Podcasts about george eastman museum

What's it like to Photograph the Streets for half a century?

In yet another request from our listeners for topics you wanted to hear, for Episode 88, you can include me as someone whose been interested in hearing an episode about the Kodak Retina and other German Kodaks. For many years, whenever I needed to write something about the Retina, the person I always reached out to was Dr. David Jentz.  David is not only the founder of the Historical Society for Retina Cameras, but also has published multiple written works about the Retina and its history.  In addition to his knowledge about the Retina, David frequently collaborates with historian Klaus Schicht who has studied the man who created the Retina, Dr. August Nagel.  Although Klaus does not appear on the show, David was able to quote some information regarding topics we discussed on this show. If one Kodak historian was not enough, we also invited Todd Gustavson from the George Eastman Museum to be on the show to fill in the blanks for any other Kodak related questions which came up. This was a closed episode, so we did not have any callers, and both Paul and Theo weren't able to make it, but what we lacked in callers, we more than made up for in fascinating Kodak, Nagel, and Retina history. Listen to Episode 87 to get a background on who Dr. August Nagel was, how he became a doctor, brief histories of his time working for Contessa Nettel, Zeiss-Ikon, and Nagel Kamerwerke prior to joining Kodak.  Did you know that before Kodak AG made cameras, they made film in Germany? We discuss other German Kodaks such as the Recomar, Pupille, Kodak Duo Six-20, and the mysterious Kodak Regent.  We get into the differences between the use of "Nr." and "Type" when referring to prewar and postwar cameras, and finally solve the mystery of Paul's Retinette Angenieux lens. In addition to camera history, we also take a deep dive into Kodak's introduction to making 35mm film.  While Kodak's type 135 daylight loading cassette was their most notable contribution to 35mm film in the 1930s, did you know they made 35mm film for the Leica and Contax before that?  David shares with us information about Kodaks original 35mm film, along with some detailed patent information about the Retina, and much more! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are getting on a boat and heading on a "Three Hour Tour" for our second Desert Island episode.  If you were stranded on a desert island with only three cameras, which three would they be?  Will a high spec but fragile electronic camera make the cut, or will people choose less technically impressive models built to withstand a lot more abuse?  Let us know what you'd choose!  We will record Episode 88 on Monday, February 24th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode David's Origin Story / His First Camera was a Kodak Retina IIIS Kodak Used to Have a Camera Museum in Stuttgart David Jentz Formed with Peter Tosh the Historical Society of Retina Cameras HSRC Received Permission from Kodak and the Rights to use the Actual Retina Logo Are the Retinas Separated in the George Eastman Museum? / There Are 22,000 Items in the Eastman Museum Collection Who was Dr. August Nagel? / Nagel Started Contessa Nettel and Merged with Zeiss-Ikon in 1926 Nagel Worked for Zeiss-Ikon for About 18 Months and then Formed His Own Nagel Werke Nagels First Cameras were the Recomar, Vollenda, and Pupille Kodak Gave Nagel Very Little Direction, He Was Free to Do What He Wanted Kodak And Nagel Both Benefited from the Two Companies Working Together If You Ship a Camera and Lens Separately, There are No Tariffs Nagel was Most Famously Known as a Great Designer Kodak's Design of the New Daylight Loading 35mm Cassette Kodak Made 35mm Film for Leicas and Contaxes Before the Release of Type 135 Film Was the Retina an Immediate Success? / Why Were the Nr. 117, 118, and 119 Released So Quickly Kodak Duo Six-20 and Other Nagel Designed Cameras Mike Has Questions About Nagel's Role in Making the Kodak Regent / Kodak Regent II Kodak's Transition During World War II / Early Post War Retinas Used Steel in Their Construction Are Retinas with the f/2 Ektar Lenses Worth Paying a Premium / 47mm f/2 Kodak Ektars Were Also on the Premier Instrument Kardon Kodak's CAMEROSITY Date Codes / Many Retinas Were Sold through US PX Stores / Identifying PX Retinas David Jentz Dispels Some of the Myths Mike Got Wrong in His Reviews Dr. August Nagel Never Once Used the Word "Type" to Identify Different Cameras He Made The Mystery of Paul's Angenieux Lens / French Kodak Retinettes Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. David Jentz - https://www.blurb.com/user/hsrc028N The Historical Society for Retina Cameras - https://www.hsrcretina.org/ HSRC Publications - https://www.hsrcretina.org/hsrc-publications The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Chris Lindstrom hosts a chat with owner Jared Valentine from Open Face currently located at the Goerge Eastman Museum. Make sure you swing by for some sandwiches, soup, and Moxie any day the Museum is open!The conversation kicks off with a reflection on the restaurant's significance and its evolution over the years. Jared shares his journey from initially envisioning Open Face as an art gallery to successfully establishing it as a unique dining experience, influenced by his roots and favorite family recipes. The episode also explores the behind-the-scenes challenges of running a restaurant, including the importance of consistency and the need for adaptability in a changing culinary landscape. Companies mentioned in this episode: Open Face (@openfacefoods) George Eastman Museum (@eastmanmuseum) New City Roastery (@newcityroc) Joe Bean Roasters (@joebeanroasters) Moxie Soda (@themoxiecompany) Cheesy Eddie's (@cheesyeddies) Red Fern (@redfernroc) Mentioned in this episode:Behind the Studio DoorBehind the Studio Door, hosted by Molly Darling and Christian Rivera, takes listeners on a exploration of artists and their creative processes. Through deep and meaningful conversations, they uncover the stories and experiences that shape the outward expression of their work.Punches & PopcornThe masters of Couch Potato style Mike Huntone, Jason Bills, and Dr. Dominic D'Amore take a deep dive into the best and worst of martial arts films. https://punches-and-popcorn.captivate.fm/Joe Bean Coffee - Coffee that lifts everyone.Use promo code Lunchador for 15% off your order! https://shop.joebeanroasters.com

