Podcasts about Columbus Museum

Julie Curtiss was born in 1982 in Paris, France and lives and works in Brooklyn, New York. She studied at the École Nationale Supérieure des Beaux-arts, Paris, during which time she undertook two exchange programmes; one at the Hochschule für Bildende Künste, Dresden and the other at the School of the Art Institute of Chicago. Curtiss graduated in 2006 with a BA and MFA. Recent solo exhibitions include White Cube Hong Kong (2023); Anton Kern Gallery, New York (2022; 2020; 2019); White Cube Mason's Yard, London (2021); Various Small Fires, Los Angeles (2018); and 106 Green, Brooklyn, New York (2017). Group exhibitions include Fondation Carmignac, Porquerolles, France (2024); Dallas Museum of Art, TX (2023); MCA Chicago, IL (2023); Yuz Museum, Shanghai (2023); FLAG Art Foundation, New York (2023); Leeum Museum of Art, Seoul (2022); Biennale des Arts de Nice, France (2022); The Shed, New York (2021); Nassau County Museum of Art, Roslyn, New York (2019); Perrotin, Seoul (2019); Clearing, New York (2019); White Cube Bermondsey, London (2017). She has been the recipient of a number of fellowships and awards, including Youkobo Art Space Returnee Residency Program, Tokyo (2019); Fellow of the Sharpe-Walentas Studio Program, New York (2018); Saltonstall Arts Colony Residency, New York (2017); Contemporary Art Center at Woodside Residency Program, New York (2013); VAN LIER Fellowship, New York (2012); Louis Vuitton Moët Hennessy's Young Artists Award (2004); and Erasmus European Exchange Program Grant, Hochschule für Bildende Künste, Dresden (2003).Curtiss' work is represented in a number of museum collections, among which are Bronx Museum, New York; Columbus Museum of Art, Ohio; High Museum, Atlanta; Los Angeles County Museum of Art; Maki Collection, Japan; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; and Yuz Museum, Shanghai.

Episode 476 / Zak PrekopZak Prekop (b. 1979, Chicago) is a Hudson Valley-based painter known for his intricate, nonrepresentational works. He holds an MFA from The School of the Art Institute of Chicago and a BFA from Carnegie Mellon University. Prekop has had solo exhibitions at Maxwell Graham Gallery, New York; Galería Marta Cervera, Madrid; Shane Campbell Gallery, Chicago; and Hagiwara Projects, Tokyo. His work is held in collections at the Walker Art Center, the Columbus Museum of Art, the Museum of Modern Art and the Carnegie Museum of Art. Notable group exhibitions include File Under Freedom at Bergen Kunsthall; Painter, Painter at the Walker Art Center and Greater New York at PS1. Prekop's first museum exhibition opens at the Aldrich Contemporary Art Museum in Ridgefield, CT in June.

Episode 472 / Cameron MartinCameron Martin is an artist based in Brooklyn. He received his BA from Brown University and continued his studies at the Whitney Independent Study Program. He has exhibited at venues including the Whitney Museum, Saint Louis Art Museum, Columbus Museum of Art, City Gallery (Wellington, New Zealand), and Tel Aviv Museum. His work is included in the public collections of the Buffalo AKG Art Museum, Buffalo, NY; The Minneapolis Institute of Art, Minneapolis, MN; the Saint Louis Art Museum, St. Louis, MO; and The Whitney Museum of American Art, New York, NY, among others. Martin is a recipient of the John Simon Guggenheim Memorial Foundation Fellowship (2010), the Joan Mitchell Foundation Fellowship (2008), and the Artists at Giverny Fellowship and Residency (2001).Future Fair Live Sound & Vision with Liz Nielsen and E.E. Konoregister here:https://futurefairs.artsvp.com/616f37Sponsors:https://nyss.orghttps://goldenartistcolors.comhttps://www.fulcrumcoffee.comhttps://futurefairs.com

Kylie Manning is a painter, surfer, and fisher based in Brooklyn, New York. Her parents were both art teachers, and, while she was growing up, the family moved between their home in Juneau, Alaska, to various regions in Mexico, which would inform her artwork—and her surfing. She is a graduate of Mount Holyoke College, Massachusetts with a double major in philosophy and visual arts. While she was getting her MFA at the New York Academy of Art, she had a captain's license to operate 500-ton commercial fishing boats on international waters, and spent her summers catching salmon on the Pacific coast. Manning has gained global respect for her abstract figurative paintings, which embody powerful yet delicate compositions with brushstrokes that seem to be in motion. Her work is held in numerous collections worldwide, including the Columbus Museum of Art, Ohio; Institute of Contemporary Art, Miami, Florida; and the X and Yuz Museums in China. In this episode of Soundings, Manning talks with Jamie Brisick about weather and wonderment, beauty and brawls aboard commercial fishing vessels, atmospheric fascination, style, her proudest artworks, the nuances between grit and growth, and her collaboration with the New York City Ballet.  

Photography by Balarama Heller Aaron Gilbert (b. 1979, Altoona, PA) lives and works between New York and Los Angeles. Gilbert received a BFA in painting from Yale University in 2005 followed by a MFA in painting from the Rhode Island School of Design (RISD) in 2008. Gilbert also holds an Associate of Science in Mechanical Engineering Technology from Penn State University (2000). Gilbert's work has been exhibited with Sant'Andrea de Scaphis, Rome; PPOW Gallery, New York; Chris Sharp Gallery, Los Angeles; Lyles & King, New York; and Deitch Projects, New York. Gilbert's work is in major public collections including the Whitney Museum of American Art, Brooklyn Museum of Art, Hammer Museum, Studio Museum in Harlem, Columbus Museum of Art, High Museum, and RISD Museum. Aaron Gilbert has also been the recipient of many awards including the Colene Brown Art Prize in 2022, Louis Comfort Tiffany Foundation Grant in 2015, and was named the 2010 “Young American Painter of Distinction” by the American Academy of Arts and Letters. Gilbert has held residencies at Fountainhead Residency (2013), Yaddo (2012), Lower Manhattan Cultural Council Workspace Residency (2008), and American Academy in Rome Affiliate Fellowship (2008). Aaron Gilbert • g • o • p • u • f • f •, 2025 Oil on linen 66 x 129 inches (167.6 x 327.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert The Fourth Way, 2024 Oil on linen 108 x 74 3/8 inches (274.3 x 188.6 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert Judah (Al Green), 2024 Oil on linen 21 3/4 x 28 7/8 inches (55.2 x 73.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen

Episode No. 693 is a Presidents' Day weekend clips episode featuring artist John Edmonds.  The Solomon R. Guggenheim Museum in New York recently announced the acquisition of Edmonds's complete 2018 Untitled (Hood) series. The work was included in last year's Guggenheim exhibition "Going Dark: The Contemporary Figure at the Edge of Visibility." Edmonds discussed his Untitled (Hood) series in detail when he came onto the program in 2020 on the occasion of an exhibition at the Brooklyn Museum. Among the institutions that have collected Edmonds' work are the Art Gallery of Ontario, Toronto, the Columbus Museum of Art, the Philadelphia Museum of Art, the Museum of Fine Arts, Houston, and SFMOMA.   For images, see Episode No. 446.  Instagram: John Edmonds, Tyler Green.

Recently, the Columbus, Georgia, Museum was named by USA Today as the nation's top new museum. Kristen Hudson visits In Focus for the Tri-State Travel Series with the story behind the award.

Jammie Holmes in his Dallas studio, 2024. Photo by  Daisy Avalos Morning Thoughts takes its title from a 1981 Gil Scott-Heron song by the same name. Throughout the song's soft, spoken-word lyrics Scott-Heron meditates on the magical potential felt in the moment when night quietly turns to day—on the possibilities that radiate in the first light of morning, as the morning glory and daylily buds open. With his newest body of work, Holmes captures this moment of possibility alongside the inevitable moments of loss that follow as flowers wilt, as color seeps away—the dichotomy of morning and mourning. Underneath all of this,Morning Thoughts embodies the resilience of Holmes, of his community: morning glory and daylily flowers may wilt and die by dusk, but the plants and their roots remain. With Morning Thoughts, Holmes reminds us that hope and loss go hand-in-hand—but beauty remains for those willing to see it, that flowers bloom again in the morning. Jammie Holmes's first solo museum exhibition, Jammie Holmes: Make the Revolution Irresistible, was presented at the Modern Art Museum of Fort Worth, TX in 2023. His work has been included in numerous group exhibitions, including:Afro-Atlantic Histories, which traveled to the Los Angeles County Museum ofArt, CA; the Museum of Fine Arts, Houston, TX; the National Gallery of Art, Washington, D.C.; and the Dallas Museum of Art, TX. His work has also been included in group exhibitions at the New OrleansMuseum of Art, LA; the China Center of International Contemporary Art Vancouver, Canada;Columbus Museum of Art, OH; Dallas Contemporary, TX; and many more. Jammie Holmes - ‘Black Market' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery Jammie Holmes - ‘Morning Glory' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery Jammie Holmes - ‘Malcolm' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery

In this episode of Learning Unleashed, Tim Needles, an art educator and author, discusses the evolving relationship between art and technology, particularly the role of AI in creativity and education. They explore how AI can enhance artistic expression, democratize creativity, and the challenges educators face in preparing students for a rapidly changing technological landscape. The conversation highlights the importance of maintaining traditional art forms while embracing new tools that can augment the creative process. Follow on Twitter: @ISTEofficial @mrhooker @timneedles @shellthief @jonHarper70bd @bamradionetwork #edchat #edtech #edtechchat Tim Needles is an artist, educator, performer, and author of STEAM Power: Infusing Art Into Your STEM Curriculum. He is a TEDx Talk speaker, a technology integration specialist, and teaches art and media at Smithtown School District and Five Towns College. His work has been featured on NPR, in the New York Times, Columbus Museum of Art, Norman Rockwell Museum, Alexandria Museum of Art, Katonah Museum of Art, and Cape Cod Museum of Art. He's the recipient of ISTE's Technology in Action Award and Creativity Award, NAEA's Eastern Region Art Educator Award & ArtEdTech Outstanding Teaching Award, and The Rauschenberg Power of Art Award. He's also a National Geographic Certified Teacher, PBS Digital Innovator, a NASA Solar System Ambassador, an ISTE Community leader, NAEA ArtEdTech interest Group chair, and an Adobe Creative Educator. He's active on social media at @timneedles.

