Podcasts about whitney museum

Every rising generation reinvents the rules of how art works. What are the new new ways of working? What kinds of spaces serve those needs? Art critic Ben Davis keeps coming back to these questions, and it's part of why he decided he wanted to talk to Maya Man. Man got her MFA from the famous Media Art program at the University of California in 2023. She makes art that's fun and very online, looking at the digital world and the way it blurs reality and performance. Right now, her work A Realistic Day in My Life Living in New York City is the first-ever work commissioned by the Whitney Museum for its “On the Hour” program, taking over the museum's website every hour for 30 seconds. Set your clock if you want to catch it. Man is also a scene-maker herself. Davis first heard about her experimental art space, Heart, after it had already closed, earlier this year. But in its brief, frenzied life, it left a big mark. It was a space where a certain kind of experimental online/offline art scene that feels very now started to define itself.

Every rising generation reinvents the rules of how art works. What are the new new ways of working? What kinds of spaces serve those needs? Art critic Ben Davis keeps coming back to these questions, and it's part of why he decided he wanted to talk to Maya Man. Man got her MFA from the famous Media Art program at the University of California in 2023. She makes art that's fun and very online, looking at the digital world and the way it blurs reality and performance. Right now, her work A Realistic Day in My Life Living in New York City is the first-ever work commissioned by the Whitney Museum for its “On the Hour” program, taking over the museum's website every hour for 30 seconds. Set your clock if you want to catch it. Man is also a scene-maker herself. Davis first heard about her experimental art space, Heart, after it had already closed, earlier this year. But in its brief, frenzied life, it left a big mark. It was a space where a certain kind of experimental online/offline art scene that feels very now started to define itself.

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Join us for a conversation with author and new media artist Scott Snibbe. Snibbe will introduce us to the history of his pioneering use of new technology and his exploration of traditional art forms. His artwork has been featured in leading institutions, from MoMA, SFMOMA, and The Whitney Museum of American Art to London's Institute of Contemporary Art, Tokyo's Intercommunications Center, and beyond. Snibbe has collaborated with renowned artists and creators throughout his career, including multiplatinum recording artist Björk on the groundbreaking “app album” Biophilia, filmmaker James Cameron, musician Beck, and composer Philip Glass. He is the author of How to Train A Happy Mind, featuring a forward written by the Dalai Lama. In his latest work, Snibbe draws from centuries-old Tibetan thangka painting techniques he studied in Nepal, which inspired him to explore the intersections of digital media and ancient craftsmanship. At the confluence of technology, traditional painting, and interactive design, Snibbe creates participatory experiences that push the boundaries of contemporary art and invite audiences to engage with it in new and unexpected ways. A Technology & Society Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. OrganizerGerald Anthony Harris  Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa Yuskavage creates works that affirm the singularity of the medium of painting while challenging conventional understandings of genres and viewership. At once exhibitionist and introspective, her rich cast of characters and their varied attributes are layered within compositions built of both representational and abstract elements, in which color is the primary vehicle of meaning. Yuskavage's work has been the subject of numerous solo exhibitions, including Lisa Yuskavage: Wilderness, which was on view at the Aspen Art Museum in 2020 and the Baltimore Museum of Art in 2021. In 2015, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, presented Lisa Yuskavage: The Brood, a major survey spanning twenty-five years of the artist's work. The show traveled to the Contemporary Art Museum St. Louis in 2016. Lisa Yuskavage: Drawings just opened at The Morgan Library & Museum and is on view through January 4, 2026.Museum collections which hold works by the artist include the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. She and Zuckerman discuss changing the world, vulnerability, why make art, using pushback as an opportunity, pushing against resistance, getting rid of self-doubt, and how Art makes you feel less alone!

Sandi DuBowski discusses the one-year anniversary of his film Sabbath Queen, which he spent 21 years making. He reflects on the journey of the 21st-century radical rabbi and how it has shaped their life. He discusses the inspiration behind his film, Tomboychik, the concept of which was developed after conversations with his grandmother. The film is a living video memorial to her spirit; it won several awards, including the Golden Gate award at the San Francisco Film Festival and the Whitney Museum program, and launched Sandi into the film world. Documentary Films and Festivals  Sandi talks about his work as an associate director of the New York Lesbian/Gay Experimental Film Video festival, MIX. He initially worked on a feature film called Fresh Kill and later worked for Planned Parenthood as a researcher and producing videos. After working for Planned Parenthood, he started filming the major feature documentary, Trembling Before G-d, about Hasidic and Orthodox Jews who are lesbian or gay. The film had a World Premiere at Sundance, and won two prizes at the Berlin Film Festival. It screened in cinemas and festivals worldwide, and Sandi went on the road for three years, doing outreach and engagement. Sandi concludes by expressing gratitude for the support and funding he received from the Steven Spielberg Righteous Persons Foundation. He also mentions that his film Sabbath Queen has been a significant moment in his life, as he reconnects with classmates from Harvard, high school, elementary school, film, queer, Jewish, and activist circles. The film has been a testament to the power of storytelling and the transformative power of time. Breaking from Traditional Religious Conventions Sandi fell into the world of filmmaking by accident. He worked with great people, including cinematographers and editors, to create a team of creatives. The film "Trembling Before G-d" was a significant leap forward in technical craft and embraced the lives of people who were not in the public realm. The first Orthodox gay Rabbi came out in the film, and the first person from a Hasidic world to come out as lesbian was featured. The film also convinced Orthodox rabbis to speak publicly on the issue, which was a tipping point in the culture. The filmmaker met with Amichai, who was already post-denominational and pushing the boundaries of Orthodoxy. Sandi talks about the film's concept and how it inspired a Muslim man to make a movie on Islam and homosexuality. Filming the Documentary Sabbath Queen Sandi shares the journey of filming Sabbath Queen, which involved following Rabbi Amichai over 21 years. The film took six years to edit due to multiple storylines, nearly 3000 hours of footage, and time spent exploring Amichai's complex identity and his numerous worlds within his rabbinic family. The film was a complicated project, but Sandi and Amichai have remained close friends. The film is Biblical in many ways, as it is a coming of age and a paradigm shift from a thousands-year-old faith to the present. The film aims to address the challenges faced by religion, as well as the rise of authoritarianism and fascism. Sandi believes that creating a film that looks at time and how values can be manifested in our lives, communities, families, houses of worship, and nations is crucial for upholding values and morals. A Documentary Filmmaker's Journey Sandi shares his experiences and lessons learned from his journey as a documentary filmmaker. He explains that his life has been unexpected and doesn't fit neatly into boxes. He also shares his experience with Good Pitch, a platform that focuses on social issue documentaries and collaborations with filmmakers. He has built a strong community around films and the film movement, which has been translated into his work with Sabbath Queen. He believes that film communities intersect with many other communities, creating an outpouring of connection and networks. One of the ways Sabbath Queen is promoting community is through live rituals and gatherings. In Berlin, he hosted a Sabbath Queen Friday night feast with Rabbi Amichai, which encouraged togetherness, peacemaking, and reflection. In San Francisco, they hosted a SoulSpa and in Chicago a Saturday night Let the Light In. Sandi also talks about expanded cinema and the importance of gathering, him co-founding a progressive group called The Creative Resistance with media makers and a Queens Food Caravan. Sandi discusses the importance of having creative collaborators who provide feedback and help in the process of creating a character-driven film. He mentions that it is crucial to have test screenings and feedback screenings to help filmmakers work on their work over time. Influential Harvard Professors and Courses Sandi mentions a History and Literature course on the Vietnam War. The course focused on the interdisciplinary nature of storytelling and history, which helped Sandi understand how we process our lives, stories, wounds, and traumas.  Timestamps: 03:28: Early Film Projects and Personal Exploration  12:34: Transition to Long-Term Documentary Filmmaking 22:01: Challenges and Rewards of Long-term Filmmaking  22:23: Personal Life and Community Building  22:41: Advice for Long-term Documentary Filmmakers  41:35: Impact of Sabbath Queen and Future Plans Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Mark Jacobstein, class of ‘92, who reports: “Hi. I'm Mark Jacobstein, class of 1992. The feature nonprofit of this episode of The 92 Report is The Friends of Cancer Research. The Friends of Cancer Research powers advances in science and policy that speed life saving treatments to patients. I'm proud to have worked with them during my time at Garden Health and found that they were by far the most important and effective 501, C3, in the world of cancer research. You can learn more about their work at Friends of Research, friends of cancer research.org, and now here's Will Bachman with this week's episode.” To learn more about their work, visit: FriendsofCancerResearch.org.  