In this episode of PhotoWork with Sasha Wolf, Sasha has a warm and deeply personal conversation with photographer Gregory Halpern. They discuss his latest book, "King, Queen, Knave," published by MACK, and also revisit "ZZYZX," the 2016 monograph that significantly elevated Greg's career. Together, they emphasize the importance of knowing when to assume the roles of photographer and editor, and when to let the audience engage with the work on their own terms. http://www.gregoryhalpern.com/ ||| https://www.mackbooks.us/products/king-queen-knave-gregory-halpern Gregory Halpern is an American photographer born in Buffalo, New York. He is the author of eight monographs, including King, Queen, Knave (2024), Omaha Sketchbook (2019), and ZZYZX (2016), his fantastical book of photographs of Los Angeles, now in its fourth edition. Halpern is the recipient of a Guggenheim Fellowship and a member of Magnum Photos. His photographs are held in the collections of several major museums, including The Museum of Modern Art, the San Francisco Museum of Modern Art, The Museum of Fine Arts, Houston, Fondation Henri Cartier-Bresson, Fondation d'entreprise Hermès, and the Fotomuseum Antwerpen. His work has been featured in group exhibitions at the International Center of Photography, the Museum of Fine Arts Houston, the George Eastman Museum, the Cincinnati Art Museum, the Fotomuseum Antwerpen, and Pace/MacGill in New York. He holds a BA in History and Literature from Harvard University and an MFA from California College of the Arts. He lives in Rochester, New York with his wife, Ahndraya Parlato, and their two daughters. He is a professor of photography at the Rochester Institute of Technology. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Ep. 257: The Nitrate Picture Show 2024 with David Schwartz Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Nitrate Picture Show takes place every year in Rochester, New York, at the George Eastman Museum, projecting movies from nitrate prints. The resulting super-vivid images create a movie-going experience that can be, in the words of my guest, programmer David Schwartz, “life-changing.” I asked Schwartz about some of his highlights at this increasingly popular festival, including The Good Fairy (directed by William Wyler), Meet Me in St. Louis (Vincente Minnelli), Intolerance (D.W. Griffith), and The Strawberry Blonde (Raoul Walsh). We also talked about films that offered something a little different such as the documentary The Plow That Broke the Plains (Pare Lorentz), the experimental parody Tomato's Another Day (James Sibley Watson), Homecoming (Hideo Oba), and Rossellini's Germany Year Zero. Plus: rare Lubitsch (From Mayerling to Sarajevo) and Renoir's A Day in the Country. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

One of America's most iconic photographers, widely recognized for his fine art, editorial and commercial work. Stephen's pictorial stories of Mainland China, California's Highway One, Ellis Island, the ravages of Hurricanes Katrina and Sandy and an impressionistic study of Burned Objects set the tone for a series of career-defining projects that catapulted him to the top of the photographic landscape. Stephen's work has been featured on NPR and CBS Sunday Morning as well as being on the covers of New York Times Magazine, Vanity Fair, Time, Fortune, National Geographic, Sports Illustrated, and many others. Day to Night, Wilkes' most defining project, began in 2009. These epic cityscapes and landscapes, portrayed from a fixed camera angle for up to 30 hours, capture fleeting moments of humanity as light passes in front of his lens over the course of a full day. Blending these images into a single photograph takes months to complete. His photographs are included in the collections of the George Eastman Museum, James A. Michener Art Museum, Houston Museum of Fine Arts, Dow Jones Collection, Carl & Marilynn Thoma Art Foundation, Jewish Museum of NY, Library of Congress, Snite Museum of Art, The Historic New Orleans Collection, Museum of the City of New York, 9/11 Memorial Museum, Fenimore Art Museum, Art in Embassies, U.S. Department of State and numerous private collections. 

Archival Film Curatorship: Early and Silent Cinema from Analog to Digital (Amsterdam UP, 2023) is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive's hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences. Archival Film Curatorship is available as an open access e-book at this link. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Archival Film Curatorship: Early and Silent Cinema from Analog to Digital (Amsterdam UP, 2023) is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive's hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences. Archival Film Curatorship is available as an open access e-book at this link. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Archival Film Curatorship: Early and Silent Cinema from Analog to Digital (Amsterdam UP, 2023) is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive's hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences. Archival Film Curatorship is available as an open access e-book at this link. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Archival Film Curatorship: Early and Silent Cinema from Analog to Digital (Amsterdam UP, 2023) is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive's hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences. Archival Film Curatorship is available as an open access e-book at this link. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Archival Film Curatorship: Early and Silent Cinema from Analog to Digital (Amsterdam UP, 2023) is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive's hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences. Archival Film Curatorship is available as an open access e-book at this link. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

Photographer, Louis Chavez and I have a conversation about New Intimacies, Louis' photographic study of gay cruising. It is inspired by Peter Hujar's work but takes a more experimental approach with more inspiration by writings of José Esteban Muñoz. We also discuss Louis' work as a curatorial assistant at the George Eastman Museum and, as your teaser, you just might learn a little bit about the Situationist International and Pscyhogeography. Louis was also kind enough to send a video slideshow on the Real Photo Show YouTube channel so you can see the work while listening. https://chavezlouis.com YouTube: https://www.youtube.com/@realphotoshow This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Louis Chavez is a photographer and curator based in New York. Their solo exhibition, New Intimacies, was exhibited at the University of Rochester's Hartnett Gallery in 2021 and at PeepSpace in Tarrytown, NY in 2023. Chavez was a participant in SOILED: The Downtown Dirty Book Fair, curated by Matthew Leifheit in 2022, and was a graduate presenter at the Society for Photographic Education's national conference in 2023. In addition to their visual arts practice, Chavez is a curatorial assistant in photography at the George Eastman Museum in Rochester, NY. They were a guest curator at Visual Studies Workshop in 2020 and a studio assistant to photographer Joshua Rashaad McFadden in 2021. Chavez holds an M.F.A. in Photography and Related Media from the Rochester Institute of Technology and a B.S. (summa cum laude) from SUNY Brockport. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

Interview conducted by George Pratt. Photo by Witzel Studios, courtesy Stills, Posters, and Paper Collections, George Eastman Museum. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences.

