actually take to build a sustainable life in illustration—without burning out or chasing every new platform?In this episode, I'm sharing a conversation where I was the guest on Design Icons, produced by Noun Project. Nick Power's questions gave me a chance to step back and reflect on my career honestly—what's worked, what hasn't, and what I'm still figuring out.We talk about:Lessons learned from a decade+ as an illustratorCreative plateaus and my worst year for client workWhy style is about reliability, not aestheticsHow constraints shape better workVisibility, sustainability, and what actually moves the needleThis one covers all the classic interview questions, but it gave me a chance to reflect on the basics in a real, honest way.→ Support the podcast on Patreon: patreon.com/tomfroese→ Explore Noun Project: thenounproject.com

This week on the podcast is part one of our interview with Dan Gorman. He's a Co-Founder of Route 8 Studios, a collaborative graphic design and illustration studio featuring comic book artists and designers. He's worked on over 150 Licensed Trading Card sets with dozens of well-known brands such as Marvel, Star Wars, the Game of Thrones, AMC's The Walking Dead and more. As a comic book penciler, his works have been published in numerous publications. Dan is a member in good standing of the National Cartoonists Society and runs and promotes several local comicons and Pop Culture Cons. Make sure to visit his website to see samples of his illustrations! www.dangormanart.com and https://www.route8studios.org/

Illustrator and TED Fellow George Butler reports on the ground from conflict zones, climate hotspots and humanitarian crises, using pen, ink and watercolors to highlight personal stories of perseverance. By slowing down and going deeper than the headlines, his humanistic approach is shifting how we think about the news. Hosted on Acast. See acast.com/privacy for more information.

WHEN EUSTACE MET FRANÇOISE— I first met Françoise Mouly at The New Yorker's old Times Square offices. This was way back when artists used to deliver illustrations in person. I had stopped by to turn in a spot drawing and was introduced to Françoise, their newly-minted cover art editor.I should have been intimidated, but I was fresh off the boat from Canada and deeply ensconced in my own bubble—hockey, baseball, Leonard Cohen—and so not yet aware of her groundbreaking work at Raw magazine.Much time has passed since that fortuitous day and I've thankfully caught up with her ouevre—gonna get as many French words into this as I can—through back issues of Raw and TOON Books. But mostly with The New Yorker, where we have worked together for over 30 years and I've been afforded a front-row seat to witness her mode du travail, her nonpareil mélange of visual storytelling skills.Speaking just from my own experience, I can't tell you how many times at the end of a harsh deadline I've handed in a desperate, incoherent mess of watercolor and ink, only to see the published product a day later magically made whole, readable, and aesthetically pleasing.Because Françoise prefers her artists to get the credit, I assume she won't want me mentioning the many times she rescued my images from floundering. I can remember apologetically submitting caricatures with poor likenesses, which she somehow managed to fix with a little digital manipulation—a hairline move forward here, a nose sharpened there. Or ideas that mostly worked turned on their head—with the artist's permission, of course—to suddenly drive the point all the way home.For Françoise, “the point” is always the point. Beautiful pictures are fine, but what does the image say? Françoise maintains a wide circle of devoted contributing artists—from renowned gallery painters to scribbling cartoonists, and all gradations between—from whom she regularly coaxes their best work. I thank my étoiles chanceuses to be part of that group.And now, an interview with Françoise. Apparently. —Barry Blitt—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

COUNTDOWN of the top 30 most listened to episodes. It's a Kidlit takeover! Join Ky Garvey as she chats to Picture Book creatives Rory H Mather, Brent Wilson & Kirsten Ealand on their new picture books Laugh in the Bath from Little Book Press and The Big Backyard Plan from Affirm Press. The authors share what it's like to collaborate with their fellow publishing creatives including getting creative advice from their peers and what the relationship between Author and Illustrator can be like.

