Podcasts about essex flowers

David Kennedy Cutler (b. 1979, Sandgate, VT) is an artist, writer and performer who lives and works in Brooklyn, New York. His practice addresses traces of domesticity; he presents material objects as witnesses of unseen labor and hidden objects. He observes, transfers, and transforms recognizable every day and artistic materials to create installations, paintings, and performances. Cutler received his BFA from The Rhode Island School of Design in 2001. He has had solo exhibitions at Derek Eller Gallery (NYC), Halsey McKay Gallery (East Hampton, NY), Essex Flowers (NYC), The Centre for Contemporary Art (Tallinn, Estonia) and Nice & Fit (Berlin, Germany). Cutler has performed in various spaces in New York including Klaus von Nichtssagend Gallery, Essex Flowers, Printed Matter, Halsey McKay, Derek Eller Gallery, and Flag Art Foundation, and internationally at the Center for Contemporary Arts Estonia, among others. His works are included in the permanent collections of the Wellin Museum at Hamilton College and The RISD Museum, and his artist's books are included in the libraries of the Whitney Museum and the Brooklyn Museum. He has been reviewed and featured in The New York Times, Artforum, Art in America, The New Yorker and Modern Painter, among others. Cutler is represented by Derek Eller Gallery, NY and Halsey McKay Gallery, East Hampton. Currently on view is a two person show, Hedge, with Mosieur Zohore. David Kennedy Cutler, Late Shift, 2023 Inkjet transfer, acrylic, and permalac on canvas, armature wire 88 x 69 x 3.5 inches (223.5 x 175.3 x 8.9 cm) David Kennedy Cutler, Barricade, 2023 Inkjet transfer, acrylic, and permalac on canvas, armature wire 82.75 x 64.5 inches (210.2 x 163.8 cm) David Kennedy Cutler, Balthazar, 2023 Inkjet transfer, acrylic, and permalac on canvas, armature wire and wood 39.5 x 20.5 x 20 inches (100.3 x 52.1 x 50.8 cm)

Chie Fueki (b. 1973) lives and works in Beacon, NY. Fueki was born in Yokohama, Japan, and raised in São Paulo, Brazil. She earned her MFA at Yale University and her BFA at The Ringling College of Art and Design. She is an inaugural recipient of the 2021 Joan Mitchell Fellowship. Her first solo exhibition at DC Moore Gallery will be in January, 2022. Other recent solo exhibitions include: Shoshana Wayne Gallery, Los Angeles, CA (2005, 2008, 2013, 2021); Mary Boone Gallery, New York, NY (2006, 2011); Bill Maynes Gallery, New York, NY (2002, 2003); Orlando Museum of Art, FL (2014); and Mother Gallery, Beacon, NY (2020). Her work was recently included in group exhibitions at Inman Gallery, Houston, TX; Miles McEnery Gallery, New York, NY; Essex Flowers, New York, NY; The ReInstitue, Millerton, NY; Fredricks Freiser Gallery, New York, NY; Geoffrey Young Gallery in Great Barrington, MA; Susan Inglett Gallery, New York, NY; Morgan Lehman Gallery, New York, NY; Jeff Bailey Gallery, Hudson, NY; LABspace, Hillsdale, NY; and Greater New York at PS1 Contemporary Art Center in Long Island City, NY. She has public artwork at PS 92Q, Queens NY, and HHS Lerner Children Pavilion, New York, NY. Her work is included in permanent collections of the Modern Art Museum of Fort Worth, TX; Orlando Museum of Art, FL; San Jose Museum of Art, CA;  the Hirshhorn Museum, D.C.; and the Pizzuti Collection at Columbus Museum of Art, OH.   As stated on DC Moore's website: Visually-striking and intricate, Fueki's paintings picture contemporary life in spectacular motion. Created through a complex system of painting, drawing, cutting, and collaging onto wood panels, her practice is centered around the depiction of figures, symbols, and abstract spaces using multi-layered ornamental surfaces and fields of color. Drawing on her experience as a Japanese-born artist growing up in Brazil and later practicing in the United States, Fueki's work embraces the visual language from these three distinct cultures. As Fueki explains: “I consider myself a mixed-language painter with interest in eastern and western perspectival systems, architectural graphics, pop animation, pre-Renaissance European painting, and exuberant color.”   SHOUT OUTS: Joshua Marsh, Bridget Caramagna, Alexi Worth, Ellen Altfest, Jackie Gendel, Hope Gangloff, Benjamin Degen, Caitlin MacQueen, Todd Knopke   LINKS:  https://www.dcmooregallery.com/   I Like Your Work Links: Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram  

