Podcasts about rhode island school

In this episode of Office Hours, Tamara Johnson shares how her journey as a first-generation college student shaped her path to becoming a professional artist. From studying at the Rhode Island School of Design (RISD) to building a career in sculpture and large-scale public art, she reflects on the challenges and rewards of forging her own creative path.Tamara discusses how her background influences both her artistic practice and her teaching, and she gives insight into her work with the Committee on Public Art (COPA) and the many public art projects she has contributed to. Plus, she previews Fab Friday — a hands-on event open to the TXST community where anyone can try their hand at sculpting.

Emily Dustman is an antidisciplinarian; intertwining science, art, and innovative teaching practices.  In this episode, she talks about the importance of field work, awareness of the entire ecosystem, respecting the history, doing things differently, and collaboration through creation.About the GuestEmily A. Dustman is an antidisciplinarian whose practice blurs and expands the boundaries between art and science. She is the founder and creative director of E-Squared Magazine, an award-winning international print publication archived at Stanford that draws from diverse fields of inquiry to spark creative thought, experimentation, and cultural transformation.Dustman's work intertwines scientific research, visual art, and innovative pedagogy. She has been published in peer-reviewed journals for her research on species of conservation concern, and her academic journey includes leading science courses and STEAM curriculum development across universities. After completing a Natural Science Illustration program at the Rhode Island School of Design and painting the Turtles of Rhode Island through research at Harvard's Museum of Comparative Zoology, she has championed the use of art to communicate complex scientific ideas. Currently pursuing doctoral research focused on integrating art into science education, Emily teaches biology, environmental science, and sci-art workshops while creating work that invites curiosity, dialogue, and transformative understanding.LinkedIn: https://www.linkedin.com/in/emilydustman/Website: http://www.emilydustman.com/Magazine: https://www.esquaredmagazine.com/To learn more, visit:linkedin.com/in/jason-Shupp-18b4619bListen to more episodes on Mission Matters:https://missionmatters.com/author/Jason-Shupp/

Your Brand Is Your Business Outfit: The Unspoken Rules of Brand Identity That Drive Real GrowthGuest: Lexy Rubin, Owner and Creative Director of Rubin Design Company Host: Julie RigaOverviewIn this episode of the Stay On Course Podcast, Julie Riga sits down with Lexy Rubin, Owner and Creative Director of Rubin Design Company, an award-winning branding agency in South Florida. Lexy is a purpose-driven brand strategist whose career spans NASA internships, New York City corporate branding, and 11 years building her own legacy as a founder.Together, they explore what it truly means to build a brand that connects and stands the test of time. From first impression psychology to the rise of AI in design, this conversation delivers authentic growth strategies for entrepreneurs and business leaders ready to elevate their brand.Your Brand Is Your Business Outfit: The Unspoken Rules of Brand Identity That Drive Real GrowthAbout Lexy RubinLexy Rubin is the owner and creative director of Rubin Design Company, a South Florida-based branding agency offering custom logo design services, brand identity design, and brand strategy consulting nationwide. A graduate of the Rhode Island School of Design, she became the first graphic designer to intern at NASA's Kennedy Space Center, then worked with Bath and Body Works and L'Oreal in New York City.Fun Fact: Lexy's favorite food is Chicken Romano from the Cheesecake Factory.Key Topics DiscussedWhat Is a Brand, Really? Your brand is your business's first impression. It is the outfit your company wears every day. It shapes purchasing decisions, team recruitment, and client trust before a word is spoken.Why Professional Branding Matters in 2026 Working with a professional logo designer or corporate branding agency is your foundation. With AI everywhere, authentic human-crafted brand identity is a genuine competitive advantage. Apple, Nike, and Starbucks invest heavily in branding because perception is everything.The AI Question Every Business Owner Is Asking Can AI replace custom logo design services? Lexy says not at the soul level. There is an emotional and spiritual dimension to brand identity that no algorithm can replicate. Investment in professional brand strategy consulting is more urgent than ever.Branding Trends for 2025 to 2026 Typography is king, with bespoke typefaces driving personality across logos, websites, and cards. Motion graphics are replacing static visuals. Video-first design is now expected. If your brand has not been refreshed in ten or more years, it is outdated.You Are the Brand Your personal leadership presence and business brand are inseparable. In the age of AI cloning, being authentically yourself is your single most powerful asset.Memorable Quotes"Your brand is basically your first impression. It is the outfit your business wears.""The real, authentic version of yourself is going to be craved now more than ever because of AI.""There is a magical recipe to great brand identity: part logic, part skill, part soul."Key TakeawaysYour brand is your foundation. Get it right before you scale.Authenticity is your superpower in a world of AI-generated content.Every touchpoint is a brand moment: your logo, LinkedIn, and background.Refresh your visual identity as trends and audience expectations evolve.You are the brand. Leadership presence and professional branding are inseparable.Connect with Lexy RubinWebsite: www.RubinDesignCo.comLinkedIn and Facebook: Rubin Design CoConnect with Julie RigaWebsite: julieriga.com/leadCoaching: Learn more about leadership coaching and transformation#BrandIdentity #StayOnCourse #AuthenticLeadership #PurposeDrivenBusiness #BrandingTips2026Subscribe to Stay On Course wherever you listen to podcasts. Share this episode with any business owner who needs to hear this.

Lily Colman speaks about her show, She, Archivist, at the JKC Gallery and her new periodical, Frame/Sequence.She, Archivist is a project about womanhood, inheritance, and specifically how certain items and feelings are passed down between generations of women. The focus is on matrilineal inheritance through perceived rituals in Judaism, and the questioning of certain beliefs passed down.Using traditional film-based and alternative photographic processes and utilizing collage with domestic materials, Colman attempts to reconstruct her identity through her family's matrimonial history as well as her own experience with an abusive marriage and subsequent divorce.https://www.lilycolman.comhttps://www.frame-sequence.comLily was featured in the 2021 International Juried Exhibition at The Center for Contemporary Art in Bedminster, NJ, where she was awarded First Prize and a Solo Exhibition. Her solo exhibition, The Knots on the Underside of the Carpet, ran from April 22 – June 4, 2022, at the CCA.Lily graduated from the Rhode Island School of Design with her MFA in 2020, as well as a Certificate in Collegiate Teaching in Art and Design. She has always loved photography, education, and photo books, and wanted to make them accessible to everyone.Frame/Sequence is a photobook periodical that blends personal storytelling with fine art photography. We currently publish bi-anually with the aim of becoming quarterly. We invite writers and photo-based artists—especially from Philadelphia and the surrounding region—to share authentic, lived experiences. Each edition, based around a theme, curates these narratives and striking visual work.This podcast is sponsored by the Charcoal Book ClubBegin Building your dream photobook library today athttps://charcoalbookclub.com

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by New York artist David Hornung.David Hornung is a painter and mixed media artist whose work has been exhibited in the US and UK. Over the course of a long career he has served on the faculties of The Rhode Island School of Design, Indiana University, Skidmore College, Pratt Institute, and Adelphi University. He is the author of Color: A Workshop for Artists and Designers (Laurence King Pub Ltd.), a color textbook. Translated into six languages it is used in art schools around the world. His work is shown at Cynthia Winings Gallery, Elena Zang Gallery, Pulp Gallery, and J.J. Murphy Gallery in NYC.We recorded this episode early one morning at the JJ Murphy Gallery during his solo exhibition "Continuum."On today's episode, David and I explore the nuanced terrain of painting practice and philosophy. We discuss the importance of a painting's surface, how he starts a painting and how one reads a painting. David shares his perspective on scale, arguing that painting is an intimate experience rather than spectacle. We trace his six-decade evolution from observational work through post-painterly abstraction, his collage techniques, and his four recent years of pure abstraction. The conversation touches on Henri Matisse, Ad Reinhardt, Fra Angelico, Albert Pinkham Ryder, and Paul Klee. David also talks his love of shapes, collage, a raw edge, painting slower than he is thinking, factual versus fictional painting, and finally, emphasizes the importance of recognizing one's own temperament and painting both honestly and sincerely from that space; which, he argues, is where great paintings come from.Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.com insta: @isaac.mann guest: David Hornungwww.davidhornung.cominsta: @davidhornungartworkshops: https://www.artfuelstudio.com/scotland-september-2026-hornung madelineartschool.com/collections/workshops/products/exploring-improvisation-in-abstract-painting?_pos=7&_fid=5184b59de&_ss=c Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

A Classic RISK! episode from our early years that first ran in November of 2013, when students from Brown University and the Rhode Island School of Design shared true stories at a RISK! live show on campus.