Credited with inventing the "intimate documentary" style of photography, Joanne Leonard was one of the first to pivot away from street style photography adopt a more personal approach that focused on her close relationships and immediate surroundings. In this episode we delve into her unique approach that captured the daily lives of women and challenged the male gaze, her use of collage to go beyond the limits of photography, and creating work inspired by the realities of motherhood which earned her a place as a feminist art icon whose work is now celebrated in major collections worldwide. This interview coincided with Joanne's first UK solo exhibition at Hackelbury Fine Art London: Vintage Photographs and Early Collages.   Timestamps (00:00) – Introduction and welcome (02:19) – Growing up in Hollywood (05:10) – The Family of Man exhibition (07:21) – Studying photography and social sciences (08:50) – From Hollywood to Berkeley then Oakland, California (11:48) – "Intimate Documentary" approach to photography (16:37) – Exhibiting at the de Young Museum, San Francisco (19:44) – Teaching photography throughout the Bay area (20:56) – Working with Collage (22:15) – The Journal of Miscarriage (27:56) – Being part of the Feminist Art Movement (31:40) – Managing motherhood and being an artist (34:29) – Gaining recognition later in life (37:00) – Advice for photographers and artists (39:42) – Official Winter Olympic Photographer for the USA in 1972 (44:21) – The Impact of Technology on American Life, NEA Grant (48:42) – The Newspaper Diaries   Joanne Leonard is an American photographer, photo collage artist, and feminist based in Ann Arbor, Michigan. She is known for her innovative "intimate documentary" approach to photography, focusing on family, friends, and immediate surroundings. Her work delves into often overlooked aspects of women's lives, memory, and personal history, while also engaging with larger movements in feminism, civil rights, and social justice Leonard was a professor at the University of Michigan for 31 years, retiring in 2009 after dedicating 40 years to teaching as a college professor. Her work has been included in major art history textbooks like Janson's History of Art and Gardner's Art Through the Ages, and is held in significant collections worldwide, including MoMA, the Whitney Museum of American Art, and the Victoria & Albert Museum. - Joanne Leonard official website: https://beinginpictures.com/   HackelBury presents the first UK solo exhibition by acclaimed artist, Joanne Leonard. Vintage Photographs and Early Collages features photographs from the 1960s and 1970s and unique early collage pieces from the 1970s and 1980s. This retrospective offers an intimate look into Leonard's artistic evolution and her innovative approach to visual storytelling.  - HackelBury Fine Art official website: https://hackelbury.co.uk/ - Instagram page: https://www.instagram.com/hackelburyfineart/ - Joanne Leonard: Vintage Photographs and Early Collages: https://hackelbury.co.uk/exhibitions/127-joanne-leonard-vintage-photographs-and-early-collages/overview/   Other mentioned resources: - Hyperallergic article: https://hyperallergic.com/910133/joanne-leonard-miscarriage-collages-that-were-too-much-for-the-art-world/ - Guardian article: https://www.theguardian.com/artanddesign/2025/jun/04/joanne-leonard-best-photograph-marriage-intimacy   This episode of Subtext & Discourse Art World Podcast was recorded on 12. June 2025 between Perth (AU) and Michigan (US) with Riverside. Portrait photo by Eleanor Rubin.    Michael Dooney official website: https://www.michaeldooney.net Instagram page: https://www.instagram.com/michaeldooney/

In this episode of PhotoWork with Sasha Wolf, Sasha welcomes two extraordinary guests: artist and curator Justine Kurland and Marina Chao, a curator at CPW. Together, they discuss their collaboration on The Rose, an exhibition that explores collage as a feminist form, strategy, and genealogy. Featuring works by over fifty contemporary artists and key figures from the 1960s and 1970s, the exhibition examines collage as both a means of world-building and a survival strategy in times of crisis. Sasha, Justine, and Marina delve into the layered responsibilities of artists and discuss the assumption that interpreting a straightforward photograph is inherently simpler than reading and interpreting conceptual art. https://www.justinekurland.com https://cpw.org/staff/ https://cpw.org/exhibition/the-rose/ Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland's work has been exhibited at museums and galleries in the United States and abroad. Her work is included in permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum of Art, New York; Museum of Modern Art, New York; Carnegie Museum, Pennsylvania; Getty Museum, California; National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Montreal, among others. She works with Higher Pictures in New York. Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for Seeing Meaning, a project exploring the intersections of image, language, and technology.

Episode 478 / Butt JohnsonButt Johnson (b.1979, Ramapo, New York) earned a BFA in painting from RISD and received a Pollock-Krasner Fellowship in 2010. His work is included in the Whitney Museum of American Art in New York, the Spencer Museum of Art in Lawrence, KS and the RISD Museum. He is a founder and partner in the Klaus von Nichtssagend (Neek-saa-gundt) Gallery in New York. He has exhibited at the Luther W. Brady Art Gallery at George Washington University, the Abrons Art Center and CRG Gallery, both in New York.The Canopy Program is now accepting applications for the 2025-2026 cohort cycle -  led by faculty mentors Amir H. Fallah, Sharon Butler, Catherine Haggarty, Meg Lipke, Clare Grill, and Jessica Dickinson. Founder and executive director Catherine Haggarty will be hosting information sessions where all questions can be answered - to RSVP, learn more and apply by July 26thplease visit www.nyccritclub.com www.nyccritclub.comIG is @nyccritclub and @the_canopy_program_

The way forward in the struggle against Trump's attack on immigrants / New York's Whitney Museum suspends longstanding program in the face of protest over censoring of pro-Palestinian event / Providence, Rhode Island: Butler Hospital plans to permanently replace striking workers

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Episode 475 / Banks VioletteBanks Violette is an artist born in Ithaca, NY who lives and works in Ithaca, NY. He recieved his BFA from the School of Visual Arts  and an MFA from Columbia University. He's had numerous solo shows including ones at MoCa, Connecticut, Gladstone Gallery, Blum & Poe, Thaddeus Ropac, Maureen Paley, Team Gallery, Rodolphe Janssen, and the Whitney Museum to name just a few. He's had scores of group shows all over the globe from the Museum of Modern Art to the Warhol Museum and his work is in the collections of The Coppel Foundation, MexicoThe Ellipse Foundation, Portugal, The Centre Pompidou, Paris, France, Frank Cohen Collection, Manchester, England The Jumex Foundation, Mexico, Los Angeles County Museum of Art, Los Angeles, Migros Museum für Gegenwartskunst, Zurich, Switzerland Musée d'Art Moderne et Contemporain, Geneva, Switzerland Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, The OverHolland Collection, Amsterdam, The Netherlands The Saatchi Collection, London, UK, The Solomon R. Guggenheim Museum, New York, Frederick R. Weisman Art Foundation, Los Angeles and the Whitney Museum of American Art, New York. 

