Podcast appearances and mentions of Mark Rydell

In this episode of The Snub Club, the fam talks about 1984's The River. Directed by Mark Rydell and starring Sissy Spacek and Mel Gibson, The River was nominated for five Academy Awards but lost each and every one (except for the special Oscar it won, but that one was non-competitive so it counts, blah blah blah you know the drill). In this episode, Sarah, Danny, and Caleb discuss a surprisingly menacing tractor, the consequences of scabbing, and Hugh Jackman's opening number to the 2009 Oscars.   Please check out our listener survey: https://www.surveymonkey.com/r/3GBFB5Z The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Elsewhere by Jim Hall

Hey Folks! In this episode we talk about Carly's swollen two face job interview and the neo noir The Long Goodbye! The Long Goodbye is a 1973 American satirical neo-noir film directed by Robert Altman and written by Leigh Brackett, based on Raymond Chandler's 1953 novel. The film stars Elliott Gould as Philip Marlowe and features Sterling Hayden, Nina Van Pallandt, Jim Bouton, Mark Rydell, and an early, uncredited appearance by Arnold Schwarzenegger. The story's setting was moved from the 1940s to 1970s Hollywood. The film has been called "a study of a moral and decent man cast adrift in a selfish, self-obsessed society where lives can be thrown away without a backward glance ... and any notions of friendship and loyalty are meaningless."[2] In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant"

"Take a step." That is the advice given to our newly ordained (May 2024) priest, Father Mark Rydell, as he discerned his calling to the holy priesthood. Today, he shares that story of discernment with us!

Check out our conversation with actress Cindy Marinangel as we learn about her one woman show Dietrich and more about her journey to become an actress. Cindy Marinangel is an international actress, a Lifetime Member of The Actors Studio (having studied under Mark Rydell, the late Martin Landau, Ellen Burstyn and Alec Baldwin) as well as a Chicago Second City Conservatory graduate (Stephen Colbert, Nia Vardalos, etc.). She was in UPtv's holiday special BEVERLY HILLS CHRISTMAS with Dean Cain and has had leading roles on stage since kindergarten when she played her first queen. Cindy continued the boards in Chicago, New Orleans, Las Vegas, Berlin, Los Angeles and New York in straight plays, dance shows as well as musicals. She has originated over twelve roles in new plays to rave reviews, most recently playing Misti in NY's New Circle Theatre's workshop production of FRACTURED. During Covid, Cindy purchased the rights to DIETRICH, the acclaimed, 75-minute, solo show - with - music that she produces and stars in. She has sung as Marlene Dietrich in Times Square for International Peace Day and performs an hour-long cabaret show as the international icon, having performed nine shows over three days at the Mid Atlantic Air Show's World War II weekend in their Officer's Club. Cindy is also a voice over artist. Her uniquely deep voice was personally chosen by Beyonce's family to narrate her international half - hour special for E! Entertainment. Cindy voiced two characters in the number one video game BRUTAL LEGENDS with Jack Black, Ozzie Osbourne and other rock legends. Cindy is the owner of Angel Baker Productions and with her international, creative team wrote, produced, and starred in an award-winning short film about a soul connection through lifetimes called ETERNAL WALTZ. The film was sponsored in part by the Johann Strauss Foundation of Germany and has garnered thirteen awards to date. Among those, she and her cast won “Best Acting Ensemble- Short” in the Culver City Film Festival, “Best Director” in the Amsterdam Around International Festival, “Best Female Film- Mini Movie”, as well as “Best Cinematography- Mini Movie” in the iHollywood Film Festival. ETERNAL WALTZ was screened in the Action On Festival in Las Vegas. Cindy is a competitive ballroom dancer with a passion for Latin dancing. She graduated Cum Laude from Purdue University and is an avid cat rescuer who maintains an animal-free diet. Mitch Levine (Director) is a film and stage director and actor, led the Directors Unit of the legendary Actors Studio, was a Juilliard Fellow and the first James Cameron Directing Fellow at the AFI. His film, SHADOWS, a story of love and loss during the Holocaust, Mitch directed GOD HELP US! starring the late, great Ed Asner, the documentaries HUNGRY IS THE TIGER and MORPHING GRAVITY and the drama INCONFIDENCE (Cannes 2015). He directed the epic Bicentennial Celebration of the University of Virginia, was Artistic Supervisor of the Philip Glass/Robert Wilson opera, EINSTEIN ON THE BEACH, collaborated with Peter Gabriel and Moses Pendleton on PASSION, directed A DREAM WITHIN A DREAM for PRT, Jean Anouilh's ANTIGONE for the Williamstown Theatre Festival and Arthur Kopit's WINGS. In New York, he directed SORRY! at Circle Rep, AMORPHOUS GEORGE for MCC and the revival of Lyle Kessler'sORPHANS. Mitch was the host of AFI's GREAT FILMMAKERS series and of REFUGEE VOICES IN FILM in Cannes. He runs The Film Festival Group, consults with filmmakers around the world and served as a Special Representative to the United Nations. The late Willard Manus was a playwright, journalist and novelist who was a member of the Playwright/Director unit of The Actors Studio. His most recent plays were JOE AND MARILYN: A LOVE STORY, FRANK, AND AVA (now a motion picture) and WHO KILLED COMRADE RABBIT? His best-known novel was Mott the Hopple from which the 1970's British rock band took its name. CINDY MARINANGEL is DIETRICH for three nights at A Guest Production in The Other Space at Santa Monica Playhouse April 2, 9, 16 TICKETS ARE AVAILABLE @ EVENT BRITE: https://www.eventbrite.com/e/dietrich... #dietrich #cindymarinangel #onewomanshow #broadway #offbroadway #podcast #interview #conversation #actor #actress

In this episode of The Snub Club, the party discusses 1979's The Rose. Directed by Mark Rydell and starring Bette Midler, The Rose was nominated for four Academy Awards but lost everyone. In this episode, Sarah, Danny, and Caleb discuss Harry Dean Stanton and 2019's landmark blockbuster Yesterday.    The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Here It Comes by Tracktribe

PATREON MOVIE DISCUSSION:This movie was selected by our Patreon Supporters over at the Cinematic Doctrine Patreon. Support as little as $3 a month and have your voice heard!Shirleon joins Melvin in discussing this month's Patron-Pick, On Golden Pond! This Oscar-winning feature stars Katherine Hepburn, Henry Fonda, and Jane Fonda in a complex-yet-comedic tale of old-age, generational trauma, and the endurance of love. Tune in to hear the two discuss all manner of topics from this deceptively deep story!Topics:(PATREON EXCLUSIVE) 28-minutes discussing the importance, or lack thereof, of award shows, both with film and literature, and how it's all a glorified expression of curation. (PATREON EXCLUSIVE)On Golden Pond is very much about the inevitability of change alongside the hardship of relational stagnation. It's a simple story with rich, complex dynamics.Norman is undoubtedly a curmudgeon, but he's also a ventilator; someone who releases tension through biting comments.Ethel stands as a titan of female strength against a cavalcade of frustrated and emotional characters.On Golden Pond explores the dichotomy between fear and love, and how the two struggle to endure with one another.Norman's character showcases a comforting depiction of the difficulty in self-identification. Even at 80 years old he is still struggling to find out who he is, and it's through the kindness of those around him that he is able to persevere in this identity crisis. Both Melvin and Shirleon find this comforting as individuals who struggle with their identity.Discussing various iconography throughout the film, including the loons and the deadfall.Melvin appreciates that the leads of On Golden Pond are older folk, finding that they're more relatable and more interesting than if they were just a buncha youngin's.Recommendations:God of War (PS4) (Video Game)Was it Good? - God of War (2005) (Josh Strife Plays) (YouTube Video)Possum (2018) (Movie) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group