After years of personal and professional turmoil, things are finally looking up for Columbus, Ohio, private eye Andy Hayes. As Sick to Death opens, Andy is relishing his new gig: a drama-free, family-friendly stint as a guard at the Columbus Museum of Art. What could be better than regular hours, a steady paycheck, and an attractive coworker who may be just as interested in him as he is in her? Right on schedule, Andy's newfound equilibrium comes crashing down when he interrupts the theft of a painting by famed Ashcan school realist George Bellows—and is promptly fired for breaking museum protocols. Helping him thwart the robbers is a young woman whom Andy has caught staring at him several times at the museum. To his shock, she reveals she's an adult daughter he never knew he had, the result of a one-night stand during his misspent youth a quarter century earlier. But Alex Rutledge, about to enter the Columbus Police Academy, isn't looking for family time. She wants to hire her newly discovered father to find the driver who killed her mother, Kate, five months earlier in a still unsolved hit-skip accident. Even as Andy reels from this personal development, he uncovers troubling details about Kate's death that increasingly point toward murder and an angry anti-vax sentiment roiling below the surface at the hospital where she worked. Complicating Andy's case, he finds himself in the crosshairs of an FBI investigation into the attempted art theft. With time running out and his and Alex's lives on the line, Andy rushes to defend his reputation as a private eye and find Kate's killer.Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

Chiquita Mullins Lee and Carmella Van Vleet, authors of the picture book You Gotta Meet Mr. Pierce!, discuss the life, art, and significance of Elijah Pierce, a celebrated, self-taught Black folk artist known for his wood carvings. They share how their book grew out of Lee's play about Elijah Pierce, their collaborative writing process, their experience viewing Pierce's carvings at the Columbus Museum of Art, what it means to them personally to tell Pierce's story, and more. You Gotta Meet Mr. Pierce! is Ohio's 2024 Great Reads from Great Places youth selection and represented the state the 2024 National Book Festival. The book is illustrated by Jennifer Mack-Watkins.   Chiquita Mullins Lee is an Arts Learning coordinator at the Ohio Arts Council, where she coordinates Ohio's Poetry Out Loud program along with the Arts Partnership and the Big Yellow School Bus grant programs. Her play about Elijah Pierce, Pierce to the Soul, will be return to the stage on November 1, 2024, at McConnell Arts Center in Columbus.   Carmella Van Vleet is a former teacher and the award-winning author of almost two dozen books for kids and adults. She lives in Ohio and likes lists, exclamation points, and baking shows. But not necessarily in that order.   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and an edited transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Instagram, Twitter, or Facebook.

Tariq Tarey is a documentary photographer and filmmaker based in Columbus, OH. Over the years, he has captured thousands of portraits of refugees from around the world whom the U.S. government resettled in Central Ohio.Tariq himself arrived in the States in the mid '90s as a refugee from his native Somalia. He therefore has a particular empathy for his subjects, many of whom like him hail from Somalia but also from a myriad global locations, from Nepal and Iraq to the Democratic Republic of Congo and more recently Ukraine. His passion is not only for his work's artistic expression, though, but also for its documentary value. Tariq wants to ensure that the refugees' faces and the histories they contain are photographed and then archived with the same care shown to their antecedents who in centuries past arrived largely from Europe through Ellis Island.   Tariq has also conducted photographic projects in refugee camps around the world and has directed documentary films, including "Women, War and Resettlement: Nasro's Journey" and "Silsilad," which have been featured on PBS, and most recently "The Darien Gap," which was showcased at the 2nd United States Conference on African Immigrant and Refugee Health. His photos have been exhibited in several institutions, including the Ross Museum and Wright State University, and several are now part of the permanent collections at the Columbus Museum of Art and the Ross Museum.  His deep knowledge of the refugee experience stems not only from his own personal excellence. For years now he has worked as the Director of Refugee Social Services at Jewish Family Services in Columbus, Ohio. He also serves on Ohio's New African Immigrants Commission and the Franklin County Board of Commissioners' New American Advisory Council. In this interview, Tariq describes how he launched his photographic career soon after arriving in Ohio and explains why his work remains crucial as history keeps repeating itself.https://tariqtarey.com/

Episode Notes In this episode, Libba chats with Kristen Hudson and Rebecca Bush from The Columbus Museum in Columbus, Georgia. They engage in a great discussion about the city of Columbus, the starts of their careers in the museum field, the founding of The Columbus Museum in 1953 and the exciting new renovations and exhibits currently on display. Kristen Hudson is the Director of Marketing and Public Relations at The Columbus Museum. Rebecca Bush is the Curator of History and Exhibitions Manager at The Columbus Museum. If you would like to learn more about The Columbus Museum, please visit https://columbusmuseum.com/ for more information. You can keep up with The Columbus Museum through their various social media: Facebook: https://www.facebook.com/museumcolumbus/ Instagram: https://www.instagram.com/comu_ga/ TikTok: https://www.tiktok.com/@comu_ga Twitter/X: https://twitter.com/comu_ga

Lauren Quin draws from a pool of the unformed and the entropic to render shapes caught in a process of emergence or recession. Parts grow out of other parts. And like bacteria, material starts to infect and invade. Her mark-making implies a passage between dimensions that generate sensuality and movement. Quin holds an MFA from the Yale School of Art, and a BFA from the School of the Art Institute of Chicago. Her work has been the subject of several solo exhibitions including her first US museum show, My Hellmouth, at the Nerman Museum of Art in 2023. Her work is held in numerous public collections including the Columbus Museum of Art, Dallas Museum of Art, High Museum of Art, ICA Miami, Museum of contemporary art, Los Angeles, Museum of Fine Arts Boston, Nerman Museum of Art; Pérez Art Museum, Phoenix Art Museum, Walker Art Center, and the Hirschorn Museum. Lauren opens her first solo show in New York on May 3rd at 125 Newbury.

On Season 5, Episode 2, of The Art Career Podcast, Emily sits down with painter, Robin F. Williams, in their Greenpoint, Brooklyn studio. Known for her large-scale paintings of stylized, sentient, yet ambiguously generated female figures, Robin F. Williams (b. 1984) employs a variety of techniques, including oil, airbrush, poured paint, marbling, and staining of raw canvas to create deeply textured and complexly constructed paintings. Combining a masterful technical understanding with an innate sense of curiosity, Williams fuses practices from social media channels such as Instagram, TikTok, and YouTube with references to early modernism, pop culture, advertising, and cinema, to challenge the systemic conventions around representations of women. Williams received her BFA from the Rhode Island School of Design and has presented solo exhibitions at P·P·O·W, New York, NY; Various Small Fires, Los Angeles, CA; Bard College at Simon's Rock, Great Barrington, MA; Jack the Pelican Presents, Brooklyn, NY; and Morán Morán, Mexico City, Mexico. Her work has been featured in numerous group exhibitions nationally and internationally including In New York, Thinking of You (Part I), Flag Art Foundation, New York, NY; I'm Not Your Mother, P·P·O·W, New York, NY; Fire Figure Fantasy, ICA Miami, Miami, FL; Present Generations, Columbus Museum of Art, Columbus, OH; Bitter Nest, Galerie Perrotin, Tokyo, Japan; XENIA: Crossroads in Portrait Painting, Marianne Boesky Gallery, New York, NY; Nicolas Party: Pastel, Flag Art Foundation, New York, NY; SEED, curated by Yvonne Force, Paul Kasmin Gallery, New York, NY; and more. Her work is currently in the permanent collections of the Brooklyn Museum, Brooklyn, NY; Collection Majudia, Montreal, Canada; Columbus Museum of Art, Columbus, OH; Institute of Contemporary Art, Miami, FL; X Museum, Beijing, China; among others. Robin F. Williams: We've Been Expecting You, Williams' first solo institutional exhibition, is on view at the Columbus Museum of Art through August 18, 2024. Her first solo exhibition with Perrotin Tokyo opens in May 2024.  P•P•O•W Gallery Columbus Museum of Art @robinfrancescawilliams @theartcareer