A 5-STAR MAGAZINE (DO NOT DISTURB)—Orlando is the magazine as hotel, quite literally—we'll explain what that means in a bit—a magazine that one can inhabit and live in, a love letter to culture in the most expansive use of the word. It's also very Italian. Maybe because it comes from Italy. More specifically, from the mind of Antonella Dellepiane Pescetto, who is Italian. But more importantly, she is someone with exquisite taste.And, yes, the magazine is set up as a hotel. Just go to the table of contents and you start to see how this concept works. Or visit the website, it's obvious there, too Ad the concept structures all various—and sometime disparate—ideas that go into the making of Orlando.And if you visit the website, again, you'll find courses and tours and podcasts and a Spotify playlist to accompany each story in each issue as well as a boutique, and you can sense the publishing plans as well. But mostly you'll find yourself in a charming confection of a magazine, kind of like something Wes Anderson might have come up with had he been Italian, which might work for you, or not—not everyone loves Wes Anderson, sure—but just like you know a Wes Anderson movie when you see or hear one, once you enter the hotel that is Orlando, you know. You just do. And it's the kind of place you can get comfortable in very easily.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Happy New Year! Cheers to a great 2026! In today's Episode, we continue our Winter Hiatus with a Replay of EP27 from June of 2024, with Illustrator Tucker Nichols... Emily chats with NorCal based artist Tucker Nichols as he shares stories about his spontaneous move to Taiwan, where he immersed himself in a vibrant artistic community. He discusses his extensive body of work, including children's books and the initiative 'Flowers for Sick People.' He reflects on his background, including his mother's influence and his intense study of East Asian art. Tucker's journey includes struggling with Crohn's disease and a career shift to become a full-time artist, supported by his wife. He talks about influential works and places, emphasizing his lifelong passion for art. The podcast concludes with three thought-provoking questions Emily asks every guest.Stay tuned as we return in 2 weeks with a brand new Episode with featuring a new batch of Awesome Artists! About Artist  Tucker Nichols:Tucker Nichols is an artist based in Northern California. His work has been featured at the Drawing Center in New York, the San Francisco Museum of Modern Art, the Denver Art Museum, Den Frie Museum in Copenhagen, and the Asian Art Museum in San Francisco. A show of his sculpture, Almost Everything On The Table, was recently on view at the Aldrich Contemporary Art Museum. He is currently an Artist Trustee at SFMOMA.His drawings have been published in The New Yorker, The New York Review of Books, McSweeney's, The Thing Quarterly, and the Op-Ed pages of The New York Times. He is co-author of the books, Crabtree (with Jon Nichols) and This Bridge Will Not Be Gray (with Dave Eggers). Flowers for Things I Don't Know How to Say  was released in March 2024. Flowers for Sick People, his ongoing multimedia project, can be viewed here.Visit Tucker's Website:  TuckerNichols.comFollow Tucker  on Instagram:  @TuckerNichols--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Joe Wos is the 6-time Emmy Award-winning creator and host of “Cartoon Academy” as seen on PBS affiliates nationwide.Joe's been a professional cartoonist since the age of 14. Over the past 35 years, as he's sought new and innovative ways to pursue his passion for the cartoon arts, his career path has taken as many twists and turns as one of his wonderful mazes. For example, he spent 30 years touring the U.S. as a performer, illustrating stories live as he told them. He founded and ran a cartoon art museum here in Pittsburgh called the Toonseum. He illustrated symphony performances live with the Pittsburgh Symphony Orchestra. And he's exhibited his art in museums worldwide. Beyond all that, Joe's been the visiting resident cartoonist of the Charles M. Schulz Museum for over 23 years.With MazeToons — his unique hybrid illustration that is part cartoon and part puzzle — Joe has fulfilled a lifelong dream to appear in the funny pages.He's the author and illustrator of a dozen books, including “A-Maze-Ing Peanuts”, “Mega Maze Challenge,” “Our A-Maze-Ing National Parks,” “A-Maze-Ing America,” “A-Maze-Ing Animals,” “The Exploding Kittens Activity Book,” and many more.  Joe's also the Brand Character Integrity Consultant and artist for Charlie the Tuna of StarKist fame.Joe won the 2020 Divisional Reuben Award for the Variety Category as presented by the National Cartoonists Society.For the record, Joe and I have known one another for more than a decade, from his days running the Toonseum here in Pittsburgh.  

In this episode of the Pencil Pushers Podcast, host Mike Rosado interviews Darrell Young, an illustrator, toy designer, and comic artist based in Chicago. Darrell shares his journey from a childhood passion for comics, cartoons, and toys in the 70s and 80s to becoming a professional artist with over 25 years of experience. He discusses his time in animation working on General Mills commercials, his transition to toy design for brands like McDonald's and Wendy's, and his eventual shift to freelancing after being laid off during the COVID-19 pandemic. Darrell sheds light on his artistic process, including the impact of learning Photoshop, the importance of using reference materials, and his experiences at conventions. Throughout the conversation, Darrell emphasizes the importance of staying true to one's passion, continuously learning, and remaining adaptable in the ever-changing landscape of the arts. Host: Mike Rosado (mrcraleigh.com) (instagram.com/ekimodasor) Post Production: Max Trujillo (instagram.com/trujillomedia) Sponsors: MRC (mrcraleigh.com) and Burny Wild's (burnywilds.com) 

Tarkin's Top Shelf starts the New Year with a discussion about the Force. The hosts are joined by Erik Pflueger, illustrator and creator of "Hollywood Babble-On: The Coloring Book" and cover artist for "Quick Stops." Erik talks about how Star Wars and the Mortis Arc from The Clone Wars have shaped his latest art project. The episode explores the origins of the cosmic and living Force and looks at where Lucas found inspiration for the lore and mythos.   Erik Pflueger Art  Help us spread the word about the show Click here to subscribe via iTunes Click here to subscribe via RSS Click here to subscribe via Stitcher Click here to subscribe via Google Play Music Feedback and Promotion Follow us on Twitter @TarkinsTopShelf Like us on Facebook: Tarkin's Top Shelf Follow us on Instagram @TarkinsTopShelf Follow us on Threads  Follow us on Bluesky  

