Podcasts about bushwick

A wise substitute teacher once said, “you're not hardcore unless you live hardcore,” and actor and musician Rivkah Reyes clearly took that lesson to heart. Reyes, who played bassist Katie in the 2003 comedy School of Rock, has since become a real-life rockstar, recently releasing the hard-hitting, and hardcore, new single “Miss Congeniality.”Borrowing its title, and a bit of lyrical inspiration, from the Y2K classic starring Sandra Bullock, the track, produced by frequent collaborator Blonder (Anna Shoemaker, Ryn Weaver), uses the metaphor of a beauty pageant to explore the pressure to make yourself more digestible, only to be left with the sting of coming in second place.In the accompanying music video, co-directed by Reyes and Katie Colwell, edited by Jill Blutt, and filmed at OutBox, a queer and trans boxing gym in Bushwick, Reyes channels her inner Gracie Hart, Bullock's character in the film. Robed in a hyper-feminine pink dress and sparkling tiara, she steps into the boxing ring to grapple with herself while challenging societal expectations of femininity.On the latest episode of The Juice Box Sessions, we sat down with the New York City-based indie rock/pop musician and actor to discuss the new single, doing her own stage makeup, and what's next.Cover Art Photo By: Jon Del RealStay connected with Juice Box Press:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/thejuiceboxpress/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@thejuiceboxpress⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/thejuiceboxpress/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pinterest.com/thejuiceboxpress/

Please enjoy another of our favorite recent episodes while we move ever closer to unveiling the new thing we've been working on for you, stay tuned to this feed! This week, it's family time as host Joel Kim Booster sits down with his good friend, actor/comedian Brendan Scannell (Heathers, Bonding, newsletter The Abyss) to discuss maintaining a sense of self in your relationship, making friends later in life, being sober (or Bushwick sober as the case may be), knowing somebody in The Candy Hall Of Fame, and the real work of checking in with your partner. Plus, Brendan brings gifts! And Joel has some advice for single people, which is honestly not that different from his advice for anyone looking to get into entertainment.   Subscribe to our YouTube Channel for video clips. Merch available at SiriusXMStore.com/BadDates.   Joel Kim Booster: Scrubs Season 10, Psychosexual, Fire Island, Loot Season 3 Brendan Scannell: @bscan on socials, check BrendanScannell.com for newsletter and tour dates Subscribe to SiriusXM Podcasts+ to listen to new episodes of Bad Dates ad-free. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tom has been on this show several times. In this session we examine Tom's personal transition from being a workaholic radio station director, living in Bushwick to a more balanced, "emotionally healthy" (Dr. Lisa's judgement!!) adult with a job and a partner living in Washington Heights. Tom was station director from 2015—2021 when he transferred the main responsibilities and Station Director Title to Shane Gasteyer. Shane (check out the episode before this one #396!) has also done a fabulous job of growing the station and keeping the community thriving. If you want to understand Tom's background and how he came to start RFB, please listen to my first ever Dr. Lisa Gives A Shit from with Tom. We do a deep dive into his background in the very first days of RFB in our first and brand new studio in the basement of a bike shop - May 2015. If you'd like to hear Tom reflect on the radio station journey, you can listen to our Dr. Lisa session from last year, May 2025, on the milestone of the stations 10th year anniversary, something back in 2015 would have seemed like a wild pipe dream. And here we are YASSSS! May 15, 2015—⁠ Dr. Lisa psychoanalyzes RFB co-founder Tom Tenney⁠ May 14, 2020—⁠ Tom Tenney, Radio Free Brooklyn's Executive Director return's to Dr. Lisa's couch in honor of RFB's 5th anniversary and it's on his birthday too!⁠ Nov, 2020—⁠Breaking down the WALL OF LIES experience with creators Tom Tenney and Phil Buehler. May, 2025—Tom Tenney, RFB Co-Founder talks about living thru 10 years of RFB. 10 year Anniversary Episode!!!

Travis Kelce and Taylor Swift not only made an appearance in Bushwick, Brooklyn – because apparently that's where A-list weddings are now. Even wilder: the event took place at Blake's former workplace. She shares the inside scoop on their attendance, while Caroline shares everything we know about the Royal American wedding. Meanwhile, Shakira's back in her World Cup era after being acquitted for tax fraud. As for Gerard Piqué, her soccer star ex-husband? Shakira's hips may not lie, but this man does – and we explain why. In this episode of Well Played, we also cover:  How tall Wemby's Wemby would have to be (shout out @nbaresdev) Dak Prescott getting spotted with his ex-fiancées bridesmaid at a pro-bull rider event Tom Brady coming for Gisele Bundchen's job on the Gucci runway  Why Dave Portnoy thinks the WNBA hates Caitlin Clark  Who are the Salesian sisters – and why are they so invested in the Spurs winning it all? Thanks to our presenting sponsor Ally Bank! Visit Ally.com to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In der Pause standen sie neben Katie Holmes, auf der Bühne sahen sie Cynthia Nixon. Circa zehn Weltstars in einer Woche - einfach so gesehen. In New York laufen die einfach so herum, möchte man meinen. Im zweiten Teil unseres Gesprächs mit den Drinnies wird es konkret. Giulia und Chris kennen New York City nicht nur als Touristen, sie sind dort auch schon aufgetreten: beim New York Comedy Festival in Brooklyn. Und sie schenken uns in dieser Folge die besten Tipps dafür, wie wir alle diese Stadt erleben können, ohne das große Geld rauszuwerfen. Fahrrad statt Taxi zum Beispiel - von Brooklyn bis zum Strand in Coney Island. Kostenlose Museum-Tage, Ticket-Lotterien für die großen Broadway-Shows oder ein ganzes Viertel als Open-Air-Street-Art-Galerie. Deep Talk gibt es auch noch: Sollte man in ein Land reisen, das gerade so gespalten ist? Macht es keinen Sinn oder jetzt gerade mehr denn je? —Höre alle DRINNIES Episoden überall wo es Podcasts gibt! Besuche Giulia und Chris auf Instagram: @giuliabeckerdasoriginal und @chris.sommer

In the first half of our May 5 show, we spoke with movement journalist Talia Jane and Brooklyn Borough President Antonio Reynoso about the chaos that rocked Bushwick late Saturday night when ICE and NYPD clashed outside Wyckoff Hospital with protesters trying to prevent ICE from taking away an immigrant they had arrested and injured earlier that night. Mayor Zohran Mamdani says that the NYPD did not collaborate with ICE. Some of his supporters believe otherwise. In the second half of the show we spoke with David Orkin. He's an immigrant workers' rights attorney at Make the Road New York. He's running for Assembly District 38 in Queens as a democratic socialist who wants to bring the struggle against ICE and oligarchy into the state legislature. His opponent is one of former Mayor Eric Adams's most notorious allies.

Brooklyn Borough President Antonio Reynoso says the fear generated by ICE's violent appearance on Saturday night at the Wyckoff Hospital is spreading throughout the heavily immigrant community of Bushwick.

Local journalist Talia Jane covers social movements here in the city and has reported extensively on police brutality against protesters. They covered Saturday night's confrontation between ICE/NYPD and protesters trying to prevent the abduction of Nigerian immigrant Chidozie Wilson Okeke.

Host Richie Tevlin and Co-Host Evan Blum talk with Zack Kinney and Bobby Rolandi of Kings County Brewers Collective, known as KCBC. Co-founded in 2016 by Zack alongside Tony Bellis and Pete Lengyel, KCBC became the first brick-and-mortar production brewery to operate in Bushwick, Brooklyn in over 40 years. Named Best Brewery in NYC by Thrillist and recognized with awards from the New York State Craft Beer Competition, KCBC has built a devoted following through its constantly rotating lineup, bold can art, and commitment to exploring styles from hazy IPAs and fruited sours to deeply traditional lagers from around the world. Bobby Rolandi leads the brewing program as Head Brewer, bringing technical precision and creativity to one of New York City's most celebrated taprooms.   BrewedAt's CBC Special Series, releasing a new episode every day from April 27th through May 2nd, and again from May 5th through May 9th, in celebration of the 2026 Craft Brewers Conference in Philadelphia! https://kcbcbeer.com/ @kcbcbeer _____________________________________________ THANK YOU TO OUR SPONSORS!: The Beer Accountant: https://www.paddymaccpa.com/brewerysolutions Patrick McDonald Email: pmcdonald@paddymaccpa.com 267-566-4077 - Licensed CPA Norris McLaughlin P.A. https://norrismclaughlin.com/ted-zeller Ted Zeller Email: tzeller@norris-law.com (484) 765-2220 - Liquor Attorney _______________________________________ EPISODE NOTES: Mentioned Breweries Flying Dog Brewery - Frederick, MD Brooklyn Brewery - Brooklyn, NY Sixpoint Brewery - Brooklyn, NY Greenpoint Beer & Ale - Brooklyn, NY Other Half Brewing - Brooklyn, NY Finback Brewery - Brooklyn, NY Stone Brewing - San Diego, CA Firestone Walker Brewing - Venice, CA Ballast Point Brewing - San Diego, CA KelSo Beer Co - Brooklyn, NY Russian River Brewing - Santa Rosa, CA Industrial Arts Brewing - Beacon, NY Mentioned People Earl Holloway - KCBC Can Artist &  Garrett Oliver - Legendary American Beer Writer & Brooklyn Brewery Brewmaster Sam Richardson - Founder of Other Half Brewing Johnathon Moxey - Head Brewer of Rockwell Beer Basil & Kevin - Finback Tony Bellis - Co-Founder of KCBC Pete Lengyel - Co-Founder of KCBC Steve Parkes - Owner at the American Brewers Guild Chris Cuzme - Brewer at Fifth Hammer Brewing Co Other Mentions Hopcenter The Squid Comic book Series Bitters & Esters - NY Homebrew Supply Shop What We Drank? Devil You Know IPA | 7.0% | Centennial, Nelson Sauvin, & Chinook Kings County Brewers Collective --------------------- Tiny Taco Pilsner | 4.4% Kings County Brewers Collective _______________________________________   STAY CONNECTED: Instagram: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠⁠ Tik Tok: ⁠⁠@brewedat ⁠⁠/ ⁠⁠@thebrewedatpodcast⁠⁠ YouTube: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠ LinkedIn: ⁠BrewedAt Website: ⁠⁠www.brewedat.com

The All Local, Monday, May 4th, 2026

This is the All Local 4:00 P.M. update for Monday, May 4th, 2026.

This is the 4PM All-Local update on Sunday, May 3.