Author and curator Dan Nadel is a hero of mine and a bit of a renaissance man. He was the publisher of the brilliant and influential PictureBox for decades and was a champion of much of what Juxtapoz was founded on but took it to a whole new level of intricate historical research and creating a voice of record for so many artists who time wasn't given them a needle to etch their name in the vinyl, so to speak. We are talking comic book legends, graphic novelists, outsider artists who might have created some of the most recognizable art of the 20th century that the history books hadn't given the full retrospective for. And Dan was going to do it. This year in paricular, Dan is busy. From publishing his newest book, Crumb: A Cartoonist's Life on the career and life of the controversial figura that is Robert Crumb, to co-curator for Sixties Surreal, a rethinking survey the art history of the 1960s at the Whitney Museum of American Art (opening September 24, 2025) and Curator-at-Large for Geroge Lucas' new Lucas Museum of Narrative Art, we had a lot to catch up on The Unibrow's Radio Juxtapoz podcast. We talk about undergrround comic's new resurgence into contemporary art, the making of the Crumb biography and the incredibly pivotal moment of KAWS' collection show at the Drawing Center in 2024.But more than that, I got to speak with someone I admire on his dedication to print, to words, to creating narratives in a world that needs to understand it's visual history. —Evan PriccoThe Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 165 was recorded in Los Angeles and Brooklyn on May 14th, 2025.

In this episode, MoCP Executive Director, Natasha Egan, sits down with artist Christina Fernandez. The two discuss Christina's decades-long career in pushing the boundaries of photography, blending her personal history as a Mexican American woman with broader cultural narratives about migration, labor, and gender. Natasha and Christina additionally discuss a piece in the MoCP permanent collection by Sidian Liu. Christina Fernandez has been featured in exhibitions at the Whitney Museum of Art, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Aart, the Getty, and MoMA New York, just to name a few. Ferndandez is a 2021 Latinx Artist Fellowship honoree. She is also an influential educator, currently serving as an associate professor at Cerritos College in Norwalk, California where she has been on faculty since 2001. Fernandez's exhibition Multiple Exposures, is on view at the DePaul Art Museum in Chicago from March 20 - August 3, 2025, and it the first major museum survey of her work and has traveled to institutions across the county for the last three years.

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

e-flux Education editor Juliana Halpert talks to Coleman Collins. Collins is an interdisciplinary artist, writer, and researcher whose work explores notions of diaspora in relation to technological methods of transmission, translation, copying, and reiteration. His most recent projects examine the connections between things-in-the-world and their digital approximations, paying particular attention to the ways in which real and virtual spaces are socially produced. Working across sculpture, video, photography, and text, Collins' practice attempts to locate a synthesis between seemingly opposed terms: subject and object; object and image; original and duplicate; freedom and captivity.   Coleman Collins is a 2025 Guggenheim Fellow. He has also received support from the Graham Foundation for Advanced Studies in the Fine Arts, the New York Foundation for the Arts, and Cafe Royal Cultural Foundation. He received an MFA from UCLA in 2018, and was a 2017 resident at the Skowhegan School for Painting and Sculpture. In 2019, he participated in the Whitney Museum's Independent Study Program.  Recent exhibitions and screenings have taken place at e-flux, New York; Ehrlich Steinberg, Los Angeles; Herald Street, London; Soldes, Los Angeles; the Palestine Festival of Literature, Jerusalem/Ramallah; Larder, Los Angeles; Hesse Flatow, New York; Brief Histories, New York; Carré d'Art, Nîmes; and the Kunsthalle Wien in Vienna. His work is in the permanent collection of the Hammer Museum, Los Angeles. He is currently an Assistant Professor of Art at the University of California, Irvine. He lives and works in Los Angeles.

For the 36th episode of "Reading the Art World," host Megan Fox Kelly speaks with Sarah Roberts, curator of the landmark exhibition "Amy Sherald: American Sublime," and editor of the accompanying catalog published by Yale University Press in association with the San Francisco Museum of Modern Art.Roberts discusses Sherald's revolutionary portraiture approach — from her distinctive gray-scale skin tones that shift focus to her subjects' interior lives, to her deliberate use of clothing and settings as narrative devices. She shares insights on the "American sublime" concept in Sherald's work and her curatorial decisions integrating the iconic Michelle Obama and Breonna Taylor portraits within the larger context of the artist's practice.This episode is essential listening for anyone interested in contemporary portraiture, the evolution of American figurative painting, and how art can challenge conventional narratives about representation and identity. Roberts' insights reveal why Sherald's quiet yet radical artistic vision offers a powerful reimagining of who deserves to be seen and celebrated in American art history.ABOUT THE AUTHOR Sarah Roberts is Senior Director of Curatorial Affairs at the Joan Mitchell Foundation where she oversees the Foundation's Artwork and Archival Collections and the Joan Mitchell Catalogue Raisonné project. Since 2004, she has served in progressive leadership roles in the Department of Painting and Sculpture at the SFMOMA, and since 2020 as Andrew W. Mellon Curator and Head of Painting and Sculpture. A specialist in post-war American art, Roberts has organized significant exhibitions including major presentations of Robert Rauschenberg, Louise Bourgeois, Frank Bowling, and co-curated the Joan Mitchell retrospective that traveled internationally. Roberts holds degrees from the University of Texas at Austin and Brown University, and has contributed to numerous publications on contemporary art.ABOUT THE EXHIBITION"Amy Sherald: American Sublime" is now on view at the Whitney Museum of American Art in New York through August 3, 2025, following its run at SFMOMA. The exhibition will travel to the National Portrait Gallery in Washington, D.C. (September 19, 2025 – February 22, 2026).PURCHASE THE BOOK https://yalebooks.yale.edu/book/9780300279382/amy-sherald/ SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Merriam-Webster's Word of the Day for May 2, 2025 is: ziggurat • ZIG-uh-rat • noun A ziggurat is an ancient Mesopotamian temple consisting of a pyramidal structure built in successive stages with outside staircases and a shrine at the top. The word ziggurat is also sometimes used for a similarly shaped structure. // Ancient ziggurats were always built with a core of mud brick and an exterior covered with baked brick. They had no internal chambers and were usually square or rectangular. See the entry > Examples: "The Breuer building, the former home of the Whitney Museum on New York's Upper East Side, counts as one of the defining buildings of the [brutalist] movement. Completed in 1966, it was designed by Marcel Breuer, who envisioned the structure as an inverted ziggurat." — Alex Greenberger, Art in America, 14 Jan. 2025 Did you know? French professor of archaeology François Lenormant spent a great deal of time poring over ancient Assyrian texts. In those cuneiform inscriptions, he pieced together a long-forgotten language, now known as Akkadian, which proved valuable to our understanding of the ancient civilization. Through his studies, he became familiar with the Akkadian word for Mesopotamia's towering, stepped temples: ziqqurratu, which stepped into English as ziggurat.

Merriam-Webster's Word of the Day for May 2, 2025 is: ziggurat • ZIG-uh-rat • noun A ziggurat is an ancient Mesopotamian temple consisting of a pyramidal structure built in successive stages with outside staircases and a shrine at the top. The word ziggurat is also sometimes used for a similarly shaped structure. // Ancient ziggurats were always built with a core of mud brick and an exterior covered with baked brick. They had no internal chambers and were usually square or rectangular. See the entry > Examples: "The Breuer building, the former home of the Whitney Museum on New York's Upper East Side, counts as one of the defining buildings of the brutalist movement. Completed in 1966, it was designed by Marcel Breuer, who envisioned the structure as an inverted ziggurat." — Alex Greenberger, Art in America, 14 Jan. 2025 Did you know? French professor of archaeology François Lenormant spent a great deal of time poring over ancient Assyrian texts. In those cuneiform inscriptions, he pieced together a long-forgotten language, now known as Akkadian, which proved valuable to our understanding of the ancient civilization. Through his studies, he became familiar with the Akkadian word for Mesopotamia's towering, stepped temples: ziqqurratu, which stepped into English as ziggurat.