Native Americans have worked hard for decades to counter the stereotypes perpetuated in old movies and television shows about the American West. Now a new generation of Native technology experts worry that artificial intelligence is eroding that work. Scores of AI-generated images and videos are flooding people's social media For You pages. The creations are within easy reach of anyone typing a prompt into any AI generator that scrapes information from millions of sources. Often posted by anonymous creators, the products of those prompts present vaguely Native visual and audio characteristics with little to no authentic cultural connections. Along the way they generate hundreds of thousands of admirers. We'll talk about the work to counter the looming onslaught of AI cultural appropriation. GUESTS Dr. Angelo Baca (Diné and Hopi), professor of history, philosophy, and social sciences at the Rhode Island School of Design Trevor Reed (Hopi), professor of law at the University of California, Irvine School of Law and an associate justice for the Hopi Tribe Court of Appeals Dr. Tamika Worrell (Gamilaroi), senior lecturer of critical Indigenous studies at Macquarie University Break 1 Music: Obsidian (song) Red-209 (artist) Break 2 Music: Digital Winter (song) Ya Tseen (artist) Stand On My Shoulders (album)

Native Americans have worked hard for decades to counter the stereotypes perpetuated in old movies and television shows about the American West. Now a new generation of Native technology experts worry that artificial intelligence is eroding that work. Scores of AI-generated images and videos are flooding people's social media For You pages. The creations are within easy reach of anyone typing a prompt into any AI generator that scrapes information from millions of sources. Often posted by anonymous creators, the products of those prompts present vaguely Native visual and audio characteristics with little to no authentic cultural connections. Along the way they generate hundreds of thousands of admirers. We'll talk about the work to counter the looming onslaught of AI cultural appropriation. GUESTS Dr. Angelo Baca (Diné and Hopi), professor of history, philosophy, and social sciences at the Rhode Island School of Design Trevor Reed (Hopi), professor of law at the University of California, Irvine School of Law and an associate justice for the Hopi Tribe Court of Appeals Dr. Tamika Worrell (Gamilaroi), senior lecturer of critical Indigenous studies at Macquarie University Break 1 Music: Obsidian (song) Red-209 (artist) Break 2 Music: Digital Winter (song) Ya Tseen (artist) Stand On My Shoulders (album)

Send us a textMichoel Muchnik (b. 1952, Philadelphia) blends formal training from the Rhode Island School of Design with Chassidic scholarship from the Rabbinical College of America. While celebrated for his early storybook-style art and illustrations, his recent work features intricate mixed-media bas-reliefs using crushed metal and polymer clay. His art is held in global collections, and has been exhibited in many places including the Brooklyn Museum. Major projects include the permanent 22-foot bas relief mural titled "The Treasured Land" at the Jewish Children's Museum in Brooklyn, and a 40-foot mural at the Tzfas Visitor Center at Mikveh Chana in the holy city of Tzfas, Israel. Additionally, Muchnik designs institutional donor walls and has illustrated numerous children's books.      He takes great pride in his children and grandchildren, some who  are Chabad shluchim and artists in their own right.-----------------------------------------------------------------------------------------------https://wig-guru.com - Use Code 'Brainstorm' For 10% Offhttps://ourvillageny.org-----------------------------------------------------------------------------------------------For more Brainstorm go to...Spotify: https://open.spotify.com/show/2aPCiuzsIoNKYt5jjv7RFT?si=67dfa56d4e764ee0Apple Podcasts: https://podcasts.apple.com/us/podcast/brainstorm-with-sony-perlman/id1596925257Youtube: https://www.youtube.com/@brainstormwithsonyInstagram: https://www.instagram.com/brainstormwithsony

Jerrelle Guy is an award-winning author and celebrated food photographer. A graduate of the Rhode Island School of Design, she received her master's in gastronomy from Boston University and was nominated for a James Beard Award for her debut cookbook, Black Girl Baking. She is back with a terrific new book, We Fancy, and we hear about her interpretation of fancy, as well as how she thinks about developing recipes for all styles of dining.   Subscribe to This Is TASTE: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

For many of us, handbags are an essential part of our lives. They allow us to leave the house with everything we need, and they also can be another place to show off our status or style. This hour, we look at the evolution of the handbag. We'll talk about famous "It Bags", how handbags contributed to human development, and the impact of the Walmart "Birkin." GUESTS: Nancy MacDonell: Fashion journalist and fashion historian. She writes the Wall Street Journal column "Fashion with a Past.” Her new book is Empresses of Seventh Avenue: World War II, New York City, and the Birth of American Fashion Hannah Carlson: Senior Lecturer in the Apparel Department at the Rhode Island School of Design. She’s also the author of Pockets: An Intimate History of How We Keep Things Close Audrey Wollen: Book critic and writer whose work has appeared in The New Yorker, Harper's, The New York Review of Books and other outlets. Her article “A Unified Theory of the Handbag” recently appeared in The Yale Review Aarushi Bhandari: An Assistant Professor of Sociology at Davidson College. Her new book is Attention and Alienation Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe and Dylan Reyes contributed to this show, which originally aired on June 4, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Laura Tempest Zakroff is a professional artist, author, dancer, designer, and Modern Traditional Witch based in New England. She holds a BFA from the Rhode Island School of Design and her artwork has received awards and honors worldwide. Her work embodies myth and the esoteric through her drawings and paintings, jewelry, talismans, and other designs. Laura is the author of the best-selling books Weave the Liminal: Living Modern Traditional Witchcraft and Sigil Witchery: A Witch's Guide to Crafting Magick Symbols, as well as the Liminal Spirits Oracle (artist/author) and Anatomy of a Witch. Laura edited The New Aradia: A Witch's Handbook to Magical Resistance (Revelore Press). She blogs for Patheos as A Modern Traditional Witch, contributes to The Witches' Almanac, Ltd, and creates the Witchual Workout and other programming on her YouTube channel.www.LauraTempestZakroff.comwww.instagram.com/owlkeyme.arts/www.patreon.com/owlkeymehttps://twitter.com/ltempestz

This episode we are thrilled to be joined by the artist Martine Gutierrez. Martine is a transdisciplinary artist whose work uses photography, video, and performance to examine how identity is constructed and portrayed. Her projects range from billboards and music videos to her celebrated magazine Indigenous Woman, where she takes on every role — artist, subject, and producer — to challenge pop-culture tropes around gender, beauty, and representation.Her work has been shown internationally, including at the 58th Venice Biennale and in exhibitions at the Museum of Modern Art, the Whitney Museum of American Art, LACMA, Crystal Bridges, the Pérez Art Museum, and the Smithsonian American Art Museum. Her work is also held in major collections including MoMA, the Whitney, the Guggenheim, SFMOMA, LACMA, Crystal Bridges, the National Gallery of Art, and the Smithsonian American Art Museum. Martine will be in the 2026 Whitney Biennial.Martine received her BFA from the Rhode Island School of Design and lives and works in New York.Martine is represented by Fraenkel Gallery and Ryan Lee Galleryhttps://fraenkelgallery.com/artists/martine-gutierrez https://ryanleegallery.com/artists/martine-gutierrez/Some artists discussed in this episode:Yoko OnoMarina AbramovićFollow along on Instagram at @artfromtheoutsidepodcasthttps://www.instagram.com/artfromtheoutsidepodcast

When science and art meet they create a nexus where inspiration and education combine to create impactful outcomes. From illustrated ID guides to building-sized murals, art has been interwoven into science communications for thousands of years and its value has continued to persist. Xerces has harnessed the power of images and we are excited to explore this topic.In this episode, we are sitting down with Jane Kim and Thayer Walker, who founded Ink Dwell, an art studio that produces stunning murals and other works that celebrate the natural world. Jane is a visual artist and science illustrator. She received a Bachelor of Fine Arts in Printmaking from Rhode Island School of Design and then attended California State University Monterey Bay, where she earned a master's certificate in science illustration. She has created large-scale public art across the country, including the Wall of Birds at the Cornell Lab of Ornithology in Ithaca, and produced works for the National Aquarium in Baltimore, the de Young Museum in San Francisco, and more. Thayer manages Ink Dwell's operations and is an author and correspondent who has written about science, adventure, exploration, and the natural world for nearly two decades—and along the way had some adventures of his own. (I read something about 20 days on a desert island and escaping the jaws of a jaguar…) With Jane, he co-authored The Wall of Birds, a book about that monumental mural at the Cornell Lab of Ornithology.---Photo: Benjamin ZackThank you for listening! For more information go to xerces.org/bugbanter.

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer, publisher, editor, and educator Nelson Chan. Together, they trace the winding path that led Nelson to his dream job as a professor at the Rhode Island School of Design. Along the way, Nelson reflects on the “guardian angels” who helped him stay the course, the openness that allowed unexpected opportunities to shape his trajectory, and the community of friends and collaborators who eventually inspired the founding of TIS Books. Sasha and Nelson also talk about the value of building connections, putting yourself out there, and treating your career as a marathon rather than a sprint. https://www.nelsonchanphotography.com/ https://www.tisbooks.pub/ Nelson Chan was born in New Jersey to immigrant parents from Hong Kong and Taiwan and has spent most of his life between the States and Hong Kong. Having grown up between two continents, this immigrant experience influences the majority of his work. Nelson received his BFA and MFA from the Rhode Island School of Design and the Hartford Art School, respectively. He has been exhibited nationally and internationally at institutions such as the Museum of Chinese in America, New York, NY; Boston Center for the Arts, Boston, MA; The Print Center, Philadelphia, PA; Kunstlerhaus Bethanien, Berlin, Germany; and 798 Space, Beijing, China. His books are collected in the institutional libraries of The MET, The Guggenheim, SEMOMA, The Whitney Museum, The Harry Ransom Center, and MoMA, among others. Along with his own photographic work, book publishing and education are extensions of, what Nelson refers to as, an industrious studio practice. He is co-founder of TIS books, an independent art book publisher and was production manager at the Aperture Foundation from 2016-19. In 2025, Nelson was awarded tenure at California College of the Arts but ultimately left the Bay Area to teach at the Rhode Island School of Design as an associate professor of photography.

