Podcasts about gallery talk

Anne Diggory doesn't paint nouns, instead she paints feelings, energies, and juxtapositions. Diggory's work is currently showing at the Spring Street Gallery in Saratoga Springs, curated by Belinda Colón. Diggory also says that the thumbnails of her paintings fail to convey their size and details, but you can see her work until February 10, 2024 with upcoming talks. Learn more at www.Diggory.com Talks: "From Inspiration to Expression," Friday Dec. 15 , 7-8 pm Closing Reception and Gallery Talk, Sunday, Jan. 28, 2-4 pm "Plein Air in the Adirondacks and Southern France"

Ep.177 features gallerist Kendra Jayne Patrick. Her art gallery operates between Switzerland and the USA. Its programming is focused on the twenty-first century avant-garde, specializing in sculpture, painting, digital, and photography from a post-conceptual and post-internet posture. The program operates from a brick-and-mortar location in Bern, Switzerland and then spare spaces within established New York art galleries; art fairs; and unusual exhibition sites. Adventure, scholarship, and the pleasure of looking govern the gallery's programming and ethos, and all are reflected in its fluid exhibition model. Kendra Jayne Patrick artists and exhibitions have been featured in The New York Times, Vice's GARAGE magazine, Artsy, Vulture, Artnet, ARTnews, Barron's, the San Francisco Chronicle, and DAZED Magazine, Art in America, Cultured, The Guardian, Gallery Talk magazine, PHILE Magazine, Document Journal, Office Magazine, The Art Newspaper, and The New Yorker. Kendra Jayne Patrick artists are represented in collections at the Metropolitan Museum of Art, New York, NY; The Museum of Fine Arts Houston, Houston, TX; The Studio Museum in Harlem, New York, NY; The Dallas Museum of Art, The National Museum of African American History and Culture, Washington, DC. Photo credit: Ernst Fischer Kendra Jayne Patrick https://gallerykendrajaynepatrick.com/ Art Basel https://www.artbasel.com/catalog/gallery/30253/Kendra-Jayne-Patrick https://www.artbasel.com/stories/lambdalambdalambda-kendra-jayne-patrick-hua-international-young-galleries?lang=en NY Times https://www.nytimes.com/2021/12/04/arts/design/art-basel-miami-diversity.html https://www.nytimes.com/2023/09/27/t-magazine/starting-galleries-art-dealers.html Cultured Magazine https://www.culturedmag.com/article/2023/06/12/art-basel-dealers-debut Art Forum https://www.artforum.com/news/art-basel-miami-beach-reveals-2023-exhibitors-list-252980/ Art Newspaper https://www.theartnewspaper.com/2023/02/23/galleries-making-their-art-basel-debuts-this-yearand-what-theyre-bringing Art Dependence Magazine https://artdependence.com/articles/what-to-expect-at-art-basels-2023-edition-in-switzerland/ Artnet https://news.artnet.com/news-pro/where-art-basel-headed-recession-2318140 EXPO Chicago https://www.expochicago.com/exhibitors/exposure/2023-exposure Yard Concept https://www.yard-concept.com/journal/kendra-jayne-patrick Vice https://garage.vice.com/en_us/article/4ad37p/kendra-jayne-patricks-seating-chart-for-a-fall-dinner-party-in-a-pandemic Halsey McKay https://www.halseymckay.com/kendra-jayne-patrick-presents-david-jeremiah-play-press-release Gallery Girls https://gallerygurls.net/art-convos/2021/7/18/art-convo-with-kendra-jayne-patrick NADA https://www.newartdealers.org/programs/nada-miami-2020/presentations/75 Ada Friedman https://www.adafriedmanstudio.com/recent-exhibitions/kendra-jayne-patrick--fall-2022 LinkedIn https://www.linkedin.com/in/kendra-jayne-patrick-247001180/ Glasstire https://glasstire.com/2023/07/27/top-five-july-27-2023/