What sparks of guidance illuminate your path through uncertain times? When chaos swirls around us, where do we turn for direction?This episode takes us on a magical journey down a wishing well (!!) to meet artist and oracle Mary Evans (Spirit Speak), who offers a revelatory tarot reading addressing three vital questions: How can we use our creativity to support ourselves and the collective?What specifically do we, as individuals, need to focus on in uncertainty?  And what helps conjure the courage to challenge systems both within and around us?The cards reveal wisdom about pacing, perseverance, and the power of wishes. Wands appear repeatedly, signaling the centrality of creative fire to our current moment. We're reminded that finding courage begins in small alignments with our deepest truths, and that acknowledging when we're overwhelmed and need help isn't weakness but wisdom. Through it all runs the thread of "slow down medicine" – the subversive act of attending to unseen realms in a materialistic world.Mary Evans is a tarot reader, artist, and creator of six self-published tarot and oracle decks. With over a decade of experience, she blends tarot, spirituality, hypnosis, and art to explore the subconscious and navigate change. In this episode, she reads tarot for the collective, offering insight and reflection to help process the times at hand with clarity and resilience. Her work has been recognized by Vogue, Oprah Magazine, and the Whitney Museum.~ resources & more ~Photo of card drawingBeautiful Trouble — your troublemaker toolbox for effervescent rebellion!Connect with Mary + her most treasured things: www.spirit-speak.com for her deckson IG @m.a.r.y.e.v.a.n.swhen you can't find a wishing well IRLBespoke Meditation, soul-guidance tailor-made just for you! Free grounding meditation ~ bit.ly/grounding-nowEnter to win a free coaching session ~ when you leave a 5-star rating (only) and a written review, you'll be entered into a monthly drawing for a free 90-min coaching session with dana (value of $388). Email dana@danabalicki.com the review title + your review name. Winner announcements will be made across platforms mid-month./// sound-editing/design ~ rose blakelock, theme song ~ kat ottosen, podcast art ~ natalee miller///Support the show

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Episode 472 / Cameron MartinCameron Martin is an artist based in Brooklyn. He received his BA from Brown University and continued his studies at the Whitney Independent Study Program. He has exhibited at venues including the Whitney Museum, Saint Louis Art Museum, Columbus Museum of Art, City Gallery (Wellington, New Zealand), and Tel Aviv Museum. His work is included in the public collections of the Buffalo AKG Art Museum, Buffalo, NY; The Minneapolis Institute of Art, Minneapolis, MN; the Saint Louis Art Museum, St. Louis, MO; and The Whitney Museum of American Art, New York, NY, among others. Martin is a recipient of the John Simon Guggenheim Memorial Foundation Fellowship (2010), the Joan Mitchell Foundation Fellowship (2008), and the Artists at Giverny Fellowship and Residency (2001).Future Fair Live Sound & Vision with Liz Nielsen and E.E. Konoregister here:https://futurefairs.artsvp.com/616f37Sponsors:https://nyss.orghttps://goldenartistcolors.comhttps://www.fulcrumcoffee.comhttps://futurefairs.com

My guest this week is multidisciplinary artist Nicholas Galanin.Nicholas is from the sitka tribe of Alaska and has exhibited his works all over the world, from the Whitney Museum and Museum of Modern Art, to the Abu Dhabi Biennial. His work challenges stereotypes of indigenous art while also addressing social and environmental issues.He recently received the Don Tyson Prize for outstanding achievement in American Art from the Crystal Bridges museum.Nicholas and I discuss life in Sitka, embracing cultural heritage, his incredible Never Forget series, fashion brands leveraging indigenous designs and more.*Sponsored by Bezel - the trusted marketplace for buying and selling your next luxury watch 

From Cuba, Dafnis Prieto's revolutionary drumming techniques and compositions have had a powerful impact on the music landscape, nationally and internationally. His various awards and honors include a MacArthur “Genius” Fellowship, a GRAMMY Award for Back to the Sunset (2018), two additional GRAMMY nominations, two Latin GRAMMY nominations (including Best New Artist in 2007), and the Jazz Journalists Association's Up & Coming Musician of the Year in 2006. As a composer, Prieto has created music for dance, film, chamber ensembles, and most notably for his own bands, ranging from duets to big bands. He has received commissions, grants, and fellowships from Chamber Music America, Princeton University, Jazz at Lincoln Center, MoMA, Whitney Museum of American Art, National Association of Latino Arts and Cultures, Jerome Foundation, East Carolina University, Painted Bride Art Center, Meet The Composer, WNYC, New Music USA, Hazard Productions, and Metropole Orkest, among others. Prieto has performed at many national and international music festivals as a bandleader. Since his 1999 arrival in New York, he has also worked in bands led by Michel Camilo, Chucho and Bebo Valdés, Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O'Farrill, Dave Samuels and the Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Edward Simon, Roy Hargrove, Don Byron, and Andrew Hill, among others. Also a gifted educator, Prieto has conducted numerous master classes, clinics, and workshops around the world. He was on the jazz studies faculty at New York University from 2005 to 2014, and in 2015 joined the faculty of the University of Miami's Frost School of Music. In 2016, Prieto published the groundbreaking analytical and instructional drum book, A World of Rhythmic Possibilities. In 2020, he published Rhythmic Synchronicity, a book for non-drummers inspired by a course of the same name that Prieto developed at the Frost School of Music. In 2025 he released the book "WHAT ARE THE ODDS" the third book in his catalog, and it shows not only his passion for rhythm and drumming but furthermore his commitment to music education at large. This one takes you to a fascinating journey of rhythms and meters. The book features 519 examples, and each of them comes with an audio track and a video clip. He is the founder of the independent music company Dafnison Music, established in 2008. In this episode Dafnis talks about: Building a career on your own terms Teaching at Frost School of Music at Miami University His new book: “What are the Odds” Asking tough questions about tradition as it relates to Latin music Allowing patterns and phrasing to dictate the time feel Valuing the content you play over the ability to play with a click Here's our PatreonHere's our YoutubeHere's our Homepage

ollowing on from opening her exhibition at the Whitney Museum of American Art, which continues until August, the US-born, Berlin-based artist Christine Sun Kim this week opened a show in London in collaboration with Thomas Mader. The exhibition, 1880 THAT, uses a notorious historic conference in Milan in 1880, which effectively outlawed sign language in Deaf education, as a springboard to explore languages and stigma in Deaf and hearing cultures today. Ben Luke discusses the show with Kim and Mader. In Abu Dhabi, the latest museum devoted to the interactive art of the Japanese collective teamLab opens this week in the Saadiyat Cultural District. The Art Newspaper's reporter in the Middle East, Melissa Gronlund, has visited the museum and tells us more about teamLab's newest immersive experience. And this episode's Work of the Week is Young Woman seated at a Virginal (1670-75), a painting by Jan Vermeer that may be the very last picture he ever made. Our special correspondent, Martin Bailey, tells us how new conservation of the picture has revealed that 17th-century pollution may hold the key to dating the painting.1880 THAT: Christine Sun Kim and Thomas Mader, Wellcome Collection, London, until 16 November; Christine Sun Kim: All Day All Night is at the Whitney Museum of American Art, New York, until 6 July.teamLab: Phenomena, Abu Dhabi, opens 18 April.From Rembrandt to Vermeer: Masterpieces from The Leiden Collection, H'ART Museum, Amsterdam, until 24 August.Subscription offer: enjoy a three-month digital subscription to The Art Newspaper for just £3/$3/€3. Get unrestricted access to the website and app, including all digital monthly editions dating back to 2012. Subscribe here.https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