How can we make our exhibitions more sustainable — in every way?Where do we start? What can museum teams learn from sustainability advancements in architecture? What's a “red list?” What is the difference between embodied and operational carbon? What does it mean to do “design for deconstruction?” And when can we all buy the upcoming “Sustainable Museum Exhibition Handbook?”Douglas Flandro (Exhibition Designer & Director of Sustainability, CambridgeSeven) discusses “What is Sustainable Exhibition Design?” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: museum egos, dark skies, and heat islands.Talking Points:1. Embracing Imperfection2. Design for Human Health3. Design for Social Health and Equity4. Design for Ecosystem Health5. Design for Climate Health6. Design for the Circular EconomyHow to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast  Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bio:Drawing on his background in theater and film design, Douglas Flandro is especially interested in sustainable exhibit design, new technologies, immersive experiences, experiential graphic design and hands-on interactive exhibits. He has designed exhibits and graphics for numerous science museums, children's museums, nature and visitor centers, aquariums, and zoos. As the firm's Director of Sustainability, Douglas leads CambridgeSeven's Sustainable Working Group and has taught and lectured at AAM, ASTC, Parson's School of Design, and the Rhode Island School of Design. He is the author of the forthcoming book, “The Sustainable Exhibition Handbook,” due to be released in the Spring of 2026.About Making the Museum:Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Douglas by Emaildflandro@cambridgeseven.com Douglas on LInkedinhttps://www.linkedin.com/in/douglas-flandro/ CambridgeSevenhttps://www.cambridgeseven.com The Sustainable Exhibition Design & Construction Toolkithttps://www.cambridgeseven.com/wp-content/uploads/2022/05/SEDC-Toolkit_v6_Sep2024.pdf The Museum Exhibition Materials Pledgehttps://www.mindfulmaterials.com/museum-materials-pledge The Gallery Climate Coalitionhttps://measure.galleryclimatecoalition.org/ The Bizot Green Protocolhttps://www.cimam.org/sustainability-and-ecology-museum-practice/bizot-green-protocol/ The Climate Toolkithttps://climatetoolkit.org/about/ Living Future (ILFI) Red List of Worst in Class Chemicalshttps://living-future.org/red-list/  Green Science Policy Institute Six Classes of Chemicalshttps://www.sixclasses.org/ DarkSky Internationalhttps://darksky.org/ Terrapin Bright Green 14+ Patterns of Biophilic Designhttps://www.terrapinbrightgreen.com/report/14-patterns/ The Design Museum, "The Waste Age: What can design do?"https://designmuseum.org/exhibitions/waste-age-what-can-design-do Links for Making the Museum, the Podcast:Contact Making the Museumhttps://www.makingthemuseum.com/contact  Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedInhttps://www.linkedin.com/in/jonathanalger  Email Jonathan Algeralger@cgpartnersllc.com  C&G Partners | The Exhibition and Experience Design Studiohttps://www.cgpartnersllc.com/  Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/

Episode 503 / Ruby Sky StilerRuby Sky Stiler is an artist born in Maine and based in Brooklyn. She has been the subject multiple solo presentations, including New Patterns, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY (2022); Group Relief, Fairfield University Art Museum, CT (2020); Fresco, Saint-Gaudens Memorial Park, Cornish, NH (2019); Ghost Versions, The Aldrich Contemporary Art Museum, Ridgefield, CT (2015); and Inherited and Borrowed Types, Portland Institute for Contemporary Art, OR (2010), among others. Her work has been included in numerous group exhibitions including Friends & Lovers, FLAG Art Foundation, New York, NY (2023); No Forms, Hill Art Foundation, New York, NY (2022); Classic Beauty: 21st-Century Artists on Ancient [Greek] Form, Providence College Galleries, RI (2018); The Times, FLAG Art Foundation, NY (2017); We Are What We Hide, Institute of Contemporary Art, Maine College of Art & Design, Portland, ME (2013); and the Socrates Sculpture Park Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY (2010), among others. Her work is in the collections of Fairfield University Art Museum, CT; Farnsworth Art Museum, Rockland, ME; The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; The Museum of Modern Art, New York, NY; and Rhode Island School of Design Museum, Providence, RI.

Spencer Lewis, born 1979 in Hartford, Connecticut, lives and works in Los Angeles. He studied at the Rhode Island School of Design and the University of California, Los Angeles. Known for his gestural paintings on cardboard and jute, Lewis uses flashy bright and colorful notions executed through streaked lines, smears of paint and rough strokes that suggest the impulsive creative process underneath. With chaotic, almost infinite layers, Lewis's canvases conceal and simultaneously unveil a brushstroke, a gesture over the other, stories and moments culminating and accumulating on the painting's densest parts. Despite the apparent unpredictability of Lewis's compositions, they are based on a methodology and structure. Lewis is, in fact, interested in pictorial organization and image-making. Consistently concentrating towards the centre of the canvas, Lewis's brushstrokes frantically tell the different layers of the same narrative. In a podcast recorded live in his LA studio, he and Zuckerman discuss wanting positive things, paint as a fluid object, seeing and feeling distance between ideas, cities, being courageous, finding novelty, what art is really good at, timelessness, how artists want to be free, having an anxious attachment style, why people like complexity, what feels big, the space of color, how and why you need a studio, how to make great paintings, his phrase “for me to make a painting,” how art is still about beauty, remembering that making art will feel bad, and how gratitude works every time!

We talk to the incredible producer and director, Ryan Cunningham! Ryan shares her journey from studying film at Rhode Island School of Design to working in comedy. She and Jason discuss her early fascination with film, pivotal experiences, and her eventual shift to comedy and television production. Ryan details her notable work on shows like 'Human Giant,' 'Broad City,' and 'Inside Amy Schumer,' and her transition to directing. She discusses the importance of storytelling, her approach to pitching ideas, and the significance of embracing neurodivergent perspectives in comedy. Additionally, Ryan gives insight into her theater directing experiences and her course through GOLD Comedy. Sign up for Ryan's Dec. 1st "Build and Pitch" course! There are 4 payment options: 1 payment: myrootabl.com/r/jr73igUk?rootabl=thereitispod 2 payments: myrootabl.com/r/Oi4HlKFM?rootabl=thereitispod 3 payments: myrootabl.com/r/Xm1WwQuU?rootabl=thereitispod 4 payments: myrootabl.com/r/PwBJpYFM?rootabl=thereitispod Instagram: @RyanECunningham, @ThereItIsPod, @JasonFarrPics  Threads: @ThereItIsPod, @JasonFarrPics Facebook: @ThereItIsPod  Subscribe to our comedy newsletter: https://mailchi.mp/e22defd4dee2/thereitis

Step behind the camera with Ellen Kuras, the award-winning director and cinematographer whose visual storytelling has defined a generation of modern cinema. From her groundbreaking cinematography in Eternal Sunshine of the Spotless Mind (2004) to her powerful directorial work in Lee (2024), Ellen has redefined what it means to tell stories through light, emotion, and movement. In this in-depth conversation, Ellen shares her creative process, challenges as one of the first women in major cinematography, and her approach to capturing the soul of a story on screen. Whether you're a filmmaker, cinephile, or curious creative, this episode delivers rare insights into the craft, collaboration, and courage that fuel visual storytelling.

Step behind the camera with Ellen Kuras, the award-winning director and cinematographer whose visual storytelling has defined a generation of modern cinema. From her groundbreaking cinematography in Eternal Sunshine of the Spotless Mind (2004) to her powerful directorial work in Lee (2024), Ellen has redefined what it means to tell stories through light, emotion, and movement. In this in-depth conversation, Ellen shares her creative process, challenges as one of the first women in major cinematography, and her approach to capturing the soul of a story on screen. Whether you're a filmmaker, cinephile, or curious creative, this episode delivers rare insights into the craft, collaboration, and courage that fuel visual storytelling.

Lamar Peterson (b. 1974, St. Petersburg, Florida) is a painter whose work explores the psychological and social space between refuge and exposure. For more than two decades, he has rendered the everyday experiences of Black life with a language that merges stylized figuration, domestic ritual, and surreal distortion. Across both painting and collage, Peterson creates scenes where tranquility and unease coexist: suburban gardens bloom into uncanny environments, rooms soften and dissolve into landscape, and figures pursue moments of rest and care even as the outside world presses near. Peterson's visual vocabulary ranges from cartoon inflections and bold color to pared-down forms that verge on the symbolic. In his hands, a gesture—cooking a meal, tending a plant, pausing in thought—becomes a quietly radical act of autonomy. His subjects often appear in transitional spaces: windows, thresholds, and gardens that double as emotional terrain, reflecting the fragile distance between sanctuary and scrutiny, vulnerability and strength. Peterson has held solo exhibitions at Deitch Projects, New York; Carl Kostyál, Stockholm; and Fredericks & Freiser, New York, where he is represented. He has also had institutional solo exhibitions at The Studio Museum in Harlem; the Orlando Museum of Art; the University Art Museum at SUNY Albany; and the Rochester Art Center, among others. His work has been featured in group exhibitions at SITE Santa Fe, The Drawing Center, the Kemper Museum of Contemporary Art, the Katonah Museum of Art, the International Print Center New York, and the Yale University Art Gallery. Peterson received his MFA from the Rhode Island School of Design in 2001. He lives and works in Minneapolis, where he is Associate Professor of Drawing & Painting at the University of Minnesota. Lamar Peterson, The Proud Gardener, 2021, Oil on canvas, 70 x 85 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier Lamar Peterson, The Worrier, 2024, Oil on canvas, 30 x 24 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier Lamar Peterson, Exhilarated, 2025, Mixed media and collage on paper, 17 x 12 inches. Courtesy Fredericks & Freiser, New York, Photo Credit: Cary Whittier

My Pet Ram is pleased to present Towards the Sun, a solo exhibition of new paintings by Heather Drayzen, on view through November 9, 2025. This marks the artist's second solo exhibition with the gallery. The gallery is located at 48 Hester Street on the Lower East Side. Gallery hours are Thursday–Sunday, 12–6 PM, and by appointment. Heather Drayzen (b. 1985, San Antonio, Texas) is a painter known for her intimate, small-scale depictions of quiet domestic life, often featuring herself and her loved ones. She currently lives and works in Brooklyn, New York. Drayzen received her BFA from the School of Visual Arts, New York, in 2007, and earned an MAT from the Rhode Island School of Design in 2008. Winter Bath, 2025, 14 x 18 inches, Oil on linen Winnie Rainbow, 2024, Oil on Linen, 20 x 16 inches Giverny, 2025, Oil on Linen 18 x 14 inches

Episode 498 / Elena RedmondElena Redmond (b. 1998, Pittsburgh, PA) lives and works in New York City. Redmond presented her first solo exhibition at DIMIN titiled "Sitting Ducks" spring of  2025. Redmond exhibited in DIMIN's three-person exhibition “Unfeigned Mysteries” in 2024, featured in “A Women's Thing”. She has mounted solo exhibitions with Long Story Short, Los Angeles (2022); and Tchotchke Gallery, New York (2022). Redmond has participated in group shows at Moosey Gallery, London; Orlando Museum of Art, Orlando; Blouin Division and Arsenal Contemporary, Montreal; Hashimoto Contemporary, Los Angeles; Andrea Festa Fine Art, Rome; and Eve Leibe Gallery, London. Redmond holds a BFA from Rhode Island School of Design, Providence, RI.