This week I'm thrilled to be joined by Whit Stillman, the director of, among other features, The Last Days of Disco, Barcelona, and Love and Friendship. He's on the show today to discuss Metropolitan and the way it has been embraced as a classic Christmas movie, as well as the evolution of the indie film business over the last 40 years or so.  If you're in Rochester or the surrounding environs, make sure to pop over to the Dryden Theatre at the George Eastman Museum tonight for a special showing of Metropolitan with Mr. Stillman in attendance for a Q&A. If you enjoyed this chat, I strongly recommend picking up a copy of Fireflies Press's book, Whit Stillman: Not So Long Ago, as they are nearly sold out and will not be reprinted. (Yes, you can order it directly from the European publisher; I did and it arrived unharmed.) And if you've never seen Metropolitan, you really should! It's available via streaming on the Criterion Channel and Max (aka HBO Max), and it's also on sale for 30% off now (either individually or as part of the collection of his first three films). If you enjoyed this episode, please share it with a friend!

Silver Voices: Frederick Sommer Interview (1976)[Part 16] by George Eastman Museum

Silver Voices: Carl Siembab Interview (1978)[Part 5] by George Eastman Museum

Silver Voices: Carl Siembab Interview (1978)[Part 4] by George Eastman Museum

Silver Voices: Carl Siembab Interview (1978)[Part 3] by George Eastman Museum

Silver Voices: Carl Siembab Interview (1978)[Part 2] by George Eastman Museum

Silver Voices: Carl Siembab Interview (1978)[Part 1] by George Eastman Museum

“To invent, you need a good imagination and a pile of junk.” There is no better role model for this Thomas Edison quote than Steve Sasson, the electrical engineer fresh out of grad school who was hired to work in a Kodak research lab, in 1973. With a passion for scavenging parts and a penchant for invention, he developed the world's first self-contained digital camera just two years after his arrival in the lab. In honor of National Camera Day, we invited Sasson to the podcast for an in-depth discussion about his invention of this revolutionary device. Listen in to hear about the surprising reception Sasson's prototype received from Kodak executives during early demonstrations of its use, the complicated mix of cultural and business factors confronting a company in the throes of innovation, the many years that elapsed before Sasson was allowed to speak publicly about the camera, and much, much more.   In addition to being a storyline worthy of a Hollywood blockbuster, our conversation offers rare insight into the inner workings of a long-established, successful company that knows a lot about the problem but doesn't like the answer. Stay to the end to hear Sasson make a comparison to a groundbreaking technological development in the corporate world today. Guest: Steve Sasson For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/invention-of-digital-camera Above photograph © Courtesy of the George Eastman MuseumStay Connected Steve Sasson Profile at Rensselaer Polytechnic Institute: https://eng.rpi.edu/about/alumni-achievements/steven-j-sasson Steve Sasson at the National Inventor's Hall of Fame: https://www.invent.org/inductees/steven-sasson Steve Sasson at the National Science & Technology Medals Foundation: https://nationalmedals.org/laureate/steven-sasson/ The George Eastman Museum: https://www.eastman.org