Send us a textIn this Play it Again episode from Season One, Valerie Fentress interviews Courtney J. Strong and illustrator Carissa Robertson about their new Christmas picture book, The Trail of Unexpected Gifts. They discuss their favorite Christmas traditions, the inspiration behind the book, the process of illustrating the book, and their heart for donating the proceeds to Vision Rescue. They also talk about involving their children in the book and their future projects. The episode concludes with information on where to find the book and a Christmas giveaway. Takeaways The Trail of Unexpected Gifts is a Christmas picture book that seeks to unwrap the story behind the gifts given at Christmas.The book is illustrated by Carissa Robertson and written by Courtney J. Strong.All the proceeds from the book will be donated to Vision Rescue, an organization that works to rescue and educate children in the slums of India.The authors involved their own children in the creation of the book, and their input and ideas were incorporated into the story and illustrations. Chapters 00:00 Introduction00:58 Introducing the Guests and the Book03:22 Favorite Christmas Traditions04:30 The Inspiration Behind the Book05:10 Illustrating the Book07:17 Donating Proceeds to Vision Rescue10:33 Involving the Kids in the Book12:45 Future Projects15:36 Courtney's Previous Book17:35 Carissa's Artistic Journey19:00 Favorite Children's Books22:45 Future Books and Collaboration25:39 Where to Find the Books26:00 Conclusion(2) FacebookHome - Vision Rescue Let's discover great books together!Follow for more:FB: @bookworthypodcastInstagram: @bookworthy_podcastYouTube: BookWorthy Podcast - YouTubetiktok: @valeriefentress

In this episode of the Pencil Pushers podcast, host Mike Rosado interviews illustrator Travis Knight, based in Chattanooga, Tennessee. Travis's work, inspired by vintage comics, punk zines, horror, and sci-fi, spans multiple mediums including painting, digital illustration, and sculpture. After a decade as a graphic designer, Travis transitioned full-time to illustration, landing clients such as Netflix, Metallica, DC Comics, and the Washington Post. Notably, his viral fake Cracker Barrel logo was even shared by Stephen King. They discuss Travis's journey from his early influences and interests in comics and horror, through his various design jobs, to his big breaks like the Stranger Things gig with Netflix. Travis also shares insights into his artistic process, his passion for analog and digital media, and recent projects including a country music dictionary. Host: Mike Rosado (mrcraleigh.com) (instagram.com/ekimodasor) Post Production: Max Trujillo (instagram.com/trujillomedia) Sponsors: MRC (mrcraleigh.com) and Burny Wild's (burnywilds.com) 

Jonnie Allan is an illustrator with over three decades of experience, specializing in fun, fantastic, family-friendly artwork that evokes strong emotions—from laughter and amazement to heartfelt “Awww” moments of pure cuteness. His work captures a wide range of feelings and brings joy and wonder to audiences of all ages. Jonnie's art can be found in comic books, children's books, on T-shirts, websites, brochures, flyers, business cards, murals, and more. His creative focus lies in character design, cartooning, sequential art, and storytelling. He studied art at Saddleback Junior College in Mission Viejo, CA, and at the Art Center College of Design in Pasadena, CA. Since then, he has continued to expand his artistic knowledge through self-teaching, mastering both traditional and digital mediums such as Photoshop, Illustrator, Fresco, Procreate, Clip Studio, and Affinity Designer. A proud Navy veteran, Jonnie is a loving husband, and a dedicated father to a spirited child with an unstoppable passion for LEGO. Links https://Pixelsandpastels.com https://linkedin.com/jonnieallan https://facebook.com/stykman If you're enjoying Entrepreneur's Enigma, please give me a review on the podcast directory of your choice. The show is on all of them and these reviews really help others find the show. iTunes: https://gmwd.us/itunes Podchaser: https://gmwd.us/podchaser TrueFans: https://gmwd.us/truefans Also, if you're getting value from the show and want to buy me a coffee, go to the show notes to get the link to get me a coffee to keep me awake, while I work on bringing you more great episodes to your ears. →  https://ko-fi.com/entrepreneursenigma Support me on TrueFans.fm → https://gmwd.us/truefans. Support The Show & Get Merch: https://shop.entrepreneursenigma.com Want to learn from a 15 year veteran? Check out the Podcast Mastery Community: https://www.skool.com/podcast-mastery/about Follow Seth Online: Instagram: https://instagram.com/s3th.me LinkedIn: https://www.linkedin.com/in/sethmgoldstein/ Seth On Mastodon: https://indieweb.social/@phillycodehound The Marketing Junto Newsletter: https://MarketingJunto.com Leave The Show A Voicemail: https://podcastfeedback.com/entrepreneursenigma Learn more about your ad choices. Visit megaphone.fm/adchoices

LARRY ELMORE Illustrators of the Future Judge – Biography Leonard Elmore has been creating fantasy and science fiction art for more than forty years. After receiving a BFA degree from Western Kentucky, he married Betty Clemons and was drafted into the Army almost at the same time. In the 1970s he began freelancing and was published in a few magazines, including Heavy Metal and National Lampoon. After being contacted by TSR Inc., the company that produced the role-playing game Dungeons & Dragons, Larry worked there from 1981 to 1987. While at TSR, he helped set the standards for gaming art in the role-playing genre. Besides creating covers for Dungeons & Dragons, AD&D, Star Frontiers and other gaming books, he may be best known for his work with the world of Dragonlance. Since 1987 he has worked as a freelance illustrator, creating covers for comics, computer games, magazines, and fantasy and science fiction books and projects too numerous to list. In recent years, he has been creating paintings for collectors and fans around the world. He has been an Illustrators of the Future judge since 2012. Larry was presented with the L. Ron Hubbard Lifetime Achievement Award for Outstanding Contributions to the Arts in 2018. “The Illustrators of the Future is true competition. It's a wonderful competition. If I had something like this when I was young to attend, it would blow my mind because I never met a real professional artist till I was out of school, out of college.” —Larry Elmore Find out more at: larryelmore.com CHRISTINA HESS Artist, Professor – Biography Christina Hess is an illustrator known for blending historical and natural themes across a wide range of projects. Her portfolio includes everything from numismatic coin designs to illustrated cookbooks, rendered in media such as graphite, watercolor, oils, and digital. Notable commissions include her work with the U.S. Mint, where she contributed to the 2020 Silver Dollar commemorating the 19th Amendment and the American Women Quarters Program. In addition she created the reverse quarter design honoring astronomer Dr. Vera Rubin in the American Women Quarter Program. Her work has received national recognition, including awards such as Best Historical Coin of the Year at the COTY Awards, and has been acknowledged by institutions like the Smithsonian. Christina's illustrations have been featured in prestigious exhibitions and publications including Society of Illustrators West, Spectrum Fantastic Art, ImagineFX, and 3x3 Magazine. Her ongoing personal series, Animals From History, reimagines iconic historical figures as whimsical animal characters. With over 25 unique illustrations, the project has captured media attention from outlets such as ABC News, Juxtapoz Magazine, Mental Floss, and My Modern Met. Beyond her professional practice, Christina serves as the Department Head of Illustration at Ringling College of Art and Design, where she finds constant inspiration in mentoring the next generation of artists. Find out more at: www.ChristinaHess.com and www.AnimalsFromHistory.com