When we design beautiful spaces for our clients, we want the art on the wall to not only fit well in the space but also enhance it. I'm talking with Founder and Lead Curator of JFiN Collective Jennifer Findley about the importance of art and how to navigate the art collecting world as a designer, even if you've never done it before and find it intimidating. An advisor like Jennifer can help you find and purchase the right piece that will take a space to the next level–and still fit in your client's budget!Jennifer will be part of the upcoming Gallery Talk we're doing with the Design Coven on July 28 at 5 PM PT at Madison Gallery. Jennifer, along with Madison Gallery's Owner/Founder Lorna York and Principal Art Dealer Rebecca Hiller (our guest in episode 119), will go through all the details of what it's like to work with them and how you can help your clients embark on their art collecting journeys.About JenniferJennifer is an art advisor and the founder of the JFiN Collective, as well as an avid Op-Art collector. At the JFiN Collective, she provides art advisory and consulting services and helps established and emerging collectors develop, create, and maintain curated collections whether it be for investment, pleasure, or both. She mainly works with collectors interested in establishing institutional-level collections focused on Post-War Abstraction and cutting-edge Contemporary Art. She has a particular expertise in Op, Kinetic, Constructivist, and Hard-Edge Art from the 60s to the present.Through her access and connections, her clients have an open door and ‘first choice' to the premier galleries, artists, and auction houses around the world—art that is not available to the general-public. Along with private and corporate collectors, she regularly consults with museums, curators, and galleries on artists, acquisitions and sales. Last year, she was invited to present in San Diego Design Week on finding inspiration for a collection and integrating art and design and was featured in Modern Luxury as “the curator to know” and a “Power Player” in the San Diego art scene.Featured in this episodeFeatured deck: Radiant Crystal CardsConnect with JenniferWebsiteInstagramAre you an interior designer or are you interested in Holistic Interior Design? Check out my membership program, the Design Coven! This program is a real-world industry mentorship for Holistic Interior Designers that has everything you won't find in traditional design school curriculum. You'll learn from practicing interior designers working on real life projects, and get access to cutting edge vendors, suppliers, furniture makers, textile designers, and design resources that I've curated over my 17 years of design experience. As a member, you'll have the opportunity to build valuable relationships of your own. Learn more.Connect with Rachel LarraineWebsiteInstagram

If you're looking for beautiful, unique pieces of art that fit your clients and their spaces perfectly, you might want to consider working with local galleries and art dealers. In this episode, I talk with Rebecca Hiller of Madison Gallery in Solana Beach about how they work with designers and collectors to find the perfect pieces. Rebecca also shares with us how she found her way into the art world and why she loves working with artists.We're doing a Gallery Talk at Madison Gallery on July 28 at 5 PM PT with the Design Coven. Rebecca, along with Madison Gallery Owner/Founder Lorna York and Jennifer Findley of JFiN Collective, will go through all the details of what it's like to work with them and how you can help your clients embark on their art collecting journeys. (And Jennifer will be on our next episode of the podcast!)If you want to check out the gallery before then, their newest group exhibition, You Should Be Here, is opening on Saturday, July 22. There will be a reception in the gallery from 5 to 8 PM PT.About Madison GalleryFounded in 2001, Madison Gallery is committed to representing emerging, mid-career and established international artists who work in a range of media. Inspired by an earnest dedication and passion for art, the gallery consistently exhibits a high standard of contemporary art. Madison Gallery offers a complete range of services to both the lifelong collector and the first-time buyer, including in-home collection curatorial services, personal collection development and curating, on-site consultation, virtual previews, international sourcing, and worldwide shipping.Featured in this episodeFeatured deck: Radiant Crystal CardsConnect with Madison GalleryWebsiteInstagramPhone: 858-523-9155Are you an interior designer or are you interested in Holistic Interior Design? Check out my membership program, the Design Coven! This program is a real-world industry mentorship for Holistic Interior Designers that has everything you won't find in traditional design school curriculum. You'll learn from practicing interior designers working on real life projects, and get access to cutting edge vendors, suppliers, furniture makers, textile designers, and design resources that I've curated over my 17 years of design experience. As a member, you'll have the opportunity to build valuable relationships of your own. Learn more.Connect with Rachel LarraineWebsiteInstagramPatreonInterior Design ServicesInterior Design ResourcesHouzz (Affiliate Link)