Susan and Sharon sit down with actor, director, and writer Elayne Heilveil. Elayne has worked with Mike Nichols and Mark Rydell in the classic 70s television series Family and has guested on such shows as The Rockford Files, The Waltons, Emergency!, Hawaii 5-0, Hill Street Blues and The Mary Tyler More Show. She has appeared opposite such legendary stars such as James Garner, Rip Torn, Ben Vereen, Jeff Goldblum, Valerie Bertinelli, David Jansen, Robert Culp and Dame Judith Anderson.In this layered conversation, Elayne discusses standing up for yourself on set, learning to trust your instincts, navigating dicey auditions -- and discovering the joy and artistic rewards of writing.THE CONVERSATIONHow a “mystical” experience reading “The Creation” by James Weldon Johnson at eleven years old led to Elayne's start in show business.Going to the Fame school –the movie and TV show barely scratched the surface!Topless go-go dancers and drunk bodies in the streets: living and acting in 70's New York.What do you say when an agent wants you to change your name – to Daisy Astor?On being asked to take her top off at an audition: “I broke out laughing and said, ‘Are women buying this bullshit?' ”On casting quirks: “I've played three nuns. It's every Jewish girl's dream to be a nun.”Being “beyond nervous” auditioning for Mike Nichols.Doing the TV movie, A Cry For Help – and wearing Columbo's trench coat the whole time!What do you do when your lines aren't quite right on The Waltons? Give them to Richard Thomas' John-Boy!LIVING WITH AN ‘ANGEL' – what's it like secretly living with Stuart Margolin, and then getting “married” on-screen?What's the best therapy after an abusive moment on set? Try throwing drinking glasses at a brick wall.So join Susan and Sharon – and Elayne – as they talk nude photos, James Garner, reverse nepotism, finding your sweet spot – and getting tear-gassed by Rip Torn! AUDIOGRAPHYThe Rockford Files is streaming FREE on Roku.So Fetch, The Making of Mean Girls (and Why We're Still Obsessed with It) by Jennifer Keishin Armstrong. Get it at Bookshop or your favorite bookstore.Pre-order the book: The Girls: From Golden to Gilmore by Stan Zimmerman. Will ship Feb. 13.Read The Creation by James Weldon Johnson.8TL EXCLUSIVE OFFERS!Invest in yourself at TheNextish.com - Special 80s TV Ladies offer! Get 10% off an already 30% off promotion on their newest online course that will help you chart a course forward: "Be The Disruptor" - Use code "8TL24" at checkout at TheNextish.com.CONNECTRead transcripts and more at 80sTVLadies.com.Sign up for the 80s TV Ladies mailing list.Follow 8TL on Facebook.Check out 8TL on Linkedin.Get ad-free episodes and exclusive videos on PATREON.Find more cool podcasts at our host sight, Weirding Way Media.The 80s TV Ladies travel to Podfest 2024! If you'll be there, find us and say hello to Sharon and Susan.

Bette Midler sang, screeched, and sobbed her way to an Oscar nomination in 1979's "The Rose," directed by Mark Rydell. Loosely based on Janis Joplin, the film infused rock-star drama with electrifying concert footage and made Midler a household name. But now, decades later, to borrow a song title, whose side are we on? From a self-destructive singer to the ill-tempered cowboy who loves her, to the fans who demand more, it's hard to find a hero in The Rose's thorns? The Old Roommates grab some tissues (and maybe some ear plugs) as they revisit the high-decibel drama through their middle-aged lens. Listen to this.Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on Instagram and YouTube @OldRoommates for bonus content and please give us a rating or review!#TheRose #MarkRydell #BetteMidler #AlanBates #FrederickForrest

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

This week Mark Rydell's 1981 film, On Golden Pond is up. We talk Jane Fonda acting opposite her father Henry Fonda and how the film mirrored their rocky real life relationship. We also discuss the Katherine Hepburn, the comedy, the fascination with death, and the themes at the film's core. This is a fun one. WEBSITE: https://linktr.ee/BrokenVCR

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he'll be on the show soon). Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here's a bit on The Travis Technique.Acting is too often just pretending. And most directing is demanding and controlling and result oriented.  And consequently, the final product suffers. But it doesn't have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences.  The Travis Technique is an organic approach to directing actors that is guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget.  In the last 20-years the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.When actors, directors and writers use the Travis Technique, it's not just a performance anymore.  It becomes REAL!   The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.Recommended by Hollywood's top brass: Mark Rydell, Art Seidelman, Randal Kleiser, George Tillman, Asaad Kelada, Jan Eliasberg, John Badham and other A-listers. For over 20-years Mark Travis has been sharing his award-winning techniques on writing, acting and directing worldwide.Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master.  They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis' workshops and seminars have covered the entire filmmaking process including: all stages of preparation, pre-production, production, and post-production.  Mark has been instrumental in launching successful directorial careers in the US and internationally.Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.Enjoy my conversation with Mark Travis.

Mark W. Travis acclaimed as "the director's director", Mark W. Travis is regarded by many Hollywood and International professionals as one of the world's leading authorities in the art and craft of film directing. Drawing from his impressive background in design, writing, acting, and his wide range of experience directing theater, film and television, Mark is able to bring new insights and exceptional clarity to the complex task of directing the feature film.Mark W. Travis earned a B.A. degree in Theatre at Antioch College and did his graduate training in Directing in the MFA program at the Yale School of Drama. Mark is a creative consultant to film directors Mark Rydell, George Tillman, Cyrus Nowrasteh and many other notable writers and directors.Mark's television directing credits include The Facts of Life, Family Ties, Capitol and the Emmy Award-winning PBS dramatic special, Blind Tom: The Thomas Bethune Story. In 1998 he directed the pilot for LifeStories.In 1990 he completed his first film, Going Under, for Warner Bros., starring Bill Pullman and Ned Beatty. In 2001 he wrote and directed The Baritones (parody of The Sopranos) as well as the short documentary, Earlet. In 2006 he co-directed the documentary, Ancient Light.Mark's unique approach to working with actors and characters (The Travis Technique) has gained the attention of directors, writers and actors worldwide and is becoming a standard approach for stimulating powerful performances.Since 1992 Mark has been sharing his techniques on writing, acting and directing worldwide.USA: The Directors Guild, American Film Institute, Pixar Animations Studios, UCLA Extension, Taos Talking Pictures Film Festival, Denver Film Festival, Hollywood Actor's Workshop, Hollywood Film Institute.JAPAN: Film & Media Lab and Vantan Film School.GERMANY: UW Filmseminares, ActionConcept, IFS, and HFF, the Munich Film School.POLAND: The Film Farm in Kotla.ENGLAND: Raindance, Paradigm Film Productions, Hurtwood House, Metropolitan Film School, National Film and Television School, London Film School, Lionhead Studios, London Film Academy.FRANCE: The Cannes Film Festival,NETHERLANDS: The Maurits Binger Institute.UKRAINE: HSU in Kiev, OIFF in Odessa;RUSSIA: International Film Actors Workshop,IRELAND: FAS Screen Training Ireland,NORWAY: The Norwegian Film School,DENMARK: The National Film School ofDenmark,SPAIN: afilm International Film Workshops,CZECH REPUBLIC: FAMU Academy of Film and Television.Mark has served as a Creative Consultant on several feature films including: Here's Herbie; Notorious; Not Forgotten; The Stoning of Soraya M,; Black Irish; Men of Honor; Barbershop; Barbershop 2; The Day Reagan Was Shot; Norma Jean, Jack and Me and television episodes of: Lois and Clark; The Pretender; Picket Fences, 90210, Melrose Place; Strong Medicine; NYPD Blue; The Practice and Ally MacBeal.Mark is the author of the Number-One Best Seller (L.A. Times), THE DIRECTOR'S JOURNEY: the Creative Collaboration between Directors, Writers and Actors. His second book on directing, DIRECTING FEATURE FILMS (published in April of 2002) is currently used as required text in film schools worldwide. His next book, THE FILM DIRECTOR'S BAG OF TRICKS will be published in September 2011.

Victoria Rose Sampson has been a renowned Feature Film Sound Editor who learned her craft by working alongside her mother, Kay Rose, the first woman to win an Oscar for sound editing on the Mark Rydell film, The River. Victoria's credits include Pirates of the Caribbean: Curse of the Black Pearl, Speed, Donnie Darko and Return of the Jedi, and she now teaches post-production sound at Video Symphony in Burbank. She is a member of The Academy of Motion Picture Arts and Sciences, as well as the Motion Picture Editors Guild, Local 700 of the IATSE, and serves on the Board of Directors of The Alliance of Women Directors. On the My Creative Careers podcast today, we're diving deep into the world of sound engineering with sound editor extraordinaire Victoria. She shares her insights into the relationship between the language of sound and the storytelling process and why the sound editor is so much more than a technician. We explore how sound editors take production sound recorded on set or location and clean it up to eliminate unwanted noise and create the director's vision. Victoria also discusses how her career has evolved since the 1970s, what made her fall in love with the discipline and gives her advice on achieving great sound on set. “I wish that more directors would know the language of sound a little better. I mean, they learn the language of actors, they learn the language of DPs — to learn a little bit of sound language isn't going to hurt too much. But I find people just get a little overwhelmed by the technical side of it.” - Victoria Samson “A sound editor is a person who tells stories with sound. I learned that from my mom; she used to tell mixers that you're not just a technician, you're not just a recording mixer, you're a filmmaker. And we help the filmmakers tell their stories using creative sound, sound design, sound effects backgrounds.” - Victoria Samson   Highlights This Week Victoria's illustrious film industry heritage What a sound editor does to help the filmmaker's vision using sounds What made Victoria fall in love with sound editing, and how her career began Why there are fewer women sound editors now than there used to be 20 years ago Why it makes sense for sound editors to get involved in movies early What Victoria wishes people knew specifically about what she does and her golden nuggets of wisdom gleaned over her long and successful career The movies Victoria has worked on that contain the most interesting sounds, what those sounds were, and how she found them Films that Victoria hasn't worked on but that she admires for their amazing sound editing — and what she really notices about sound when she's watching films How Victoria finds focus and blocks out the many distractions life can bring   Resources An Open Letter From Your Sound Department handout Victoria Rose Sampson on IMDB

This week Mark Rydell's 1981 film, On Golden Pond is up. We talk Jane Fonda acting opposite her father Henry Fonda and how the film mirrored their rocky real life relationship. We also discuss the Katherine Hepburn, the comedy, the fascination with death, and the themes at the film's core. This is a fun one. Follow theturnbuckletavern.com for all your Tavern needs!