Hi, It's Michele! Send me a text with who you want as a guest!This Episode is sponsored by Opus 2, MBE LLChttp://www.nielsen-palacios.com/architecthttp://www.nielsen-palacios.com/testimonialshttps://www.linkedin.com/in/christiannielsenpalaciosPhone: 607-319-3150info@thegrouchyarchitect.comLink to blog for text and  images:https://inmawomanarchitect.blogspot.com/2025/10/interview-w-architect-stephen-chung-of.htmlProfessional BackgroundChristian Nielsen-Palacios is a licensed architect with over 40 years of experience, primarily focused on quality assurance (QA), quality control (QC), and technical specification writing for architectural projects. He earned his architecture degree from Universidad Simón Bolívar in Venezuela and later completed a Master's in the History of Architecture at Cornell University in Ithaca, NY .After relocating to the U.S. in 1984, Christian worked in various architectural firms, contributing to numerous public school projects. In 1991, he became a registered architect in New York State . Currently semi-retired, he operates Opus 2 MBE, LLC, offering consulting services that include:Peer reviews of construction documentsTechnical specification writingMentorship for architects, especially those in small firmsTranslation and proofreading services in English and SpanishChristian is active online under the moniker “The Grouchy Architect” (Google him!) where he shares insights on architectural practice, quality control, and professionalStephen K. Chung, AIA is a registered architect in Florida and Massachusetts and principal of Stephen Chung, Architect.  His Boston-based studio is focused on residential and hospitality projects. www.stephenchung.com  Stephen received his architecture degree from Harvard. His recent projects include a new 89 room boutique hotel in called The Sarasota Modern, three new houses in Sarasota and a townhouse development and residential building both in Boston.  In 2020-2024 Stephen won a “Best of Houzz” Award for his residential design work. In March 2009, Casas Internacional published a monograph on his residential work.  The book features eleven of his residential projects.  In addition to practice, Stephen has taught architectural design at several institutions, including Cornell, Rhode Island School of Design, the University of Texas at Austin and Yale University.  Currently he is an Adjunct Professor of Interior Architecture at Suffolk University. Stephen is committed to bridging the gap between the architecture profession and the general public.  To this end, Stephen was the creator, executive producer and host of the acclaimed public television series called “Cool Spaces: The Best New Architecture”. Season 1 of this landmark series debuted on PBS in 2014.  Stephen also hosted a podcast show called “Design Your Dream Home” with architect Doug Patt.  The podcast provided advice to those wanting to design their dream home.  www.thedougandsteveshow.comLink to MGHarchitect: MIchele Grace Hottel, Architect website for scheduling a consultation for an architecture and design project and guest and podcast sponsorship opportunities:https://www.mgharchitect.com/

Toy designer and educator Cas Holman explores how embracing play can unlock creativity, reduce stress, and help small business owners reframe failure as part of growth. Show Notes Page: https://www.thehowofbusiness.com/586-cas-holman-play-in-business/ Cas Holman, renowned toy designer, educator, and author of Playful: How Play Shifts Our Thinking, Inspires Connection, and Sparks Creativity, shares with host Henry Lopez how play isn't just for children. It's a powerful mindset for entrepreneurs. From her early projects like Rigamajig and playful installations at New York's High Line to working with teams at Google, Nike, and the LEGO Foundation, Cas has made a career out of turning curiosity and experimentation into design breakthroughs. Cas and Henry discuss how small business owners can benefit from a more playful approach to work, shifting from rigid outcomes to exploration and possibility. Cas explains her "three essentials for adults to relearn play": release judgment, embrace possibility, and reframe success. Together they reveal how these principles foster innovation, collaboration, and agility - qualities essential for thriving in today's rapidly changing business environment. "The most important thing any human can be right now is flexible," Cas shares. "A playful mindset makes us more creative, more agile, and more open to what's possible." You will be inspired to integrate play into small business meetings, problem-solving, and daily business life. Transforming creativity from a childhood memory into a strategic advantage. Cas Holman is an award-winning toy designer, educator, and author. Founder and Chief Designer of Heroes Will Rise and creator of the acclaimed Rigamajig building kits, her work focuses on the combination of creativity, design, and learning through play. Formerly a professor of Industrial Design at the Rhode Island School of Design, Cas now consults with companies and teams around the world, including Google, Nike, and Disney Imagineering, on the power of play to inspire innovation. This episode is hosted by Henry Lopez. The How of Business podcast focuses on helping you start, run, grow and exit your small business. The How of Business is a top-rated podcast for small business owners and entrepreneurs. Find the best podcast, small business coaching, resources and trusted service partners for small business owners and entrepreneurs at our website https://TheHowOfBusiness.com

Mark Barrow (b. 1982) and Sarah Parke (b. 1981) met while studying at the Rhode Island School of Design. They began collaborating in 2008, when Parke first started weaving fabric on which Barrow would paint. As weaving became the primary conceptual structure through which they approached all subjects, they adopted a joint artistic moniker to more accurately reflect how ideas are generated and spread. Their work focuses on the intersection of weaving (as a spatial and mathematical system) with other visual systems. It also focuses on its intersection with textiles more generally, a tradition that has had an outsized imprint on the history and development of culture and civilization. Barrow Parke live and work in New York City. Barrow holds a B.F.A. in Painting from the Rhode Island School of Design and an M.F.A. in Painting from the Yale School of Art. Parke holds a B.F.A. in Textiles from the Rhode Island School of Design. They have exhibited widely in institutions including the University Art Museum, University at Albany, the Shirley Fiterman Art Center, City University of New York, New York; The Fabric Workshop and Museum, Philadelphia, Pennsylvania; The Rose Art Museum, Brandeis University, Waltham, Massachusetts; the Power Station of Art, Shanghai, China; Kunsthalle Bielefeld, Germany; and Musée d'art Moderne de la Ville de Paris, France. Their work is represented in public collections including Birmingham Museum of Art, Alabama; the Hammer Museum, University of California, Los Angeles, California; Yale Museum, New Haven, Connecticut; the Walker Art Center, Minneapolis, Minnesota; the University of Chicago, Illinois; and Columbus Museum of Art, Ohio. c: Acrylic on Hand-Loomed Linen, 29 5/8 x 23 3/4 inches, 2022 Woman IV, Acrylic and Embroidery on Hand-Loomed Linen, 15 3/4 x 19 3/4 inches, 2020 0N10N, Acrylic on Hand-Loomed Linen, 19 5/8 x 15 3/4 inches, 2019

Marisa Adesman (b. 1991, Roslyn, NY) received her MFA from the Rhode Island School of Design, Providence, RI in 2018 and her BFA from Washington University, St. Louis, MO in 2013. Adesman had her first museum solo exhibition, The Birth of Flowers, at KMAC Contemporary Art Museum, Louisville, KY in 2023. She has exhibited work widely including at the Contemporary Art Museum (CAM), St. Louis, MO; Black Mountain College Museum, Ashville, NC; Mead Art Museum, Amherst College; Amherst, MA; Anat Ebgi, Los Angeles / New York; and Mrs. Gallery, Queens, NY. Adesman's work is in public collections including Museum of Contemporary Art San Diego, San Diego, CA; Deji Museum, Nanjing, China; and Museo d'Arte Moderna di Bologna (MAMbo), Bologna, Italy. Adesman lives and works in Chicago, IL.  Marisa Adesman's surreal and thought-provoking paintings often depict ordinary objects in bizarre contexts and striking states of mystical transformation. She composes tableware, candles, houseplants, flowers, linens, kitchen utensils, and furniture into strange and unusual arrangements that destabilize our notions about the proper order of a house and home. These settings are often centered around the female form and are guided by Adesman's visionary poetics of interior space. She examines the art historical meaning of the female figure as a pliable body designed for amorous desire and protection, but also sinister and capable of deception and corruption. Adesman's compositions mingle ethereal and phantasmagoric imagery of the surrealist period with Dutch still life and vanitas paintings from 16th and 17th century Europe. Likewise, she retains all the attendant technical mastery which defined those artistic styles. Smooth and luminous surfaces combined with a masterful use of chiaroscuro, the skillful contrastingof extreme light and dark, reveals the hand of a remarkably detailed painter whose work demands to be viewed in person. Marisa Adesman: Tug of War, Courtesy the artists and Anat Ebgi, Los Angeles / New York. Photos by: Marisa Adesman Marisa Adesman: Deadheading, 2025, Courtesy the artists and Anat Ebgi, Los Angeles / New York. Photos by: Marisa Adesman Marisa Adesman: The Turn, 2025, Courtesy the artists and Anat Ebgi, Los Angeles / New York. Photos by: Marisa Adesman

