Podcast appearances and mentions of anthony elms

  In this milestone episode of Bad at Sports, we welcome back Scott Speh, the founder and director of Western Exhibitions, to celebrate 20 years of the gallery's existence and its significant role in shaping the Chicago art scene. It's been 19 years since Scott's last appearance on the show, and in this conversation, we dive deep into the journey of Western Exhibitions, its impact on the city's art landscape, and the evolving nature of the gallery's programming. From the early days of launching the gallery to navigating the challenges and rewards of running an independent space in Chicago, Scott offers a unique perspective on the state of contemporary art and its communities. We discuss the dynamic relationships between artists, collectors, curators, and the broader public, and reflect on how Western Exhibitions has not only supported emerging artists but also helped to foster a rich cultural dialogue in the city. As the art world continues to change, Scott shares his thoughts on the future of galleries, the role of physical spaces, and how the local art ecosystem has evolved over the past two decades. Tune in for an insightful and engaging conversation about the intersection of art, community, and sustainability in Chicago. Names Dropped… Shannon Stratton, Marc Fischer, Anthony Elms, Philip von Zweck, Rhona Hoffman, Dirk Denison,  David Salkin, John Neff, Jason Pickelman, Dutes Miller, Pedro Valez, Nick Frank, Stan Shellabarger, 7/3 Split, Tim Fleming, Paul Nudd, Dan Attoe, Lisa Boyle, Rowley Kennerk, Andrew Rafacz, Lou Manilow, Robyn O'Neil, Ryan Christianson, Geoffrey Todd Smith, Edie Fake, Mark Pascalr… There were others…     https://www.shannonraestratton.com/about https://www.printedmatter.org/catalog/39749/ https://lostandfoundlab.org/anthony-elms https://artadia.org/artist/philip-von-zweck/ https://www.rhoffmangallery.com/ https://www.dirkdenisonarchitects.com/ https://www.davidsalkin.com/ https://artadia.org/artist/john-neff/ https://design.newcity.com/2024/04/05/one-more-day-in-the-life-of-jason-pickleman/ https://www.jmkac.org/artist/miller-dutes/ https://westernexhibitions.com/artist/stan-shellabarger/ https://velezpedro.com/home.html http://www.thegreengallery.biz/artists/nicholas-frank https://www.linkedin.com/in/tim-fleming-772a7618 https://www.artfairmag.com/art-los-angeles-contemporary/ https://www.spudnikpress.org/people/paul-nudd/ https://thehole.com/artists/dan-attoe https://badatsports.com/2010/rowley-kennerk-gallery-closing/ https://andrewrafacz.com/ https://en.wikipedia.org/wiki/Lewis_Manilow https://www.robynoneil.com/ https://www.geoffreytoddsmith.com/ https://www.juxtapoz.com/news/magazine/features/edie-fake-off-the-grid/ https://www.luxcenter.org/artist/mark-pascale https://badatsports.com/2005/episode-6-scott-speh-and-philip-von-zweck-interviewed/   Image Credit - Credit: Josh Druding for Chicago Reader https://chicagoreader.com/arts-culture/the-past-and-future-of-western-exhibitions/ 

Al Filreis convenes Charles Bernstein, Anthony Elms, and Laynie Browne to talk about two poems by George Quasha. The book, published by Spuyten Duyvil in 2020, titled Not Even Rabbits Go Down This Hole, consists of eight gatherings of preverbs; our two poems, coming from the final section — which bears the name of the book — are “self fast” (numbered 12) and “that music razors through” (numbered 13). The recordings we use in this episode can be found on PennSound's extensive Quasha author page. These preverbs were recorded by Chris Funkhouser on December 27, 2017.

Hosted by Al Filreis and featuring Charles Bernstein, Laynie Browne, and Anthony Elms.

Gallery talk from September 2015 with artists Beth Heinly, Jay Muhlin, Maria Dumlao & Will Haughery. Moderated by Anthony Elms, Chief Curator at Philadelphia's Institute of Contemporary Art.

Michelle Grabner, artist, professor at the School of the Art Institute of Chicago, discusses the 2014 Whitney Biennial, which she co-curated with Stuart Comer and Anthony Elms.

This week Duncan and Richard talk to Anthony Elms about WhiteWalls! Also the book review has made its glorious return. Terri and Joanna review “The American Painter Emma Dial” by Samantha Peale. Rejoice and be glad!