Hot off our 50th episode, the Camerosity Podcast goes back to the roots of our name, exploring the rich history of Eastman Kodak, one of the most influential companies in the photographic world.  You can't talk about the history of Kodak without George Eastman and what better way to explore that history than with Todd Gustavson, curator of the George Eastman Museum in Rochester, NY. Todd has been on the show before, but in this the 51th episode, he gets center stage, talking of his role at the Eastman Museum, the origins of George Eastman and how his company got started.  In this episode, you'll learn about George Eastman making dry plates in his mother's kitchen, his motivation for making the original 1888 Kodak, where the name "Kodak" comes from, early 20th century Kodaks, prewar, postwar, and everything in between. Also joining us on the show is the only person in the US I would trust with Kodak Retina repair, Paul Barden.  Back in 2022, long time Retina guru Chris Sherlock hung up his lens spanners and retired from Retina repair.  Not willing to leave a void in quality Retina service, Chris passed on his knowledge to Paul, who lives on the west coast of the United States.  This not only means that there is still a quality option for Retina repair, but for those of you in the US, shipping rates are much cheaper than to New Zealand!  Listen to this episode as Paul talks about his work repairing Retinas, what some of his favorite models are, and what models he does and doesn't repair. In addition to Todd and Paul's massive amount of Kodak knowledge, we go deep into some of the best Kodak cameras ever made, the Kodaks Ektra, Medalist, Monitor, and Regent get discussed here.  We talk about Walter Dorwin Teague, Dr. August Nagel, and Hubert Nerwin.  Mike shares what his all time favorite Retina is to shoot, Anthony discusses his nomination for a medium format Retina, Todd and Mike talk about Joe Mihayli and his contributions to Kodak's legacy. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode of the Camerosity Podcast will be our widest ever, as the gang discusses panorama photography and panoramic cameras.  If you've ever wanted to know what it's like to shoot a Hasselblad XPan, Soviet Horizont, Noblex, or a Widelux camera, this is the episode for you!  Episode 52 will be recorded on Friday, June 30th.  We hope to see you there! This Week's Episode What is the George Eastman Museum and Why Should Anyone Go There? Largest Collection of Nitrate Film / Over 10,000 Cameras / Not Just Kodak Is on Display / One of Louis Daguerre's Original Cameras Paul Once Got Liquored Up in the George Eastman Museum / The Museum Has an Impressive Music Room George Eastman's Early Years / Eastman Dry Plate Company / Eastman's First Film Wasn't Actually Film The 1888 Kodak / Origins of the Kodak Name / Variations of the Original Box Kodaks George Eastman Pioneered Dental Care and Donated a Ton of Money to Local Schools What Caused Kodak to Move Away from Simple Box Cameras to More Complex Folding and Other Camera Designs? Early Color Film Was a Two Color Film / Kodachrome Was a 6 Layer Black and White Film with Color Filters Super Kodak Six-20 / How Many Were Made? Kodak's Priority Was to Manufacture World Wide / Kodak Canada and UK Kodak Film Was One of the Most Complicated Consumer Products Ever Made Was It a Coincidence that Kodak Started Producing Much More Advanced Cameras Right After Eastman Died? Kodak 50th Anniversary Brownie Camera Was Given Away to Children for Free Why Did Kodak Hire Dr. August Nagel to Make Cameras For Them? The Original 35mm Type 135 Cassette is Slightly Different Than the Ones Today Introducing Paul Barden Who Studied Under Chris Sherlock to Repair Retinas Paul Does Not Repair the Retina Reflexes or All the Models Chris Repaired Disabling Dead Meters on the Later Retinas Actually Improves their Usability As There's Less Parts to Move Which Retinas are the Most Dependable Shooters After Receiving a CLA? Mike is Working on a Review of the Retina IIIC /  Mike's Favorite Retina to Use is the Retina IB Not Having a Rangefinder is Not Always a Bad Thing / The Retina Accessory Lenses Aren't Very Easy to Use Besides the Retinas, What Other Great Kodak Cameras Were Made After the War? Kodak Signet 35 / Kodak Ektra / The Ektra's Focal Plane Shutter Was Like No Other Anthony Loves the Kodak Medalist / The Kodak Chevron is Not a Replacement for the Medalist How Much Influence with Walter Dorwin Teague Have on Kodak? Kodak Was Always a Film First Company / The Profit Margins Making Film Was 10x Higher Than Making Cameras Kodak Tourist and Monitor Folding Cameras / Series III Pocket Folding Kodak The Problem with Nearly All Folding Kodaks Are the Bellows, They All Leak Light Kodak Retina Bellows Usually Do Hold Up To Time and Rarely Leak Light The Kodak Duo Six-20 Is Like a Medium Format Retina / Kodak Regent Mike Summarizes Other Great Kodaks to Shoot / Kodak Signet 35 Kodak Dated Their Lenses and Cameras Using a Code Inspired by the CAMEROSITY Podcast! / UK Lenses Used CUMBERLAND What Was Kodak's Motivation With Instamatics and Disc Film? / Kodak Disc Film Was Better Than People Gave it Credit For Hubert Nerwin, Designer of the Zeiss-Ikon Contax II and III Designed the Kodak Instamatic Type 126 Cassette A Kodak Designer That Doesn't Get Talked Much About is Joeseph Mihayli / Mihayli Designed the Super Kodak Six-20, Ektra, Medalist, and Much More What Are Some Good Kodak Reference Books Out There? / Robert Shanebrook, Brian Coe, and Douglas Collins's Books Kodak's Major Developments in New Apparatus / Kodak Prototypes of the 1930s / Kodak's Crazy System TLR Kodak Super 35 and Kodak Technar Prototypes are in the Eastman Collection Anthony Was Heavily Inspired by The Art of Fixing the Shadow Paul Barden Can Repair Your Kodak Retinas (Excluding the Retina Reflexes) Always RTFM Before Shooting a Retina / Also Always Check the Exposure Counter Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ George Eastman Museum - https://www.eastman.org/ Todd Gustavson - https://www.youtube.com/watch?v=KkDCZrTKQaI Paul Barden's Retina Repair - https://kodakretina.exposure.co/the-story-of-the-kodak-retina-camera and https://www.flickr.com/photos/paulbarden/ Episode 8: Making Kodak Film with Robert Shanebrook Episode 25: Steve Sasson and the First Digital Camera Keppler's Vault 42: George Eastman Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

The spring schedule was thrown into some chaos with the announcement of our first award event in four years, but we've managed to put together a series of seven films and a roundtable discussion to celebrate the career of Jodie Foster. The actor, director, and producer has done a great amount of impressive work over the last 50 years, which will be discussed at our Dryden Roundtable discussion featuring Curator of Film Exhibitions Jared Case sitting down with Nora Brown, Executive Director of the Rochester/Finger Lakes Film Office, as well as film professors Kendall Phillips (Syracuse University) and Carter Soles (SUNY Brockport). The roundtable takes place Saturday, May 6, at 2pm, and all George Eastman Museum members receive free admission. All other tickets are just $10. The films range from drama to science fiction to thriller, and span the length of Foster's career.

Tristan Duke is transdisciplinary artist known for synthesizing methodologies from disparate fields to create startling inventions, sublime aesthetic experiences, and new modes of inquiry. He is the inventor of the hologram vinyl record ¬and has created original hologram artwork for albums and soundtrack releases ranging from Jack White and Guns ‘n Roses to Star Wars. He is Co-founder of the Optics Division a collective devoted to recontextualizing photography as a land-based medium and social practice. He has lectured widely, including at the MIT Media Lab, Getty Museum, the de Young Museum, the Exploratorium, and others. His work has been exhibited internationally including: The 59th Venice Biennale Collateral Exhibition; Los Angeles County Museum of Art (LACMA); The Exploratorium, DePaul Art Museum, The George Eastman Museum; Massachusetts Museum of Contemporary Art (MASS MoCA); Museum of Contemporary Art Detroit (MoCAD); Les Rencontres d'Arles; and the Smithsonian Hirshhorn Museum. You can find Tristan on Instagram @duke_tristan. Website: https://www.tristanduke.com Instagram: https://www.instagram.com/duke_tristan/ For show notes and transcript visit: https://kk.org/cooltools/tristan-duke-transdisciplinary-artist-part-2/ If you're enjoying the Cool Tools podcast, check out our paperback book Four Favorite Tools: Fantastic tools by 150 notable creators, available in both Color or B&W on Amazon: https://geni.us/fourfavoritetools  