Hi Everyone! My guest is Anne Sibley O'Brien, children's book author and illustrator! More about Anne:Anne Sibley O'Brien is a celebrated children's book creator, author, and illustrator of over 35 titles. Raised in Korea, her work centers on multicultural themes. She co-founded I'm Your Neighbor Books and Diverse BookFinder and received the Katahdin Award for lifetime achievement from the Maine Library Association.Visit Anne's website:http://www.annesibleyobrien.com/

ONE CITY AT A TIME—There are two kinds of travelers. The first group are those that need to see as many attractions as they can. The second are those that would rather wander around, get a feel for the place they're visiting, and live as much like a local as possible. Neither is better. There's no judgement here. But the people who are behind the bi-annual Fare Magazine are definitely of the latter group.Founded almost ten years ago, each issue of Fare explores a single city, using food as an entry point to talk to locals and tell stories that you won't find in your typical guidebook. You do not read Fare to find lists of must try restaurants. You read it to meet the people that make a city worth living in and worth visiting. You will learn something. And, maybe, this city will go on your list of places to visit. Going from city to city is, of course, not the easiest way to make a magazine, but ten years in, Fare is still going strong, and the business is growing to include new titles and new offers. It's a big world. And I get the sense Fare is going to keep wandering it, meeting the people who make every city taste better.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