A Natural History Museum-themed cocktail bar is coming to Bushwick and Greg couldn't be more thrilled. Misha Chavez and Bobbi Adler join the show to talk about their new concept, discuss the “permanent exhibits” that will adorn their menu, (as well as the special exhibits) and break down all the diverse and wonderful ways they draw inspiration from the natural world. From crystals to zombies to tarantulas that keep tiny frogs as pets, they're doing their best to create a third space that's fun and inspiring.PLUS, a lot of news happened during spring break. Tune in to hear the rundown of the Pernod Ricard/Brown Forman merger that wasn't, how home distilling was legalized, and the thrilling arrest of the founder of SantaCon found himself behind bars.AND Sother's doing an event with Sandwiches of History and Garrett Oliver to benefit Brooklyn Org. Wednesday, May 6th at 6pm at Brooklyn Brewery.Follow The Museum on instagram at @themuseumnycLINKSBecome a Regular: patreon.com/SpeakeasyRegularsFor resources on dealing with cold hard water agents in your community visit nouswithoutyou.la/ and @thenycallianceSupport the Salt Cure Fund at thesaltcurefund.orgThe Speakeasy is now on YouTube! Tune in to “see” what we're talking about at youtube.com/@Speakeasy.PodcastCheck out Quiote Imports at quioteimports.com and use promo code “Speakeasy” to get free shipping at checkout.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Photographer Meryl Meisler captured New York's wild disco era at Studio 54 and the gritty streets of Bushwick, but kept her photos hidden for decades.Now finally revealed, her work offers a rare, insider glimpse of a city and culture in transformation.She's currently in Dublin celebrating queer friendly culture, and joins Seán to discuss.Image: Britannica

Photographer Meryl Meisler captured New York's wild disco era at Studio 54 and the gritty streets of Bushwick, but kept her photos hidden for decades.Now finally revealed, her work offers a rare, insider glimpse of a city and culture in transformation.She's currently in Dublin celebrating queer friendly culture, and joins Seán to discuss.Image: Britannica