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

Dans cet épisode, le temps est venu d'aborder la décennie cinématographique 1940 pour le trio Gravlax – Pap(Gubi)da – Casa. La sélection de films les emmène Outre-Atlantique avec un film classique et très connu, un film dont le nom est ultra connu même si on ne sait pas vraiment toujours ce qui se cache derrière, et enfin une pépite qui commence à être remise en avant et réévaluée au fil des ans. Le programme de films sera donc : 4'55 ( Gravlax ) : « Pêché Mortel » de John M.Stahl ( 1945 ; SPOILERS vers 26 minutes 30 secondes ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=394.html 38'30 ( Gubi ) : « Les Raisins de la Colère » de John Ford (1940) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1268.html 1H10 ( Casa ) : « Hellzapoppin' » d'Henry C.Potter (1941) : https://www.allocine.fr/film/fichefilm_gen_cfilm=210.html Les « recos » : ( Gubi ) : « Un frisson dans la nuit » de Clint Eastwood ( 1971 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=377.html ET la série « Manipulations » de Jeanne Le Guillou et Bruno Dega ( 2022 ) : https://www.allocine.fr/series/ficheserie_gen_cserie=28809.html ET « Monsieur Verdoux » de Charles Chaplin ( 1947 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2257.html ( Gravlax ) : « 49ème Parallèle » de Michael Powell ( 1941 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=61530.html ET « L'évadé du camp 1 » de Roy Ward Baker ( 1957 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=60815.html ( Casa ) : La série documentaire « Cinq hommes et une guerre » de Laurent Bouzereau (2017) : https://www.allocine.fr/series/ficheserie_gen_cserie=21794.html Films évoqués durant l'épisode : • « **Les Clés du Royaume** » de John M.Stahl (1944) : https://www.allocine.fr/film/fichefilm_gen_cfilm=22377.html • « **Le démon de la chair** » d'Edgar G. Ulmer (1946) : https://www.allocine.fr/film/fichefilm_gen_cfilm=564.html • « **Cléopâtre** » de Jospeh Mankiewicz (1963) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2384.html • « **La planète des singes** » de Franklin J.Schaffner (1968) : https://www.allocine.fr/film/fichefilm_gen_cfilm=12791.html • « **Le retour de Franck James** » de Fritz Lang (1940) : https://www.allocine.fr/film/fichefilm_gen_cfilm=6513.html • « **Le ciel peut attendre** » d'Ernst Lubitsch (1943) : https://www.allocine.fr/film/fichefilm_gen_cfilm=392.html • «** Laura** » d'Otto Preminger (1944) : https://www.allocine.fr/film/fichefilm_gen_cfilm=393.html • « **L'aventure de madame Muir** » de Joseph Mankiewicz (1947) : https://www.allocine.fr/film/fichefilm_gen_cfilm=47500.html • « **Les Forbans de la Nuit** » de Jules Dassin (1950) : https://www.allocine.fr/film/fichefilm_gen_cfilm=395.html • « **Mark Dixon, détective** » d'Otto Preminger (1950) : https://www.allocine.fr/film/fichefilm_gen_cfilm=5358.html • «** La main gauche du Seigneur** » d'Edward Dmytryk (1956) : https://www.allocine.fr/film/fichefilm_gen_cfilm=175556.html • La série « **Desperate Housewives** » de Mark Cherry (2004-2012) : https://www.allocine.fr/series/ficheserie_gen_cserie=221.html • « **Network, main basse sur la télévision** » de Sidney Lumet (1976) : https://www.allocine.fr/film/fichefilm_gen_cfilm=46077.html • « **Les Diaboliques** » d'Henri-Georges Clouzot ( 1955 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=3732.html • « **Le brigand bien-aimé** » d'Henry King et Irwin Cummings ( 1939 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=3095.html • « **Vers sa destinée** » de John Ford ( 1939 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=3918.html • « **Il était une fois dans l'Ouest** » de Sergio Leone ( 1968 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2021.html • « **L'honneur perdu de Katarina Blum** » de Volker Schlöndorff et Margarethe von Trotta ( 1975 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2381.html • « **Douze hommes en colère** » de Sidney Lumet ( 1957 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4063.html • « **La maison du lac** » de Mark Rydell ( 1981 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=12454.html • « **Les enfants de la Crise** » de William A.Wellman ( 1933 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=138188.html • « **Les voyages de Sullivan** » de Preston Sturges ( 1941 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=46946.html • « **Deadpool** » de Tim Miller ( 2016 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=146349.html • « **La folle journée de Ferris Bueller** » de John Hugues ( 1986 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=46543.html • « **Gremlins 2** » de Joe Dante ( 1990 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=5922.html • « **La folle histoire de l'Espace** » de Mel Brooks ( 1987 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2735.html • « **Hamburger Film Sandwich** » de John Landis ( 1977 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=13264.html • « **Astérix et Obélix : Mission Cléopâtre** » d'Alain Chabat ( 2001 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=28537.html • « **La Cité de la Peur** » d'Alain Berberian ( 1994 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=9400.html • « **Zelig** » de Woody Allen ( 1983 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1618.html • « **La rose pourpre du Caire** » de Woody Allen ( 1985 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=286.html • « **Last Action Hero** » de John McTiernan ( 1993 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=8204.html • « **The Mask** » de Chuck Russell ( 1994 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=10744.html • « **Là-Haut** » de Pete Docter et Bob Peterson ( 2009 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=130368.html • « **Nicky Larson et le parfum de Cupidon** » de Philippe Lacheau ( 2018 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=257514.html • « **Airport 80 Concorde** » de David Lowell Rich ( 1979 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=44481.html • « **Wayne's World** » de Penelophe Spheeris ( 1992 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=7028.html • « **Les Chaussons Rouges** » de Michael Powell et Emeric Pressburger ( 1948 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=553.html • « **Lawrence d'Arabie** » de David Lean ( 1962 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4749.html • « **Docteur Jivago** » de David Lean ( 1965 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4754.html • « **Le pont de la rivière Kwai** » de David Lean ( 1957 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1602.html • « **Went The Day Well ?** » d'Alberto Cavalcanti ( 1942 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=28088.html • « **Bon Voyage** » d'Alfred Hitchcock ( 1944 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=6809.html • « **Le Troisième Homme** » de Carol Reed ( 1949 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1826.html • « **L'héroïque parade** » de Carol Reed ( 1944 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=56557.html • « **Le voleur de Bagdad** » de Michael Powell ( 1940 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=7072.html • « **Le Dictateur** » de Charles Chaplin ( 1940 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=2253.html • « **Le Narcisse Noi**r » de Michael Powell et Emeric Pressburger ( 1947 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4305.html • « **Colonel Blimp** » de Michael Powell et Emeric Pressburger ( 1943 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=4082.html • « **Ben Hur** » de William Wyler ( 1959 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1532.html • « **Le faucon maltais** » de John Huston ( 1941 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1809.html • « **La vie est belle** » de Frank Capra ( 1946 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=5762.html • « **Arsenic et vieilles dentelles** » de Frank Capra ( 1944 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=1343.html • « **Géant** » de George Stevens ( 1956 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=29107.html • « **Dreamcatcher, l'attrape-rêves** » de Lawrence Kasdan ( 2002 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=41300.html • « **Mémoires de nos pères** » de Clint Eastwood ( 2006 ) : https://www.allocine.fr/film/fichefilm_gen_cfilm=60580.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) LVDS « Blessed » Alfred Newman ( B.O de « Péché Mortel – Leave Her to Heaven » ) : « Main title » / « Train music » / « Night scene : Spreading the ashes » / « Warm Springs : Danny » / « Newlyweds : First Dinner » / « Eleen and Danny on the Lake » / « Bar Harbor : Dick's Suspicions » / « Windy Day : Jealousy » / « Eleen's Plan : Fall Down The Stairs » / « The Letter : Poison » / « Finale » Paul Mitchell Wright : « Tom Joad Walking » / « Tom Joad's Lament » / « Grandma's Waltz » / « Amazing Grace » / « A People in Flight » / « The Mother Road » / « Cross Country » / « Gone » / « Pastures of Plenty » / « Chicken Reel » / « Camp Waltz » / « Beyond the End of the Road » Louis Armstrong « Hellzapoppin' » Martha Raye & The Six Hits « Watch The Birdie » / « Conga Beso » Whitey's Lindy Hoppers of the Savoy Ballroom « Lindy Hop » Robert Paige & Jane Frazee « Heaven for Two » ProleteR « It don't mean a thing » / « When Lana says » The Laidbackz « Foolish Thoughts » Nicobox « Goodbye » Tony Lee « Theme song of Misty » Générique de la mini-série « Manipulations » ( 2022 ) par Sathy Ngouane et Axelle Renoir Ralph Vaughan Williams : 49th Parallel Suite « Prelude » / « Prologue » Hubert Clifford : Musique de « The Dark Man » ( 1951 ) Charles Chaplin : B.O de « Monsieur Verdoux » Thomas Newman : « Five Came Back - Main Theme » / « Wonderful » Liens : Article Wikipédia sur la photographie « La mère migrante » de Dorothy Lange ( 1936 ; évoquée dans la partie sur « Les Raisins de la Colère » ) :https://fr.wikipedia.org/wiki/M%C3%A8re_migrante Article Wikipédia sur le roman "Dans la dèche à Paris et à Londres" de George Orwell ( 1933 ) :https://fr.wikipedia.org/wiki/Dans_la_d%C3%A8che_%C3%A0_Paris_et_%C3%A0_Londres Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