Chie Fueki (b. 1973) lives and works in Beacon, NY. Fueki was born in Yokohama, Japan, and raised in São Paulo, Brazil. She earned her MFA at Yale University and her BFA at The Ringling College of Art and Design. She is an inaugural recipient of the 2021 Joan Mitchell Fellowship. Other recent solo exhibitions include: Shoshana Wayne Gallery, Los Angeles, CA (2005, 2008, 2013, 2021); Mary Boone Gallery, New York, NY (2006, 2011); Orlando Museum of Art, FL (2014); and Mother Gallery, Beacon, NY (2020). Her work was recently included in group exhibitions at Inman Gallery, Houston, TX; Miles McEnery Gallery, New York, NY; Essex Flowers, New York, NY; The ReInstitue, Millerton, NY; Fredricks Freiser Gallery, New York, NY; Geoffrey Young Gallery in Great Barrington, MA; Jeff Bailey Gallery, Hudson, NY; LABspace, Hillsdale, NY; and Greater New York at PS1 Contemporary Art Center in Long Island City, NY. She has public artwork at PS 92Q, Queens NY, and HHS Lerner Children Pavilion, New York, NY. Her work is included in permanent collections of the Modern Art Museum of Fort Worth, TX; Orlando Museum of Art, FL; San Jose Museum of Art, CA; the Hirshhorn Museum, D.C.; and the Pizzuti Collection at Columbus Museum of Art, OH. Chie has a show up now at DC Moore Gallery in NYC.

Ellen Berkenblit is a painter who was born in Paterson, New Jersey and graduated from the Cooper Union in 1980. She received an Arts and Letters grant from the American Academy of Arts and Letters in 2013, and a Guggenheim Fellowship in the following year. She has solo shows at the Anton Kern Gallery, The Drawing Center, Rodolphe Janssen, Susanne Vielmetter, White Columns and group exhibitions at many venues including Gladstone Gallery, MOMA, Brand New Gallery, the MCA in Chicago, the Centre Pompidou, Derek Eller, Essex Flowers and the New Museum. Her work has been covered in just about every art publication and she’s in the collections of the Aspen Art Museum, the Brooklyn Museum, MoMa, the Whitney Museum and many more. Brian went to Ellen’s Gowanus studio to talk to her about early East Village days, punk rock, fabrics, process and physicality in painting and much more. Sound & Vision is sponsored in part by Charter Coffeehouse located on Graham Avenue in East Williamsburg, Brooklyn, one block from the Graham L Stop. Charter combines dedication and skill, refined over a decade in some of the most detail-oriented dining experiences in the world, and applies them to your daily coffee experience. Find out more at www.chartercoffee.com or follow them on Instagram at @charter_bk Sound & Vision is also sponsored by Kensington Panel and Stretcher who offers high quality custom surfaces for painting and mixed media artwork. All products are hand made and designed to meet the highest standards of strength and stability. To learn more or place an order, visit them online at kensingtonpanels.com.

You know her on Twitter as @lifecreep, but IRL she’s artist Andrea McGinty. Our friendship goes back several years, and a text-based interview I did with Andrea was one of the very first posts on the Humor and the Abject blog. She stopped by the kitchen this week to talk about material choices and comedy in her sculptures, why getting dunked on by teens is the most devastating of all dunks, the absolute joys of cooking at home in Queens and new dishes she’s been perfecting, her recent two-person exhibition with Ben Dowell at Holiday Forever in Jackson Hole, acting as an occasional curator, the history of sofas, how everyone walks in LA and New York is way too spread out, true crime podcasts, her celebrity cat Larry, the current show she’s in called “Home Edition” at Essex Flowers, and an upcoming pop-up show she’s doing with Museum Gallery at 45 Stewart Ave in Bushwick on March 10th. Also, I made her play a new game segment for the podcast called “Canonization or Erasure” and I personally think she did great. We’re sponsored this week by the nasty slaps of a bass guitar, Bank of Ages, and the humble, nourishing whir of a humidifier.

This spring, Kendra Jayne Patrick is opening up a new gallery called Harrison. She and I were both previously involved--at different times--with the artist-run gallery Essex Flowers, and I had always been super thrilled with the programming that she led there. She stopped by this week to talk about the current pop-up show Harrison programmed at Bortolami, the next steps in her program as she opens her physical space, why being a gallerist and a curator are distinct roles, getting into the New York art scene after attending law school, the ironic parallels between going to law school and pursuing an MFA, and much more. Also, some fucking car alarm went off multiple times while we were recording, but Kendra was a total champ about it. We’re sponsored this week by generous cash gifts from young Keanu Reeves and old Ted Kaczynski.

Patrick Brennan makes abstract, mixed media paintings that are full of compositional vibration, technical and formal curiosity, and painterly truthfulness. Patrick discusses how he cedes control to his paintings, being a founding member of the artist run gallery space Essex Flowers, whether or not we should separate the artist as a person from the artwork itself, and feeling purposeful and at his best while working in studio.