On this episode we chat about Daylight Saving Time, dealing with changes in life, Columbus activities, the upcoming solar eclipse, and Burke's one more thing.   Show Notes: On this episode we chat about Daylight Saving Time, dealing with changes in life, Columbus activities, the upcoming solar eclipse, and Burke's one more thing.  Free Sundays at the Columbus Museum of Art   Sat March 23 Wild Hearts Mobile Teaching Zoo at Oakland Nursery   Sat April 20 Drum Circle at Schiller Park   Live Comedy Shows in Columbus | Don't Tell Comedy Dave's Hot Chicken Check out the newest coffee concept in Columbus, where all of the drinks are free ColumBest We Are Shadowbox Live Glow Putt Mini Golf | Columbus, Ohio View the 2024 Solar Eclipse in Columbus Total Solar Eclipse 2024 US Close is not close enough! The Great North American total solar eclipse of April 8, 2024 WWCD RADIO Columbus Fury - Pro Volleyball Federation Columbus has some of the worst drivers in the country, new data survey says; Find out where we rank From the Columbus community on Reddit Coping With a Type 2 Diabetes Diagnosis 10 Tips for Coping with Diabetes Distress | Diabetes | CDC  

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Kelli Connell discuss her brand new book, Pictures for Charis, published by Aperture. Kelli talks about her fascination with and subsequent extensive research on Charis Wilson and the eleven year relationship she had with legendary photographer Edward Weston, and how what she learned guided her own exploration of portrait-making and landscape work while collaborating with her wife of fourteen years, Betsy Odom. Sasha and Kelli also discuss Kelli's renowned series, Double Life, which also explores the relationship between photographer and model as well as gender and identity. https://www.kelliconnell.com https://aperture.org/books/kelli-connell-pictures-for-charis/ http://www.decodebooks.com/connell.html Kelli Connell is an artist whose work investigates sexuality, gender, identity and photographer / sitter relationships. Her work is in the collections of the Metropolitan Museum of Art, Los Angeles County Museum of Art, J Paul Getty Museum, Philadelphia Museum of Art, Columbus Museum of Art, Museum of Fine Arts Houston, Dallas Museum of Art, Milwaukee Art Museum, and the Museum of Contemporary Photography, among others. Publications of her work include Kelli Connell: Pictures for Charis (Aperture, March 2024), PhotoWork: Forty Photographers on Process and Practice (Aperture), Photo Art: The New World of Photography (Aperture), and the monograph Kelli Connell: Double Life (DECODE Books). Connell has received fellowships and residencies from The Guggenheim Foundation, MacDowell, PLAYA, Peaked Hill Trust, LATITUDE, Light Work, and The Center for Creative Photography. Connell is an editor at SKYLARK Editions and a professor at Columbia College Chicago. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Today we're joined by Brooke Minto, the Columbus Museum of Art's new Executive Director and CEO.With over 20 years of curatorial, educational, and fundraising experience all around the world, Brooke brings a fresh approach and big goals to the 145-year-old museum on East Broad Street.We talk about her early experiences in the city and in her role, what's in store for the future of the museum, and which surprising local sports team has made her transition to Columbus that much more comfortable.

Art in its most highly visible public form can serve as a point of pride for residents and a draw for tourists. In the era of Instagram, public art can enliven neighborhoods with color, joy, and inclusiveness, reflecting what a community values and holds dear. It can be a means for a society to showcase creativity and wonder, but can also be used to send a not-so-subtle signal of cultural, economic, or social dominance. It can be highly controversial (think Columbus' now-removed statue of Christopher Columbus) or even illegal (think graffiti). What messages should public art in Columbus convey, and who gets to decide whose art becomes public art?  This week we're joined by a panel of art leaders as we discuss the release of the new State of Public Art Report by the Greater Columbus Arts Council with a passionate conversation on the role, message, and future of public art in Columbus. The panelists are: Adam Brouillette, Artist, Muralist, and Public Art Advocate Celeste Malvar-Stewart, Fashion Designer & Performance-Based Public Artist, and Adjunct Faculty, The Columbus College of Art & Design Marshall Shorts, Creative-N-Chief, Artfluential, and Creative Director, Ohio Organizing Collaborative Shelbi Toone, Public Art Commissioner, and Project Manager, Poindexter Village Museum and Cultural Center The host is Corey Favor, Senior Director of Community Engagement, Talent, & Culture, Orange Barrel Media, and Columbus College of Art & Design Alumni    This forum was sponsored by The Greater Columbus Arts Council and The Columbus Museum of Art. It was supported by The Ellis. The livestream was presented by The Center for Human Kindness at The Columbus Foundation and by The Columbus Dispatch. This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on January 31, 2024.

Yuri Yuan (b. 1996, Harbin, China) holds an MFA in Visual Arts from Columbia University, New York, NY, and a BFA from the School of the Art Institute of Chicago, Chicago, IL. She was a recipient of the Helen Frankenthaler Scholarship at Columbia University in 2020, and the Elizabeth Greenshields Foundation Grant in 2019 and 2022. Yuan's work has been exhibited at Alexander Berggruen, NY; Simon Lee Gallery, London, UK; Rolando Anselmi, Rome, Italy; Haverkampf Leistenschneider Gallery, Berlin, Germany; among others. Her work is represented in the public collections of the Columbus Museum of Art, Columbus, OH, and The Museum of Contemporary Art San Diego, CA. Yuan currently lives and works in Jersey City, NJ. A Thousand Ships runs through 2/2 at Make Room Gallery LA. 

Devin B. Johnson (b. 1992, Los Angeles) obtained his BA in Fine Arts from the California State University of Channel Islands (2015) and received a Masters of Fine Arts at Pratt Institute (2019). In addition to being named a 2023 Artist-in-Residence for Fountainhead, Miami, he was selected as an Artsy Vanguard (2022),  named to Forbes 30 Under 30 Art and Design (2022) list, was included in Cultured's “Young Artists 2021,” and was one of sixteen artists from around the world selected for the inaugural year of the Black Rock Senegal residency (2020). His work is collected by Hammer Museum, Los Angeles; the Los Angeles County Museum of Art;  the Museum of Contemporary Art, Los Angeles; Pond Society, Shanghai; the Rubell Museum, Miami; the Columbus Museum of Art; Longlati Foundation, Shanghai; and many others. “A Moment in Crossing,” 2023 Oil on linen. 48h x 60w in. “Something Tender” 2023 Oil on linen. 60h x 62w in. “Water Me Deeply”, 2022 Oil and spray on paper. 30h × 22 1/2w in.

Ep.182 features MICHAELA YEARWOOD-DAN. Throughout paintings, works on paper, ceramics, and site-specific mural and sound installations, Michaela Yearwood-Dan (b. 1994; London, UK) endeavors to build spaces of queer community, abundance, and joy. Yearwood-Dan's singular visual language draws on a diverse range of influences, including Blackness, queerness, femininity, healing rituals, and carnival culture. Moving freely between media, Yearwood-Dan embeds botanical motifs and diaristic meditations within brushy abstract forms and heavy drips of paint. From the monumental scale of her paintings to the more intimate scale of her ceramics and works on paper, Yearwood-Dan's practice frequently reflects an inviting domesticity. Resisting any singular definition of identity, the artist explores the possibilities of creating spaces—physical, pastoral, metaphorical—that allow for unlimited and unbounded ways of being. Lush and brightly hued, Yearwood-Dan's work is at once personal and political. She often engages colors and materials for their symbolic associations—from the hints of the oranges, pinks, purples, and blues of the lesbian and bisexual pride flags mingling through the compositions to the queer histories of the ceramic carnation and pansy petals collaged into her recent paintings. Language intertwines with botanical motifs throughout Yearwood-Dan's work: abstract habitats teem with painted plant life while live houseplants grow out of wall-mounted ceramics. Within the paintings, she inscribes lines of text—pulled from song lyrics, poetry, or her own diaristic writings. These meditations, appearing at various scales and degrees of legibility, are at once insightful and funny, confident, and questioning. Her words beckon the viewer into a vivid, welcoming world of paradox, play, and contemplation formed within an atmosphere of swirling forms and brilliant chromaticity. Yearwood-Dan's work has been shown at the Contemporary Arts Center, Cincinnati, OH; Scottsdale Museum of Contemporary Art, AZ; the Green Family Art Foundation, Dallas, TX; Palazzo Monti, Brescia, Italy; and the Museum of Contemporary African Art, Marrakesh, Morocco, among others. Her work is in the permanent collections of the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Institute of Contemporary Art Miami, FL; the Crocker Art Museum, Sacramento, CA; the Jorge M. Perez Collection, Miami, FL; and the Columbus Museum of Art and the Pizzuti Collection, Columbus, OH. In 2022, she produced her first public mural installation for Queercircle, London, UK. She has participated in a range of fellowships and residencies, including the Palazzo Monti Residency, Brescia, Italy, and Bloomberg New Contemporaries in Partnership with Sarabande: The Lee Alexander McQueen Foundation, London, UK. The artist received her B.A. from the University of Brighton in 2016. Yearwood-Dan lives and works in London. Please visit cerebralwomen.com for her expanded bio. Thank you. Photo credit: Sam Hylton Marianne Boesky https://marianneboeskygallery.com/artists/448-michaela-yearwood-dan/biography/ Artnet https://news.artnet.com/art-world/rising-artist-michaela-yearwood-dans-lavish-flora-filled-visions-make-beauty-political-2291399 Artnet https://news.artnet.com/art-world/studio-visit-michaela-yearwood-dan-2141292 Cultured Magazine https://www.culturedmag.com/article/2021/12/08/beyond-their-lavish-aesthetic-michaela-yearwood-dans-paintings-make-you-feel Flaunt https://www.flaunt.com/post/michaela-yearwood-dan-the-cocoon-issue Culture Type https://www.culturetype.com/2021/10/31/latest-news-in-black-art-michaela-yearwood-dan-joins-marianne-boesky-gallery-colin-powell-portrait-on-display-at-smithsonian-plus-chef-bryant-terrys-new-book-on-art-stories-and-recipes-more/ NEO2 https://www.neo2.com/dior-lady-art-bolsos-moda-arte-lujo/