Ep.240 Rujeko Hockley is the Arnhold Associate Curator at the Whitney Museum of American Art. She co-curated the 2019 Whitney Biennial. Her current project at the Whitney is Amy Sherald: American Sublime. Other projects include Inheritance (2023), 2 Lizards (2022), Jennifer Packer: The Eye Is Not Satisfied With Seeing (2021), Julie Mehretu (2021), Toyin Ojih Odutola: To Wander Determined (2017) and An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017 (2017). Previously, she was Assistant Curator of Contemporary Art at the Brooklyn Museum, where she co-curated Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond (2014) and was involved in exhibitions highlighting the permanent collection as well as contemporary artists. She is the co-curator of We Wanted a Revolution: Black Radical Women, 1965-85 (2017), which originated at the Brooklyn Museum and travelled to three U.S. venues in 2017-18. She serves on the Boards of Art Matters, Institute For Freedoms, and Museums Moving Forward, as well as the Advisory Board of Recess. Photograph by Jody Rogac Whitney Museum ~ https://whitney.org/2019-biennial-curators ~ https://whitney.org/exhibitions/amy-sherald ~ https://whitney.org/exhibitions/amy-sherald-four-ways-of-being ~ https://whitney.org/exhibitions/inheritance ~ https://whitney.org/exhibitions/2-lizards ~ https://whitney.org/exhibitions/jennifer-packer ~ https://whitney.org/exhibitions/julie-mehretu ~ https://whitney.org/press/protest ~ https://whitney.org/exhibitions/toyin-ojih-odutola Time Magazine https://time.com/7210625/rujeko-hockley-hank-willis-thomas-art-inclusivity/ Observer https://observer.com/2025/04/exhibition-amy-sherald-american-sublime-whitney-dinner-opening-party/ Ursula https://www.hauserwirth.com/ursula/inside-the-issue-ursula-issue-11/ Surface Magazine https://www.surfacemag.com/articles/when-i-call-who-listens-rujeko-hockley-excerpt-for-freedoms/# Forbes https://www.forbes.com/sites/natashagural/2025/04/04/amy-sherald-american-sublime-at-the-whitney-re-imagines-american-realism-with-singular-visual-narratives/ M.M.Lafleur https://mdash.mmlafleur.com/most-remarkable-woman-rujeko-hockley/ Frieze https://www.frieze.com/article/rujeko-hockleys-top-picks-frieze-los-angeles-viewing-room-2023 CCL https://www.curatorialleadership.org/participants/ccl-smh-curators-forum/rujeko-hockley/ Artealdia https://www.artealdia.com/News/NEW-APPOINTMENTS-FOR-MARCELA-GUERRERO-AND-RUJEKO-HOCKLEY-AT-THE-WHITNEY-MUSEUM Culture Type https://www.culturetype.com/tag/rujeko-hockley/ artnet https://news.artnet.com/art-world/career-stories-rujeko-hockley-1962842 Athens Now https://athensnowal.net/sharing-the-spotlight/

In this episode of PhotoWork, host Sasha Wolf has a deeply moving conversation with renowned photographer Jamel Shabazz. They talk about his lifelong love for photography and how he uses it to make a social impact. Jamel opens up about how his life experiences have shaped his approach to art and hard work. The episode also covers his book, “A Time Before Crack,” and its importance to his community at the time. It's a heartfelt conversation that goes beyond just photography. Tune in to hear the insights and stories from a photographer passionate about making a difference. https://www.jamelshabazzphotographer.com ||| https://www.instagram.com/jamelshabazz/ Jamel Shabazz is best known for his iconic photographs of New York City during the 1980s. A documentary, fashion, and street photographer, he has authored 12 monographs and contributed to over three dozen other photography related books. His photographs have been exhibited worldwide and his work is housed within the permanent collections of The Whitney Museum, The Studio Museum in Harlem, The Smithsonian's National Museum of African American History and Culture, The Fashion Institute of Technology, The Art Institute of Chicago and the Getty Museum. Over the years, Shabazz has instructed young students at the Studio Museum in Harlem's “Expanding the Walls” project, The Schomburg Center for Research in Black Culture “Teen Curator's” program, and the Bronx Museum's “Teen Council.” He is also the 2018 recipient of the Gordon Parks award for excellence in the arts and humanitarianism and the 2022 awardee of the Gordon Parks Foundation/Steidl book prize. Jamel is also a member of the photo collective Kamoinge, and a board member of En Foco, another photo collective. His goal as an artist is to contribute to the preservation of world history and culture.

In Episode 6, Barbara speaks with New York-based artist Josh Kline. Using video, sculpture, photography and design, Josh creates immersive installations to question how emerging technologies are changing human life in the 21st century. His work has been shown at the Whitney Museum of American Art; the Museum of Contemporary Art, Los Angeles; the Museum of Modern Art; and at many other museums and galleries around the world.

Photography by Balarama Heller Aaron Gilbert (b. 1979, Altoona, PA) lives and works between New York and Los Angeles. Gilbert received a BFA in painting from Yale University in 2005 followed by a MFA in painting from the Rhode Island School of Design (RISD) in 2008. Gilbert also holds an Associate of Science in Mechanical Engineering Technology from Penn State University (2000). Gilbert's work has been exhibited with Sant'Andrea de Scaphis, Rome; PPOW Gallery, New York; Chris Sharp Gallery, Los Angeles; Lyles & King, New York; and Deitch Projects, New York. Gilbert's work is in major public collections including the Whitney Museum of American Art, Brooklyn Museum of Art, Hammer Museum, Studio Museum in Harlem, Columbus Museum of Art, High Museum, and RISD Museum. Aaron Gilbert has also been the recipient of many awards including the Colene Brown Art Prize in 2022, Louis Comfort Tiffany Foundation Grant in 2015, and was named the 2010 “Young American Painter of Distinction” by the American Academy of Arts and Letters. Gilbert has held residencies at Fountainhead Residency (2013), Yaddo (2012), Lower Manhattan Cultural Council Workspace Residency (2008), and American Academy in Rome Affiliate Fellowship (2008). Aaron Gilbert • g • o • p • u • f • f •, 2025 Oil on linen 66 x 129 inches (167.6 x 327.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert The Fourth Way, 2024 Oil on linen 108 x 74 3/8 inches (274.3 x 188.6 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert Judah (Al Green), 2024 Oil on linen 21 3/4 x 28 7/8 inches (55.2 x 73.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen

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Mayor Adams and NYPD officials say New York City recorded the fewest shootings in January and February since record-keeping began. Meanwhile, the head of the city's teachers union is urging lawmakers to oppose President Trump's education policies. Also, New York State's corrections commissioner says the wildcat strike by correctional officers is officially over, with more than 2,000 officers fired for not returning to work. Plus, New York City is weighing landmark status for the former Whitney Museum building on the Upper East Side, known for its Brutalist design.