This week's guest on the John Wayne Gritcast is Mark Rydell. The legendary Director of one of the most beloved John Wayne films of all time, The Cowboys. It is the 50th anniversary of the film's release and Ethan and Mark haven't seen each other since they were on location. Ethan sits down with Mark in a very special location in Los Angeles to discuss Mark's amazing career and working with John Wayne on The Cowboys. Mark describes being a little nervous to work with Duke, since the two were on opposite sides of the political spectrum, but he remembers that not being an issue at all. The two really enjoyed working together. He also details working with his friend, Steve McQueen. He then tells the story about how he discovered Bette Midler and fought to get her cast in the Rose. The executives quickly apologized after 3 days of seeing her on set. Mark turned 93 this week and it is such an honor to have Mark as a guest on the John Wayne Gritcast. Also, make sure you're signed up for our emails and follow us on social because we will be announcing some more exciting news in honor of the 50th anniversary of The Cowboys soon! More information about John Wayne on JohnWayne.com Shop our official store on JWStockandSupply.com Follow us on Social Media Instagram.com/johnwayneofficial Facebook.com/johnwayne Twitter.com/johndukewayne TikTok.com/johndukewayne

En el episodio de hoy hablamos sobre «Capitanes Intrépidos», la película de Victor Fleming de 1937. Uno de los grandes clásicos de la historia del cine, “Capitanes Intrépidos” es una de esas películas que se convierten en favoritas una vez vista, pues siempre vuelves a ese mar, a la "We're here". Hablamos sobre la amistad, el esfuerzo y la camaradería, sobre carreras en el mar y «El mundo en sus manos», sobre Spencer Tracy y «La isla del tesoro», sobre aventuras. Hablamos sobre el cine y la vida, valga la redundancia. Recomendaciones libérrimas: —"Adios, Mr. Chips", de Sam Wood. —"Momo", de Michael Ende. —"Christopher Robin", de Marc Forster. —"En el estanque dorado", de Mark Rydell. Intervienen: Salvador Otamendi (@sotamendi_) y Nacho Rozas (@inakorozas, director). Control técnico: Marcos Machado.

Ellen Gerstein is an award winning actor/filmmaker.  She is a member of: Women In Film, The Alliance of Women Directors, LA Film Team, Film Independent and is a lifetime member of The Actors Studio.As an actor Ellen has worked with talented directors including Martin Scorsese, Mark Rydell, Mimi Leder, Rob Marshall and Danny DeVito to name a few. She was honored with the Robert Proski Character Actor Award and the Roy W. Dean Screenwriters Grant. Ellen can be seen on the acclaimed FX show, Better Things as well as the award-winning show on Apple+, The Morning Show. She plays, Cherub in the feature Turnover that is winning awards on the festival circuit. She was seen in the Marvel film Venom, Liza On Demand, as a regular, Mrs. Moorehouse in the sit-com Hotel Du Loone, recurring as Aunt Rande on Shameless  and Lillian in Fresh Off The Boat and many more. Sylvia Just Sayin' is a popular comedy webseries that Ellen created and stars inas Sylvia.She has acted in, as well as produced and directed theater in LA. She originated characters including: Ruthie in Potroast,  Shirley in Sit and Shiver, a play by Steven Berkoff, Rosalie in Angel Share and The Traveler at The Mark Taper Forum. My Psychotherapy Comeback Tour, a one women show, written, directed and performed by Ellen, that won semi-finalist in the Samuel French short play festival and was performed in Los Angeles and The Harold Clurman Theater in New York. Ellen has worked with incredible actors like James Franco, Eamonn Walker, Danny Divito, Cuba Gooding, Robert DeNiro, Al Pacino, Kathy Bates, Jason Bateman and Ted Danson to name a few. She is an international award winning filmmaker, Waiting For Ronald (with a blended cast of actors with disabilities and without) and Come Away With Me (with Charlie Robinson).  She is a judge at Diversity in Cannes Short Film Showcase Program: Black Lives Matter, Roy W. Dean Film Makers Grant, Film Consortium San Diego and SD Film Awards. She has coached and taught actors of all ages at her acclaimed Ellen Gerstein Acting workshop.In this episode Leslie and Ellen discuss script analysis, sub-text and specificity to bring your film from great to extraordinary.  Do not miss this episode, it's just too good!

Welcome to the Giant Sized Summer Special Episode of the Wrath of the iOtians! Grab a beer or two or three.....ahhh just get a case! Sit back and hang with the iOtians for the next hour and enjoy the rest of your summer! Jake and Ron chat about the following:Fugitive Telemetry: The Murderbot Diaries by Martha Wellshttps://publishing.tor.com/fugitivetelemetry-marthawells/9781250765376/Outland (1981) directed by Peter Hyams Starring....Sean Connery!!!https://www.imdb.com/title/tt0082869/?ref_=fn_al_tt_1Green Team of the Legendarium Podcasthttps://podcasts.apple.com/us/podcast/green-team-of-the-legendarium/id1537347502The Man Who Fell to Earth (New TV Series for Showtime)Available in 2022https://www.imdb.com/title/tt10758074/Hunting Bigfoot (2021) directed by Taylor Gutersonhttps://huntingbigfootfilm.com/https://www.imdb.com/title/tt14289970/?ref_=fn_al_tt_1The Twisted Ones (2021) by T. Kingfisherhttps://www.simonandschuster.com/books/The-Twisted-Ones/T-Kingfisher/9781534429567The Suicide Squad (2021) directed by James Gunnhttps://www.imdb.com/title/tt6334354/Pig (2021) directed by Michael Samoskihttps://www.imdb.com/title/tt11003218/?ref_=fn_al_tt_1Belladonna of Sadness (1973) directed by Eiichi Yamamoto https://www.imdb.com/title/tt0071203/?ref_=fn_al_tt_1Valerie and Her Week of Wonders (1970) directed  by Jaromil Jires https://www.imdb.com/title/tt0066516/?ref_=nv_sr_srsg_0Solaris (1972) directed by Andrei Tarkovsky https://www.imdb.com/title/tt0069293/?ref_=fn_al_tt_1On Golden Pond (1981) directed by Mark Rydell https://www.imdb.com/title/tt0082846/?ref_=nv_sr_srsg_0Starring....Henry Fonda! He won an Oscar for this film. He was a national treasure!The Wrath of the iOtiansEmail: thewrathoftheiotians@gmail.comInstagram: thewrathoftheiotiansTwitter:  @OfiOtiansWebsite: https://thewrathoftheiotians.buzzsprout.com/MusicLand Of The Me-me by Aleksandar Dimitrijevic (TONO)Licensed under the NEO Sounds Music License Agreement

On this episode of ActorSpeak, Austin Basis speaks with actor Ellen Gerstein (Shameless, Southland, James Dean, Seinfeld, Friends). In Part 1, we talk about being a social worker in NYC, sage advice from her therapist, studying with Lee Strasberg & Ernie Martin, script analysis with Stella Adler, trusting yourself, substitution, subtext improv, "if you don't need- don't use," behavior, and her teaching & coaching techniques. Ellen Gerstein is an award-winning Los Angeles filmmaker, actress, writer and director. She's a member of: Women In Film, The Alliance of Women Directors, Film Independent, and a lifetime member of The Actors Studio. As an actor, Ellen has worked with talented directors including Martin Scorsese, Mark Rydell, Mimi Leder, Rob Marshall, and Danny DeVito. Her TV credits include Law and Order True Crimes: The Menendez Murders, Southland and her recurring role on Shameless as Aunt Rande. Ellen starred in the award-winning feature film The Golden Age and in the short film Passage. Her acting work ranges from the comical to the poignant, working on shows like Better Things, The Morning Show and in the TNT movie James Dean. She played Aunt Lisa in Friends and Jerry's aunt in Seinfeld, so you've probably seen her talents grace your screen at one point or another. Ellen has also performed in multiple plays in Los Angeles and wrote & performed her one-woman show, My Psychotherapy Comeback Tour. Under the banner of Lulu Productions, Ellen has produced award-winning films, web series, music videos, documentaries, and theatre. She is currently developing several new projects, including Just South of Normal, a half-hour dramedy series in the vein of The Odd Couple about two high functioning men with developmental disabilities. I was lucky enough to participate in an early reading of this project, which was adapted from her award-winning short film Waiting For Ronald, with a blended cast of disabled and non-disabled actors. Come Away With Me, another film Ellen adapted, directed & acted in, has won over 15 awards and been in over 30 film festivals around the world- and was made with an all-female crew. What impresses me most about Ellen, besides her acting chops, is her persistent creative pursuits coupled with her warm welcoming spirit & sense of humor. Her passion for storytelling pushes her to constantly be creating new projects for her & her colleagues, and in turn, tell new stories. WE AUDITION is a video-chat community where actors can audition, self-tape, rehearse, and get expert industry advice. USE promo code: ACTORSPEAK to get 25% off when joining at WeAudition.com