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Patrick Martinez, a mixed media visual artist from Los Angeles.About Artist Patrick Martinez:Patrick Martinez maintains a diverse practice that includes mixed media landscape paintings, neon sign pieces, cake paintings, and his Pee Chee series of appropriative works. The landscape paintings are abstractions composed of Los Angeles surface content; e.g. distressed stucco, spray paint, window security bars, vinyl signage, ceramic tile, neon sign elements, and other recognizable materials. These works serve to evoke place and socio-economic position, and further unearth sites of personal, civic and cultural loss.Patrick's neon sign works are fabricated to mirror street level commercial signage, but are remixed to present words and phrases drawn from literary and oratorical sources. His acrylic on panel Cake paintings memorialize leaders, activists, and thinkers, and the Pee Chee series documents the threats posed to black and brown youth by law enforcement.Patrick Martinez (b. 1980, Pasadena, CA) earned his BFA with honors from Art Center College of Design in 2005. His work has been exhibited domestically and internationally in Los Angeles, Mexico City, San Francisco, Minneapolis, Miami, New York, Seoul, and the Netherlands, and at venues including the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, the Brooklyn Museum, Crystal Bridges Museum of American Art, the Studio Museum in Harlem, the Smithsonian National Portrait Gallery, the Smithsonian NMAAHC, the Tucson Museum of Art, the Buffalo AKG Museum, the Columbus Museum of Art, the Vincent Price Art Museum, the Museum of Latin American Art, the Crocker Art Museum, the Rollins Art Museum, the California African American Museum, the Nerman Museum of Contemporary Art, and El Museo del Barrio, among others.Patrick's work resides in the permanent collections the Whitney Museum of American Art, the Broad Museum, Crystal Bridges Museum of American Art, the Museum of Contemporary Art Los Angeles (MOCA), the Rubell Museum, the Smithsonian National Museum of American History, the California African American Museum, the Autry Museum of the American West, the Benton Museum of Art at Pomona College, the Nerman Museum of Contemporary Art, the Smithsonian National Museum of African American History and Culture, the Los Angeles County Museum of Art (LACMA), the Tucson Museum of Art, the Pizzuti Collection of the Columbus Museum of Art, the University of North Dakota Permanent Collection, the JPMorgan Chase Art Collection, the Crocker Art Museum, the Escalette Permanent Collection of Art at Chapman University, the Manetti-Shrem Museum of Art at UC Davis, the Rollins Museum of Art, and the Museum of Latin American Art, among others.Patrick was awarded a 2020 Rauschenberg Residency on Captiva Island, FL. In the fall of 2021 Patrick was the subject of a solo museum exhibition at the Tucson Museum of Art entitled Look What You Created. In 2022, Patrick was awarded a residency at the Atlantic Center for the Arts. This year, Patrick's suite of ten neon pieces purchased by the Whitney Museum of American Art is on yearlong exhibition installed in the Kenneth C. Griffin Hall in the entrance of the Museum. In September 2023, Patrick opened a solo exhibition at the ICA San Francisco titled Ghost Land and in November of 2023 Patrick will exhibit in Desire, Knowledge, and Hope (with Smog) at The Broad Museum in Los Angeles, CA. Patrick will be the subject of an expansive solo exhibition at the Dallas Contemporary opening in April 2024. Patrick lives and works in Los Angeles, CA and is represented by Charlie James Gallery, Los Angeles.CLICK HERE to see more of Patrick's work. Follow Patrick on Social Media: @Patrick_Martinez_StudioFor more info on his Ghost Land Exhibit, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

The Columbus Museum of Art and The Wexner Center for The Arts are two giants on the Columbus arts scene, and both have new leaders at their helms.    Gaëtane Verna is the Wexner Center's new executive director, taking over the institution's leadership last November. Born in the Republic of Congo, and a Quebecer since age two, she is the first woman of color, and person of color, to lead “The Wex.”    On Broad Street, the 145-year-old Columbus Museum of Art welcomed new leader Brooke Minto in May. Born in New York to Jamaican parents, Minto has worked to inspire people to engage with the arts in New York City, New Orleans, Miami, and Cape Town.    Today, we meet these two new dynamic leaders for a conversation spotlighting what's “new and next” at CMA, The Wex, and in the Columbus arts world.   The speakers are:  Brooke Minto, Executive Director and CEO, The Columbus Museum of Art   And Gaëtane Verna, Executive Director, Wexner Center for the Arts   The host is Erica Thompson, Features Editor, The Columbus Dispatch  This forum was sponsored by The Greater Columbus Arts Council, Benefactor Group, and CoverMyMeds and was supported by The Ellis. The livestream was presented by The Center for Human Kindness at The Columbus Foundation and by The Columbus Dispatch.     This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on October 4, 2023. 

In this episode we are joined by Jason Blair. He has been an art educator at the primary level for over 20 years. He is the teacher leader in residence at the Columbus Museum of Art and he is working with Project Zero out of Harvard.In this episode we discuss:1. It's important that we take a step back and think how do we apply learning. How do we make connections between disciplines instead of just focusing on one discipline. 2. Students come to us creative it's important that we help sustain it and develop it further. 3. Set expectations that you want your students to be creative and imaginative in your space. 4. There is a hundred languages that every child speaks. 5. Create a space where all the voices and languages can be heard. 6. Inconvenient creativity - we want creativity when it is convenient for us. The problem is. kids are creativity 24/7/365.  7. How we respond to inconvenient creativity is extremely important. Do we see the mess or do we have see the potential.8. As adults we often see creativity first as the mess first before what the potential is. 9. Slow down and notice the world. 10. Take a noticing walk - have a theme for what you are noticing. There are things that we pass everyday that we don't notice. 11. When you are slowing down to notice things you'll notice body language of another student, a passing comment, a smile about something, and other nuances. 12. When we notice the humans to the left and right of us before the content it would be a different education field. 13. Help students become not just problem solvers, but problem finders. 14. Are we creating an environment where questions are welcomed and questions are expected. Questions are fuel where learning is going to go. 15. The Question Focus Technique. 16. Design challenges that help students become curious, develop empathy, notice the world. 17. Students need to practice working in teams. 18. Create activities and challenges that give you real life talking points to teach the students. 19. As an educator have a research question that guides your practice. 20. Ask yourself how can we get students to learn with, thru, and for other kids. 21. How can we step back so that the students can step up. 22. There's power in having different age groups working together. 23. How do we create conversations and environments that foster creativity. 24. Find ways to showcase the intellectual capacity of students to parents. 25. As educators we should be trying to lift one another up. 26. Book Recommendations: The Creative Act by Rick Rubin, Big Potential by Shawn Anchor27. Podcast Recommendations: Experience Matters by Steve Shapiro28.  We need to help students become curious about themselves, others, and the world. Website: https://www.growcreativethinkers.comConnect: Twitter: @_JasonBlairBio: Jason Blair believes the creativity of our children will change the world. As a 20 year veteran arts educator, everyday he is fortunate to learn from the creative geniuses that step into his art studio. He believes that we can empower students to tap into their creative potential, if we as educators nurture our own growth as creative change agents. To empower creativity in his students, Jason believes the educator must be the classroom creativity whisperer, building a community in which creativity is valued and thinking different is not just safe, but celebrated. Jason has established himself as a creativity specialist, capable of cultivating the creative dispositions that will illuminate imaginative ideas and help inspire innovative practice. He received his MA in art education from The Ohio State University. Currently, he teaches elementary art in Dublin, Ohio.

Michael Manes is the director and co-owner of Blue Spiral 1 Gallery (Asheville, NC) - one of the Southeast's most established galleries of contemporary fine art and craft. Michael earned his BFA from the Columbus College of Art and Design and started his career in Ohio at the Columbus Museum of Art, moving on to the exhibitions departments at the Akron Art Museum and the Cleveland Museum of Art. Before turning back to curating, he was artist-in-residence at a private school in Cleveland, teaching grades K-5. After moving to Asheville, Manes became involved with the Asheville Area Arts Council (former Vice Chair and currently on the Advisory Board and serves as a chair of The Arts Coalition), the Center for Craft, and Black Mountain College Museum + Arts Center where he currently is co-vice-chair. Manes is a graduate of Leadership Asheville and currently facilitates the Downtown Asheville Arts District (DAAD). Manes brings experience from the sectors of education, art museums and art consultation, having worked with numerous artists, non-profit organizations, and art and craft collectors. Manes currently lives in Weaverville, NC with his wife Hanna, son Harvey, and three pups Ella, Mabel, and Chili Dog.Blue Spiral 1 - Homehttps://www.bing.comBeing a Business Owner is Lonely. But It Doesn't Have to Be...Join The Entrepreneur Experience. Be sure to visit BizRadio.US to discover hundreds more engaging conversations, regional events and more.