Artist David Schutter has intently studied an Art Institute work by Jean Antoine Watteau, and is making a new painting from memory, evoking, rather than copying, the 18th century image. He is, as noted by curator Anthony Elms, "painting the action of looking." Learn more from the artist here. Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the permanent collection of the Art Institute. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

On this week's exciting Episode, number 114... Art Forum's Anthony Elms and Bad at Sports' Duncan MacKenzie interrogate Carol Jackson about her dynamite exhibition at Gallery 400, and Terri Griffith and Joanna MacKenzie take apart John Andoe's "Jubilee City: A Memoir at Full Speed".  It doesn't get any better then this.Also, to the person who scrawled "I MISS RICHARD" in lipstick on the mirror of the men's bathroom at BAS HQ, we know who you are and this is unacceptable behavior.From Gallery 400:Carol Jackson’s signs, sculptures, gouaches and drawings use common, everyday “signatureless? styles to let loose the grandiose morality within the picturesque languages and visuals of advertising. Her work is a bitterly humorous send up of the demands and promises commercial representations make for goods, be they detergent, food, or real estate. Long focusing on a series of meticulously hand-tooled leather reworkings of both store advertising and real estate development signage, Jackson replaces the found text with disdainful, mistrustful and self-depreciating thoughts that sales language represses. What remains is the epic longing and promissory nature of the address.From Publishers Weekly:n this charming memoir, Andoe narrates his journey from his Tulsa childhood through redneck, hard-partying teen years to a highly successful career as a (hard-partying redneck) painter in New York City. While Andoe may not be a professional writer, his humor and offbeat artistic sensibility make up for any lack of prose-writing chops. Through discrete anecdotes that seldom run longer than two pages, Andoe assembles vivid portraits of his family and friends and of the various environments he inhabited—the working-class Tulsa neighborhoods of the 1960s, the high school and college drug culture at the end of the hippie era, and the New York art scene of the 1980s. Andoe rarely said No to drugs, and the marginal characters and dangerous encounters of the lowlife provide the book with a great deal of energy and pathos; at times his memoir reads like a more amateur version of Denis Johnson's Jesus' Son. Yet whenever the gonzo stories verge on tedium, Andoe modulates his tone and shows himself as the stay-at-home dad, the outdoorsman, the artist. While Andoe has an occasional tendency to settle scores (his ex-wife receives particularly brutal treatment) or trumpet his status as an outsider, for the most part his wide-eyed sense of wonder and keen observations make the everyday strange and fresh. (Aug.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Enjoy.

This week Anthony Elms and Duncan talk to Marc Fischer about the Public Collectors project and other things. Then Marc LeBlanc and Brian Andrews talk about how Marc is turning Japanese, he thinks he’s turning Japanese, he really thinks so….The intro discusses how Philip von Zweck is a thug.Anthony, please, dear God, talk in to the mic, seriously.The following blurbs were shamelessly stolen from PVZ’s site:Marc Fischer is 1/3 of the group Temporary Services, 1/11th of Mess Hall- an experimental cultural center in Roger’s Park (where he co-organizes the Hardcore Histories series), and an artist who curated the prison-themed exhibition “Captive Audience? at Gallery 400 earlier this year. In addition to believing thatvinyl remains the superior format for the appreciation of recorded music, Fischer still refuses to own a fucking cell phone.Anthony Elms overcame his youth as just another punk in Michigan to become the assistant director of Gallery 400, the editor of WhiteWalls, and a writer whose works have appeared in like every freakin' magazine ever (except Artforum, whatever), plus in some exhibition catalogs for stuff that didn't happen at VONZWECK, but was still ok. He's pimped himself out at times; and participated in some panel discussions, but I think the panel discussion is always a bad idea, always. Anthony agrees.On Public Collectors:VONZWECK- as an entity, doesn’t care about art. You know it, you always have. But VONZWECK likes administration, and… stuff. Especially other people’s stuff! So does Marc Fischer. He likes stuff so much he’s started a whole new initiative to get to see it, and, being the unselfish soul that he is, to share it.It’s called Public Collectors and it is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks people that have had the luxury to amass, organize, and inventory these materials, to help reverse this lack by making their collections public. It’s voluntary and it’s free. Not about selling, or buying and not restricted to art. It’s about getting to see something you might not have access to otherwise and exchanges of knowledge.For this - the kickoff, the ribbon cutting, Marc will be sharing one of his collections: records. That’s right actual records, long players, vinyl, what have you. Many will be on display; many more will be brought to the space for listening on request.But the idea isn’t just for you to see Marc’s stuff, it’s for you to share your collection(s) and view other peoples’. Other collections are online and many more will be added soon at www.publiccollectors.org.

While you the Bad at Sports listener only get a taste of it, the interview portion of this week’s show demonstrates precisely why Richard needs to be present to be a jerk for these things or they devolve into chaos. Luckily our cut rate production staff pulled it together and it sounds something akin to coherent. This week Duncan, Amanda and Chris Walla, talk to, or at least try to talk to Steve Lacy, Anthony Elms and Philip von Zweck about Steve’s show at VONZWECK, Academy Records, and lots of other stuff..  ALSO Emily Heath and Christian Kuras from Bad at Sports London check in.  AND Mike Benedetto reviews Goundhog Day in time for Groundhog Day. Also The BAS video of the week: http://youtube.com/watch?v=pj66XgK3NvE