This dual feature episode highlights the artistry of the Gee's Bend Quilters, whose improvisational designs and cultural resilience transformed necessity into celebrated textile art, alongside Francine Thompson, Design Director at Hims & Hers, who shares insights on visual storytelling and building compelling brand narratives._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Souls Grown Deep Gee's Bend Website: geesbend.orgInstagram: @geesbendquiltmakersGee's Bend on EtsyAbout The Quilters of Gee's BendThe Gee's Bend Quilters are a collective of African American women from the small, rural community of Gee's Bend, Alabama, whose quilting tradition dates back to the 19th century. Descendants of enslaved people who once worked the land as sharecroppers, these women transformed necessity into artistry, crafting bold, improvisational quilts from repurposed fabrics like denim, flour sacks, and worn-out clothing. Their work remained largely unknown outside their community until the early 2000s, when museum exhibitions catapulted them into the national spotlight. Now celebrated as one of the most significant contributions to American textile art, Gee's Bend quilts have been displayed at the Whitney Museum, the Met, and the Smithsonian. Their distinctive designs—like the Housetop and Bricklayer patterns—have influenced modern art and design, blending tradition with innovation. Today, their legacy continues through exhibitions, workshops, and direct sales, ensuring their craft remains both an artistic and economic lifeline for the community.About FrancineFrancine Thompson is the Design Director of Brand at Hims & Hers, where she brings a strategic and thoughtful approach to branding, creating design systems that feel both human and impactful. With a foundation in graphic design, brand identity, typography, and creative strategy, she has built a career helping brands tell compelling stories that connect with people on a deeper level. Her work spans everything from printed materials to physical products, and she's known for her ability to turn big ideas into tangible, beautifully executed realities. Based in California, Francine's expertise in editorial design and brand storytelling has shaped her approach to crafting experiences that feel cohesive from the macro to the micro. In this episode, she shares insights on the power of visual storytelling and what it means to build a brand that resonates. Follow Francine:Instagram: @francineathompsonWebsite: francineathompson.comTikTok: @franslittlelife ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Episode No. 694 features artists Tacita Dean and Ilana Harris-Babou. The Menil Collection, Houston is presenting "Tacita Dean: Blind Folly," the first major museum survey of Dean's work in the United States. The exhibition examines a range of Dean's production, with a special emphasis on her drawing practice. "Blind Folly" includes new works informed by Dean's time in Houston, including her residency at (and in!) the Menil's Cy Twombly Gallery. It is on view through April 19. The Menil, MACK, and Dean have produced several books related to the Menil exhibition: Why Cy, an artist's book of images Dean produced during her residency in the Twombly Gallery. Within it is a small booklet of notes and drawings that Dean conceived during the same residency. Tacita Dean: Blind Folly, a book by exhibition curator Michelle White that addresses Dean's practice and oeuvre in a strikingly legible, almost narrative way. Why Cy is available from Amazon for about $95; White's Blind Folly is available from Amazon for about $28 - or just $10 on Kindle. Dean is one of Britain's most celebrated artists. She has been the subject of solo exhibitions at museums such as the Bourse de Commerce, Pinault Collection, Paris, the J. Paul Getty Museum, Los Angeles, and the Kunstmuseum Basel. In 2011 Dean's work FILM was shown in the Tate Modern's Turbine Hall. Harris-Babou's 2018 Reparation Hardware is included within "Project a Black Planet: The Art and Culture of Panafrica" at the Art Institute of Chicago. The exhibition, which was curated by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky, survey's Pan-Africanism's cultural manifestations across 350 objects made over the last 100 or so years. It is on view through March 30. Reparation Hardware, which was made for DIS.ART, is streamed below. Harris-Babou has been included in group shows at the Wellcome Collection, London, Apex Art, New York, and at The Aldrich Contemporary Art Museum, Ridgefield, Conn. Her work is in the collections of museums such as the Whitney Museum of American Art, New York.

We chat about the tough transition from college to adulthood and how tapping into community can make all the difference.Further ReadingSteven Mintz, “The Tangled Transition to Adulthood”Reddit thread on the transition from college to adulthood The Whitney Museum, Edges of Ailey ExhibitionLeave us a voicemail and follow us on Instagram at @cryaboutit_pod.For general inquiries and advertising questions, email us at heycryaboutit@gmail.com.Our cover art was designed by Jackie Rivera. Our music is Blem by Joey Hendrixx. Hosted on Acast. See acast.com/privacy for more information.

Robertz, Andreas www.deutschlandfunkkultur.de, Fazit

In this episode, Kim Conaty, Anne Rose Kitagawa, and Rory Padeken talk to the host Magdalena Moskalewicz about everyday challenges of curatorial work inside collecting institutions such as university museums, art museums, and large, encyclopedic institutions. The curators share their own career paths and address the profession's current aspirations and needs. The Museum Worker is a subseries of CAA Conversations about pathways to careers in museums, featuring candid conversations with professionals in the field. Museum workers share how they got where they are today, what they do, and the role of diversity, equity, access, and inclusion in day-to-day work as well as hopes for the future of the field. Anne Rose Kitagawa is Chief Curator of Collections & Asian Art and Director of Academic Programs at the Jordan Schnitzer Museum of Art, University of Oregon. Kim Conaty is the Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York. Rory Padeken is the Vicki and Kent Logan Curator of Modern and Contemporary Art, at Denver Art Museum, Colorado. Magdalena Moskalewicz is a member of the CAA Museum Committee.

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

On this episode of Vibe Check, Sam, Saeed and Zach discuss the U.S. Surgeon General's call for cancer warning labels on alcohol. They also dive into the cultural obsession of surveilling others online. Plus, a few recommendations to keep your vibe right.We want to hear from you! Email us at vibecheck@stitcher.com, and keep in touch with us on Instagram @vibecheck_pod. You can now get direct access to the group chat! Find us on Patreon at patreon.com/vibecheck.   Vibe Check listeners can now get a free three month trial to the SiriusXM app by going to siriusxm.com/vibecheck. ------------------------------------------------------RECOMMENDATIONS:SAM: 1. “Dylan's Gospel” by The Brothers And Sisters2. BrickSAEED: 1. “Man on the TV Say” by Patricia Smith 2. Get Millie BlackZACH: 1. Edges of Ailey at the Whitney Museum in NYC2. STILL/HERE Merch: www.podswag.com/vibecheck

William Wegman is a beloved American artist known throughout the world for photographs and videos that feature his Weimaraner dogs in a variety of costumes and poses. His work is held in the permanent collections of major museums, including the Museum of Modern Art, Whitney Museum of American Art and Smithsonian American Art Museum. He is interviewed on stage by WAMC's Joe Donahue discussing his creative inspiration, craft and career. This was recorded on Tuesday February 27th, 2024.

We did it!!  This is our 200th episode of Grating the Nutmeg! Thanks to our listeners, we have travelled across the state during every time period to bring you vivid, fascinating stories from our state's history. Become a podcast subscriber to get notified every time there's a new episode!   During this holiday season, it seemed like the perfect time to bring you the story of Connecticut's biggest toymaker!    Of all the toys that are enshrined in the National Toy of Fame, two stand out as having solid Connecticut connections, the Cabbage Patch doll and the Erector Set. In this episode, we're going to find out how A.C. Gilbert, a Yale educated doctor, became a millionaire with an idea he got while riding the Metro North train from New Haven to New York City. His construction toy, the Erector Set, sold in the millions and helped to educate generations of scientists and engineers. He came up with dozens of best-selling toys that were all manufactured at his factory in New Haven, Connecticut. We'll also interview Walter Zawalich, Gilbert Trains Curator, at the Eli Whitney Museum about their holiday Gilbert train show. Co-host Patrick O'Sullivan will share his information on 1965's James Bond slot car toy that helped to push the company into closing.   Much of today's information comes from the book The Man Who Changed How Boys and Toys Were Made, The Life and Times of A.C. Gilbert, the Man Who Saved Christmas by Bruce Watson and the website of the Eli Whitney Museum in Hamden, Connecticut. The Whitney Museum collects and studies the products and legacy of A.C. Gilbert and his company.   Find out more here: https://www.eliwhitney.org/museum/-gilbert-project/-man/a-c-gilbert-scientific-toymaker-essays-arts-and-sciences-october   The information on the Eli Whitney Train Show is here: https://www.eliwhitney.org/exhibitions/train-display-2024-25   Other museums with train shows: Connecticut River Museum https://ctrivermuseum.org/events/steve-cryans-31st-annual-train-show/   Wilton Historical Society https://wiltonhistorical.org/events/great-train-holiday-show/   To get information about how to  visit Erector Square, the A.C.Gilbert Factory complex now adaptively reused as artist studios, go to their website at https://erectorsquarestudios.com/   -------------------------------------------------------   To celebrate reaching 200 episodes, we're asking listeners to donate $20 a month or $200 annually to help us continue to bring you new episodes every two weeks. It's easy to set up a monthly donation on the Connecticut Explored website at ctexplored.org    Click the donate button at the top and look for the Grating the Nutmeg link. We appreciate your support! Subscribe to get your copy of our beautiful magazine Connecticut Explored delivered to your mailbox or your inbox-subscribe at  https://simplecirc.com/subscribe/connecticut-explored Our current issue is on food-find out where to get the best ice cream sundaes in West Hartford.   This episode of Grating the Nutmeg was produced by Mary Donohue and engineered by Patrick O'Sullivan at https://www.highwattagemedia.com/   Follow GTN on our socials-Facebook, Instagram , Threads, and BlueSky.   Follow host Mary Donohue on Facebook and Instagram at WeHa Sidewalk Historian. Join us in two weeks for our next episode of Grating the Nutmeg, the podcast of Connecticut history. Thank you for listening!      