On this episode of ActorSpeak, Austin Basis continues to speak with actor Ellen Gerstein (Shameless, Southland, James Dean, Seinfeld, Friends). In Part 2, we discuss her trust with Charlie Robinson, wielding a shotgun, auditioning for Barbra Streisand, her degree in psychology, working with Martin Scorsese in Raging Bull, her sense of humanity, humor & heart, connecting with people, and being the best you can in that moment. Ellen Gerstein is an award-winning Los Angeles filmmaker, actress, writer and director. She's a member of: Women In Film, The Alliance of Women Directors, Film Independent, and a lifetime member of The Actors Studio. As an actor, Ellen has worked with talented directors including Martin Scorsese, Mark Rydell, Mimi Leder, Rob Marshall, and Danny DeVito. Her TV credits include Law and Order True Crimes: The Menendez Murders, Southland and her recurring role on Shameless as Aunt Rande. Ellen starred in the award-winning feature film The Golden Age and in the short film Passage. Her acting work ranges from the comical to the poignant, working on shows like Better Things, The Morning Show and in the TNT movie James Dean. She played Aunt Lisa in Friends and Jerry's aunt in Seinfeld, so you've probably seen her talents grace your screen at one point or another. Ellen has also performed in multiple plays in Los Angeles and wrote & performed her one-woman show, My Psychotherapy Comeback Tour. Under the banner of Lulu Productions, Ellen has produced award-winning films, web series, music videos, documentaries, and theatre. She is currently developing several new projects, including Just South of Normal, a half-hour dramedy series in the vein of The Odd Couple about two high functioning men with developmental disabilities. I was lucky enough to participate in an early reading of this project, which was adapted from her award-winning short film Waiting For Ronald, with a blended cast of disabled and non-disabled actors. Come Away With Me, another film Ellen adapted, directed & acted in, has won over 15 awards and been in over 30 film festivals around the world- and was made with an all-female crew. What impresses me most about Ellen, besides her acting chops, is her persistent creative pursuits coupled with her warm welcoming spirit & sense of humor. Her passion for storytelling pushes her to constantly be creating new projects for her & her colleagues, and in turn, tell new stories. WE AUDITION is a video-chat community where actors can audition, self-tape, rehearse, and get expert industry advice. USE promo code: ACTORSPEAK to get 25% off when joining at WeAudition.com

Ian and Pat look at a movie that history (and most of the people involved in making it) has tried to bury: Mark Rydell's 1976 flop, Harry and Walter Go To New York!This vaudeville-era heist comedy is heavy with star power, including James Caan, Elliott Gould, Diane Keaton, and Michael Caine--but it was swept into obscurity on a wave of The Sting's imitators.The guys unearth this obscure gem and discuss why it really worked for one critic, and not so much the other; why it might be better appreciated today; and how its themes transcend slapstick comedy, revealing some dark and truly biting social commentary.Show Links:Watch the Harry and Walter Go To New York trailer.Keep up with Pat at HollywoodChicago.com.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

Special Guest Aaron Cronican from the Film Review Crew podcast joins your hosts Chad Robinson, and Russell Guest for the Retro Movie Roundtable as they revisit The Sting (1973) [PG] Genre: Crime, Comedy, Drama   Starring: Paul Newman, Robert Redford, Robert Shaw, Charles Durning, Ray Walston, Eileen Brennan, Harold Gould, John Heffernan, Dana Elcar, Jack Kehoe, Dimitra Arliss, Robert Earl Jones, James Sloyan, Charles Dierkop   Elliott Gould, Nina van Pallandt, Sterling Hayden, Mark Rydell, Henry Gibson, David Arkin, Jim Bouton, Warren Berlinger, Jo Ann Brody, Stephen Coit, Jack Knight, Pepe Callahan, Vincent Palmieri, Pancho Córdova   Director: George Roy Hill Recoded on 2021-04-17

Listen to this PREVIEW of the 37th episode of On Second Thought, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! On Second Thought is a series in which Kevin is joined by TWO special guests in breaking down another Best Picture nominee not reviewed on the regular show that could have still been the runner-up. In this episode, Kevin speaks with Kim Pierce and Chels Eichholz about Mark Rydell's "On Golden Pond," the possible runner-up that lost Best Picture to "Chariots of Fire" in 1981. This episode includes a review of the film itself, its awards run, and another fun quiz!   You can listen to the full episode of On Second Thought by going to patreon.com/andtherunnerupis and contributing at the $3 per month tier. Follow Kevin Jacobsen on Twitter:     @Kevin_Jacobsen Follow Kim Pierce on Twitter: @kpierce624 Follow Chels Eichholz on Twitter: @Chels725 Follow And the Runner-Up Is on Twitter:      @OscarRunnerUp Music featured in this episode: "On Golden Pond" - Dave Grusin

durée : 00:57:54 - « The fox » (Lalo Schifrin) (1967) - par : Laurent Valero - "Thème de la comédie dramatique canadienne "The Fox" une histoire d’amour entre 2 femmes et un homme d’après un roman de D.H Lawrence, romancier et poète britannique connu pour "L’Amant de Lady Chaterley". Le film réalisé par Mark Rydell est mis en musique par le compositeur argentin Lalo Schifrin." - réalisé par : Vivian Lecuivre

durée : 00:57:54 - « The fox » (Lalo Schifrin) (1967) - par : Laurent Valero - "Thème de la comédie dramatique canadienne "The Fox" une histoire d’amour entre 2 femmes et un homme d’après un roman de D.H Lawrence, romancier et poète britannique connu pour "L’Amant de Lady Chaterley". Le film réalisé par Mark Rydell est mis en musique par le compositeur argentin Lalo Schifrin." - réalisé par : Vivian Lecuivre

Andrew, Charles, Isaiah and Nick talk unearned audience laughter, cynicism vs optimism, and John Goodman being a Good Man as they discuss Punchline starring Sally Field, Tom Hanks, John Goodman, and Mark Rydell. Discussion Roulette is a spoiler-heavy podcast, so unless you don't care about spoilers, make sure to watch the movie before you listen!

Born in Columbia, Missouri, Rick Gavin Tjia grew up in Gainesville, Florida, where at age 8 he began studies in tap, eventually branching out into professional studies of classical ballet, jazz, hip-hop and contemporary dance (training with teachers like David Howard, Finis Jhung, Christine Busch, Bruce Marks, Laura Young and Geri Houlihan). He also trained in other disciplines (trumpet, physics, and later on, guitar studies and various studies in business). After an extensive career in dance and acting that includes performances with Ballet Austin, Boston Ballet and Delta Festival Ballet, as well as 3 years of work in film and television in L.A. in jazz, hip-hop, contemporary, acting, and production (with choreographers like Twyla Tharp, Joe Layton, and with film directors like Mark Rydell, and James Brooks), Rick joined La La La Human Steps in Montreal in 1993, with whom he danced and toured the world for 8 years. Rick is also a a choreographer, composer, coach, and teaches various workshops around the globe. In 2002 he joined Cirque du Soleil, where from 2004 to the present day he has been a Talent Scout specializing in dance. Over the last several years, Rick’s contributions to the Casting Department have extended themselves to contributing to & drawing up new operational and business strategies, as well as contributing to innovative internal & external strategies of various types. He is a Patron of Phoenix Associates and I-PATH in the United Kingdom, an organizations that offer opportunities, dance training syllabi, and masterclasses to students aged from 6 right through to professional dancers. Rick was also one of the acrobatic choreographers for the Cirque du Soleil Big Top touring show Volta and is also CEO of Choreography Online, the world's first online choreography marketplace. Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