"I think curiosity is very important. When you're curious about something, you listen." "You have to be at the forefront, not the back. You can't, hide behind and say, 'hey, you know, guys solve it', right?" "When they trust you, beautiful things happen."              "Ideas are welcome. You know, ideas are free. But it's got be data driven."  Tomo Kamiya is President Japan at PTC, a company known for parametric design and CAD-driven simulation that helps engineers model, test, and refine complex products digitally before manufacturing. He began his career in sales at Bosch, covering Kanagawa and Yamanashi with a highly autonomous, remote-work style that was ahead of its time, learning early that trust and relationship continuity—not brand alone—move outcomes in Japan. He later joined Dell during its disruptive growth era, moving from enterprise sales into marketing and broader regional responsibility, including supporting Korea marketing and later leading the server business, where his team hit number one market share in Japan. After a short consulting stint connected to Japan Telecom, he joined AMD to grow the business in Japan, then relocated to Singapore to run a broader South Asia remit and strategic customers. He subsequently led a wide Asia Pacific portfolio at D&M Holdings across multiple markets, navigating shifting consumer behaviour as subscription and streaming changed the fundamentals of product value. That experience led naturally into Adobe during its historic shift from perpetual software to subscription, where he led the Digital Media business in Japan (including Photoshop, Illustrator, and Acrobat) for almost a decade. Across this cross-industry arc, he has repeatedly adapted to business model change, regional cultural differences, and the practical realities of leading people in Japan—especially the need to listen deeply, build trust patiently, and step forward decisively when problems hit. Tomo Kamiya's leadership story is, at its core, a story about compressing complexity—first in products, then in organisations. At PTC, he sits at the intersection of engineering reality and digital abstraction: the ability to take something massive—a ship, an engine, an entire manufacturing system—and "frame" it into a screen so it can be simulated, stress-tested, and improved before any physical cost is incurred. That same instinct shows up in the way he talks about people and performance. In his earliest Bosch years, he learned that Japan's reliability culture does not eliminate the need for continuous trust-building; even a global brand can stall if the relationship energy disappears. His answer was to create value where the buyer's uncertainty lives—showing up, demonstrating, educating, and, as he put it, "sell myself," because credibility travels faster than product brochures. That bias for action stayed with him through Dell's high-velocity era, where "latest and the greatest" rewarded leaders who could anticipate market timing and organise teams around speed without losing discipline. Later, running regional remits outside Japan, he saw the contrast between Japan's "no defect" mindset and emerging markets that prioritised pace. Rather than treat one as right and the other as wrong, he learned to search for the productive middle ground: the discipline that prevents future failure, paired with the pragmatism that prevents paralysis. It is a useful lens for Japan, where uncertainty avoidance and consensus expectations can slow decisions unless the leader builds momentum through listening and clear intent. In his most practical leadership shift, an executive coach forced a hard look at his calendar: too much time on objectives, not enough time on people. The result was a deliberate reallocation toward one-on-ones, deeper listening, and clearer delegation—creating what amounts to a management operating system that improves decision speed because the leader knows what is really happening. He sees ideas as abundant but insists that investment requires decision intelligence: data points, ROI thinking, and a shared logic that gives teams confidence to commit. In Japan's consensus environment—where nemawashi and ringi-sho-style alignment often determine whether execution truly happens—his approach is to build trust through presence, make it safe for the "silent minority" to contribute, and then move decisively when critical moments arrive. Technology, including AI as a "co-pilot," can help leaders think through scenarios and prepare responses, but he remains clear that empathy and execution in the worst moments cannot be outsourced. The leadership standard, as he defines it, is simple and demanding: when things go south, step to the front. Q&A Summary What makes leadership in Japan unique? Leadership in Japan is shaped by trust-building, restraint, and the practical demands of consensus. Even when products are high quality and risk reduction is strong, outcomes often hinge on relationships and continuity. Japan's consensus culture—often expressed through nemawashi and ringi-sho-style alignment—means leaders must invest time in listening, building internal confidence, and demonstrating respect for the context that teams and customers protect. Why do global executives struggle? Global executives often arrive with a headquarters lens and try to "fix" what looks inefficient before understanding why it exists. When they change processes or people without learning the customer rationale, they trigger resistance and lose credibility. The gap is not intelligence; it is context. Japan requires deliberate time in the market and inside the organisation to decode what is really being optimised—often customer trust, stability, and long-term reliability. Is Japan truly risk-averse? Japan can appear risk-averse, but much of the behaviour is better described as uncertainty avoidance. The goal is to reduce surprises and protect relationships, not to avoid progress. Kamiya's early sales experience shows that buyers will pay for reliability when the cost of failure is high. The leadership challenge is to move forward while lowering uncertainty—through data, clear rationale, and predictable communication—rather than forcing speed without alignment. What leadership style actually works? The style that works is visible, empathetic, and action-oriented. Trust grows when leaders walk the floor, create everyday touchpoints, and listen in detail—especially because many Japanese employees will not speak up easily. At the same time, Kamiya argues that in critical moments—big decisions, business model shifts, major complaints—the leader must be "at the forefront," not hiding behind delegation. Delegation matters, but stepping forward in the hardest moments is what earns trust. How can technology help? Technology helps leaders compress complexity and make better decisions. In product terms, simulation and digital-twin style approaches reduce risk by testing before manufacturing. In leadership terms, data-driven thinking improves idea selection, investment confidence, and ROI clarity. AI can function as a co-pilot for scenario planning—offering options and framing responses—but it does not replace human judgement, empathy, or the social work of building consensus. Does language proficiency matter? Language matters because it shrinks distance. Full fluency may take years, but even small efforts signal respect and closeness, making it easier to build rapport and trust. Language is not just vocabulary; it is an everyday bridge that reduces friction with teams and increases the leader's ability to read nuance—critical in a culture where people may be reserved. What's the ultimate leadership lesson? The ultimate lesson is that trust is built through time, listening, and decisive presence. Leadership is revealed when trouble hits: the leader who listens, takes action, and stands in front earns durable commitment. Once trust is established, the organisation can move faster—because consensus forms more naturally, delegation improves, and decisions carry less uncertainty. Author Credentials Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" (2018, 2021) and recipient of the Griffith University Business School Outstanding Alumnus Award (2012). As a Dale Carnegie Master Trainer, Greg is certified to deliver globally across all leadership, communication, sales, and presentation programs, including Leadership Training for Results. He has written several books, including three best-sellers — Japan Business Mastery, Japan Sales Mastery, and Japan Presentations Mastery — along with Japan Leadership Mastery and How to Stop Wasting Money on Training. His works have also been translated into Japanese, including Za Eigyō (ザ営業), Purezen no Tatsujin (プレゼンの達人), Torēningu de Okane o Muda ni Suru no wa Yamemashō (トレーニングでお金を無駄にするのはやめましょう), and Gendaiban "Hito o Ugokasu" Rīdā (現代版「人を動かす」リーダー). In addition to his books, Greg publishes daily blogs on LinkedIn, Facebook, and Twitter, offering practical insights on leadership, communication, and Japanese business culture. He is also the host of six weekly podcasts, including The Leadership Japan Series, The Sales Japan Series, The Presentations Japan Series, Japan Business Mastery, and Japan's Top Business Interviews. On YouTube, he produces three weekly shows — The Cutting Edge Japan Business Show, Japan Business Mastery, and Japan's Top Business Interviews — which have become leading resources for executives seeking strategies for success in Japan.

If you feel like you're slogging your guts out, and things aren't improving - this episode's for you.

If your to-do list feels never-ending and you struggle to get everything done, you are far from alone and this one's for you!

In our heads, I think most of us create this fantasy where everyone gets everything they want to do done, apart from us. So today I want to remind you that you're not alone.

Charlie Adlard has been a veteran of the comics industry for over 25 years. From 2003 to 2019 he spent the majority of his time drawing The Walking Dead through the conclusion of its run as a comic book series. He received many industry awards for his work on the series, culminating in winning the 2019 Sergio Aragonés International Award for Excellence in Comic Art.In his time as a cartoonist, Charlie has worked on many other projects as far-reaching as Mars Attacks, the X-Files, Judge Dredd, Savage, Batman, X-Men, and Superman.He's also drawn many creator-owned projects closer to his heart, like Astronauts In Trouble, Breath Of The Wendigo, Codeflesh, Rock Bottom, Vampire State Building, White Death, Damn Them All, Heretic, and Altamont. 