In this episode with visual artist, Audrey Stone, we discuss her meticulous approach to her paintings and the importance of beauty in art. We dialogue about the power of color and its influence on our emotional experience, along with her deeply personal relationship to her abstract work.  We also talk about the power of something being “hand-made” and how in this accelerating digital age, the analog processes still hold an immense amount of value.   ---------------------- Audrey Stone received her MFA from Hunter College and her BFA from Pratt Institute, both in painting. She studied at the Nova Scotia College of Art and Design and was selected for the Artist in The Marketplace program at the Bronx Museum of the Arts. Her work has been exhibited across the United States, as well as in Austria, Bulgaria, the Czech Republic, England, France and Japan. Recent Solo exhibitions include a 2021 exhibition at Kenise Barnes Fine Art in Kent, CT, a 2020 solo exhibition and a 2018 solo exhibition at Morgan Lehman Gallery. In 2022 she had a two person exhibit at Bernay Fine Art in Great Barrington, MA. She has shown in group exhibitions at the Andy Warhol Museum, the Arkansas Art Center, The Columbus Museum, the Flinn Gallery, Geoffrey Young Gallery, Kentler International Drawing Space, McKenzie Fine Art, ODETTA Gallery and Winston Wachter Seattle. Her work is in the collections of the Amateras Foundation, Charles Schwab Print Program, Cleveland Clinic, Credit Suisse, Fidelity Investments, and New York Presbeterian Hospital. Stone's work is represented by Morgan Lehman Gallery in New York City and Kenise Barnes Fine Art in Kent, CT. She lives and works in Brooklyn, NY.  website: https://www.audreystone.net instagram:  https://www.instagram.com/audrey_stone_studio/ See More from Martin Benson *To stay up on releases and content surrounding the show check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠my instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *To contribute to the creation of this show, along with access to other exclusive content, consider joining ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠my Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Credits: Big Thanks to Matthew Blankenship of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Sometimes Island ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for the podcast theme music! --- Support this podcast: https://podcasters.spotify.com/pod/show/martin-l-benson/support

Episode No. 611 features artist Wendy Red Star. The Columbus Museum of Art is presenting the career-length survey "Wendy Red Star: A Scratch on the Earth." It's on view through September 3. The exhibition was curated by Tricia Laughlin Bloom and Nadiah Rivera Fellah, and is accompanied by a publication from the Newark Museum of Art, which originated the exhibition. An enrolled member of the Apsáalooke (Crow) Tribe, Red Star's work explores both Native American ideologies and colonialist structures in ways that point to both the past and the present. Her work has been the subject of solo exhibitions at The Anderson Collection at Stanford University, the Joslyn Art Museum, MASS MoCA, the Missoula (Mont.) Art Museum, and more.

Ep.159 features Oscar yi Hou, an artist and writer based in Brooklyn, NY. He was born and raised in Liverpool, England. He received his BA from Columbia University, New York. He has also studied at The Sorbonne Art School (École des arts de la Sorbonne). Alongside his solo exhibition East of sun, west of moon at the Brooklyn Museum, yi Hou was recipient of the third annual UOVO Prize in 2022. Previously, he has exhibited at James Fuentes, New York; New-York Historical Society; Asia Society, New York; Royal Academy, UK; T293 Gallery, Rome; Kohn Gallery, Los Angeles; and Sprüth Magers Online. His work is included in the collections of the Brooklyn Museum; Columbus Museum of Art; Grinnell College Museum of Art; ICA Miami; M+ Museum; and the New-York Historical Society. Photo credit: Vincent Tullo for The New York Times (2022) Artist oscaryihou.com James Fuentes https://jamesfuentes.com/artists/oscar-yi-hou Brooklyn Museum https://www.brooklynmuseum.org/exhibitions/oscar_yi_hou Brooklyn Rail https://brooklynrail.org/2023/07/art/Oscar-yi-Hou-with-Andrew-Woolbright WNYC https://www.wnyc.org/story/artist-oscar-yi-hou-questions-asian-and-american/ Brooklyn College https://vanguard.blog.brooklyn.edu/2023/02/01/reclaiming-years-of-identity-erasure-oscar-yi-hous-exhibit-in-bk-museum/ NYTimes https://www.nytimes.com/2022/10/22/arts/design/oscar-yi-hou-paintings.html Cultured Mag https://www.culturedmag.com/article/2022/02/07/young-gun-painter-oscar-yi-hou-forges-his-own-path Interview https://www.interviewmagazine.com/art/oscar-yi-hou-russell-tovey-brooklyn-museum Document Journal https://www.documentjournal.com/2022/11/oscar-yi-hou-east-of-sun-west-of-moon-brooklyn-museum-uovo-winner-asian-american-diaspora/ NYU News https://nyunews.com/arts/2022/12/06/oscar-yi-hou-review/ Bronx Journal http://bronxjournal.com/?p=27473 https://nyunews.com/arts/2022/12/06/oscar-yi-hou-review/ Art for Change https://artforchange.com/collections/oscar-yi-hou NYSS https://nyss.org/lecture/oscar-yi-hou-concepts-of-practice/ 4A https://www.aaartsalliance.org/magazine/stories/the-intimate-gaze-of-oscar-yi-hou PBS https://www.pbs.org/video/oscar-yi-hous-east-sun-west-moon-imqo9q/ NY Historical Society https://emuseum.nyhistory.org/objects/97212/far-eastsiders-aka-cowgirl-mama-ab--son-wukong Cura. https://curamagazine.com/digital/oscar-yi-hou/ NYC-Life https://www.nyc-arts.org/showclips/oscar-yi-hous-east-sun-west-moon-imqo9q/ Rat Rock Magazine http://www.ratrockmagazine.com/oscar-yi-hou

This week's special evening program is a farewell to CMC's longtime CEO Jane Scott, who retires at the end of May 2023 after more than nineteen years leading the nonprofit Columbus Metropolitan Club, and a chance to meet CMC's next leader, incoming President and CEO Sophia Fifner, and learn about her vision for the future.  The host was Colleen Marshall, anchor with NBC4, and the host of NBC4's The Spectrum. This special forum was supported by King Business Interiors and The Columbus Dispatch, and was hosted by The Columbus Museum of Art. The livestream was presented by The Center for Human Kindness at The Columbus Foundation and The Columbus Dispatch.  It was recorded live in Columbus, Ohio on May 24, 2023.

Episode 12 with Brooklyn Artist, Audrey Stone. Audrey is a painter that works with line, color and subtle color gradients. She observes the shifting color and light innate and describes it as an ecstatic experience. Audrey received her MFA from Hunter College and her BFA from Pratt Institute focusing on painting. She has exhibited widely across the United States as well as in Austria, Bulgaria, the Czech Republic, England, France and  Japan. Audrey has shown with Morgan Lehman Gallery, McKenzie Fine Art,  the Andy Warhol Museum, the Arkansas Art Center, the Columbus Museum, Geoffrey Young Gallery, Kentler International Drawing Space, Kenise Barnes Fine Art, ODETTA Gallery,  and Yerba Buena Center for the Arts. Her work is in many public collections including the Cleveland clinic, Credit Suisse, Fidelity Investments, New York Presbyterian Hospital and many more.  In this conversation we talk about line, about moving through various stages of work , about the constants of a place and the markers of what is left in a place. It's about imperfect perfection, soft edge painting, moments o excitement and calm. We talked about creating paintings about unimaginable places as a way to understand the unknowable and the stories that are lost. We talk about color, showing the work and so much more!Please Subscribe to the show, leave a review and share this episode on social media or with friends! Check out our website for more information and follow us on @artist_and_place Steam Clock. Theme music by @GraceImago Podcast graphic design by @RobKimmel

If there ever was an artist that wasn't scared to say what needed to be said, it's Dawn Williams Boyd. Whether it is issues of gun violence, abortion, or voting rights, she will make sure she shares her feelings about it in her wonderful cloth paintings. We talk to Dawn about her recent exhibition, Tip of the Iceberg at Fort Gavsenvoort in New York, and some of the issues she's covered in the show. We talk about how she makes her complex compositions, sources her fabrics, and the power of doing work that makes people uncomfortable sometimes. Her cloth paintings are powerful, and we talk all about it today on the Noize! Listen, subscribe, and share!Episode 170 topics include:using different mediumsdoing work about current eventssourcing fabrics and materialsThe Tip of the Iceberg show at Fort Gansevoort Gallerysaying things that need to be saidcontinuing to learn historythe process of putting together Dawn's work revising work in processthe necessity of saying somethingtackling new subjectsDawn Williams Boyd was born in 1952 in Neptune, New Jersey. She earned her BFA at Stephens College, Columbia, MO in 1974. She has exhibited her works at Wofford College, Spartanburg, SC; Southwest Art Center, Atlanta, GA; Hammonds House Museum, Atlanta, GA; Bulloch Hall, Roswell, GA; Agnes Scott College, Decatur, GA; Callanwolde Fine Arts Center, Atlanta, GA; and Contemporary Craft, Pittsburgh, PA. Her work is included in the collections of The Columbus Museum in Columbus, GA and the Richardson Family Art Museum at Wofford College in Spartanburg, SC.See more: www.dawnwilliamsboyd.com + https://www.fortgansevoort.com/artists/dawn-williams-boyd/selected-worksPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