Have you ever wondered how to leave a good impression during an audition? Do you struggle to find the words to say to your student after an emotional audition? What about video auditioning? Video auditioning is quickly becoming even more necessary during these crazy times! Rick Tjia's inspirational talk about auditioning is something you definitely won't want to miss! He provides us with an insight into what casting directors are looking for, a healthy way to accept audition set backs and gives us his top tips for producing a successful audition video. Rick's early training years began with tap dancing, eventually branching out into professional studies of classical ballet, jazz, hip-hop, and contemporary dance (training with teachers like David Howard, Finis Jhung, Christine Busch, Bruce Marks, Laura Young and Geri Houlihan). He also trained in other disciplines (trumpet, physics, and later on, guitar studies and various studies in business). After an extensive career in dance and acting that includes performances with Ballet Austin, Boston Ballet and Delta Festival Ballet, as well as three years of work in film and television in Los Angeles doing hip-hop, jazz, and ballet (with choreographers like Twyla Tharp, Joe Layton, and with film directors like Mark Rydell, and James Brooks), Rick joined La La La Human Steps in Montreal in 1993, with whom he danced and toured the world for 8 years. As with many dancers and musicians, Rick is also a composer, a dance and acrobatic choreographer, and judges dance competitions, and teaches various workshops around the globe. For the last 16 years he has been a Talent Scout specializing in dance at Cirque du Soleil. Rick's contributions to the Casting Department has extended itself to contributing to and drawing up new operational and business strategies, as well as contributing to creative and innovative internal and external strategies of various types. Rick also works closely with International Performing Arts & Theatre (I-PATH) through leading dance education in the 21st Century. He is a member of Phoenix Associates in the UK, an organization that offers opportunities and masterclasses to students aged from 6 right through to professional dancers. In 2016, he joined the creative team of the Cirque du Soleil Big Top touring show Volta as an acrobatic choreographer, and In 2018, he started up the online choreography market Choreography Online with two partners, which had its official public launch in September, 2019. www.ricktjia.com https://choreography.online https://www.iodc.online Acrobatic Arts

Hola excursionistas, soy José Luis Arribas y éste es el súper sonido de 'Ventajas de viajar en cine', desde 'Siéntelo con oído'. Procuren todos su billete de ida, acomódense en su butaca y durante este tiempo háganme el favor de parar sus relojes. El viaje comienza. Hoy: 'Curiosidades de cine'. Más o menos, el proceso completo que sigue un cinéfilo, o sencillamente una persona curiosa por saber más, consta de los siguientes pasos: ves y disfrutas una nueva película, y resulta que te ha atrapado, que la consideras merecedora de entrar en tu listado personal de tus mejores, que te ha emocionado y necesitas aplacar la pena impuesta por el telón bajado. Y esa necesidad resulta doble porque deseas saber y sentir más, y continuar empapándote de su historia. Si la obra estaba basada en un libro y lo leíste ya, su segunda lectura te aguardará; por el contrario si nunca habías viajado entre sus páginas, lo harás instantáneamente. Si la literatura sobre el filme se crea a posteriori, serás el primero en hacer la fila que te lleve a poseer el novedoso ejemplar. Y no sólo te perderás en los escritos oficiales, sino también en cualquier referencia impresa que encuentres, extendiendo la búsqueda mucho más allá de los párrafos y las palabras, haciendo que tu investigación ponga sus ojos en el medio audiovisual: versiones y remakes, precuelas y secuelas, y películas afines. Y en medio de toda esta mezcla, terreno donde tienen su origen, se mueven constantemente las curiosidades de cine, esos datos valiosos e interesantes, que nacen durante la gestación de los rodajes, cuando solamente son ideas en la mente de un guionista, que surgen mientras se rueda, que aparecen en la fase final de la creación y que saltan detrás de las cámaras. Hoy recorreremos el camino de la sorpresa y no será la única vez que lo hagamos. De todos es sabido los métodos de los actores para meterse en sus papeles, prácticas de interiorización y descubrimiento del personaje. Cada uno utiliza sus técnicas pero algunos de los mejores van más allá: Robert de Niro pagó la suma de cinco mil dólares a un dentista, para que éste estropeara sus dientes de tal forma que parecieran lo máximo posible a los de un ex convicto, papel maravillosamente interpretado para 'El cabo del miedo' de Martin Scorsese. Tras la finalización del rodaje, el mismo dentista fue de nuevo pagado con dos mil dólares, para que efectuara la reconstrucción de su dentadura. Pasemos a otro nombre de los grandes, Robert Redford, comentando que tan sólo ha sido nominado a un Óscar como mejor actor, en 'El golpe' de George Roy Hill, y que los demás premios de Hollywood fueron el de mejor director por 'Gente corriente', la nominación en la misma categoría por 'Quiz Show' y el honorífico. Y hablando de honor, hagámoslo también de integridad, como el discurso sobre la virtud que proclama en un fantástico monólogo Al Pacino en 'Esencia de mujer' de Martin Brest, actor que sigue la línea del método anteriormente tratado, cuando para este papel de una persona invidente, el único que le valió un Óscar, trasladó su personaje fuera del estudio de grabación, en la calle, usando bastón y evitando mirar a los ojos de la gente con la que hablaba. Charlemos sobre directores. Steven Spielberg tenía la costumbre, en los primeros años en la industria cinematográfica, de colarse en los estudios Universal, utilizando una oficina vacía como la suya propia, aunque la funcionalidad de la misma fuera nula. Este hecho inspiró en parte al personaje de Michael J. Fox en 'El secreto de mi éxito' de Herbert Ross, el cual imita la práctica antes mencionada de la oficina. Ahora tratemos otra estancia muy particular: la ducha. Una de las más famosas escenas del cine es la de la ducha en 'Psicosis' de Alfred Hitchcock, la cual en un principio iba a ser totalmente grabada de forma silenciosa. El compositor Bernard Herrmann, sin hacer mucho caso al mítico realizador, le dio al célebre momento la pieza musical de cuerda adecuada, resultado alabado por el director, ya que la parte del apuñalamiento mejoraba considerablemente. Seguimos con Hitchcock, ahora en 'La soga'. Se dice que esta película está rodada en un único plano secuencia, de principio a fin, pero la realidad no es esa; aunque el mérito no anda muy desencaminado ya que la componen un total de diez tomas, unidas por engaños visuales casi imperceptibles, como el acercamiento de algún objeto al objetivo de la cámara, fundiendo a negro el plano y aprovechando ese momento para realizar el corte adecuado. De un director a un conjunto de directores, como los geniales Monty Python. En 'El sentido de la vida', análisis de las diferentes etapas del ser humano, desde que nace hasta que muere, Graham Chapman, que se había manifestado abiertamente gay, solicitó expresamente que el papel de Dios fuera para él, a modo de protesta por la prohibición de los matrimonios entre personas del mismo sexo en el Reino Unido. Por otro lado, john Clesse, en referencia al galardón conseguido por la película en el Festival de Cannes, atribuía este éxito a que en el jurado se encontraba Orson Welles y que éste se había identificado con el personaje que explota en el filme debido a un atracón de comida. Y para terminar, una ráfaga de curiosidades de cine: una película de las grandes, con varios datos interesantes en lo relativo a premios Óscar, es 'El estanque dorado' de Mark Rydell. Por un lado se trata de la primera y única película en la que reciben al mismo tiempo el premio a la mejor interpretación, dos actores interpretando a un marido y a un mujer: Katharine Hepburn y Henri Fonda. Por otro lado éste último, junto a Jane Fonda, conseguían la distinción de ser los primeros padre e hija en recibir una nominación por el mismo filme. Existe un proyecto de guión como continuación de la exitosa comedia 'Los gemelos golpean dos veces' de Ivan Reitman, parado por años, en el cual a Arnold Schwarzenegger y Danny DeVito, se uniría un tercer hermano perdido, encarnado por Eddie Murphy. El posible nombre de esta secuela es 'Trillizos'. El único papel destacable del actor Ted Neeley es el del hijo de Dios en la película 'Jesucristo Superstar', celebrando éste en el año 2018 sus cincuenta años interpretando al personaje en diferentes giras teatrales del legendario musical. Y podríamos seguir así durante horas en un interminable desfile de pinceladas de curiosidades cinematográficas, anécdotas divertidas y revelaciones sorprendentes. El proceso de continuación artística que seguiría alimentando nuestra necesidad de más conocimiento, carecería de límites reales, porque en el cine, todos sabemos ya, los límites son los que la imaginación quiera que sean.