Visiting Littlefield Gallery is a highlight in any artist or art lover's time in Maine. It is located in Winter Harbor, a small fishing town on the Schoodic National Scenic Byway. Armin and Valerie had the pleasure of visiting Littlefield Gallery while attending a Golden Apple Residency less than an hour away from the gallery. On the very first visit, they struck up a friendship with Kelly and Jane Littlefield. Now, that can sound like a far-fetched thought that artists just walk into a gallery and have an instant rapport with the owners, but if you ever meet Kelly and Jane, you will understand that relationship building is a way of life for them both. They live and breathe promoting art as they literally live in their gallery. This combination of live and work space has always been appealing to both Val and Armin. It is not unusual to hear the washer and dryer running as you view the art or smelling delicious aromas from the kitchen of the Main House Gallery as you explore the different levels of the main house built in 1891 . You'll hear stories in this episode about how they offered an exhibiting artist a chance to do their laundry on the spot! But it does not have a homespun aesthetic in either the main house or the detached exhibition space, the vibe is contemporary, museum-like with wonderful lighting and open space between paintings as well as a very tasteful collection of sculptures inside and out. This adventure started thirteen years ago for Kelly and Jane, who came into the gallery world with their background in education combined with a passion for collecting art. That passion is contagious and they represent artists with connections to Maine in particular. The beauty for those artists is that Kelly and Jane use their relationship building skills and finesse to treat each of them like family and friends. It's a beautiful moment to hear Jane talk about a particular artist with love and fondness. Collectors can't help but want to purchase the art and learn as much as they can about the chosen artist. The exhibition space, which is detached from the historical New England style house, was custom designed to feature two-person shows. Kelly talks about curating two artists that encourage a compare and contrast conversation with the viewers. By displaying about a dozen works of art from each artist, you can see the complete exhibit in the long gallery as you enter the door or turn to each wall to study the individual artists closely. This narrow layout is a very engaging way to experience the exhibits. Currently on display is the featured exhibit with Shelley N. Stevens and Barbara J. Zucker. This landscape-based show is a celebration of the power of the land and sea and how many times these paintings tell stories of life in a particular part of the country. Barbara J. Zucker is an artist, gallery director and art consultant who lives and works in Maine and Pennsylvania. Shelley N. Stevens is familiar to our audience as the artist and director from Golden Apple Studio and Residency in Harrington, Maine. Shelley divides her time between Maine and Michigan. You will hear from her as well in this episode. We want to thank Jane, Kelly, and Shelley for their precious time recording this episode. Artists, please learn and take to heart, the words of wisdom from Kelly and Jane regarding approaching galleries. These insights from the gallery owners align with Art Ladders mission to provide best practice tips for artists in our audience. Enjoy this conversation! Show Notes Littlefield Gallery Barbara J. Zucker Shelley N. Stevens Exhibition feature Barbara J. Zucker and Shelley N. Stevens

Eric Bussart, illustrator, graphic artist and muralist from Scranton, speaking about his work in anticipation of the exhibition, "Solunar, Collaborative Work by UNAPXLXGETIQ (Emmanuel Adjei) and Eric Bussart" at the Mahady Gallery at Marywood University in Scranton, with an opening reception on Saturday, January 2 8 , 2023, from 2 to 5 pm; and a Gallery Talk on Monday, January 30 at 3:00 pm. The show will run through March 10. For more information: www.marywood.edu/community/galleries Also: www.ericbussart.com/

In this episode, Lauren and Chris discuss the life and work of Abstract Expressionist painter, Lee Hall (1934-2017). They also discuss their personal connections to her.Please visit the links below to view videos of Lee Hall speaking at Jerald Melberg Gallery:Bechtler Relationship: https://youtu.be/JihP06gd1ywFirst Coffee and Conversation: https://youtu.be/GJX_I0bZ_tc"Celebration" Coffee and Conversation: https://youtu.be/GNxQHpzJM2ETo view works available by Lee Hall:https://www.jeraldmelberg.comCheck us out on Instagram at:https://www.instagram.com/laurenpiemont/https://www.instagram.com/chrisclampart/https://www.instagram.com/avartclub/

Join Darrin & his cousin Brianna as they discuss the facets of family. Views from the past, present, future & beyond! No limits when you're reviewing the gallery of life. Support the show (https://www.patreon.com/GalleryTalk)

David Richard Gallery is pleased to present Joe Ramiro Garcia, Keep Off the Grass, his first solo exhibition in New York and debut with the gallery. Garcia's paintings are narrative, derived from current events and inspired by art historical figures, while the imagery and palettes reference personal memories and emotions. Initially, the paintings appear Pop-inspired and a collaging of everyday, somewhat banal and often appropriated images. However, the paintings are highly technical in that they also incorporate a complex printing process to introduce certain imagery that provides not only layers of color and detail, but also content as a referent and/or memory trigger. The medium for the image transfer process is paint, not ink, so that every layer and detail in the composition is painted.

David Richard Gallery is pleased to present Joe Ramiro Garcia, Keep Off the Grass, his first solo exhibition in New York and debut with the gallery. Garcia's paintings are narrative, derived from current events and inspired by art historical figures, while the imagery and palettes reference personal memories and emotions. Initially, the paintings appear Pop-inspired and a collaging of everyday, somewhat banal and often appropriated images. However, the paintings are highly technical in that they also incorporate a complex printing process to introduce certain imagery that provides not only layers of color and detail, but also content as a referent and/or memory trigger. The medium for the image transfer process is paint, not ink, so that every layer and detail in the composition is painted.

David Richard Gallery is pleased to present Joe Ramiro Garcia, Keep Off the Grass, his first solo exhibition in New York and debut with the gallery. Garcia's paintings are narrative, derived from current events and inspired by art historical figures, while the imagery and palettes reference personal memories and emotions. Initially, the paintings appear Pop-inspired and a collaging of everyday, somewhat banal and often appropriated images. However, the paintings are highly technical in that they also incorporate a complex printing process to introduce certain imagery that provides not only layers of color and detail, but also content as a referent and/or memory trigger. The medium for the image transfer process is paint, not ink, so that every layer and detail in the composition is painted.