Ep.226 Edra Soto (b. 1971) is a Puerto Rican-born artist, educator, and co-director of outdoor project space The Franklin. Soto instigates meaningful, relevant, and often difficult conversations surrounding socioeconomic and cultural oppression, erasure of history, and loss of cultural knowledge. Soto has presented recent solo exhibitions at Comfort Station, Chicago, IL (2024); Hyde Park Art Center, Chicago, IL (2023); Institute of Contemporary Art, San Diego, CA (2023); Museum of Contemporary Art, Chicago, IL (2018); Headlands Center for the Arts, Sausalito, CA (2017); The Arts Club of Chicago, IL (2017). Her work has been featured in notable recent group exhibitions including Widening the Lens: Photography, Ecology, and the Contemporary Landscape, Carnegie Museum of Art, Pittsburgh, PA (2024); Entre Horizontes, Museum of Contemporary Art Chicago, IL (2023); no existe un mundo poshuracán, Whitney Museum of American Art, New York, NY (2022); and Estamos Bien, La Trienal 20/21, El Museo del Barrio, New York, NY (2021). She has been awarded the Joan Mitchell Foundation Painters & Sculptors Grant; Bemis Center's Ree Kaneko Award; the US LatinX Art Forum Fellowship; and MacArthur Foundation International Connections Fund. Soto has received numerous public commissions, for Noor Riyadh, Saudi Arabia (2024); Now & There, Central Wharf Park, Boston, MA (2023); the Chicago Architecture Biennial, IL (2023); and Millenium Park in Chicago, IL (2019). Her work is in the collection of institutions including the Whitney Museum of American Art, New York; Pérez Art Museum Miami and Museum of Contemporary Art of Chicago. Photo Courtesy of Public Art Fund ~ Liz Ligon Artist https://edrasoto.com/home.html Public Art Fund https://www.publicartfund.org/exhibitions/view/edra-soto-graft/ MSU Broad Art Museum https://broadmuseum.msu.edu/events/artist-talk-edra-soto/ por la señal | by a signal at Morgan Lehman Gallery https://www.morganlehmangallery.com/exhibitions/edra-soto4 Lazos Terrenales at ICA at MECA&D Maine https://meca.edu/ica/lazos-terrenales-earthly-bonds/ La Casa de Todos at Comfort Station https://comfortstationlogansquare.org/calendar/2024/6/1/la-casa-de-todos John Michael Kohler Arts Center https://www.jmkac.org/artist/soto-edra/ Carnegie Museum of Art https://carnegieart.org/art/hillman-photography-initiative/cycle-4-widening-the-lens/ US Latinx Art Forum https://uslaf.org/member/edra-soto/ Noor Riyadh https://riyadhart.sa/en/artists/edra-soto/?_program=noor-riyadh CAB5 https://chicagoarchitecturebiennial.org/people/edra-soto/ Ree Kaneko Award https://www.e-flux.com/announcements/511285/edra-soto-winner-of-2022-ree-kaneko-award/#:~:text=Established%20in%202019%20at%205%2C000,support%20of%20its%20alumni%20community. The Art Newsletter https://www.theartnewspaper.com/2024/09/05/edra-soto-this-kind-of-architecture-lives-in-the-background TimeOut https://www.timeout.com/newyork/news/this-new-outdoor-sculpture-in-central-park-honors-the-puerto-rican-community-090624 Hyperallergic https://hyperallergic.com/946566/new-three-year-arts-series-will-center-nyc-latine-community-clemente/ El Nuevo Dia https://www.elnuevodia.com/entretenimiento/cultura/notas/el-arte-de-una-boricua-transforma-el-central-park-de-nueva-york-con-su-obra-de-rejas/ Newcity Art https://art.newcity.com/2024/08/26/central-park-state-of-mind-edra-soto-puts-the-home-in-public-art/ Chicago Reader https://chicagoreader.com/arts-culture/art-feature/everybodys-home-edra-soto/ Forbes https://www.forbes.com/sites/shelbyknick/2023/12/14/the-brilliance-of-noor-riyadh-a-city-wide-canvas-comes-to-life-again/?sh=400c0e4a6a23 New York Times https://www.nytimes.com/2023/11/28/arts/design/chicago-architecture-biennial.html Chicago Tribune https://www.chicagotribune.com/2023/11/14/3arts-awards-50k-unrestricted-grants-to-local-teaching-artists-with-next-level-awards/ Artforum https://www.artforum.com/events/susan-snodgrass-edra-soto-513802/

The Illuminator is OUT NOW. Subscribe to listen ad-free. http://brazen.fm/plus Mark Lombardi, a conceptual artist on the cusp of international success, had everything to live for. So why was the 48-year-old found hanged and deemed suicidal? Was his death the ultimate conceptual art, an afterlife laugh at those who doubted his brilliance? He did, after all, carry business cards eerily portending "death defying acts of art and conspiracy."  Or was he ultimately overwhelmed by the subject of his work: the financial networks connecting some of the most powerful and corrupt people on earth?  His intricate drawings traced hot money, from Cold War funding to the heroin trade. But his most dogged scrutiny fell on the Bank of Credit and Commerce International, a global money laundry bankrolling fraudsters, smugglers, and CIA operations abroad. Since his death, Lombardi's masterwork on the rogue bank has been held at the Whitney Museum of American Art. Could it be responsible for his demise? The answer can only be found within Lombardi himself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://brazen.fm/plus/