What if boredom is the birthplace of your teen's creativity—and your sanity? And what if your own playfulness is the most powerful “parenting tool” you're not using? In this episode, internationally recognized play designer and RISD professor Cass Holman (creator of the RIGAMAJIG and author of Playful) shows us why free play—play that's freely chosen, personally directed, and intrinsically motivated—is essential for teens and adults. We talk about releasing judgment, embracing possibility, and reframing success (hint: it's not the perfect selfie at the summit). Cass explains why boredom matters, how “consuming” play (scrolling) differs from “generative” play (making), and offers practical ways moms can invite more low-pressure play into everyday life—without becoming their teen's cruise director. Guest bio paragraph:Cass Holman is an internationally recognized designer, educator, and play advocate. A longtime professor at the Rhode Island School of Design, Cass created RIGAMAJIG, a large-scale building kit used in thousands of schools and museums, and is featured on Netflix's Abstract: The Art of Design. Their new book, Playful: How Play Shifts Our Thinking, Inspires Connection, and Sparks Creativity, distills two decades of designing for play, leading workshops at places like Google, Disney, and Nike, and collaborating with child-development experts to help all of us—kids, teens, and adults—reconnect with true play. Three takeaways: Boredom is productive. Letting teens linger in boredom helps them notice what they actually need and choose self-directed, creative action. Reframe success. Swap “Did we reach the top?” for “Did we connect?”—and watch stress melt while curiosity rises. Model, don't manufacture. You don't need to entertain your teen; be playful yourself. Release judgment, embrace possibility, and let “good enough” be great. Learn more at: https://casholman.com/ Follow at https://www.instagram.com/casholman/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Kendra Gay is a facilitator for the Rhode Island School Recycling Project, an organization that has been instrumental in engaging many schools in Rhode Island to participate in school food waste solutions.Enjoy Episode 166

In this episode of The Growing Readers Podcast, host Bianca Schulze welcomes award-winning author-illustrator Grace Lin and her childhood friend turned editor, Alvina Ling, VP and Editor-in-Chief at Little, Brown Books for Young Readers. The duo discusses Grace's return to middle grade fiction after nine years with The Gate, The Girl, and The Dragon, a stunning fantasy based on Chinese folklore. They explore the collaborative magic of their decades-long partnership, the balance between artistic vision and commercial publishing, the importance of creating diverse literature, and how patience and trust allow books to become exactly what they're meant to be.Transcription: You can read the transcription on The Children's Book ReviewHighlights:The Nine-Year Wait: Why Grace stepped away from middle grade to focus on picture books and how The Gate, The Girl, and The Dragon came together piece by piece since 2016The Shanghai Dragon Pillar: The urban legend that became a crucial puzzle piece—how construction workers appeased an angry dragon sleeping beneath a highwayThe Messy Middle: Why every book is a slog, even after 26 years of publishing, and how Grace and Alvina work through it togetherPublishing Beautiful Books: Behind the scenes of creating sprayed edges, gold foil, and full-color illustrations—and how the sales team championed the special treatmentFrom Childhood Friends to Creative Partners: How Alvina and Grace's friendship since age 10 (captured in The Year of the Dog) shapes their editorial relationshipTrying Your Best Makes You the Hero: Grace's philosophy of creating relatable characters who aren't "chosen ones" but ordinary kids earnestly doing the right thingNotable Quotes:"I wanted to make books that showed people how human Asians were...that Asians are just as human, just as part of the population as everyone else." —Grace Lin"I feel like the audience is just excited with whatever you want to do next." —Alvina Ling on Grace's ability to move between genresBooks Mentioned:The Gate, The Girl, and The Dragon by Grace Lin: Amazon or Bookshop.orgWhere the Mountain Meets the Moon by Grace Lin: Amazon or Bookshop.orgA Big Mooncake for Little Star by Grace Lin: Amazon or Bookshop.orgChinese Menu by Grace Lin: Amazon or Bookshop.orgThe Year of the Dog by Grace Lin: Amazon or Bookshop.orgStarry River of the Sky by Grace Lin: Amazon or Bookshop.orgWhen the Sea Turned to Silver by Grace Lin: Amazon or Bookshop.orgAbout Grace Lin:Grace Lin is the award-winning and bestselling author and illustrator of Chinese Menu, When the Sea Turned to Silver, Starry River of the Sky, Where the Mountain Meets the Moon (a Newbery Honor book), The Year of the Dog, The Year of the Rat, Dumpling Days, and Ling & Ting, as well as picture books such as The Ugly Vegetables, A Big Bed for Little Snow, and A Big Mooncake for Little Star. Grace is a graduate of the Rhode Island School of Design and lives in Massachusetts.About Alvina Ling:Alvina Ling is VP and Editor-in-Chief at Little, Brown Books for Young Readers (a division of Hachette Book Group) where she has worked since 1999. She edits children's books for all ages, from picture books to young adult. She has edited such books as A Big Mooncake For Little Star by Grace Lin; Mr. Tiger Goes Wild by Peter Brown; Dave the Potter by Laban Carrick Hill, illustrated by Bryan Collier; Where the Mountain Meets the Moon by Grace Lin; The Land of Stories series by Chris Colfer; The Candymakers by Wendy Mass; Daughter of Smoke and Bone by Laini Taylor; and The Cruel Prince by Holly Black.Connect and Follow:Learn more about Grace Lin: https://www.gracelin.comFollow Alvina Ling on Twitter: @planetalvinaFollow Alvina Ling on Instagram: @alvinalingListen to Grace and Alvina's podcast: Book Friends ForeverCredits:Host: Bianca SchulzeGuests: Grace Lin and Alvina LingProducer: Bianca SchulzeEpisode Sponsor: https://www.claudiamillsauthor.com/books/66

Lisa Davidson is an ironworker with Local 377 San Francisco. Her team currently does ironwork on the Golden Gate Bridge. But we'll get to that. In this episode, S8 E3, meet and get to know Lisa. I first did that back in May at our Keep It Local art show at Babylon Burning (thanks, Mike and Judy!). Someone at the party that night approached me to let me know that there was a person there who works on the best bridge in the world (fact) and that I should meet them. I love when people really get me. Right away, I was drawn in by Lisa's warmth, charm, and sense of humor. And so we sat down outside in Fort Mason in early August and Lisa shared her life story. She was raised feeling like she had complete freedom. It was something Lisa didn't realize at the time, but looking back, it became clear to her. She was raised in Framingham, Massachusetts, just outside of Boston, in a liberal household. Her grandparents lived in Boston itself, and she loved visiting them when she was a kid. Her grandfather ran a tchotchke store in town called House of Hurwitz, and Lisa says that the place had a big influence on her outlook. It was located on the edge of what they call, to this day, the “Combat Zone” (think: red-light district). Her “wheelin' and dealin'” grandpa sold mylar balloons to the Boston Gardens for events held there. He told young Lisa that she could blow up balloons and that that could be her future. Lisa has a brother four years younger than she is. Her dad was an electrician. One of his clients was a lithograph press in Boston. He'd sometimes get paged for a job and have to leave his family, although Lisa now wonders whether he just wanted to get away from time to time. When she was a senior in high school, her parents divorced, despite being a very loving couple up to that point. She says her mom was “crazy in an I Love Lucy way. She was raised in the Fifties the way many young women at that time were, in a way that did its best to stifle any creativity. Suffice to say that her mom had fun decorating the house Lisa grew up in. Despite her and her family's Jewishness, Lisa revolted and wanted to go to Catholic school or just become a preppy L.L. Bean-type kid. She of course regrets rejecting the norms of her family nowadays. It was what it was. The family was more culturally Jewish than religious, though, something Lisa says was a huge influence on who she's become as an adult. She graduated high school and went to college at the University of Massachusetts Amherst. It wasn't Ivy League, but it was (and is) something of a preppy school. Where Lisa grew up, there was an expectation that kids would go to college, and so she went. It wasn't super far from home, but it wasn't close either. Her parents did suggest that Lisa maybe go to art school. But in her family, it was the kid dismissing that idea. “That's a not real school,” young Lisa told them. She liked sports. At Amherst, she joined the crew team. She liked the competition and how good of shape it got you in. She liked it, but it was a lot of pressure. She graduated, took a year off working odd jobs, then dove into art school. So next up was Rhode Island School of Design (RISD). She was surprised she got in, and even navigated a bit of impostor syndrome. Surprised by the school's acceptance of her and feeling somewhat intimidated by other artist students, Lisa ended up doing printmaking. Rather than aiming for a master's degree, she sought a second bachelor's. Her studies had her spending a lot of time in the school's foundry, where she discovered welding. She loved it. During her time back in Amherst, she'd heard of a guy who was going to Alaska. (Lisa and I go off-topic into our shared distaste for camping at this point in the conversation.) Back to the Alaska story, her mom was fully supportive and even took her shopping at an Army Navy store. She went there and worked in canneries through the summer between her junior and senior years at Amherst. While she was up north, doing jobs all over the state, she met folks from California. From the stories they told her, it became a place she wanted to go. But first, RISD. In Rhode Island, she met a guy from Danville in the East Bay. When his family learned of her interest in our state, they invited Lisa to spend a summer with them, which she did. And she and her friend came to The City as often as they could. After those few months, she knew that California—and specifically, The Bay—was for her. She needed to go back and finish that second round of college in Rhode Island, and she did. After that, Lisa “beelined it” back to Oakland. She found work in a prop shop making sculptures out of foam with a chainsaw. Check back this Thursday for Part 2 with Lisa Davidson. We recorded this podcast at Equator Coffee in Fort Mason in August 2025. Photography by Jeff Hunt

Photo courtesy of Elizabeth Haynes. Deborah Zlotsky received a 2019 Guggenheim Fellowship and NYFA Artist Fellowships in Painting in 2012 and 2018. Her work is in a variety of public, private, and corporate collections in the US and abroad and she has been awarded recent residencies at MacDowell, Yaddo, the Bogliasco Foundation, and the Bemis Center. Zlotsky is represented by McKenzie Fine Art and Markel Fine Art, both in New York City, Robischon Gallery in Denver, Sandler-Hudson Gallery in Atlanta, and Bernay Fine Art in Great Barrington, MA. She has a BA in art history from Yale University and an MFA in painting and drawing from the University of Connecticut. She teaches at the Rhode Island School of Design and lives in the Hudson Valley. Deborah Zlotsky, Ghost lines 3, acrylic gouache on panel, 2025, 14” x 11” Photo courtesy of Liz Dejeuness. Deborah Zlotsky, Not a line but a constellation, oil on canvas, 2025, 14” x 11” Photo courtesy of Liz Dejeuness. Deborah Zlotsky, Tragedy plus time, oil on canvas, 2025, 60” x 60” Photo courtesy of Liz Dejeuness.