In this episode of Talk Nerdy, Cara is joined by MIT research scientist, and science photographer, Felice Frankel. They discuss her book, Phenomenal Moments: Revealing the Hidden Science Around Us. Follow Felice: @Felice_Frankel

Illustrator, author, and former ad man Tommy Kane talks about his journey from obsessively drawing as a child to obsessively drawing as an adult, the creative business of making ads, and the role of serendipity and persistence in his fascinating career.

Award Winning Children's Book Author & Illustrator Kaelen Felix talks about "Wings & Whispers-Tales of Friendship, Volume 1" and more.You'll never meet any other artist and writer like Kaelen Felix. Despite life's challenges, she moved forward to complete her debut #childrensbook And talks about her art, writing, and future plans. To view more of her works, visit: https://www.kaelenfelix.com/aboutTo view her Prolific Pulse Press Feature Page go to: https://www.prolificpulse.com/kaelenfelix

A MODERN MAGAZINE EDITOR IN A POST-MAGAZINE WORLD—In the media storm that is 2025, the person you want captaining your ship is smart, decisive, and cool, calm, and collected—in other words, she's Nikki Ogunnaike.The editor-in-chief of Marie Claire, whom we got to know when we worked together at Elle, is the very model of a modern magazine editor, in that—unlike the lifers of old—she hopscotched through a ton of jobs, accruing skills as a writer, a fashion editor, a digital editor and a print editor, and, oh yeah, a social-media savvy multi-platform operator—to become what she is now: someone uniquely equipped to lead a new era of Marie Claire.We talked to Nikki about what it's like to run a modern media brand in a post-magazine world—what does the job of “magazine editor” even mean now? Also: how is the post-Hearst Marie Claire evolving to meet a new reader, or should we say “follower,” and which parts of its original DNA Nikki is working to preserve. Also: Is the “girlboss” back?—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Today we're looking at the flip side of saying yes and what it tends to mean for our empathetic, big-hearted selves.

This Hump Day, we're embracing the boring bits!

Send us a textWhat happens when an illustrator channels courage, mental health, and a 600-year-old sarcastic snowman into a single powerful story? In this inspiring conversation, The Snowman Code illustrator Reggie Brown reveals how he transformed a charming seasonal narrative into a visually rich, emotionally resonant world—and how his own life experiences shaped every brushstroke.If you're an educator, caregiver, librarian, picture-book lover, or emerging illustrator, this episode offers a masterclass in storytelling through art, navigating big feelings with creativity, and following unexpected paths into meaningful work.Episode SummaryIn Episode 166, Dr. Diane sits down with illustrator Reggie Brown, whose artwork elevates The Snowman Code—a winter story that tackles seasonal depression, parentification, courage, and connection. Reggie shares how he intuitively designs characters like Blessing and Albert and how he transitioned from biotech to bestselling illustrator after a life-changing moment during the pandemic.Listeners also get a sneak peek at Reggie's upcoming 2026 projects, including Walk the Walk and Do You See Me?, plus a heartwarming story of hope, family, and the Star Wars–themed Christmas surprise that changed his life forever.Chapters00:27 – Designing a Story Beyond Snowflakes03:41 – Illustrating Mental Health with Care04:39 – From Biotech to Books: Reggie's Unconventional Path07:00 – Comics, Storytelling, and Illustration Craft07:54 – A Lifelong Sci-Fi Fan09:06 – Books You Should Know11:15 – What's Coming in 2026?13:10 – What Makes a Manuscript Irresistible13:47 – A New Source of HopeLinks Connect with Reggie Brown on Website, Instagram and LinkedInCheck out Reggie's Books: The Snowman Code, Magnificent Makers, Santa and the City, Bros, Little Big Man, Who Are Your People?, Walk the Walk , Do You See Me?Subscribe to the Daily Picture Book Read-Aloud CalendarSupport the showSubscribe & Follow: Stay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

News. Are government websites accessible for people with disabilities in Czechia? Czech schools test new PE programme and Czech illustrator showcases his U.S. road trip through pen-and-ink drawings

Skam2? has left his mark in Hip-Hop with his legendary album covers for a slew of artists from A Tribe Called Quest, Eminem, to many others. Skam2? has also dropping music for the same amount of time. Working with local artists and curating great Hip-Hop.

In today's episode, we dive into how leaning into making things easier doesn't make us lazy.