In this episode of Gangland Wire, retired Kansas City Police Intelligence Unit detective Gary Jenkins takes a deep dive with his guest Matt into the assassination of Carmine Galante—one of the most infamous mob hits in American history. Matt co-authored a book titled Made In Long Island Matt begins by analyzing the controversial footage captured at the Ravenite Social Club shortly after the murder. While federal investigators interpreted the scene as a celebration by those responsible, Matt challenges that narrative. He breaks down the body language and behavior of key figures, including Bruno Indelicato, suggesting the footage actually reflects anger and exclusion—not guilt. The episode introduces guest Matt, co-author of Made on Long Island, who provides an insider's perspective on the inner workings of organized crime. Matt prefers to not give his last name. Together, they explore how the Galante hit fit into a broader power struggle within the Bonanno crime family and beyond. Matt cowrote this book with Bartley Scarbrough. Matt tells a little-known story about Mob dealings with Fireworks around the 4th of July. One story is about a closed store and how they made up for the closed store and gave a fireworks show on the 5th and most of the kids never knew. The conversation expands to include major mob figures such as John Gotti and Sonny Red Indelicato, examining the shifting alliances and rivalries that shaped the events leading up to the assassination. Matt shares firsthand stories of mob life, detailing how communication relied on coded language and payphones—tools that kept operations hidden in plain sight. Gary and Matt dissect the planning behind the hit, revealing a calculated operation involving surveillance, weapon disposal, and carefully constructed alibis. They also address the aftermath, focusing on law enforcement's inability to definitively link the crime to certain suspects—raising questions about whether individuals like Indelicato were wrongly accused.   A central theme emerges: the gap between official narratives and the complex realities of organized crime. Matt argues that investigative misinterpretations—particularly by federal authorities—led to flawed conclusions and, potentially, unjust prosecutions. This episode challenges long-held assumptions about the Galante murder, offering listeners a more nuanced view of Mafia politics, loyalty, and betrayal. It's a detailed reexamination of a landmark mob hit—and a reminder that the truth is often far more complicated than the headlines. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Yeah, if you could just hold the frame right there, I think it’s very important [0:03] to set the stage of what we have here. This is a meeting of Bonanno crime family members, very high up ones, in front of Neil Delacroche’s Gambino headquarters on Mulberry Street, known as the Ravenite. Now, the feds used this tape to say that Bruno Indelicato was part of a conspiracy to murder Galante and that this tape shows the celebration. It does not. This tape is an absolute beef being put in primarily by Sonny Red and Delicato because he was supposed to do the hit jointly with the Gambino family led by John Gotti. He’s furious because at this point in time, he thinks he’s left out of the head. And just before you roll it, this video basically proves to every law enforcement person and every Cosa Nostra member that the people in this video did not do the murder. You don’t go out in Cosa Nostra, commit one of the biggest hits ever, a triple homicide, and then show your face an hour later. It does not work that way. So if you roll the tape, we can see some of the body language on these guys as well. [1:08] The guy in the white is Stefano Canone. He is the family’s consigliere, [1:13] which is technically third in charge, an advisory role. He is already at the Ravenite when everyone else arrives. A key figure in this is Sonny Red in Delicato Wearing a black jacket you’ll see His son is in the white shirt there The younger fellow that’s Bruno in Delicato The only guy that was convicted of this crime Now look at what’s going on here This is not a celebration They’re in the face of him And they’re furious And stop right there if you could, The gentleman in the black jacket right there. [1:44] Sonny, Red, and Delicato, he takes a couple steps back from his consigliere, which is technically his boss, and he turns around in fury, and he’s angry because, again, his team, led by him, was left off the head. Notice also, if you want to keep rolling the tape, he goes to his glasses. This is an absolute sign of anger, as per our body language experts, who, by the way, don’t even know who these people are. The only thing they know is this is a dispute, not a celebration. You notice that when he puts his hand up by his glasses? Now he thinks a little bit better of it because that’s his boss he’s talking to. And that’s a very good sign here. Again, another angle of this is in the Pizza Connection case in 1985. [2:27] Not only in the indictment, but also in FBI testimony, when asked who killed Carmen Galante, they did not say it was Bruno and Delicato and two other masked assailants. They said it was three unknown masked assailants that killed him. That’s what their testimony was. Everybody on the Cosa Nostra side and on the law enforcement side knows what this is. No mob guy commits a triple murder and then goes out to run to a place that we used to refer to as the FBI screen test, which was the Ravenite in Lower Manhattan and Mulberry Street. Everybody knows it, and it’s about time the story gets told, [3:05] and you’re going to see a lot more of this. Hey, all you wiretappers. Good to be back here in studio of Gangland Wire. This is Gary Jenkins, retired Kansas City Police Intelligence Unit Sergeant, and I have a guy here who has a different story and what he would say the real story behind the murder of Carmine Galante. Now, guys, there’s three monumental hits in organized crime history, I would say. The Galante hit… [3:33] Big because of the cigar in his mouth and that picture that was captured, but he was also an important hit in Mob. Now we also had the Anastasia. Anastasia was important and it was also got important, more important because of the photographs. Paul Castellano was important, I think more because of John Gotti than anything, but Carmine Galante and Matt here knows a lot about that hit and a lot about an alternative story to what really happened as it was reported it in the media. So welcome, Matt. Thank you so much for having me on, Gary. I really love your program. I’m happy to be here. All right, Matt, you got a book made on Long Island. Let’s just show everybody the copy of that. There you go, guys. There’s a copy of the book. It’s available on Amazon right now, right, Matt? [4:25] It certainly is. Thank you for putting it up. And one little sentence I’ll draw attention to at the bottom is, no AI was used in this. I know a lot of books are coming out now and people using AI, which I personally think is garbage. This is all handwritten and 440 pages of story after story. Yeah, there’s a lot to it. I guess you were writing under the name of Bartley Scarborough. Yeah, Bart is a good guy. He’s a friend of mine who actually started organizing this with me literally about 15, 20 years ago. Just to give everybody the timetable, we could not release this stuff till now because everybody with criminal culpability is now deceased or one guy is doing life in jail without the possibility of parole for another crime. That’s why we waited so long. Bart organized this stuff. He had me go over the thoughts. And he actually, I don’t know how much he’s going to want to talk about it, but he actually was there when we spoke to some of our friends who gave us extreme detail about this. But in terms of the actual writing, I actually penned it all myself with Bart’s assistant. All right, great. And as you know by now, it’s no easy task to write, especially 400-some pages. That’s a lot of words. That’s a lot of work, guys. Trust me, that is a lot of work. [5:41] You’ve got to keep going over it. Good writing is hard because it takes about three rewritings to actually get it out. Did you find that? [5:51] I did. It’s definitely extremely hard to do with volumes like this going over the past so many years. And plus getting the information from our friends, it was extremely hard to do. It was very time consuming. And I need to stress for the audience, I was not present when any of these major crimes like the homicides went down. I was present for the other things in the book, horse racing, which I’m sure we’re going to talk about later, major fireworks sales. But I need the audience to know that I was not present when the homicides went down, even though I was a juvenile at the time, and that from the proceeds of the fireworks sale and the horse racing, I did not pocket the proceeds like other people did. I know there’s lawyers out there, and I’m paying some $1,000 an hour. I apologize to people, but the lawyers told me 100 times I need to make those facts clear. Okay. All right. You did not do any of this, but you were right next to people who did do this. So we’re talking about firsthand information, correct? That is correct. Now, again, I was there for some of the stuff. I was there for some of the entity in the book. I was definitely there for the major league fireworks deals and participated in those. The horse racing that we’ll get to later, I was there for that. But in terms of the hard stuff, the stuff with no statute of limitations, homicides, I was not there. [7:12] So tell me about these group of guys that you grew up with, that you started doing some of these things. We have some kind of interesting personalities in there. Tell us about those guys. Oh my gosh. We had a real collection of characters is the only way to put it. Now, growing up when we were very young, let’s call it 11, 12, 13, we all really had two goals in mind. We wanted to make money and we wanted to play sports at that age. And that’s what we did. We made money on anything, paper routes, shoveling snow, raking leaves. And what happened was being so competitive, we got into a feud with another group in the same town. Now, there’s no way around it. We were idiots at this age. Some of our guys were carrying guns. Two of the guys in particular, their parents, what we call, were on the job, which means they were cops. So they had access to guns. Another guy was able to get us guns. So the bottom line is you’ve got 13-year-old kids who… That have no fuse carrying guns. Here is where it all started. [8:11] My uncle, like my cousin’s dad, came to one of the baseball games, and we had no idea that he knew the other coaches. And all of a sudden, they realized these kids are carrying guns. They’re going to kill each other. So they sat us down, disarmed us. It’s a pretty funny thing that’s in the book. I remember my uncle saying, whoever has a weapon, you put it on the table right now. I take a sock out of my pocket. He’s, what’s wrong with you? He goes, I asked for weapons, not your dirty laundry. I go, there’s a 25 inside the sock. He was shocked. But what they did was this. They disarmed us. They said, you want to kill each other with fists? Go at it. But we have a better idea. Why don’t you sell fireworks? Why don’t you work for us? You’ll make money doing this. First year, we only had about a week before the 4th of July. We sold out a couple pallets that they had. Now, the second year, I said, can we get these same prices? They said absolutely We went nuts to sell this stuff We ended up with an order for $85,000, And that’s how the order was so big That John Gotti got brought into this He was their boss at the time That’s how we met him And again, people say John Gotti, John Gotti Well to us at the time John Gotti was the same as John Smith The name meant nothing to us. [9:26] So some of these guys, older guys that you started dealing with that sat you down were relatives. There were members of the Gambino family then of Gotti’s crew. That is correct. Yep. Yep. They actually had two guys out of the three guys that sat us down. And by the way, none of us, myself included, ever had even the slightest inkling that these guys were involved in organized crime. You actually had two guys that were Gambino guys and one guy who was also a coach who was with the Genovese. [9:54] That was the actual makeup of the three guys that sat us down. And this was that. What towns are you talking about out there in Long Island? Kind of guys that listen from New York. Sure. This is actually Syosset, believe it or not, which was a upper middle class area. Nice and calm, crime free. And again, most of everybody that was with us was from Syosset. [10:19] Interesting. So the fireworks thing, I’ve always wondered about that. I’ve noticed in Kansas City, the mob guys, several of them every year have these huge, big firework tents. And I started asking around. I found out that they might make $100,000 in about two or three weeks time off those fireworks. There must be immense profit in it. And it’s so that kind of profit and kind of a gray area crime, if you will, in some cities, they don’t allow fireworks to be sold or even to be shot off. Mob likes to get into that and make that money. So tell us a little bit more about how that worked. Who were your customers? You guys went out into the community and sold more. You were more like you weren’t retailers. You were more like found other people to retail. It sounds to me like tell me the nuts and bolts of how that worked. [11:05] That is exactly correct. Now, the first year when they gave us the two pallets with about five or six days, maybe a week before the 4th of July, we sold those strictly to local people we know. And by the way, as kids, we loved fireworks ourselves. We still do. I do. I can speak for myself. We love this stuff. Now, when I saw the prices, for example, that these guys can get us, and I’ll use a barometer, very common in New York, a mat of firecrackers, which is a pack of 80 packs inside, 16 firecrackers to a pack. You could buy that for $8 And it would just fly like hotcakes These guys were selling us the stuff At $3 a mat So all these prices Were anywhere from. [11:49] 70, sometimes even 80% cheaper than what we could sell them for. So the profit, like you said, was utterly enormous. Now we had a full year to work our second year because they said, yes, sell as much as you want, go ahead and get the pre-orders. We contacted everybody we knew. All of our guys had people in other places, Huntington, the town of Huntington, we did big business, other places out in Suffolk and even somewhere in the city. [12:13] And again, for young kids at that age to put together an order for $85,000. She knocked everybody. And that’s what really got their attention. And for that kind of money being fronted to us, that’s why they had to bring their boss in, which was John. The other thing that really shocked us too, I was worried about getting caught. Now the legal penalties for getting caught was nothing. Five or $10 fine, nothing on your record. It was nothing. However, the police could take all your firearms. If they took money like that from young kids, we’re finished. Our lives are over. and to be honest, the organization solved that for us. They sat us down with cops. The cops told us to our face, you will never have a problem. Don’t worry about it. And once I heard, that’s when I told our guys, go ahead and sell as much as you can, and that’s when we got the order for the two tractor trailers. I knew at that point in time, the risk is pretty much gone. Yes, there’s a risk of getting robbed, but we had two of our guys’ older brothers who were a really severe, a tough guy, one that’s referenced in the book a lot, Bubbles. And again, he’s a deceased, and we’ll talk about him more in terms of the Galante hit. So people that are going to rob us really would be like, why would I rob these guys? Look at who they’re with. So in my opinion, we had no risk, and that’s why we went nuts with this. [13:30] That’s the beauty of working with the mob. They usually had connections with law enforcement that could get you protected. Now, you brought Gotti into it. Tell us about meeting Gotti for the first time. [13:39] Was he all that, like they say? Was he just this real charismatic personality that you just wanted him to like you and wanted to do what he wanted you to do? What was that like? I’m glad you brought it up because I’m going to tell you that’s the funniest thing that ever happened to any of us in our lives. And I suspect it might have been one of the funniest things that ever happened to him. When we got this order for the two-tracked trailers, he wanted to meet us with some of his other people. One that turned out to be Angelo, quack, quack, Angelo Ruggiero. And we decided to meet at our friend’s house over in Syosset. It was during a school day, but we had no risk because his dad was a New York City cop. His dad wasn’t there. His mom would be out the whole day playing a card game she played called Mahjong. So we said, yeah, let’s do it at his house. Now, these guys show up. Again, we’re teens. We’re 13, 14, 15 in that range. One, a couple guys maybe a couple years older. And these guys were like in their low 30s. That’s all John Gotti was age-wise when we met him, I would say. [14:39] No older, I wouldn’t think, than 35. I could do the math, but right in that range. All nice cars, nice suits. They come in with all the samples. So we lay them all around my friend Jeff’s house I’m talking about in his stoves, his mother’s piano, the couches and everything And they’re going over stuff and they’re saying, look This stuff here comes $48 to a case Your price, I’m just making up numbers for argument’s sake Your price is $175 a case on this one You can easily sell this stuff for $600 or whatever the numbers were So we’re shocked Now to set the stage My friend’s mom was really A kind of a crazy lady she was very Loud and she was extremely Opinionated if not wild She would always kid my not kid She was serious to my friend Jeff saying You’re a no good bum this Boy’s gonna end up in jail she would berate Our friend into the ground I mean this kid was crazy believe me this kid was Driving us to school at 14 and 15 years Old didn’t have a worry in the world So Yeah. [15:40] This is where the humor came in. She came home unexpectedly. Apparently, one of the card players didn’t show up. They couldn’t do it. She walks into her house, and she sees fireworks all over. She sees us with guys who look like gangsters that are 35 years old, and she blows her stack. She screams, who are these hoodlums in my house? What are these devices these criminals have? What is this fool meaning her son done this time with nuts? And I’ll never forget John says to my uncle who was in there He says did you set this up as a gag? Very low so nothing we could hear except a few people And my uncle had a really weird look on his face He goes I wish I could get off that easy So we figure the deal is all over She’s going nuts I run up to her with the price lists And I say Mrs. Goldberg please I know we like to shoot a fire It’s not about that It’s about making money I show her the list And I reference before the matter firecrackers I point to it. I call these guys firework salesmen. That’s what I call John and Angelo. I go, these firework salesmen here can sell us this amount of firecrackers for $3. [16:49] We can sell it all day long for $8. There’s a fortune in this. So then instead of her blowing up, she goes, tell me more. So that was funny enough. So I go through more prices. And just to set the stage for your listeners, a lot of people in New York might know this term. People outside might not. I’m a Christian, but if you have a non-Christian, Jewish people call him Goy or Goyim. She’s looking at the lists, and she explodes in the loudest voice you’ve ever heard. If the Goyim will buy these devices, then sell them to the Goyim we were. We lost it. [17:24] She said that Angelo, my uncle, a bunch of the guys had to go outside. And I stepped outside with them, too, because they didn’t want to insult her and laugh in her face. I don’t know how John stayed in the house with her, but he did for a while. These guys were laughing so hard, tears were coming out of us. So the neighborhood girls that we knew saw these guys all dressed in suits. They thought we were crying, and they sincerely asked, are you guys okay what happened? It was because we were laughing so hard we started crying. So I said, let me get in here. The fireworks deal is more important. So she went over this stuff with us, telling us how we’re going to make money. Just insanity. The book really expands on this. And then afterwards, when John left the house, he also broke down in laughter. He didn’t want to do it in front of her. He couldn’t take it. Out of respect, he didn’t want to laugh in someone’s face like that. But he walked two doors down, and he freaking lost it. So I think it’s got to be one of the funniest things he’s ever had happen to him in his life. He said it was. And it just got crazier from there. [18:19] Now, was Angelo Ruggiero with him? He was his right-hand man. Was he there on this deal? Yeah, Angelo was there with him. Yep, he sure was. What was he like to deal with as a person? I’ve interviewed his son who has a show. What was he like? Was he funny? He seemed like he talked a lot and was a funny guy. I’m just curious. He did. And again, in the account that you guys are going to read about in the book, Tommy, who’s the main character in this book, who again, deceased and gave me all the interactions he had with him, explains what a nice guy he was. I know he had a violent side. I know he has a lot of hits under his belt, but he was apparently a ton of fun. [18:59] When I interacted with him, I thought he was freaking hilarious. And as you’ll see in the book, Angelo is really the one who fed all the inside information nonstop to our buddy Tommy, Tommy, who at that time was playing cards over at John’s Club in Ozone Park, the Bergen, very regularly at that point in time. And the book really traces Tommy about what happened, his interactions with Angelo, his interactions with everybody else. And when you get to the whole crux of the matter, Angelo is the one who told our good friend Tommy that, hey, the commission has authorized a hit on Galante. And the hit is to be done jointly with our family, meaning the Gambinos, and with the Bananos. And that John was going to be the leader of the Gambino faction. [19:48] Sonny Red and Delicato was going to be the leader of the Banano faction, and Joey Messino was not only the one taking the messages to and from Rusty, which is the Philip Mestelli in jail, but Joe Messino was going to supervise the entire operation. So that was the structure of it. Yeah, that’s what I’ve read about it. And also what you’re saying about Angelo Ruggiero is that’s one reason the Bureau was able to learn so much about Castellano because he would go to meetings at Castellano’s house, if I remember right, come back home and get on the phone or have some people come over. And he talked to him about, he said this and he said this and he said that and he said this. That gave him probable cause then to go into Castellano’s house. So he was known to be loose lips, and that’s why he got the moniker quack quack, I’ve heard. But I also heard it was because of the way he walked, so I’m not sure. No, that’s true. Both of what you’re saying is true. And just to touch on him one more time, very important. He loved my friend Tommy because Tommy got him out of more than a couple of jams. I’ll give an example. There was a guy in the Gambino family up in Connecticut. John always referred to him as the genius Tony Mungali And he put a firework sorter in with Angelo. [21:06] Now, this guy blew his stack because no fireworks came, and he had promised the entire neighborhood a gigantic fireworks show. He had his friends, his people of his family over there, neighbors and no fireworks. This guy blew his stack, and this story is detailed in the book. Tommy got a call from another Gambino guy the morning of July 5th, very early. He was still hungover from partying the night before. He said, oh, my God, what’s this about? It’s got to be something bad. Did somebody blow their hand off with fireworks? What’s going on? And the bad news was that this Tony had put a beef in saying, what’s wrong with you people? You didn’t do what you said. And he was blaming Angelo. Tony was all over Angelo. And the bottom line is Tony was right. It was Angelo’s fault. However, my friend Tommy never threw Angelo under the bus. My friend Tommy ate it. And he basically, it’s a real good recounting in the book. And there’s so many stories like this. There’s hundreds of them. But I’ll give you this one real quick. [22:03] Like, so Tommy basically told Tony Mengele, listen, how old are the kids that you promised this big fireworks show to? And Tony blew up. He’s like, what the F does it matter how old the kids are? But my friend Tommy was smart and he was going somewhere. He’s like, listen, these kids don’t know the difference between July 5th and July 4th. We’re going to come to your house tonight. We’re going to give it the most insane fireworks show anybody in your area has ever seen. We don’t want a dime. We’re so sorry this mistake happened They go up there I was with them at that point. [22:38] Nothing but fun. So welcoming. And again, my buddies, none of us would ever throw Angelo under the bus. And believe me, Tony and his uncle, Sandalo, he tried to pin it on Angelo. We said, no, it’s not his fault. It’s not his fault. Bottom line is those guys loved us. One of Tony’s workers ended up being a gigantic fireworks customer of ours. And to the best of my knowledge to this day, and I’m not involved in it in the slightest, To this day, all one of his guys does is sell fireworks in the Connecticut region. Makes a fortune. Interesting. And so that’s a wild story. But again, Angelo loved Tommy because so many times Tommy would say, look, Angelo didn’t do this. I did. What did Angelo do in return? He gave Tommy so many different pieces of information. And again, I won’t bog you down, but each one of these stories is so interesting. Angelo had some fireworks clubs that he made money on. [23:32] There’s no other way to put it. Angelo was not working much at all. And then one of these meetings, John brought everyone in and said, listen, from now on, these clubs that sell fireworks, particularly Oceanside, New York, Long Beach, Bayville, Massapequa, he goes, I’m giving them to you guys to run. And now, obviously, none of us want anything to do like that. We’re going to cut out his friends. We’re going to end up in a freaking meat grinder or end up in a cement truck. So we all told John we didn’t want it. John said, that’s it. It’s over. It’s yours. so then our next step was to make sure we figured out how much roughly those guys were making. [24:05] I give my friend tommy all the credit in the world he ended up giving angelo more money by a lot, for using the place than angelo ever made doing work and this time angelo doesn’t have to do any work angelo loved us all these guys loved us because we paid them more than they made and now they didn’t have to do a damn thing so our guys were very smart and calculating particularly Tommy, but some of the other ones. And that was a good Angelo story. Yeah, it is. And I’ve read that not only Gotti and in his neighborhood, but other mob guys around in New York and their neighborhoods, they would put on a huge fireworks shows for everybody in the neighborhood every year. Gotti particularly was noted for that. That is interesting, their love for fireworks and fireworks shows. Did they ever front you these things? Did they front you money or did Did they buy the fireworks? [24:56] You guys made this money each year, but I’m sure you’d spend it all. Then the following year, you’d have to come up with money. How did that work? The money worked. You wanted to be able to pay them back if they fronted anything. [25:08] Yes. You have a bunch of good questions here. I’m going to backtrack one second on what you said about guys in the life loving fireworks. That is a hundred percent fact. Love the fireworks and the stuff that people see at some of the celebrations over at the Bergen. Yeah, that was rooted from our guys providing it. Now, here is one of the reasons why John turned over these four locations to us. He had complaints from multiple people. Castellano, I believe Michael Franzese people. These guys went to the fireworks locations on the best days, like July 2nd and July 3rd, and they were closed. And John blew up at that. He’s making me look like a freaking idiot. I’m telling Castellano’s people, it could have been his nephews or little cousins or whatever, go to this place to load up with fireworks for free. These guys go to the place and it’s closed that’s one of the motivating factors why john, turned that business over to us we had it open all the time now in terms of fronting stuff absolutely the money was enormous those guys fronted it to us all the time big loads that’s just how it was young kids like that we can come up with anything near that kind of money. [26:14] And just another tidbit too the lady i told you about who would go wild when we were doing the deal. She offered to fund some money up too. And that’s detailed in the book as well. But yeah, as we got it to like year number three, I don’t remember us ever putting a penny up after year three. It was all fronted to us. Was it all cash too? When you went out to these clubs and these people with the neighborhoods and stuff, would they always just give you cash each year? [26:40] That is a great question, and the answer is yes for the people we retailed to, yes for the people that walked into the stores. However, we had wholesale customers that we would give credit to. Now, I’ll give you this story, which is also detailed in the book real quick. There was a street gang in Huntington. They were known as the Huntington Hitters, primarily Hispanics. They gave us an order, and one of our good friends got back from a younger kid that he helped out before that his older brother was intending to rob us when we dropped off the fireworks. [27:14] So we had what I thought was a brilliant plan made. Tommy was very instrumental in this, and I gave some feedback too. We told these guys, come meet us at this bar out on Jericho Turnpike in Huntington. We have some additional fireworks we want to show you guys and see if you want it, which was a lie. But we knew that they wouldn’t rob us then because we didn’t have anything honest. Let me tell you what we brought to that meeting. We brought Bubbles and two of his guys that were freaking deadly people. And they had freaking gym bags with them. And they said, don’t worry anything about security when we do this deal. And they showed him stuff inside the bags, heavy duty weaponry. So right away, these Huntington hitter group said, these