What does it look like to actually exist within graduate school? Most grad and post-doc students spend their degrees carefully balancing their schooling alongside holding full-time jobs, building professional connections, supporting themselves financially and physically, and engaging in their creativity outside of school. This podcast explores the question: what does the world of academia look like while situated within these experiences, and how do graduate programs support their students with community and access to resources? Grace Oller and Hannah Warren are currently receiving their master's degrees in the Graduate School of Arts & Sciences at New York University. Grace attends the Institute of Fine Arts and is seeking a degree in Art History and Archeology, while Hannah is receiving her MA from the XE: Experimental Humanities and Social Engagement program. In this conversation, Grace and Hannah discuss what brought them to NYU, how they have navigated their first year, and what their hope is for the future of their programs, specifically addressing how community has been fostered in these spaces. This episode hopes to extend empathy to students facing the same battles, while providing a moment of contemplation for those who may exist outside of this specific realm of academia. As creatives and academics, Grace and Hannah explore the integration of art, education, and building connections with others. Grace Oller is a Graduate Student at New York University's Institute of Fine Arts (IFA) studying Modern and Contemporary Art History and Curatorial Practice. Born and raised in rural Ohio, she attended the Columbus College of Art and Design and received a BFA in Fine Arts with minors in Creative Writing and Art History. She has held positions as an Exhibition Assistant at the Columbus Museum of Art, co-editor in chief of the online publication, IFAcontemporary, and a contributing writer for a forthcoming book published by NYU's Grey Art Gallery celebrating the Anonymous Was a Woman award. Her work challenges ideas surrounding accessibility and labor in the art world, and you can find her around New York enjoying the delicious sounds of live jazz. Hannah J. Warren (she/her) grew up in Upstate NY but currently resides in Brooklyn, NY, obtaining a Master's degree in Experimental Humanities and Social Engagement from NYU. Hannah received her BA in English with an emphasis in writing, and a minor in Women and Gender Studies from Hartwick College in 2020. Recently Hannah has had poetry published in The Bookend Review, and has helped edit the poetry in her programs magazine Caustic Frolic. Beyond her joy for writing, Hannah enjoys spending her time traveling, reading, buying books, and trying to keep her plants alive. Hjw2170@nyu.edu. *This podcast, Past The Door, was recorded by Grace Oller and Hannah Warren, and edited by Hannah Warren.

Episode No. 601 of The Modern Art Notes Podcast features artists Jonathan Lyndon Chase and Sheldon Scott. Jonathan Lyndon Chase is included in "The Culture: Hip Hop and Contemporary Art in the 21st Century" at the Baltimore Museum of Art. The exhibition, on view through July 16, presents art, fashion and high-end consumer goods in consideration of the influence hip hop has had on contemporary society. It was curated by Asma Naeem, Gamynne Guillotte, Hannah Klemm, and Andréa Purnell. A catalogue was published by the BMA, the Saint Louis Art Museum and Gregory R. Miller & Co. Amazon and Bookshop offer it for about $55. Chase's paintings, video, sound, and sculpture depicts queer Black love and community. Their work has been the subject of solo exhibitions at the Fabric Workshop and Museum, Philadelphia; they have been included in recent group shows at the ICA Miami, the Los Angeles County Museum of Art, the Columbus Museum of Art, the RISD Museum of Art, the Philadelphia Museum of Art, and soon at the Whitney Museum of American Art (opening June 28). Scott is included in "Spirit in the Land" at the Nasher Museum of Art at Duke University. The exhibition considers today's ecological concerns and demonstrates how our identities and natural environments are intertwined. The show particularly focuses on the relationship between the mainland United States and the Caribbean. Curated by Trevor Schoonmaker, it is on view through July 9. The exhibition is accompanied by a catalogue which is available only at the Nasher. Scott is presenting a performance titled "Portrait, numba 1 MAN (day clean ta sun down)" at the Ogden Museum of Southern Art, New Orleans on May 13. Scott's work builds upon his upbringing in Gullah/Geechee culture and his background in storytelling to examine the Black male form. His work has been exhibited at the Driskell Center at the University of Maryland, the National Portrait Gallery, Smithsonian Institution, and more.

Hayley Barker (b. 1973, Oregon) has had solo exhibitions at Night Gallery, and BozoMag Los Angeles; SHRINE, New York; and Charles A. Hartman Fine Art, Portland. She has participated in group shows at Night Gallery, Los Angeles; Harper's, East Hampton; Acquavella, New York; Nicodim, Los Angeles; and SHRINE, New York, among others. Barker has been featured in several publications, including W,  Artforum, Forbes, Hyperallergic, BOMB Magazine, LA Weekly, and the Los Angeles Times. Her work belongs in the collections of the Columbus Museum of Art, OH; Oregon State University, Corvallis; and the University of Iowa Stanley Museum of Art, Iowa City. Barker lives and works in Los Angeles.

Ep.138 features Jerrell Gibbs. His work is often sourced from albums he finds of Black American families in the 70's-90's that capture moments of intimacy, leisure and elegance. Gibbs highlights subtle adornments found in these domestic spaces, which represent cultural symbols in an era where Black folks created beauty with whatever means they had. He leans into a method of painting that supports the duality of Black people who may not have resources, and yet are active in creating world-renowned culture and style that are both beautiful and classic. In Gibbs' work, he asks the viewer to come closer to witness imperfection in brushstroke and color, as well as other artistic choices that seem misaligned. This contrasts to the illusion of a cohesive image that he creates from afar. Gibbs celebrates this dichotomy because it portrays chance as integral to the process of creation, a principle found in the masters of Impressionism, Abstract Expressionism, Divisionism and the abstract movement. Gibbs graduated with an MFA from the Maryland Institute College of Art, Baltimore, MD in 2020. His work is in the permanent collection of the Columbus Museum of Art, CC Foundation, X Museum, Baltimore Museum of Art, and the Los Angeles Museum of Art. Gibbs is represented by Mariane Ibrahim Gallery. Photo Credit - Mike Jon Photography Artist http://www.jerrellgibbs.com/ Marianne Ibrahim https://marianeibrahim.com/artists/49-jerrell-gibbs/biography/ Baltimore Magazine Jerrell Gibbs Aimed to Capture Elijah Cummings' “Presence and Aura” in Official Portrait (baltimoremagazine.com) New York Times Painter of Elijah Cummings Portrait Finds It's a Career-Changer - The New York Times (nytimes.com) Washington Post https://www.washingtonpost.com/local/baltimore-museum-to-unveil-elijah-cummings-portrait/2021/12/08/929458ca-56b7-11ec-a808-3197a22b19fa_story.html Frederick News Post https://www.fredericknewspost.com/news/arts_and_entertainment/guest-artist-lecture-jerrell-gibbs/article_9412cfde-b3d3-556b-ac92-ce58db9476fb.html Fox News Baltimore https://foxbaltimore.com/news/local/portrait-of-late-us-representative-elijah-cummings-now-at-the-baltimore-museum-of-art Culture Type https://www.culturetype.com/2021/12/12/latest-news-in-black-art-eric-pryor-named-president-of-pennsylvania-academy-of-the-fine-arts-jarrell-gibbs-painted-portrait-of-late-congressman-elijah-cummings-more/ Full-Bleed We Are Enough: An Interview with Jerrell Gibbs — Full Bleed (full-bleed.org) Bmore Art Art AND: Jerrell Gibbs - BmoreArt Art of Choice Jerrell Gibbs Regards Authentic, Everyday Life - Art of Choice

DONTE WOODS-SPIKES COLUMBUS, OHIO Donte is an author, filmmaker, and community activist in Columbus Ohio. He attended College at Columbus State, and often volunteers in his community. He is known for his documentaries of young black men in Columbus. Donte has published two books, and recently gave an author talk at the Columbus Museum of Art.

Ep.137 features Hayv Kahraman. She was born in Baghdad, Iraq in 1981 and lives and works in Los Angeles. Recent solo exhibitions include Gut Feelings, The Mosaic Rooms, London (2022); Touch of Otherness, SCAD Museum of Art, Savannah (2022); Not Quite Human: Second Iteration, Pilar Corrias, London (2020); Shangri La Museum of Islamic Art, Culture, and Design, Honolulu, HI (2019); De La Warr Pavilion, Sussex, UK (2019); Pomona College Museum of Art, Claremont, California (2018); and Contemporary Art Museum St, Louis, St. Louis, Missouri (2017). Recent group exhibitions include Reflections: Contemporary Art of the Middle East and North Africa, British Museum, London (2021); Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum, Berkeley (2021); Henry Art Gallery, Seattle (2019); ICA Boston (2019); and MASS MoCA, North Adams, (2019). Kahraman's work is in several important international collections including the British Museum, London, UK; Museum of Contemporary Art, San Diego, California, US; Los Angeles County Museum of Art (LACMA), California, US; Birmingham Museum of Art, Alabama, US; The Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum of Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum of Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami, Miami, US. Photo ~ Courtesy the artist and Pilar Corrias, London Artist https://hayvkahraman.com/ Book https://www.rizzoliusa.com/book/9780847862627/ Pilar Corrias Gallery https://www.pilarcorrias.com/artists/hayv-kahraman/2/ Jack Shainman https://jackshainman.com/artists/hayv_kahraman Vielmetter https://vielmetter.com/artists/hayv-kahraman The Third Line https://thethirdline.com/ ICASF https://www.icasf.org/exhibitions/7-hayv-kahraman Hyperallergic https://hyperallergic.com/tag/hayv-kahraman/ Financial Times https://www.ft.com/content/ba61f731-e007-4c6c-922f-bc93dd4ad4c8 Perez Art Museum Miami https://www.pamm.org/en/artwork/2020.093/ Rubell Museum https://rubellmuseum.org/nml-hayv-kahraman Art Forum https://www.artforum.com/print/reviews/201909/hayv-kahraman-81120 SCAD https://www.scadmoa.org/exhibitions/the-touch-of-otherness NPR https://www.npr.org/2019/11/27/770452266/iraqi-american-artist-hayv-kahraman-is-building-an-army-of-fierce-women Art Review https://artreview.com/hayv-kahraman-gut-feelings-review/ The Guardian https://www.theguardian.com/artanddesign/2022/feb/21/hayv-kahraman-i-was-brainwashed-into-thinking-anything-euro-american-centric-is-the-ideal Wikipedia https://en.wikipedia.org/wiki/Hayv_Kahraman jdeed Magazine http://jdeedmagazine.com/hayv-kahraman-exhibits-gut-feelings-at-the-mosaic-rooms/ Mosiac Rooms https://mosaicrooms.org/event/hayv-kahraman/