Hey listeners... So, last weekend we had the privilege and the honor of recording from this year's Dark Arts Festival. This time the festival took place at RISD (the venerated Rhode Island School of Design). Brought to you by our good friend (and Friend of the Show), Josh Dahlin of The Horror Depot...the festival brought together, vendors, artists, authors, side-show performers, drag queens, oddities, and much much more in an all-inclusive and diverse space to celebrate the weird and wonderful world of horror, creativity and community. We were fortunate enough to get to talk to film-makers, paranormal investigators, artists and performers. It was a rainy and miserable late-summer New England day but, all that rain certainly didn't dampen anyone's spirits as we, and everyone else had a helluva lot of fun and you can check it all out by listening in ths very episode!

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

Featured : HANNAH CARLSON, Pockets: An Intimate History of How We Keep Things Close Okay, million dollar question: Who gets pockets, and why? It is definitely peculiar and frankly, I have a lot of questions. Why do men's clothes have so many pockets and women's so few? And why are the pockets on women's clothes often too small to fit phones, if they even open at all? GOOD NEWS: Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, can finally tell us! This book reveals the issues of gender politics, security, sexuality, power, and privilege tucked inside our pockets. (Cue Gollum) #GiveMePocketsOrGiveMeDeath.Filled with incredible images, this microhistory of the humble pocket tells us a lot about ourselves: How is it that putting your hands in your pockets can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman's author photograph, hand in pocket, for Leaves of Grass seemed like an affront to middle-class respectability. When W.E.B. Du Bois posed for a portrait, his pocketed hands signaled defiant coolness. And that's just the beginning. We'll tackle the past, the present, and the future—with Hannah as our guide. So stuff your own pockets with treats and pull up a chair—Let's get to the bottom of a sartorial mystery!Episode was recorded live August 15, 2025.Email: peculiar@bschillace.comWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://peculiarbookclub.com/⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://eepurl.com/ixJJ2Y⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/PeculiarBookClub/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@PeculiarBookClub/streams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peculiarbookclub.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/groups/peculiarbooksclub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepeculiarbook

Why do we design indoor spaces the way we do? What are the unseen socio-cultural impacts involved and how do they impact other aspects of the indoor environment that we can not see? Today, we're unpacking the idea that our indoor environments are not just passive shelters - they are complex, multifaceted situations with competing goals and perspectives. As our guest, Dr. Liz McCormick shares, our relationship with indoor space is a rich, interdependent web of circumstances that stretches well beyond the boundaries of any single discipline. We'll be bringing together insights from architecture, anthropology, and ecology to explore the substantial footprint of our built environments—physically, on a scale equivalent to global grasslands and tropical forests; psychologically, as we experience thermal blandness and a disconnect from nature; and ecologically, as we grapple with a misplaced sense of separation from the "dirt" and the world outside our carefully conditioned spaces. This conversation will challenge us to rethink outdated ideas and address why the air we live in—this "material" we are in constant contact with—matters so much for our health. We'll be looking at a comprehensive model for indoor air quality, considering the crucial interactions between pollutants, their pathways, and our exposure. Buckle up for another thoughtful adventure on the Building Science Podcast!Links from the Episode:Buildings don't use energy: people doEntomological HappeningsThe Architecture of Vector ControlLiz McCormickMcCormick is a licensed architect, educator, and researcher whose work explores healthy, climatically sensitive, and contextually appropriate building design strategies that connect occupants to the outdoors while also reducing the dependence on mechanical conditioning technologies. Her recent book, Inside OUT: Human Health & the Air-Conditioning Era (Routledge), tells the rich story of both the social and technological drivers of the conditioned indoors while making an argument for thoughtful interventions in the built environment. It brings together a multi-disciplinary group of experts of the indoors, including scientists, anthropologists, engineers, and architects, to discuss the future of human habitation with a dominant focus on human health in a post-pandemic world. Liz is also the lead-PI for the NSF-supported research study abroad program to Tanzania (through 2026).Liz is a WELL and LEED Accredited Professional and a Certified Passive House Consultant. With over 10 years of experience as a practicing architect, she has worked on a variety of project scales from single-family passive houses to LEED-certified commercial office buildings and campuses. She received a PhD in Design from North Carolina State University, Master of Science in Building Technology from the Massachusetts Institute of Technology as well as bachelor's degrees in architecture and fine arts from the Rhode Island School of Design. Liz was the recipient of the 2021 AIAS/ACSA New Faculty Teaching Award, which “honors architectural educators for exemplary work in areas such as building design, community collaborations, scholarship, and service,” the announcement reads. Liz is also an active member of numerous professional and academic organizations, including the American Institute of Architects (AIA), AIA Charlotte Committee on the Environment (COTE), National Passive House Alliance (PHAUS), the Society of Building Science Educators (SBSE). Additionally, she is an invited board member of the Softwood Lumber Board (SLB) and the president-elect for the Building Technology Educators Society (BTES)

Madeline Peckenpaugh (b. 1991, Milwaukee, Wisconsin) renders depth through iterations of adding and subtracting paint, creating a semblance of deep and flat space simultaneously. Probing the slips in perception between corporeal experience, memory, and imagination, she shifts the scale of everyday elements, interlaces components, and depicts forms in both single tones and fluctuating textures. The viewer's trained perception of the landscape can become questioned, as monumental structures begin to vaporize, and natural forms become paper thin. There is a reconciliation of opposites: deep space of the real world with the flat space of the canvas. Peckenpaugh received an MFA in Painting from Rhode Island School of Design, Providence, RI and a BFA from the Pennsylvania Academy of Fine Arts, Philadelphia, PA. Peckenpaugh's work has been exhibited at Alexander Berggruen, New York, NY; Bremond Capela, Paris, FR; 1969 Gallery, New York, NY; F2T Gallery, Milan, IT; Andrew Reed Gallery, Miami, FL; PM/AM Gallery, London, UK; COMA, Sydney Australia; and The Rhode Island School of Design Museum, Providence, RI; among others. Her work is included in the public collections of the Institute of Contemporary Art, Miami, FL; the Woodmere Art Museum, Philadelphia, PA; Brown University, Providence, RI; and the Pennsylvania Academy of Fine Arts, Philadelphia, PA. She was recently an artist in residence at Palazzo Monti in Brescia, Italy. Peckenpaugh lives and works in Queens, NY. Madeline Peckenpaugh, In Orbit, 2025 oil on canvas 77 1/2 x 100 in. (196.8 x 254 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann Madeline Peckenpaugh, Aries Moon, 2025 oil on linen 54 x 52 in. (137.2 x 132.1 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann Madeline Peckenpaugh, Spring, 2025 oil on canvas 70 x 65 3/4 in. (177.8 x 167 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann

Jinal Sampat is a visionary jewelry designer and the founder of Sampat Jewellers, a brand known for its elegant fusion of tradition and modernity.    With a background in architecture from the Rhode Island School of Design, Jinal brings a unique design sensibility to her craft, reimagining traditional Indian Mangalsutras into contemporary, wearable wedding chains for today's modern woman.   Jinal discusses how a blog post showcasing conceptual designs unexpectedly brought in organic leads, validating her niche and sparking the business's direction.    She emphasizes the importance of staying focused, following the 80/20 rule for productivity, and working on the business rather than getting lost in it.    Jinal offers candid advice about entrepreneurship, including not relying on friends and family for support, embracing storytelling in product design, and building a brand grounded in authenticity rather than imitation.    Website: Sampati  LinkedIn: Jinal Sampat  Instagram: sampatjewellers   Check out our CEO Hack Buzz Newsletter–our premium newsletter with hacks and nuggets to level up your organization. Sign up HERE.  I AM CEO Handbook Volume 3 is HERE and it's FREE. Get your copy here: http://cbnation.co/iamceo3. Get the 100+ things that you can learn from 1600 business podcasts we recorded. Hear Gresh's story, learn the 16 business pillars from the podcast, find out about CBNation Architects and why you might be one and so much more. Did we mention it was FREE? Download it today!