are the wrong people to rob. So sure enough, right on cue, a day or two later, they called my buddy and said, you know what? We don’t want to do the fireworks business. We can’t. That I petitioned, and I got a few of my friends to agree, and Tommy definitely went with it too. You know what? These guys can make a fortune doing this. Let’s front them five or ten grand worth of this stuff and see what happens. And I’m like, it’s not going to cost us anything. Number one, I don’t think they’re going to rob us. If they do, what did we lose? $1,500 at the most? My friends said we were nuts, but we went with it. And I want to tell you, smartest move we ever made. [28:29] As every year we went by, we fronted them more and more. They were our first customer that we ever fronted a full tractor trailer to. Never had a problem getting one cent from them. It’s funny how that evolved. It’s just absolute madness. But again, I give Tommy a lot of the credit here and some of the other guys very sharp to come up with a business plan like this. [28:52] I tell you, this little crew you got in with early on, they were a bunch of hustlers. But you also had this deal with Gotti and horse racing and getting inside information on horse racing. There’s some pretty good stories there that are in the book. Tell the guys a little bit about that point. Then we’ll move on to the Galante hit. [29:11] Absolutely. Now, horse racing was interesting. We would go to a place called Roosevelt Raceway, which is over in Westbury, Long Island. Really not that far from where we lived over in Syosset. Now, again, I know the law was probably you had to be 18 to make a bet. They didn’t care. I was making bets there at 12 and 13 years old. I’ll tell you this one time that they did care, and I’ll get to that at the end of the question you asked, and you’ll see why. So we were clowns, but even as clowns, we could see it. If a horse, these were harness racing, by the way. If a harness race is coming down the stretch, you didn’t have to be a genius to see that one or two of these horses would hold back, but the other two jockeys would whip the crap out of their horses. So naturally, we felt cheated, even at young ages. Our guys were definitely certified. There’s no question about that. Our guys would throw things at the freaking jockeys. I’m talking about golf balls, rocks. Our guys were insane. And a lot of that stuff is detailed in the book, how crazy we were. But to get to your point, after I think it was the third or fourth year, John walked with Tommy. [30:17] And he said, you guys are bringing in so much money and doing so well. I want to give you a gift. And I remember Tommy, because myself and a little bit of Bart, but myself, I had to pull all this out of my friend Tommy. He knew he was going to pass away. And he wanted this story out in the public. Now, this guy, Tommy, never wanted his real name used, but he gave me detail after detail. Some of the stuff, like I’m explaining with the fireworks and the horse racing, I was there myself to see. But on the heavy stuff, he gave me detail after detail. same with a little bit to Bart. So this is how Tommy explained it to us. John gave him a sheet of paper and Tommy being a smartest said, oh, what is this, John? You want me to go play the freaking lottery with these numbers? What do these numbers mean? John, you smartest. Here’s what the numbers mean. The first number was the number of the race at Roosevelt Raceway. The next four numbers were the only four horses that could win. Usually these races had eight horses in them. Once in a while, seven, once in a while, nine, but eight was the norm. Those are the only four horses that can win. And for the audience, I want to explain to them how that’s possible. [31:24] Let’s say you have an eight horse harness race and you tell four of the jockeys, no matter what happens, you are not to come in the top. They’ll hold the horses back. And by the way, this is not just conjectural rumor. These guys got locked up for it later on down the line, jockeys and everybody what they were doing is it hold the four horses back the organization would have no idea what horse was going to win they just knew which four wouldn’t so what did they didn’t bet winner plays to show they would bet exactus triples and sometimes super factors which means all four and box those four around some yeah so in your example. [32:03] Basically, John gave our buddy Tom three races, and Tommy knew that this has got to be damn better than a tip. It has to be rock solid. So what happened was we all went there, and we knew nothing about it. We didn’t know that we should just bet a small amount of money. We had no knowledge about damaging a pool, so I’ll make it easy for the listeners. Tommy overbet these races like crazy. For example, if a three combination triple should pay $1,500, the first thing the FBI and the New York Racing Authority would ask is, why did this $1,500 triple pay only $400? And the reason is, and they knew it because the race was fixed. So everybody was betting those combinations. Now, the organization was smart enough to only bet small amounts of money, and they used the term not to damage the pool. That was a term they used all the time. We don’t want to damage the pool. [33:04] Again, throw us in the mix. We had absolutely no idea. We didn’t know any of this. So Tommy bet the crap out of these races, and he did damage the pool. And that brought the attention of the authorities. But worse than that, another long story in the book goes back to the Connecticut people, because I think the genius Tony Mengele was the one helping to fix the races. So they figured there was a leak on their side. And John Gotti actually thought he was going to get killed over this. And he told people, including Angelo, I might not be coming back from this meeting. I got sent for here. The horse pulls bad because John was really running the horses with Tony and some other guys. Tony grabbed him by chance outside of the Ravenite, Mr. Neal’s club, and they walked. [33:52] And Tony apparently was furious, like, yeah, let’s kill whoever damaged the pool, whoever did this. And then John apparently told him it was us. And then Tony says, oh, man, those fireworks guys, I love those guys. He goes, okay, nothing’s going to happen here. So apparently Tony went into the meeting, and he basically lied to the people there, Castellano and Neil Delacroach, and he says, listen, I found out the leak. The leak is on our side, and I’ll take care of it. And that’s how it worked But again, that ties back to the fireworks If that never happened, I don’t know what would have happened John had every intention of going in there and saying he’s screwed up He didn’t explain to us And he had no business giving us the numbers And he knows that, He did not have permission to give us anything at the racetrack He took it on himself to do it, And he got saved by that stroke of luck Of meeting Tony in front of the club before the meeting Had someone been outside, whoever Tommy Bellotti or anybody said Hey, get inside, the meeting’s going on Those two would not have had a chance to talk. I don’t know what would have happened, but I think it would have been very bad for Sean. Yeah, would have been. Yeah, that’s interesting. Now, explain to the guys about the pool. Everybody doesn’t know about the pool. [35:04] These exactors and trifectas, how that pool works. That is a great question because we had to have it explained to us. Let’s take any racetrack, and the first number you’re going to have is how many people bet on what’s focused on triples. Now, the definition of a triple is horses come in the order of one, two, three. So if you bet a 7-4-3 triple, the race must end 7-4-3 for you to hit that triple. Now, the next variation of that is if you like the 7-4-3, what most people will do is they will do what’s called boxing that triple, which means they have 7-4-3 and that’s a winner. [35:43] But so is 4-3-7. So is any combination. So is 2-7-4. [35:49] 3-7-4. Any of the combination of your three horses win. Now, they can tell what a triple should pay based on the amount that’s spent and what the odds are. Let’s say you have a horse that’s a mid shot, like an 8 or 10 to 1. You have a favorite in there and maybe a halfway of a little bit of a long shot. They know what that should pay in a certain range. Now, if you know that race was fixed, and by the way, it’s all pari-mutual, so the weighting is average. If you’ve got $10,000 in a triple pool and you have 10 winning tickets, each ticket’s going to get paid $1,000. And they would know that’s legitimate and that’s honest. And there should be about 10 people with those combinations. Now, if you have that same $10,000 worth of triple pool, and again, these are round numbers. It’s way higher, just for an example. and all of a sudden you’ve got 105 winning tickets when mathematically there should be 10 or 15 at the most the money drops that thousand dollar prize now might be 210 dollars and that’s what the feds and everyone new york racing authority looks for if you have a horse that’s eight to one first place let’s say ten to one second place and let’s say five to two third place that triple should pay something like, I’m guessing, $400, $500, $600 around that range. If that triple pays only $150, right away they know that somebody knew something. [37:16] Too many people bet on that combination. They know how many people probably will bet on any certain combination. And when that gets skewed, too many people bet on one combination, then they know something’s up. Interesting. That’s like these new sports prop bets in the apps on gambling, on the apps on sports. If all of a sudden there’s a whole lot of money goes out on some team on the spread and too much money goes down in one place, then they know there’s something going on. Somebody knows something and they start looking. [37:48] Exactly. They start looking and you make a great point about today’s sports betting. If you have a basketball player, and again, this is not conjecture. There’s already been indictments on this. Let’s say the guy is supposed to have 11 rebounds in a game. All of a sudden, when he has nine, he tells the coach, man, I hurt my ankle. I can’t play anymore. Now, if the balance was normal on his under and his over, no problem. What do we all know happens? The under money bet on this guy is radical. It’s a 95 to 5 ratio. They know right away it’s fixed. And that’s what I believe the guy in Toronto, the Toronto Raptors was doing. And so many other ones were too, but that’s everywhere. We were involved in that way, way back in the day as well, to some degree. We heard so much about it. Yeah, interesting. [38:34] Let’s get into Carmine Galante. The probably most famous, certainly the most famous image, even more famous than Albert Anastasia of Carmine Galante laying there. He was the Bonanno, longtime Bonanno capo and had risen up in the ranks. And he comes out of the penitentiary and Rusty Rustelli is supposed to be the next Bonanno boss. And Carmine decides that he’s going to act like he’s the boss. So let’s talk about how this whole thing started a little bit. That is a great observation. And that’s pretty much how the ball got rolling with those guys. Here’s how we got involved in this. [39:12] We had one of our good friends who was helping us with the fireworks and going to the clubs and having nothing but fun. And then the one night when Tommy was at the club, the cops came in. And I know a lot of people think, oh, Cosa Nostra doesn’t mix with the cops. People will think that they don’t know what they’re talking about. Look at the convictions with gas pipe cases and everybody else. John had guys on his payroll that ended up getting convicted and stuff. [39:39] The cops and Cosa Nostra do work together. despite what everyone else says. Look at us with the fireworks, for example. So anyway, at the card game, what I was told from Tommy is they kept getting messages after messages. And again, these messages at that time would come in over pay phones. There were no cell phones. So you’d have a guy sitting at the pay phone. And as I’m told, most of the messages would be coded numbers. Let’s say Angelo’s number was 167. The guy would just pick up the phone, tell number 167, which is Angelo. [40:11] Another set of code numbers and that might mean hey the cops are coming over now the cops came into the club they came into the bergen and apparently they told everybody listen nobody here is getting locked up we don’t want information we just need to give you some news and from what tommy says because he was there playing cards at the time they told him that our good friend michael had died in a car accident and they wanted to know should they go and wake his dad up and And his dad obviously was in the life made guy and do it that way. Or did John and Angelo perhaps want to go out to the house? They gave him the option to do it. And John and Angelo, of course, jumped at that. And they, whatever they did, they went at the house. I don’t know if they waited till they woke up in the morning, whatever it was and knocked on the door or whatever. But so that’s what happens now at the wake, by the way, just to make the story a little bit more clear, there. [41:09] This was probably our fourth year or so selling fireworks. And every year we sold fireworks, we met more and more people. So many of it is detailed in the book. I can’t even tell you the list of people we met. And you name it, Tony Ducks, Corralo, all these guys. So we’re meeting more and more people. Two in particular that we started hanging out with because they liked us because we were just crazy, drinking, women chasing maniacs, were Baldo and Chesery. And that’s Baldo Amato and Cheshire Bonventry. They were with the Bananos. And we were hanging out with them. They grabbed my friend Tommy at the wake and pulled him away. And everyone’s thinking, oh, they’re really Sicilian. We call them the Zips. They’re tough guys. They probably just don’t want to show their emotions because they love Michael in front of everybody. We didn’t know what was going on. They informed my friend Tommy that our friend, Michael, did not die in a car accident. It was a basic, supposed to be a warning that turned into a hit. [42:12] And Tommy’s, that’s nonsense. The cops told us the car was off the road. The car was a crumpled mess. That’s nonsense. But Baldo insisted and said, no, these guys shot him off the road. So nobody believed any of this. But we came up with the conclusion of, hey, we’re friends with the cops. The cops will take us to the impound yard. Let’s see for ourselves. House so those guys went over there and what tommy says they found bullet holes in like less than a minute they found a couple bullet holes so they knew right away that baldo was telling the truth now all this was going on other people would tell us don’t trust baldo don’t trust chesery the sicilians are the most ruthless cunning backstabbers you’re ever going to meet and i didn’t feel that way and neither did tommy or the other guys that were involved with us our other friends aunt and The whole gang, Gonzo, we didn’t feel that way at all. We thought they really had our best interest. So. [43:08] That stayed quiet, but two of our friends swore on that day, no matter who did this to our friend, Michael, no matter who they are, we don’t care what their rank or anything. [43:19] We’re going to make them pay for what they did. They’re going to have to answer for what they did to our friend. And we know the rules. You can’t touch a maid guy or an associate without getting permission. But we kept everything quiet for another reason. Michael’s dad I referred to as a maid guy. Now, you talk about crazy. This guy was nuts. This guy had no fuse. He’s detailed all over the book. For example, when John O’Neill would tell him to go out and just talk to a guy, don’t hurt him. This guy owes us a couple thousand. Just talk to him. The guy would end up with two broken arms. This guy had no fuse whatsoever. If he ever thought for a minute that somebody had killed his son, the worry was, and I think the worry is correct, he would have gone out and just killed better than adult targets all over the place. Whether they knew anything about it Which 99% of them knew nothing about this He would have just started killing people He would have started a war So that was the reason why the bosses, Did not want him And to his death he never knew that this happened They kept it from him for that reason There was no stopping this guy would have gone on a rampage So that was a big factor in that, So Then you talked before about the card games And Angelo. [44:30] More of these messages came in And my buddy Tommy noticed it And he said, Angelo, what’s going on? And so don’t worry after the card game, I’ll walk you down and we’ll talk to you. Apparently after the card games, Tommy and Angelo would walk down 101st Avenue and have these long talks. And Angelo said to Tommy, the commission has authorized a hit on Carmine Galante. We got the hit. John is our lead. [44:54] We have to do it jointly with the Bananas. Sonny Red is there, and Joe Massino is going to look at the whole thing and supervise the whole thing. So bells went off on my friend Tommy’s head. All of a sudden, he got everybody together. Not me, of course. I was not there when this transpired. I was not there when they organized the hit. But he got the other guys together, and he said, look, this is the guy who killed our friend. We have no risk now because the commissioner wants this guy dead. So these guys came out with what Tommy detailed to me. And by the way, it wasn’t just Tommy who detailed this to us. Bubbles detailed it to us. And there’s one big distinction I need to mention here. Tommy wanted all of this out. He did not want his real name used. [45:40] However, Bubbles wanted his real name used. He used to hang out with general views people. And he told me, he goes, use my name. I want people to know that I did this. And after he passed and that’s why inside the book we do reveal his real name and where he lived and the interesting thing for me was Bubbles and Tommy had no idea that each one of them was talking to me and to a small degree Bart about this so the details that they both gave were exactly the same the most ingenious hit I’ve ever heard of in my life they had police help from the 8-3 precinct over in Bushwick. Apparently, there was some cop over there that hated, I think it was a family dispute of some kind. The guy who was being, I think his grandmother or aunt or somebody was being shaken down by the bananas. So we had that asset. We now had Baldo and Chesery, who were Galante’s top bodyguards. So our guys went out on surveillance for months. And the funny thing about the surveillance was, who else was doing surveillance at the same time? [46:47] John Gotti was, and so was his people. So there was times like when Tommy and the guys would be close to a certain place. And by the way, he was killed at Joe and Mary’s. But that is not the only place that these guys did heavy surveillance on. And it’s not the only place that Galanti hung out at. So the book names a bunch of other places that the surveillance was done. So these guys would be there, and they’d look down the block, and possibly John and Angela were there doing the same surveillance. So they had to leave. Otherwise, John and Angela, what the hell are you guys doing over here? So that was funny to me on that regard But our guys in my opinion Put together the most ingenious hit Down to every single detail. [47:26] Basically took out the police help to help with the zips. The alibi is another crazy part of this. At that time, we would like to do a lot of fishing. We went off to a place called Sentinel Riches in Long Island. And one time we were night fishing over there and we saw guys jump off the boat, get onto smaller boats and come back an hour or two later with bundles. Now you don’t have to be Albert Einstein to realize what they were doing. They were running junk and they were Colombians. Yeah. So I discussed it a little bit with the boat’s captain and he said, just don’t say a word. Don’t go near him. Keep you guys away. We almost had a problem because again, our guys were drunk and our guys were carrying and our guys will, we came close to having a problem. But Tommy put this together. He had the boat captain go out one day and again, he didn’t tell all the people that were with, he didn’t tell his cousin’s crew for Shaw, who was with us that day, our guys jumped off the boat onto a smaller boat, took that boat to the Oak Beach Inn, took stolen cars in on that day, the July 12th, 1979, and they did the hit. [48:35] So Tommy’s uncle was furious with him. He thought he was lying to him. He goes, you’re lying. You were not there. I put you on that boat, which he did. Our friends were drunk and they drove him there on the road. Morning and i picked you up when that boat doc said don’t lie to me you’re on the boat all day and that’s when tommy and again this is detailed in the book like crazy told everybody can you say alibi and what do you mean he goes yeah you just said we were on the boat all day that’s not true, jumped the boat went to the oak beach and took the stolen cars did the work and came back so that was that shocked everybody in the room apparently when tommy was forced to detail, everything that happened on the hit. He even detailed for them all the cars that were involved. He detailed how the marked police cars actually held parking spaces for our guys in front of the place. One was, my understanding, about a half a block north. The other one was about a half a block south of the location over there, which was 205 Knickerbocker. They held the parking spaces. Our guys rolled up. [49:37] And if there was something going on, like, for example, FBI surveillance or unmarked cops in the place, those cop cars were not giving up the space. Our guys would honk and flash at them. But if they did not give up the spaces, the signal to our guys was the place is dirty, leave. So we had a lot of built-in signals like that. And then when they gave up the parking spots, both of the cops moved from one north heading south, one south heading north. What did that do? That let them both take one more scan of the block. Is the block dirty? And if the block was dirty, they were going to blow the sirens and everything was off. But the details, again, that are in the book about this hit are freaking shocking how meticulous it was. [50:22] Interesting. I have one question that Galante’s guy, Cousin Moy, they called him, Angelo Prezzanzano, I probably butchered that, but he was off sick that day. Was he part of it or was he just off sick that day? I’m going to tell you, to be honest, I have no knowledge of that. I know that Boldo and Chessery were the primary bodyguards that day. Yeah, they were there that day. I actually have no knowledge, but the other couple of details that are just beyond fascinating, how our guys operated on this. For example, when the car pulled up with one driver and three shooters, one of the shooters, again, he wanted to be named, so we’re naming him. It was Bubbles. [51:01] And the other two guys, Bubbles was a very big-built guy. He would easily be spotted. Plus, he knew a lot of people in the city. He stayed in the car. The two guys that were normal-built, they went inside. And I want the listeners to understand how skilled these guys were at this hit. [51:19] They had provided Baldo and Chesery with dark jackets that day. Now, I’ve read some stuff that people said, oh, they had big, heavy leather jackets on. That’s a lie. They were lightweight summer jackets. And people said, why do that? The answer is because at that time, people were wearing white and pastels and light clothing. It was burning hot that day in the summer. And if you want to spot somebody in a restaurant, you want them to stick out like a sore thumb. So that was the motivation for those black jackets. Now, check this one out. And again, the book goes through this in so many more details. Our guys walked in prearranged with Baltimore Orioles baseball hats. Because again, keep in mind, Chesaree and Boulder did not have a great command of the English language. They didn’t really 100% know American customs. And we showed them Mets and Yankee hats that everybody has. So now we show them a distinctive bright orange baseball hat with a bird on it that nobody could mistake. Here was the signal. Our guys walked up to them face to face with these hats on. [52:22] Now, that was slick. That was slicker shit, man. It was smart because if the place was hot, if Boldo and Chesery realized there was too many maid guys in there or surveillance guys or FBI in there, they were to immediately tell our guys it’s too crowded today. Only get takeout. Only get takeout. The place is too crowded. That was a signal to our guys to walk out and to tell the people the place is hot. leave. These guys had multiple hot signals here that if something was wrong, they would do it. Now, if they didn’t give those signals, our guys were to turn their hats around. So they walked in with the hats like a normal baseball player. They walked out with the hats like a catch you would wear with his hat on backwards. That was to give Boulder and Chesery the signal, Boulder and Chesery the signal this thing was going down. Now, here’s the most fascinating thing about the story is Tommy recanted for us. That day, July 12th, 79, was supposed to be a dry run. [53:28] And they told everybody, just do it like it’s real. Now, we were all hoping that Bould on Chesaree would do it like it was real, and they did it. They walked out of the place, and they walked north. I believe in their minds, they said, this is a dry run. Nothing’s going to happen. Then they heard the shots, and that’s what happened. And I want to elaborate on this because, again, there’s so much built in here. One of the witnesses said that, and I’ll tell you who the witness was. It was one of the guys who killed his daughter, Torano. His daughter had said that, oh, I saw Baldo crouched over with a gun. Gary, you’re a former detective. You’ve got a scene with four people shot, three dead. And you have a witness saying that a guy was in there with a gun out. You tell me how the guy is not arrested at the very least and tried. And I’m going to give everyone the answer here of why that didn’t happen. And I think it’s pretty clear. [54:25] I’m convinced that the FBI had static surveillance on the place, just like they did to Mr. Neal’s club that we always call the, basically the FBI screen test. Yeah. That’s number one. And, or they had a guy up the street. So I believe what happened here was they looked at what this witness said, and then either their own cameras or a human agent that they had on the streets said, wait a second, we cannot charge these guys. I saw a bold on Chesaree, whatever the number would be, 200 feet up the street before the shots rang out. They’re innocent. They didn’t do the shooting. Otherwise, of course, you got a witness saying, I saw a guy behind a table in a gun in a quadruple shooting, triple homicide, and that guy’s not going to get arrested. So obviously there was something there. [55:16] I was wondering why. And I’m going to take another step for people, too. And again, terrible. Cosa knows the story ever told. But to take this one step further, the cop cars were there. There were two marked cars close in proximity when this went down. I think the FBI might have said, wait a second here. What just happened? One guy that we hate, Galante, is dead. Some other guy, a cap on a maid guy are gone. Look at our cameras. How could we do anything here? There’s marked cops here. I think the feds had to realize the cops played a role in this. [55:50] Let’s just kill it and move on. I think that’s possible. Now, the cop cars were also referenced by Tommy. He told us the meeting that they had. It was a life or death meeting, by the way. When John Gotti and other people went to that meeting, Tommy’s uncle and people like that, there was a good chance none of them were going to come out alive. The book details that Castellano, who everyone knows, wanted to kill John Gotti, had a cast of killers in that building. Roy DeMail’s people were in there. There were people in there that you couldn’t even believe. Nino Gadge’s people in there. Hardcore butchers. They knew how to dispose of and chop up bodies. So in that meeting, apparently what Tommy made clear, and again, we took notes, we went over this for hours, days, literally years. [56:36] Sonny Red and Delicato made the statement in that meeting because, again, Sonny Red and Delicato put in the beef, hey, you guys did this hit without us. John Gotti’s saying, fuck you. Excuse my language. Effu. You guys did the hit without us. Nobody knew who did this hit, and I’ll get to that later. What happened here was that Sonny Red and Delicato and his people made an immediate beef, and we’ll talk about that later, saying, hey, The commission said this is to be a joint hit Between the Bananos and the Gambinos And I can definitely confirm From what they told me, Banano people and Gambino people Were on this hit together and doing surveillance So when Galante got killed Sonny Red and his Banano people Were furious Because they thought John Gotti went off And did a hit against the commission’s wishes At the same time, John Gotti was furious At Sonny Red and his people Thinking they did the work Without them being notified But the thing that Tommy always stressed is, again, that meeting was a death trap. Castellano always hated Gotti. Castellano wanted Gotti out. And this was the chance to do it for breaking the commission rule. So Castellano had hardcore murderers there that day. Roy DeMeo and his crew. [57:49] Incredible. You know, Gadgi, a cast of murderers. And John Gotti being street smart. And again, this is fully detailed in the book. It’s just too much to talk about here. John Gotti had made some very heavy precautions himself. Going into that meeting. But what the catch for me was, Sonny Red and Delicato said something like, whoever did this hit was either the most incompetent hitman ever, or possibly they were zips from Montreal that couldn’t give a crap if they were shot at or in a police shootout or whatever. They just didn’t care. And then Tommy said, what if I tell you that those cops were in on the hit? And that silenced the room. And that’s when Tommy had to come clean and talk about everything about it. And it shocked the people that were in that run that this hit was done like that. But that’s, that’s really how this thing was done. Interesting. Guys, you got to get this book. I’m telling you, Made on Long Island. And there’s a whole lot more details, these behind the scenes details about the Galante hit with some real people involved. It’s a lot different story than what we’ve ever heard. I know that. And even people went to jail behind this. But it was mainly on the say-so of informants who, as we know, will pretty much say anything to g