For the first time in its 85-year history, the Mohawk-Hudson Regional exhibition is presented at three locations simultaneously: Albany Center Gallery, Albany International Airport Gallery, and Opalka Gallery at Russell Sage College. Opalka's Judie Gilmore, Albany Airport Art & Culutral Director Kathy Greenwood and Artist Jahniah Kum speak with HMM's Andrea Cunliffe about the 3 exhibits and the impact on the arts of the Covid crisis. Jahniah speaks about creating her work exhibited at the Albany Center Gallery as part of the Mohawk Hudson Regional Exhibition. The Mohawk Hudson Regional Exhibition continues at Opalka Gallery and the Albany Center Gallery until the 9th of October, and at The Albany Airport Gallery until 8th of November.

David Richard Gallery is pleased to present Wax and Wane by Kevin Umaña, his first solo exhibition in New York and with the Gallery. This exhibition of 17 new artworks created during 2021 is part of a larger body of work comprised of five different, but related and interdependent bodies of works that differ by size, supports and media. The various bodies of work include: 1) seven large canvases made of acrylic and oil media that also include a range of additions that model and provide tactile and sculpted surfaces to the individual geometric shapes; 2) four smaller paintings that experiment with novel supports, media and additions to the media as well as specific geometric shapes and compositions that have a direct dialogue with the larger paintings; 3) two flat-ish glazed ceramic wall pieces; 4) two hybrid paintings with additions of flat glazed ceramic fragments adhered to the canvas and integrated within the compositions; and 5) one painted, wooden, free-standing sculpture on a pedestal.  

David Richard Gallery is pleased to present Wax and Wane by Kevin Umaña, his first solo exhibition in New York and with the Gallery. This exhibition of 17 new artworks created during 2021 is part of a larger body of work comprised of five different, but related and interdependent bodies of works that differ by size, supports and media. The various bodies of work include: 1) seven large canvases made of acrylic and oil media that also include a range of additions that model and provide tactile and sculpted surfaces to the individual geometric shapes; 2) four smaller paintings that experiment with novel supports, media and additions to the media as well as specific geometric shapes and compositions that have a direct dialogue with the larger paintings; 3) two flat-ish glazed ceramic wall pieces; 4) two hybrid paintings with additions of flat glazed ceramic fragments adhered to the canvas and integrated within the compositions; and 5) one painted, wooden, free-standing sculpture on a pedestal.  

David Richard Gallery is pleased to present Wax and Wane by Kevin Umaña, his first solo exhibition in New York and with the Gallery. This exhibition of 17 new artworks created during 2021 is part of a larger body of work comprised of five different, but related and interdependent bodies of works that differ by size, supports and media. The various bodies of work include: 1) seven large canvases made of acrylic and oil media that also include a range of additions that model and provide tactile and sculpted surfaces to the individual geometric shapes; 2) four smaller paintings that experiment with novel supports, media and additions to the media as well as specific geometric shapes and compositions that have a direct dialogue with the larger paintings; 3) two flat-ish glazed ceramic wall pieces; 4) two hybrid paintings with additions of flat glazed ceramic fragments adhered to the canvas and integrated within the compositions; and 5) one painted, wooden, free-standing sculpture on a pedestal.  

In this episode of Gallery Talk Darrin is speaking alongside his partner Ken. They speak about how they started dating and some of their experiences on the dating scene. Support the show (https://www.patreon.com/GalleryTalk)

David Richard Gallery is pleased to present Robert Walker’s newest series of paintings in Zhoosh, his first solo exhibition in New York and debut with the gallery. The presentation will include 14 works comprised of thirteen small-to-medium easel-sized, mixed media paintings on panel and one painting on paper. The imagery is dense and colorful, not quite vignettes nor a montage with a common thread or theme that delivers a particular story. Instead, they are episodes or burst of the artists thoughts, art historical references and moments of inspiration that create a cohesive visual experience. The images range from symbols and iconography that reference diverse cultures, religions and belief systems to formal concerns in art coming out of Modernism and Post-War abstraction.

David Richard Gallery is pleased to present Robert Walker’s newest series of paintings in Zhoosh, his first solo exhibition in New York and debut with the gallery. The presentation will include 14 works comprised of thirteen small-to-medium easel-sized, mixed media paintings on panel and one painting on paper. The imagery is dense and colorful, not quite vignettes nor a montage with a common thread or theme that delivers a particular story. Instead, they are episodes or burst of the artists thoughts, art historical references and moments of inspiration that create a cohesive visual experience. The images range from symbols and iconography that reference diverse cultures, religions and belief systems to formal concerns in art coming out of Modernism and Post-War abstraction.