Tristan Duke is transdisciplinary artist known for synthesizing methodologies from disparate fields to create startling inventions, sublime aesthetic experiences, and new modes of inquiry. He is the inventor of the hologram vinyl record ¬and has created original hologram artwork for albums and soundtrack releases ranging from Jack White and Guns ‘n Roses to Star Wars. He is Co-founder of the Optics Division a collective devoted to recontextualizing photography as a land-based medium and social practice. He has lectured widely, including at the MIT Media Lab, Getty Museum, the de Young Museum, the Exploratorium, and others. His work has been exhibited internationally including: The 59th Venice Biennale Collateral Exhibition; Los Angeles County Museum of Art (LACMA); The Exploratorium, DePaul Art Museum, The George Eastman Museum; Massachusetts Museum of Contemporary Art (MASS MoCA); Museum of Contemporary Art Detroit (MoCAD); Les Rencontres d'Arles; and the Smithsonian Hirshhorn Museum. You can find Tristan on Instagram @duke_tristan.   Website: https://www.tristanduke.com   For show notes and transcript visit: https://kk.org/cooltools/tristan-duketransdisciplinary-artist-part-1/   If you're enjoying the Cool Tools podcast, check out our paperback book Four Favorite Tools: Fantastic tools by 150 notable creators, available in both Color or B&W on Amazon: https://geni.us/fourfavoritetools

On this week's episode of Pop Life Kendall Phillips is joined by Jared Case. Jared is the Curator of Film Exhibitions at the George Eastman Museum in Rochester, New York. He joins the show to share what is being done in Western New York to persevere classic cinema, photography and more.Kendall and Jared discuss, the difference between cinema and a home theater, the history of film preservation, and the nitrate film festival in Rochester, New York.

Welcome to the George Eastman Museum. My name is Dan Bellavia, I am the landscape manager here. Today I'm here to talk to you about the Dutch Connection, the annual Forced Bulb Show that has run every February here at the George Eastman Museum. This event was inspired from a letter that was sent from George Eastman to his mother back in 1895. He was taking a tour of Holland at that point, a bicycle tour no less, and he saw the beautiful fields of tulips and daffodils that are wall to wall in Holland, decided to bring some home to the United States and foreseen putting them into his gardens in the estate he was planning on building.

Our first storyteller is Jim Harte.  Jim has always loved film, ever since he was a boy. When the distributors forget to send the second reel of “Wild in the Streets”. Jim gets creative in the way that he avoids giving refunds. Jim calls his story “More Than a Movie”

Pordenone 2022 Festival Report, with Lokke Heiss • Restoring the Unknown The Unknown, with George Eastman Museum's Peter Bagrov, Anthony L'Abbate and Gordon Nelson • Biographer Lara Gabrielle on Marion Davies (103:54)

In episode 229 UNP founder and curator Grant Scott is in his shed reflecting on working with William Klein and the passing of too many photographers over too short a period of time. Plus this week, photographer Richard Bram takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Richard Bram was born in Philadelphia, Pennsylvania, in 1952 and is an American street photographer based in London. He attended Arizona State University in Tempe, Arizona where he received a B.Sc. in political science and worked in business before becoming a professional photographer. Bram lived in Louisville, Kentucky, moving to London in 1997, then New York City in 2008, and back to London around 2016. Bram has published two books of candid public photographs: Street Photography (2006), a compact collection of black and white photographs taken around the world from 1988 to 2005; and New York (2016), a greatest-hits album of work made between 2005 and 2015 whilst living in New York City. His work is held in the permanent collections of the Bibliothèque Nationale de France in Paris, George Eastman Museum in Rochester, New York, and the Museum of London, as well as having been exhibited internationally since 1991. He is represented by galleries in Mexico, Germany, France, and the USA. www.richardbramphoto.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2022

Maybe you've heard about Kodak film. Well, visitors to the George Eastman Museum get to learn about the pioneer of popular photography and motion picture film. Eliza Kozlowski also underscores more on Eastman's love of music and appreciation for nature.

For the first half-century of cinema, most movies were made and printed on nitrate film. Problem: it easily decomposes, it's easily combustible, and once it's on fire, you can't put it out.  Only a few theaters on Earth can safely screen nitrate prints...and only one has an annual festival dedicated to the format: The George Eastman Museum's Dryden Theatre in Rochester, New York with its Nitrate Picture Show.To understand why it's important to screen these original treasures in an age of digital — and the incredible effort it takes to pull it off — Rico Gagliano travels both sides of the Atlantic, from the Dryden's fortified projection booth to the British Film Institute's nitrate holding vaults.The second season of the MUBI Podcast titled “Only in Theaters” tells surprising stories of individual cinemas that had huge impacts on film history, and in some cases, history in general.After listening, check out our coverage of the sixth annual Nitrate Picture Show, which took place earlier this month. Read Joshua Bogatin's article on this year's edition here.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor. A place to discover and watch beautiful, interesting, incredible films. A new hand-picked film arrives on MUBI, every single day. Cinema from across the world. From iconic directors, to emerging auteurs. All carefully chosen by MUBI's curators.And with MUBI GO, members in select countries can get a hand-picked cinema ticket every single week, to see the best new films in real cinemas. To learn more, visit mubi.com/go

We're not on our Lonesome anymore with special guest and friend, Graham Brown. Graham is an Assistant Preservation Officer at the George Eastman Museum and he has graced the pod with his extensive knowledge on the process of film preservation. Join us as we learn about Lonesome's film preservation journey, and discuss the first silent film (okay… part-talkie) featured on the podcast! Wilson celebrates the kinetic cinematography of Paul Fejos' Lonesome (1928), Eli hones in on its innovations in synchronized sound, and Ben examines Fejos' anthropological approach to his working-class characters. Insider video on film preservation featuring Graham. View digitized films from the George Eastman Museum at: www.eastman.org Get tickets to the The Nitrate Picture Show (June 2-6, 2022) at the George Eastman Museum in Rochester, NY. We'll be loving you always in our Discord server! Keep up with Deep Cut on Instagram, Twitter, Facebook, and Letterboxd. CREW: Director: Paul Fejos (or Pál Fejős) Producer: Carl Laemmle Jr. Writers: Edward T. Lowe Jr., Mann Page Editor: Frank Atkinson Cinematography: Gilbert Warrenton Art Direction: Charles D. Hall Composer: Joseph Cherniavsky CAST: Mary: Barbara Kent Jim: Glenn Tryon