Legendary flutist discusses his life as a studio musician recording hundreds of film and television scores over 30+ years, including his many collaborations with John Williams in scores such as The River, Jurassic Park and Memoirs of a Geisha Jim Walker is one of the most talented and celebrated flutist of our times. From classical to jazz to television and film to the concert hall, Walker has brilliantly showcased his incredible musicianship for 50+ years. In his incredibly prolific career as a studio musician, Jim Walker has performed in hundreds of film and television scores. His first major prominent part was assigned to him by John Williams in 1984—the composer picked Walker as soloist for the Academy Award-nominated score of The River, directed by Mark Rydell and starring Mel Gibson and Sissy Spacek. Since then, he's been part of the flute section in virtually all of John Williams's recordings in Los Angeles until 2008, including some of Williams's biggest hits such as Indiana Jones and the Temple of Doom, Home Alone, Jurassic Park and Schindler's List. Walker can also also be heard as soloist/1st flute in scores such as Amistad, The Patriot, Catch Me If You Can and Memoirs of a Geisha. His versatility and incredible dexterity was appreciated by some of Hollywood's top film composers including Jerry Goldsmith, James Horner, Elmer Bernstein, Randy Newman, Danny Elfman, Alan Silvestri, and his playing can be heard in box office hits such as Back to the Future, Forrest Gump, Titanic, Finding Nemo, but also beloved classics like Awakenings, Edward Scissorhands, Cocoon. In this in-depth conversation, Jim talks about his musical life, from his upbringing in Kentucky to his arrival in Los Angeles as the Principal Flute of the LA Phil and his work as a studio musician for films and television scores. He talks extensively about his many collaborations with John Williams, including his soloist work on The River and Memoirs of a Geisha, but also the very challenging parts he had to perform in scores such as Hook and Jurassic Park, offering his own detailed look on Williams's music as seen from the performer's unique point of view. For more information and the full list of musical excerpts featured in the episode, visit https://thelegacyofjohnwilliams.com/2020/08/07/jim-walker-podcast

George Vincent George is an actor/ producer.  He began his career in NYC performing in children’s theater. That training ground led to Off-Broadway roles and shortly after to his first TV role on the Soap Opera, One Life to Live, as Kip, the bartender at Rody’s Tavern.   On July 4th, 1999 he and his beautiful wife, Christina moved to Los Angeles. It’s been their home ever since. Other film and TV credits include E.R., Michael Bay's - The Last Ship, Let the Game Begin with Natasha Henstridge and others. His most treasured moment is receiving a reference letter from Academy Award-Nominated director, Mark Rydell, while understudying the lead role for the West Coast Premiere of Arthur Miller’s, “Some Kind of Love Story.”  George wrote, produced and co-directed the feature film, Heavenly Deposit in which he stars in. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/givinghopeministries/support

Probably the least stressful thing for John Williams in 1984 was composing the score to "The River," which reunited him with director Mark Rydell for the fourth and final time. Williams employed the talents of longtime collaborator Tommy Tedesco for the score's wonderful guitar solos, and created an Oscar-nominated score light years from the work he had done on his previous two films. The work kept his mind off the drama that unfolded earlier in the summer when he abruptly resigned as conductor of the Boston Pops Orchestra over reactions from musicians. And after working on "The River," Williams found himself quite busy in 1985 though he had zero film commitments that year. Host Jeff Commings talks about the story behind Quincy Jones taking over as composer on "The Color Purple," Williams' return to television and the concerto he composed for the Boston Pops after the relationship was rekindled.

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he'll be on the show soon).Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here's a bit on The Travis Technique.Acting is too often just pretending. And most directing is demanding and controlling and result oriented.  And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences.  The Travis Technique is an organic approach to directing actors that are guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget.  In the last 20-years, the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.When actors, directors, and writers use the Travis Technique, it’s not just a performance anymore.  It becomes REAL!   The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master.  They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including all stages of preparation, pre-production, production, and post-production.  Mark has been instrumental in launching successful directorial careers in the US and internationally.Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.Here's some info on Mark Travis:Mark Travis is regarded by Hollywood’s top brass and international film professionals as the world’s leading authority on the art and craft of film directing.  All of his techniques stem from the pursuit of organic authentic performances that are deeply felt by audiences.He is currently on the faculty of HFF (Munich), HSU (Kiev) and has taught at AFI, UCLA, The Binger Institute (Amsterdam), PU (Pixar University), FAS Screen Training Ireland and many other internationally acclaimed institutions and film schools.  He has served as He has served as a directorial and creative consultant to Mark Rydell, George Tillman, Cyrus Nowrasteh, and dozens of Independent filmmakers in Hollywood and internationally.  He is respected and recommended by top actors such as Beau Bridges, Henry Winkler, and Bill Pullman.Enjoy my conversation with Mark Travis.

John Williams returned to the Old West -- and returned to working with director Mark Rydell -- for the 1972 film "The Cowboys." Once again leaning on Aaron Copland's template for Americana-tinged music, Williams employed a fun theme for the 11 boys hired to help John Wayne herd cattle across the plains. He also used a bass harmonica for the film's villain, played viciously by Bruce Dern. The score is counted as a favorite for many John Williams fans, and after learning more about the music with host Jeff Commings, you might be adding it to your top 10 list of best John Williams scores.

If not for some divine intervention, John Williams might not have written one note of music for "The Reivers," and he might not have become the celebrated composer he is today. Host Jeff Commings talks about the rejected score that caused director Mark Rydell to hire Williams, and how Williams was able to quickly turn out a score that perfectly encapsulates the feel of 1900s Mississippi.

The recent death of legendary Hollywood director Stanley Donen — the so-called “king of the Hollywood musical,” responsible for such classics as Singin' in the Rain, On The Town, Funny Face, Royal Wedding, Charade, and Seven Brides for Seven Brothers — prompts this long overdue reminiscence from our own Reed Martin who in 2006 got to hang out with Mr. Donen while working on a new play at the Magic Theatre in San Francisco written and directed by the great Elaine May who, until his death, was Stanley's partner. Reed tells stories about not only Mr. Donen and Ms. May but remembers the phalanx of bold-faced names who were involved with this production (pictured surrounding Reed, clockwise): Daveed Diggs, Phil Donahue, Marlo Thomas, and Mark Rydell. Featuring the graciousness of the rich and famous; secrets of filming the famous dancing on a ceiling sequence with Fred Astaire; a fantastic story about John Wayne; and the truth of the old saying: you don't always remember what people say but you always remember how they make you feel. (Length 19:57) The post Remembering Stanley Donen appeared first on Reduced Shakespeare Company.

How many hard boiled detectives do you know who'd go out at three o'clock in the morning to buy their kitty its favorite brand of cat food? Only one. Philip Marlowe, played oh so languidly by Elliot Gould, in The Long Goodbye. Expect the unexpected when veteran director Robert Altman brings Raymond Chandler's classic 1940's detective into the modern day (well, 1973 anyway). With brilliant performances by Sterling Hayden, Mark Rydell, & and (**spoiler alert**) a young Arnold Schwarzenegger sporting a really cheesy mustache! Screenplay by legendary writer Leigh Bracket and photographed by Academy Award winner Vilmos Zsigmond. Hey, what the heck else do you want? Join us! (Cocktails optional).

In this weeks episode we chat with activist and actor Eileen Grubba. Eileen Grubba's memorable, edgy characters in shows like Sons of Anarchy (2008), NBC's Game of Silence (2016), and HBO's Hung (2009) have gained her a reputation for courageous character work. She is a lifetime member of the world renowned Actors Studio where she is known as a "force" on stage, and often compared to theatre greats Geraldine Page and Kim Stanley. Eileen was born in Anchorage, Alaska into a family of eight children. She grew up in Ft. Lauderdale, Florida, then moved to Atlanta, Georgia where she trained at the Alliance Theater, sang in a choir, performed in musicals, and worked in commercials and Independent films. She next moved to New York City where she trained at HB Studios, sang cabaret, and worked in TV and Film before moving to Los Angeles. In LA she works mostly in television and constantly trains at The Actors Studio under the tutelage of Martin Landau, Allan Miller, Barbara Bain, Lou Antonio, Mark Rydell, Catlin Adams. Her past films and Television series, include: NBC's Game of Silence (2016), Criminal Minds (2005), Bones (2005), Sons of Anarchy (2008), Hung (2009), Enlightened (2011) CSI: Miami (2002), The Mentalist (2008) Cold Case (2003), Nip/Tuck (2003), The Closer (2005), Monk (2002), and more. On stage, she has tackled challenging roles in plays by Arthur Miller, Tennessee Williams, David Mamet and on many new plays with emerging playwrights. She was the lead in multiple musicals including "Cinderella", "The Little Shop of Horrors" and "Dracula". Perhaps what is most unique about Eileen is her extreme life experience and what she does with it. Her adventures are much like the stories only seen on the silver screen. She has overcome numerous, unimaginable challenges and has the scars to prove it. Her indomitable spirit is a constant inspiration to others. A fighter all her life, she refuses to give up her quest to make her mark on the Entertainment Industry. She is an advocate for children with disabilities, families with genetic cancers, and fights for the inclusion of performers with disabilities in film and television. Eileen Grubba is also a writer, director, producer, and has an extensive resume in casting, working for network shows and feature films. She has been hired to write screenplays with strong women characters, and has produced several films and a pilot. She draws on her heavy life experience to create dramatic characters with gut-wrenching emotional depth and compassion, on stage, onscreen, and in her writing. Please visit us on the socials as we'd love to hear from you! https://www.instagram.com/goguerillafilm www.twitter.com/goguerillafilm goguerillafilm@gmail.com

Spécial Jane Fonda avec : "L'Étrangleur de Boston" de Richard Fleischer, "La Maison du Lac" de Mark Rydell et "La Poursuite impitoyable". N'oubliez pas de vous abonner ! 