David Richard Gallery is pleased to present Robert Walker’s newest series of paintings in Zhoosh, his first solo exhibition in New York and debut with the gallery. The presentation will include 14 works comprised of thirteen small-to-medium easel-sized, mixed media paintings on panel and one painting on paper. The imagery is dense and colorful, not quite vignettes nor a montage with a common thread or theme that delivers a particular story. Instead, they are episodes or burst of the artists thoughts, art historical references and moments of inspiration that create a cohesive visual experience. The images range from symbols and iconography that reference diverse cultures, religions and belief systems to formal concerns in art coming out of Modernism and Post-War abstraction.

David Richard Gallery is pleased to present Robert Walker’s newest series of paintings in Zhoosh, his first solo exhibition in New York and debut with the gallery. The presentation will include 14 works comprised of thirteen small-to-medium easel-sized, mixed media paintings on panel and one painting on paper. The imagery is dense and colorful, not quite vignettes nor a montage with a common thread or theme that delivers a particular story. Instead, they are episodes or burst of the artists thoughts, art historical references and moments of inspiration that create a cohesive visual experience. The images range from symbols and iconography that reference diverse cultures, religions and belief systems to formal concerns in art coming out of Modernism and Post-War abstraction.

David Richard Gallery is pleased to present Arlo Namingha, Stories and Conversation, his first solo exhibition in New York in 17 years and his debut with David Richard Gallery. The presentation includes 19 new and recent sculptures and wall reliefs in a variety of carved and polished stones and wood. Namingha’s artworks are clean lined and minimalist, reductions of complex imagery such as the landscape, pueblo buildings, people, animals, butterflies and fish as well as abstractions that include cultural symbols, the fifth world, timelines and Mother Earth. 

David Richard Gallery is pleased to present Arlo Namingha, Stories and Conversation, his first solo exhibition in New York in 17 years and his debut with David Richard Gallery. The presentation includes 19 new and recent sculptures and wall reliefs in a variety of carved and polished stones and wood. Namingha’s artworks are clean lined and minimalist, reductions of complex imagery such as the landscape, pueblo buildings, people, animals, butterflies and fish as well as abstractions that include cultural symbols, the fifth world, timelines and Mother Earth. 

David Richard Gallery is pleased to present Arlo Namingha, Stories and Conversation, his first solo exhibition in New York in 17 years and his debut with David Richard Gallery. The presentation includes 19 new and recent sculptures and wall reliefs in a variety of carved and polished stones and wood. Namingha’s artworks are clean lined and minimalist, reductions of complex imagery such as the landscape, pueblo buildings, people, animals, butterflies and fish as well as abstractions that include cultural symbols, the fifth world, timelines and Mother Earth. 

David Richard Gallery is pleased to present Arlo Namingha, Stories and Conversation, his first solo exhibition in New York in 17 years and his debut with David Richard Gallery. The presentation includes 19 new and recent sculptures and wall reliefs in a variety of carved and polished stones and wood. Namingha’s artworks are clean lined and minimalist, reductions of complex imagery such as the landscape, pueblo buildings, people, animals, butterflies and fish as well as abstractions that include cultural symbols, the fifth world, timelines and Mother Earth. 

David Richard Gallery is pleased to present Awakening, the gallery’s second solo exhibition for New York artist, Lester Rapaport. The presentation includes 14 paintings: eight square canvases from a new series, Into The Mystery, completed in 2020 and six from an earlier series of shaped canvases, Gifts to the Universe, painted in 1988 and 1989. 

David Richard Gallery is pleased to present Awakening, the gallery’s second solo exhibition for New York artist, Lester Rapaport. The presentation includes 14 paintings: eight square canvases from a new series, Into The Mystery, completed in 2020 and six from an earlier series of shaped canvases, Gifts to the Universe, painted in 1988 and 1989. 

David Richard Gallery is pleased to present Awakening, the gallery’s second solo exhibition for New York artist, Lester Rapaport. The presentation includes 14 paintings: eight square canvases from a new series, Into The Mystery, completed in 2020 and six from an earlier series of shaped canvases, Gifts to the Universe, painted in 1988 and 1989.

David Richard Gallery is pleased to present Translucent Saturation, an exhibition of new and recent paintings by New York artist Gabriel J. Shuldiner in his second solo exhibition with the gallery. The presentation surveys Shuldiner’s recent migration to creating his unconventional lush and gestural paintings—that read as much as wall sculptures and objects as they do paintings—on traditional canvas and paper supports. His earlier works were primarily created from found materials, mostly repurposed construction materials and debris that he found and thus, limited the scale and compositions to his daily finds. The forty works in the presentation are mostly small to medium in size and intimate in scale with a few larger works that push the limits of his process. They wind their way up the gallery staircase and into the second-floor exhibition hall where they are hung by aesthetic and conceptual groupings in pairs and small series. While Shuldiner has historically worked with only the color black, several of these newest works sport small splashes of neon and bright colors that draw attention to important interior spaces and structural elements within the sculptural hybrid artworks that defy categorization and straddle objects and painting.