Julie Curtiss was born in Paris, France, and lives and works in Brooklyn, NY. She holds an MFA and a BA from École Nationale Supérieure des Beaux-Arts, Paris, France. Her work is included in the permanent collections of the High Museum, Atlanta, GA; MCA Chicago, Chicago, IL; Columbus Museum of Art, Columbus, OH; Bronx Museum of Art, NY; Los Angeles County Museum of Art, CA; Walker Art Centre, Minneapolis, MN; Maki Collection, Tokyo; Centre Pompidou, Paris, France; Dallas Museum of Art, Dallas, TX; Museum of Contemporary Art San Diego, CA; and Yuz Museum Shanghai, China. Julie is represented by Anton Kern Gallery and White Cube. Julie Curtiss Waiting room, 2022 Oil and vinyl paint on canvas 60 × 48 inches (152 4 x 121.9 cm Julie Curtiss Ice cream truck, 2022 Acrylic and oil on canvas 40 × 32 inches (101.6 × 81.3 cm) Mauvais Sang, 2020, Oil, acrylic, and vinyl on canvas 30 × 25 in (76.2 × 63.5 cm)

Sarah Fairchild is a mixed media artist concerned about our environment, creating and representing natural forms through a synthetic lens. Her work depicts the common and often ignored forms of weeds and wild flowers; recently, pollinators and other beneficial insects have crept into her work, creating a two-dimensional insectarium that depicts the interconnection of species, the fragility of our ecosystems, as well as a reverence for nature and all its inhabitants. She hopes considering these commonplace forms in a new and unusual way will arouse a sense of wonder, appreciation and concern for the environment, as well as the urgent need for a sustainable living planet. Recent commissions include Bloom, a temporary three dimensional abstract bouquet installed inside the lobby of One Liberty Plaza, New York City; Floribunda, a two-part temporary installation adapted from an original painting on the exterior and three original mixed media artworks inside the lobby at One Pierrepont Plaza in Brooklyn; Cruciferous, a temporary installation adapted from two original paintings, adorned the lobby of the Grace Building in New York City; set and prop design for Opera Columbus' production of Lully's Armide; and a large-scale wallpaper installation at the Columbus School for Girls. Recent publications include New American Paintings, International Painting Annual, and her work is included in several public and private collections including the Columbus Museum of Art and the Pizzuti Collection. "I am a mixed media artist concerned about our environment, creating and representing natural forms through a synthetic lens. Themes in my work straddle the realms of fashion and the natural world, while playing with the ideas of decoration, beauty, sensuality and questions regarding the handmade versus the mass produced. My work depicts the common and often ignored forms of weeds and wild flowers; recently, pollinators and other beneficial insects have crept into the work, creating a two-dimensional insectarium that depicts the interconnection of species, the fragility of our ecosystems, as well as a reverence for nature and all its inhabitants. By considering these commonplace forms in a new and unusual way, I hope to arouse a sense of wonder, appreciation, and concern for the environment, as well as the urgent need for a sustainable living planet." LINKS:  www.sarahfairchildstudio.com   Instagram:@sarahfairchildstudio     Sponsors: https://www.itransport4u.com/     I Like Your Work Links: Notions of Beauty Exhibition Join The Works Membership waitlist! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

Ep.130 features Devin B. Johnson (b. 1992,Los Angeles). He obtained his BA in Fine Arts from the California State University of Channel Islands (2015) and received a Masters of Fine Arts at Pratt Institute (2019). He was selected for Forbes 30 Under 30 Art and Design(2022), was included in Cultured's “Young Artists 2021,” and was one of sixteen artists from around the world selected for the inaugural year of the Black Rock Senegal residency (2020). His work is collected by the Columbus Museum of Art; Hammer Museum, Los Angeles; Longlati Foundation, Shanghai; the Los Angeles County Museum of Art;  the Museum of Contemporary Art, Los Angeles; Pond Society, Shanghai; the Rubell Museum, Miami; and many others. Recent exhibitions include Between Ground and Sky, Nicodim, New York(2022), My Heart Cries, I Set Out an Offering for You, Nicodim, Los Angeles(2021, solo); Long Walk, Galeria Nicodim, Bucharest (2021,solo); Melody of a Memory, Nicodim, Los Angeles (2020, solo); When You Waked Up the Buffalo, Nicodim, Los Angeles (2020); Hollywood Babylon: ARe-Inauguration of the Pleasure Dome, Jeffrey Deitch, Nicodim, AUTRE Magazine, Los Angeles (2020); Atmosphere of Certain Uncertainty, Residency Gallery, Inglewood (2019, solo); and Incognito, ICA LA, Los Angeles (2019).   Nicodim https://www.nicodimgallery.com/artists/devin-b-johnson Black Rock Senegal https://blackrocksenegal.org/devin-johnson/ Forbes https://www.forbes.com/pictures/61a6674fc9fb30bf6703d8c8/devin-johnson-29-artist-n/?sh=32c97536d46c The Cut https://www.thecut.com/2020/11/they-seem-cool-artist-devin-b-johnson.html Artillery Mag https://artillerymag.com/pick-of-the-week-devin-b-johnson/Artsy https://www.artsy.net/article/artsy-editorial-artsy-vanguard-2022-devin-johnson Siena Art Institute https://www.sienaart.org/News/Devin-B-Johnson-resident-artist/ Residency Art Gallery https://www.residencyart.com/exhibitions/the-atmosphere-of-certain-uncertainty Curate https://curate.la/event.php?id=17686 WE AND THE COLOR https://weandthecolor.com/paintings-by-artist-devin-b-johnson/125331 Art and Practice https://www.artandpractice.org/public-programs/program/artist-talk-devin-b-johnson/ Teeth Magazine http://www.teethmag.net/interview-devin-b-johnson/ Just Smile Magazine https://justsmilemagazine.com/home/devin-b-johnson-my-heart-cries

Our traditional school system has always grouped students by age, but we're coming to see the benefits of mixed-age learning. When you take kids of different ages and have them learn together, they both grow exponentially faster.Jason Blair is in his 20th year as an elementary school art teacher, currently teaching at Dublin City Schools. He was a previous guest on Learning Unboxed when we spoke with the Columbus Museum of Art about its work on Project Zero, and Jason is the teacher, leader, and resident with the museum.We explore how he's taking the innovative things he's learned over his 20 years of educating and the variety of projects and partnerships he's been a part of during that time and how he's translating that experience into his own classrooms.To learn more, visit: pastfoundation.orgWe unbox:How multi-age learning benefits students, and how to encourage different age groups to interactThe ripple effects of non-traditional education throughout the school systemCreating an environment full of joyfulnessIncorporating personal learnings into the education experienceResources:74 | Cultivating Creative & Civic Capacities | with Jennifer Lehe, Jason Blair, & Britanie RisnerMentioned in this episode:Learning Unboxed Audience SurveyThank you for listening to Learning Unboxed! As we work on the next 150 episodes we want to hear how we can best tailor this podcast to your needs. Please go to https://www.pastfoundation.org/survey to share your insights.Audience Survey

Nannette Maciejunes has steered the Columbus Museum of Art through two decades of growth as its leader, and safely brought the crown jewel of the Columbus art scene through the COVID-19 pandemic.    As Maciejunes retires at the end of 2022, she leaves CMA and Columbus enriched by art and artists. Today's panel reflects on Maciejunes' legacy and shares their thoughts on the role of art in society, on Columbus' burgeoning art scene, and what's next for art in Columbus.  The panelists are: Nannette V. Maciejunes, Executive Director and CEO, Columbus Museum of Art Bryan Moss, Painter and Comic Artist    The host is Tom Katzenmeyer, President and CEO, Greater Columbus Arts Council This forum was made possible by the Carol A. McGuire Legacy in Civic Engagement Fund, celebrating the contributions made to society by arts and culture.  The forum sponsor was AECOM.  This forum was recorded live at The Boat House in Columbus, Ohio on Wednesday, November 2, 2022.  

Amy Pleasant received a BFA from the School of the Art Institute of Chicago (1994) and an MFA from the Tyler School of Art, Temple University (1999).