This week on episode 25 we go beyond the world of film and bring to you a whole episode talking about the history of digital cameras.  In order to do that, we called upon a man who can speak to the earliest history of digital photography like no other, Steve Sasson. In 1975, at the age of only 25 while working for Kodak, Steve created the world's first digital camera.  A crude looking blue and metal box with exposed electronics inside, a lens from a Kodak XL movie camera, and a cassette recorder as it's data storage device, the camera worked, and set the world on a path that leads us to modern smartphones today. Not to be outdone, Steve is joined by Robert Shanebrook who we have spoken with before as a 35 year employee of Eastman Kodak, Robert worked in the same lab with Steve and shares with us his memories of that time at Kodak and how things progressed from there. Also, with us is Todd Gustavson, author and curator at the George Eastman Museum, Todd knows Kodak history like no one else, and has access to a whole collection of the earliest digital cameras. Finally, Daniel Koons is a Kodak collector and early digital camera enthusiast who has meticulously built the world's only replica of Steve's prototype digital camera.  Using high resolution images provided to him by Todd, Daniel was able to recreate the camera with an impressive level of precision and can speak to the inside workings of the camera second only to Steve. It wouldn't be an open source podcast without some callers, and this time we have returning guests, Mark Faulkner, Mark Peterson, and Jon Gilchrist who ask their own questions and share their own experiences. Every episode, the topics we discuss on the Camerosity Podcast are decided entirely upon you, so if you'd like to join us next time, be sure to look out for our next show announcement for Episode 26, which will be recorded on Monday, May 16th! This Week's Episode Steve's Introduction / How He Got Involved / One Man Skunkworks The Camera Didn't Work Until it Was Done / No One Knew How to Build It It Took 23 Seconds to Store an Image / The Fairchild CCD Was Horrible Why Would Anyone Want to Take Photos This Way? / There Was Never Any Paper on the Starship Enterprise There Needs to be More Pixels / Kodak Wasn't Ignorant That This Was a Threat to Film When Will Digital Be a Viable Form of Photography? / Moore's Law / The Boy Dog Wall Portra Was Developed Without Any Constraints from Digital What was the Evolution of the Original Concept to First Prototype? / Was a Modem Ever Considered? Kodak Never Seriously Considered Still Video Photography (Sony Mavica / Canon Xap Shot) Kodak ECAM / Kodak's Patent Wars of the Early 2000s Daniel Koons Makes an Exact Replica of Steven's Camera / Please Return to Steve Sasson Despite the Potential of Killing Film, Kodak Did More to Advance Digital Photography Than Almost Anybody It is Harder Today to Shoot a 20 Year Old Digital Camera Than a 100 Year Old Film Camera Kodak Kept Investing in New Film Stocks Into the 2000s Despite the Rise of Digital / After September 2003, Things Started to Change Could You Take the Digital Image Off the Prototype and Into a Computer? Does the Prototype Still Work? / Does Daniel's Copy Work? / There's a Raspberry Pi in There! Todd Gustavson is a Curator at the Eastman Museum / Getting Old Digital Cameras Working / UF RAW Digital Camera Collectors / SCSI Cables Are Hard to Find / Underwater Digital Photography KingJim DaVinci Thermal Print Camera / Paul and Mark Are Shopping on eBay During This Podcast! Paul Gets 10 Boxes of Cameras Today / Daniel's Wish List / The Digicam Craze in Japan Kodak Tech Pan / Modern Equivalent to Technidol What's Everyone's Favorite Bulk Film? / Don't Limit Yourself to B&W, C41 Processing is Easy Too Go See the Collection of Cameras at the George Eastman Museum Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Steve Sasson - https://en.wikipedia.org/wiki/Steven_Sasson Robert Shanebrook – http://www.makingkodakfilm.com, makingkodakfilm@yahoo.com Daniel Koons (Norman Camera) - https://www.normancamera.com/ Todd Gustavson (George Eastman House) - https://www.eastman.org/ Mark Faulkner - https://thegashaus.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

On this episode Chris interviews Ben Model, founder of Undercrank Productions and world's leading silent film accompanist, alongside special guests, Kirk McDowell, Assistant Collection Manager at George Eastman Museum, and Captaingibb, Mod from r/criterion and silent film expert. www.theylivebyfilm.com https://www.patreon.com/theylivebyfilm Adam's Letterboxd: https://letterboxd.com/TheOwls23/ Zach's Letterboxd: https://letterboxd.com/dharmabombs/ Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm/ www.instagram.com/theylivebyfilm/

In the second hour of "Connections with Evan Dawson" on Thursday, April 21, 2022, artist Joshua Rashaad McFadden discusses his new exhibit at the George Eastman Museum which explores race, masculinity, sexuality, and gender in the U.S.

David Levinthal is a New York–based photographer whose work explores the relationship between photographic imagery and the fantasies, myths, events and characters that shape the  collective American consciousness.  Refining a personal photographic style and vision, Levinthal utilizes toy figures and structures as subject matter for the creation of a surrogate reality.  Levinthal has endeavored to create a 'fictional world' that simultaneously calls into question our sense of truth and credibility.Levinthal's photographs of soldiers at war, cowboys and Barbie dolls reference and reexamine the iconic images and historical events that have shaped postwar American culture.  Through his expansive series such as Hitler Moves East, Modern Romance, Wild West and History, Levinthal's photographs also reveal the false memories and stereotypes that lurk beneath the surface, challenging viewers to confront the stories we tell about ourselves and our country.    Levinthal is a recipient of the National Endowment for the Arts Fellowship and a Guggenheim Fellowship, and his photographs reside in the permanent collections of  New York's The Museum of Modern Art,  the Metropolitan Museum of Art, and  the Whitney Museum of American Art, the Centre Pompidou in Paris,  the Art Institute of Chicago, LACMA, the National Gallery of Art and the Smithsonian American Art Museum in Washington, DC, among others.In 1997, The International Center for Photography in New York presented the first retrospective of his work titled David Levinthal: Work from 1977 – 1996.  The George Eastman Museum in Rochester, New York, organized the most recent retrospective, David Levinthal: War, Myth, Desire, in 2018.  And In 2019, the Smithsonian American Art Museum organized American Myth & Memory: David Levinthal Photographs to showcase seventy-four color photographs.  