This week, we've got a panel! Chris Round is the head judo instructor at High Noon in Alexandria, Virginia, and a judo and BJJ black belt who coaches athletes on the IJF tour. Isa Friedlander is a former Team USA judoka, a brown belt at Unity, and coaches judo at The Dojo in Bushwick and at Unity in Manhattan. In this episode, Chris and Isa break down foot sweeps and trips for grapplers, tied to their new instructional with MASTERs. Topics include: timing vs. structural setups, shape making, the role of the uke, variable drilling, and play.Follow Isa on Instagram:https://instagram.com/isa100kgFollow Chris on Instagram:https://instagram.com/chris__circleTrain with Chris at High Noon Judo in Alexandria, VA:https://instagram.com/highnoonjudoLearn more about MASTERs (Martial Arts for Social Transformation, Equity and Rights):https://martialartsforsocialgood.orgFollow MASTERs on Instagram:https://instagram.com/masterssocialgoodGet Chris and Isa's foot sweeps and trips instructional:https://martialartsforsocialgood.org/storeMental models discussed in this episode:Kuzushihttps://bjjmentalmodels.com/kuzushiPredictable Responseshttps://bjjmentalmodels.com/predictable-responsesPerception-Action Couplinghttps://bjjmentalmodels.com/perception-action-couplingStaying Loosehttps://bjjmentalmodels.com/staying-loosePsychological Safetyhttps://bjjmentalmodels.com/psychological-safetyConstraints-Led Approachhttps://bjjmentalmodels.com/constraints-led-approachEcological Dynamicshttps://bjjmentalmodels.com/ecological-dynamicsCurse of Knowledgehttps://bjjmentalmodels.com/curse-of-knowledgeKeep It Playfulhttps://bjjmentalmodels.com/keep-it-playful⬆️ LEVEL UP with BJJ Mental Models Premium!The world's LARGEST library of jiu-jitsu audio lessons, our complete podcast network, online coaching, and much more! Your first week is free:https://bjjmentalmodels.comNeed more BJJ Mental Models?Get the legendary BJJMM newsletter:https://bjjmentalmodels.com/newsletterLearn more mental models in our online database:https://bjjmentalmodels.com/databaseFollow us on social:https://instagram.com/bjjmentalmodelshttps://threads.com/@bjjmental⚠️ NEW course from BJJ Mental Models!MINDSET FOR BETAS, our new Jiu-Jitsu audio course with Rob Biernacki, is now available on BJJ Mental Models Premium! For a limited time, get your first month FREE at:https://bjjmentalmodels.com/beta