David Richard Gallery is pleased to present Translucent Saturation, an exhibition of new and recent paintings by New York artist Gabriel J. Shuldiner in his second solo exhibition with the gallery. The presentation surveys Shuldiner’s recent migration to creating his unconventional lush and gestural paintings—that read as much as wall sculptures and objects as they do paintings—on traditional canvas and paper supports. His earlier works were primarily created from found materials, mostly repurposed construction materials and debris that he found and thus, limited the scale and compositions to his daily finds. The forty works in the presentation are mostly small to medium in size and intimate in scale with a few larger works that push the limits of his process. They wind their way up the gallery staircase and into the second-floor exhibition hall where they are hung by aesthetic and conceptual groupings in pairs and small series. While Shuldiner has historically worked with only the color black, several of these newest works sport small splashes of neon and bright colors that draw attention to important interior spaces and structural elements within the sculptural hybrid artworks that defy categorization and straddle objects and painting.

David Richard Gallery is pleased to present Translucent Saturation, an exhibition of new and recent paintings by New York artist Gabriel J. Shuldiner in his second solo exhibition with the gallery. The presentation surveys Shuldiner’s recent migration to creating his unconventional lush and gestural paintings—that read as much as wall sculptures and objects as they do paintings—on traditional canvas and paper supports. His earlier works were primarily created from found materials, mostly repurposed construction materials and debris that he found and thus, limited the scale and compositions to his daily finds. The forty works in the presentation are mostly small to medium in size and intimate in scale with a few larger works that push the limits of his process. They wind their way up the gallery staircase and into the second-floor exhibition hall where they are hung by aesthetic and conceptual groupings in pairs and small series. While Shuldiner has historically worked with only the color black, several of these newest works sport small splashes of neon and bright colors that draw attention to important interior spaces and structural elements within the sculptural hybrid artworks that defy categorization and straddle objects and painting.

Anna plays a talk from the Saatchi Gallery where artist in residence Kate Daudy and Egyptologist at the University of Oxford, Manon Schutz, speak about the 'Tutankhamun: Treasures of the Golden Pharaoh' exhibition and explain some of the prominent symbology in Ancient Egyptian art. Plus there's some ‘Art in the News'. To get in touch visit Instagram: @annagammansart or visit Facebook: @theartthenandnowshow. See acast.com/privacy for privacy and opt-out information.

Scholar and Writer Jeffery Darensbourg discusses his recent Gallery Talk at NOMA focused on the indigenous aspects of the "Inventing Acadia" exhibit at NOMA. "Inventing Acadia" is an exploration of the ways people have attempted to depict the landscape and people of this area.

https://www.bertonigallery.com/warwick IG: bertoniwarwick

On this episode of the Art Grind our hosts Marshall, Dina, and Josh speak with Artist Advisor Marina Granger. Ever since visiting the MoMA piqued her interest at a young age, Marina has been fascinated with the inner-workings of the art world. After studying art history and working for many different galleries in the city, Marina has found her niche with The Artist Advisory. Whether you're an artist fresh out of school or an already established artist that needs help in redefining a sense of direction, this is a conversation you won't want to miss. Support the show (https://paypal.me/TMARTNY?locale.x=en_US)

"Failure or success is really subjective, and it’s conditional. The one moment I might consider a failure, I learned something so I guess since I learned something maybe it wasn’t a failure. By having those prints I will open up another possibility that I didn’t even consider thinking of. I think those are fertilizer. Probably it stinks in the beginning but it will eventually become part of a very important fuel for the creativity. Then try to solve the problem from the difficult condition in a way. I think the failure is extremely important." Bio courtesy of Koichi's website Koichi Yamamoto (https://yamamotoprintmakin.com/) is an artist who merges traditional and contemporary techniques so as to develop unique and innovative approaches to the language of printmaking. His prints explore issues of the sublime, memory, and atmosphere. Koichi has worked at many scales, from small and meticulously engraved copper plates to large monotypes. He completed a BFA at the Pacific Northwest College of Art in Portland, Oregon and then moved to Krakow, Poland, later he studied engraving at the Bratislava Academy of Fine Arts in the Slovak Republic. Koichi also studied at the Academy of Fine Arts in Poznan, Poland and completed an MFA at the University of Alberta, Canada. In addition he has worked as a textile designer in Fredericia, Denmark. Koichi has exhibited internationally. He has taught at Utah State University and the University of Delaware and is currently an Associate Professor at University of Tennessee, Knoxville. Some of the subjects we discuss: Introduction Wyoming/ceramics Gyotaku/Japan Art school in Portland Myrna Burks/Printmaking Communal art Clay, Prints, Drawing Light & atmosphere Dr. Gordon Gilkey Move to Poland The Artist union Improvisation/adaptation Economic optimism Letter to Liz Ingram MFA in Alberta Large relief printing Drawing/human body Move to Denmark Immigration/language Utah State University Starting Intaglio Knoxville,Tennessee The physical mark Kite surfing Making kites Japanese gods Symmetry/faces Monotype/light Making decisions Failure and fear Sketchbooks Good shoes/health Sports/decisions Risk/safety Traveling/story Kite with history Role of artist Communicating Final words Gallery Shoal Creek (http://galleryshoalcreek.com/) KOICHI YAMAMOTO / Aspect Ratio An Installation of Intaglio Printed Kites January 19 - February 23, 2019 January 19 / Gallery Talk at 4 pm Opening Reception from 6 - 8 pm https://uploads.fireside.fm/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/G53jwvL6.jpg https://uploads.fireside.fm/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/SIN8Evgo.jpg https://uploads.fireside.fm/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/UptUhhoT.jpg https://uploads.fireside.fm/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/Y4NvMzTF.jpg Photos by Scott David Gordon of Jan. 19th Artist Talk w/ Judy Taylor This interview has been edited and condensed for clarity. Intro music generously provided by Stan Killian (http://stankillian.com/main/) Support this podcast. (http://www.austinarttalk.com/supportpodcast)