There seems to be no limit to what artificial intelligence can produce and create. So how will artificial intelligence impact the way we make and critique art? Today, we hear how artists are using artificial intelligence in their work. We ask a Connecticut professor, and artists of all disciplines, if AI is good or bad for the creative process. We also explore a question: If AI is the author, can what it made really be called art? GUESTS: Kevin Ramsey: Assistant Professor of Theater at the University of Hartford Roger Beaty: Associate Professor of Psychology at Pennsylvania State University Clement Valla: Artist and the Department Head of the Art, Computation, and Sound BFA at the Rhode Island School of Design Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

Cameron is a real estate & digital infrastructure investor and advisor to accredited investors & private funds, as well as a management consultant working with businesses across industries on real estate portfolio strategy. Prior to Landtheory, Cameron was a Managing Director focused on portfolio strategy at Newmark where he advised institutional investors and multinational corporations on over $1.2 billion in real estate capital expenditures across 5.5 million square feet of office, industrial, retail and lodging properties. As an independent advisor, he has coordinated over $150 million in multifamily capital markets transactions and performed construction administration on over $90 million worth of ground up multifamily development. Cameron began his career at Gensler where he contributed to the design of over 1 million square feet of office space in New York, Los Angeles and Washington DC. Cameron holds a Bachelor of Architecture from Rhode Island School of Design and a Master of Science in Real Estate Development from Columbia University as well as certificates in Alternative Investments from Harvard University and Hospitality Investments from Cornell University. He has been qualified for receivership appointments by the New York State Bar Association (NYSBA) and has passed the Series 65 - Uniform Investment Adviser Law Exam, administered by the Financial Industry Regulatory Authority (FINRA). What You Will Learn: Who is Cameron Hastings? What led Cameron to transition from studying architecture to working in real estate development? How did Cameron's experience at Gensler shape his understanding of the architectural and development industries? What insights did Cameron gain about the role of developers versus designers in real estate projects? How did Cameron begin his journey into real estate investing while working as an architect? What motivated Cameron to pursue a master's degree in real estate development? How did Cameron's work with a multifamily developer influence his approach to real estate? What lessons did Cameron learn about market specialization during his time at Newmark? How did working with diverse property types expand Cameron's understanding of the real estate market? How can smaller investors play a role in the ecosystem of unanchored strip centers? What advantages do smaller investors have when it comes to adding value to strip center properties? What strategies does Cameron use to manage risk in his investments in strip centers? How does Cameron approach capital improvements and renovations to strip centers? Are there other markets outside of Southern California and Texas that show potential for strip center investments? What role do public and private real estate markets play in achieving diversification for investors? How can smaller investors leverage the public markets alongside their private investments? What unique opportunities do fragmented markets present to smaller investors in real estate? How does Cameron view the future of unanchored strip centers in light of current market trends? Cameron shares his contact information so that everyone can reach her. Additional Resources from Cameron Hastings: Website: https://www.selenebrighthouse.com/ LinkedIn: https://www.linkedin.com/in/cameron-hastings-landtheory/ Attention Investors and Agents Are you looking to grow your business? Need to connect with aggressive like-minded people like yourself? We have all the right tools, knowledge, and coaching to positively effect your bottom line. Visit:http://globalinvestoragent.com/join-gia-team to see what we can offer and to schedule your FREE consultation! Our NEW book is out...order yours NOW! Global Investor Agent: How Do You Thrive Not Just Survive in a Market Shift? Get your copy here: https://amzn.to/3SV0khX HEY! You should be in class this coming Monday (MNL). It's Free and packed with actions you should take now! Here's the link to register: https://us02web.zoom.us/webinar/register/WN_sNMjT-5DTIakCFO2ronDCg

We meet artist Joe Bradley, on the eve of his new solo show of new paintings in London. Animal Family is Bradley's second exhibition with David Zwirner since the announcement of his representation in May 2023. His celebrated debut at David Zwirner New York, Vom Abend, was presented in spring 2024. In November 2025, a major survey of Bradley's works from the past ten years will open at Kunsthalle Krems, Austria.In these new paintings, figurative elements—which Bradley had begun to develop in previous works—emerge as central compositional structures. ‘I have never really felt comfortable calling myself an abstract painter,' says Bradley. ‘There have always been flashes of figuration in my work. For whatever reason, at this moment, I feel ready to let it all come to the surface.' 1A group of horizontal paintings feature black contour lines that serve as scaffoldings for swaths of colour, floral blots of brushy paint, and scraped and stippled textural patches, which coalesce into hulking, animal-like forms that fill the surface of the support. Bradley builds up these forms until they achieve a loose balance between assembled wholes and disparate parts, establishing a dynamic tension in the work between cohesion and dissolution.In one painting, pinkish triangles read like teeth extending along a pronounced blue-and-white snout. Lines, shapes, and blots of colour momentarily read like a tail or paw but just as quickly come to stand as distinct visual components. This figural mass rests against a black ground dotted with white, suggesting a dark, star-filled sky. While related to those paintings, several vertical canvases represent a notable evolution in Bradley's work in which the human form becomes a broad organising principle. Shades of mid-century deconstructed figuration and other art-historical references and associations come through in these large, frontally oriented figures.Like his constant working and reworking of the formal and compositional elements in his paintings, such associations are part of Bradley's open and deliberative method of painterly accumulation and adaptation, whereby he constantly reacts and responds to the process of creation itself. In some of these paintings, the figure is quite discernible. In others, the formal elements share only a general relationship to the human form with eyelike ovals or leglike protrusions suggesting bodily architectures. Like the animal associations in the horizontal canvases, these roughly human-scale paintings reinforce such bodily associations, reflecting Bradley's sensitivity to the formal, compositional, and material qualities of his medium.Joe Bradley (b. 1975) is widely recognised for his expansive visual practice that encompasses painting as well as sculpture and drawing. Over the past twenty years, Bradley has constantly reinvented his approach to his art, creating a distinctive body of work that has ranged from modular, minimalist-style paintings and sculptures to rough-hewn, heavily worked surfaces featuring pictographic and abstract elements to refined and layered compositions that, as critic Roberta Smith notes, “balance gracefully between representation and abstraction.”Bradley was born in Kittery, Maine, and received his BFA from the Rhode Island School of Design in 1999. He presently lives and works in New York. Hosted on Acast. See acast.com/privacy for more information.

AB Gorham, artist, poet, and Assistant Professor of Book Arts and Papermaking at the University of Nebraska at Omaha. In the show Gorham talks about the tactile and transformative nature of book arts, where a choreography of sculpture, language, and paper come together in experiential forms. She shares how her creative process is driven by intuition, the discipline of daily practice, and even her dreams.AB Gorham's poems have been published in Puerto Del Sol, The Call Center, American Letters and Commentary, DIAGRAM, and Gulf Coast, among others. Her artist books can be found in special collections at UCLA, the Institute of Art Chicago, the Rhode Island School of Design, Miami University, the Bainbridge Island Museum of Art, and many others.

In a world of perpetual motion, there exists a realm of profound stillness—where light doesn't simply illuminate, it transforms. Far from home amid Earth's frozen tundras, time itself seems suspended in crystalline air. In today's podcast, we'll visit these places where time hangs in the balance, and we'll explore the intrepid mix of endurance, patience, and vision it takes to make pictures there. Joining us for this conversation are polar photography specialists Acacia Johnson and Jonas Paurell. From making distinctions between Arctic and Antarctic regions, to learning about the unique challenges involved with photographing there, our polar experts share many valuable insights. In addition to tips about packing and safeguarding camera gear in cold weather climates, we also discuss the importance of managing expectations during such trips, especially when faced with a long wait to see wildlife amid the barren stillness. As Alaskan photographer Acacia Johnson puts it, “… I think going into a trip with kind of a sense of exploration, like the joy of the trip is that you don't know, and it's completely unique to your experience. And whatever you do see is kind of a gift.”   Guests: Acacia Johnson & Jonas Paurell Episode Timeline: 3:37: Acacia Johnson's upbringing in the wilds of Alaska and leaving the area for photo studies at the Rhode Island School of Design in the lower 48. 7:35: Jonas Paurell's youth in Sweden and the impact his first trek to Scandinavian Arctic regions had on his soul. 14:08: The differences between Arctic and Antarctic polar landscapes, plus Acacia's experiences during a winter in Arctic Bay, with no sun for four months. 29:13: Different approaches to storytelling about the Arctic based on subject matter, and capturing an emotion in images that does justice to the landscape. 37:31: The logistics of getting to Arctic and Antarctic locations, and expenses involved with working and living there. 43:19: The Jubilee Expedition Jonas organized to celebrate the 150th anniversary of a legendary Swedish polar expedition to Svalbard. 51:20: Episode Break 51:38: Preparations for a polar expedition and the camera gear Acacia and Jonas pack. 1:00:31: Using a large format camera on polar expeditions, plus managing gear in extreme cold conditions. 1:06:42: Managing expectations for travelers, misconceptions when planning trips, plus different types of vessels used during expeditions to polar regions. 1:16:42: Cultivating an authentic connection to place when photographing polar regions. 1:21:29: The changing ethics of photographing in polar regions, plus findings from Jonas's Jubilee Expedition Guest Bios: Acacia Johnson is a photographer, writer, and a 2023 National Geographic Explorer based in Anchorage, Alaska. Drawn to painterly light and otherworldly landscapes, her work focuses on the environment, conservation, and connections between people and place. Over the past 10 years, she has made more than fifty expeditions to the Arctic and Antarctica as a photographer and a guide—always seeking to inspire wonder and compassion for these remote regions during a time of rapid change. Her photographs have been exhibited internationally and have been featured in The New York Times, The Guardian, National Geographic and TIME magazines, among other publications. In 2021, Acacia was awarded the Canon Female Photojournalist Grant, and in 2022 she received the ICP Infinity Award for Documentary Practices and Photojournalism. Jonas Paurell is an explorer, conservation photographer, photo educator, and speaker from Gothenburg, Sweden. One of his most ambitious projects is a 25-year documentation of the Arctic. Through ski expeditions and icebreaker voyages, he has captured both the resilience and vulnerability of Arctic landscapes, emphasizing the fragility of the region and the urgent need for preservation. In 2022, Jonas launched The Jubilee Expedition, recreating the historic Swedish Polar Expedition of 1872 to highlight this region's rapid melting and the far-reaching impacts of climate change. Jonas is also founder of Terra Photography Expeditions, which offers immersive workshops in both Arctic regions and South American rainforests, helping photographers deepen their connection with nature while refining their craft. Additionally, before dedicating his life to photography, Jonas served as a human rights lawyer for the United Nations. Stay Connected: Acacia Johnson Website Instagram Facebook X Jonas Paurell Website Terra Photography Expedition Instagram Facebook YouTube   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