This is the noon All Local for Thursday, April 16, 2026

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Daniel Padulo wrote, produced, directed, and co-starred in the hilarious short film “A Haunt in Bushwick,” an Official Selection at Sherman Oaks Film Festival in 2025 that won Daniel the Filmmakers Award for Outstanding Screenplay, Short Film – Comedy. I had to know what films inspired him to wear so many hats by digging deeper in the 4 Questions! In the meantime, you can follow Daniel on Instagram at @the_padulo _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website – DIF Instagram – DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

Happy Monday and welcome back to reality for any Coachella-goers. Daniel Padulo wrote, produced, and directed the hilarious short film “A Haunt in Bushwick,” an Official Selection at Sherman Oaks Film Festival in 2025 that won Daniel the Filmmakers Award for Outstanding Screenplay, Short Film – Comedy. Daniel also co-stars along with lead actor Sophia Drapeau, whose character Daniella has what you might call a complicated relationship with Daniel's character Vincent. We held the Los Angeles premiere for “A Haunt in Bushwick” at SOFF 2025 and it remains on the festival circuit, but as soon as Daniel's ready to release it online we'll have a link for you here. In the meantime, you can follow Daniel on Instagram at @the_padulo _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website – DIF Instagram – DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

Comedians Derek Humphrey and Meka Mo join the show for a deep dive into New York City history, personal heritage, and the chaos of modern culture. From Derek's stories about growing up in Brooklyn and moving back to his old neighborhood to Meka's hilarious "hair reveal" and perspective on systemic issues, this episode covers it all.We discuss everything from the corruption of the 70s-era NYPD and the documentary "The 75," to the evolution of Bushwick, gentrification, and why everyone is on OnlyFans today. Plus, we get into the Afroman legal case, a heated debate on whether Queens is actually better than Brooklyn, and much more. ON THE GATE! ENJOY!Original air date: 4/6/26Join the live chat Wednesday nights at 11pm EST. Uncensored versions of the show streamed Monday and Thursday at 2pm EST on GaSDigital.com. Signup with code OTG for the archive of the show and others like Legion of Skanks, In Godfrey We Trust, and Story Warz. FOLLOWGeo PerezInstagram - https://www.instagram.com/geoperez86/Derek DrescherInstagram - https://www.instagram.com/derekdrescher/On The Gate! A podcast hosted by two jailbird/recovering drug addicts and active comedians Geo Perez and Derek Drescher, who talk each week about their times in jail, what they learned, what you should know, and how they are improving their life or slipping into recidivism each day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Visitamos al artista nuyorican Danny Cortés en Bushwick, conversamos con Ligia Guallpa de Workers Justice Project y los deliveristas y con los hermanos Sanabria diseñadores de Lyenzo, destacando creatividad, derechos laborales y sostenibilidad.

On an all-new Speed Dates episode, it's family time as host Joel Kim Booster sits down with his good friend, actor/comedian Brendan Scannell (Heathers, Bonding, newsletter The Abyss) to discuss maintaining a sense of self in your relationship, making friends later in life, being sober (or Bushwick sober as the case may be), knowing somebody in The Candy Hall Of Fame, and the real work of checking in with your partner. Plus, Brendan brings gifts! And Joel has some advice for single people, which is honestly not that different from his advice for anyone looking to get into entertainment.    Subscribe to our YouTube Channel for video clips and full episodes.  Merch available at SiriusXMStore.com/BadDates.   Joel Kim Booster: Scrubs Season 10, Psychosexual, Fire Island, Loot Season 3 Brendan Scannell: @bscan on socials, check BrendanScannell.com for newsletter and tour dates Subscribe to SiriusXM Podcasts+ to listen to new episodes of Bad Dates ad-free. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is the All Local 4:00 P.M. update for Saturday, April 4, 2026.

Chicago born/Miami raised, Mickey Pérez is a first generation American of Cuban & Ecuadorean descent who's been putting down the funkiest rhythms from Africa, South America, Brazil, the Caribbean & U.S. to NYC dance-floors strong since 2008.A Brooklyn resident since 2002, Mickey represents & presents a non-commercial, diasporic sound irrespective of national borders spanning many different styles of dance music across Africa, the Caribbean, Latin America, Brasil & Black America. Mickey currently has a regular monthly show on NYC's The Lot Radio titled BeBop Porú which runs concurrently as a monthly to bi-monthly dance party in Brooklyn, Mexico City & Miami. In 2022, Mickey launched a community based summer music series for all ages with Toribio (Conclave/BDA) called Public Service that runs monthly across neighborhood parks in Bed-Stuy & Bushwick in Brooklyn.