For the past 50 years, Robert Swain has dedicated his career to a rigorous study of color sensations and their effect on the human experience. Swain’s paintings offer visual, cognitive, and sensuous experiences, while elevating our understanding of color phenomenon and perception. This heightened awareness of seeing and unique experience of feeling color occurs when Swain’s works are viewed in person with attentive, patient observation. Perceptual effects will begin to emerge slowly, rearranging themselves as the constant flow of color’s energy changes and moves in response to Swain’s compositions and palettes.  Robert Swain, Color: Theory and Affect, on view December 9, 2017 – January 20, 2018 at the Gallery’s newest venue in Harlem, located at 211 East 121st Street, New York, NY 10035,

Exhibition openings, operas, and orchestras - oh my! Cole is live from The Mennello Museum of American Art to tell you about three art events happening this week in the Greater Orlando Area. - Friday at The Mennello, don't miss the Julie Heffernan Opening Reception & Gallery Talk, featuring a tour from Heffernan herself. - Running Wednesday through Sunday, Opera Orlando presents Gioachino Rossini's Cinderella at Dr. Phillips Center for the Performing Arts. - Thursday night, Alterity Chamber Orchestra featuring Ariadne Greif is performing in Loch Haven Park. As always, let us know what you're doing this week. And your own events in the comments for a chance to be featured on a future "This Week In Art."

Gallery Talk with artist, Erik H Gellert and Kathryn M Davis of ArtBeat Santa Fe Out of Square October 13 - November 3, 2017  In this most recent body of work Gellert has returned his attention to that of the square. Where previously he had married the wiggly elements of nature with the efficiency of the square Gellert has now broken these elements apart and fused them together resulting in quirky, more animated forms. These works are built upside down and are righted only before being glaze fired.   Aired Wednesday, October 25, 2017 6:30 PM

October 23, 2017 - In the course of his career, painter Po Kim worked in three distinct modes, gestural abstraction, realist still-life and symbolist figuration. Raphael Rubenstein's talk will examine each of these periods and look at how Po Kim's work related to the art of the period, especially that of other artists working in New York. Rubenstein will also seek to understand the motives that sparked his stylistic restlessness, and ask whether his early experiences of war and violence in Korea and Japan may have helped inspire his evident faith in the power of art. For more information, please visit the link below: http://www.koreasociety.org/arts-culture/gallery-talks/po_kim_making_impossible_demands_on_art.html

Nancy Graves gallery talk featuring Christina Hunter, Ph.D., Director of the Nancy Graves Foundation and Cassandra Lozano, Director of Artists’ Estates at Mitchell-Innes & Nash, and David Eichholtz, Curator / David Richard Gallery

Scott continues the tradition of making pictures inspired by landscapes. However, in his newest paintings, there is no horizon or direct reference to landscapes. Using a modified acrylic paint and process of application as well as a two dimensional support frequently consisting of shaped canvases, he instead creates an experience of the earth and specific location of a landscape. The surfaces of these paintings are actually sculpted using many different devices, basically anything other than a brush and including, pouring the paint. The paint is thick and full of volume from the inclusion of a variety of particulates – iron, marble dust, mica – and full of life. The colors range from black to vibrant, bold pigments with the use of fluorescence, pearlescent finishes and interference paint, each providing spectral shifts, a shimmer like the sun reflecting off sand and rocks, as well as optical effects. These paintings look as though they have been sculpted by the earth’s eruptions and tectonic shifts as well as carved by the blowing wind and rushing water, giving them a painterly and hand-crafted feels. They are tactile and the non-square shapes make them seem less likely to have been painted from a “window-view” of the world, but more like they were observed from various shaped portals from outer space or through one’s imagination.  In the artist’s words, the inspiration for these new paintings is the “visual distillations of observed geologic phenomena that occurs in the high elevations of the Mojave Desert in Joshua Tree California.” Other influences that come through in these paintings are his interests in cross cultural experiences and symbols, and a passion for the trippy, psychedelic side of life with vivid and phosphorescent and interference paints.