George Eastman Museum - Advanced Studies Workshop, 1967: Robert Frank, Marie Czach [Part V] by George Eastman Museum

George Eastman Museum - Advanced Studies Workshop, 1967: Robert Frank [Part IV] by George Eastman Museum

George Eastman Museum - Advanced Studies Workshop, 1967: Robert Frank [Part III] by George Eastman Museum

George Eastman Museum - Advanced Studies Workshop, 1967: Robert Frank [Part II] by George Eastman Museum

George Eastman Museum - Advanced Studies Workshop, 1967: Robert Frank [Part I] by George Eastman Museum

Laura Lentz, Marc Webster, and Eric Polenik of fivebyfive join us to chat about how they tailor their work to screen-centric audiences, and how their video projects have led to particularly interesting collaborations throughout their existence. They share about their approaches to successful grant writing, and how they've found themselves working not just as grant recipients, but also as grant-writing mentors. We also speak about the role that community plays in their work, and how they continue to search for new ways to deepen their ties to their community at every level. fivebyfive (flute, clarinet, electric guitar, bass and piano) performs music of today's leading and emerging composers from around the world, advocates for creators who are underrepresented in the field, and collaborates with artists across the disciplines. Through its workshops and educational concerts, fivebyfive aims to spark young people's unlimited creative potential and inspire a deeper understanding of today's chamber music. With a commitment to accessibility, fivebyfive performs in a variety of settings, offering affordable or free programming and sensory-friendly events. fivebyfive's events often involve community-building experiences in real-time during performances. Examples of these programs include: “Music/Glass” at the 2019 Rochester Fringe Festival, where audiences were free to move throughout the space during the performance and participate in creating a fused glass art work while hearing the music performed live, Meet the Composer events where audiences were a part of the conversations bringing new works to life and its educational programs in the schools working with young people to spark their unlimited creative potential and inspire a deeper understanding of today's chamber music. These have included collaborations with students of the RocMusic Collaborative, Strings for Success, 12 Corners Middle School, among others. The winner of the 2018 Eastman/ArtistShare New Artist Program and a New Music USA grant recipient for its commissioning project for new works inspired by the stained-glass artist Judith Schaechter, fivebyfive was awarded a second New Music USA project grant for a collaboration with the George Eastman Museum, commissioning new works inspired by photographer James Welling's collection “Choreograph.” In 2020 fivebyfive was selected as one of 16 recipients for a Chamber Music America Commissioning Grant with composer/harpist Amy Nam, and in 2021 the group was chosen as a New Music USA Organizational Development Fund Recipient which recognizes outstanding organizations that work regularly with, & support the development of, music creators & artists, offering a crucial resource in their community. fivebyfive has appeared on WXXI Classical 91.5's programs Backstage Pass and Live from Hochstein, featured on Performance Rochester and Performance Upstate, and has also appeared nationally on American Public Media's Performance Today program with host Fred Child. The transcript for this episode can be found here. For more information about fivebyfive, please visit their website, Facebook, Twitter, and Instagram.

In this episode I have a metal film canister - and inside is an acetate film reel of a 1990s Indian film. We'll go on a roller coaster adventure to learn about the movie inside and all of the drama surrounding it. Thank you to Anthony L'Abbate from the George Eastman Museum, Tejaswini Ganti and Ramesh Talwar from the IPTA. Theme song for Object Obscura is ‘Behind the Walls' by Nathanie Thanks to Epidemic Sound, Chosic and Anchor.fm for most of the music, SFX and distribution. Music in order of appearance: Informed and Prudent by Yi Nantiro, Santoor and Tabla by Samuel Corwin, Behind the Walls by Nathanie, Living a Fantasy by Pulsed, Dreams of India by Sight of Wonders, Singular Mind by Anthony Earls, Bansuri Yeh Bansuri Nahin by Shiv-Hari, Lady In Black by Farrell Wooten, Gnomon by Marten Moses, Azoic by Max Anson, Espionage by Uncaria, Sahibaan Meri Sahibaan by Shiv-Hari, Aging Carefully by Martin Klem, Absence of Light by Prozody, Tu Kya Pyar Karega by Shiv-Hari, Ray of Hope by JayJen, Main Botal Nahin by Shiv-Hari, Intervention by Gabriel Parker, Contraband by Lovren, Distant Dawn by Christan Andersen, Dark Seas by Michael Rothery, Maharadjan Wishes by Jhukane Bada, Pachisi by Taomito, The World Is a Smaller Place Now by Craft Case, Dark Woods by Phoenix Tail, Back to Bollywood by Jhukane Bada, Solids by Ethan Sloan, The Annual Rain by Saira Ridley, You Want Dark Tunes by Ave Air, In Continuum by Dream Cave and The Pyramide by Edgar Hopp. SFX and Archival credits: 1.) Digitized trailer → https://www.youtube.com/watch?v=UiSh8dErfQs 2.) The movie Sahibaan → https://www.youtube.com/watch?v=geVwTOEyJx0&t=4578s. You can watch it with English subtitles on Amazon in some countries 3.) Sanjay Dutt Gets Out of Jail (2016) → https://www.youtube.com/watch?v=hrlS3Wfhh6Y 4.) 1993 Bomb Blasts: True Justice Still Elusive → https://www.youtube.com/watch?v=1xBvlNsgphI&t=68s 5.) Sanjay Dutt walks out of Pune's Yerwada Jail after 42 Months → https://www.youtube.com/watch?v=eNxtsngl8aU&t=31s 6.) Sanjay Dutt Gets Five Years → https://www.youtube.com/watch?v=whl-M39_Pek All pictures of this episode's object are on Facebook @objectobscurapodcast, Instagram @object.obscura and Twitter @objectobscura. Go to our website as well object-obscura.com --- Send in a voice message: https://anchor.fm/thatcher2/message