Everybody preorder Metropolitans now!!!! One of the longest and weirdest baseball books ever written, METROPOLITANS is a marxist history of America's pastime in which the Mets serve a messianic main character. Check out this excerpt, this interview, or this Adam Gopnik New Yorker review.PREORDER from Penguin, Bookshop.org, Amazon and/or find me at one of the following launch events: April 1: Official book launch! w/ Bradford William Davis at Powerhouse Arena in DUMBO, Brooklyn (Ticketing information: https://powerhousearena.com/events/book-launch-metropolitans-by-a-m-gittlitz/)April 3: Release celebration at Lou's Athletic Club in Bushwick more info: https://www.instagram.com/p/DWPKFCQCp5r/April 4: Tabling with Books and Rooks at Ft. Green Farmer's Market around 11am April 12: Paper Moon in Troy, NY April 13: B&N in AlbanyApril 16: B&N Brooklyn with Noah Kulwin! https://stores.barnesandnoble.com/event/9780062206054-0April 20: B&N in Carle's place LI with Greg Prince April 27: B&N in Paramus, NJ April 30 Mets vs. Yankees debate at Le Pere on 90 Orchard St., moderated by Mattie Lubchansky! More info will be posted at Astra House's IG Monologue adapted from Jean Shepard: https://www.youtube.com/watch?v=Xz0pnq3ijfs Tipping Pitches: https://tippingpitch.es/ Go to Greenpoint/Williamsburg/Bushwick/Ridgewood History nights: https://www.instagram.com/gphistorynight/Songs: The Strokes - Ode to the Mets The 1986 Mets - Get Metsmerized

Three stories about snap decisions and what happens next: a classic RISK! episode from December 2013 that still hits hard. Lauren Cook found her date for a stranger's New Jersey wedding on Craigslist Casual Encounters. She showed up with a fake identity, a room full of people who knew nothing about her, and a night that kept escalating in directions she did not plan for. (Content note: gun violence) JJ grew up in 1980s Bushwick, Brooklyn, fought his way into Wesleyan and then Wall Street, but one afternoon a neighborhood confrontation pulled him back to a version of himself he thought he had left behind. He came very close to throwing everything away. Daniel Lobell sank $2,000 into a hairless cat as the foundation of a breeding empire. When the cat ended up at a friend's apartment and she stopped returning his calls, his plan to get it back got increasingly creative. Full episode details and music credits at risk-show.com/podcast/impulsive-cre510 Support RISK! & Get Involved

Enjoy this clip from the second episode of our second playtest for our next campaign Up All Night. In this playtest we return to Bushwick in the 1970s with the Forged in the Dark system Bump in the Dark by Last Pine Press. [Content Warning: Sleep Deprivation, Virginity Rumors, Ray] Want more Spout Lore in your Life? Check out our spinoff show

Sandy Nurse, City Council member (D-37, Cypress Hills, Bushwick, City Line, Ocean Hill, Brownsville, East New York), talks about her proposal for legislation that would increase New York City's minimum wage from the current $17 per hour to $30 per hour by 2030. Photo: Lidia Vilorio, a home health aide, gives her patient Martina Negron her medicine and crackers for her tea on May 05, 2021 (Credit: Michael M. Santiago/Getty Images)  

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by Hiba Schahbaz.Born in Karachi, Pakistan, Hiba Schahbaz trained in traditional Indo-Persian miniature painting at the National College of Arts in Lahore. Her practice spans oil, wood, paper, black tea, and water-based pigments. Schahbaz received an MFA in painting from Pratt Institute and has exhibited internationally since 2002. Recent exhibitions include the FLAG Art Foundation, Almine Rech Paris, the Institute of Contemporary Art Miami, and Jeffrey Deitch, as well as a public art commission for Rockefeller Center produced with Art Production Fund. Her current retrospective, Hiba Schahbaz: The Garden, on view at the Museum of Contemporary Art North Miami, brings together roughly fifteen years of work tracing her evolution from the disciplined traditions of miniature painting to expansive, immersive works.I sat down with Hiba in her Bushwick loft studio and asked her about the “aha” moment - when a new idea begins to take shape. We also talk about cut-outs and shifting scale, the difference between one-off paintings and a sustained flow state, learning from mistakes, and why she never lets a painting leave the studio before the idea feels fully resolved. We talk materials and process, how Hiba starts a painting, and how she approaches large commissions, museum projects, and multi-panel works differently. Hiba discusses maintaining a daily studio practice and how it shifts with seasonal rhythms, the difficulty and necessity of waiting for ideas to develop, and the importance of physical health in the studio and taking responsibility for one's body over time. Finally, we talk about avoiding creative burnout through continuous learning, and why Schahbaz believes in committing fully to the path of an artist without a Plan B.Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com  host: Isaac Mann www.isaacmann.com insta: @isaac.mann guest: Hiba Schahbaz www.hibaschahbaz.com insta: @hiba_schahbazThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

In our second segment we speak to Ximena Bustamente, founder of the Undocumented Women's Fund which held the 10th annual NYC Women's Strike Fest on Sunday in Bushwick's Maria Hernandez Park. We listen to some snippets of the music played at the event and learn about why this programming is a powerful place for women and the communities held together by women to celebrate each other in this way.

On this episode of the Indypendent News Hour, we spoke with three women who are fighting abusers and for their own empowerment. In our first segment, we spoke to Addison Turek, a freshman at Barnard College, and one of the organizers protesting the college's ties to Jeffrey Epstein. In our second segment we spoke to Ximena Bustamente, founder of the Undocumented Women's Fund which held the 10th annual NYC Women's Strike Fest on Sunday in Bushwick's Maria Hernandez Park. In our final segment, we spoke to author, activist, playwright and radical feminist Karen Malpede on her upcoming Indypendent article, “Reclaiming Mothers as an Antidote to the Epstein Class".

Jimmy returns to Kato Sake in Bushwick, NY to chat a bit more with owner Shinobu Kato and also Cory Bonfiglio of Beer Street South. The crew talk about the evolution of New York City Beer Week, Hazey Nigori Sake, drinking abroad, and much more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What if your restaurant wasn't just a place to eat, but a world people stepped into to feel something?Brandon Hoy didn't set out to build a pizza place, he set out to create a party, a refuge, a piece of living art in a neighborhood hungry for connection. As co-founder of Roberta's, he tapped into timing, tribe, and a radical commitment to craft to turn a scrappy Bushwick pizzeria into a cultural institution.In this conversation, we get into why community beats marketing, how mythology makes brands magnetic, and why defining what your restaurant means matters more than what it serves. Brandon breaks down the tension between consistency and evolution, and why the brands that survive are the ones willing to move with the wind.If you're building more than a menu—if you're building a movement—this conversation is for you.To learn more about Roberta's and explore what they're building next, visit robertaspizza.com._________________________________________________________Today's episode was brought to you by Square. If you want restaurant tech that actually supports how you run your restaurant, find out how Square can help at square.com/goodstuff.Free 5-Day Restaurant Marketing Masterclass – This is a live training where you'll learn the exact campaigns Josh has built and tested in real restaurants to attract new guests, increase visit frequency, and generate sales on demand. Save your spot at restaurantbusinessschool.com

In this powerful episode, we sit down with Bushwick, Brooklyn artist Danny Cortes who recreates iconic New York City scenes, from neighborhood ice spots and subway platforms to street signs and corner culture, blending art, hip hop, nostalgia, and community into hyper detailed miniature worlds. His work has reached global stages, including sales at Sotheby’s for $3,000, $6,000, and even $7,000. But his story is deeper than the art. Divorced, jobless, on probation, and back living with his mother during the pandemic, Danny found himself at rock bottom. It was there, in that small Brooklyn apartment, that he tapped into his true calling, miniature art. With encouragement from his mother and the love of a woman who helped him see his worth, he began rebuilding his life one piece at a time Danny proves that even when you feel like you have nothing left, one small step can change everything. For him, it was one miniature at a time. This conversation is about redemption, culture, Brooklyn resilience, and believing in yourself when no one else does.See omnystudio.com/listener for privacy information.

The 1010 WINS All Local 4:00 pm update for Sunday February 8, 2026.

Jimmy hops on a call with Zack of Sobre Masa- a Mexican restaurant and tortilla factory in the heart of Bushwick, NY. In this convo, we learn about traditions in Oaxaca, corn varieties, corn whiskies, and the intricacies of tortilla production from agriculture to machinery. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of The Truth In This Art, the guest is Danielle De Jesus!Who is Danielle De Jesus: Danielle De Jesus is a Nuyorican painter and photographer born and raised in Bushwick, Brooklyn, whose works tell the story of growing up in New York City amidst gentrification and displacement. De Jesus draws from her experience growing up in the diaspora as a native of Bushwick, New York to document her home neighborhood while creating narratives that uplift the lives and stories of the multi diverse residents she grew up with. Danielle De Jesus' work pushes us to think critically about the larger economies of urban America, but also about matters of intimacy and the interior lives of local residents. In this episode, Danielle shares her story. In the conversation, De Jesus shares insight on her process, intricate small-scale works, and painting dollar bills to narrate Puerto Rican politics, identity, community, rooted in Bushwick. She discusses how a viral 2016 painting of Lin‑Manuel Miranda as Hamilton on a $10 bill led her to repurpose dollar bills as political archives, inviting viewers to reconsider value through tiny, painstaking details. She reflects on gentrification, the persistence of local culture, and the struggle to remain in New York—even with a Yale degree—so her work stays connected to the people it documents. Be sure to check out Danielle's Paintings on US CurrencyHere's Danielle De Jesus's website  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