Tim Bavington and Art Critic / Historian Dave Hickey Gallery Discussion About Tim’s paintings at David Richard Gallery Saturday, September 2, 2017  from 4:00 – 5:00 PM

Gallery talk from September 2015 with artists Beth Heinly, Jay Muhlin, Maria Dumlao & Will Haughery. Moderated by Anthony Elms, Chief Curator at Philadelphia's Institute of Contemporary Art.

David Richard Gallery is pleased to present “Park Place gallery: Founders and Friends, Then and Now”. The focus of the exhibition will be on paintings and drawings from the 1960s as well as later career works from founding members Dean Fleming, Edwin Ruda and Leo Valledor along with several of their friends and quest exhibitors at Park Place: Linda Fleming, Patsy Krebs, Ronnie Landsfield, Robert Swain, Neil Williams and Mario Yrisarry. The exhibition will be presented February 3 through March 25, 2017, with an opening reception and several of the artists present on Friday, February 3 from 5:00 - 7:00 PM. There will be a gallery talk with artist Patsy Krebs and curator David Eichholtz on Saturday, February 4 from 3:00 - 4:00 PM. David Richard Gallery is located at 1570 Pacheco Street, Suite A1, Santa Fe, NM 87505, P: 505-983-9555. The members of the Park Place Group and Gallery have been the subject of several important museum exhibitions that explored their contributions and importance in the then burgeoning, cutting edge art scene in Lower Manhattan during the 1960s. Curated by Linda Dalrymple Henderson, the Blanton Museum of Art, The University of Texas at Austin, presented “Reimagining Space: The Park Place Gallery Group in 1960s New York” from September 28, 2008 to January 18, 2009. Currently, on view through April 1, 2017 at New York University’s Grey Art Gallery is the exhibition, “Inventing Downtown: Artist-Run Galleries in New York City, 1952-1965”, curated by Melissa Rachleff. This presentation includes several artworks by Park Place Gallery founding members Dean Fleming, Edwin Ruda and Leo Valledor.

1-54 Forum London 15 - 18 October 2017 Gallery Talk with Rose Issa, Selma Feriani & Antonia Carver Antonia Carver (Fair Director of Art Dubai) in conversation with discussants Rose Issa (Curator, Writer and Exhibition Producer), and Selma Feriani (Director of Selma Feriani Gallery in Sidi Bou Said, Tunisia). Image credit: Benjamin Hoffman www.1-54.com

1-54 Forum New York 15 - 16 May 2015 Gallery Talk With discussants Mariane Ibrahim-Lenhardt (Director of Mariane Ibrahim Gallery, Seattle); and Lisa Brittan (Director of Axis Gallery, New York). Moderated by Ugochukwu-Smooth C. Nzewi (Curator of African Art at the Hood Museum, Dartmouth College, Hanover). www.1-54.com

1-54 Forum London 16 - 19 October 2014 Gallery Talk Henri Vergon (Director Afronova Gallery, Johannesburg) and Elisabeth Lalouschek (Art Director and Art Sales October Gallery, London) in conversation with Cornell DeWitt (Vice President of Business Development artnet, New York) on feeding the international art market with contemporary African art. www.1-54.com

James Cronan, Diplomatic and Colonial Records Specialist at The National Archives, outlines the events around the United Kingdom's entry to the European Economic Community.

Katzen Arts Center, Katzen Museum, Gallery Talk

gallery talk, american university, Ed McGowin, Katzen Art Center, Catalyst

Katzen, Katzen Art Museum, American University, Claudia DeMonte,

Award-winning photographer Claudia Smigrod will exhibit her series, Day of Judgement, at the UCF Women's Research Center from March 3-April 24. She teaches at the Corcoran College of Art and Design. An Opening Reception is Tuesday March 3 from 3:30-6pm with a Gallery Talk at 5pm. For a map, see the Exhibit Flyer (scroll to 2nd page)

Amy Henderson, historian at NPG, discusses Orson welles and the 70th anniversary of War of the Worlds

This week, we go into the “field” to a gallery talk I gave at an exhibition of my work. My comments give some background on my 17-year photographic exploration of Italy and the show, “Evidence of Hands, The Mediated Landscape of Italy.” Click for images from the “slideshow” I used at the presentation Click for … Continue reading Camera Position 32 : Gallery Talk →