In this episode of the Pencil Pushers Podcast, host Mike Rosado engages in a detailed conversation with Charly Clements, a successful illustrator and educator. Charly shares her inspiring journey, starting from her university rejections in the UK to becoming a digital nomad currently based in Thailand. She discusses her transition from struggling to get into university due to a lack of direction, to refining her portfolio, and eventually starting a thriving illustration career. Charly talks about her entry into the greeting card market and the importance of learning to monetize her art, despite the lack of business education in her formal training. She highlights the importance of passive income and licensing her designs for different products, which allowed her to focus on her creative work. The conversation also delves into the theme of balancing creativity with business, dealing with ADHD, and the significance of following one's passion. Charly gives insights into the importance of fun in learning, the process of product development including her texture brush packs, and community engagement through initiatives like her portrait parties. The podcast emphasizes the value of perseverance, adaptability, and self-awareness in building a successful and fulfilling creative career. Host: Mike Rosado (mrcraleigh.com) (instagram.com/ekimodasor) Post Production: Max Trujillo (instagram.com/trujillomedia) Sponsors: MRC (mrcraleigh.com) and Burny Wild's (burnywilds.com) 

What happens when creative grit meets a shifting digital world? In this episode of _Until You Make It, Chris and Mike sit down with illustrator and character designer Keith Glidewell to explore the real-life evolution of an artist—pivoting majors in college, discovering a voice through compulsive sketching, becoming a stay-at-home dad, and finding the fire that pushed him into professional illustration. From Instagram-driven work and band art to producing animated shorts for Cat-e-Corner, Keith shares how life, family, and discipline completely reshaped his career path. As the conversation deepens, the crew unpacks the state of modern creativity: the rise of AI art, what it steals, what it enables, and what it risks. They dissect client expectations, the temptation of shortcuts, whether “prompt artists” count as artists, and how much of the future belongs to genuine human collaboration. It's honest, funny, vulnerable, and full of the kind of creative shop talk most people never get to hear. Whether you're figuring out your own artistic path, wrestling with AI fatigue, or just here to laugh at raccoon-infested punk demos and parenting revelations, this one goes deep. What You'll Discover: How a single life pivot pushed Keith to fully commit to art Why daily discipline matters more than “talent” in illustration and animation How Instagram became Keith's main driver for paid creative work The inside story behind the Cat-e-Corner animated world and Keith's role in shaping it Why AI art divides creatives—and where it actually fits as a tool The hidden emotional cost of giving up on your dreams for stability How family, identity, and creative purpose overlap in unexpected ways If you care about making things—honestly, imperfectly, and with as much humanity as possible—this episode cuts right to the heart of the creative process 00:00 - Catching up 01:52 - We suck at sports 04:15 - Other life updates 14:41 - Who's our guest? 17:44 - Keith's life updates! 20:33 - Keith's incredible illustration work 34:30 - What is Ditz and Bug Rock? 39:23 - Cat-e-Corner (Animated Shorts) 45:47 - Is AI killing collaboration? 01:12:42 - Does having a family impact your art? 01:19:43 - Sleep schedule nightmares 01:23:21 - Indie film vs Indie animation 01:33:56 - Camera nerd talk 01:37:37 - Mike's new "Fig Rig" camera system 01:48:33 - Surviving as a creative 01:59:06 - Voice Acting 02:01:12 - GAME TIME

You'll always find reasons not to do the thing, but what if seeing them as signs to not it, it's your dreamshitter's way of stopping you from doing the scary things you want to do?

The holidays are here, and so is that energy—frantic, magical, and a tad overwhelming. But for children's book author and illustrator Matt Tavares, it's also the season of book signings and creative endeavors. Matt is an award-winning author and illustrator of nearly 30 books, among them the beloved Dasher series and its latest installment, Dasher and the Polar Bear. Matt joins us fresh off his book tour and right in the midst of holiday hustle to chat about raising two young adult daughters, and how storytelling and art keep the spirit of the season alive year after year. Don't miss Adam's Instant Regret which found him in an uncomfortable predicament!Topics Include:•  The journey to becoming a children's author and illustrator, even before having kids•  The creative process behind beloved holiday books like Dasher, including the origins and expansion of the series•  Navigating the collaboration and feedback loop with publishers, editors, and even family•  Exploring new genres such as graphic novels, and the role of children's reading habits in creative evolution•  The upcoming Dasher animated Christmas special for Disney+• And more!Links:Matt Tavares (homepage)Matt Tavares (Facebook)Matt Tavares (Instagram)Matt's Illustrated PrintsDasherHoopsCaspar BabypantsSpencer AlbeeModern Dadhood (website)AdamFlaherty.tvStuffed Animal (Marc's kids' music)MD (Instagram)MD (Facebook)MD (YouTube)MD (TikTok) #moderndadhood #fatherhood #parenthood #parenting #parentingpodcast #dadding #dadpodcast

THE PURPOSE OF TRAVEL—The world is adrift in travel magazines that tell you to go here and stay there, to order certain foods at “of-the-moment” restaurants. And when you go to these places you find yourself surrounded by other travelers like you, and the only locals you interact with are, maybe, the waiter, or your Airbnb host, or the tour guide taking you on a generic definitely-not-what-the-locals-do tour of the trendiest neighborhood in town. Or you might not even meet a local. Or ever stop looking at the screen on your phone.You will have ticked items off your travel bucket list, but will you have actually traveled? Travel becomes consumption and as with all manner of consumption, you are never quite sated, and hey, there's a media ecosystem out there to help you along.And then there's Ori. Founded by journalist Kade Krichko, Ori bills itself as a “travel, art and education platform” that allows local storytellers to tell their stories on a global scale. It is a magazine that understands travel is an experience first and foremost, and that traveling well means an immersion into people and places, an opportunity to grow and to heal.It's a magazine that assumes you should think about and experience the world around you, and that if you think about it and experience it enough, the world becomes a more interconnected and better place; it becomes a place of wonder.And isn't that why we travel?—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

We are officially in the home stretch of this year, and if you're running on fumes, join the club (even if no one else is admitting to being in it!)