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Welcome to episode four of where to from here, a podcast series hosted by artist Jes Reyes. Its formation is both a result and a response to postponing Moonplay Cinema's first season of in-person programming due to COVID-19 safety protocols. Today's episode features Kiera Faber. Kiera Faber is an artist working with materiality and texture through the mediums of animated experimental film, photography, and drawing. Her auteur, award winning films are entirely crafted by hand. Each film involves extensive drawing, sculpture, and painting for sets, puppet stop motion animations, and other forms of frame-by-frame animation. Faber creates visually complex and richly evocative surreal worlds where themes of loss and trauma are explored through enigmatic abstract narratives. Faber's work is internationally screened and exhibited at film festivals, galleries, and museums, most notably the South Bend Museum of Art, DeVos Art Museum, Museum of Contemporary Photography, George Eastman Museum, and the Walker Art Center. She received her MFA from the Visual Studies Workshop after completing a BA in Psychology from the University of Rochester. In 2018, Faber received a McKnight Fellowship in Media Arts. She has received numerous regional grants and two film production grants from the Jerome Foundation (2013, 2019). Faber currently is in production on her next animated film, The Garden Sees Fire, supported in part by the Jerome Foundation. Faber is a Luxembourger/American and currently resides in Minnesota. See clips from Kiera's films here. Follow Moonplay on Instagram: @moonplaycinema Email: moonplaycinema@gmail.com www.moonplaycinema.org Theme music by Jes Reyes. Original recording date: December 19, 2020

We zoom in on the topic of photography conservation and photos in collections with guest host Lorraine Finch. From positives to negatives, we build a picture of some common things look out for and discuss some ways of storing vintage photos. Also tune in for a review of 'Twentieth-Century Color Photographs - Identification and Care' and an Albumen cocktail (and mocktail) at the Benchwork Bar! 00:00:45 Do object conservators come across many old photos? 00:06:44 What sort of photos do we mostly encounter? 00:15:13 Book recommendations galore 00:16:23 Kloe frets about modern photography 00:20:53 Polaroid revival and instant photos 00:23:24 Common types of damage 00:31:56 Storage solutions 00:39:19 Treat it or lose it 00:47:25 Review: 'Twentieth-Century Color Photographs - Identification and Care' 00:53:37 Benchwork Bar: Albumen 01:01:40 Patreon shout out Show Notes: - Lorraine's previous episodes: https://thecword.show/2018/05/02/s03e04-looking-after-your-conservator/ and https://thecword.show/2019/09/18/s06e01-conservation-on-a-budget/ - The Centre for Photographic Conservation: http://www.cpc-moor.com/index.htm - Winston Churchill Traveling Fellowship: https://www.wcmt.org.uk/why-apply/travel-grant - Image Permanence Institute: https://www.imagepermanenceinstitute.org/ - George Eastman Museum: https://www.eastman.org/ - Care and Identification of 19th-Century Photographic Prints: https://store.imagepermanenceinstitute.org/care-id-photographic-prints - Photographs of the Past - Process and Preservation: https://www.getty.edu/conservation/publications_resources/books/photos_of_the_past.html - Sub-zero storage of photographs: http://wilhelm-research.com/subzero.html - ZINK technology: https://en.wikipedia.org/wiki/Zink_(technology) - Lorraine's articles on the PEL blog: https://www.preservationequipment.com/Blog/Blog-Posts/Blog-Categories/Photographic - Photographic Negatives - Nature and Evolution of Processes: https://s3.cad.rit.edu/ipi-assets/publications/negatives_poster_booklet.pdf - Twentieth-Century Color Photographs - Identification and Care: https://www.amazon.co.uk/Twentieth-Century-Colour-Photographs-Identification/dp/0500517193/ or https://www.getty.edu/conservation/publications_resources/books/20th_century_color.html - Go follow Amanda Richards for more conservation cocktails: https://twitter.com/ConserveItAll Support us on Patreon! http://www.patreon.com/thecword Hosted by Jenny Mathiasson, Kloe Rumsey, and Lorraine Finch. Intro and outro music by DDmyzik used under a Creative Commons Attribution license. Made available under a Creative Commons Attribution-NonCommercial 4.0 International license. A Wooden Dice production, 2020.

The George Eastman Museum recently acquired a film collection of 775 Indian films that were desperately seeking a proper home. Deborah Stoiber, collection manager in the Moving Image Department at the George Eastman Museum, led a team to Fresno, CA to excavate this collection. She shares with us her experience and discusses the intricacies of Indian Film. Listen in for this great story of finding and saving one of the largest collections of contemporary Indian cinema in the world.

Former TV host turned photographer Tabitha Soren joins us this week. Tabitha's roots in journalism subtly direct the subject matter she shoots, elegantly capturing human experience and presenting it to us from her own unique perspective. We talked about her most recent project, Fantasy Life: a book about the American dream of baseball players as seen through the images she had captured for more than a decade. She even resurrected an old photography format, tintype. Listen in to hear why, and what she learned during her time with the players. http://www.tabithasoren.com/ Tabitha will be speaking at George Eastman Museum on August 9th. Visit eastman.org for more information.

This week we are re-releasing our episode on nitrate film, just in time for the George Eastman Museum's third annual Nitrate Picture Show this weekend. We chatted with Jared Case about what's new this year before releasing our episode from last year all about nitrate film! Don't miss it! New episodes of The Kodakery will start next week!