For many of us, handbags are an essential part of our lives. They allow us to leave the house with everything we need, and they also can be another place to show off our status or style. This hour, we look at the evolution of the handbag. We'll talk about famous "It Bags", how handbags contributed to human development, and the impact of the Walmart "Birkin." GUESTS: Nancy MacDonell: Fashion journalist and fashion historian. She writes the Wall Street Journal column "Fashion with a Past.” Her new book is Empresses of Seventh Avenue: World War II, New York City, and the Birth of American Fashion Hannah Carlson: Senior Lecturer in the Apparel Department at the Rhode Island School of Design. She’s also the author of Pockets: An Intimate History of How We Keep Things Close Audrey Wollen: Book critic and writer whose work has appeared in The New Yorker, Harper's, The New York Review of Books and other outlets. Her article “A Unified Theory of the Handbag” recently appeared in The Yale Review Aarushi Bhandari: An Assistant Professor of Sociology at Davidson College. Her forthcoming book is Attention and Alienation Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

LIVE from Plein Air Easton 2024, Tim and Jess talk with alumni artist Mark Shasha. Mark is an interdisplenary artist that, beyond painting, also plays music and acts.  He discusses his relationship with terror and how it fuels all of his artistic pursuits. "Painting is a calling for me. It is a longing for those moments when the poetry happens when a sun beam caresses a snowbank, peeks into a glade or spills diamonds across the sea. I'm compelled by something deep in me to seize that energy and to express it as paint on canvas using my own calligraphy and the brevity of a few accurate brushstrokes.  My reward is to have the viewer linger, to understand, to share as the canvas evokes and conveys a glimmer of that sublime natural beauty all around us." Mark Shasha (b. 1961) is an award-winning American artist, author and educator. His work has appeared in museums, galleries and publications for 40 years. His paintings are found in public and private collections around the world.  And millions have read his children's books which he has written and illustrated.    After college at Rhode Island School of Design in 1983 Shasha was a frequent illustrator for the Boston Phoenix, The Globe and many other publications. His first children's book, Night of the Moonjellies (Simon & Schuster, 1992) won a Marion Vannett Ridgway Honor Award and was welcomed by Smithsonian Magazine as “a classic.” It continues to appear on bestseller lists. Follow Mark Shasha: Official Site Instagram Follow Plein Air Easton: Official Site Facebook Instagram YouTube Instructional Videos To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com. Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.

This week on Everything You Didn't Know About Herbalism, we are joined by the profoundly talented ecology illustrator and lifelong lover of nature, Emily Poole. Emily's love for the natural world shines evidently through her artwork, which combines whimsical and educational elements that highlight the intentionality behind every corner of her illustrations. Tag along with Emily and Tommy as they explore Emily's journey into becoming a natural history illustrator and why ecology illustrations play an important role towards the conservation of our planet. As always, we thank you for joining us on another botanical adventure and are honored to have you tag along with us on this ride. Remember, we want to hear from you! Your questions, ideas, and who you want to hear from are invaluable to our podcast. Email us at podcast@mountainroseherbs.com to let us know what solutions we should uncover next within the vast world of herbalism.  

Michael Dante DiMartino graduated from the Rhode Island School of Design with a BFA in Film and Animation. His directing credits include the primetime animated series King of the Hill, Family Guy, and Mission Hill. DiMartino is the co-creator of the award-winning animated Nickelodeon series Avatar: The Last Airbender and its sequel, The Legend of Korra. From 2002 to 2014, he served as executive producer and story editor for both series. He continued Korra's story as the writer of the graphic novels Turf Wars and Ruins of the Empire. His other projects include authoring the fantasy novels Rebel Genius and Warrior Genius as well as creating and writing the Audible Original fiction podcast, Sundown: A Time Capsule Society Mystery. His latest novel is the YA coming-of-age story, Both Here And Gone.Currently, DiMartino serves as the co-Chief Creative Officer of Avatar Studios, developing new content for the Avatar-verse.You can find out more about Michael by visiting his website www.michaeldantedimartino.com, on Facebook /MichaelDanteDiMartino, or on Instagram @mike_dante_d This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Providence, Rhode Island, is the capital and the largest city in the state, known for its rich history, vibrant arts scene, and unique mix of old-world charm and modern urban development. As one of the oldest cities in the United States, founded in 1636, Providence was a refuge for those seeking religious freedom, which has laid the foundation for the city's commitment to diversity and tolerance. The city is also home to some of the most prestigious universities in the United States, including Brown University, an Ivy League school, and the Rhode Island School of Design. With so many college students, you would expect Providence to also have a thriving nightlife, which can be found downtown where a variety of bars, clubs, and live music venues wait to welcome students who want to socialize and let loose in the evenings and on weekends. For such a large and busy city, you would also expect that Providence has its share of crime, and while the city does have some issues with violent crime, property crimes such as burglary and motor vehicle theft are far more common. But what happens when a basic carjacking turns violent for seemingly no reason whatsoever? In June of 2000, 20-year-old Jason Burgeson and 21-year-old Amy Shute found themselves in the crosshairs of five nefarious men who were prowling the streets of Providence, looking to get into trouble. Jason and Amy were spotted by a Providence police officer around 2:15 AM on June 9th; the couple was chatting in the parking lot of Tommy's Bar and Grille in downtown Providence. Less than 12 hours later, their bodies were found slumped against hay bales at the Button Hole Golf course, located on the border of Providence and Johnstown, Rhode Island. They had been murdered in cold blood, and it was up to the investigators to figure out what had happened to them and why. Try our coffee!! - www.CriminalCoffeeCo.com Become a Patreon member -- > https://www.patreon.com/CrimeWeekly Shop for your Crime Weekly gear here --> https://crimeweeklypodcast.com/shop Youtube: https://www.youtube.com/c/CrimeWeeklyPodcast Website: CrimeWeeklyPodcast.com Instagram: @CrimeWeeklyPod Twitter: @CrimeWeeklyPod Facebook: @CrimeWeeklyPod ADS: 1. RocketMoney.com/CrimeWeekly - Cancel your unwanted subscriptions and more today! 2. OneSkin.co - Use code CRIMEWEEKLY for 15% off your purchase! 3. HelixSleep.com/CrimeWeekly - Get 25% off sitewide and more! 4. Skims.com/CrimeWeekly - Shop SKIMS best intimates! Select our podcast after you order to let them know we sent you! #skimspartner 5. SimpliSafe.com/CrimeWeekly - Get 50% off a new system with a Professional Monitoring Plan!

Providence, Rhode Island, is the capital and the largest city in the state, known for its rich history, vibrant arts scene, and unique mix of old-world charm and modern urban development. As one of the oldest cities in the United States, founded in 1636, Providence was a refuge for those seeking religious freedom, which has laid the foundation for the city's commitment to diversity and tolerance. The city is also home to some of the most prestigious universities in the United States, including Brown University, an Ivy League school, and the Rhode Island School of Design. With so many college students, you would expect Providence to also have a thriving nightlife, which can be found downtown where a variety of bars, clubs, and live music venues wait to welcome students who want to socialize and let loose in the evenings and on weekends. For such a large and busy city, you would also expect that Providence has its share of crime, and while the city does have some issues with violent crime, property crimes such as burglary and motor vehicle theft are far more common. But what happens when a basic carjacking turns violent for seemingly no reason whatsoever? In June of 2000, 20-year-old Jason Burgeson and 21-year-old Amy Shute found themselves in the crosshairs of five nefarious men who were prowling the streets of Providence, looking to get into trouble. Jason and Amy were spotted by a Providence police officer around 2:15 AM on June 9th; the couple was chatting in the parking lot of Tommy's Bar and Grille in downtown Providence. Less than 12 hours later, their bodies were found slumped against hay bales at the Button Hole Golf course, located on the boarder of Providence and Johnstown, Rhode Island. They had been murdered in cold blood, and it was up to the investigators to figure out what had happened to them and why. Try our coffee!! - www.CriminalCoffeeCo.com Become a Patreon member -- > https://www.patreon.com/CrimeWeekly Shop for your Crime Weekly gear here --> https://crimeweeklypodcast.com/shop Youtube: https://www.youtube.com/c/CrimeWeeklyPodcast Website: CrimeWeeklyPodcast.com Instagram: @CrimeWeeklyPod Twitter: @CrimeWeeklyPod Facebook: @CrimeWeeklyPod ADS: 1. Hero.co - Use code CRIMEWEEKLY for 10% off your order! 2. Acorns.com/CrimeWeekly - Download the Acorns app today! 3. EatIQBAR.com - Text WEEKLY to 64000 for 20% off ALL IQBAR products and FREE shipping! 4. LiquidIV.com/CrimeWeekly - Use code CRIMEWEEKLY for 20% off your first order!