In this week's episode, Ashley and Aisha sit down with two very special guests: Allie, a PA who cared for Ashley's son during his NICU stay, and her husband, Troy—the illustrator of Right On Time, Dear NICU Mama's first children's board book. Together they share the full-circle story of how their NICU connection led to creating a book that honors and represents the diverse journeys of NICU families!Ali reflects on her years in the NICU and her work in pediatric rehab, and Troy shares what it was like to illustrate a project so close to his family's heart. You'll also hear exciting updates on the book's arrival, our successful pre-order campaign, and the upcoming Holiday Book Drive. We hope this episode reminds you of the power of connection, storytelling, and the extraordinary milestones our NICU babies achieve, each one right on time.Order the Right On Time book here!To get connected with DNM: Website | Private Facebook Group | InstagramConnect with Troy: Website | Instagram | X | Email: ttbecker@gmail.com About Troy: It starts in New York Mills, MN where Troy was born and raised. After an affinity for drawing, comics and art - he graduated from Concordia College in Moorhead, MN with a B.A. in Art and Communications. After a few stints in Minneapolis, Connecticut and Wisconsin he found himself back in the F-M area. Troy has been an illustrator, cartoonist and graphic artist for Forum Communications for nearly 18 years. Troy also served as an adjunct professor at MSUM from 2015-2020. The art continues in his home studio where he enjoys creating screen prints, comics and graphic novels. You can find his art in local exhibits and commissions across the upper Midwest.Support the show

Instead of using them as yet something else to berate yourself for!

PART OF THE STORY—Susan Casey has won National Magazine Awards for editing, writing, and design—a feat that may well be unprecedented in the industry's history.In her native Canada, they call people like this “Wayne Gretzky.”She has worked—under various titles—for the following magazines: The Globe & Mail, Outside, Time, Esquire, eCompany, Business 2.0, Sports Illustrated Women, National Geographic, Fortune, and O, The Oprah Magazine. She also worked for the iconic 1990s fashion brand Esprit. These days—literally on any given day—you're likely to find Casey in the water, where she spent much of her childhood, later with the swim team at the University of Arizona, and, as an adult, as the author of four immersive books—all best sellers—about the ocean: The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean; The Devil's Teeth: A True Story of Obsession and Survival Among America's Great White Sharks; Voices in the Ocean: A Journey Into the Wild and Haunting World of Dolphins; and her most recent, The Underworld: Journeys to the Depths of the Ocean.A self-proclaimed “outspoken designer” early in her career, she refused to accept the career path limits others imposed and instead laid the groundwork for a rich creative life.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

It's so easy to go down the rabbit hole of shiny things, but today I'm singing the praises of the boring basics, and how that can have a really fabulous impact on your life.

Chances are, the things you think you ‘should' be doing right now, are the exact things your future self would be grateful if you didn't do. That's what we're diving into on today's episode.

In this episode of the Family Pet Podcast, host Michael Shirley discusses the journey of writing and illustrating the children's book 'Dear My Favorite Human' with author Amy Rhodes and illustrator Susan Ogburn. They explore the importance of teaching children about dog safety, the collaborative process of creating the book, and the significance of relatable illustrations. The conversation also touches on consulting dog training experts, the publishing process, and future plans for a book series.TakeawaysThe book 'Dear My Favorite Human' is a love letter from a dog to a child.Teaching children about dog safety is crucial for harmonious pet relationships.The collaborative effort between the author and illustrator was key to the book's success.Illustrations play a significant role in making the book relatable to children.Consulting with dog trainers can help families navigate pet ownership with kids.The book aims to educate children on how to interact safely with dogs.The authors hope to support local businesses by distributing the book in their community.The book is self-published and available on platforms like Amazon.Future books in the series will address themes of friendship and loss in pet ownership.The authors emphasize the importance of rhyming in children's literature for memory retention. Keywordspet care, children's books, dog safety, parenting, veterinary medicine, family pets, book publishing, dog training, pet education, children's literature

To wrap up this week on The Daily Pep! we're looking ahead to the festive season with a reminder that not everyone has it all figured out and the festive family f*ckery is real!

Feeling lost on the creative journey? Download our 7 step Creative Career Path Handbooklet for FREE by signing up to our newsletter: http://andyjpizza.substack.com --- FRANNERD RETURNS! Illustrator, Comic Artist and YouTuber Fran Meneses is a long time friend of the show and it's been 6 years since her last episode! We dive deep into: 1 - When mental health “gets in the way” of your creative plans and what has seemed to help both of us. 2 - How to think about creative crossroads and let go of things that don't serve where you want to go and double down on the path you do want to take. 3 - How the pandemic impacted both of our careers and shaped out creative focus moving forward. This chat was a blast and filled me with so much hope and comfort. Hope it does the same for you!   SHOW NOTES: Fran Meneses AKA Frannerdhttps://www.frannerd.clhttps://www.instagram.com/frannerd/?hl=enhttps://www.youtube.com/c/FranMeneseshttps://www.patreon.com/frannerd Producer / Editor: Sophie Miller http://sophiemiller.coAudio Editing / Sound Design: Conner Jones http://pendingbeautiful.coSoundtrack / Theme Song: Yoni Wolf / WHY? http://whywithaquestionmark.com Learn more about your ad choices. Visit megaphone.fm/adchoices