A slow weave of some of the past year's Field Recordings, from a child playing in the snow to a brass band playing Christmas carols in the street. Father and daughter build a snowman in the backyard, Copenhagen, Denmark on 2nd January 2025 – by Joyce de Badts Cracking the ice underfoot over a frozen puddle, Low Bentham, North Yorkshire, UK in early January 2025 – by Charlotte Petts Ice on Queen's Park Pond, Glasgow, Scotland in January 2025 – by Katie Revell “Recorded using a contact microphone at Queen's Park pond on the Southside of Glasgow, during a cold snap in January. The pond had frozen over (which doesn't happen often), and people were walking and skating on it. One person asked if I was measuring the thickness of the ice. I handed my headphones round a group of kids, and it was fun to watch their reactions to the sci-fi noises…” Snow slowly melting from a bridge next to Ribblehead viaduct, North Yorkshire, UK in early January 2025 – by Charlotte Petts Listening to the river flow as the snow melts into the water from the fields nearby,  River Wenning, Bentham, North Yorkshire, UK in early January 2025 – by Charlotte Petts Tawny Owls voicing the starry dark, the foot of Dartmoor, UK at 5am on 3rd January 2025 – by Kirsteen McNish “I stood on the doorstep to look at the stars because of the ice bright visibility and heard them calling to each other.” Primal scream atop Bernal Hill, San Francisco, USA on 20th January 2025 at 9am – by Kristina Loring “A group of organizers had distributed flyers in our neighborhood for a timely cathartic moment atop the large mountain park that overlooks the city of San Francisco and the bay. It was organized to coincide with the swearing-in of the newest conservative American regime on Inauguration day. But one's rage can't be limited to whoever is in the presidential office. We scream for a litany of injustices—an endless list that cannot be exhausted here. Many rages filled my lungs that day and escaped my mouth in an inarticulate howl. Beneath the rage was a yearning for: Justice for Palestinians everywhere. Justice for trans folks everywhere. Justice for refugees everywhere.” Dead leaves on a silver birch, Stanton Moor, Derbyshire, UK on 5th February 2025 – by Rose de Larrabeiti “I took myself to Derbyshire for a few days in early February. I walked up to Stanton Moor with my dog Rosie (not named by me!) looking for a Bronze Age stone circle called the Nine Ladies. Nearby were silver birches with their dead brown leaves rustling in the wind.” Babble of Ta Ta Creek spring, British Columbia, Canada in early February 2025 – by PJ Howe “Here is a little recording of our local spring. We hiked through 2ft of snow in the -10 temps to the head of our local creek. Due to the deep cold we are in, the ice formations around the spring are spectacular. The quiet babble of the creek makes this such a special place.” Geothermal mud pools in Rotorua, Aotearoa (New Zealand) on 8th February 2025 – by Will Coley Woodpecker in back garden, south-east London, UK on 14th February 2025 – by Cesar Gimeno Lavin “This morning I was delighted to find that, after quite a few months, this woodpecker has returned! Back to the very same tree. I love how the sound echoes around the garden.” ‘Silence' in Doubtful Sound, Aotearoa (New Zealand) on 15th February 2025 – by Will Coley Steam train arriving and then departing, Haworth, West Yorkshire, UK on 17th February 2025 – by Cesar Gimeno Lavin Walking in the dry, squeaky-crunchy snow on Elm Street in Whitehorse, Yukon, Canada on 22nd February 2025 – by Laura Nerenberg “The snow was delightfully squeaky and I took every chance I could to stomp around…” The last performance of the world's largest pipe organ, Philadelphia, USA on 22nd March 2025 – by Alex Lewis “Thousands of people gathered on Saturday, March 22nd at Macy's in Philadelphia, PA to hear the last performances of the Wanamaker Organ – possibly the world's largest pipe organ – as the department store marked its final weekend in business. This is an excerpt from the final recital by John Wanamaker Grand Court Organist Peter Richard Conte. My wife gave this piece the unofficial title: ‘an elegy for in-person shopping'.” Squeaky frogs, Watcarrick, near Eskdalemuir, Scotland on 25th March 2025 – by Geoff McQueen ‘Hands Off' March, New York, USA on Saturday 5th April 2025 – by Jon Moskowitz Nightingales at Knepp, Sussex, UK in April 2025 – by Charlotte Petts “…from my camp out at the Knepp estate last week – managed to creep up pretty close to a nightingale singing in the shrubby hedgerows. Absolutely gorgeous to fall asleep to them calling out to each other through the night.” Cows in Los Lagos de Covadonga, Asturias, Spain in May 2025 – by Sarah Kramer and Nina Porzucki  Bells heard through a window, Vilnius, Lithuania in the morning on 26th May 2025 – by Eleanor McDowall Creek bed, Lerderderg State Park on Wurundjeri Country, Australia in May 2025 – by Camilla Hannan Bingo on a roasting Saturday evening in Derbyshire, June 2025 – by Andrew Conroy ‘Little Tibet', Parco nazionale d'Abruzzo, Lazio e Molise, Italy in June 2025 – by Cosmin Sandu River through wood, Boise River, USA on 22nd June 2025 – by Ariana Martinez “This tape was gathered in Boise, Idaho with a contact microphone affixed to a tree root partially submerged in the Boise River.” Dawn chorus, Lopez Island, USA in 2025 – by Joe Harvey-Whyte Primary night watch party after Zohran Mamdani's win, Brooklyn Masonic Temple, New York on Wednesday 26th June 2025 – by Rachel Humphreys Protest after the vote, Westminster, London, UK on 2nd July 2025 – by Eleanor McDowall Ringing the peace bell, Hiroshima, Japan on 14th July 2025 – by Lisa Hack Knossos Palace, Crete, Greece on 17th July 2025 at 11.30am – by Giles Stokoe Pans protest outside Downing Street, London, UK at 6pm on 25th July 2025 “Hundreds gather outside Downing Street banging pots and pans as Israel's blockade continues to cause the starvation of Palestinians in the Gaza strip. 120 people – 80 of them children – have been confirmed dead from famine as of 26th July. In the last 24 hours two babies have died from malnutrition. Nearly 1000 Palestinians have been shot to death by Israeli soldiers whilst queuing for food.” Goats going home, Sabugueiro, Serra da Estrela, Portugal, late evening on 13th August 2025 – by Katherina Lindekens Gongs, Glastonbury Tor, Somerset, UK on 21st August 2025 – by Barny Smith Waves on a shingle beach, St Leonards-on-Sea, UK, late September 2025 – by Eleanor McDowall New York Mayoral Election Results, Paul's, Brooklyn, NY, USA on 4th November 2025 – by Brian Pester Democratic Socialists of America election night party, Bushwick, NY as Hell Gate NYC livestream called the race at 9.44pm on 4th November 2025 – by Kalli Anderson Inside a rainwater collection tank, London, UK on 10th November 2025 – by Cesar Gimeno Lavin 2 minutes silence from the rooftop of St Paul's Cathedral, Rememberance Sunday at 11am, 2025 – by Joe Harvey-Whyte Unknown instrument in the subway at two minutes to midnight, Metropolitan / Lorimer St station, New York, USA on 12th November – by Jonah Buchanan “Descending the stairs, I was disappointed to see a two-digit number in the wait time for the train. the music started a couple minutes later. they had a pedal and an instrument i couldn't identify. i wouldn't say it was dreamy, and there's not really a synonym i can find that captures it. maybe bewitching…” UK farmers tractor protest on the day of the budget, Rupert Street, Soho, London, UK at 14.29 on 26th November 2025 – by Clare Lynch “16th century Soho fields being ploughed in protest by 21st century musical tractors.” Cows grazing in the fog, Cerro, on the Lessini Mountains, North of Verona, Italy in late November 2025 – by Davide Erbogasto “…some cows were grazing in the field, regardless of the rain, fog or snow. Their bell kept me company through the week.” Crystal Palace Band playing at the Crystal Palace Christmas Tree lights turn-on, London, UK on 29th November 2025 – by Alan Hall First big snow of the season, Pittsburgh, USA on 2nd December 2025 – by Dennis Funk “This first big snow was really dreamy. It started late in the night after I'd gone to bed, and had already stopped by morning. When I woke up there was the shock of a white, white world and a few inches on the ground. I got lost in the stillness of the day, and watched little heaps tumble from branches when a breeze rattled through.”

We start with a reminder about my Puff Puff Pilates event tomorrow 7-9pm at To The Moon HQ in Bushwick (just a few blocks from L). Pilates starts at 7:30pm - click here to rsvp Then I give the dirt on my financial illiteracy, how that screwed me, and how I'm moving forward now. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

@THEKIDMERO @LIZBELORTIZ @RAINEYOVALLE @VICTORYLIGHTPODCAST See omnystudio.com/listener for privacy information.

This episode, NYC-based bassist, performer, and creative force Sarah Elaz joins us to talk about her journey from professional dance to the jam scene, picking up the bass during the pandemic, and building projects like Boojum, Bearly Dead, Bushwick's Dead, and SEAP (Sarah Elaz's Almost Phish).We dig into creative identity, imposter syndrome, stage presence, and the art of “being cringe” online. Sarah shares how fashion fuels her performance, how TikTok became part of her expression, and what it's like navigating the scene as a woman on stage.She also opens up about her advocacy work and the women who've inspired her to show up fully, on stage and off.A conversation about performance, projection, and permission: to be bold, to be weird, to be seen.Trigger Warning: This episode includes discussion of sexual violence.Where to find Sarah:SarahInstagramTik-TokLinktree Boojum WebsiteInstagramFacebookYouTubeSpotifyBandcampLinktreeBearly Dead WebsiteInstagramFacebookXBushwick's Dead InstagramLinktreeStay up to date with The Femme Flock! Our WebsiteBluesky

Enjoy this clip from the first episode of our second playtest for our next campaign Up All Night. In this playtest we return to Bushwick in the 1970s with the Forged in the Dark system Bump in the Dark by Last Pine Press. [Content Warning: Smoking Indoors, Anachronistic Music, Loretta] Want more Spout Lore in your Life? Check out our spinoff show

An androgenous figurehead of a found family that refuses to grow up -- if you've never thought of Peter Pan in those terms, director Tina Romero is here to set you straight (er, in a manner of speaking). Tina also shares the ins, outs, and inspirations behind her feature debut, Queens of the Dead, which continues and reinvents a family legacy of zombie cinema (Tina is the daughter of the legendary George A. Romero). And as always, Jordan digs up all the connective tissue between all of the above.Then, Jordan has one quick thing about Nia DaCosta's new film, Hedda, starring Tessa Thompson. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Enjoy this clip from the character creation episode of our second playtest for our next campaign Up All Night. In this playtest we return to Bushwick in the 1970s with the Forged in the Dark system Bump in the Dark by Last Pine Press. [Content Warning: Rush Hour, Shanghai Noon, The Royal Tennanbaums] Want more Spout Lore in your Life? Check out our spinoff show

Send us a textIn this episode of Iconic Seasons, we rewind the VHS tape and drop into the humid heart of Bushwick to explore the golden era of streetball. From Anthony “Half Man, Half Amazing” Heyward to the chaotic genius of the AND1 Mixtape Tour, host [Your Name] unpacks what made summer basketball sacred—and why today's game feels like it's missing something deeper.With shoutouts to Rafer Alston, Rucker Park, hip-hop-infused blacktop culture, and the raw joy of unfiltered basketball, this episode is a love letter to a time when hoop dreams were baptized in sweat, soundtrack, and concrete.We contrast the grittiness of the past with the hyper-managed youth hoops scene of today, and ask: Has basketball lost its soul? Or can authenticity still be found at dusty courts, midnight runs, and community events like IU's outdoor Kirkwood showcase?Perfect for fans of basketball history, streetball culture, and those who remember when the game was loud, loose, and full of love.Support the showSupport the Pod or Binge the Entire Season Now! https://www.buzzsprout.com/1269236/support https://youtube.com/@IconicSeasons Connect on Social https://www.instagram.com/ncaaiconicseasons/

https://buytickets.at/thedopeyfoundation/1765668NO INSERTED ADS ON PATREON:www.patreon.com/dopeypodcastThis week on Dopey! We are joined by old school recovery/addiction legend Johnny Mac! From Queens! But first we learn about Sky Fly in PA, we hear from a benzo addict in the UK and then hear a nice story about Salvia from Loosey in California! Then we get this fuckin Johnny Mac! A 74-year-old New York junkie-turned-AA old-timer, who lays out his wild ride from Woodside Irish Catholic rules to acid-dealing in Ecuador, nodding out on heroin in Queens, and finally finding peace in AA. Johnny talks about his first bag at 16 (while tripping on mushrooms), copping in Bushwick and Harlem, nearly dying on the toilet, watching friends die, and pulling scams from coke hustles to copper wire “mongo.” He tells insane stories from La Perla in Puerto Rico, sneaking bundles on planes, running a Port Authority newsstand, and OD'ing only to chase the same dope the next morning. But through all the chaos, Johnny shares deep reflections on God, spirituality, and why being “stupid enough not to drink and keep showing up” has kept him sober. This one's pure Dopey gold—equal parts junkie chronicles and spiritual wisdom. All that and more! On the good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of #LatinosOutLoud, Rachel La Loca was invited back to City Hall, and this time to chat it up with the Deputy Mayor of Strategic Initiatives, Ana Almanzar--or as she's known to her staff, and now Rachel, "DM Ana". In this interview, we learn about the Deputy Mayor's day-to-day responsibilities and the initiatives she oversees. Reporting to her in this role are the commissioners and executive directors of the Center for Innovation through Data Intelligence, City University of the City of New York, New York City Department of Youth and Community Development, Mayor's Office of Child Care and Early Childhood Education, Mayor's Office of Equity, Mayor's Office of Food Policy, Mayor's Office of Nonprofits, and the Mayor's Fund and City Affiliated Nonprofits. Ana grew up in the Dominican Republic and moved to Bushwick, Brooklyn when she was 17 seeking not just the American dream, but the New York City dream. She is the FIRST Dominican Deputy Mayor for the City of NY. This episode is filled with inspiration, laughs and of course, a LIGHTNING ROUND with the Deputy Mayor. #LatinosOutLoud #RachelLaLoca #Comedy #DeputyMayor #NYC #AnaAlmanzar #podcast #Latinos #Dominican #Stories #Government #NY Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of #LatinosOutLoud, Rachel La Loca was invited back to City Hall, and this time to chat it up with the Deputy Mayor of Strategic Initiatives, Ana Almanzar--or as she's known to her staff, and now Rachel, "DM Ana". In this interview, we learn about the Deputy Mayor's day-to-day responsibilities and the initiatives she oversees. Reporting to her in this role are the commissioners and executive directors of the Center for Innovation through Data Intelligence, City University of the City of New York, New York City Department of Youth and Community Development, Mayor's Office of Child Care and Early Childhood Education, Mayor's Office of Equity, Mayor's Office of Food Policy, Mayor's Office of Nonprofits, and the Mayor's Fund and City Affiliated Nonprofits. Ana grew up in the Dominican Republic and moved to Bushwick, Brooklyn when she was 17 seeking not just the American dream, but the New York City dream. She is the FIRST Dominican Deputy Mayor for the City of NY. This episode is filled with inspiration, laughs and of course, a LIGHTNING ROUND with the Deputy Mayor. #LatinosOutLoud #RachelLaLoca #Comedy #DeputyMayor #NYC #AnaAlmanzar #podcast #Latinos #Dominican #Stories #Government #NY