Amy was awarded a John Simon Guggenheim Memorial Foundation Fellowship in 2018, the South Arts Prize for the State of Alabama (2018), Joan Mitchell Foundation Painters and Sculptors Award (2015), Mary Hambidge Distinguished Artist Award (2015), Cultural Alliance of Birmingham Individual Artist Fellowship (2008), and Alabama State Council on the Arts Individual Artist Fellowship (2019/2003). She has held solo exhibitions at Hunter Museum of American Art (Chattanooga, TN), Brackett Creek Editions (NYC), Geary Contemporary (NYC/Millerton, NY), Laney Contemporary (Savannah, GA), Institute 193 (Lexington, KY), Jeff Bailey Gallery (Hudson/NYC), whitespace gallery (Atlanta, GA), Augusta University (Columbus, GA), Indianapolis Museum of Contemporary Art (IN), Birmingham Museum of Art (AL), Atlanta Contemporary (GA), Auburn University's School of Liberal Arts (AL), Rhodes College (Memphis, TN), Candyland (Stockholm, Sweden), and the University of Alabama at Birmingham (AL) among others. Her group exhibitions include Brackett Creek Editions (Bozeman, MT), Zuckerman Museum of Art (Kennesaw, GA), Knoxville Museum of Art (Knoxville, TN), Hesse Flatow (NYC), SEPTEMBER (Hudson, NY), Mindy Solomon Gallery (Miami, FL), Tif Sigfrids (Athens, GA), Hemphill Fine Arts (Washington, D.C.), Adams and Ollman (Portland, OR), Montgomery Museum of Fine Arts (AL), Cuevas Tilleard Projects (NYC), The Dodd Galleries (Athens, GA), Weatherspoon Museum of Art (NC), Hunter Museum of American Art (Chattanooga, TN), Columbus Museum of Art (GA), National Museum of Women in the Arts (D.C.), The Mobile Museum of Art (AL), and the U.S. Embassy, Prague, Czech Republic. Her work has been reviewed in publications such as World Sculpture News, Sculpture, The Brooklyn Rail, Art in America, Artforum, Art Papers, Bad at Sports and BURNAWAY.

Her first monograph, The Messenger's Mouth Was Heavy, was released in 2019, co-published by Institute 193 and Frank. Amy also co-founded the curatorial initiative The Fuel And Lumber Company with artist Pete Schulte in 2013.

Episode No. 487 is a summer clips episode featuring curators Marshall N. Price and Elizabeth Finch. Price and Finch are the co-curators of "Roy Lichtenstein:  History in the Making, 1948-60." The exhibition examines Lichtenstein's early work, with particular attention to Lichtenstein's synthesis of European modernism, American painting and contemporary vernacular sources. The exhibition is on view at the Colby Nasher Museum of Art at Duke University through January 8, 2023. The excellent exhibition catalogue was published by Rizzoli Electa. Indiebound and Amazon offer it for about $33. From Waterville, Maine, the exhibition will travel to the Parrish Art Museum in Water Mill, NY, the Columbus Museum of Art, and the Nasher Museum of Art at Duke University. Price and Finch are curators at the Nasher and Colby, which originated the show, respectively. For images see Episode No. 487. 

Ep.114 features Dawn Williams Boyd, She was born in 1952 in Neptune, New Jersey. She earned her BFA at Stephens College in Columbia, MO in 1974. The artist's self-described “cloth paintings” masterfully reinterpret the traditional craft of quilt-making in a contemporary context. Working on a monumental scale, Boyd employs a collage-like technique, stitching together scraps of fabric into intricate compositions. Utilizing art historical references, current events, and religious tropes as narrative frameworks, her cloth paintings chronicle seminal moments in African American history and quotidian scenes of Black American life. Inventively combining textures and patterns, Boyd's compositions weave together history and allegory to create multivalent meanings from disparate sources. Boyd's work is included in the collections of the Metropolitan Museum of Art in New York, NY; Equal Justice Initiative in Montgomery, AL; Birmingham Museum of Art in Birmingham, AL; Columbus Museum in Columbus, GA; Everson Museum of Art in Syracuse, NY; and the Richardson Family Art Museum at Wofford College in Spartanburg, SC. Her art has been exhibited at Wofford College in Spartanburg, SC; Southwest Art Center in Atlanta, GA; Hammonds House Museum in Atlanta, GA; Bulloch Hall in Roswell, GA; Agnes Scott College in Decatur, GA; Callanwolde Fine Arts Center in Atlanta, GA; and Contemporary Craft in Pittsburgh, PA. A multi-venue solo exhibition of the artist's work, Dawn Williams Boyd: Woe, was recently on view at the Lamar Dodd School of Art's Dodd Galleries, at the University of Georgia and at the Everson Museum in Syracuse, NY and will be on view at Sarah Lawrence College in Bronxville, NY in September 2022. Photo Credit: Ron Witherspoon Artist https://www.dawnwilliamsboyd.com/ Fort Gansevoort Gallery https://www.fortgansevoort.com/ Sarah Lawrence https://www.sarahlawrence.edu/news-events/galleries/heimbold-gallery/on-exhibit.html Everson Museum of Art https://everson.org/connect/virtual-talk-with-dawn-williams-boyd-ben-green/ Daily Orange https://dailyorange.com/2022/02/dawn-williams-boyds-exhibit-woe-crafts-fiber-art-timeless-historical-portrayals/ Atlanta Magazine https://www.atlantamagazine.com/news-culture-articles/dawn-williams-boyds-cloth-paintings-tell-stories-of-black-life-in-america/ Ocula https://ocula.com/artists/dawn-williams-boyd/exhibitions/ Metal Magazine https://metalmagazine.eu/en/post/interview/dawn-williams-boyd Elephant Art https://elephant.art/dawn-williams-boyd-faith-ringgold-inspired-me-to-change-my-art/

On the newest episode of the Then What Happened podcast Amelia Robinson interviews Deidre Hamlar, Director of the Aminah Robinson Legacy Project at the Columbus Museum of Art. During this edition we talk about how and why Hamlar opened an art gallery in an empty space in the building that housed her father's dental practice. Finally, Deidre also shares her experience returning home to Columbus to help her father run his business and take care of her ailing mother who also suffered from alcoholism.

Many of us think that we're not creative or that creativity is a talent you're either born with or not. Our guest explains how all of us can be more creative at a time when creativity is needed more than ever to get over the myriad barriers and limitations we face in our classrooms, schools, and life. Follow on Twitter: @ISTE @mrhooker @timneedles  @jonHarper70bd @bamradionetwork  #ISTE20 #ISTEturns40 #edchat #edtech #edtechchat Tim Needles is an artist, educator, performer, and author of STEAM Power: Infusing Art Into Your STEM Curriculum. He is a TEDx Talk speaker, a technology integration specialist, and teaches art and media at Smithtown School District and Five Towns College. His work has been featured on NPR, in the New York Times, Columbus Museum of Art, Norman Rockwell Museum, Alexandria Museum of Art, Katonah Museum of Art, and Cape Cod Museum of Art. He's the recipient of ISTE's Technology in Action Award and Creativity Award, NAEA's Eastern Region Art Educator Award & ArtEdTech Outstanding Teaching Award, and The Rauschenberg Power of Art Award. He's also a National Geographic Certified Teacher, PBS Digital Innovator, a NASA Solar System Ambassador, an ISTE Community leader, NAEA ArtEdTech interest Group chair, and an Adobe Creative Educator.  He's active on social media at @timneedles.

Charles Wetherbee and Korine Fujiwara of Carpe Diem String Quartet chat with conductor Devin Patrick Hughes on One Symphony. The Carpe Diem String Quartet is a boundary-breaking ensemble who's mission is to forge a new identity for chamber music by championing living composers, undertaking daring projects with other art forms, and promoting the healing power of music. They've earned widespread acclaim for their performances of standard repertoire, new music, genre-bending collaborations, and community engagement.  Carpe Diem defies classification with programming and collaborations that encompass and blend new and old, including classical, Romani, tango, folk, pop, rock, jazz, and multicultural music. Their outreach performances, including MusiCare, Music Goes 2 School, and Music from the Start, incorporate diverse and eclectic repertoire tailored to specific audience demographics, bringing their inspiring performances and outreach to diverse audiences such as the Apache Nation to families at the Columbus Museum of Art, and residents at the Ohio Women's Reformatory. Thank you to Carpe Diem String Quartet members Charles Wetherbee and Korine Fujiwara, and all the amazing artists who made this episode possible! Korine Fujiwara's Cherry Blossom from the album Montana was played by the Carpe Diem String Quartet, and Fujiwara's The Storyteller, a Concerto for Violin and String Orchestra was performed by Charles Wetherbee, conducted by Chosei Komatsu and the Central Aichi Symphony Orchestra. For Reza Vali's The Book of Calligraphy Carpe Diem was joined by Darius Saghafi on Albany Records. Erbek Eryilmaz's Insistent Music was performed by the composer and Carpe Diem String Quartet.  You can follow Carpe Diem at CarpeDiemStringQuartet.com, and go to OneSymphony.org for more info, or if you'd like to donate to keep the music playing and support the show. Please feel free to rate, review, and share the show! Until next time, thank you for being part of the music!

Jason Blair believes our future depends on the creative minds of our students. He is a 19 yr. veteran elementary art teacher. Currently, he also serves as the Teacher-Leader-in-Residence at the Columbus Museum of Art, and is a co-assistant director on a research project in collaboration with Harvard Graduate School of Education—Project Zero and the Columbus Museum of Art. Reach out to Jason or me and let us know what you thought of the episode. Jason: @_Jason Blair or email at schoolteachers@mac.com Ryan: @ryancscott1981 or email at ryanscott1981@gmail.com --- Send in a voice message: https://anchor.fm/bigedidea/message