How does an ad-based streamer compete with subscription-based models like Netflix, Hulu, Max, and all the rest? By charging nothing. At least that's what Tubi is doing. And despite being seemingly less prestigious than premium streamers, Tubi is used by millions of Americans and outranks Peacock, Max, Paramount Plus, and Apple TV+ in total viewing time. For those who are fatigued by subscriptions fees and monoculture viewing, Tubi offers an enormous catalog of nostalgia and “newstalgia” movies, hours of bingeable classics, over 250 live channels, plus Tubi originals – all at no cost to viewers. So why aren't more people talking about it? Kara sits down with Tubi CEO Anjali Sud in this special episode of On presented by e.l.f. Cosmetics to talk about Tubi's appeal to cord-cutters and cord-nevers; how niche-specific fans help inform Tubi content; why Sud thinks Tubi can democratize storytelling and create space for emerging filmmakers; and how she came to be one of few female CEOs in tech. This interview was taped live at the Whitney Museum in partnership with e.l.f cosmetics as a part of their campaign to increase representation and diversity in boardrooms. Find out more here: https://www.elfbeauty.com/changing-the-board-game/so-many-dicks  Questions? Comments? Email us at on@voxmedia.com or find us on Instagram and TikTok @onwithkaraswisher Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode No. 682 is a holiday clips episode featuring artist Leslie Martinez. Martinez is included within "Shifting Landscapes," which is at the the Whitney Museum of American Art in New York until January 2026. The exhibition considers how evolving political, ecological, and social issues motivate artists as they address the world around them (which is to say US artists are addressing land and landscape as they have since the days of Ralph Waldo Emerson and Thomas Cole.) The show was curated by Jennie Goldstein, Marcela Guerrero, and Roxanne Smith, with Angelica Arbelaez. Seven previous MAN Podcast guests are in the exhibition, including Robert Adams (Episode No. 41,  227, 555), Teresita Fernández, LaToya Ruby Frazier, An-My Lê, Patrick Martinez, Amalia Mesa-Bains, and Alison Saar. Martinez was previously featured in solo shows at MoMA PS1 in Queens, and the Blaffer Art Museum, University of Houston. Their work is in the collection of museums such as the Dallas Museum of Art, the Pérez Art Museum Miami, and the High Museum of Art, Atlanta. For images, see Episode No. 635. Instagram: Leslie Martinez, Tyler Green.

In this episode I invited Scott Snibbe to join me for a conversation about Buddhist responses to the anxiety, apprehension, insecurity, fear, dread, anger … and on and on … that some people are feeling now. Scott Snibbe is a twenty-five-year student of Tibetan Buddhism whose teachers include Lama Zopa Rinpoche and His Holiness the Dalai Lama. He is the author and host of the How to Train a Happy Mind book and podcast. Scott leads meditation classes and retreats worldwide in a style that will become evident in our upcoming conversation. His light-hearted approach is infused with humor, science, and the realities of the modern world. Scott is a new media artist whose installations have been incorporated into museums, public spaces, and performances. He has collaborated with musicians and filmmakers including Björk, Philip Glass, Beck, and James Cameron, and his work can be found in the collections of New York MoMA, the Whitney Museum of American Art, and other institutions. Listen in as we talk about how the Dharma can help us see things as clear and non-reactive as possible. In this conversation, we talk about: The key to non-violent communications is listening. You don't have to agree with someone to understand them. The antidote to anger is curiousity. No matter what other people believe, each is driven by a desire for happiness. Radical acceptance and how acceptance IS transcendence. And so much more…   Buy the book (Amazon affiliate link): How to Train a Happy Mind: A Skeptic's Path to Enlightenment   Learn more about Scott: https://www.snibbe.com   How to Train A Happy Mind YouTube: https://www.youtube.com/channel/UCIcf_cNAKoiIuGilQYL51ow   Scott Snibbe Instagram: https://www.instagram.com/ssnibbe/   Scott Snibbe Facebook: https://www.facebook.com/scottsnibbe/   Scott Snibbe Twitter: https://twitter.com/snibbe   Scott Snibbe LinkedIn: https://www.linkedin.com/in/snibbe/   Become a patron to support this podcast and get special member benefits, including a membership community and virtual sangha:https://www.patreon.com/EverydayBuddhism   Join the Everyday Sangha: Join the Everyday Sangha   Join the Membership Community: https://donorbox.org/membershipcommunity   If this podcast has helped you understand Buddhism or help in your everyday life, consider making a one-time donation here: https://donorbox.org/podcast-donations   Support the podcast through the affiliate link to buy the book, Everyday Buddhism: Real-Life Buddhist Teachings & Practices for Real Change: Buy the book, Everyday Buddhism   Support the podcast and show your support through the purchase of Everyday Buddhism merch: https://www.zazzle.com/store/everyday_buddhism   NOTE: Free shipping on ALL (unlimited) items (Everyday Buddhism merch or gifts from other stores) if you join Zazzle Plus for $19.95/year: https://www.zazzle.com/zazzleplus

Episode 449 / Fred Tomaselli (born 1956, Santa Monica, CA) Fred has been the subject of solo exhibitions at institutions including the Joslyn Art Museum, Omaha, NE (2019); Oceanside Museum of Art, Oceanside, CA (2018); Toledo Museum of Art, Toledo, OH (2016);  Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang Museum in Saratoga, NY and the Brooklyn Museum, Brooklyn NY (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright-Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999). His works have been included in international biennial exhibitions including Sydney (2010); Prospect 1 (2008); Site Santa Fe (2004); Whitney (2004) and others. Tomaselli's work can be found in the public collections of institutions such as the Museum of Modern Art; Whitney Museum of American Art; Metropolitan Museum of Art; Brooklyn Museum; Albright Knox Art Gallery; Hirshhorn Museum and Sculpture Garden; San Diego Museum of Contemporary Art; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; the Orange County Museum of Art, Santa Ana, CA; and many others.

Episode No. 679 features artist Hugh Hayden.  The Nasher Sculpture Center in Dallas is presenting "Hugh Hayden: Homecoming," an exhibition of new works informed by Hayden's upbringing in Dallas. The show includes sculptures that explore themes such as nostalgia, childhood, education, and religion. The exhibition was curated by Leigh Arnold and will be on view through January 5, 2025.  The Rose Art Museum at Brandeis University is presenting "Hugh Hayden: Home Work," a survey of the last decade of Hayden's work. The show includes a site-responsive installation conceived for the Rose. "Home Work" was curated by Gannit Ankori and Sarah Montross, and will be on view through June 1, 2025. Among the museums that have presented solo shows of Hayden's work are the deCordova Sculpture Park and Museum, Lincoln, Mass.; the Blaffer Art Museum, University of Houston; the Institute of Contemporary Art Miami, and White Columns, New York. His work is in the collection of museums such as the Metropolitan Museum of Art, New York, the Studio Museum in Harlem, the Whitney Museum of American Art, New York, and the Baltimore Museum of Art.  Instagram: Hugh Hayden, Tyler Green. 

Episode No. 677 features artist Andrea Carlson. As mentioned at the beginning of this week's program: Help Asheville and my friends and neighbors across the southern Appalachians! These are all local organizations helping people in western North Carolina: Southern Smoke Foundation; Asheville Food & Beverage United (also here); and Beloved Asheville. The Museum of Contemporary Art Chicago is presenting "Andrea Carlson: Shimmer on Horizons," the latest exhibition in its "Chicago Works" series. Across painting, video, sculpture, and two billboards (along Interstate 94 between Illinois and Wisconsin), "Shimmer on Horizons" presents Carlson's investigation of how landscapes are constructed both politically and culturally. The exhibition was curated by Iris Colburn and is on view through February 2, 2025. Carlson's work may also be seen in "Andrea Carlson: Future Cache" at the University of Michigan Museum of Art, which features a 40-foot-tall memorial wall that towers over visitors, commemorating the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians who were violently burned from their land in Northern Michigan on October 15, 1900. Curated by Jennifer Friess, the presentation is on view through June 2025. Carlson is also included within "Scientia Sexualis" at the Institute of Contemporary Art, Los Angeles through March 2, 2025. The exhibition, realized as part of the Getty's "PST ART: Art & Science Collide" program, centers research-driven interventions into raced and gendered assumptions that structure scientific disciplines governing our sense of the sexual body. It was curated by Jennifer Doyle and Jeanne Vaccaro. Carlson (Grand Portage Ojibwe/European descent) typically addresses land and its history by foregrounding decolonization narratives. Museums that have featured solo exhibitions of her work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. Chicagoans: on Saturday Carlson and poet Heid E. Erdrich will be in conversation at the MCA at 2:30 pm. A program at the Center for Native Futures precedes the event. Instagram: Andrea Carlson, Tyler Green.