Movie Meltdown - Episode 447 This week we're coming to you "live" from Harry Dean Stanton Fest as we sit down with Drago Sumonja the co-writer of Harry Dean's last film (Lucky) as well as director of the documentary Char·ac·ter. So listen as we discuss his time spent with Harry Dean as well as the artistic collaboration and friendship he has built over the years with actor Dabney Coleman. And while we realize that the whole world eventually comes together at Dan Tana's, we also bring up… Private Benjamin, he made his own weapon, we’d just kind of play the parts really, Daveigh Chase, Cloak and Dagger, they mounted this giant antenna-looking thing onto your house, it’s own weird special little world, Unwigged and Unplugged, something about him showing up in a dress one day, it turned out to be what I wanted to be, Ron Livingston, docudrama, Facebook and their darn algorithms, David Lynch, by necessity, crossing from PG to PG-13, and I would just start typing, racy movies in conservative households, Sydney Pollack, Showgirls, and so we just try to figure out how to make that kind of interesting in a script, Top Secret, The Missouri Breaks, a dirty martini all over my pants, S. Darko, sequels to movies many years later, a rainy day assembly, Logan Sparks, Muhlenberg County, going off on these magical monologues, it’s like a master class, Mark Rydell, Repo Man and TV edits for R-rated movies. “...the documentary and your podcast - is only as good as your subject.” For more on Harry Dean Stanton Fest go to: https://www.harrydeanstantonfest.org/

Matt continues to chart his spiritual, psychological, and sociopolitical evolution through movies with a classic from his childhood, the John Wayne classic 'The Cowboys.' Buckle your seat-belt; Matt gets pretty passioinate about this one. You can get passionate too by going to storytellermatt.com/contact.

Eileen Grubba, Actor/Activist known for her memorable, edgy characters in shows like Sons of Anarchy (2008), NBC's Game of Silence (2016), and HBO's Hung (2009) have gained her a reputation for courageous character work. In this interview, originally recorded live at Digital Hollywood in L.A. this year, she dishes with us about her work as a disability activist and about how she alchemizes her own harrowing life experiences into her creative work in this powerful episode that will leave you asking, “What would I stand up and speak for . . . even if no one else would?” This is the premiere of a new episode series, Women In Hollywood: Warriors from Within, a series of captivating bite-sized profiles of the luminous and courageous women making Hollywood great here and now.Find out more about Performers & Creators Lab >>Eileen Grubba's memorable, edgy characters in shows like Sons of Anarchy (2008), NBC's Game of Silence (2016), and HBO's Hung (2009) have gained her a reputation for courageous character work. She is a lifetime member of the world renowned Actors Studio where she is known as a "force" on stage, and often compared to theatre greats Geraldine Page and Kim Stanley. In LA she works mostly in television and constantly trains at The Actors Studio under the tutelage of Martin Landau, Allan Miller, Barbara Bain, Lou Antonio, Mark Rydell, Catlin Adams. Eileen Grubba is also a writer, director, producer, and has an extensive resume in casting, working for network shows and feature films. She has been hired to write screenplays with strong women characters, and has produced several films and a pilot. She draws on her heavy life experience to create dramatic characters with gut-wrenching emotional depth and compassion, on stage, onscreen, and in her writing.Eileen on IMDb>>About Your Host, Holly ShawHolly Shaw, CHT is a performance coach, creativity researcher and stand up comedian. Growing up in Indianapolis, IN she convinced her parents she needed to go to Chicago to get her own agent when she was 14 years old and has spent a lifetime in film, T.V. and on professional stages all over the world as an actor, dancer, and director.Now she shares her passion for the problems that artists face as a Creativity Coach and a Certified Hypnotherapist and has helped hundreds of artists, from Emmy award winning and Grammy nominated artists to world class choreographers overcome their anxiety, stage fright, impostor syndrome, and creative blocks so that they can create original work and totally kill it onstage again and again without feeling like they're selling out or losing their sanity.In 2016, Shaw wrote and released her book, The Creative Formula: Compose, Choreograph, and Capture Your Masterpiece which has become an Amazon bestseller. In 2018 she launched the Performers & Creators Lab podcast which was named one of 2019's most outstanding podcasts by Databird Research. She teaches regularly at the SAG/AFTRA offices in L.A. and SF and runs creative laboratory workshops like the Comedy Lab Open Mic once a month at Monaghan's on the Hill in Oakland. Follow her on Instagram @hollyshawspritely

Drago Sumonja on co-writing the NEW film Lucky featuring Harry Dean Stanton's last on-screen performance. Drago shares how he worked with co-screenwriter Logan Sparks on developing the script based on their friendships and real life experiences with the legendary actor. We'll also hear all about Drago's career trajectory from the beginnings of his acting career to forging an additional career path as a screenwriter and filmmaker. And a discussion on Harry Dean Stanton's legacy as an actor and why his generation of performers had such a significant impact on modern film. Watch the trailer for Lucky which premiered at this year's South by Southwest Film Festival! https://youtu.be/2KLLkj84GAo You can also check out Drago's excellent documentary Char-ac-ter which is available on Amazon and iTunes feautring conversations on acting with Dabney Coleman, Peter Falk, Sydney Pollack, Charles Grodin, Mark Rydell, and Harry Dean Stanton! https://www.amazon.com/Char%C2%A5ac%C2%A5ter-Character-Dabney-Coleman/dp/B00DK6EJC6/ref=sr_1_1?s=cyber-monday&ie=UTF8&qid=1512002183&sr=8-1&keywords=Char-ac-ter Subscribe to Jog Road Productions and Road to Cinema on YouTube! https://www.youtube.com/jogroadproductions Follow us on Twitter @JogRoad Follow us on Instagram @jogroadproductions Like us on Facebook  http://jogroadproductions.com/roadtocinemablog

Here is Mark and Aaron's first podcast together, about Mark Rydell's The Rose.

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he’ll be on the show soon). Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here’s a bit on The Travis Technique.Acting is too often just pretending. And most directing is demanding and controlling and result oriented.  And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences.  The Travis Technique is an organic approach to directing actors that is guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget.  In the last 20-years the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.When actors, directors and writers use the Travis Technique, it’s not just a performance anymore.  It becomes REAL!   The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.Recommended by Hollywood’s top brass: Mark Rydell, Art Seidelman, Randal Kleiser, George Tillman, Asaad Kelada, Jan Eliasberg, John Badham and other A-listers. For over 20-years Mark Travis has been sharing his award-winning techniques on writing, acting and directing worldwide.Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master.  They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including: all stages of preparation, pre-production, production, and post-production.  Mark has been instrumental in launching successful directorial careers in the US and internationally.Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.Enjoy my conversation with Mark Travis.

Warner Bros. Pictures released The Cowboys to theaters on January 13, 1972; grossing $7.5 million worldwide. Mark Rydell directed the film which starred John Wayne, Roscoe Lee Browne, and Bruce Dern. The post The Cowboys (1972) appeared first on Movie House Memories.

ORIGINAL AIRDATE: January 8th, 1990 --- Wild West MacGyver has a territory dispute with Pete Thornton and gunslinger Murdoc is summoned MISSION: A wild west daydream lands MacGyver in trouble with local rancher by the name of Pete Thornton. A nefarious gunman is hired to scare MacGyver off what Mr. Thornton considers his land. This week's highlights include: The Reivers (Film) The Reivers (also known as The Yellow Winton Flyer in the UK) is a 1969 Technicolor film in Panavision starring Steve McQueen and directed by Mark Rydell based on the William Faulkner novel of the same name. The supporting cast includes Sharon Farrell, Rupert Crosse, Mitch Vogel, and Burgess Meredith as the narrator. Check out the article on wikipedia: https://en.wikipedia.org/wiki/The_Reivers_(film). Watch S5E12: "Serenity" on CBS's website or check the alternative streamability of this episode here.

A three hour special broadcast hosted by Nina Boski from the famous FORMOSA Café in West Hollywood on Tuesday, August 4, 2015 from 11:00-2:00 pm Pacific, celebrating Marilyn Monroe and the Legends of Hollywood's Golden Age in honor of the 53rd Anniversary of her death. The broadcast is originating from the Formosa Café's booth #5, where Marilyn spent much of her time during the filming of legendary comedy “Some Like It Hot”. Thousands of listeners and hundreds of fans are expected to participate in the live festivities and hear behind the scene stories, memories and untold secrets from Hollywood stars and insiders, Marilyn's personal contacts, and the newly formed Investigation team looking to re-open Marilyn's case. Joining us will be Vince Jung, owner of the Formosa who will expose the mystery of what's been hiding ‘under the floors' of the Formosa Cafe; acclaimed director Mark Rydell, and veteran actors Ed Asner, Ron Masak (Murder She Wrote) and Kevin Dobson (Knott's Landing) who will share their behind the scenes Hollywood experiences.

Director Mark Rydell sits down with us to talk about his films "On Golden Pond", "The Cowboys" and John Wayne, Katherine Hepburn, James Dean and more! --- Send in a voice message: https://anchor.fm/on-screen-and-beyond/message